#Rosegarden Funeral Party Dallas

[nugothrhythms]

Music video to "First to Cry" by Dallas, Texas-based new wave and post-punk revival act Rosegarden Funeral Party off of 2024 album From the Ashes

[jordanbufordphotography]

Rosegarden Funeral Party at Box Garden at Legacy Hall in Plano, Texas. (June, 21st, 2018) [Part I]

[addie-kattt]

~Rosegarden Funeral Party~ 🥀 // Live // Dallas, Tx

[themusicenthusiast]

Thursday, June 21st, 2018 – Rosegarden Funeral Party Pulls Out All the Stops for Box Garden at Legacy Hall Gig

Photos by Jordan Buford Photography More than a month since its official opening and the Box Garden at Legacy Hall is proving to be an interesting venue. Located in the Legacy West development in Plano, the three-story food hall that is Legacy Hall has something to offer just about everyone. Foodies will love the variety of restaurants (and bars) housed inside the complex, and it also makes for a great outing to hang out with friends or unwind after a long day. The Box Garden outside is an even more ideal spot for all of that; and with the World Cup currently going on they’ve been catering to sports fans by showing some of the games on the screen outside. And when the night falls the stage is ready to host various bands from around the D/FW area – at least on a few nights out of the week. That’s where it’s interesting, because the clientele is definitely different from that of a venue dedicated exclusively to live music and the fans that come with it. The crowd can range from those who ventured out to Legacy Hall specifically to see the band to people who are there just to get a meal and could take or leave the live entertainment; and with this being my second consecutive Thursday night spent at the Box Garden it’s obvious that it’s just a slow night in comparison to the throng of people the place attracts on the weekend. A decent gathering of people were spread out among all of the tables, though things were still sparse by the time Rosegarden Funeral Party took the stage at 9:03.

The gothic rock/alternative quartet had made the trek from Dallas up to the northern part of the suburbs for this show, a show that would have them being one of the most intense bands yet to perform on the Box Garden stage. From releasing their debut EP to touring and currently well into the stages of preparing another album, 2018 has already been a banner year for the young band, who would pull out all the stops and then some during the 70-minutes that they had the stage. To begin, they knocked out something from The Chopping Block, “Eden” proving to be a sensational opener. It demonstrated to everyone – regardless of how long they planned on being there for – just what Rosegarden Funeral Party was about. Like much of their music, that song evokes their musical influences from the ‘70s and ‘80s while also showcasing their interpretations of it and even their individualism from acclaimed gothic rock groups that have inspired them; Tate Christopher’s drumming setting a thrilling pace for the track, one that was best fleshed out by the roaring riffs interspersed among the dreamy soundscape. It certainly succeeded at capturing one’s attention and intrigued a few new listeners.

They would perform much of that EP, with plenty of new(er) songs also woven into the show; “AMC” further perpetuating the enchanting aura that Rosegarden Funeral Party was casting over the Box Garden. Those first two numbers highlighted the striking tones that frontwoman and guitarist Leah Lane operates in, going from channeling a pristine and heavenly quality on the first to unleashing the huskier side of her voice on the latter. Instantly recognizable, it’s raw and primal – even operatic in some regards – qualities that were all behooving of the heartbreaking tale which explores the flood of emotions one is left to sort out in the aftermath of a relationship, haunted by their ex. “…Thanks for hanging out…” Lane remarked afterwards, the songstress going above and beyond to form a rapport with everyone who was receptive to them this night. From graciously thanking everyone for listening or the folks at Legacy Hall for having them out, to, at the absolute least, informing everyone of the title of the upcoming song, she put plenty of effort in to forging a relationship with the audience they had. It was nice to see because it was all so genuine, the appreciation from her and on behalf of her band mates being evident each time she addressed the spectators.

“Never Coming Home” was one of the standouts of their more recent batch of songs (a track Lane said would be on their next album, apparently due out in September), the bass that Wil Farrier was so masterfully wielding being exceptionally heavy and in charge. Adding to the dramatics of it was how animated Lane became, motioning with her hands (quite expressively at that) when she was able and belting out the lyrics with absolute passion. That behavior persisted throughout “Follow”, a song she noted was one of the first ones they wrote after forming the band. “We’re pulling it out of the closet for you guys!” she exclaimed as they tore into that blistering and seductive rocker.

