#Roger Moore era

[cressida-jayoungr]

One Dress a Day Challenge

September: Bond Films

The Spy Who Loved Me / Caroline Munro as Naomi

In terms of the "five primary modes of Bond girl chic," would this count as a combination of swimwear and lingerie? But it also functions as no-nonsense work clothes, since Naomi is all business and she works around water a lot.

The ropes of beads all over the wrap she's wearing over the swimsuit look pretty, but they seem like they would get in the way a lot.

[spockvarietyhour]

Winning smiles from everyone involved

[mariocki]

The Saint: The Time to Die (6.7, ITC, 1968)

"The choice of lettering shows a particularly vulgar taste. You don't think it's a gag, do you, a chum trying to be funny?"

"Well, if it is, he just qualified as an ex-chum. No, Dinny, I think it's serious."

[thecubes]

ok good to know im not the only one that hates jeff in "murder aint what it used to be" euugughguhguh

[hotvintagepoll]

Propaganda

Colleen Moore (Flaming Youth, Ella Cinders)— One of the highest paid, most in-demand actresses of the silent film era, Colleen Moore defied genre and kept herself one step ahead of the competition (and although Moore was the OG flapper, her longtime rival Clara Bow would become more famous for the image) as well as invested her earnings to ensure her financial security after she retired. She even wrote a book all about investing in the stock market! Moore also nurtured a passion for dollhouses throughout her life and helped design and curate The Colleen Moore Dollhouse, which has been a featured exhibit at the Museum of Science and Industry in Chicago since the early 1950s.

Lilian Harvey (Die Drei von der Tankstelle, Der Kongreß Tanzt, Glückskinder)— Lilian Harvey was one of the most popular German film stars of her time, appearing alongside frequent co-star Willy Fritsch like a European version of Ginger Rogers and Fred Astaire. She had it all: she could act, she could dance, she could sing, she was hot, and she wasn't afraid to stick it to the Nazis. During the 1930s, she remained in contact with her Jewish friends and colleagues, which earned her the scrutiny of the Gestapo. When choreographer Jens Keith was arrested for having a sexual relationship with another man, Lilian posted his bail, allowing him to escape to France. She was eventually forced to flee Germany herself, and her film career never recovered. She is perhaps best known to American filmgoers from her brief mention in "Inglourious Basterds," when Joseph Goebbels insists that her name not be mentioned in his presence.

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Lilian Harvey:

Colleen Moore:

Colleen is charming and funny, she was one of the starlets to popularize the iconic 1920s bob!

She's like the deep cut version of Louise Brooks, with majority silent films, and a large percentage of them lost-- BUT 'Why Be Good?' is such a fun movie and she wears really cute dresses and has all the best parts of Pre-Code leading lady fun!

[miwhotep]

JAMES BOND REFERENCES IN MORIARTY THE PATRIOT

I am a big fan of James Bond since my early teenage years. I watched every movies and read all books, so when the Moriarty the Patriot manga first started using James Bond references, I basically screamed. And my voice got 100x louder when the iconic My name is Bond. James Bond. scene happened.

I always wanted to write an analysis of YuuMori's James Bond connections, so now here we are.

First, let's talk a bit about the actual James Bond universe. The character of James Bond - the MI6 agent numbered 007 with a license to kill - got created by Ian Fleming in 1953. He first appeared in the novel called Casino Royale. Fleming wrote 12 novels and two short story collections with the character. The novels soon got movie adaptations, too, the first James Bond movie was Dr. No in 1962, where Sean Connery played Bond. Currently there are 25 Bond movies.

The James Bond movies can be classified into eras by the actor who played Bond. In order, these follow:

Sean Connery

(George Lazenby - but everyone tends to pretend this movie never happened)

Roger Moore

Timothy Dalton

Pierce Brosnan

Daniel Craig

The movies didn't come out in chronological order when it comes to James Bond's life-happenings. Most movies can be watched as stand-alones - but the Daniel Craig era tried to built up a storyline, where the movies are tied to each other. The James Bond movies always have an iconic intro, sing by a popular singer of the current era (the last movie's intro song was by Billie Eilish.)

The James Bond movie universe started to fuse with the Sherlock Holmes universe thanks to the Alan Moore comic book series, The League of Extraordinary Gentleman (1999). Professor Moriarty appeared here as M - the title what later ended up with Mycroft. The Elementary series (and somewhat BBC Sherlock) continued this tendency, featuring Mycroft as someone who has ties to the MI5/MI6.

