#SACD Prize
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Julliette Binoche
#film#film legends#film photography#cannes film festival#french film#jean luc godard#claire denis#roland barthes#Julliette Binoche#Christine Argot#director’s fortnight section#SACD Prize#Lumieres Award#Cesar Award
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Cannes Critics' Week Winner 'La Jauria' Unveils First Clip (EXCLUSIVE)
Cannes Critics’ Week Winner ‘La Jauria’ Unveils First Clip (EXCLUSIVE)
On the heels of Critics’ Prize wins for Andres Ramirez Pulido’s “La Jauria,” Variety can reveal an exclusive clip from the Colombian film. The pic on Wednesday won the Grand Prize at Critics’ Week, the Cannes Film Festival‘s sidebar dedicated to first and second features. It also picked up the SACD prize. ,La Jauria” centers on Eliu, a country boy, who is incarcerated in an experimental young…
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Don't forget! Today we continue our SACD Fall 2019 Lecture Series with Architect / Professor at KU / Co-founder of MIKAN, Masashi Sogabe! . Masashi Sogabe was born in Fukuoka in 1962. After graduating from the Graduate School of Tokyo Institute of Technology in 1988, he worked for Toyo Ito & Associates, Architects until 1994. He served as Assistant Professor at the Tokyo Institute of Technology from 1994 -1995, as Associate Professor at the Tokyo University of Arts from 2001 - 2006, and has been a Professor at Kanagawa University since 2006. He designed a wide variety of architecture such as Toyota Group Pavilion at the Aichi Expo ( temporary building ) that received a Good Design Award in 2006, and “mAAch ecute Kanda Manseibashi”a multi- use shopping complex located in a former train station ( renovation ) that won an AIJ prize in 2015. He has been doing several architectural projects with students of KU, like as the area revitalization project at Minamicho in Tokushima, and the new Winery building project in Omishima island that is currently under construction and planned to be completed by the harvest season of this year. His particular interest is effective use of existing resources including vacant houses, waste materials, surrounding environment, local histories and so on. . . Lecture + Livestream begins at 6:30 PM and is free to the public, located in CWY 109 (C.W. Bill Young Hall/ROTC building) See you all there! @theartatusf #usfsacd #theartatusf #lectureseries #architecture (at USF School of Architecture + Community Design) https://www.instagram.com/p/B3pcEm8pT0A/?igshid=1qrq6cpcuecib
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The SACD prize went to Claire Denis ”Un Beau Soleil” and, in a tie, Philippe Garrel’s “L’Amant D’Un Jour”.
Here Juliette Binoche by Stephan Vanfleteren & Claire Denis by Yann Rabanier
#directors' fortnight#cannes 2017#claire denis#juliette binoche#un beau soleil#stephan vanfleteren#yann rabanier#let the sunshine in#women filmakers
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Cannes 2017 Award Winners
Ten days of cinephile heaven have wrapped for another year, as carpet was rolled out for one last time at the Cannes Film Festival for the awards ceremony.
Continuing his tremendous run at Cannes, Andrey Zvyagintsev (who previously won Best Screenplay and a Special Jury Prize from Un Certain Regard) took home the Jury Prize for “Loveless.” Diane Kruger landed Best Actress for her turn in Fatih Akin‘s “In The Fade,” while Joaquin Phoenix landed Best Actor for “You Were Never Really Here.”
Elsewhere, the Camera d’Or for best first film went to Léonor Serraille’s “Jeune Femme,” while two highly acclaimed films tied for Best Screenplay: Lynne Ramsay‘s “You Were Never Really Here” and Yorgos Lanthimos‘ “The Killing Of A Sacred Deer.”
CANNES 2017 UN CERTAIN REGARD PRIZES
Un Certain Regard Award: “A Man of Integrity,” Mohammad Rasoulof
Best Director: Taylor Sheridan, “Wind River”
Jury Prize: Michel Franco, “April’s Daughter”
Best Performance: Jasmine Trinca, “Fortunata”
Award for Poetry of Cinema: Mathieu Amalric, “Barbara”
CANNES 2017 DIRECTORS’ FORTNIGHT PRIZES
ART CINEMA AWARD “The Rider,” (Chloe Zhao, U.S.)
EUROPA CINEMAS LABEL AWARD “A Ciambra,” (Jonas Carpignano, Italy, Brazil, U.S.)
