#Robert Krulwich

[stubbornpixel]

Space Nicks Animation

Set your DVRs. The Space Nicks animation win air EARLY Christmas morning on ABC-TV’s World News Now. Check your local listings for the correct time for your area.

[teedeekay]

From the TMBG collection: The setlist and swag from one of the greatest, most memorable shows in all my thirty years of attending. It took place on May 22, 2003 at Bowery Ballroom and was the Gigantic (A Tale of Two Johns) DVD release party featuring introductions by Joe Franklin and Robert Krulwich and a whole bunch of guest singers, many of which I collected autographs from afterwards.

Dan Miller wrote "Thanks for Dinnerbell!!" and told me that he needed to learn the song for this show while on the road without access to his music collection so he downloaded a live recording from my fan site😲

This was also the first TMBG show opened by the great Corn Mo, who has become a good friend over the years. I asked him to sign the back of the setlist, explaining that I didn't have his and so he wrote it down along with "This was the best show opening for heroes" 💖

After the show, attendees were gifted a bag of party favors including Gigantic Blend coffee beans and Gigantic Coffee-scented cologne ☕

[chavisory]

Robert Krulwich is sitting at my café table.

I came really close to telling him to silence his cell phone ringer if he wasn’t going to answer it.

[lesbiancosimaniehaus]

Jdjdjdjd someone tracing the slow decline of invisibilia and lulu miller’s departure for the show, in favor of younger staffers…. And the same thing happened when miller and latif nassar took over radio lab… you guys. Bring back Robert krulwich.

[milk-lover]

In attempting to find outside verification of this fact I stumbled across this delightful NPR article.

Okay be honest, because I feel really dumb right now:

(Like, am I the only one who thought it was like -80F/-60C daytime range???)

[atikdm]

Unveiling the Top 10 Best Podcasts on Spotify

In an era where information is at our fingertips, podcasts have emerged as a powerful medium for storytelling, education, and entertainment. Spotify, one of the leading streaming platforms, has become a hub for some of the most engaging and thought-provoking podcasts. Whether you're a seasoned podcast enthusiast or a newcomer to the scene, this list of the top 10 podcasts on Spotify is sure to offer something for everyone.

For more information click here-  Top 10 best podcasts on Spotify

The Joe Rogan Experience: Hosted by comedian and UFC commentator Joe Rogan, this podcast is a long-form conversation that covers a wide range of topics. From interviews with celebrities to discussions about science, philosophy, and current events, Joe Rogan's laid-back and unfiltered approach makes for an engaging and entertaining listening experience.

Serial: An investigative journalism podcast, Serial takes listeners on a deep dive into true crime stories. Each season explores a different case, unraveling the mysteries and complexities surrounding it. With its compelling storytelling and meticulous research, Serial has become a pioneer in the true crime podcast genre.

The Daily: Produced by The New York Times, The Daily is a news podcast that delivers in-depth analysis of top stories and current events. Hosted by Michael Barbaro, this daily dose of news provides listeners with a comprehensive understanding of the world's most pressing issues.

TED Talks Daily: For those seeking inspiration and intellectual stimulation, TED Talks Daily offers a diverse range of talks from the renowned TED stage. Covering topics from science and technology to personal development and global issues, these bite-sized episodes provide a wealth of knowledge and fresh perspectives.

How I Built This: Hosted by Guy Raz, How I Built This delves into the stories behind some of the world's most successful companies and entrepreneurs. From humble beginnings to triumphs and setbacks, each episode explores the journey of building a business and the lessons learned along the way.

Stuff You Should Know: If you're curious about a wide array of topics, Stuff You Should Know is the podcast for you. Hosted by Josh and Chuck, each episode delves into fascinating and obscure subjects, providing listeners with interesting tidbits of information in an engaging and humorous manner.

Crime Junkie: True crime enthusiasts will find solace in Crime Junkie, a podcast hosted by Ashley Flowers and Brit Prawat. With a focus on gripping storytelling and thorough research, this podcast explores notorious criminal cases, mysteries, and cold cases that keep listeners on the edge of their seats.

The Michelle Obama Podcast: Former First Lady Michelle Obama hosts a podcast that explores the complexities of relationships, life, and the world. Featuring candid conversations with a variety of guests, The Michelle Obama Podcast provides an intimate look into the lives of inspiring individuals.

Radiolab: Radiolab is a science and philosophy podcast that delves into the wonders of the world around us. With a unique blend of storytelling and sound design, hosts Jad Abumrad and Robert Krulwich explore the intersections of science, philosophy, and human experience.

The Tim Ferriss Show: Hosted by author and entrepreneur Tim Ferriss, this podcast features interviews with high-achieving individuals from various fields. From business moguls to athletes and artists, The Tim Ferriss Show offers insights into the habits and strategies of successful people.

Conclusion:

As the podcasting landscape continues to evolve, Spotify remains a go-to platform for discovering captivating content. The diverse range of podcasts on this list caters to a variety of interests, ensuring that there's something for everyone in the world of Spotify podcasts. So, plug in your headphones and embark on a journey of knowledge, entertainment, and inspiration with these top 10 podcasts.

[lenbryant]

A different use of the rainbow.

[empyreumata]

When Douglas Hofstadter was 16, he read a poem. Just an innocent little poem, a few short lines, nothing special. But the poem burrowed deep into his brain, and many years later, he set out to translate the thing and landed in a world of ham and jam and endless partial views of a person lost to time.

