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animesavior · 7 years ago

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“Lupin, i have one more thing to ask of you. Let me have your name. Let me be Mrs. Lupin. It's not for the tabloids, I'm being serious. No matter how far away you are, all you have to do is hear the name Mrs. Lupin, and you'll know it's me. It'll be our own secret code. I want you to see it, Lupin. To watch me grow into a...good woman. I need to grow up into someone you can't live without.“

- Rebecca Rossellini, Lupin the Third (Ep. 26)

The Toonami Trending Rundown for January 20-21, 2018. It’s a night of ends and new beginnings as among other moments, Dragon Ball Super begins the Future Trunks saga, while Asta gets recruited by the Black Bulls, and of course, we reach the thrilling conclusion of Lupin the Third: Part IV.

On Twitter, Toonami would trend as with every show during their respective East Coast airings, as well Hunter x Hunter and Outlaw Star as well during their respective West Coast airings. Lupin The Third in particular trended both US and Worldwide, making sure it completed its current run on a high note. Meanwhile on Tumblr, Toonami would also trend as with Dragon Ball Super, DBZ, JoJo’s Bizarre Adventure and Hunter x Hunter.

This week’s feature was a game review of Animal Crossing Pocket Camp for the iOS and Android, as one of Nintendo’s first forays into conventional mobile devices. Interestingly enough, this was the first time Toonami has ever reviewed a game released on mobile devices, and was also reviewed by Dana Swanson, the voice of SARA, herself. It received a 7.5 out of 10 score.

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As we begin seeing the English dub of the Future Trunks saga, those who watched ahead to where the sub is currently at will know that Toei has announced that the finale of the Universe Survival Saga, set to end in late March will serve as the series finale for Super. While this chapter of Dragon Ball will soon reach its conclusion, this most likely won’t be the end of the franchise, as Toei is presently hard at work producing the 20th feature film as well as mapping the franchise’s general path going forward, to say nothing about the manga, video games, and various other content for the future. Toei has hinted a potential continuation of the anime series down the line, so we’ll see what happens in the months and years ahead. Of course, we still have 84 episodes left to go until Toonami itself reaches that point, so this could allow the dub to catch up in time for the potential sequel, depending on how long this hiatus is among various other factors. Regardless of what happens, it’s been a great ride so far to see Dragon Ball continuing to shine both inside and outside Toonami’s scope, and I’m personally very confident on what the future of this great anime franchise is ahead.

And speaking of DBS, for those wanting to get more of your Dragon Ball fix, Arc System Works and Bandai Namco have just released the newest video game fighter to the franchise, Dragon Ball FighterZ, presently available on all major platforms except for the Switch.

To commemorate Lupin’s finale, Jose Argumedo and Discotek had another Q&A periscope livestream with several of the show’s staff and voice actors including Richard Epcar (co director and voice of Jigen), Ellyn Stern (co director and voice of several minor characters), Lex Lang (the voice of Goemon), Michelle Ruff (the voice of Fujiko), and Doug Erholtz (the voice of Zenigata).

Ever since Monkey Punch began publishing the original manga in 1967, Lupin the Third has grown to be a very illustrious media franchise, with numerous manga, anime, anime films and OVAs and the like released over the decades. Back in 2003, Adult Swim in its early days aired 26 episodes of Part 2, though episode 3 was skipped over for content issues, and the remaining 129 episodes of part 2 never aired for various reasons. While Lupin’s legacy among long time Adult Swim viewers and Toonami Faithful isn’t as large as some of Toonami and Adult Swim’s other highly acclaimed and well requested classics, the series still is pretty well regarded among fans and the Toonami crew to this day, and it perhaps comes as no surprise that Lupin was looked into to make a comeback to the better cartoon show, especially with the series having a renaissance on the Japanese TV scene.