SOCIETY OF DRAMATIC AUTHORS AND COMPOSERS (SACD) PRIZE “Let the Sunshine In,” (Claire Denis, France); “Lover For a Day,” (Philippe Garrel, France)
ILLY SHORT FILM PRIZE “Back To Genoa City,” (Benoit Grimalt, France)
Continue reading Cannes 2017 Award Winners at The Playlist.
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Review of “Liszt: Piano Concertos.” Alexandre Kantorow, piano; Jean-Jacques Kantorow, Tapiola Sinfonietta. BIS 2100
There are any number of young musicians I've never heard of. For instance, from the biography of this young pianist, "Alexandre Kantorow was born in 1997. After some lessons with Pierre-Alain Volondat, Alexandre joined the Schola Cantorum in Paris to study with Igor Lazko. He has also received advice from such eminent teachers as Jacques Rouvier, Théodore Paraschivesco, Georges Pludermacher, Christian Ivaldi and Jean-Philippe Collard. Alexandre continues his studies at the Paris National Conservatoire with Frank Braley and Haruko Ueda. He has won several first prizes in international competitions, and has played with orchestras such as the Bordeaux Chamber Orchestra, Orléans Symphony Orchestra and the Kaunas Symphony Orchestra in Lithuania."
On the current album, his solo debut with orchestra, Mr. Kantorow plays the two famous Liszt piano concertos and the little concerto "Malediction," accompanied by his more well-known violinist and conductor father Jean-Jacques Kantorow and the Tapiola Sinfonietta.
To read the full review, click here:
https://classicalcandor.blogspot.com/2017/01/liszt-piano-concertos-sacd-review.html
John J. Puccio, Classical Candor
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Dvorák - Trio Nr. 4 e-Moll op. 90 ,,Dumky" II Poco adagio - Vivace non troppo by Gramola Vienna
Die Klaviertrios The growing national consciousness of the European peoples in the 19th century led to numerous innovations and changes in many countries that had hitherto held onto the artistic models of Central and Western Europe. In the case of Czechoslovakia in the Austro-Hungarian monarchy, Antonin Dvorak is besides Bedrich Smetana and Josef Suk probably the composer that first comes to mind who masterfully understood how to weave into their works the essence of the popular folk songs and dances. Thomas Albertus Irnberger, violin, Pavel Ka?par, piano and David Geringas, cello, present the four piano trios by Dvorak as well as the piano trios by Smetana and Suk on this 3-SACD box. Pavel Kaspar studied with Prof. Rudolf Macudzinski in Bratislava, Prof. Frantisek Rauch in Prague and then with Prof. Ludwig Hoffmann in Munich. The Czech pianist holds regular concerts throughout Europe, Israel, Turkey, China, Mexico, the USA and Canada. His CD with piano works by Ludwig van Beethoven and Joseph Haydn was released by Artesmon in 2010 and the same year another CD with the Czech flautist Roman Novotny with works by Francis Poulenc, Bohuslav Martinu, Darius Milhaud and Francois Born. For the Swiss label Tudor, Pavel Kaspar recorded the piano works by Bohuslav Martinu on four CDs, earning the very best reviews from the international press. Thomas Albertus Irnberger, who was born in Salzburg in 1985, is among Austria's leading violinists. At the age of 15 in the Palais des Beaux Arts in Brussels he celebrated a debut that attracted widespread attention, and ever since is performing as a soloist and chamber musician in major concert halls in Europe, Israel and in Asia. His more than 40 recordings have regularly been the recipients of prizes and top rankings from the international press. His regular chamber music partners include such noted figures as Paul Badura-Skoda, Jörg Demus, Michael Korstick, David Geringas, Barbara Moser, Pavel Ka?par and Edoardo Torbianelli. Since 2008 Thomas Albertus Irnberger has devoted himself to research into and the rediscovery of "ostracised composers" and in Israel he played the first performance of the violin concerto by Hans Gál. www.thomas-albertus-irnberger.com Born in Vilnius/Lithuania, the cellist and conductor David Geringas is today numbered among the elite of music. His intellectual severity, stylistic versatility, his melodic feeling and the sensuality of the sound he produces have brought him awards from all around the world. A former student of Rostropovich and winner of the first prize and the gold medal at the Tchaikovsky competition (1970), he can now look back on a career that has extended over decades. Well-known contemporary composers such as Sofia Gubaidulina, Ned Rorem, P?teris Vasks and Erkki-Sven Tüür have dedicated cello concertos to David Geringas. He was the first musician to perform many works of the Russian and Lithuanian avant-garde in the West. As conductor David Geringas appears regularly on podia at home and abroad and listeners have frequently had the opportunity to experience him in the double function as cellist and conductor. In the winter semester 2014/2015 David Geringas was visiting professor at the University of Southern California in Los Angeles and at the Manhattan School of Music in New York. www.david.geringas.de GRAMOLA, 3 SACD Releasedate: 01.03.2020
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Francophone African Literature with Alain Mabanckou & Gustave Akakpo
We are delighted to welcome internationally acclaimed novelist from Congo-Brazzaville Alain Mabanckou and Togolese author Gustave Akakpo at the Institut français for a conversation on African francophone literature and theatre.