Professor Moriarty in TLoEG

The Moriarty the Patriot series features most characters who are important in James Bond movies. They are..

M - the leader of the MI6, which role was fullfilled by Albert and Louis.

Q - the inventor who keeps coming up with weapons and cars for James Bond. In YuuMori, Q is Von Herder, the blind mechanic mentioned in the Empty House Conan Doyle story.

Ms. Moneypenny - a secretary working personally for M. In the Daniel Craig era, she started as a field agent, but later moved to do office work. James Bond always gives her flowers and little souvenirs.

When it comes to James Bond, his personality in Moriarty the Patriot is similar to the canon one: loving good cars and guns, flirting with woman (especially Moneypenny) and while it's not vodka martini he orders in the pub when he met with Patterson, he asks for the drink shaken, not stirren. (On the other hand, the Macallan scotch he asks for is a reference to what James Bond drank in the Skyfall movie.)

The location of the MI6 in YuuMori is also similar to the James Bond movies: underground and underwater in the Thames.

The headquarter in Skyfall

The Q-sector

The Man with the Golden Army arc features other references for the James Bond universe. The arc's title refers to the movie/book The Man with the Golden Gun (Roger Moore-era) - the two stories only similarity is that both deal with special guns. In that arc, Sebastian Moran takes on the identity of the 006, Alec Trevelyan. The character originally appeared in the Goldeneye James Bond movie (Pierce Brosnan-era) played by Sean Bean. He had the number 006 and he was the mentor of James Bond (like Moran later on). He seemingly got killed off at the start of the movie (but later returned as a villain).

Alec Trevelyan in Goldeneye

Maybe not an intentional reference, but still interesting: the James Bond movie Tomorrow Never Dies features an evil media mogul, Elliot Carver as a villain who likes orchestrating catastrophic incidents so his newspaper can be the first to write about them, manipulating people that way and gaining control in the media - kind of similar to Milverton (yes, the media mogul Milverton thing is from Sherlock, but still), who was the mastermind behind the Jack the Ripper murders then manipulated the public through the news he created. (I can actually see him orchestrating incidents in order to gain more power and become the King of Media, too.)

Elliot Carver in Tomorrow Never Dies

We've yet to see the main villain of James Bond: Ernst Stavro Blofeld, (first appearing in the Thunderball book) the head of the crime organization called Spectre. I wander when he will appear in YuuMori, if they appear at all, but I really wish!

I hope in the next stories YuuMori's James Bond world keeps expanding - that's such an interesting aspect of the series, I love to see more references!

[frenchcurious]

Roger Moore et sa Mercedes-Benz 300 SE 1966. - source Cars & Motorbikes Stars of the Golden era.

[morbidology]

On July 25, 1946, a horrifying incident unfolded involving two young African American couples: George Dorsey and his pregnant wife, Mae Murray, along with Roger Malcom and his wife, Dorothy Malcom. They were in the car of their employer, Loy Harrison, who was driving them home. However, their journey took a grim turn when they encountered a mob of white individuals blocking off Moore's Ford bridge in Georgia.

The situation escalated quickly as the two men were forcibly pulled from the car and subjected to a brutal beating. In a tragic turn of events, one of the women recognized a member of the mob, leading to both women being dragged from the vehicle and tied to a tree beside their husbands. All four victims were then shot dead. To further compound the horror, Mae Murray had her fetus forcibly removed from her body.

Despite the murders occurring in broad daylight, the killers were never apprehended. One potential motive emerged when it was revealed that earlier in the month, Roger Malcom had allegedly stabbed a white man named Barnette Hester. Malcom was released on bail, a sum paid by his employer, Loy Harrison.

The lack of justice in this case underscores the deeply rooted racial tensions and systemic failures prevalent during that era, as well as the tragic consequences borne by innocent lives caught in the crossfire of prejudice and violence.

[matt-eldritch]

Earlier this year I played the original Portal game and it was definitely as fun as advertised. I got to thinking "what would happen if someone like Batman was the one who was being subjected to GlaDos' tests?", which then lead me to thinking up an alternate universe where someone or something reprogrammed a GlaDOS into serving as the host of a multi-dimensional game show, one not unlike Wipeout or Takeshi's Castle. 