𝚃𝚁𝙰𝙽𝚂𝙲𝚁𝙸𝙿𝚃 ↴

𝗝𝗔𝗗 𝗔𝗕𝗨𝗠𝗥𝗔𝗗: 𝘏𝘦𝘭𝘭𝘰? 𝗗𝗢𝗨𝗚𝗟𝗔𝗦 𝗛𝗢𝗙𝗦𝗧𝗔𝗗𝗧𝗘𝗥: 𝘏𝘪 𝘵𝘩𝘦𝘳𝘦. 𝗝𝗔: 𝘏𝘪! 𝗥𝗢𝗕𝗘𝗥𝗧 𝗞𝗥𝗨𝗟𝗪𝗜𝗖𝗛: 𝘐𝘴 𝘵𝘩𝘢𝘵 𝘋𝘰𝘶𝘨? 𝗗𝗛: 𝘠𝘦𝘴. 𝗥𝗞: 𝘖𝘩 𝘣𝘰𝘺! 𝗝𝗔: 𝘚𝘰 𝘵𝘩𝘪𝘴 𝘦𝘱𝘪𝘴𝘰𝘥𝘦 𝘸𝘢𝘴 𝘪𝘯𝘴𝘱𝘪𝘳𝘦𝘥 𝘣𝘺 𝘢 𝘨𝘶𝘺 𝘯𝘢𝘮𝘦𝘥 𝘋𝘰𝘶𝘨. 𝗗𝗛: 𝘋𝘰𝘶𝘨 𝘏𝘰𝘧𝘴𝘵𝘢𝘥𝘵𝘦𝘳, 𝘱𝘳𝘰𝘧𝘦𝘴𝘴𝘰𝘳 𝘰𝘧 𝘤𝘰𝘨𝘯𝘪𝘵𝘪𝘷𝘦 𝘴𝘤𝘪𝘦𝘯𝘤𝘦, 𝘐𝘯𝘥𝘪𝘢𝘯𝘢 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘪𝘵𝘺, 𝘉𝘭𝘰𝘰𝘮𝘪𝘯𝘨𝘵𝘰𝘯. 𝗝𝗔: 𝘠𝘰𝘶 𝘮𝘢𝘺 𝘬𝘯𝘰𝘸 𝘩𝘪𝘮 𝘢𝘴 𝘵𝘩𝘦 𝘨𝘶𝘺 𝘸𝘩𝘰 𝘸𝘳𝘰𝘵𝘦 𝘎𝘰𝘥𝘦𝘭, 𝘌𝘴𝘤𝘩𝘦𝘳, 𝘉𝘢𝘤𝘩, 𝘸𝘩𝘪𝘤𝘩 𝘪𝘴 𝘢 𝘩𝘶𝘨𝘦𝘭𝘺 𝘪𝘯𝘧𝘭𝘶𝘦𝘯𝘵𝘪𝘢𝘭 𝘣𝘰𝘰𝘬 𝘪𝘯 𝘤𝘦𝘳𝘵𝘢𝘪𝘯 𝘤𝘪𝘳𝘤𝘭𝘦𝘴. 𝘗𝘶𝘣𝘭𝘪𝘴𝘩𝘦𝘥 𝘪𝘯, 𝘐 𝘵𝘩𝘪𝘯𝘬, 1979. 𝘉𝘶𝘵 𝘸𝘦 𝘢𝘤𝘵𝘶𝘢𝘭𝘭𝘺 𝘨𝘰𝘵 𝘪𝘯𝘵𝘦𝘳𝘦𝘴𝘵𝘦𝘥 𝘪𝘯 𝘩𝘪𝘮 𝘵𝘩𝘢𝘯𝘬𝘴 𝘵𝘰 𝘰𝘶𝘳 𝘱𝘳𝘰𝘥𝘶𝘤𝘦𝘳 𝘓𝘺𝘯𝘯 𝘓𝘦𝘷𝘺, 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘰𝘧 𝘢𝘯 𝘰𝘣𝘴𝘦𝘴𝘴𝘪𝘰𝘯 𝘰𝘧 𝘩𝘪𝘴 𝘸𝘩𝘪𝘤𝘩 𝘱𝘳𝘦𝘥𝘢𝘵𝘦𝘴 𝘵𝘩𝘢𝘵. 𝗗𝗛: 16. 𝘐 𝘸𝘢𝘴 16. 𝗝𝗔: 𝘛𝘩𝘦 𝘺𝘦𝘢𝘳, 1961. 𝗗𝗛: 𝘐 𝘸𝘢𝘴 𝘵𝘢𝘬𝘪𝘯𝘨 𝘢 𝘍𝘳𝘦𝘯𝘤𝘩 𝘭𝘪𝘵𝘦𝘳𝘢𝘵𝘶𝘳𝘦 𝘤𝘭𝘢𝘴𝘴, 𝘢𝘯𝘥 𝘰𝘯𝘦 𝘥𝘢𝘺 𝘐 𝘤𝘢𝘮𝘦 𝘢𝘤𝘳𝘰𝘴𝘴 𝘵𝘩𝘪𝘴 𝘱𝘰𝘦𝘮. 𝗝𝗔: 𝘈 𝘵𝘪𝘯𝘺 𝘭𝘪𝘵𝘵𝘭𝘦 𝘱𝘰𝘦𝘮 𝘵𝘩𝘢𝘵 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘴𝘢𝘵 𝘳𝘪𝘨𝘩𝘵 𝘪𝘯 𝘵𝘩𝘦 𝘮𝘪𝘥𝘥𝘭𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘢𝘨𝘦. 𝗗𝗛: 𝘓𝘪𝘬𝘦 𝘢 𝘭𝘰𝘯𝘨 𝘵𝘩𝘪𝘯 𝘴𝘢𝘶𝘴𝘢𝘨𝘦. 𝘝𝘦𝘳𝘵𝘪𝘤𝘢𝘭. 𝘠𝘰𝘶 𝘬𝘯𝘰𝘸, 𝘵𝘩𝘳𝘦𝘦 𝘴𝘺𝘭𝘭𝘢𝘣𝘭𝘦𝘴 𝘱𝘦𝘳 𝘭𝘪𝘯𝘦. 𝗝𝗔: 𝘚𝘰 𝘪𝘵 𝘸𝘢𝘴 𝘴𝘶𝘱𝘦𝘳 𝘴𝘬𝘪𝘯𝘯𝘺. 𝗗𝗛: 𝘈𝘯𝘥 28 𝘭𝘪𝘯𝘦𝘴 𝘭𝘰𝘯𝘨. 𝗝𝗔: 𝘈𝘯𝘥 𝘭𝘰𝘯𝘨. 𝗗𝗛: 𝘈𝘯𝘥 𝘪𝘵 𝘸𝘢𝘴 𝘥𝘦𝘭𝘪𝘨𝘩𝘵𝘧𝘶𝘭. 𝘐𝘵 𝘸𝘢𝘴 𝘷𝘦𝘳𝘺 𝘤𝘶𝘵𝘦 𝘢𝘯𝘥 𝘧𝘶𝘯𝘯𝘺. 𝘐 𝘧𝘦𝘭𝘭 𝘪𝘯 𝘭𝘰𝘷𝘦 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘵𝘦𝘭𝘺 𝘢𝘯𝘥 𝘮𝘦𝘮𝘰𝘳𝘪𝘻𝘦𝘥 𝘪𝘵. 𝘐 𝘴𝘵𝘪𝘭𝘭 𝘬𝘯𝘰𝘸 𝘪𝘵 𝘣𝘺 𝘩𝘦𝘢𝘳𝘵. 𝗝𝗔: 𝘛𝘩𝘦 𝘱𝘰𝘦𝘮 𝘸𝘢𝘴 𝘣𝘢𝘴𝘪𝘤𝘢𝘭𝘭𝘺 𝘢 𝘨𝘦𝘵-𝘸𝘦𝘭𝘭 𝘤𝘢𝘳���. 𝘐𝘵'𝘴 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 𝘣𝘺 𝘵𝘩𝘪𝘴 𝘨𝘶𝘺 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘔𝘢𝘳𝘰𝘵, 𝘸𝘩𝘰 𝘸𝘢𝘴 𝘢 𝘱𝘰𝘦𝘵 𝘪𝘯 𝘵𝘩𝘦 𝘦𝘢𝘳𝘭𝘺 1500𝘴. 𝗗𝗛: 𝘈𝘵 𝘵𝘩𝘦 𝘤𝘰𝘶𝘳𝘵 𝘰𝘧 𝘢 𝘲𝘶𝘦𝘦𝘯. 𝗝𝗔: 𝘈𝘯𝘥 𝘩𝘦 𝘸𝘳𝘰𝘵𝘦 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮 𝘧𝘰𝘳 𝘵𝘩𝘪𝘴 𝘲𝘶𝘦𝘦𝘯'𝘴 𝘥𝘢𝘶𝘨𝘩𝘵𝘦𝘳. 𝘚𝘩𝘦 𝘸𝘢𝘴 7 𝘰𝘳 8 𝘢𝘯𝘥 𝘴𝘩𝘦 𝘩𝘢𝘥 𝘨𝘰𝘵𝘵𝘦𝘯 𝘴𝘪𝘤𝘬. 𝗗𝗛: 𝘛𝘩𝘦 𝘧𝘭𝘶 𝘰𝘳 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨. 𝗝𝗔: 𝘈𝘯𝘥 𝘵𝘩𝘪𝘴 𝘱𝘰𝘦𝘮 𝘸𝘢𝘴 𝘴𝘶𝘱𝘱𝘰𝘴𝘦𝘥 𝘵𝘰 𝘤𝘩𝘦𝘦𝘳 𝘩𝘦𝘳 𝘶𝘱. 𝗗𝗛: 𝘈𝘯𝘥 -- 𝘢𝘯𝘥 𝘐 𝘵𝘩𝘰𝘶𝘨𝘩𝘵 𝘪𝘵 𝘸𝘢𝘴 𝘷𝘦𝘳𝘺 𝘴𝘸𝘦𝘦𝘵. 𝗝𝗔: 𝘊𝘰𝘶𝘭𝘥 𝘺𝘰𝘶 𝘴𝘢𝘺 𝘪𝘵 𝘪𝘯 𝘍𝘳𝘦𝘯𝘤𝘩? 𝗥𝗞: 𝘠𝘦𝘢𝘩, 𝘭𝘦𝘵'𝘴 𝘫𝘶𝘴𝘵 𝘩𝘦𝘢𝘳 𝘪𝘵 𝘧𝘪𝘳𝘴𝘵. 𝗗𝗛: 𝘖𝘬𝘢𝘺. 𝘐𝘵'𝘴 𝘤𝘢𝘭𝘭𝘦𝘥 𝘈 𝘶𝘯𝘦 𝘋𝘢𝘮𝘰𝘺𝘴𝘦𝘭𝘭𝘦 𝘮𝘢𝘭𝘢𝘥𝘦. 𝘛𝘰 𝘈 𝘚𝘪𝘤𝘬 𝘋𝘢𝘮𝘴𝘦𝘭, 𝘴𝘰 𝘵𝘰 𝘴𝘱𝘦𝘢𝘬. 𝗥𝗞: 𝘈 𝘴𝘪𝘤𝘬 𝘺𝘰𝘶𝘯𝘨 𝘭𝘢𝘥𝘺. 𝗗𝗛: 𝘈 𝘴𝘪𝘤𝘬 𝘺𝘰𝘶𝘯𝘨 𝘭𝘢𝘥𝘺. 𝘔𝘢 𝘮𝘪𝘨𝘯𝘰𝘯𝘯𝘦, 𝘫𝘦 𝘷𝘰𝘶𝘴 𝘥𝘰𝘯𝘯𝘦 𝘭𝘦 𝘣𝘰𝘯 𝘫𝘰𝘶𝘳; 𝘭𝘦 𝘴é𝘫𝘰𝘶𝘳, 𝘤’𝘦𝘴𝘵 𝘱𝘳𝘪𝘴𝘰𝘯. 𝘎𝘶é𝘳𝘪𝘴𝘰𝘯 𝘳𝘦𝘤𝘰𝘶𝘷𝘳𝘦𝘻, 𝘱𝘶𝘪𝘴 𝘰𝘶𝘷𝘳𝘦𝘻 𝘷𝘰𝘵𝘳𝘦 𝘱𝘰𝘳𝘵𝘦 𝘦𝘵 𝘲𝘶’𝘰𝘯 𝘴𝘰𝘳𝘵𝘦 𝘷𝘪𝘵𝘦𝘮𝘦𝘯𝘵, 𝘤𝘢𝘳 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘭𝘦 𝘷𝘰𝘶𝘴 𝘮𝘢𝘯𝘥𝘦. 𝘝𝘢, 𝘧𝘳𝘪𝘢𝘯𝘥𝘦 𝘥𝘦 𝘵𝘢 𝘣𝘰𝘶𝘤𝘩𝘦, 𝘲𝘶𝘪 𝘴𝘦 𝘤𝘰𝘶𝘤𝘩𝘦 𝘦𝘯 𝘥𝘢𝘯𝘨𝘦𝘳 𝘱𝘰𝘶𝘳 𝘮𝘢𝘯𝘨𝘦𝘳 𝘤𝘰𝘯𝘧𝘪𝘵𝘶𝘳𝘦𝘴; 𝘴𝘪 𝘵𝘶 𝘥𝘶𝘳𝘦𝘴 𝘵𝘳𝘰𝘱 𝘮𝘢𝘭𝘢𝘥𝘦, 𝘤𝘰𝘶𝘭𝘦𝘶𝘳 𝘧𝘢𝘥𝘦 𝘵𝘶 𝘱𝘳𝘦𝘯𝘥𝘳𝘢𝘴, 𝘦𝘵 𝘱𝘦𝘳𝘥𝘳𝘢𝘴 𝘓’𝘦𝘮𝘣𝘰𝘯𝘱𝘰𝘪𝘯𝘵. 𝘋𝘪𝘦𝘶 𝘵𝘦 𝘥𝘰𝘪𝘯𝘵 𝘴𝘢𝘯𝘵é 𝘣𝘰𝘯𝘯𝘦, 𝘮𝘢 𝘮𝘪𝘨𝘯𝘰𝘯𝘯𝘦. 𝗟𝗬𝗡𝗡 𝗟𝗘𝗩𝗬: 𝘖𝘩 𝘮𝘺 𝘎𝘰𝘥, 𝘺𝘰𝘶 𝘮𝘶𝘴𝘵 𝘩𝘢𝘷𝘦 𝘨𝘰𝘵𝘵𝘦𝘯 𝘴𝘰 𝘮𝘢𝘯𝘺 𝘤𝘩𝘪𝘤𝘬𝘴 𝘸𝘩𝘦𝘯 𝘺𝘰𝘶 𝘸𝘦𝘳𝘦 16. 𝗝𝗔: 𝘐 𝘬𝘯𝘰𝘸! 𝘛𝘩𝘢𝘵 𝘸𝘢𝘴 𝘳𝘦𝘢𝘭𝘭𝘺 ... 𝗥𝗞: [𝘭𝘢𝘶𝘨𝘩𝘴] 𝗗𝗛: 𝘌𝘹𝘢𝘤𝘵𝘭𝘺 𝘵𝘩𝘦 𝘰𝘱𝘱𝘰𝘴𝘪𝘵𝘦. 𝘐 𝘸𝘢𝘴 -- 𝘐 𝘸𝘢𝘴 𝘵𝘩𝘦 -- 𝘐 𝘸𝘪𝘴𝘩. 𝗝𝗔: 𝘖𝘬𝘢𝘺, 𝘴𝘰 𝘩𝘦 𝘳𝘦𝘢𝘥𝘴 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮, 𝘧𝘪𝘭𝘦𝘴 𝘪𝘵 𝘢𝘸𝘢𝘺 𝘥𝘦𝘦𝘱 𝘪𝘯 𝘵𝘩𝘦 𝘤𝘰𝘳𝘯𝘦𝘳 𝘰𝘧 𝘩𝘪𝘴 𝘮𝘪𝘯𝘥. 𝘍𝘢𝘴𝘵 𝘧𝘰𝘳𝘸𝘢𝘳𝘥 𝘢𝘣𝘰𝘶𝘵 20 𝘺𝘦𝘢𝘳𝘴, 𝘩𝘦 𝘱𝘶𝘣𝘭𝘪𝘴𝘩𝘦𝘴 𝘩𝘪𝘴 𝘧𝘪𝘳𝘴𝘵 𝘣𝘰𝘰𝘬. 𝘐𝘵 𝘣𝘦𝘤𝘰𝘮𝘦𝘴 𝘷𝘦𝘳𝘺 𝘱𝘰𝘱𝘶𝘭𝘢𝘳 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘱𝘶𝘣𝘭𝘪𝘴𝘩𝘦𝘳 𝘥𝘦𝘤𝘪𝘥𝘦𝘴 𝘵𝘰 𝘩𝘢𝘷𝘦 𝘪𝘵 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘦𝘥. 𝗗𝗛: 𝘐𝘯𝘵𝘰 𝘢 𝘯𝘶𝘮𝘣𝘦𝘳 𝘰𝘧 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦𝘴, 𝘪𝘯𝘤𝘭𝘶𝘥𝘪𝘯𝘨 𝘍𝘳𝘦𝘯𝘤𝘩. 𝗝𝗔: 𝘈𝘯𝘥 𝘵𝘩𝘢𝘵 𝘱𝘳𝘰𝘤𝘦𝘴𝘴, 𝘸𝘩𝘪𝘤𝘩 𝘵𝘰𝘰𝘬 𝘺𝘦𝘢𝘳𝘴 ... 