Gustave Akakpo was born in Togo in 1974. He writes plays and novels and organises writing workshops in Africa, France and the Caribbean, especially in prisons. He is associated artist at the TARMAC La Villette theatre in Paris. He has received many awards for his plays and novels, including the junior prize Plumes Togolaises at the Festival de Theatre de la Fraternité in Lomé, Togo, and the SACD dramaturgy prize for his play La Mère trop tôt. Commissioned by the Conseil Général de Seine-Saint-Denis for a play for young audiences, he writes the play Même les chevaliers tombent dans l'oubli, directed by Matthieu Roy - Cie du Veilleur in 2013. The play is premiered at the Avignon IN Festival in July 2014. Translated in English under the title Skins and Hoods, the play is performed as part of our Vive le Fringe! programme with an all-Scottish cast.
Alain Mabanckou is francophone Africa's best-loved writer. Born in 1966 in Congo, he is an award-winning novelist, poet and essayist published in 15 languages. His books include African Psycho, Broken Glass, Memoirs of a Porcupine, Black Bazaar, and Tomorrow I'll Be Twenty. He currently spends his time between Paris, Congo and Los Angeles, where he teaches literature at UCLA. Winner of prestigious prizes such as the Grand Prix de la Literature Henri Gal for his body of work in 2012 and the Prix Renaudot in 2006 for Memoirs of a Porcupine, he was a finalist for the 2015 Man Booker International Prize. His latest book Lumières de Pointe-Noire was translated in English and published by Serpentine in 2015.
Alain Mabanckou will appear at the Edinburgh International Book Festival alongside Etgar Keret on Tuesday 18 August at 19:00.
The talk (held in English) will be chaired by Lucie Campos, head of the Book Department at the Institut francais du Royaume-Uni.
ADMISSION FREE Reservation is compulsory Please book your tickets here or at our box office : 0131 225 5366
To make the most of your afternoon, why not book tickets to see the performance of Gustave Akakpo's Skins and Hoods by Cie du Veilleur at 14:00? Info & tickets available on www.vivelefringe.org
Image Alain Mabanckou: © Caroline Blache 2012
from Institut Français Écosse http://www.ifecosse.org.uk/Francophone-African-Literature.html via IFTTT
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Claire Denis to be Honored at TIFF Ebert Tribute
I AM PLEASED TO ANNOUNCE THAT RENOWNED FILM DIRECTOR CLAIRE DENIS will be honored at our annual Ebert Tribute Luncheon at the wonderful Toronto International Film Festival (TIFF) on Monday, September 10th. I will be joining TIFF's Artistic Director, Cameron Bailey, in hosting the event for Denis, a filmmaker my husband greatly admired. Her latest film, the sci-fi drama "High Life" starring Robert Pattinson and Juliette Binoche, is set to premiere at the festival.