The four of them had a nice chemistry going from the moment they stepped on the stage, though they began to find and settle into their groove the deeper they got into the show. By that point they were entrancing and absolutely fierce, radiating an overwhelming amount of confidence. Those dynamics would perpetually be pushed higher, right up till the end of their 14-song set. Such was the case during their lone cover song of the night, which afforded Lane an opportunity to fully embrace the role of frontwoman, moving her guitar to her back for a brief time. It was done with finesse as she handled herself casually while still being utterly compelling. Like the subtle move of resting one of her arms on the mic stand. Casual, though authoritative in the way she did it.

One of the most epic songs of the night was “Seeing You Here and Now”, the lengthy track ebbing and flowing in a spectacular fashion, being moody and equally as vicious as it is serene; the introspective lyrics being something most everyone can relate to on some level. “…But I’m not what you wanted. I’m not what you need. But every part of me seems to see something in you. And every part of me will always want some part of you…” That’s the painful realization of “Seeing You Here and Now”; a subtle devastation seeping into Lane’s impassioned delivery. That ushered in a series of unreleased/unrecorded material, those songs more prominently featuring Mikka Vanya Brightheart and his meticulous work on the keys/synth. From dark and even ominous to shimmering and airy, he helped establish whatever mood was necessary; songs like “Martyr” being incredibly up-tempo, even catchy, while “Fade to Black” was a powerhouse.

The best had been saved for last, their lead single, “Blitzkrieg in Holland”, ultimately capping off Rosegarden Funeral Party’s time in Plano, the rip-roaring track allowing for a gritty and vigorous finish. It was during the instrumental bridge that Lane dropped to her knees and proceeded to shred on her axe, looking every bit the part of the idealistic rockstar before they finished it in epic fashion.

This was a totally different Rosegarden Funeral Party from what they were the only other time I had seen them, back in the spring of last year. That’s meant both figuratively and literally, a slight lineup change bringing Brightheart into the fold; while Lane has since taken on the role of lead guitarist, doing so without sacrificing the ferocity of her frontwoman persona. Then there’s the fact that they have maintained a pretty healthy show schedule, be it around D/FW or their West Coast tour they did a couple of months back.

All of that has really allowed Lane, Farrier, Christopher and Brightheart to hone their dynamics as a unit; each mostly operating independently this night, though their underlying chemistry was always present and displayed periodically. They deserved a larger audience than what they had this night, though those who were interested in hearing some live music became quite transfixed by the sights and sounds playing out on the stage of the Box Garden, the four-piece outfit giving it their all and subsequently had no trouble in capturing and holding the audiences’ undivided attention. Rosegarden Funeral Party is certainly one of the most intriguing currently active acts in the D-FW music scene, simply because they are doing something that is more different in comparison to the vast majority of other acts out there. Their British influences are evident, with a dramatic rock flare and some indie components spliced in with it, resulting in music that has a primal edge while still being refined and calculative. Songs that roar to life at just the right moments, capitalizing on the emotional chords they aim to strike.

And they are definitely emotional, Lane not holding back when it comes to pouring her feelings into the pieces that she pens, in terms of both the lyrics and singing them. Since the previous project that she was a part of she has been hailed as one of the next great things in Dallas music with the potential to go well beyond, and she is definitely doing everything to aspire to that title. There’s an aura about her, one that could never be accurately described. Instead it has to be witnessed, that star talent seeping through ever second that she’s performing, and it’s magnificent. The Box Garden at Legacy Hall may be an interesting venue, though that’s all the more reason of why people should visit it, particularly to see a band. You’re certain to see a good act or artist, and maybe even an exceptional one, as was the case this night. The show was even over shortly after ten. Pretty early for a weeknight and ideal for anyone who may not want to be out late. The calendar is looking pretty good through the next month; and maybe, hopefully, Rosegarden Funeral Party will be brought back sometime, and possibly even given a prime Friday or Saturday night spot so they can wow plenty of patrons.

Their next area show will be on July 19th at Three Links in Dallas and they will be returning there on August 11th. A gig at Doublewide in Dallas is also planned for August 25th. They’ll also be doing some light touring, visiting Atlanta, GA and New Orleans, LA on July 14th and 16th at The Masquerade and Gasa Gasa, respectively. An Austin show is on the books for July 20th at The Electric Church and they’ll be in Los Angeles, CA on July 24th performing at The Echo. More details on their current tour dates can be found HERE; and be sure to check out The Chopping Block in iTUNES or GOOGLE PLAY.

[manifestiv]

Gratitude 2018

Thanks for the inspired idea, @justinsymbol!