I gave GlaDOS an outfit that resembled Mr. Rogers and Mr. Butlertron to evoke a sense of trustworthiness but also to make it ironic in case she does one of her classic "sudden but inevitable betrayals", and I added sequins to reinforce that she's hosting a game show (though being in the shadows means that effect is lost on most people). Since her game design was too elaborate for me to properly reproduce, I gave her a more "low-tech" look to imply that her power had been greatly reduced compared to the original.

The title screen behind her was probably the trickiest to do. I wanted to give it an air of vintage television, so it took a lot of transformative filters, blending modes and chromatic aberration to make it look retro and glitchy enough to work. The game itself made me think of 1970s-era retro-futurism, so I based the title screen on the one from The Mary Tyler Moore Show. The title screen colours were chosen from the four personality cores you need to steal from GlaDOS in order to defeat her. Her orange personality core, curiosity, is what I went with for the colour of her eye since she would need to be curious in order to run the game show. 

[satansapostle6]

Characters I Write For

Please message me with any ideas/requests! I need ideas(short fics or series)

Mostly write for fem!readers. I can write fluff, angst, smut, etc. If I’m not comfortable with something I can let you know

Character/Actor List

Favorite Characters/Actors To Write For

Draco Malfoy, Weasley twins

Jesse Pinkman

Paul Dano characters

Josh Hutcherson characters

Dean Winchester, Sam Winchester, Castiel

Damon Salvatore, Silas, Klaus Mikaelson, Kol Mikaelson

Rodrick Heffley

Bellamy Blake

Ezra Fitz(should probably make it clear I don’t condone)

Ian Duncan(Community)

Charlie(It’s Always Sunny)

Luke Castellan, Percy Jackson, Annabeth Chase

Finnick Odair

Tommy Shelby

Killian Hook

Paul Dano

Klitz(The Girl Next Door)

Dwayne Hoover(Little Miss Sunshine)

Edward Nashton(The Batman)

Calvin Weir-Fields(Ruby Sparks)

Brian Wilcox(Fast Food Nation)

Joby Taylor(For Ellen)

Nick Flynn(Being Flynn)

Josh Hutcherson

Peeta Mellark(The Hunger Games)

Mike Schmidt(FNAF)

Josh Futturman(Future Man)

Devon Bostick

Rodrick Heffley(Diary of a Wimpy Kid)

Jasper Jordan(The 100)

Cillian Murphy

Tommy Shelby(Peaky Blinders)

Dr. Jonathan Crane(The Dark Knight)

Neil(Watching the Detectives)

Christian Bale

Patrick Bateman(American Psycho)

Bruce Wayne(The Dark Knight)

Breaking Bad

Jesse Pinkman

Jane Margolis

Saul Goodman

Harry Potter(Golden Trio Era)

Harry Potter

Ron Weasley

Hermione Granger

Fred Weasley

George Weasley

Ginny Weasley

Luna Lovegood

Neville Longbottom

Draco Malfoy

Pansy Parkinson

Blaise Zabini

Theodore Nott

Daphne Greengrass

Adrian Pucey

Terence Higgs

Harry Potter(Marauders Era)

James Potter

Remus Lupin

Sirius Black

Lily Potter

Severus Snape

Regulus Black

Lucius Malfoy

Narcissa Malfoy

Bellatrix Lestrange

Arthur Weasley

Harry Potter(Fantastic Beasts Era)