𝗗𝗛: 𝘐𝘵 𝘱𝘶𝘵 𝘮𝘦 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘧𝘳𝘢𝘮𝘦 𝘰𝘧 𝘮𝘪𝘯𝘥 𝘰𝘧 𝘵𝘩𝘪𝘯𝘬𝘪𝘯𝘨, 𝘸𝘩𝘢𝘵 𝘬𝘪𝘯𝘥𝘴 𝘰𝘧 𝘤𝘳𝘢𝘻𝘺 𝘵𝘩𝘪𝘯𝘨𝘴 𝘤𝘢𝘯 𝘩𝘢𝘱𝘱𝘦𝘯 𝘸𝘩𝘦𝘯 𝘺𝘰𝘶 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘦 𝘤𝘳𝘢𝘻𝘺 𝘵𝘦𝘹𝘵𝘴. 𝘈𝘯𝘥 𝘢𝘭𝘭 𝘰𝘧 𝘢 𝘴𝘶𝘥𝘥𝘦𝘯 𝘰𝘯𝘦 𝘥𝘢𝘺 ... 𝗝𝗔: 𝘛𝘩𝘢𝘵 𝘱𝘰𝘦𝘮 𝘱𝘰𝘱𝘱𝘦𝘥 𝘪𝘯𝘵𝘰 𝘩𝘪𝘴 𝘮𝘪𝘯𝘥. 𝗗𝗛: 𝘈𝘯𝘥 𝘐 𝘴𝘢𝘪𝘥, "𝘈𝘩, 𝘵𝘩𝘦𝘳𝘦'𝘴 𝘢 𝘤𝘩𝘢𝘭𝘭𝘦𝘯𝘨𝘦! 𝘓𝘦𝘵'𝘴 𝘵𝘳𝘺 𝘵𝘰 𝘥𝘰 𝘵𝘩𝘪𝘴!" 𝗝𝗔: 𝘈𝘯𝘥 𝘸𝘩𝘦𝘯 𝘺𝘰𝘶 𝘴𝘢𝘺 𝘤𝘩𝘢𝘭𝘭𝘦𝘯𝘨𝘦, 𝘭𝘪𝘬𝘦, 𝘸𝘩𝘢𝘵 𝘸𝘢𝘴 𝘪𝘵? 𝗥𝗞: 𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦 -- 𝘸𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦 𝘤𝘩𝘢𝘭𝘭𝘦𝘯𝘨𝘦? 𝗗𝗛: 𝘖𝘬𝘢𝘺. 𝘞𝘩𝘢𝘵 𝘐 𝘮𝘦𝘢𝘯𝘵 𝘸𝘢𝘴 𝘵𝘰 ... 𝗝𝗔: 𝘚𝘰 𝘩𝘦𝘳𝘦'𝘴 𝘵𝘩𝘦 𝘵𝘩𝘪𝘯𝘨. 𝘏𝘦 𝘴𝘢𝘺𝘴 𝘺𝘰𝘶 𝘨𝘰𝘵 𝘵𝘩𝘪𝘴 𝘱𝘰𝘦𝘮 ... 𝗗𝗛: 𝘔𝘢 𝘮𝘪𝘨𝘯𝘰𝘯𝘯𝘦, 𝘫𝘦 𝘷𝘰𝘶𝘴 𝘥𝘰𝘯𝘯𝘦 𝘭𝘦 𝘣𝘰𝘯 𝘫𝘰𝘶𝘳 ... 𝗝𝗔: 𝘈𝘯𝘥 𝘪𝘧 𝘺𝘰𝘶 𝘫𝘶𝘴𝘵 𝘧𝘰𝘤𝘶𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘸𝘰𝘳𝘥𝘴, 𝘪𝘵'𝘴 𝘣𝘢𝘴𝘪𝘤𝘢𝘭𝘭𝘺 -- 𝘪𝘵'𝘴 𝘫𝘶𝘴𝘵 𝘵𝘩𝘪𝘴 𝘨𝘶𝘺 𝘵𝘢𝘭𝘬𝘪𝘯𝘨 𝘵𝘰 𝘢 𝘺𝘰𝘶𝘯𝘨𝘦𝘳 𝘨𝘪𝘳𝘭 𝘴𝘢𝘺𝘪𝘯𝘨, "𝘏𝘦𝘭𝘭𝘰 𝘮𝘺 𝘥𝘦𝘢𝘳. 𝘐'𝘮 𝘴𝘰𝘳𝘳𝘺 𝘺𝘰𝘶'𝘳�� 𝘴𝘪𝘤𝘬. 𝘉𝘦𝘪𝘯𝘨 𝘴𝘪𝘤𝘬 𝘪𝘴 𝘭𝘪𝘬𝘦 𝘱𝘳𝘪𝘴𝘰𝘯." 𝗗𝗛: 𝘓𝘦 𝘴é𝘫𝘰𝘶𝘳 𝘤’𝘦𝘴𝘵 𝘱𝘳𝘪𝘴𝘰𝘯. 𝗝𝗔: 𝘐, 𝘊𝘭é𝘮𝘦𝘯𝘵, 𝘸𝘪𝘴𝘩 𝘺𝘰𝘶 𝘵𝘰 𝘰𝘱𝘦𝘯 𝘺𝘰𝘶𝘳 𝘥𝘰𝘰𝘳𝘴, 𝘨𝘦𝘵 𝘰𝘶𝘵 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥. 𝗗𝗛: 𝘊𝘢𝘳 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘭𝘦 𝘷𝘰𝘶𝘴 𝘮𝘢𝘯𝘥𝘦. 𝗝𝗔: 𝘎𝘦𝘵 𝘰𝘶𝘵 𝘰𝘧 𝘣𝘦𝘥. 𝘌𝘢𝘵 𝘴𝘰𝘮𝘦 𝘫𝘢𝘮. 𝗗𝗛: 𝘊𝘰𝘯𝘧𝘪𝘵𝘶𝘳𝘦𝘴. 𝗝𝗔: 𝘚𝘰 𝘺𝘰𝘶 𝘥𝘰𝘯'𝘵 𝘭𝘰𝘰𝘬 𝘴𝘰 𝘱𝘢𝘭𝘦 ... 𝗗𝗛: 𝘊𝘰𝘶𝘭𝘦𝘶𝘳 𝘧𝘢𝘥𝘦 ... 𝗝𝗔: ... 𝘢𝘯𝘥 𝘭𝘰𝘴𝘦 𝘺𝘰𝘶𝘳 𝘱𝘭𝘶𝘮𝘱 𝘴𝘩𝘢𝘱𝘦. 𝗗𝗛: 𝘌𝘵 𝘱𝘦𝘳𝘥𝘳𝘢𝘴 𝘭’𝘦𝘮𝘣𝘰𝘯𝘱𝘰𝘪𝘯𝘵. 𝗝𝗔: 𝘠𝘰𝘶 𝘬𝘯𝘰𝘸, 𝘪𝘵'𝘴 𝘴𝘰𝘳𝘵 𝘰𝘧 𝘭𝘪𝘬𝘦, "𝘎𝘦𝘵 𝘣𝘦𝘵𝘵𝘦𝘳. 𝘏𝘦𝘳𝘦'𝘴 𝘵𝘰 𝘺𝘰𝘶𝘳 𝘨𝘰𝘰𝘥 𝘩𝘦𝘢𝘭𝘵𝘩." 𝗗𝗛: 𝘋𝘪𝘦𝘶 𝘵𝘦 𝘥𝘰𝘪𝘯𝘵 𝘚𝘢𝘯𝘵é 𝘣𝘰𝘯𝘯𝘦, 𝘮𝘢 𝘮𝘪𝘨𝘯𝘰𝘯𝘯𝘦. 𝗝𝗔: 𝘉𝘶𝘵 𝘫𝘶𝘴𝘵 𝘴𝘢𝘺𝘪𝘯𝘨 𝘵𝘩𝘰𝘴𝘦 𝘸𝘰𝘳𝘥𝘴 𝘪𝘯 𝘌𝘯𝘨𝘭𝘪𝘴𝘩 𝘮𝘪𝘴𝘴𝘦𝘴 𝘵𝘩𝘦 𝘸𝘩𝘰𝘭𝘦 𝘴𝘱𝘪𝘳𝘪𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮. 𝗗𝗛: 𝘛𝘩𝘦 𝘵𝘰𝘯𝘦, 𝘵𝘩𝘦 𝘭𝘪𝘨𝘩𝘵𝘩𝘦𝘢𝘳𝘵𝘦𝘥𝘯𝘦𝘴𝘴 ... 𝗝𝗔: 𝘈𝘯𝘥 -- 𝘢𝘯𝘥 𝘵𝘩𝘪𝘴 𝘪𝘴 𝘬𝘦𝘺 𝘧𝘰𝘳 𝘋𝘰𝘶𝘨. 𝘐𝘵 𝘢𝘭𝘴𝘰 𝘪𝘨𝘯𝘰𝘳𝘦𝘴 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮'𝘴 𝘧𝘰𝘳𝘮. 𝗗𝗛: 𝘐𝘵𝘴 𝘸𝘰𝘯𝘥𝘦𝘳𝘧𝘶𝘭𝘭𝘺 𝘤𝘢𝘵𝘤𝘩𝘺 ... 𝗝𝗔: 𝘓𝘪𝘵𝘵𝘭𝘦 𝘴𝘢𝘶𝘴𝘢𝘨𝘦 𝘴𝘩𝘢𝘱𝘦 𝘰𝘯 𝘵𝘩𝘦 𝘱𝘢𝘨𝘦. 𝘛𝘩𝘦 𝘧𝘢𝘤𝘵 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦 𝘭𝘪𝘯𝘦𝘴 ... 𝗗𝗛: 𝘙𝘩𝘺𝘮𝘦. 𝘠𝘰𝘶 𝘬𝘯𝘰𝘸, 𝘈𝘈, 𝘉𝘉, 𝘊𝘊, 𝘋𝘋. 𝘈𝘯𝘥 𝘵𝘩𝘦 𝘧𝘪𝘳𝘴𝘵 𝘭𝘪𝘯𝘦 ... 𝗗𝗛: 𝘔𝘢 𝘮𝘪𝘨𝘯𝘰𝘯𝘯𝘦... 𝗗𝗛: ... 𝘪𝘴 𝘪𝘥𝘦𝘯𝘵𝘪𝘤𝘢𝘭 𝘵𝘰 𝘵𝘩𝘦 𝘭𝘢𝘴𝘵 𝘭𝘪𝘯𝘦. 𝗗𝗛: 𝘔𝘢 𝘮𝘪𝘨𝘯𝘰𝘯𝘯𝘦. 𝗝𝗔: 𝘚𝘰 𝘪𝘵 𝘴𝘰𝘳𝘵 𝘰𝘧 𝘩𝘢𝘴 𝘵𝘩𝘦 𝘧𝘦𝘦𝘭 𝘰𝘧 𝘢 𝘱𝘢𝘭𝘪𝘯𝘥𝘳𝘰𝘮𝘦? 𝗗𝗛: 𝘐𝘵 𝘩𝘢𝘴 𝘵𝘩𝘦 𝘱𝘰𝘦𝘵'𝘴 𝘯𝘢𝘮𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘮𝘪𝘥𝘥𝘭𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮. 𝗗𝗛: 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘭𝘦 𝘷𝘰𝘶𝘴 𝘮𝘢𝘯𝘥𝘦. 𝗗𝗛: 𝘖𝘩, 𝘢𝘯𝘥 𝘐 -- 𝘥𝘪𝘥 𝘐 𝘴𝘢𝘺 𝘵𝘩𝘳𝘦𝘦 𝘴𝘺𝘭𝘭𝘢𝘣𝘭𝘦𝘴 𝘱𝘦𝘳 𝘭𝘪𝘯𝘦? 𝗥𝗞: 𝘕𝘰, 𝘺𝘰𝘶 𝘥𝘪𝘥𝘯'𝘵. 𝘕𝘰𝘵 𝘺𝘦𝘵. 𝗗𝗛: 𝘖𝘧 𝘤𝘰𝘶𝘳𝘴𝘦. 𝘛𝘩𝘳𝘦𝘦 𝘴𝘺𝘭𝘭𝘢𝘣𝘭𝘦𝘴 𝘱𝘦𝘳 𝘭𝘪𝘯𝘦. 𝘐 𝘮𝘦𝘢𝘯, 𝘵𝘩𝘢𝘵'𝘴 𝘤𝘳𝘶𝘤𝘪𝘢𝘭. 𝘈𝘯𝘥 𝘵𝘩𝘦𝘯 𝘢𝘭𝘴𝘰 28 𝘭𝘪𝘯𝘦𝘴 𝘭𝘰𝘯𝘨. 𝘚𝘰 𝘢𝘭𝘭 𝘰𝘧 𝘵𝘩𝘰𝘴𝘦 𝘵𝘩𝘪𝘯𝘨𝘴 𝘢𝘥𝘥𝘦𝘥 𝘶𝘱 𝘵𝘰 𝘢 𝘴𝘦𝘵 𝘰𝘧 𝘤𝘰𝘯𝘴𝘵𝘳𝘢𝘪𝘯𝘵𝘴, 𝘺𝘰𝘶 𝘮𝘪𝘨𝘩𝘵 𝘴𝘢𝘺, 𝘰𝘯 𝘮𝘦. 𝗝𝗔: 𝘚𝘰 𝘋𝘰𝘶𝘨 𝘴𝘢𝘵 𝘥𝘰𝘸𝘯 𝘢𝘯𝘥 𝘨𝘰𝘵 𝘵𝘰 𝘸𝘰𝘳𝘬, 𝘢𝘯𝘥 𝘲𝘶𝘪𝘤𝘬𝘭𝘺 𝘣𝘦𝘤𝘢𝘮𝘦 𝘦𝘮𝘣𝘳𝘰𝘪𝘭𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯 𝘰𝘧, 𝘭𝘪𝘬𝘦, 𝘩𝘰𝘸 𝘥𝘰 𝘺𝘰𝘶 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘦 𝘵𝘩𝘪𝘴 𝘱𝘰𝘦𝘮? 𝘈𝘯𝘥 𝘢𝘭𝘰𝘯𝘨 𝘵𝘩𝘦 𝘸𝘢𝘺 𝘩𝘦 𝘦𝘷𝘦𝘯 𝘣𝘦𝘨𝘢𝘯 𝘵𝘰 𝘮𝘢𝘬𝘦 𝘭𝘪𝘵𝘵𝘭𝘦 𝘨𝘳𝘪𝘥𝘴 𝘰𝘧 𝘱𝘰𝘴𝘴𝘪𝘣𝘪𝘭𝘪𝘵𝘪𝘦𝘴 𝘧𝘰𝘳 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘭𝘪𝘯𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮. 𝘍𝘰𝘳 𝘦𝘹𝘢𝘮𝘱𝘭𝘦 ... 𝗗𝗛: 𝘝𝘢, 𝘧𝘳𝘪𝘢𝘯𝘥𝘦 𝘥𝘦 𝘵𝘢 𝘣𝘰𝘶𝘤𝘩𝘦, 𝘲𝘶𝘪 𝘴𝘦 𝘤𝘰𝘶𝘤𝘩𝘦 ... 𝗝𝗔: 𝘓𝘪𝘬𝘦 𝘵𝘩𝘪𝘴 𝘭𝘪𝘯𝘦 𝘵𝘩𝘢𝘵 𝘣𝘢𝘴𝘪𝘤𝘢𝘭𝘭𝘺 𝘴𝘢𝘺𝘴, "𝘋𝘰𝘯'𝘵 𝘸𝘢𝘭𝘭𝘰𝘸 𝘪𝘯 𝘣𝘦𝘥." 