Sometimes listing accomplishments is therapy.

• January (starting with playing bass in freezing 🥶 🐃 weather in Lewisville w/ our @limpbizkit tribute) I enjoyed working 1 last month of my 12th year (off & on) at Starbucks while we began booking the first 2 legs of the years-in-the-making 8 month long #OctouR2018 to end with the late fall release of our sophomore album God is a Martian 👽 all from Grandma’s in Irving.

• February I got to play a couple last times on bass w/ @secretofboris while tightening #GodisaMartian tracks & tour set lists in @manifestiv

• March MV finished dress rehearsals and began our triangular stint with Rosegarden Funeral Party in TX before Lillith aptly painted the cover of our album in Roswell en route to CA shows ending in Hollywood at Bar Sinister w/ Spirit in the Room

• April began in CA with Compton at Machine before darting up to the Bay, 1st to play Berkeley at @924-gilman, then to our 1st of 3 Oakland shows & returning home to Vallejo at IntegriTea wrapping the South leg before finishing tracking w/ Nate Nauseda in Cotati at Prairie Sun Recording, doing a house show w/ Untamed Creatures after writing a batch of songs (now being considered for live use with an all-star lineup that is collaborating for the first time to play at the Damn Fine Music Fest II at Three Links in Dallas 1/19/19)

• May took us up the coast w/ Striplicker & Die Robot from Santa Cruz w/ Aurora Beam thru Oakland over to Sac w/ Vio\ator & Killer Couture before hitting OR & WA vigorously then returning to recharge @yellowstone-national-park prior to the MV reunion w/ Bloodied & Keldari Station at our 1st of 2 @seventhcirclemusiccollecti-blog1 appearances and reentering TX to our 1st of 2 RFP reunions as well at Fort Worth’s Rail Club for Industrial Knight

• June we continued tour at Armoury in Deep Ellum w/ BATHHØUSE before I returned the next night to SoB on 2nd guitar for Jermaine’s bday show alongside a special vibraphone crossover of #DontMentionLove at Pro Rehearsal Studios, where the day after we recorded a Peter Murphy cover of #CutsYouUp w/ RFP before we canceled the next leg Mid’s remaining dates as support & funds for all involved, MV included, dropped & our Munich friends Maik & Dana got married so we flew to Chicago for my birthday to catch URIZEN to catch our luckily cheap flight via gorgeous Iceland 🇮🇸 to Germany 🇩🇪 (right before Vinnie Paul tragically passed) to stay w/M&D and begin borrowing their VW Polo to prove Deutsch road worthy

• July truly began on the 4th when we met Maik’s friend Alex (obsessed w/ 🇺🇸) then drove to the Czech Republic 🇨🇿 for a few days to hang w/ cool musician Alex before a week in Berlin (new favorite city) then back thru Dachau Concentration Camp (spiritually scarring) before our flight to Ireland 🇮🇪 for a week where we booked it so close to beforehand, Saturday had gotten so full that we had to sleep on the Dublin streets in our suits (blast)

• August began with our hike to & alongside the cliffs of Keflavík 🇮🇸 on our way to DFW in time for me to rejoin SoB to play both The Curtain Club in Dallas for Chad’s Bday & Ridglea Metalfest 2018 in Fort Worth before MV practices w/our time planning in Europe 🇪🇺 on the way to our trek to Tahoe to build for our camp we’d play twice at Burning Man this year, wrapping with the build and the last time we would ever drink, which is when the real fun started

• September began w/ those shows on Playa, a massive camp wide de-dusting at camp leader Iceman’s Donner Lake resort that covered a humongous BM repair that enabled resumption of our OctouR on leg 7: Crown, concluding our round w/ RFP northbound from where we left off in Vallejo & played our final Oakland show this year

• October wrapped its namesake tour’s 8th month hitting Hotel Utah in San Francisco, showing RFP OR & WA, ending up playing our 2nd time to The Observatory w/ Moonchyld & including their volunteering of the RFP van SlowDive time off together while Bummobile was in the shop to drive us to by K&K Sound System for power supplies to replace the one eaten by Playa on the way to a swell lakeside B&B, all before debuting Boise & freezing together in Denver for 2 kickass shows amidst a thrift score of a lifetime (including a Mutiny Information Café debut w/ our fantastically complimentary & stunning eHpH) before getting back to our respective musical agendas back home including multiple DFW metroplex MV dates including an art show & almost won costume contest as ourselves w/ fam @littlesparkfilms & @projectzer0art, both Krautstein & multiple mOBSCENE tributes, and triangulating where MV would settle in the area

• November had a slew of TX shows begin it for both MV & SoB, 2 together, while we executed final steps for album release (mix/master at Mediocre in Leander near Austin w/RFP South leg drummer & all around badass CJ Bills we’d began before 🇪🇺, then the most organic CD packing ever) beginning holiday festivities amidst our move out of Bummmobile into our new pad in Dallas & compounded w/bitter unsweetness of Lillith’s younger brother Joey’s untimely death the day of @nineinchnails in Irving ironically that Lillith & I couldn’t have scored better tickets for (in front of the sound booth) & had much needed abundant camaraderie to a perfect setlist that was the only thing that could have kickstarted the grieving & healing process right

I’d still have to say 2018 won.

• December began with RFP winning multiple @dallasobserver-blog Music Awards they’d earned nominations for while on the road w/us in the fall amidst our final tour leg in 🇺🇸 for a hot minute while we launched our best show yet back at Curtain in Deep Ellum for the #GodisaMartian release with stellar follow-up lineup & regal, directly followed the next weekend by SoB’s direct support slot after fam in Rivethead for the friendly & mind blowing Stabbing Westward who we got the privilege to hang alongside all day making unforgettable memories just before gearing up in the mortuary field for a slew of demo sessions galore for both MV & SoB new material & painting commissions.

It’s not even Christmas, yet 2018’s already won.

[soundtrackdrownedspeech]

On My Playlist #25 “Once in a While” - Rosegarden Funeral Party (2019) Certain things are frequently tied to each other in my memories. I had a transfer in Houston on my way out of Seattle. It eventually led to NYC. Austin was the only city I travelled to by myself while I was there, and I flew back to JFK via Dallas. Around this time last year, I was at the all-Texas squad gig in Greenpoint. It’s the latest live music I’ve had to this day. I didn’t expect to hear the music before Ringo Deathstarr, but the Russian Big Muff comparison with the bass player was fun. And a few months later, I spotted the name again in Bellingham on a flyer of a local music venue, which took me back to the night in Greenpoint. Link to my playlist in bio... #rosegardenfuneralparty #onceinawhile #gothicrock #gothrock #washington #texas #newyork #dallas #greenpoint #bellingham #2019 #soundtrackdrownedspeech #music #blog #musicblog #onmyplaylist #playlist #musicplaylist #spotifyplaylist #youtubeplaylist #playlistspotify #playlistyoutube #音楽 #洋楽 #ブログ #音楽ブログ #プレイリスト #スポティファイ #ユーチューブ @tnthrdsrcrds https://www.instagram.com/p/CIdGm6VHdiA/?igshid=1i1t54fksz583

[musicdish]

Two Popular Dallas Bands Become One

Members of two popular Dallas bands have come together, according to singer Leah Lane. Lane, previously of the popular psych band Moon Waves has joined with Sway. The result is Rosegarden Funeral Party to be fronted by singer Lane and guitarist/composer Austin Camp. According to Lane RFP's music "is inspired by everything from 60s psychedilia to 80s gothic/new wave music, to 90s shoegaze and on to modern alternative bands of the psych scene." Leah Lane, at age 19 already a seasoned musician, has been actively gigging in the Deep Ellum area and nationally for three years with Moon Waves. A vocalist first, Lane eventually expanded to keyboards and guitar, "but I’ll be focusing on vocals with RFP at first". Lane is also a versatile writer inspired by many types of music. Austin Camp started with Art for Motels and went on to join another Dallas act, The Orange. In both groups, Camp added unique textures and ingenious parts that gave each band a unique and interesting sound. They are joined by Wil Farrier on bass who previously fronted his own band, Black Vega and carries a degree in guitar studies from Booker T Washington HSPVA. On Synth is Nate Litz, the drummer for Dallas indie band Field Guide. Nate and Camp have worked together for many years. Tate Christopher, a versatile drummer from Vegan Shark takes on the drums for RFP. Rosegarden Funeral Party will make its debut on Friday, Feb. 24 at Dallas’ Sundown At Granada, 9pm.

[kateskarma]

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A post shared by Spinster Records (@spinsterrecords)

Big events this weekend!!! We have Tiki Typo which will be this entire block on Friday and Saturday! Friday 7pm to 10pm, and Saturday 10am to 1pm Then Saturday night we have a show from 7 to 10pm of Moonsong, Rosegarden Funeral Party, and Ranch Hands. BYOB, All Ages, FREE! #oakcliff #spinster #records #bishoparts #tikiparty #redhead #dallas #party #dallasparty #dallasmusic #levis #vlog @oilandcotton @joymacarons @glassoptical @bbbopseoul @encantopops @hot__rats @davisstreetespresso (at Spinster Records)

[nugothrhythms]

"Embers" by Dallas, Texas-based new wave and post punk revival act Rosegarden Funeral Party off of their 2024 album From the Ashes

[jordanbufordphotography]

Rosegarden Funeral Party at the Deep Ellum Arts Festival (2017) in Dallas, Texas. (April 9th, 2017) [Part III]

[jordanbufordphotography]

Rosegarden Funeral Party at Box Garden at Legacy Hall in Plano, Texas. (June, 21st, 2018) [Part II]

[jordanbufordphotography]

Rosegarden Funeral Party at Box Garden at Legacy Hall in Plano, Texas. (June, 21st, 2018) [Part III]

[themusicenthusiast]

Single Review: “Blitzkrieg in Holland” by Rosegarden Funeral Party

Following up the release of their debut single in the last quarter of 2017, Rosegarden Funeral Party is kicking off 2018 with the release of their second song, one that cements them as being one of the most original and arresting bands that’s currently making music in D-FW. “Blitzkrieg in Holland” stands apart from the previously released “Horror Music”, the band – which recently became a quartet – further exploring and pushing the boundaries of their creativity. In the process, they even capture the raw intensity that makes their live performances so riveting. And if you’ve seen them, you know what a lasting impression that Rosegarden Funeral Party leaves. Straying from the somewhat gauzy synth driven nature of their previous single, “Blitzkrieg in Holland” is a hard-hitting rocker that takes pride in delivering a rock ‘n’ roll experience that is nothing short of being a full-blown assault of the senses. Quite appropriate, given the title.

As RFP begins to diversify their music, demonstrating to everyone how wide-ranging they can be, the vast list of their influences becomes more noticeable. There’s a gritty, garage rock quality present throughout “Blitzkrieg…”, one that is reminiscent of the underground scene from several decades ago. Somewhat refined, a modern flare thrown in, it still comes across as being old school rock that packs a punch. The drums and guitar dominate the track, setting it on its breakneck pace that is so invigorating; a venomous touch added for good measure. The other instruments feel more like underlying components in this case, but no less essential. They are integral in establishing the mood, even adding significant depth to the track so that it feels like more than just a rock song. As prevalent as that rock aspect is, the dark, gothic influences still creep in, producing an intriguing element to “Blitzkrieg in Holland”, as it gives an ominous quality to an otherwise spirited number. That’s practically essential for Leah Lane, though. Darker tones and textures behooving her fierce, brooding voice that is as rich as it is striking, in this setting especially. The aggressive nature of the track allows her to truly excel, thus turning the song into a vessel for her powerhouse set of pipes, demanding the undivided attention of the listener. Rip-roaring from start to finish, “Blitzkrieg in Holland” is an explosive piece that showcases how fiery Rosegarden Funeral Party can be. For those still unfamiliar with the nearly two-year-old project, this single serves as the perfect introduction to their music. And for fans, it provides another enthralling look at the scope that Lane, Will Farrier (bass), Mikka Vanya Brightheart (synth) and Tate Christopher (drums) want this project to capture. Leaving you desperately wanting to hear more of what they’ve crafted in the recording studio. Purchase “Blitzkrieg in Holland” on: iTunes | Google Play Visit Rosegarden Funeral Party’s websites: Official Website | Facebook | Instagram | Twitter Current Shows: 2018 January 25—Three Links—Dallas, TX

[jordanbufordphotography]

Rosegarden Funeral Party at the Deep Ellum Arts Festival (2017) in Dallas, Texas. (April 9th, 2017) [Part I]

[manifestiv]

Brilliant pics by Sinoda Photos during our return to the Bay with Rosegarden Funeral Party from Dallas. Brown from @924-gilman in Berkeley, blue from Eli’s Mile High in Oakland. Many thanks & loving vibes out to all who came for OctouR leg 1: South as we finish tracking in Cotati before leg 2: Coast in May.

[jordanbufordphotography]

Rosegarden Funeral Party at the Deep Ellum Arts Festival (2017) in Dallas, Texas. (April 9th, 2017) [Part II]