Newt Scamander

Queenie Goldstein

Leta Lestrange

Percy Jackson

Percy Jackson

Annabeth Chase

Luke Castellan

Thalia Grace

Jason Grace

+ Gods

Criminal Minds

Spencer Reid

Aaron Hotchner

Emily Prentiss

Derek Morgan

JJ

Penelope Garcia

David Rossi

Elle Greenaway

Cat Adams

Megan Kane

Supernatural

Dean Winchester

Sam Winchester

John Winchester

Mary Winchester

Castiel

Charlie Bradbury

Rowena McLeod

Adam Milligan

Lucifer

Ruby

Jessica Moore

Gabriel

Benny Lafitte

Bela Talbot

Jo Harvelle

Ellen Harvelle

Gilmore Girls

Lorelai Gilmore

Christopher Hayden

Luke Danes

Logan Huntzberger

Jess Mariano

The Hunger Games

Peeta Mellark

Katniss Everdeen

Gale Hawthorn

Finnick Odair

Johanna Mason

Haymitch Abernathy

Pretty Little Liars

Aria Montgomery

Spencer Hastings

Emily Fields

Hannah Marin

Mona Vanderwaal

Alison Di Laurentis

Jason Di Laurentis

Ezra Fitz

Toby Cavanaugh

Jenna Marshall

Caleb Rivers

The Vampire Diaries

Damon Salvatore

Stefan Salvatore

Katherine Pierce

Elena Gilbert

Jeremy Gilbert

Bonnie Bennett

Caroline Forbes

The Originals

Klaus Mikaelson

Elijah Mikaelson

Kol Mikaelson

Rebekah Mikaelson

Freya Mikaelson

Hayley Marshall

Marcel Gerard

Davina Claire

Twilight

Edward Cullen

Bella Swan

Alice Cullen

Jasper Hale

Rosalie Hale

Emmett Cullen

Victoria

The 100

Bellamy Blake

Octavia Blake

Jasper Jordan

Shameless

Fiona Gallagher

Lip Gallagher

Carl Gallagher

Frank Gallagher

Mandy Milkovich

Kevin Ball

Veronica Fisher

The Bear

Carmy Berzatto

Sydney Adamu

Richie Jerimovich

Suicide Squad

Harley Quinn

Rick Flag

Blackguard

Once Upon A Time

Emma Swan

Regina Mills

Killian Jones

Rumplestiltskin

Robin Hood

Ruby

Hades

Community

Jeff Winger

Abed Nadir

Annie Edison

Troy Barnes

Ian Duncan

It’s Always Sunny In Philadelphia

Charlie Kelly

Dennis Reynolds

Dee Reynolds

Mac

Cricket

House MD

Greg House

Robert Chase

James Wilson

Lisa Cuddy

Parks and Recreation

Ben Wyatt

April Ludgate

Andy Dwyer

MCU, Marvel

Steve Rogers

Tony Stark

Natasha Romanoff

Bruce Banner

Wanda Maximoff

Loki Laufeyson

Peter Parker(Holland, Garfield, Maguire)

Gamora

Peter Quill

Scott Lang

Steven Strange

Jessica Jones

Wade Wilson

DC CW

Oliver Queen

Barry Allen

Felicity Smoak

Laurel Lance

Sara Lance

Malcom Merlyn

John Constantine

Leonard Snart

Ray Palmer

Caitlyn Snow

Julian Albert

Rip Hunter

10 Things I Hate About You

Patrick Verona

Cameron James

New Girl

Jess Day

Nick Miller

Schmidt

Other Characters

Charlie Kelmeckis(Perks Of Being A Wallflower)

Jesse Eisenberg Characters

Dr. Who(10th Doctor)

Will Probably Add More

[cressida-jayoungr]

One Dress a Day Challenge

September: Bond Films

Live and Let Die / Jane Seymour as Solitaire

Not my favorite Bond film, but it does have some great costumes. Solitaire's gowns are all elaborate, romantic, and extravagant in that late 1960s/early 1970s sort of way. This one has a matching cloak which we sadly only get a very brief glimpse of, and apparently it wasn't included in the display exhibit for some reason.

The costume designer for this film was Julie Harris.

[adarkrainbow]

One very interesting to note when comparing the "literary" fairytales and the "folkloric" fairytales - the fairytales actually rewritten or entirely written by authors for a literate public versus the oral folktales and "countryside" or "simple folks" fairytales collected by folklorists.

The latter tend to be very conservative, the former much more progressive than you think. Or rather... when you've got crazy nationalist and xenophobes and discriminators of all kinds, they'll turn towards the "folkloric" fairytales - but when you want to research queer, society-questioning, gender-norms-breaking, eerily modern fairytales, you'll go with the literary fairytales rather.

Don't get me wrong, do NOT get me wrong - both kind of fairytales are usually very racist in one way or another because they are from ancient times. The Pentamerone, madame d'Aulnoy's fairytales and the brothers Grimm fairytales all are very not-Black-people-friendly and always depict having dark skin as being ugly, being wicked or being a laughingstock. Because they were written by Renaissance-era Italians and French people, and by 19th century German men, so casual racism is just there.

BUT... Folkloric countrysides tend to play the cards of the casual European racism, and the common antisemitism, and the ingrained misogynistic views, much more plainly, openly and directly, because they were literaly collected among the folks that thought that, among the common population with the "common" views of the time. For example in a lot of French folkloric fairytales (not reprinted for children today) the role of the ogre or the devil or the murder in the woods will often be "the Moor" or "the Mooress", because it was okay to depict Moors are humanoid, devilish monsters used to eat the flesh of Christian children. The casual racism and antisemitism in good handfuls of the Grimm fairytales also prove the point (NOT HANSEL AND GRETEL THOUGH! I think I made my point clear). And the same way, in the Grimm you have the absolute "heterosexual-happiness" structure that was reinforced by Disney movie and is the reason why people think fairytales are inherently homophobic.