The director's 1988 directorial feature debut, "Chocolat," received four stars from Roger, who said it evoked Africa—a country he personally visited—better than any other film he had ever seen. "It knows how quiet the land can be, so that thoughts can almost be heard—and how patient, so that every mistake is paid for sooner or later," Roger wrote, "The film is set in a French colony in West Africa in the days when colonialism was already doomed, but no one realized it yet. [...] It is a movie about the rules and conventions of a racist society and how two intelligent adults, one black, one white, use their mutual sexual attraction as a battleground on which, very subtly, to taunt each other. The woman of course has the power; all of French colonial society stands behind her. But the man has the moral authority, as he demonstrates in the movie's most important scene, which is wordless, brief, and final." Roger hailed "Chocolat" as one of the year's best films, praising its adult sensibility in how it suggests the sexual chemistry between characters who barely touch each other. "It is a deliberately beautiful film—many of the frames create breathtaking compositions—but it is not a travelogue and it is not a love story," he wrote. "It is about how racism can prevent two people from looking each other straight in the eyes, and how they punish each other for the pain that causes them."
Chocolat will also be screened at TIFF.
A decade later, Roger favorably reviewed Denis' 1996 film, "Nanette et Boni," describing its portrait of the titular siblings as a more delicate work from the "gifted" French director. He noted how the filmmaker tells the story of her characters "as if we already knew it. There are throwaway details, casual asides, events that are implied rather than shown. This creates a paradoxical feeling: We don't know as much, for sure, as we would in a conventional film, but we somehow feel more familiar with characters because of her approach." He once again admired Denis' ability to saturate her film with sensuality that never turns explicit. "One of the most extended sex scenes involves Boni kneading pizza dough; what he does to the dough he does, in his imagination, to the baker's wife, and that is going to be one happy pizza," wrote Roger.
The late 2000's proved to be an especially triumphant period for Denis, who released two of her most acclaimed pictures, the first being 2008's "35 Shots of Rum," a film that also earned four stars from Roger. "What matters is not the scope of a story, it's the depth," he wrote. "Part of the pleasure in Denis' film is working out how these people are involved with the others. Two couples live across a hallway from each other in the same Paris apartment building. Neither couple is 'together.' Gabrielle and Noe have the vibes of roommates, but the way Lionel and Josephine obviously love each other, it's a small shock when she calls him 'Papa.'" A pivotal shift occurs during a dance scene where Denis tells us all we need to know not with plot points but with the character's eyes, a key example according to Roger of what movies are for. "You can live in a movie like this," he wrote. "It doesn't lecture you. These people are getting on with their lives, and Denis observes them with tact. She's not intruding, she's discovering. We sense there's not a conventional plot, and that frees us from our interior movie-going clock. We flow with them."
Isabelle Huppert headlined Denis's next film released the following year, 2009's "White Material," a film Roger dubbed "beautiful" and "puzzling" in his three-and-a-half star review. He reflected that the film expands on certain themes that were prevalent in the director's work from the beginning. "Denis was born and raised in French Colonial Africa, and is drawn to Africa as a subject," he noted. "Her first film, the great 'Chocolat,' was set there, and also starred the formidable Isaach De Bankole. Both it and this film draw from The Grass Is Singing, Doris Lessing's first novel, the idea of a woman more capable than her husband on an African farm. Denis' 2009 film, '35 Shots of Rum' dealt with Africans in France. She doesn't sentimentalize Africa nor attempt to make a political statement. She knows it well and hopes to show it as she knows it." In "White Material," Huppert plays a French woman who refuses to evacuate her farm in Africa, despite warnings of impending doom. "The enigmatic quality of Huppert's performance draws us in," Roger wrote. "She will never leave, and we think she will probably die, but she seems oblivious to her risk. There is an early scene where she runs in her flimsy dress to catch a bus and finds there are no seats. So she grabs onto the ladder leading to the roof. The bus is like Africa. It's filled with Africans, we're not sure where it's going, and she's hanging on."
Last year, our critic Glenn Kenny awarded four stars to Denis' romantic comedy, "Let the Sunshine In," which won the SACD Prize at Director’s Fortnight in Cannes. Juliette Binoche stars as a divorced Parisian artist looking for love, and Kenny observed that the film's opening sex scene had the "touch of a cinematic master" in how the characters were framed in compositions emphasizing "the space between their faces as much if not more than their faces." Kenny admired how Denis avoided the simplicity of making a film about a smart woman's bad decisions. "The director has treated a pretty wide variety of topics over the course of her long and wonderful career," he wrote. "Female desire, as it happens, is not one she’s looked into often. 2002’s 'Friday Night' was the last time she took it on quite so directly. In that film, a young woman on the verge of entering a permanent union found herself in circumstances that allowed her a brief escape that could also have been an epiphany."