𝗗𝗛: 𝘐 𝘩𝘢𝘥 𝘢 𝘭𝘰𝘵 𝘰𝘧 𝘱𝘰𝘴𝘴𝘪𝘣𝘪𝘭𝘪𝘵𝘪𝘦𝘴, 𝘢𝘯𝘥 𝘐'𝘭𝘭 𝘫𝘶𝘴𝘵 𝘳𝘦𝘢𝘥 𝘺𝘰𝘶 𝘵𝘩𝘦 𝘭𝘪𝘵𝘵𝘭𝘦 𝘥𝘪𝘢𝘨𝘰𝘯𝘢𝘭 𝘥𝘪𝘴𝘱𝘭𝘢𝘺 𝘩𝘦𝘳𝘦. "𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘴𝘱𝘶𝘳𝘵𝘪𝘯𝘨 𝘣𝘭𝘰𝘰𝘥 𝘪𝘯 𝘣𝘦𝘥. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘣𝘶𝘳𝘱𝘪𝘯𝘨 𝘪𝘯 𝘺𝘰𝘶𝘳 𝘣𝘦𝘥. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘣𝘶𝘳𝘴𝘵𝘪𝘯𝘨 𝘰𝘶𝘵 𝘪𝘯 𝘣𝘦𝘥. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘭𝘶𝘳𝘬𝘪𝘯𝘨 𝘪𝘯 𝘺𝘰𝘶𝘳 𝘣𝘦𝘥. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘩𝘶𝘳𝘵𝘭𝘪𝘯𝘨 𝘰𝘶𝘵 𝘰𝘧 𝘣𝘦𝘥. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘩𝘶𝘳𝘵𝘪𝘯𝘨 𝘵𝘩𝘦𝘳𝘦. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘴𝘲𝘶𝘪𝘳𝘮𝘪𝘯𝘨 𝘪𝘯 𝘺𝘰𝘶𝘳 𝘣𝘦𝘥. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘴𝘭𝘶𝘳𝘱𝘪𝘯𝘨 𝘴𝘭𝘰𝘱 𝘪𝘯 𝘣𝘦𝘥. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘣𝘶𝘳𝘯𝘪𝘯𝘨 𝘶𝘱 𝘪𝘯 𝘣𝘦𝘥. 𝘐𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘵𝘶𝘳𝘯𝘪𝘯𝘨 𝘣𝘭𝘶𝘦 𝘪𝘯 𝘣𝘦𝘥." 𝗝𝗔: 𝘖𝘯 𝘢𝘯𝘥 𝘰𝘯. 𝗗𝗛: 𝘈𝘯𝘥 𝘐 𝘤𝘢𝘮𝘦 𝘶𝘱 𝘸𝘪𝘵𝘩, 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘮𝘦 𝘵𝘰 𝘳𝘦𝘢𝘥 𝘮𝘺 𝘧𝘪𝘳𝘴𝘵 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯? 𝗥𝗞: 𝘠𝘦𝘢𝘩, 𝘱𝘭𝘦𝘢𝘴𝘦. 𝗗𝗛: "𝘔𝘺 𝘴𝘸𝘦𝘦𝘵 𝘥𝘦𝘢𝘳. 𝘐 𝘴𝘦𝘯𝘥 𝘤𝘩𝘦𝘦𝘳. 𝘈𝘭𝘭 𝘵𝘩𝘦 𝘣𝘦𝘴𝘵. 𝘠𝘰𝘶𝘳 𝘧𝘰𝘳𝘤𝘦𝘥 𝘳𝘦𝘴𝘵 𝘪𝘴 𝘭𝘪𝘬𝘦 𝘫𝘢𝘪𝘭. 𝘚𝘰 𝘥𝘰𝘯'𝘵 𝘢𝘪𝘭 𝘷𝘦𝘳𝘺 𝘭𝘰𝘯𝘨. 𝘑𝘶𝘴𝘵 𝘨𝘦𝘵 𝘴𝘵𝘳𝘰𝘯𝘨. 𝘎𝘰 𝘰𝘶𝘵𝘴𝘪𝘥𝘦. 𝘛𝘢𝘬𝘦 𝘢 𝘳𝘪𝘥𝘦. 𝘋𝘰 𝘪𝘵 𝘲𝘶𝘪𝘤𝘬. 𝘚𝘵𝘢𝘺 𝘯𝘰𝘵 𝘴𝘪𝘤𝘬. 𝘉𝘢𝘯 𝘺𝘰𝘶𝘳 𝘢𝘤𝘩𝘦 𝘧𝘰𝘳 𝘮𝘺 𝘴𝘢𝘬𝘦. 𝘉𝘶𝘵𝘵𝘦𝘳𝘦𝘥 𝘣𝘳𝘦𝘢𝘥 𝘸𝘩𝘪��𝘦 𝘪𝘯 𝘣𝘦𝘥 𝘮𝘢𝘬𝘦𝘴 𝘢 𝘮𝘦𝘴𝘴. 𝘚𝘰 𝘶𝘯𝘭𝘦𝘴𝘴 𝘺𝘰𝘶 𝘸𝘰𝘶𝘭𝘥 𝘤𝘩𝘰𝘰𝘴𝘦 𝘵𝘩𝘢𝘵 𝘣𝘢𝘥 𝘯𝘦𝘸𝘴, 𝘐 𝘴𝘶𝘨𝘨𝘦𝘴𝘵 𝘵𝘩𝘢𝘵 𝘺𝘰𝘶'𝘥 𝘣𝘦𝘴𝘵 𝘴𝘰𝘰𝘯 𝘢𝘳𝘪𝘴𝘦. 𝘚𝘰 𝘺𝘰𝘶𝘳 𝘦𝘺𝘦𝘴 𝘸𝘪𝘭𝘭 𝘯𝘰𝘵 𝘨𝘭𝘢𝘻𝘦. 𝘋𝘰𝘶𝘨𝘭𝘢𝘴 𝘱𝘳𝘢𝘺𝘴 𝘩𝘦𝘢𝘭𝘵𝘩 𝘣𝘦 𝘯𝘦𝘢𝘳, 𝘮𝘺 𝘴𝘸𝘦𝘦𝘵 𝘥𝘦𝘢𝘳." 𝘙𝘒: 𝘖𝘩. 𝘚𝘰 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘪𝘴 𝘯𝘰𝘸 𝘋𝘰𝘶𝘨𝘭𝘢𝘴. 𝗗𝗛: 𝘠𝘦𝘢𝘩, 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘣𝘦𝘤𝘢𝘮𝘦 𝘋𝘰𝘶𝘨𝘭𝘢𝘴. 𝘈𝘯𝘥 𝘐 𝘭𝘪𝘬𝘦 𝘵𝘩𝘦 𝘸𝘰𝘳𝘥 ... 𝗥𝗞: 𝘉𝘶𝘵 𝘫𝘢𝘮 𝘣𝘦𝘤𝘢𝘮𝘦 𝘣𝘳𝘦𝘢𝘥, 𝘵𝘩𝘰𝘶𝘨𝘩. 𝗗𝗛: 𝘉𝘶𝘵𝘵𝘦𝘳𝘦𝘥 𝘣𝘳𝘦𝘢𝘥. 𝗥𝗞: 𝘉𝘶𝘵𝘵𝘦𝘳𝘦𝘥 𝘣𝘳𝘦𝘢𝘥. 𝗗𝗛: 𝘉𝘶𝘵𝘵𝘦𝘳𝘦𝘥 𝘣𝘳𝘦𝘢𝘥. 𝘠𝘦𝘴. 𝘞𝘦𝘭𝘭, 𝘐 𝘫𝘶𝘴𝘵 𝘧𝘪𝘨𝘶𝘳𝘦 𝘫𝘢𝘮 𝘢𝘯𝘥 𝘫𝘦𝘭𝘭𝘺, 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘸𝘰𝘳𝘥𝘴, 𝘣𝘶𝘵 𝘵𝘩𝘦 𝘸𝘰𝘳𝘥𝘴 𝘳𝘦𝘱𝘳𝘦𝘴𝘦𝘯𝘵 𝘤𝘰𝘯𝘤𝘦𝘱𝘵𝘴, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘤𝘰𝘯𝘤𝘦𝘱𝘵𝘴 𝘩𝘢𝘷𝘦 𝘢 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘢 𝘩𝘢𝘭𝘰 𝘢𝘳𝘰𝘶𝘯𝘥 𝘵𝘩𝘦𝘮. 𝘐 𝘮𝘦𝘢𝘯, 𝘸𝘩𝘦𝘯 𝘺𝘰𝘶 𝘵𝘢𝘭𝘬 𝘢𝘣𝘰𝘶𝘵 𝘫𝘦𝘭𝘭𝘺, 𝘺𝘰𝘶'𝘳𝘦 𝘪𝘮𝘱𝘭𝘪𝘤𝘪𝘵𝘭𝘺 𝘵𝘢𝘭𝘬𝘪𝘯𝘨 𝘢𝘣𝘰𝘶𝘵 𝘣𝘳𝘦𝘢𝘥 𝘢𝘯𝘥 𝘵𝘩𝘪𝘯𝘨𝘴 𝘵𝘩𝘢𝘵 𝘺𝘰𝘶 𝘴𝘱𝘳𝘦𝘢𝘥 𝘪𝘵 𝘰𝘯. 𝗝𝗔: 𝘖𝘩, 𝘩𝘰𝘸 𝘪𝘯𝘵𝘦𝘳𝘦𝘴𝘵����𝘯𝘨! 𝗥𝗞: 𝘚𝘰𝘮𝘦 𝘱𝘦𝘰𝘱𝘭𝘦 𝘭𝘪𝘬𝘦 𝘵𝘰 𝘴𝘵𝘪𝘤𝘬 𝘵𝘩𝘦𝘪𝘳 𝘧𝘪𝘯𝘨𝘦𝘳𝘴 𝘪𝘯 𝘫𝘦𝘭𝘭𝘺. 𝘕𝘰 𝘣𝘳𝘦𝘢𝘥 𝘯𝘦𝘦𝘥𝘦𝘥. 𝗗𝗛: 𝘖𝘬𝘢𝘺. 𝘖𝘬𝘢𝘺, 𝘧𝘢𝘪𝘳 𝘦𝘯𝘰𝘶𝘨𝘩. 𝗝𝗔: 𝘍𝘦𝘦𝘭𝘪𝘯𝘨 𝘭𝘪𝘬𝘦 𝘩𝘦 𝘩𝘢𝘥𝘯'𝘵 𝘲𝘶𝘪𝘵𝘦 𝘯𝘢𝘪𝘭𝘦𝘥 𝘪𝘵, 𝘋𝘰𝘶𝘨 𝘴𝘦𝘯𝘵 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮 𝘵𝘰 𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘨𝘶𝘺𝘴 𝘵𝘩𝘢𝘵 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘦𝘥 𝘩𝘪𝘴 𝘧𝘪𝘳𝘴𝘵 𝘣𝘰𝘰𝘬 𝘪𝘯𝘵𝘰 𝘍𝘳𝘦𝘯𝘤𝘩. 𝗗𝗛: 𝘠𝘦𝘢𝘩. 𝗝𝗔: 𝘈 𝘨𝘶𝘺 𝘯𝘢𝘮𝘦𝘥 ... 𝗗𝗛: 𝘖𝘥𝘥𝘭𝘺 𝘦𝘯𝘰𝘶𝘨𝘩, 𝘉𝘰𝘣 𝘍𝘳𝘦𝘯𝘤𝘩. 𝘈𝘯𝘥 𝘉𝘰𝘣 𝘸𝘢𝘴 ... 𝗥𝗞: [𝘭𝘢𝘶𝘨𝘩𝘴] 𝗗𝗛: 𝘐 𝘴𝘢𝘪𝘥, "𝘏𝘦𝘺 𝘉𝘰𝘣, 𝘤𝘢𝘯 𝘺𝘰𝘶 𝘥𝘰 𝘪𝘵?" 𝘈𝘯𝘥 𝘉𝘰𝘣 𝘴𝘢𝘪𝘥, "𝘞𝘦𝘭𝘭, 𝘐'𝘭𝘭 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘢 𝘵𝘳𝘺." 𝗗𝗛: "𝘍𝘢𝘪𝘳𝘦𝘴𝘵 𝘧𝘳𝘪𝘦𝘯𝘥, 𝘭𝘦𝘵 𝘮𝘦 𝘴𝘦𝘯𝘥 𝘮𝘺 𝘦𝘮𝘣𝘳𝘢𝘤𝘦. 𝘘𝘶𝘪𝘵 𝘵𝘩𝘪𝘴 𝘱𝘭𝘢𝘤𝘦, 𝘪𝘵𝘴 𝘥𝘢𝘳𝘬 𝘩𝘢𝘭𝘭𝘴 𝘢𝘯𝘥 𝘥𝘢𝘯𝘬 𝘸𝘢𝘭𝘭𝘴. 𝘐𝘯 𝘴𝘰𝘧𝘵 𝘴𝘵𝘦𝘢𝘭𝘵𝘩, 𝘳𝘦𝘨𝘢𝘪𝘯 𝘩𝘦𝘢𝘭𝘵𝘩. 𝘋𝘳𝘦𝘴𝘴 𝘢𝘯𝘥 𝘧𝘭𝘦𝘦 𝘰𝘧𝘧 𝘸𝘪𝘵𝘩 𝘮𝘦, 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘸𝘩𝘰 𝘤𝘢𝘭𝘭𝘴 𝘧𝘰𝘳 𝘺𝘰𝘶." 𝗗𝗛: 𝘝𝘦𝘳𝘺 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘪𝘯 𝘵𝘰𝘯𝘦, 𝘢𝘯𝘥 𝘳𝘦𝘢𝘭𝘭𝘺 𝘲𝘶𝘪𝘵𝘦 𝘮𝘢𝘳𝘷𝘦𝘭𝘰𝘶𝘴. 