However, when it comes to literary fairytales, you have an entirely different song. Because they were LITERARY works, and as with a lot of literature pieces, you often get more progressive things than you think. Everybody knows of Andersen's fairytales queerness today that make them beautiful allegories for things such as coming out of the closet or transitioning or living in an homophobic setting, but if we take less "modern" and "invented", more traditional fairytales, we can be in for quite a surprise...

Take the Italian fairytales classics - the Pentamerone and the Facetious Nights. These works were originally satirical and humoristic adult works. Crude satire, dark humor - they were basically the South Park of their time. Slapstick gore out of an Itchy and Scratchy show, very flowery insults the kind of which you except to come of a Brandon Rogers video, poop and piss everywhere (yet another common trait with Brandon Rogers video, in fact I realized the classic Italian literary fairytales have actually a LOT in common with Brandon's videos...), and lot of sexual innuendos and jokes involving the limits of what was accepted as tolerable (extra-marital affairs, homosexuality, incest, gerontophilia, zoophilia). This was one big crude joke where everybody got something for their money and everyone, no matter the skin color, the religion, the gender or the social status, got a nasty little caricature. It does come off as a result as massively racist, antisemitic, ageist and misogynistic tales today... But it also clearly calls out the bad treatment of women, and takes all kings for fools, and completely deconstructs the "prince charming" trope before it even existed because they're all horny brutes, and it encourages good people to actually go and KILL wicked people who abuse others and commit horrid deeds... These tales inherited the "medieval comedy style" of the Middle-Ages, where it was all about showing how everybody in the world is an asshole, all "goodness" and "purity" is just foolishness and hypocrisy, how the world is just sex and feces, and how everybody ended up beaten up in the end.. (See the Reynard the Fox stories for example - which themselves spawned an entire category of "animal fairytales" listed alongside traditional "magical fairytales" in the Aarne-Thompson Catalogue.

But what about the French classical literary fairytales? Charles Perrault, and madame d'Aulnoy, and all the other "précieuses" and salon fairytale authors - mademoiselle Lhéritier, madame de Murat, the knight of Mailly, Catherine Bernard, etc etc...

The common opinion that was held by everyone, France included, for a very long tale, was that their fairytales were the "sweet and saccharine-crap and ridiculous-romance" type of fairytales. They were the basis of several Disney movies afterall, and created many of the stereotyped fairytale cliches (such as the knight in shiny armor saving a damsel in distress). People accused these authors - delicate and elegant fashionable women, upper-class people close to the royal court and part of the luxurious and vain world of Versailles, "proper" intellectuals more concerned with finding poetic metaphors and correct phrasing - they were accused of removing the truth, the power, the darkness, the heart of the "original" folkloric fairytales to dilute them into a syrupy and childish bedtime story.

But the truth is - a truth that fairytale authorities and students are rediscovering since a dozen of years now, and that is quite obvious when you actually take time to LEARN about the context of these fairytales and actually read them as literary products - that they are much more complex and progressive than you could think of. Or rather... subversive. This is a word that reoccurs very often with French fairytales studies recently: these tales are subversive. Indeed on the outside these fairytales look like everything I described above... But that's because people look at them with modern expectations, and forget that A) fairytales were generally discredited and disregarded as a "useless, pointless child-game" by the intellectuals of the time, despite it being a true craze among bookish circles and B) the authors had to deal with censorship, royal and state censorship. As a result, they had to be sly and discreet, and hide clues between the lines, and enigmas to be solved with a specific context, and references obscure to one not in the known - these tales are PACKED with internal jokes only other fairytale authors of the time could get.

These fairytales were mostly written by women. This in itself was something GRANDIOSE because remember that in the 17th century France, women writing books or novels or even short stories was seen as something indecent - women weren't even supposed to be educated or to read "serious stuff" else their brain might fry or something. Fairytales were a true outlet for women to epxress their literary sensibilities and social messages - since they were allowed to take part in this "game" and nobody bothered looking too deep into "naive stories about whimsical things like fairies and other stupid romances".

