#Robert de niro avatars

[rollinginthedeep-swan]

ROBERT DE NIRO + ROSE BYRNE -

J'ai pété un câble sur le dernier, j'avais juste envie. Voilà. Coucou @soeurdelune.

Crédit : Swan

[truelove-crackship]

Robert De Niro, actor ( more ) credit .truelove

[voluxpa]

-- créditer LUX.

[martyrgraph]

robert de niro (400x640).

credit; martyr.

[andrewmena]

Paralelismos cinematográficos

Taxi Driver, 1976

Avatar the last airbender, 2008

[theplastichearts]

[ecstasydesign]

Pedido de avatar para: Salvatore Coppola

[dcdreamblog]

So... what's the consensus on that Joker movie? I know a lot of people thought it was crass to use the iconography of a supervillain and attempt to use it for a sympathetic character.

Oh I loved it. The direction was great, the music was excellent. Really a director at the top of their craft taking a hard edged, uncomfortable look at mental illness, show business, the collapse of the American dream and the obsession with celebrity. And I mean the cast, Robert De Niro, Tony Randall, Jerry Lewis, Diahnne Abbot and a script from Zimmerman that doesn't miss just... Oh no wait, I'm obviously confusing Joker for The King of Comedy, a film from 43 goddamn years ago that WB tried to pass off as something other than reheated leftovers by slapping a real life psychopath on the front.

(The Poster for WB's 2019 film 'Joker')

To call is crass is a deep understatement, trying to ride the wave of a mean spirited meme of people with no actual problems in their lives idolizing and philosophizing about a man who would turn them all into Jack-O-Lanterns for looking at him funny. As if it could possibly be appropriate to use the Joker, a criminal who is very much ALIVE and still committing his crimes on a semi regular basis to this day as some sort of a heavy handed metaphor for what, the underclass? It's insulting. To equate people who are struggling day after day just to guy by with the clothes on their back with a performative serial killer in a purple suit.

I've said it before I will say it again. Even if we knew a single thing about the Joker's life story for certain (which we don't) none of it would excuse for a SECOND the things he has done. He's insane in a purely medical sense, as far as the law is concerned, as far as the law SHOULD be concerned he is in charge of as many mental faculties as could possibly be needed to stand trial for his crimes. He knows the difference between right and wrong, CHOOSES to commit evil action and then chooses to do it again. To use him as any kind of general metaphor for the mentally ill or the underprivileged, the poor, the forgotten is to give the man far more credit than he will EVER deserve. The Joker is not your avatar, no matter what you're suffering he has no philosophy and certainly no philosophy that will have anything to do with YOUR well-being.

And you know what gets me? You know what REALLY grinds me up inside? When every single film with a tone darker than the Looney Tunes set in Gotham feels the need to make itself fucking important by trotting out the death of the Waynes. A real tragedy that happened to real people within living memory. To have actors playing Bruce Wayne and Alfred Pennyworth, two men who were directly impacted by the tragedy, who are both still ALIVE and working every day to overcome it. To put them in this movie making wild and fanciful accusations on Thomas Wayne's propriety, it's sick.

Thomas Wayne's son saw himself in this movie, an effigy of his own tarnished childhood pushed out under the spotlight for all the people to cluck their tongues and shake their heads at the grime and cruelty of poor old, broken Gotham.

Alfred Pennyworth, a man who has stood with his spine unbent and his heart unbroken for DECADES since the deaths of his employers and friends on that night in Crime Alley. Who drove in the middle of the night to pick up their son and has stood by him ever since in the NAME of that friendship and love.

You want to know what I think of this movie? I want you to ask Dick Grayson, or Tim Drake, or Cassandra Cain, or Damian Wayne what they think of the movie that lionizes the man who killed their brother.

[eeveearoace-creative]

a speech about goncharov i made for my public speaking class!

note: this is not exactly what will be spoken for my class, as i am not reading my speech word-for-word. however, this is an outline of the speech i will be presenting, and i thought y'all might be interested in seeing it.

Introduction:

The purpose of my speech is to inform my audience of the fake movie “Goncharov” and how it has impacted me. My goal is to inform my audience of how the fake movie “Goncharov” came to be and of the value it has. 