𝗝𝗔: 𝘏𝘦 𝘨𝘰𝘵 𝘵𝘩𝘦 𝘱𝘢𝘭𝘦 𝘧𝘢𝘤𝘦 𝘪𝘯 𝘵𝘩𝘦𝘳𝘦. 𝘏𝘦 𝘨𝘰𝘵 𝘵𝘩𝘦 𝘫𝘢𝘮. 𝘏𝘦 𝘱𝘶𝘵 𝘊𝘭é𝘮𝘦𝘯𝘵'𝘴 𝘯𝘢𝘮𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘮𝘪𝘥𝘥𝘭𝘦. 𝗗𝗛: 𝘉𝘶𝘵 𝘢𝘵 𝘵𝘩𝘦 𝘴𝘢𝘮𝘦 𝘵𝘪𝘮𝘦, 𝘪𝘵 𝘥𝘪𝘥𝘯'𝘵 𝘩𝘢𝘷𝘦 𝘵𝘩𝘦 𝘭𝘪𝘨𝘩𝘵𝘯𝘦𝘴𝘴. 𝘛𝘩𝘦 𝘵𝘰𝘯𝘦 𝘪𝘴 𝘮𝘶𝘤𝘩 𝘮𝘰𝘳𝘦 𝘢𝘯𝘤𝘪𝘦𝘯𝘵. 𝗝𝗔: 𝘞𝘩𝘪𝘤𝘩 𝘺𝘰𝘶 𝘤𝘰𝘶𝘭𝘥 𝘢𝘳𝘨𝘶𝘦 𝘸𝘦𝘭𝘭, 𝘪𝘵'𝘴 𝘢𝘯 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘱𝘰𝘦𝘮. 𝘉𝘶𝘵 𝘋𝘰𝘶𝘨 𝘴𝘢𝘺𝘴 𝘯𝘰, 𝘯𝘰. 𝘛𝘩𝘦𝘳𝘦'𝘴 𝘢 𝘣𝘪𝘨𝘨𝘦𝘳 𝘱𝘳𝘰𝘣𝘭𝘦𝘮. 𝗗𝗛: 𝘐𝘵 𝘸𝘢𝘴 30 𝘭𝘪𝘯𝘦𝘴 𝘭𝘰𝘯𝘨. 𝘚𝘰 𝘦𝘹𝘵𝘳𝘢 𝘭𝘰𝘯𝘨. 𝘈𝘯𝘥 28 𝘸𝘢𝘴 𝘢 𝘴𝘢𝘤𝘳𝘰𝘴𝘢𝘯𝘤𝘵 𝘯𝘶𝘮𝘣𝘦𝘳. 𝗝𝗔: 𝘉𝘶𝘵 𝘵𝘩𝘢𝘵'𝘴 𝘫𝘶𝘴𝘵 𝘵𝘸𝘰 𝘭𝘪𝘯𝘦𝘴 𝘵𝘩𝘰𝘶𝘨𝘩. 𝗗𝗛: 𝘕𝘰, 𝘯𝘰, 𝘯𝘰, 𝘯𝘰, 𝘯𝘰. 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘔𝘢𝘳𝘰𝘵 𝘸𝘳𝘰𝘵𝘦 𝘢 𝘵𝘩𝘳𝘦𝘦-𝘴𝘺𝘭𝘭𝘢𝘣𝘭𝘦 𝘱𝘰𝘦𝘮 𝘰𝘧 28 𝘭𝘪𝘯𝘦𝘴 𝘵𝘩𝘢𝘵 𝘳𝘩𝘺𝘮𝘦𝘥 𝘸𝘰𝘯𝘥𝘦𝘳𝘧𝘶𝘭𝘭𝘺, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘦𝘴𝘴𝘦𝘯𝘤𝘦 𝘰𝘧 𝘩𝘪𝘴 𝘱𝘰𝘦𝘮 𝘸𝘢𝘴 𝘢 𝘧𝘰𝘳𝘮 𝘳𝘢𝘵𝘩𝘦𝘳 𝘵𝘩𝘢𝘯 𝘢 -- 𝘵𝘩𝘢𝘯 𝘢 𝘮𝘦𝘴𝘴𝘢𝘨𝘦. 𝘛𝘩𝘢𝘵 𝘪𝘴, 𝘵𝘩𝘦 𝘮𝘦𝘴𝘴𝘢𝘨𝘦 𝘸𝘢𝘴 𝘨𝘦𝘵 𝘸𝘦𝘭𝘭. 𝗝𝗔: 𝘞𝘩𝘪𝘤𝘩 𝘪𝘴 𝘱𝘳𝘦𝘵𝘵𝘺 𝘴𝘪𝘮𝘱𝘭𝘦, 𝘣𝘶𝘵 𝘋𝘰𝘶𝘨 𝘸𝘰𝘶𝘭𝘥 𝘢𝘳𝘨𝘶𝘦 𝘯𝘰, 𝘪𝘵 𝘸𝘢𝘴 𝘵𝘩𝘦 𝘧𝘰𝘳𝘮. 𝘛𝘩𝘢𝘵'𝘴 𝘸𝘩𝘢𝘵 𝘮𝘢𝘥𝘦 𝘵𝘩𝘦 𝘵𝘩𝘪𝘯𝘨 𝘧𝘶𝘯𝘯𝘺 𝘢𝘯𝘥 𝘤𝘩𝘢𝘳𝘮𝘪𝘯𝘨. 𝘈𝘯𝘥 𝘴𝘰 𝘵𝘩𝘦 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯 𝘧𝘰𝘳 𝘩𝘪𝘮 𝘸𝘢𝘴, 𝘸𝘩𝘰 𝘤𝘰𝘶𝘭𝘥 𝘨𝘦𝘵 𝘵𝘩𝘦 𝘧𝘦𝘦𝘭 𝘣𝘶𝘵 𝘯𝘢𝘪𝘭 𝘵𝘩𝘦 𝘧𝘰𝘳𝘮. 𝘈𝘯𝘥 𝘵𝘰 𝘮𝘢𝘬𝘦 𝘢 𝘭𝘰𝘯𝘨 𝘴𝘵𝘰𝘳𝘺 𝘴𝘩𝘰𝘳𝘵, 𝘩𝘦 𝘦𝘯𝘥𝘦𝘥 𝘶𝘱 𝘴𝘦𝘯𝘥𝘪𝘯𝘨 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮 𝘰𝘶𝘵 𝘵𝘰, 𝘭𝘪𝘬𝘦, 60 𝘱𝘦𝘰𝘱𝘭𝘦. 𝗗𝗛: 𝘋𝘰𝘤𝘵𝘰𝘳𝘢𝘭 𝘴𝘵𝘶𝘥𝘦𝘯𝘵�� ... 𝗗𝗛: "𝘞𝘩𝘰 𝘮𝘺 𝘴𝘸𝘦𝘦𝘵, 𝘐 𝘦𝘯𝘵𝘳𝘦𝘢𝘵. 𝘖𝘯𝘦 𝘳𝘦𝘨𝘢𝘳𝘥. 𝘖𝘩 '𝘵𝘪𝘴 𝘩𝘢𝘳𝘥, 𝘥𝘦𝘢𝘳 𝘳𝘦𝘤𝘭𝘶𝘴𝘦." 𝗗𝗛: 𝘊𝘰𝘭𝘭𝘦𝘢𝘨𝘶𝘦𝘴, 𝘧𝘳𝘪𝘦𝘯𝘥𝘴 ... 𝗗𝗛: "𝘊𝘩𝘪𝘤𝘬𝘢𝘥𝘦𝘦, 𝘐 𝘥𝘦𝘤𝘳𝘦𝘦 𝘢 𝘧𝘪𝘯𝘦 𝘥𝘢𝘺." 𝗝𝗔: 𝘏𝘦 𝘦𝘷𝘦𝘯 𝘨𝘰𝘵 𝘩𝘪𝘴 𝘸𝘪𝘧𝘦 𝘵𝘰 𝘥𝘰 𝘰𝘯𝘦. 𝗗𝗛: "𝘋𝘢𝘳𝘵 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘤𝘢𝘨𝘦 𝘢𝘯𝘥 𝘦𝘯𝘨𝘢𝘨𝘦 𝘪𝘯 𝘣𝘳𝘢𝘷𝘦 𝘧𝘭𝘪𝘨𝘩𝘵, 𝘴𝘰 𝘺𝘰𝘶 𝘮𝘪𝘨𝘩𝘵 𝘧𝘭𝘦𝘦 𝘵𝘩𝘦 𝘤𝘳𝘰𝘶𝘱." 𝗝𝗔: 𝘛𝘩𝘢𝘵 𝘸𝘢𝘴 𝘢𝘭𝘭 𝘣𝘪𝘳𝘥-𝘵𝘩𝘦𝘮𝘦𝘥. 𝗗𝗛: "𝘏𝘰𝘱𝘦 𝘺𝘰𝘶 𝘴𝘸𝘰𝘰𝘱 𝘪𝘯𝘵𝘰 𝘩𝘢𝘮, 𝘢𝘱𝘱𝘭𝘦 𝘫𝘢𝘮 𝘢𝘯𝘥 𝘍𝘳𝘦𝘯𝘤𝘩 𝘣𝘳𝘦𝘢𝘥. 𝗥𝗞: 𝘋𝘪𝘥 𝘺𝘰𝘶 𝘨𝘰 𝘳𝘶𝘯𝘯𝘪𝘯𝘨 𝘢𝘳𝘰𝘶𝘯𝘥 𝘧𝘳𝘰𝘮 𝘵𝘰𝘸𝘯 𝘵𝘰 𝘵𝘰𝘸𝘯 𝘴𝘢𝘺𝘪𝘯𝘨, "𝘏𝘦𝘺, 𝘐 𝘨𝘰𝘵 𝘢 𝘭𝘪𝘵𝘵𝘭𝘦 𝘱𝘰𝘦𝘮. 𝘈𝘯𝘺𝘣𝘰𝘥𝘺 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘢 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯?" 𝗗𝗛: 𝘐 𝘤𝘦𝘳𝘵𝘢𝘪𝘯𝘭𝘺 𝘥𝘪𝘥. 𝘐 𝘢𝘮 𝘢 𝘱𝘦𝘳𝘴𝘰𝘯 𝘰𝘧 𝘣𝘪𝘯𝘨𝘦𝘴. 𝘛𝘩𝘪𝘴 𝘣𝘦𝘨𝘢𝘯 𝘢 𝘣𝘪𝘯𝘨𝘦, 𝘺𝘰𝘶 𝘮𝘪𝘨𝘩𝘵 𝘴𝘢𝘺. 𝗝𝗔: 𝘈𝘯𝘥 𝘵𝘩𝘢𝘵 𝘣𝘪𝘯𝘨𝘦 𝘦𝘯𝘥𝘦𝘥 𝘶𝘱 𝘣𝘦𝘤𝘰𝘮𝘪𝘯𝘨 𝘢 700-𝘱𝘢𝘨𝘦 𝘣𝘰𝘰𝘬 𝘧𝘪𝘭𝘭𝘦𝘥 𝘸𝘪𝘵𝘩 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘪𝘴 𝘱𝘰𝘦𝘮. 𝗥𝗞: 𝘎𝘰 𝘢𝘩𝘦𝘢𝘥 𝘢𝘯𝘥 𝘳𝘦𝘢𝘥 𝘵𝘩𝘦 𝘣𝘦𝘴𝘵 𝘰𝘯𝘦 𝘯𝘰𝘸. 𝘛𝘩𝘪𝘴 𝘪𝘴 𝘵𝘩𝘦 𝘣𝘦𝘴𝘵 𝘰𝘯𝘦. 𝗗𝗛: 𝘠𝘦𝘢𝘩, 𝘳𝘪𝘨𝘩𝘵. 𝘙𝘪𝘨𝘩𝘵. 𝘕𝘰, 𝘵𝘩𝘪𝘴 𝘪𝘴 𝘯𝘰𝘵 𝘵𝘩𝘦 𝘣𝘦𝘴𝘵 𝘰𝘯𝘦. 𝗥𝗞: 𝘐𝘵 𝘪𝘴 𝘫𝘶𝘴𝘵 𝘰𝘯𝘦. 𝗗𝗛: 𝘕𝘰, 𝘴𝘵𝘰𝘱 𝘪𝘵. 𝘖𝘬𝘢𝘺, 𝘩𝘦𝘳𝘦 𝘸𝘦 𝘨𝘰. 𝘖𝘬𝘢𝘺. 𝘖𝘬𝘢𝘺. 𝗝𝗔: 𝘛𝘩𝘪𝘴 𝘪𝘴 𝘢𝘭𝘴𝘰 𝘰𝘯𝘦 𝘰𝘧 𝘩𝘪𝘴, 𝘣𝘶𝘵 𝘭𝘪𝘬𝘦 𝘵𝘩𝘦 20𝘵𝘩 𝘰𝘯𝘦 𝘩𝘦 𝘥𝘪𝘥. 𝗗𝗛: "𝘗𝘢𝘭 𝘱𝘦𝘵𝘪𝘵𝘦, 𝘨𝘢𝘭 𝘴𝘰 𝘴𝘸𝘦𝘦𝘵. 𝘏𝘶𝘨 𝘧𝘳𝘰𝘮 𝘋𝘰𝘶𝘨. 𝘚𝘰𝘮𝘦 𝘥𝘶𝘮𝘣 𝘣𝘶𝘨 𝘥𝘳𝘢𝘨𝘨𝘦𝘥 𝘺𝘰𝘶 𝘥𝘰𝘸𝘯. 𝘡𝘢𝘱 𝘵𝘩𝘢𝘵 𝘧𝘳𝘰𝘸𝘯. 𝘍𝘦𝘦𝘭 𝘵𝘩𝘦 𝘶𝘳𝘨𝘦, 𝘣𝘶𝘨𝘴 𝘵𝘰 𝘱𝘶𝘳𝘨𝘦. 𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘴𝘤𝘰𝘶𝘳𝘨𝘦, 𝘺𝘰𝘶'𝘭𝘭 𝘦𝘮𝘦𝘳𝘨𝘦 𝘪𝘯 𝘢 𝘵𝘳𝘪𝘤𝘦. 𝘚𝘰𝘶𝘯𝘥 𝘢𝘥𝘷𝘪𝘤𝘦 𝘧𝘳𝘰𝘮 -- 𝘢𝘩𝘦𝘮 -- 𝘋𝘰𝘶𝘨 𝘴𝘭𝘢𝘴𝘩 𝘊𝘭𝘦𝘮. 𝘚𝘰 𝘴𝘮𝘢𝘴𝘩 𝘧𝘭𝘶. 𝘊𝘰𝘮𝘦. 𝘠𝘰𝘰-𝘩𝘰𝘰. 𝘊𝘰𝘮𝘦 𝘺𝘰𝘶 𝘸𝘩𝘰 𝘭𝘪𝘷𝘦 𝘵𝘰 𝘤𝘩𝘦𝘸. 𝘚𝘩𝘦𝘦𝘵𝘴 𝘦𝘴𝘤𝘩𝘦𝘸. 𝘚𝘸𝘦𝘦𝘵𝘴 𝘭𝘦𝘵'𝘴 𝘤𝘩𝘦𝘸. 𝘗𝘰𝘱 𝘢 𝘵𝘢𝘳𝘵. 𝘔𝘢𝘬𝘦 𝘺𝘰𝘶𝘳 𝘩𝘦𝘢𝘳𝘵 𝘱𝘢𝘭𝘱𝘪𝘵𝘢𝘵𝘦. 𝘊𝘭𝘦𝘮'𝘴 𝘮𝘢𝘯𝘥𝘢𝘵𝘦. 𝘚𝘶𝘳𝘦 𝘩𝘰𝘱𝘦 𝘎𝘰𝘥 𝘤𝘶𝘳𝘦𝘴 𝘺𝘰𝘶𝘳 𝘣𝘰𝘥 𝘩𝘦𝘢𝘥 𝘵𝘰 𝘧𝘦𝘦𝘵. 𝘗𝘢𝘭 𝘱𝘦𝘵𝘪𝘵𝘦." 𝗥𝗞: 𝘚𝘶𝘳𝘦 𝘩𝘰𝘱𝘦 𝘎𝘰𝘥 𝘤𝘶𝘳𝘦𝘴 𝘺𝘰𝘶𝘳 𝘣𝘰𝘥! [𝘭𝘢𝘶𝘨𝘩𝘴] 𝗗𝗛: [𝘭𝘢𝘶𝘨𝘩𝘴]. 𝘐 𝘮𝘶𝘴𝘵 𝘢𝘥𝘮𝘪𝘵 𝘪𝘵'𝘴 𝘩𝘶𝘮𝘰𝘳𝘰𝘶𝘴. 𝗥𝗞: 𝘠𝘦𝘢𝘩! 𝗝𝗔: 𝘈𝘭𝘵𝘩𝘰𝘶𝘨𝘩 𝘯𝘰𝘵 𝘵𝘩𝘦 𝘣𝘦𝘴𝘵, 𝘩𝘦 𝘴𝘢𝘺𝘴. 𝗗𝗛: 𝘐 -- 𝘐 𝘥𝘰 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘨𝘦𝘵 𝘵𝘰 𝘮𝘺 𝘮𝘰𝘵𝘩𝘦𝘳'𝘴 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯, 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘮𝘺 𝘮𝘰𝘵𝘩𝘦𝘳'𝘴 𝘸𝘢𝘴 𝘴𝘰𝘮𝘦𝘩𝘰𝘸 -- 𝘐'𝘮 𝘨𝘰𝘯𝘯𝘢 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘭𝘰𝘰𝘬 𝘪𝘵 𝘶𝘱 𝘩𝘦𝘳𝘦. 