But then here's the twist... When you look at the lie of the various fairytale authors (or authoresses) oh boy! Do you get a surprise. They were bad girls, naughty girls (and naughty boys too). They were "upper-class, delicate, refined people of the salons" true. But they were not part of the high-aristocracy, they usually were just middle or low nobility or not even true nobility but grand bourgeois or administrative nobility - and they had VERY interesting lives. Some of them went to prison. Others were exiled - or went into exile to not be arrested. You had people who were persecuted for sharing vies opposing the current politico-status of France ; you had women who had to live through very hard and traumatic events (most commonly very bad child marriages, or tragic death of their kids). And a lot of them had some crazy stories to tell...

Just take madame d'Aulnoy. Often discredited as the symbol of the "unreadable, badly-aged, naive, bloated with romance, uninteresting fairytale", and erased in favor of Perrault's shorter, darker, more "folkloric" tales - and that despite madame d'Aulnoy being the mother of the French fairytale genre, the one that got the name "fairytale" to exist in the first place, and being even more popular than Perrault up until the 19th century. Imagine this so called "precious, delicate, too-refined and too-romantic middled aged woman in her salon"... And know that she was forced into a marriage with an alcoholic, abusive old man when she as just a teenager, that things got so bad she had to conspire with family members of her (and some male friends, maybe lovers, can't recall right now) to accuse her husband of a murder so he would get death sentence - but the conspiracy backfired, madame d'Aulnoy's friends got sentenced to death, and she had to exile herself it her mother in England to not get caught too. And she only returned to France and became known as a fairytale writer there after many decades of exile in other European countries the time the case got settled down. Oh, and when escaping France's justice she even had to hide under the frontsteps of a church. Yep.

Now I am reciting it all out of memory, I might get some details wrong, but the key thing is: madame d'Aulnoy was a woman with a crazy criminal life, and in fact she got such a reputaton of a "woman of debauchery" the British people reinvented her and her fairytales around the folk/fairytale figure of Mother Bunch (Madame d'Aulnoy's fairytales became "Mother Bunch" fairytales in England to match Perrault's "Mother Goose" fairytales, and Mother Bunch was previously in England a stereotype associated with the old wise woman, kind of witchy, that girls of the village went to to get love potions and aphrodisiacs or some advice on what to do once in bed with a guy - think fo Nanny Ogg from Discworld).

And many other fairytale authors of this "classical era of fairytales" had just as interesting, wild or marginal lives. The result? When you look at their tales you find... numerous situations where a character has to dress up and pass off as the opposite gender, resulting in many gender-confusing emotion and situations just as queer as Shakespeare's Twelfth Night. Several suspiciously close and intimate friendships between two girls or two men. Various dark jokes at all the vices and corruption underlying in the "good society". Discreet sexual references hinting that there's more than is told about those idyllic romances. And lots of disguised criticism of the monarchic government and the gender politics of the society of their time - kings being depicted as villains or fools, princes either being villains or behaving very wrongly towards women, many of the typical fairytale love stories ending in tragedies (yes there's a lot of those fairytales where, because a prince loved a princess, they both died), numerous courtly depictions of rape and forced and abusive marriages, and of course - supreme subversion of all subversions - people of lower class ending up at the same level as kings (Puss in Boots' moral is that all you need to be a prince is just to look the part), and other mixed-class marriages (which was the great terror of the old nobility of France, for whom it was impossible to marry below their rank - if a king married a common peasant girl, the Apocalypse would arrive and it was the End of times).

So yeah, all of that to say... All the literary fairytales I came across with had subversive or progressive elements to it ; and this is why they are generally so easier to adapt or re-adapt in more queer or democratic or feminist takes, because there's always seeds here and there, even though people do not see it obviously. Meanwhile folkloric fairytales tend to be much more conservative and reflective of past (or present) prejudices, but people tend to forget it because these stories simple format and shortness allows them to "break" into pieces more easily like Legos you rearrange.

All I'm going to say is that there's a reason wy the Nazis very easily re-used the Grimm brothers fairytales as part of their antisemitic and fascist propaganda ; and why Russian dictators like Putin also love using traditional Russian fairytales in their own propaganda, while you rarely see Italian or French political evils reuse Perrault, d'Aulnoy, Basile or Straparole fairytales.