By a quick show of hands, how many of you have seen or heard of Goncharov before? [Quick pause as I wait for no hands – or almost no hands – to go up.] Alright. So, Goncharov was a 1973 mafia movie supported by Martin Scorsese, and has been widely regarded as the greatest mafia movie of all time. It’s about the Russian mafia in Naples, Italy, and follows a variety of characters such as Goncharov himself, Katya, who is Goncharov’s wife, Audrei “The Banker” Daddano, and my personal favorite, Joseph “Ice Pick Joe” Morelli, with actors such as Robert De Niro, Cybill Shepherd, Harvey Keitel, and Lynda Carter. So, why have you never heard of this movie before? Well, everything I just told you? It’s all a lie. It’s all made up. Goncharov? Yeah. It never actually existed. 

I remember being part of the Goncharov fandom as it first blew up on Tumblr in late 2022. It was a great source of joy for me and made a significant impact on Tumblr’s culture. I am going to show my audience how Goncharov came to be, the creativity is spawned, and briefly reflect on how the website it originated on was vital for its growth. 

So, what is Goncharov, and what is going on here?

Origins:

Goncharov was a fake movie created by Tumblr in late 2022. 

Sometime prior to August 22nd, 2020, Tumblr user ZootyCoon posted a photograph of knockoff boots they had bought that advertised a non-existent movie, Goncharov, on them, claiming that Goncharov was “the greatest mafia movie of all time.” In response, on August 22nd, 2020, another Tumblr user, AbandonedAmbition, commented “This idiot hasn’t seen Goncharov”, which was then added to the post itself by Tumblr user LoserMo. 

While ZootyCoon’s original post did receive some attention, it wasn’t until November 18th, 2022 that Goncharov truly hit it off as a cultural phenomenon, thanks to Tumblr user Beelzeebub, who posted a fan-made poster for Goncharov, receiving almost 20,000 likes and over 15,000 reblogs in three days. 

Fandom:

As it turns out, you don't actually need a piece of media to be real in order for a fandom to form around it.

Countless fanworks were created for Goncharov, including fanart, fanfiction, music, scene analysis and analysis of motifs, gif sets, memes, and so much more. As mentioned in a YouTube video by YouTuber ColeyDoesThings, there was even a time where Goncharov had more fanfiction on a popular fanfiction website than James Cameran’s Avatar, the highest grossing movie of all time. 

So much lore was being created for Goncharov in such a short amount of time that efforts had to be made to record it all. Multiple individuals attempted to create a “master copy” of Goncharov’s lore, including what is now a 48-page Google doc that includes a plot summary, brief descriptions of various scenes, and links and sources to various contributors. 

But Goncharov could not be contained just to Tumblr. Various media outlets, such as The New York Times, The Guardian, Forbes, and The Washington Post all posted articles about Goncharov, an internet phenomenon. 

Tumblr:

But, why? Why this fake movie, and why on Tumblr of all places? 

As a social media site, Tumblr has an incredibly weird culture. There are no public follower counts, no verification for users, and a whole array of weird social rules. But one thing that really makes Tumblr special is the interaction between large and small blogs alike. Because anyone can and is encouraged to create their own content and add to others’ content, something like Goncharov could very quickly become a “yes, and” game among Tumblr’s users. 

Tumblr is also very much a “fandom” site. Fanart, fanfiction, and other fanworks dominate the website, and Goncharov in its heyday was no exception. Interactions between fans and fan creators is what really causes fandoms to grow and survive, so it makes sense that Goncharov thrived the way it did considering how easy it was to find fellow fans. With no pressure to reveal your “true” self, there’s a lot less pressure when you share what you’ve created. 

Conclusion:

So, what can we learn here?

The fake movie “Goncharov” was unintentionally created by a tag on a pair of off-brand boots but didn’t truly become popular until Beelzebub’s poster. Fandom quickly grew around it, creating countless fanworks, but Tumblr’s unique culture as a social media site is what truly allowed it to thrive. 

There is joy and creativity in unusual places. Whether or not you believe Goncharov to be a waste of time, the popularity of a fake movie says something about the human fascination with stories. Thank you. 

[hcgossips]

How to promote an actor? Well, one way is through promoting his interests, life style and details of his personal life. But, that shouldn't be the main goal of his team and those personal details are not always true, created to entertain, sell a persona and keep his name in the media. Talent and other professional skills should be important. But, if you don't have those, nor an established name like Hugh Jackman, Robert De Niro, Al Pacino, George Clooney, for example, you have to keep digging. So, he created an AVATAR, a fake persona, with some real characteristics, to sell his image and keep his name as news. Times are different now. And today, in Hollywood, talent is not enough. There was a time when movies were art and told great stories. Today, it's all about money. Any poor script may become a hit and any hot stuff, famous. The plot doesn't need to be great, it only needs a pretty face in good shape, a sex symbol to make people buy tickets. That's the kind of actor he is, from the new school, were all you need is to sell yourself as a hot stuff. Never seen efforts from his side searching for a nice plot, but for a role in which his physical image came first. So, he decided to sell himself as a sex symbol. And, it has been working for him, because, despite precedents, he always managed to keep an image. But, this image was destroyed by his own team and they are making a great effort trying to restore it. Meanwhile, concerning his acting career, what have we had, so far? A few cameos, small parts in insignificant movies and a lot, I mean A LOT of clickbait. For the last four years his team has promoted projects that turned out to be untrue. A lot of speculation around his name, but very little work. He got stuck in a circus that discredited his image, has been hiding from social media, only appearing when to sell a product and his management doesn't seem to be doing a good job for a very long time, focussing more on money rather than in achievements . And he has been having to do both jobs: act and manage his career. From time to time, they come up with a new clickbait. He's rumoured to star in many new projects, but in practice he hasn't had one. That's what it is. They are desperately trying to bring him back to track and arrange him a new iconic role, when meanwhile, there's nothing and he has established himself as the cameo boy. Why come up with new projects' rumours when Rosie Project, Bond, WH and Highlander rumours never resulted in close deals? What it seems is they are desperate to get him something, selling him as a cheap bitch, which makes him worth less as an actor.

[tomorrowedblog]

Friday Releases for March 21

Friday is the busiest day of the week for new releases, so we’ve decided to collect them all in one place. Friday Releases for March 21 include The Assessment, The Alto Knights, Snow White, and more.

The Assessment

The Assessment, the new movie from Fleur Fortune, is out today.

In a not-so-distant future, where resources are scarce and tightly controlled, even the dream of having a child is not a given. Mia (Elizabeth Olsen) and Aaryan (Himesh Patel) are one of the few couples allowed to take a mysterious assessment for the right to have a child, having successfully navigated a brutal selection process. Desperate to prove themselves eligible, they face their evaluator, Virginia (Alicia Vikander) —cold, unpredictable, and impossible to read. Subjected to seven grueling days of challenges, Mia and Aaryan are pushed to the brink. The trials unravel into a psychological nightmare, forcing them to face their deepest insecurities, shaking the foundations of their relationship and what being parents really means to them.

The Alto Knights

The Alto Knights, the new movie from Barry Levinson, is out today.

The film follows two of New York’s most notorious organized crime bosses, Frank Costello (Robert De Niro) and Vito Genovese (Robert De Niro), as they vie for control of the city’s streets. Once the best of friends, petty jealousies and a series of betrayals place them on a deadly collision course that will reshape the Mafia (and America) forever.

Snow White

Snow White, the new movie from Marc Webb, is out today.

Snow White is a live-action musical reimagining of the classic 1937 film. The magical music adventure journeys back to the timeless story with beloved characters Bashful, Doc, Dopey, Grumpy, Happy, Sleepy, and Sneezy.

Ash

Ash, the new movie from Flying Lotus, is out today.

On the mysterious planet of Ash, Riya (Eiza González) awakens to find her crew slaughtered. When a man named Brion (Aaron Paul) arrives to rescue her, an ordeal of psychological and physical terror ensues while Riya and Brion must decide if they can trust one another to survive.

Baby Invasion

Baby Invasion, the new movie from Harmony Korine, is out today.

An ultra-realistic, multiplayer FPS game follows a group of mercenaries using baby faces as avatars through the use of AI. Tasked with entering mansions of the rich and powerful, players must explore every rabbit hole before time runs out. As players navigate this dark web-leaked game, the boundaries between the digital and the real world blur.

Being Maria

Being Maria, the new movie from Jessica Palud, is out today.

Maria Schneider (Anamaria Vartolomei) is a promising, young French actress. When she gets the lead in a feature film directed by an acclaimed Italian filmmaker and starring one of America’s most beloved actors, it seems like the opportunity of a lifetime. Her collaborators, director Bernardo Bertolucci and star Marlon Brando (Matt Dillon) seem to be bringing out the best in Maria, sharing a warm rapport and mentorship with the 19-year old girl. Until one day, when the two men conspire to shoot a crucial sex scene as a harrowing assault without letting Maria in on the plan. The film goes on to be lauded as a fearless artistic breakthrough, but for Maria, it’s the beginning of a living hell.

LOCKED

LOCKED, the new movie from David Yarovesky, is out today.

When Eddie (Bill Skarsgård) breaks into a luxury SUV, he steps into a deadly trap set by William (Anthony Hopkins), a self-proclaimed vigilante delivering his own brand of twisted justice. With no means of escape, Eddie must fight to survive in a ride where escape is an illusion, survival is a nightmare, and justice shifts into high gear.

Magazine Dreams

Magazine Dreams, the new movie from Elijah Bynum, is out today.

Killian Maddox is consumed by his dream of becoming a world famous bodybuilder and one day gracing the cover of fitness magazines. He lives a lonely, regimented life, and his relentless drive for perfection only pushes him deeper towards self destruction, but beneath his tenacious pursuit of superstardom lies a desperate, aching need for human connection. As he battles both the limits of his physical body and his own inner demons, MAGAZINE DREAMS explores the lengths one man will go in his haunting quest for recognition in a world that often overlooks him.

Misericordia

Misericordia, the new movie from Alain Guiraudie, is out today.

The teasingly entwined ambiguities of love and death continue to fascinate Alain Guiraudie, who returns with a sharp, sinister, yet slyly funny thriller. Set in an autumnal, woodsy village in his native region of Occitanie, his latest follows the meandering exploits of Jérémie (Félix Kysyl), an out-of-work baker who has drifted back to his hometown after the death of his beloved former boss, a bakery owner. Staying long after the funeral, the seemingly benign Jérémie begins to casually insinuate himself into his mentor’s family, including his kind-hearted widow (Catherine Frot) and venomously angry son (Jean-Baptiste Durand), while making an increasingly surprising—and ultimately beneficial—friendship with an oddly cheerful local priest (Jacques Develay).

Look Outside

Look Outside, the new game from Francis Coulombe and Devolver Digital, is out today.

Look Outside is a survival horror RPG set in a single apartment building. A mysterious event turns anyone who looks out the window into grotesque monsters, leaving the world in absolute chaos. Scavenge the building to seek food, supplies, and weapons while encountering strange characters.

[rollinginthedeep-swan]

ROBERT DE NIRO

Crédit : Swan

[theblogvibe]

Cinematic Evolution: How Visual Effects Are Reshaping the Future of Filmmaking

The magic of cinema has always been about storytelling, but in the modern era, visual effects (VFX) have taken storytelling to an entirely new level. From epic fantasy worlds to realistic de-aging of actors, VFX has become an indispensable tool in the film industry. Reliance Animation Academy, a leader in animation and visual effects training, explores the impact of VFX on the future of cinema and how aspiring professionals can be a part of this transformative industry.

The Evolution of Visual Effects in Cinema

Visual effects have been a part of filmmaking since its inception, but technological advancements have propelled them to unprecedented heights. In the early days, filmmakers relied on practical effects, miniatures, and stop-motion animation. With the introduction of CGI (Computer-Generated Imagery), films like Jurassic Park and The Matrix revolutionized the industry.

Today, VFX technology has evolved to include photorealistic CGI, motion capture, real-time rendering, and AI-driven effects. The rise of virtual production, used in The Mandalorian, is yet another groundbreaking development that is changing the way films are made.

The Role of VFX in Modern Filmmaking

VFX is no longer just about creating awe-inspiring action sequences; it plays a crucial role in storytelling, setting the scene, and enhancing the emotional depth of a film. Some of the ways in which VFX is shaping the industry include:

1. World-Building and Immersion

VFX allows filmmakers to create detailed, immersive worlds that would be impossible to shoot in real life. Films like Avatar and Dune have pushed the boundaries of world-building with their stunning digital environments.

Virtual production techniques enable real-time rendering of digital landscapes, allowing actors to perform in front of realistic backdrops instead of green screens.

2. De-Aging and Digital Human Replication

With AI-powered VFX, filmmakers can de-age actors or even recreate their performances digitally. The Irishman showcased this technology by digitally de-aging Robert De Niro and Al Pacino.

Digital doubles and AI-generated performances are now being used in major films, leading to discussions about the ethics and future of digital actors.

3. Realistic Special Effects Without Physical Constraints

Explosions, fire, water simulations, and destruction sequences can now be created entirely through VFX, reducing the need for costly and dangerous practical effects.

Films like Inception and Doctor Strange have demonstrated the power of visual effects in bending reality and creating mind-bending sequences.