𝘞𝘩𝘦𝘳𝘦 𝘸𝘢𝘴 𝘪𝘵? 𝘞𝘩𝘦𝘳𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘸𝘢𝘴 𝘪𝘵? 𝘛𝘩𝘪𝘴 𝘣𝘰𝘰𝘬 𝘪𝘴 𝘭𝘰𝘯𝘨 𝘢𝘯𝘥 𝘤𝘰𝘮𝘱𝘭𝘪𝘤𝘢𝘵𝘦𝘥 𝘢𝘯𝘥 ... 𝗝𝗔: 𝘛𝘩𝘪𝘴 𝘰𝘯𝘦 𝘧𝘳𝘰𝘮 𝘩𝘪𝘴 𝘮𝘰𝘮 𝘩𝘦 𝘴𝘢𝘺𝘴, 𝘤𝘢𝘮𝘦 𝘢𝘭𝘰𝘯𝘨 𝘺𝘦𝘢𝘳𝘴 𝘢𝘧𝘵𝘦𝘳 𝘩𝘦 𝘴𝘵𝘢𝘳𝘵𝘦𝘥. 𝗗𝗛: 𝘏𝘦𝘳𝘦 𝘪𝘵 𝘪𝘴. 𝗝𝗔: 𝘈𝘯𝘥 𝘩𝘦 𝘵𝘩𝘪𝘯𝘬𝘴 𝘪𝘵 𝘮𝘪𝘨𝘩𝘵 𝘣𝘦 𝘵𝘩𝘦 𝘸𝘪𝘯𝘯𝘦𝘳. 𝗗𝗛: "𝘏𝘪 𝘵𝘰𝘰𝘵𝘴. 𝘎𝘦𝘵 𝘸𝘦𝘭𝘭. 𝘏𝘰𝘴𝘱𝘪𝘵𝘢𝘭'𝘴 𝘱𝘳𝘪𝘴𝘰𝘯 𝘢𝘯𝘥 𝘱𝘳𝘪𝘴𝘰𝘯'𝘴 𝘩𝘦𝘭𝘭. 𝘎𝘦𝘵 𝘸𝘦𝘭𝘭. 𝘍𝘭𝘦𝘦 𝘺𝘰𝘶𝘳 𝘤𝘦𝘭𝘭. 𝘊𝘭é𝘮𝘦𝘯𝘵'𝘴 𝘰𝘳𝘥𝘦𝘳𝘴 𝘪𝘯 𝘢 𝘯𝘶𝘵𝘴𝘩𝘦𝘭𝘭. 𝘎𝘰 𝘱𝘪𝘨 𝘰𝘶𝘵. 𝘖𝘱𝘦𝘯 𝘸𝘪𝘥𝘦 𝘺𝘰𝘶𝘳 𝘮𝘰𝘶𝘵𝘩. 𝘒𝘦𝘦𝘱 𝘵𝘩𝘰𝘴𝘦 𝘴𝘸𝘦𝘦𝘵𝘮𝘦𝘢𝘵𝘴 𝘨𝘰𝘪𝘯𝘨 𝘴𝘰𝘶𝘵𝘩. 𝘜𝘯𝘭𝘦𝘴𝘴 𝘺𝘰𝘶'𝘳𝘦 𝘩𝘢𝘪𝘭, 𝘺𝘰𝘶'𝘭𝘭 𝘵𝘶𝘳𝘯 𝘱𝘢𝘭𝘦. 𝘓𝘰𝘴𝘦 𝘰𝘰𝘩-𝘭𝘢-𝘭𝘢 𝘵𝘩𝘢𝘵 𝘸𝘪𝘨𝘨𝘭𝘦𝘴 𝘺𝘰𝘶𝘳 𝘵𝘢𝘪𝘭. 𝘎𝘰𝘥 𝘳𝘦𝘴𝘵𝘰𝘳𝘦 𝘨𝘰𝘰𝘥 𝘩𝘦𝘢𝘭𝘵𝘩 𝘵𝘰 𝘺𝘰𝘶 𝘮𝘺 𝘭𝘪𝘵𝘵𝘭𝘦 𝘧𝘭𝘰𝘸𝘦𝘳, 𝘮𝘰𝘯 𝘱𝘦𝘵𝘪𝘵𝘦 𝘴��𝘰𝘦." 𝗝𝗔: 𝘞𝘰𝘸! 𝘛𝘩𝘢𝘵'𝘴 𝘤𝘰𝘰𝘭! 𝗗𝗛: 𝘕𝘰𝘵𝘪𝘤𝘦 𝘵𝘩𝘢𝘵 𝘴𝘩𝘦 𝘥𝘰𝘦𝘴𝘯'𝘵 𝘣𝘦𝘨𝘪𝘯 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮 𝘢𝘯𝘥 𝘦𝘯𝘥 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘴𝘢𝘮𝘦 𝘭𝘪𝘯𝘦. 𝘚𝘩𝘦 𝘥𝘰𝘦𝘴𝘯'𝘵 𝘩𝘢𝘷𝘦 28 𝘭𝘪𝘯𝘦𝘴. 𝘚𝘩𝘦 𝘩𝘢𝘴 𝘮𝘢𝘺𝘣𝘦 𝘢𝘣𝘰𝘶𝘵 16 𝘭𝘪𝘯𝘦𝘴. 𝘚𝘩𝘦 𝘥𝘰𝘦𝘴𝘯'𝘵 𝘱𝘢𝘺 𝘢𝘯𝘺 𝘢𝘵𝘵𝘦𝘯𝘵𝘪𝘰𝘯 𝘵𝘰 𝘴𝘺𝘭𝘭𝘢𝘣𝘭𝘦 𝘤𝘰𝘶𝘯𝘵. 𝗥𝗞: 𝘠𝘰𝘶 𝘮𝘶𝘴𝘵'𝘷𝘦 𝘩𝘢𝘵𝘦𝘥 𝘵𝘩𝘪𝘴 𝘰𝘯𝘦. 𝗝𝗔: 𝘠𝘦𝘢𝘩, 𝘵𝘩𝘪𝘴 ... 𝗗𝗛: 𝘐 𝘥𝘪𝘥. 𝘔𝘺 𝘧𝘪𝘳𝘴𝘵 𝘳𝘦𝘢𝘤𝘵𝘪𝘰𝘯 𝘸𝘢𝘴, "𝘖𝘩, 𝘔𝘰𝘮. 𝘕𝘰, 𝘔𝘰𝘮. 𝘊𝘰𝘮𝘦 𝘰𝘯! 𝘞𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 -- 𝘤𝘰𝘮𝘦 𝘰𝘯! 𝘋𝘪𝘥𝘯'𝘵 𝘺𝘰𝘶 𝘱𝘢𝘺 𝘢𝘯𝘺 𝘢𝘵𝘵𝘦𝘯𝘵𝘪𝘰𝘯 𝘵𝘰 𝘵𝘩𝘦 𝘧𝘰𝘳𝘮?" 𝘈𝘯𝘥 𝘴𝘩𝘦 𝘴𝘢𝘪𝘥, "𝘐 𝘥𝘪𝘥 𝘸𝘩𝘢𝘵 𝘐 𝘸𝘢𝘯𝘵𝘦𝘥 𝘵𝘰 𝘥𝘰. 𝘛𝘩𝘪𝘴 𝘪𝘴 𝘮𝘺 𝘧𝘦𝘦𝘭𝘪𝘯𝘨, 𝘺𝘰𝘶 𝘬𝘯𝘰𝘸, 𝘫𝘶𝘴𝘵 𝘵𝘩𝘢𝘵'𝘴 𝘸𝘩𝘢𝘵 𝘐 𝘥𝘪𝘥." 𝘈𝘯𝘥 𝘢𝘤𝘵𝘶𝘢𝘭𝘭𝘺, 𝘺𝘰𝘶 𝘬𝘯𝘰𝘸, 𝘐 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘴𝘢𝘺 𝘪𝘵 𝘩𝘢𝘴 𝘴𝘵𝘰𝘰𝘥 𝘵𝘩𝘦 𝘵𝘦𝘴𝘵 𝘰𝘧 𝘵𝘪𝘮𝘦. 𝘐𝘵 𝘩𝘢𝘴 𝘴𝘰𝘮𝘦 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘱𝘪𝘻𝘻𝘢𝘻𝘻 𝘵𝘩𝘢𝘵 𝘯𝘰 𝘰𝘵𝘩𝘦𝘳 𝘰𝘯𝘦 𝘦𝘷𝘦𝘳 𝘩𝘢𝘥. 𝗝𝗔: 𝘉𝘶𝘵 𝘪𝘧 𝘴𝘩𝘦 𝘥𝘪𝘥𝘯'𝘵 𝘳𝘦𝘴𝘱𝘦𝘤𝘵 𝘵𝘩𝘦 𝘧𝘰𝘳𝘮, 𝘴𝘩𝘦 𝘥𝘪𝘥𝘯'𝘵 𝘥𝘰 𝘵𝘩𝘦 𝘴𝘺𝘭𝘭𝘢𝘣𝘭𝘦𝘴, 𝘴𝘩𝘦 𝘥𝘪𝘥𝘯'𝘵 𝘳𝘩𝘺𝘮𝘦 𝘪𝘵 𝘵𝘩𝘦 𝘸𝘢𝘺 𝘪𝘵'𝘴 𝘴𝘶𝘱𝘱𝘰𝘴𝘦𝘥 𝘵𝘰 𝘳𝘩𝘺𝘮𝘦, 𝘴𝘩𝘦 𝘥𝘪𝘥𝘯'𝘵 𝘨𝘪𝘷𝘦 𝘺𝘰𝘶 28 𝘭𝘪𝘯𝘦𝘴, 𝘴𝘩𝘦 𝘦𝘷𝘦𝘯, 𝘭𝘪𝘬𝘦, 𝘩𝘢𝘭𝘷𝘦𝘥 𝘵𝘩𝘢𝘵, 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘢𝘭𝘭𝘺, 𝘪𝘴 𝘵𝘩𝘢𝘵 𝘢 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯 𝘵𝘩𝘦𝘯 𝘰𝘳 𝘪𝘴 𝘵𝘩𝘢𝘵 𝘫𝘶𝘴𝘵 𝘢 𝘮𝘰𝘮? 𝘐 𝘥𝘰𝘯'𝘵 -- 𝘸𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘢𝘵? 𝗗𝗛: 𝘖𝘯𝘦 𝘩𝘶𝘯𝘥𝘳𝘦𝘥 𝘧𝘭𝘰𝘸𝘦𝘳𝘴 𝘣𝘭𝘰𝘰𝘮. 𝘈𝘴 𝘐 𝘨𝘰𝘵 𝘮𝘰𝘳𝘦 𝘢𝘯𝘥 𝘮𝘰𝘳𝘦 𝘥𝘦𝘦𝘱𝘭𝘺 𝘪𝘯𝘵𝘰 𝘵𝘩𝘪𝘴 𝘱𝘰𝘦𝘮, 𝘮𝘺 𝘱𝘩𝘪𝘭𝘰𝘴𝘰𝘱𝘩𝘺 𝘴𝘵𝘢𝘳𝘵𝘦𝘥 𝘵𝘰 𝘣𝘦𝘤𝘰𝘮𝘦 𝘊𝘩𝘢𝘪𝘳𝘮𝘢𝘯 𝘔𝘢𝘰'𝘴 𝘴𝘵𝘢𝘵𝘦𝘮𝘦𝘯𝘵, "𝘓𝘦𝘵 𝘰𝘯𝘦 𝘩𝘶𝘯𝘥𝘳𝘦𝘥 𝘧𝘭𝘰𝘸𝘦𝘳𝘴 𝘣𝘭𝘰𝘰𝘮." 𝘐𝘯 𝘰𝘵𝘩𝘦𝘳 𝘸𝘰𝘳𝘥𝘴, 𝘺𝘰𝘶 𝘤𝘢𝘯 𝘭𝘰𝘰𝘬 𝘢𝘵 𝘪𝘵 𝘧𝘳𝘰𝘮 𝘴𝘰 𝘮𝘢𝘯𝘺 𝘢𝘯𝘨𝘭𝘦𝘴, 𝘢𝘯𝘥 𝘦𝘢𝘤𝘩 𝘯𝘦𝘸 𝘢𝘯𝘨𝘭𝘦 𝘦𝘯𝘳𝘪𝘤𝘩𝘦𝘴 𝘪𝘵 𝘢𝘯𝘥 𝘮𝘢𝘬𝘦𝘴 𝘪𝘵 𝘮𝘰𝘳𝘦 𝘧𝘶𝘯. 𝗟𝗟: 𝘈𝘭𝘭 𝘳𝘪𝘨𝘩𝘵, 𝘣𝘶𝘵 𝘺𝘰𝘶 𝘤𝘢𝘯'𝘵 𝘳𝘦𝘢𝘥 𝘢 𝘩𝘶𝘯𝘥𝘳𝘦𝘥 𝘷𝘦𝘳𝘴𝘪𝘰𝘯𝘴 𝘰𝘧 𝘦𝘷𝘦𝘳𝘺 𝘱𝘰𝘦𝘮 𝘵𝘩𝘢𝘵 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘳𝘦𝘢𝘥. 𝗗𝗛: 𝘖𝘬𝘢𝘺, 𝘰𝘬𝘢𝘺. 𝘐 𝘢𝘨𝘳𝘦𝘦. 𝘠𝘰𝘶'𝘳𝘦 𝘳𝘪𝘨𝘩𝘵. 𝗝𝗔: 𝘐𝘵 𝘥𝘰𝘦𝘴 𝘮𝘢𝘬𝘦 𝘮𝘦 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯 𝘵𝘩𝘰𝘶𝘨𝘩, 𝘵𝘩𝘦 𝘳𝘶𝘭𝘦𝘴 𝘰𝘧 𝘦𝘯𝘨𝘢𝘨𝘦𝘮𝘦𝘯𝘵 𝘪𝘯 𝘢 𝘸𝘢𝘺. 𝗗𝗛: 𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘯𝘰 𝘳𝘶𝘭𝘦𝘴. 𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘯𝘰 𝘳𝘶𝘭𝘦𝘴. 𝘐𝘵'𝘴 𝘢𝘭𝘭 𝘪𝘯𝘧𝘰𝘳𝘮𝘢𝘭. 𝗝𝗔: 𝘖𝘬𝘢𝘺, 𝘣𝘶𝘵 𝘵𝘩𝘦𝘳𝘦'𝘴 𝘫𝘢𝘮 𝘪𝘯 𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯���� 𝘢𝘯𝘥 𝘩𝘢𝘮 𝘪𝘯 𝘵𝘩𝘦 𝘰𝘵𝘩𝘦𝘳. 𝘈𝘯𝘥 𝘵𝘩𝘦𝘺'𝘳𝘦 -- 𝘭𝘪𝘬𝘦, 𝘵𝘩𝘦𝘺'𝘳𝘦 𝘧𝘢𝘤𝘵𝘶𝘢𝘭𝘭𝘺 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘧𝘰𝘰𝘥 𝘴𝘶𝘣𝘴𝘵𝘢𝘯𝘤𝘦𝘴. 𝘚𝘰𝘮𝘦𝘩𝘰𝘸 𝘭𝘪𝘬𝘦 𝘵𝘩𝘦 𝘧𝘢𝘤𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮 𝘴𝘩𝘰𝘶𝘭𝘥𝘯'𝘵 𝘣𝘦 𝘯𝘦𝘨𝘰𝘵𝘪𝘢𝘣𝘭𝘦, 𝘴𝘩𝘰𝘶𝘭𝘥 𝘵𝘩𝘦𝘺? 