[darthbloodorange]

The Costume

Rating: Teens Universe: Marvel Cinematic Universe Pairings: Steve Rogers/James "Bucky" Barnes Characters: Steve Rogers, James "Bucky" Barnes, Others Warnings: None Major Tags: Humor, Flirting, World War II, Steve Rogers Needs a Hug, Implied (Bucky's) Uniform Kink, POV Steve Rogers Word count: 400 - Quadruple Drabble

Summery: Sitting in an office, Steve quickly begins to wonder if he made the wrong decision in accepting Senator Brandt's offer. Sitting in a pub, Steve thinks it might have worked out alright in the end.

For the: ✦ @fluffystevefest - Showboy [July 3: ERAS]

Read below or on AO3 >HERE<

Steve buries his face in his hands, biting back a groan.

'He can do this.'

'Senator Brandt said this would help.'

'This was pretty terrible. But it wasn't entirely terrible.'

Collin, across the table, turns his sketchpad around. "This is what I think the costume for 'G.I. Joe' should be," the man proclaims proudly.

Steve's own pad lies abandoned in front of him, abandoned. These guys weren't interested in his additions or comments. He quickly realised he was only here as a formality.

'He could get through this.'

"No, no. I think we should go for something a little more... eye-catching. We need this to sell," Moores says.

Steve winces.

"Well, we can't make the uniform more colourful. If he's meant to represent one of our boys."

Steve's shoulders drops marginally in relief.

"We can have 'G.I. Joe' wear the flag as a cape."

"I don't think that's gonna cut it, Phil."

"Brandt did say he needs something with pizazz, Moores. I don't know what to tell you."

"Brandt also said he wanted him to look like one of the troops."

The office door opens, and a secretary walks in. "Sorry," she says, "the documents you requested came in." She hands over the file and leaves.

Steve drops his head back into his hands.

'This will help people. Just push through it.'

'It isn't the worst thing you've done.'

Minutes later, one of the guys exclaims excitedly.

Steve looks up from his hands as the guy pulls out one of the pages from the file. Waving it triumphantly.

"I got it!" the man cries. "Look! Rogers was born on the 4th of July!"

Steve's stomach sinks.

'What now?'

"He could be the Captain of America! We can drape him in the colours of the flag!"

Steve freezes in horror.

'That's a terrible idea.'

Around the table, everyone cheers and talks excitedly about their new idea.

'No.'

'This was the worst thing ever.'

[A few months later]

"But you're keeping the outfit, right?" Bucky asks, leaning back on his stool, smirking.

Steve sighs and looks at Bucky.

"You know what," Steve says, turning around to look at one of 'Captain America's' tour posters on the wall of the pub, "It's kinda growing on me," he admits, smiling.

Bucky reaches forward, laying a hand on his knee. Giving it a squeeze. "I'm glad to hear it," Bucky says, voice thick.

THE END

I like to believe that Steve's birthday really is the 4th of July. And the War Bonds show team found this out and were like, we know just what to do for your stage persona… "Captain America" 😂 (poor Steve)

+ Bonus Bucky being horny for Steve's new outfit.

[mariocki]

The Saint: The Old Treasure Story (4.9, ITC, 1965)

"Are you asking us to go to the Virgin Islands with you?"

"By the next plane. I've a boat in Saint Thomas, it's equipped and waiting."

"Simon, could we?"

"Why not? It appeals to my buccaneering spirit."

[thecubes]

the cool thing about being into pre-internet era tv is that all the websites dedicated to them are ran by fans hosted independently of anything like wikia/fandom and chock full of the most specific information you can possibly ask for

[hotvintagepoll]

Propaganda

Irene Zazians (The Messenger from Heaven, The Spring of Life)— Irene Zazians, also well known by just her first name "Iren," was willing to star in more "taboo" films of her era when the culture was very conservative. She wore a two-piece swimsuit in The Messenger from Heaven, emulating Italian movie stars like Sophia Loren. Irene would often take controversial roles and was known to do diligent research for her movies. She became very popular in her time for taking bold choices in her career and was an icon of pre-revolutionary Iranian cinema.

Lois Maxwell (Women of Twilight, Kill Me Tomorrow, Dr No, From Russia with Love)— The OG Miss Moneypenny, who was romanced by Bond but never caught him. But she's so much more than that. She was in the first X rated film of the UK, and seems to have been a staple of British Noir films in the 50s. Joined the canadian women's army corp at the age of 15, was found out and joined RADA where she became friends with Roger Moore

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Lois Maxwell:

Irene Zazians: