#RyszardKapuscinski

[lecoupdedeuxveuves]

AUS KÖLN _1984_

Der Kölner Dom: ergreifend. Eine Unmenge von Steinen, eingesperrt, gepeinigt, in ein monströses Korsett der Formen, Linien, Säulen gezwängt. Ein Stalagmit, der durch seine dichte Kraft und Größe in Erstaunen versetzt. Ein aufgetürmter Dschungel von Gesimsen, Bögen, Ornamenten. Eine Masse, die uns lähmt, niederdrückt, auf die Knie zwingt." - Ryszard Kapuściński, Polnischer Reporter, 1984 - Aus Köln.

[agenciacomunicacion]

«Para ejercer el #periodismo, ante todo, hay que ser un buen hombre, o una buena mujer: #buenos seres humanos. Las malas personas no pueden ser buenos #periodistas. Si se es una buena persona se puede intentar comprender a los demás, sus intenciones, su fe, sus intereses, sus dificultades, sus tragedias. Y convertirse, inmediatamente, desde el primer momento en parte de su destino. Es una cualidad que en psicología se denomina 'empatía'. Mediante la #empatía se puede comprender el carácter del propio interlocutor y compartir de forma natural y sincera el destino y los problemas de los demás». #RyszardKapuscinski, #periodista

[pressnet]

«Para ejercer el #periodismo, ante todo, hay que ser un buen hombre, o una buena mujer: #buenos seres humanos. Las malas personas no pueden ser buenos #periodistas. Si se es una buena persona se puede intentar comprender a los demás, sus intenciones, su fe, sus intereses, sus dificultades, sus tragedias. Y convertirse, inmediatamente, desde el primer momento en parte de su destino. Es una cualidad que en psicología se denomina 'empatía'. Mediante la #empatía se puede comprender el carácter del propio interlocutor y compartir de forma natural y sincera el destino y los problemas de los demás». #RyszardKapuscinski, #periodista

[nadziejawkawie]

Przeciętny człowiek nie jest specjalnie ciekaw świata. Ot, żyje, musi jakoś się z tym faktem uporać, im będzie go to kosztowało mniej wysiłku - tym lepiej. A przecież poznawanie świata zakłada wysiłek, i to wielki, pochłaniający człowieka. Większość ludzi raczej rozwija w sobie zdolnośći przeciwne, zdolność, aby patrząc - nie widzieć, aby słuchając - nie słyszeć.

Ryszard Kapuściński - Podróże z Herodotem

[marsinlove91]

“Un #viaggio non #inizia nel #momento in cui #partiamo né #finisce nel momento in cui raggiungiamo la meta. In #realtà #comincia molto prima e non finisce mai, dato che il #nastro dei #ricordi continua a #scorrerci dentro anche dopo che ci siamo #fermati. È il #virus del #viaggio, #malattia sostanzialmente #incurabile.” #📍 #RyszardKapuscinski • • • #travelphotography #travelblogger #travel #rome #lacapitale #styleblogger #bloggerlife #scattirubati #scatti_italiani #scattidaricordare #scattidistagione #travelawesome #iphoto_q8 #sulpiùbello (at Rome,Colosseum) https://www.instagram.com/p/CKJev4ZBo5o/?igshid=1jr6a59i8z6lz

[cornermiss]

khách chọn toàn cuốn hay💞 #misscorner #instadaily #best #book #claudelévistrauss #greece #myth #RyszardKapuscinski #OrhanPamuk #star #vangogh #trinhxuanthuan #astronomy #travel #adventure #color #moon #bookstagram #autumn (at Miss's Corner) https://www.instagram.com/p/CDihL4-j42w/?igshid=1upiiwl8lj8ti

[elivulueditora]

Sugestão de Leitura #maisumdiadevida #angola1975 #ryszardkapuscinski #isolamentosocial #quarentena #leremcasa #elivulu #literatura #literaturaafricana #literaturaangolana #angola🇦🇴🌍🇦🇴 (em Luanda, Angola, Africa) https://www.instagram.com/p/CC4bKQlnIXE/?igshid=1vccyspkliflq

[quotethislater]

On ignorance. #ryszardkapuscinski #ignorance #quotethislater #qoutes https://www.instagram.com/p/CBTIIICgxRB/?igshid=v0n8fe6233nw

[erik595]

"A journey, after all, neither begins in the instant we set out, nor ends when we have reached our door step once again. It starts much earlier and is really never over, because the film of memory continues running on inside of us long after we have come to a physical standstill. Indeed, there exists something like a contagion of travel, and the disease is essentially incurable". - Ryszard Kapuscinski - . . . . . #ryszardkapuściński #kapuscinski #ryszardkapuscinski #quote #quotes #quotesoftheday #quotesdaily #frasi #frases #frasitumblr #citazioni #aforismi #writer #author #journalist #africa #travel #travelquotes #book #books #livre #buch #nonfiction #journey #memories (presso Warsaw, Poland) https://www.instagram.com/p/B_rKwiwFl_Q/?igshid=1qt465lar2oet

[cusepin]

(some) readings of 2018 . . . . . . . . . . . . . . . . . . . . . . #samitchak #siafigiel #pasiilimarijääskeläinen #emelihterkihleng #zeeedgell #nawalelsaadawi #rimgin #ryszardkapuscinski #juliemota #cesaevallejo #hurongdurongthu #alainmabanckou #sosekinatsume #gintama #hidekisorachi #hugopratt #cortomaltese #bookstagram #book #libros #livre #literature #litterature #literatura #poesia https://www.instagram.com/p/BsWaJ_7FTWD/?utm_source=ig_tumblr_share&igshid=wdoktsth13f0

[kamilaslawinski]

The Emperor

I was in my teens when I first laid my hands on a copy of Ryszard Kapuściński’s seminal book The Emperor, a reportage volume chronicling the aftermath of the fall of Ethiopia’s Haile Selassie. Like most people of that day and age at the place in my home country of Poland, I have been deciphering as an allegory of the corrupted system we’ve been living under. But there was something else about the book, something truly Shakespearean in scope, chilling and universal: like no other I have ever read before, it was a book about power and what it does to people. Over forty years about its publication, this is what gives Kapuściński’s account its staying power. Now, this highly un-theatrical text has landed on stage, in a most riveting adaptation, written for the stage by Colin Teevan, directed by Walter Meierjohann and in the tour-de-force performance by the phenomenal Kathryn Hunter, aided in her many stage transformations by an Ethiopian musician Temesgen Zekee. The result is nothing short of stunning.

Why do people follow insane leaders? Why don’t they question the disgusting abuses of the few that brings on harm and disaster on many? What kind of madness makes the underlings complicit in the most abhorrent misappropriation of power and privilege, the most outrageous excess of it? The many servants of the His Most Puissant Majesty do not offer an answer to these questions. Neither in the book nor in this amazing piece of theater that left me breathless and crushed on one level but strangely uplifted on another. Crushed – because never in the million years did I expect that Kapuściński’s cautionary tale, set in exotic (and often overly exoticized) setting will be so relevant in the 2018 America. Uplifted - because scary as it is, this piece shows in the most amazing ways the gullibility of human nature but also the inevitability of change. In her chameleon-like transformations from one character to another, Hunter shows not only her characters’ folly - she also does justice to their most human need to believe in something, however bizarre, the need to identify with something larger and better than ourselves. In her portrayal, the servants of the tyrannical monster are not only grotesque; they are also deserving of a moment of reflection on what makes us all yearn for submission. This is the kind of theater I grew up with - political, urgent, uncomfortable and upsetting. Not even a few technical glitches during the performance were able to take away of from its awesome power.

One note to the non-Polish speaking reader: the adaptation, based on the great translation by William R. Brand and Katarzyna Mroczkowska-Brand, makes the text so flowing that one might forget that the original was written in a language that by its nature is not very economical. Polish often requires a lot of sound to deliver a little meaning, and what makes Kapuściński’s writing great is the elegant leanness of his style. This comes out great in this staging. No word is obsolete. Every adjective makes a devastating point, every pause is loaded with meaning. The few embellishments that were made by the adaptor make perfect sense: they liven up the story and bring out the points that otherwise would be lost outside the written page.

“Power requires the suspension of disbelief,” writes Teevan in the program notes (in which he also writes a few unkind words about Kapuściński I don’t fully agree with, but that’s another story.) What a pointed statement in the era we live in, the world where people’s decisions are so obviously and so harmfully driven not by logic but the need to believe. For me, the message of the show at the end is clear: however foolish our nature makes us, however slow the rise of inevitable outrage, this cannot hold, this will not hold. In the country where no one seems to be principled enough to yell that the emperor has no clothes, it sounds like a hopeful reminder. The show is still on at the Theater for a New Audience thru September 30. Do not miss it: it’s a must-see.

[matteobaudone]

La redazione di Toscana Today

[nerdboy34-blog]

#abanoz #ryszardkapuscinski #journalist #muhabir #africa #afrika #memories😍 #theshadowofthesun #15TL

[ryszardszpytman-blog]

Ryszard Kapuściński 12.05.2017 #ryszardkapuscinski #ryszardkapuściński (w: New York, New York)

[miguelangelddl]

#Frasedeldía #frases #frasesbonitas #frasesdelavida #frasespositivas #frasesparapensar #información #negocio #verdad #ryszardkapuscinski #poeta #escritor #coach #coaching

[pasanchezmatas]

Cuando se descubrió que la #Información era un negocio, la #Verdad dejó de ser importante.

#RyszardKapuscinski

Es fundamental que la información y el #Poder estén en manos de #PersonasHonradas, #PersonasVirtuosas, #PersonasConValores

#PASM2022

¡Feliz martes para todos!🤗 https://t.co/8tMMnZaSp3