𝗗𝗛: 𝘞𝘩𝘢𝘵 𝘪𝘴 -- 𝘸𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 𝘮𝘦𝘢𝘯 𝘣𝘺 𝘢 𝘧𝘢𝘤𝘵? 𝘐 𝘮𝘦𝘢𝘯, 𝘢 𝘧𝘢𝘤𝘵 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘦 𝘱𝘰𝘦𝘮 𝘪𝘴 𝘵𝘩𝘢𝘵 𝘪𝘵 𝘸𝘢𝘴 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 𝘣𝘺 𝘴𝘰𝘮𝘦𝘣𝘰𝘥𝘺 𝘪𝘯 𝘍𝘳𝘦𝘯𝘤𝘩. 𝘐𝘵'𝘴 𝘯𝘰𝘵 𝘪𝘯 𝘍𝘳𝘦𝘯𝘤𝘩 𝘢𝘯𝘺𝘮𝘰𝘳𝘦. 𝗥𝗞: 𝘞𝘢𝘪𝘵, 𝘣𝘶𝘵 𝘯𝘰𝘸 𝘩𝘦𝘳𝘦'𝘴 𝘸𝘩𝘢𝘵 𝘑𝘢𝘥 𝘐 𝘵𝘩𝘪𝘯𝘬 𝘸𝘢𝘴 𝘳𝘦𝘢𝘭𝘭𝘺 𝘸𝘰𝘯𝘥𝘦𝘳𝘪𝘯𝘨, 𝘪𝘴 𝘵𝘩𝘦 𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘸𝘦 𝘵𝘩𝘰𝘶𝘨𝘩𝘵 𝘸𝘢𝘴 𝘸𝘩𝘢𝘵 𝘸𝘢𝘴 𝘩𝘦 𝘴𝘢𝘺𝘪𝘯𝘨, 𝘯𝘰𝘵 𝘸𝘩𝘢𝘵 𝘥𝘰 𝘸𝘦 𝘮𝘢𝘬𝘦 𝘰𝘧 𝘸𝘩𝘢𝘵 𝘩𝘦'𝘴 𝘴𝘢𝘺𝘪𝘯𝘨? 𝘞𝘩𝘢𝘵 𝘢𝘳𝘦 𝘵𝘩𝘦 𝘧𝘭𝘢𝘷𝘰𝘳𝘴 𝘰𝘧 𝘸𝘩𝘢𝘵 𝘩𝘦'𝘴 𝘴𝘢𝘺𝘪𝘯𝘨? 𝘞𝘩𝘢𝘵 𝘢𝘳𝘦 𝘵𝘩𝘦 𝘷𝘢𝘳𝘪𝘢𝘯𝘵𝘴 𝘰𝘧 𝘸𝘩𝘢𝘵 𝘩𝘦'𝘴 𝘴𝘢𝘺𝘪𝘯𝘨? 𝗝𝗔: 𝘈𝘯𝘥 𝘦𝘷𝘦𝘯 𝘣𝘦𝘺𝘰𝘯𝘥 𝘵𝘩𝘢𝘵. 𝘓𝘪𝘬𝘦, 𝘪𝘴𝘯'𝘵 𝘵𝘩𝘦 𝘦𝘹𝘱𝘦𝘤𝘵𝘢𝘵𝘪𝘰𝘯 𝘵𝘩𝘢𝘵 𝘺𝘰𝘶 𝘢𝘴 𝘢 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘰𝘳 𝘢𝘳𝘦 𝘨𝘪𝘷𝘪𝘯𝘨 𝘮𝘦 𝘩𝘪𝘮. 𝘓𝘪𝘬𝘦, 𝘩𝘦𝘺, 𝘵𝘩𝘪𝘴 𝘵𝘩𝘪𝘴 𝘮𝘢𝘯 𝘪𝘴 𝘭𝘰𝘴𝘵 𝘵𝘰 𝘵𝘪𝘮𝘦 𝘢𝘯𝘥 𝘯𝘰𝘸 𝘴𝘶𝘥𝘥𝘦𝘯𝘭𝘺 𝘐 𝘨𝘦𝘵 𝘵𝘰 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘩𝘪𝘮. 𝘉𝘶𝘵 𝘪𝘧 𝘢 𝘩𝘶𝘯𝘥𝘳𝘦𝘥 𝘧𝘭𝘰𝘸𝘦𝘳𝘴 𝘢𝘳𝘦 𝘣𝘭𝘰𝘰𝘮𝘪𝘯𝘨, 𝘵𝘩𝘢𝘵 𝘴𝘰𝘮𝘦𝘩𝘰𝘸 𝘧𝘦𝘦𝘭𝘴 𝘭𝘪𝘬𝘦 𝘐'𝘮 𝘯𝘰𝘵 𝘨𝘦𝘵𝘵𝘪𝘯𝘨 𝘩𝘪𝘮 𝘢𝘵 𝘢𝘭𝘭. 𝗗𝗛: ��𝘣𝘷𝘪𝘰𝘶𝘴𝘭𝘺, 𝘺𝘰𝘶'𝘳𝘦 𝘨𝘦𝘵𝘵𝘪𝘯𝘨 𝘵𝘰 𝘵𝘩𝘦 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯 𝘰𝘧 𝘸𝘩𝘢𝘵 𝘪𝘴 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘤𝘢𝘯 𝘪𝘵 𝘣𝘦 𝘥𝘰𝘯𝘦. 𝘔𝘺 -- 𝘮𝘺 𝘧𝘦𝘦𝘭𝘪𝘯𝘨 𝘪𝘴 𝘵𝘩𝘢𝘵 𝘦𝘷𝘦𝘯 𝘵𝘩𝘰𝘶𝘨𝘩 𝘵𝘩𝘦𝘴𝘦 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘢𝘵 𝘸𝘦'𝘷𝘦 𝘩𝘦𝘢𝘳𝘥 𝘢𝘳𝘦 𝘢𝘭𝘭 𝘷𝘦𝘳𝘺 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵, 𝘵𝘩𝘦𝘺 𝘢𝘭𝘭 𝘴𝘩𝘰𝘸 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘢𝘣𝘰𝘶𝘵 𝘊𝘭é𝘮𝘦𝘯𝘵 𝘔𝘢𝘳𝘰𝘵. 𝗝𝗔: 𝘋𝘰𝘶𝘨'𝘴 𝘣𝘢𝘴𝘪𝘤 𝘱𝘰𝘪𝘯𝘵 𝘪𝘴 𝘵𝘩𝘢𝘵, 𝘭𝘪𝘬𝘦, 𝘢𝘯𝘺 𝘱𝘦𝘳𝘴𝘰𝘯 𝘪𝘴 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘢 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘦. 𝘛𝘩𝘦𝘺'𝘳𝘦 𝘵𝘰𝘰 𝘣𝘪𝘨 𝘵𝘰 𝘤𝘰𝘮𝘱𝘳𝘦𝘩𝘦𝘯𝘥 𝘪𝘯 𝘵𝘩𝘦𝘪𝘳 𝘦𝘯𝘵𝘪𝘳𝘦𝘵𝘺, 𝘢𝘯𝘥 𝘴𝘰 𝘢𝘯𝘺 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯 𝘰𝘧, 𝘴𝘢𝘺, 𝘢 𝘱𝘰𝘦𝘮 𝘰𝘳 𝘸𝘩𝘢𝘵𝘦𝘷𝘦𝘳 𝘪𝘴 𝘰𝘯𝘭𝘺 𝘨𝘰𝘯𝘯𝘢 𝘨𝘦𝘵 𝘺𝘰𝘶 𝘢 𝘵𝘪𝘯𝘺 𝘱𝘪𝘦𝘤𝘦 𝘰𝘧 𝘵𝘩𝘢𝘵 𝘱𝘦𝘳𝘴𝘰𝘯, 𝘢 𝘵𝘪𝘯𝘺 𝘳𝘦𝘧𝘳𝘢𝘤𝘵𝘪𝘰𝘯. 𝗗𝗛: 𝘐 𝘮𝘦𝘢𝘯 𝘭𝘰𝘰𝘬, 𝘸𝘦 𝘩𝘢𝘷𝘦 𝘰𝘯𝘦 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩 𝘰𝘧 𝘍𝘳é𝘥é𝘳𝘪𝘤 𝘊𝘩𝘰𝘱𝘪𝘯. 𝘖𝘯𝘦 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩. 𝗝𝗔: 𝘈𝘯𝘥 𝘪𝘯 𝘵𝘩𝘢𝘵 𝘱𝘪𝘤𝘵𝘶𝘳𝘦 𝘩𝘦'𝘴 𝘴𝘤𝘰𝘸𝘭𝘪𝘯𝘨. 𝗗𝗛: 𝘞𝘩𝘢𝘵 𝘥𝘪𝘥 𝘍𝘳é𝘥é𝘳𝘪𝘤 𝘊𝘩𝘰𝘱𝘪𝘯 𝘳𝘦𝘢𝘭𝘭𝘺 𝘭𝘰𝘰𝘬 𝘭𝘪𝘬𝘦? 𝘞𝘩𝘢𝘵 𝘸𝘢𝘴 𝘩𝘪𝘴 𝘴𝘮𝘪𝘭𝘦 𝘭𝘪𝘬𝘦? 𝘠𝘰𝘶 𝘬𝘯𝘰𝘸, 𝘺𝘰𝘶 𝘭𝘰𝘰𝘬 𝘢𝘵 𝘢 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩 𝘰𝘧 𝘊𝘩𝘰𝘱𝘪𝘯 𝘢𝘯𝘥 𝘺𝘰𝘶 𝘴𝘢𝘺, "𝘖𝘩, 𝘵𝘩𝘪𝘴 𝘪𝘴 𝘸𝘩𝘢𝘵 𝘊𝘩𝘰𝘱𝘪𝘯 𝘭𝘰𝘰𝘬𝘦𝘥 𝘭𝘪𝘬𝘦." 𝘞𝘦𝘭𝘭, 𝘯𝘰. 𝘊𝘩𝘰𝘱𝘪𝘯 𝘭𝘰𝘰𝘬𝘦𝘥 𝘭𝘪𝘬𝘦 𝘮𝘢𝘯𝘺 𝘵𝘩𝘪𝘯𝘨𝘴. 𝘌𝘷𝘦𝘯 𝘵𝘩𝘦 𝘷𝘦𝘳𝘺 𝘥𝘢𝘺 𝘵𝘩𝘢𝘵 𝘵𝘩𝘢𝘵 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩 𝘸𝘢𝘴 𝘵𝘢𝘬𝘦𝘯, 𝘩𝘦 𝘩𝘢𝘥 𝘵𝘩𝘰𝘶𝘴𝘢𝘯𝘥𝘴 𝘰𝘧 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯𝘴 𝘰𝘯 𝘩𝘪𝘴 𝘧𝘢𝘤𝘦. 𝘉𝘶𝘵 𝘵𝘩𝘦𝘯, 𝘸𝘩𝘢𝘵 𝘢𝘣𝘰𝘶𝘵 𝘢 𝘺𝘦𝘢𝘳 𝘦𝘢𝘳𝘭𝘪𝘦𝘳 𝘰𝘳 10 𝘺𝘦𝘢𝘳𝘴 𝘦𝘢𝘳𝘭𝘪𝘦𝘳? 𝘐 𝘮𝘦𝘢𝘯, 𝘬𝘯𝘰𝘸𝘪𝘯𝘨 𝘊𝘩𝘰𝘱𝘪𝘯 𝘪𝘴 𝘢 𝘷𝘦𝘳𝘺 𝘤𝘰𝘮𝘱𝘭𝘦𝘹 𝘵𝘩𝘪𝘯𝘨. 𝘐𝘵'𝘴 𝘯𝘰𝘵 𝘰𝘯𝘦 𝘵𝘩𝘪𝘯𝘨. 𝘐𝘵'𝘴 𝘮𝘪𝘭𝘭𝘪𝘰𝘯𝘴 𝘰𝘧 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘵𝘩𝘪𝘯𝘨𝘴 𝘵𝘩𝘢𝘵 𝘢𝘳𝘦 𝘶𝘯𝘪𝘵𝘦𝘥 𝘣𝘺 𝘢𝘯𝘢𝘭𝘰𝘨𝘺 𝘪𝘯𝘵𝘰 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 𝘸𝘦 𝘳𝘦𝘧𝘦𝘳 𝘵𝘰 𝘢𝘴 𝘰𝘯𝘦 𝘵𝘩𝘪𝘯𝘨. 𝗝𝗔: 𝘞𝘦 𝘴𝘩𝘰𝘶𝘭𝘥 𝘴𝘢𝘺 𝘸𝘦 𝘭𝘰𝘰𝘬𝘦𝘥 𝘪𝘯𝘵𝘰 𝘪𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘢𝘤𝘵𝘶𝘢𝘭𝘭𝘺 𝘵𝘸𝘰 𝘱𝘪𝘤𝘵𝘶𝘳𝘦𝘴 𝘰𝘧 𝘊𝘩𝘰𝘱𝘪𝘯, 𝘣𝘶𝘵 𝘩𝘦'𝘴 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘴𝘤𝘰𝘸𝘭𝘪𝘯𝘨 𝘪𝘯 𝘣𝘰𝘵𝘩. 𝘖𝘳 𝘺𝘰𝘶 𝘤𝘢𝘯'𝘵 𝘳𝘦𝘢𝘭𝘭𝘺 𝘵𝘦𝘭𝘭 𝘪𝘯 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘰𝘯𝘦, 𝘪𝘵'𝘴 𝘵𝘰𝘰 𝘥𝘪𝘴𝘪𝘯𝘵𝘦𝘨𝘳𝘢𝘵𝘦𝘥. 𝘉𝘶𝘵 𝘯𝘰 𝘴𝘮𝘪𝘭𝘦𝘴.

——

[ruthmedia2]

  Oliver Sacks: His Own Life Director: Ric Burns Running time 114 minutes Cast: Jonathan Miller, Robert Silvers, Temple Grandin, Christof Koch, Robert Krulwich, Lawrence Weschler, Roberto Calasso, Paul Theroux, Bill Hayes, Kate Edgar, Atul Gawande Synopsis: The life and career of the renowned neurologist and author, Dr. Oliver Sacks. URL: https://www.youtube.com/watch?v=MCF5FvwdPVs Oliver Sacks:…

[dartumbles]

Sunday Sunshine

If I haven’t stated it before. I love CBS Sunday Morning. I always find something that makes me happy or educates me. This segment was so enlightening. Another favorite segment was this man of passion I met in the movie White Knights. And just in case you never saw White Knights, which I don’t think they mentioned: This was probably my favorite part. What passion shows in these two men as they…

[colltales]

Play Dough

Play Dough: But Why Didn't They Call it The Big Pizza?

But Why Didn’t They Call it The Big Pizza? The world would laugh if it’d even care about the little idiosyncrasies New Yorkers take at heart and seem to invest their entire being championing it. As if the fate of humankind lays squarely on the top of their shoulders. Case in point: pizza, local fast food extraordinaire. Now, would it kill us to exercise restrain and abstain from such prosaic…

[celebsdetail]

Robert Krulwich has an estimated net worth of around $1 million as of 2020. He is married to his wife, Tamar Lewin

[tomhiddleslove]

Charlie Cox, Tom Hiddleston and Zawe Ashton on stage in Jamie Lloyd's production of Harold Pinter play - Betrayal.

Shot taken by Sara Krulwich for The New York Times - October, 2019.

[cartoonconnie]

That time when Robert Krulwich asked to use my cartoons and then wrote this beautiful piece for @npr. ❤️❤️❤️

[shakespearenews]

Alex Lawther, below, as an especially vulnerable Hamlet with Jennifer Ehle as Queen Gertrude in Robert Icke’s production of “Hamlet” at the Park Avenue Armory.Credit...Sara Krulwich/The New York Times

[tmbgareok]

I just saw the "King Weed" music video this morning, does this song was released in a album or have a context? Because it's really lovely!!

It was written for a science program on ABC (part of ABCs Nightline) created by Robert Krulwich (who is now very well known as the co-host of Radio Lab on public radio) It was very specific to the issues brought up in the show.