"In this film, Isabelle, as beautiful and smart as she is, feels herself constricted by forces she can’t even confront," Kenny continues. "Is it the most appropriate thing for her, at her age, to live, as she puts it, a 'life without desire?' Clearly no. But the film does confront the fact that particularly for women, pursuing desire in middle age is a fraught path. To add a twist to this demonstration, Denis breaks it off late in the movie, and jumps briefly into someone else’s storyline, someone who had been a stranger up to this point. Then the filmmaker wraps it up in a final shot that’s both cerebral, whimsical and wry in its wisdom. The film’s confidence comes in part from the acceptance of the things that can’t be known."
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25 May 2018
Isaac Julien, Ten Thousand Waves, 2009.
Ten Thousand Waves (2009), a nine-screen installation, was shot in China and poetically weaves together stories linked to China’s ancient past and present. The work explores the movement of people across countries and continents and mediates unfinished journeys.
Julien’s films are interpreted into large-scale, multi-screen installations and photographs for museums and galleries which encourages audience interaction with the work. A prolific filmmaker, Julien’s work includes Looking for Langston (1989), Young Soul Rebels (1991), Long Road to Mazatlan (1999), Vagabondia (2000), Baltimore (2003), Derek(2008), Playtime (2013).
In 1989, Julien won a Teddy Award at the Berlin International Film Festival for Looking for Langston. He is also the recipient of the SACD Award for the film Young Soul Rebels(1991) at the Cannes Film Festival and was nominated for the Turner Prize in 2001. In 2003, his film Baltimore, won the Grand Jury Prize at the Kunstfilm Biennale in Cologne.
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INTERNATIONAL CRITICS WEEK
International Critics week is a non-competitive parallel section of the Cannes Film Festival, although Venice Film Festival now too has its own version of it. Its function is to present the first or second full length feature films of new directors from all over the world. Gaspar Noe and Alejandro Gonzalez Innaritu are two notable directors discovered through International Critics Week; Innaritu who has gone on to win Best Picture at the Oscar’s for his film ‘Birdman (or the Unexpected Virtue of Innocence)’. International helps to expose international directors into the limelight of a wider global audience. Only seven full length feature films are selected into the program as well as seven short films annually. The Critics Week Grand Prix is awarded by the press, as well as the ACID Prize which helps to distribute winning films as well as the SACD Prize for Best Screenplay.
Debut’s also run for the Camera d’Or.
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Buy it on Amazon - http://ift.tt/2nFd0x2 - Buy Their Satanic Majesties Request - 50th Anniversary Special Edition [2 LP/2 SACD Combo] -- Click the link to buy now or to read the 5 4 & 5 Star Reviews.Subscribe to our Channel: https://www.youtube.com/channel/UC0QizpPvHKM54INrY9b130w?sub_confirmation=1 Like us on Facebook for videos, pictures, coupons, prizes and more - http://ift.tt/2wCDdi2 Buy Their Satanic Majesties Request - 50th Anniversary Special Edition [2 LP/2 SACD Combo] I've been buying the Rolling Stones since the 60's in many formats. I have way too many 4 Tracks and 8 Tracks that will never be played again, but who knew that I needed a new Their Satanic Majesties Request set??? This thing is beautiful, the best packaging that I've seen in quite some time, with a 20- page booklet and I can't decide which I prefer, the Mono or the Stereo SACD. All I know is Citadel sounds amazing! When I ordered this, I questioned shelling out the bucks for this, but w... Reviewer : Kent J. Smythe I have only played the mono vinyl, so far, not the stereo. . The vinyls have Decca Labels, not exact repro's of the originals, but close. This is a big, fold out box, not individual albums. Correct inner sleeves, but they're just paper so I replaced them with MoFi rice paper sleeves. The CD's are hybrid SACD/CD's. I played the mono on my SACD/CD player; it defaulted to the SACD layer, which is normal function on my player, but I was able to switch to the CD layer, but they have no SACD logo on ... Reviewer : endsng Click http://ift.tt/2nFd0x2 to buy now on Amazon or to read more reviews. Wow. Re-doing a wild Stones album from all those years ago? Their Satanic Majesties Request—a powerful name for a recording back then. Another major anniversary encouraged them to reproduce this in 2017. Carry me back to the psychedelic years. This one-off trippy disc from the Stones has been bashed and trashed from most fans. I’ve always loved it. The original 3-dimensional cover, here recreated in great detail in this new package, was a real expensive tour de force from Mick and t... Reviewer : Merrill Click http://ift.tt/2nFd0x2 to buy now on Amazon or to read more reviews. ***Let Us Know What You Think… Comment Below!!*** Watch my other review Videos – https://www.youtube.com/channel/UC0QizpPvHKM54INrY9b130w See other products on http://ift.tt/2xhK4Ru Subscribe to our Channel: https://www.youtube.com/channel/UC0QizpPvHKM54INrY9b130w?sub_confirmation=1 Like us on Facebook for videos, pictures, coupons, prizes and more - http://ift.tt/2wCDdi2 #ABKCO, #Their Satanic Majesties Request - 50th Anniversary Special Edition [2 LP/2 SACD Combo] This is a review video for : B074CG6NV7 Manufacture : ABKCO Thanks for watching! http://ift.tt/2xhK4Ru Related Videos in Channel
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The call for works and projects is now open ! For the second time, the Phonurgia Nova awards will take place in Paris at the Bibliothèque Nationale de France - François Mitterrand. The jury will award 5 Prizes (for an amount of 7 500 €). Many prestigious institutions are joining us for this new edition. Special thanks to them and to all the other partners quoted below without which this event could not exist. Celebrating the best of french and international radio and sound art, the jury is looking for "the crème de la crème" of creative documentaries, radio drama, field recording, hörspiel, audio pieces, archives recycling, installations and performances. All details available on this page below. Save the dates : Opening of the contest and call for works: may 7th. Deadline for submissions: july 31th. Public listening days at the BnF in Paris (open to everybody) : September 23th and 24th (Bibliothèque Nationale de France)
Reminder : last year, 199 productions, coming from 17 countries, were entered in the prize. The winners’works are available on www.sonosphere.org
22th Call for works "The Loud-speaker is probably the greatest common denominator in all our lives to-day. Video, multimedia, car radios, mobile phones are all crafting a new life for sound. In all domains sound is an objet of research, of reflexion. It is essential to open up creative, imaginative spaces for sound. And to encourage people to listen". Christian Leblé, chairman.
#01 BACKGROUND Among the prizes awarded for acoustic creation, the Phonurgia Nova competition has, since 1986, occupied a special place by virtue of its recognition of artists whose work exploits sound as a medium for expressing the real and the imaginary. The contest is open to all authors (independant radio producers, musicians, composers, sound artists and multimedia production teams). An international jury panel (made up of representatives from the radio industry, the art press and the sound world) will judge the entries.
#02 CALL FOR WORKS This year's competition will distinguish authors whose work manifests a keen sense of sound and listening as means of expression. In that frame, the criterions remain: “Radicality, boldness, audibility”! As usual, the jury will consider all forms of inventive radio (documentary, feature, fiction, essays, Hörspiel, experimental radio, etc.) and all kind of works beyond the radio (like Field recording, Web works, Soundmap, etc). The jury will deliberate on two types of works : 1) completed production (granted with euros) 2) project (granted with residencies and workshops) All preselected works will be broadcasted during the two days’ Festival in their integrality if they do not exceed 20 minutes. If the piece is longer, an extract will be chose by the author for the broadcast in public. #03 PRIZES The jury will award 5 Prizes (for an amount of 7 500 €) : 1) The “Sound Art Award” of 2 000 € (for the finalized production) . 2) The “Pierre Schaeffer Discovery Award” of 500€ (for the finalized production) and several Phonurgia Nova Workshops (for the projects) during summer 2018. Be carefull : this category is only open for authors less than 30 years old at the date of the registration. 3) The " Fiction Award " of 2 000 € is granted by the french authors society, SACD. Details on this Prize are available in the french version of this call for works. 4) The “Spoken archives Award” of 1 000€ granted by the BnF / Bibilothèque Nationale de France - François Mitterrand (Paris). It will award an author or group of authors claiming creative freedom in collecting and/or manufacturing the speech (without any language restriction). 5) The “Field recording Award” of 1 000€ is granted by the " Musée de la Camargue" (Arles). It will award an author or group of authors claiming creative freedom in exploring the sound of nature, and intercation between humans and the environnement.
In addition, 5 residency will be granted for innovating projects, submitted as scripts, in thiese various areas. These residencies woll take place at GRM/INA (Paris), GMVL (Lyon), Euphonia (Marseille), and Phonurgia Nova (Arles) The discussions of the jury are open to the public during two listening days (23th and 24th of September at the BnF), but the final Jury decisions are not subject to appeal. The awarded works and some others works belonging to the final selection will be offered to the members of the EBU European Broadcasting Union, and to the French radio non-profit networks, for one free broadcast per station. The broadcasts will be declared to the respective author's rights organizations.
#04 HOW TO APPLY Each entry must be filled out in English or in French, and drop on the following website Dropbox, https://www.dropbox.com/. A guideline is available on request at : [email protected] Each submission must include: 1 - the included entry form completed and signed off 2 - a biography of the author(s) and general information concerning his (their) habitual manner of working. 3 - an authorization to participate from the production or the co-authors of the works submitted 4 - a short description of the work submitted 5 - a sound file in good quality (wav) 6 - in the ‘project’ category: we expect a description and/or “maquette” and/or a scenario of the project, accompanied by any documentation which could inform the jury as to the intention of the authors and the technical requirements of the project 7 - A transcription in English of the text included in the work, if relevant 8 - for the “Pierre Schaffer Discovery award”, in addition with the documents above, we ask for a copy of an identity card mentioning the date of birth of the authors Closing date for registration of entries: July, the 30th 2017. We expect one application form by submission in the different categories (and not one per author/producer).
An application form is available in PDF format from the link below
DOWNLOAD THE REGISTRATION FORM 2017
#05 TRANSFER OF WORKS AND PROJECTS Once the folder created on Dropbox and containing all required elements mentioned below, you just have to share the link with the following email address: [email protected] #06 REGISTRATION FEES Registration fee for the different prizes mentioned above = 30 euros (and 15 euros for each work submitted to the “Pierre Schaeffer Discovery Award”). All payment from outside France must be made by Paypal (using the following email address: [email protected]) or by direct bank to bank transfer to Association PHONURGIA NOVA, Bank: BNP Arles, 10 place de la République, 13200 Arles, IBAN : FR76 3000 4000 4400 0201 4673 195 / BIC BNPAFRPPNIM. All bank charges must be prepaid. No refunds will be made. #07 DEADLINES AND DATES Applicants are asked to submit their productions by the 31th July 2017. The Listening days will take place on September the 23th and 24th 2017 at the BnF / Bibliothèque Nationale de France, site François Mitterrand (Paris, 13). Theses two days of listening are open to everybody. Results will be announced on the evening of the last day and published on our website. They will be given to all participants by email. The terms of artist-in residence will be organized during the year 2018, in accordance with dates chosen by the prizes’ winners. Prize winning works will be auditioned or exhibited by Phonurgia Nova in 2018. #08 LIABILITY Authors must make sure that any participant or right owner has given his agreement. The festival management is not legally responsible for any damage caused on any piece of the entry. The Festival management reserves the right to use any selected work in order to promote the Festival. The completed entry form represents the candidate's consent to the above rules and regulations. The french version of this text will be taken in account in case of contestation. # 09 A LISTENING ROOM An online "listening room" on www.sonosphere.org enables visitors to have access to some previous selected works. # 10 SOUND ARCHIVES All the materials received at the Phonurgia Nova contest will constitute a permanent archive of audio works. This archive will be opened to the public for free. # 11 FURTHER INFORMATION A blog will allow you to follow all steps of the selection on www.phonurgianova.blog.lemonde.fr (mostly in French, sorry). For further information or any question, feel free to email at [email protected]
# 12 Send For further information about this competition, please feel free to contact the Phonurgia Nova office in Arles :
Phonurgia Nova Awards 39, rue Genive 13200 Arles France
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Diamond Island, the debut feature from Cambodian-French filmmaker Davy Chou is now available to stream free to US-based users. The film, about an adolescent who leaves rural Cambodia to become a construction worker only to be reunited with his missing older brother, picked up two major Cannes Film Festival accolades last year, including the SACD Prize and an International Critics Week nomination. Diamond Island also screened as part of the New Directors/New Films program at MOMA in New York last month. @festivaldecannes #screensparks
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