4. Virtual and Augmented Reality in Filmmaking

The integration of virtual reality (VR) and augmented reality (AR) in cinema is creating new storytelling formats.

Interactive films and immersive experiences, like Black Mirror: Bandersnatch, are opening up new possibilities for filmmakers and audiences alike.

The Future of VFX in Cinema

With constant advancements in technology, the future of VFX in cinema looks brighter than ever. Here are some key trends that will shape the industry in the coming years:

1. AI and Machine Learning in VFX

AI-driven VFX tools are automating complex processes, making it easier and faster to generate high-quality effects.

Deepfake technology and neural rendering are expected to play a significant role in creating realistic digital humans.

2. Real-Time Rendering and Game Engines in Filmmaking

Game engines like Unreal Engine are being used to render cinematic-quality visuals in real time, reducing post-production time.

Virtual production techniques are enabling filmmakers to shoot films with real-time CGI, making production more efficient.

3. The Rise of Virtual Actors and Digital Performers

Hollywood is experimenting with fully digital actors that can perform alongside real-life counterparts.

Ethical considerations regarding the use of AI-generated performances and digital replicas are becoming more prevalent.

4. Hyper-Realistic CGI and the Uncanny Valley

As CGI continues to improve, we are moving closer to bridging the uncanny valley, where digital characters become indistinguishable from real people.

Films like Blade Runner 2049 and Rogue One have already demonstrated impressive digital character recreations.

How to Build a Career in VFX

With the rapid growth of VFX, there is a rising demand for skilled professionals in the industry. Reliance Animation Academy provides cutting-edge training for aspiring VFX artists, covering areas such as:

3D Modeling and Animation

Compositing and Motion Graphics

Visual Effects for Film and Television

Game Design and Real-Time Rendering

Virtual Production and AI in VFX

By enrolling in professional courses, students can gain hands-on experience with industry-standard software like Autodesk Maya, Houdini, Blender, and Unreal Engine.

Conclusion

Visual effects have become an integral part of filmmaking, revolutionizing the industry with groundbreaking technology and innovative storytelling. From AI-driven VFX to real-time rendering, the future of cinema is being shaped by the limitless possibilities of digital effects.

For aspiring VFX artists looking to make their mark in the industry, Reliance Animation Academy offers world-class training programs that provide the skills and expertise needed to thrive in this dynamic field. The future of cinema is here, and it is driven by the power of visual effects.

[voluxpa]

-- by lux;

[martyrgraph]

robert de niro (400x640).

[themeatlife]

Oscar Cram Session 2024 - Watching the Academy Awards Best Picture Nominees

In 2023, there was a unique opportunity brought about by the Streaming Wars and viewing opportunities post-pandemic to be able to watch most of the Best Picture nominees for the Oscars. Last year, I viewed and reviewed 8 of the 10 nominees due to their availability on streaming services. I later saw Avatar: The Way of Water as the 9th nominee I viewed - without going into a review, I rate it a 7/10. Solid entertaining flick. I have yet to watch The Fabelmans.

For this year, there were less of them available to stream - 6 of the 10 Best Picture nominess are out on streaming right now. While there are less, I still took the opportunity to watch the ones that were available. Two of the nominees I actually got to see in the theaters - Barbie and Oppenheimer. I have participated in the "Barbenheimer" phenomenon last summer. I viewed the rest on streaming. For the ones that aren't out on streaming yet, I'll hit those up later. Here are the nominees for the Academy Award for Best Picture: American Fiction (Theaters/VOD) Anatomy of a Fall (Theaters/VOD) Barbie (Max) The Holdovers (Peacock) Killers of the Flower Moon (Apple TV+) Maestro (Netflix) Oppenheimer (Peacock) Past Lives (Paramount+/Showtime) Poor Things (Theaters/VOD) The Zone of Interest (Theaters/VOD)

I'll now review each one that I viewed, listed in alphabetical order. SPOILER ALERT, I will be lightly spoiling plot details of each of those movies.

Barbie (Max)

the Meat Life Rating - 8/10

Barbie was the highest grossing movie of 2023 at $636 million domestic and nearly $1.5 billion worldwide. It was a phenomenon at the box office. Directed by indie darling Greta Gerwig and cowritten by Gerwig and her husband Noah Baumbach, Barbie is a witty interpretation of the world famous doll. Margot Robbie as a producer and as the film's title star brings this doll to life as a story of a woman trying to discover herself in the real world and the Barbie world. It is very much in the vein of many of Gerwig's work as a director and actor (if you liked Barbie, I recommend Lady Bird and Frances Ha - both very similar in many respects). It is goofy and fun while also being very introspective into how modern women have to navigate the world today. And Ryan Gosling really steals the movie in his hilarious portrayal of Ken. Ignore the conservative backlash, this movie has a good message to young girls and women and is fun.

The Holdovers (Peacock)

the Meat Life Rating - 8/10

A new Christmas classic? I think so! The Holdovers has us look at Paul Giamatti as a cranky teacher tasked to watching over kids at a prep school that have to stay over the Christmas break. Great performances from Da'Vine Joy Randolph and Dominic Sessa. It is funny and dramatic. A look at a man looking back at past regrets and a student looking at his unknown future. The ending will tug at the heartstrings. Also love the old school vibe with the older era logos and music in the opening credits as well as the altered picture quality - really gives an older movie feel. Very much enjoyable, just felt weird because I watched this after the Christmas season.

Killers of the Flower Moon (Apple TV+)

the Meat Life Rating - 7.5/10

I want to say this upfront: this is not fun to watch. And that's kind of the point of the movie because it is an uncomfortable subject - looking at a string of murders of members of the Osage tribe in Oklahoma in the 1920s. You very much feel all three and a half hours of this film. This is probably not in Scorsese's top 10 films, but it is done very well and is a great look at the Osage community during that era. Leonardo DiCaprio and Robert De Niro propel the story and Lily Gladstone's performance was exceptional. There has been a sort of Native American surge of content in entertainment in recent years with this film, FX/Hulu's Reservation Dogs (excellent show), and Disney+/Marvel's Echo. I would recommend checking all those out.

Maestro (Netflix)

the Meat Life Rating - 7/10

This is the first of a pair of bio-pics on this nominee list. In this modern era of film, it is challenging putting together a compelling biography that shares the story of the real person as is also entertaining. Bradley Cooper plays dual roles of directing Maestro and playing Leonard Bernstein in the movie. There are artistic choices that I respect like the 4:3 aspect ratio for the earlier eras depicted in the film, the black and white in the first third and technicolor in the middle third of the film. Carey Mulligan's performance as Felicia Montealegre carries the film. It's a bit unfair to compare, but I feel 2022's Tar was a slightly better film. There are some really strong scenes in Maestro though, and all the music scenes are great with a good sound system.

Oppenheimer (Peacock)

the Meat Life Rating - 9/10

This is the favorite right now to win the Oscar for Best Picture. Oppenheimer is the second bio-pic on this nominees list. The favorite to win Best Picture, Oppenheimer was a surprise box office behemoth grossing $329 million domestic and nearly $1 billion worldwide. Definitely benefitted from the Barbenheimer phenomenon over the summer, particularly because this film is Rated R. I will probably visit the Christopher Nolan filmography soon, but Oppenheimer is definitely toward the top of the list. This film has got a huge ensemble cast. I think the film benefits from the strength of the performances of that ensemble. That being said, it is nice to see Cillian Murphy shine portraying the title character/person over the course of decades shown in the film. Nolan expertly paces this film, so you actually don't really feel the 3 hour run time. Oppenheimer is kind of split into three parts - a J. Robert Oppenheimer origin story, the assemble the team and execute of the Manhattan Project during World War II, and a court drama in Robert Downey Jr's Lewis Strauss Cabinet appointment hearing. Great film!

Past Lives (Paramount+/Showtime)

the Meat Life Rating - 8.5/10

Past Lives is probably my favorite of the bunch that I watched. It is a look at a couple who grew up together in South Korea as teenage friends who get separated and reunite in person 24 years later in New York. It is a great story about immigrating, love, and longing and the Korean concept of "in-yun." It is a fairly unconventional take on a romantic film. When my brother described this film to me before I saw it, he said to prepare for a lot of crying. Most of the way through the film I was fine, but then that final scene gets you. You also get great scenic shots of New York City in the final third of the film. This is the director Celine Song's first feature film, and what a great debut it is. Big time performance for Greta Lee in the lead character Nora.

Those are the Oscar Best Picture nominees I have viewed. I think my next couple of entries will be movie based as well, ranking the Christopher Nolan filmography and a look at Dune Part 2 (once I get to see it).

Below are the rest of the movie posters of the nominees I did not view.

Enjoy the movies and enjoy the Oscars on Sunday!