In 2016, Toonami attempted to bring Lupin back with The Woman Called Fujiko Mine, following the end of Michiko and Hatchin’s run (both series were directed by Sayo Yamamoto, whom would also go on to create Yuri on Ice) however issues regarding nudity (ie. too many boobies to censor) would have required Toonami to heavily chop the show’s content into bits barring objections from the network and advertisers, forcing them to choose an encore run of Samurai Champloo instead. While Toonami found a way to air the likes of Black Lagoon, Hellsing, Kill la Kill, and soon episode 23 of Outlaw Star with as little edits as they could to appease the network and advertisers in that regard, Toonami decided that that the amount of censoring needed that time around just wasn’t worth it.

But Toonami and Lupin fans would not give up, as over a year later, Lupin would eventually find its way back onto Adult Swim, as Toonami partnered up with Discotek to bring in the newest edition of the main Lupin series in part IV, the first acquisition for Toonami from Discotek and the first from TMS since 2003. While Discotek has been around since 2005, considering that they mainly focus on classic titles and underrated gems, including helping to bring IGPX DVDs back into production, and it wasn’t until 2016 with Lupin that they started producing dubs, its not a surprise that this company was under the radar from many fans and perhaps even the Toonami crew as an acquisition partner for so long. Then again, classics and underrated gems are sometimes just what Toonami needs.

One of the earliest hints that this was going to occur was when Jason released a poll to gauge interest on shorter shows like Tokyo Ghoul, Mob Psycho 100, and Lupin potentially airing on the block. While industry politics among other factors between Toonami and the distributors have unfortunately dashed Mob’s Toonami hopes for now, Tokyo Ghoul would get its shot on March, while Lupin would finally make its return on June 17, 2017 as Toonami premiered the English Dub premiere of Part IV.

26 episodes of Lupin and his crew doing what they do best and avoiding Zenigata to do so, finding love with Rebecca, and solving the mystery of Leonardo Di Vinci, and now this season is in the books. During Part IV’s run, the hashtag #LupinThe3rd trended in the US during all but 2 weeks of its run as well as worldwide during the season finale. The show did not produce any character trends or trended on tumblr during its run.

For those wanting to check out more Lupin in the interim, Discotek has been hard at work producing and re-releasing Blu-rays and DVDs of Lupin’s previous installments and several films, so feel free to check those out. And of course, this won’t be end of Lupin as TMS and Telecom Animation Film are presently working on a part V to the franchise, set to premiere in Japan this upcoming April as Lupin and the gang travel to France, the home of Lupin’s grandfather. The sub will be simulcasted on Crunchyroll and Hulu.

No word yet if and when Discotek will be tasked to dub the new season or if Toonami will pick up this new installment down the line, but we’ll see what happens. As I would say with every potential show and every successful Toonami show looking to return for a continuation, if you wish to see Lupin return for Part V and perhaps beyond, keep supporting the show by legal means and to send your show recommendations to Toonami's Facebook and Tumblr message boxes as well as letting Discotek know in their respective outlets.

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Regardless of what happens, Lupin’s return was quite a fun ride for both fans watching since Adult Swim’s early days (and perhaps even before then) and the new fans it gained along the way, and I’m sure I can speak for every fan that we’re all looking forward to what adventures Lupin and the crew will be taking in the future. So until then, Arrivederci, Lupin, and hope to see you again soon.

As previously mentioned, there was a show that was originally supposed to replace Lupin on the schedule, but unfortunately Toonami and the distributors ran into some legal issues preventing a broadcast, delaying the show announcement and premiere to a future date. We’ll keep you posted on when it does happen as well as any other incoming shows in the year to come, but in the meantime, Space Dandy will be having an encore run beginning tonight at 2:30 am, while Naruto Shippuden and Outlaw Star also move up to 1:30 and 2 am respectively in the interim. Until then, see you again next week and stay dandy, baby.

Legend: The shows listed are ordered based on their appearance on the schedule. Show trends are listed in bold. The number next to the listed trend represents the highest it trended on the list (not counting the promoted trend), judging only by the images placed in the rundown. For the Twitter tweet counts, the listed number of tweets are also sorely based on the highest number shown based on the images on the rundown.

United States Trends:

Toonami/#Toonami [#6]

#DragonBallSuper [#8]

#DBZKai [#7]

#BlackClover [#9]

#JoJosBizarreAdventure [#8]

#GundamIBO [#8]

#HunterXHunter [#6]

#LupinThe3rd [#1]

#Shippuden [#9]

#OutlawStar [#8]

#CowboyBebop [#6]

#GhostInTheShell [#6]

Worldwide Trends:

#LupinThe3rd [#10]

Tweet Counts:

Toonami [8,616 tweets]

#Toonami [11.7k tweets]

#DragonBallSuper [12.8k tweets]

#DBZKai [10.5k tweets]

#BlackClover [9,102 tweets]

#JoJosBizarreAdventure [11.8k tweets]

#GundamIBO [10.3k tweets]

#HunterXHunter [11.1k tweets]

#LupinThe3rd [19.7k tweets]

#Shippuden [10.1k tweets]

#OutlawStar [10.9k tweets]

#CowboyBebop [12.2k tweets]

#GhostInTheShell [10.1k tweets]

Tumblr Trends:

#toonami

#dragon ball super

#dbz

#jojo’s bizarre adventure

#hunter x hunter

Notes and Other Statistics:

#GundamIBO: @WhoTrendedIT reported that @KyleMcCarley started the trend in the US.

Special thanks to @coreymbarnes, @jmb70056, @mmorse1017, and others I forgot to mention for spotting some of the trends on this list.

The Grind is Real. Only Toonami on [adult swim] on Cartoon Network.

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pairtext3-blog · 6 years ago

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Kate Chopin A Re-Awakening - Additional Resources

Bibliography makers

An Overview of the Life and Works of Kate Chopin An article in Empire:Zine, a monthly Internet magazine on writing.

The Fifth Kate Chopin Conference Information on the Fifth Kate Chopin Conference, held earlier this year at Northwestern State University of Louisiana.

A Guide to Internet Resources for Kate Chopin's The Awakening A collection of extratextual resources available on the internet that might enrich the understanding and enjoyment of The Awakening. Compiled by Sharon Masturzo, School of Library Information and Science, University of South Florida.

Domestic Goddesses: AKA Scribbling Women A moderated E-journal devoted to women writers, beginning in the 19th century, who wrote "domestic fiction."

Kate Chopin Web Page A web site created by students at Assumption College, Worcester, Massachusetts.

Recent Publications of Chopin's Works:

The Awakening, New York: Avon Books, 1972.

The Awakening and Selected Stories, edited with an introduction by Nina Baym, New York: The Modern Library, 1993.

A Matter of Prejudice and Other Stories, New York: Bantam Books, 1992.

A Vocation and A Voice, Penguin Books, 1991.

Complete Works of Kate Chopin, edited and with an introduction by Per Seyersted; Foreword by Edmund Wilson, Volumes I and II, Baton Rouge: Louisiana State University Press, 1969.

Per Seyersted and Emily Toth, eds., A Kate Chopin Miscellany, Oslo: Universitetsforlaget and Natchitoches: Northwestern State University Press, 1979.

Forkner, Ben, ed., Louisiana Stories, Gretna, La: Pelican Publishing Co, 1990.

Bonner, Thomas, Jr. "Kate Chopin: An Annotated Bibliography," Bulletin of Bibliography, 32 (July-September, 1975) pp101-105.

Toth, Emily, "Bibliography of Writings on Kate Chopin." In A Kate Chopin Miscellany, ed. by Per Seyersted and Emily Toth., pp212-61.

"Kate Chopin, A Woman of Yesterday, Today and Tomorrow," A project of the Watson Library, Northwestern State University, Rapides Parish Library and the National Endowment for the Humanities.

Arnavon, Cyrille, "Les Debuts du Roman Realiste Americain et L'Influence Francaise." in Cahiers des Langues Modernes, I Paris, Didier (1946).

Bender, Bert, "The Teeth of Desire: The Awakening and The Descent of Man," in American Literature, Vol. 63, No. 3, Sept., 1991, pp. 459-473.

Berry, Wendell, "Writer and Region," in What are People For? Essays. San Francisco: Northpoint Press, 1990, pp. 71-87.

Bloom, Harold, Ed., Kate Chopin, Modern Critical Views. New York: Chelsea House Publishers, 1987.

Blumenthal, "Literature" Chapt. VI in American and French Culture, 1800-1900, pp. 174-232.

Bonner, Jr., Thomas. "Bayou Folk: An Evaluation": a paper contributed to the Kate Chopin Seminar at the 1974 MLA Conference.

__________, "Kate Chopin's At Fault and the Awakening: A Study in Structure." Markham Review, 7 (Fall, 1977), pp.10-15.

__________, "Kate Chopin's European Consciousness." American Literary Realism, 1870-1910, Vol. 8, 1975, pp. 281-84.

__________, The Kate Chopin Companion, with Chopin's translations from French fiction. New York: Greenwood Press, 1988.

Boren, Lynda S. and Sara de Saussure Davis, Eds., Kate Chopin Reconsidered, Beyond the Bayou. Baton Rouge and London: Louisiana State University Press, 1992.

Bush, Robert, Louisiana Prose Fiction, 1870-1900 (Dissertation). State University of Iowa, 1957.

Cott, Nancy F., The Grounding of Modern Feminism. New Haven and London: Yale University Press, 1987.

Eble, Kenneth, "A Forgotten Novel: Kate Chopin's The Awakening," in Western Humanities Review, X (Summer, 1956), pp. 261-269.

Dyer, Joyce, "Gouvernail, Kate Chopin's Sensitive Bachelor," in Southern Literary Journal, 14 (Fall, 1981), pp. 46-55.

__________, "Symbolic Setting in Kate Chopin's 'A Shameful Affair'." in Southern Studies, Vol. XX, No. 4, 1981, pp. 447-452.

Ewell, Barbara, Kate Chopin. New York: The Ungar Publishing Company, 1986.

__________, "Making Places: Kate Chopin and the Art of Fiction." (Unpublished Paper).

Judith Fetterley, "Introduction" in Provisions, A Reader from 19th Century Women, Bloomington: Indiana University Press, 1985. pp. 1-40.

Judith Fetterley and Marjorie Pryse, "Kate Chopin," in American Women Regionalists, 1850-1910 (Norton, 1992) pp. 408-412.

Fletcher, Marie, "The Southern Woman in the Fiction of Kate Chopin," Louisiana History, 7 (1966): pp. 117-132.

Fox-Genovese, Elizabeth, "Between Individualism and Fragmentation: American Culture and the New Literary Studies of Race and Gender," in American Quarterly, Vol. 42, No. 1 (March, 1990), pp. 7-29.

__________, "The Fettered Mind: Time, Place, and the Literary Imagination of the Old South" in The Georgia Historical Quarterly, Vol. LXXIV, No. https://synthesis-essay.com , Winter, 1990, pp. 622-650. (Review Essay of Louis Rubin's The Edge of the Swamp.)

__________, Within the Plantation Household: Black and White Women of the Old South. University of North Carolina Press, 1988.

Gardiner, Elaine. "Ripe Figs: Kate Chopin in Miniature." Modern Fiction Studies, 28, Autumn, 1982, pp. 379-82.

Garietta, Anthony Paul, The Critical Reputation of Kate Chopin., Greensboro: University of North Carolina, 1978.

Gebhard, Caroline, "The Spinster in the House of American Criticism" in Tulsa Studies in Women's Literature, Vol. 10, No. 1, Spring 1991, pp. 79-91.

Gilbert, Sandra M. and Susan Gubar, Eds., Norton's Anthology of Literature by Women. New York, 1985.

Howell, Elmo, "Kate Chopin and the Creole Country," in Louisiana History, 20 (Spring, 1979), pp. 202-219.

__________, "Kate Chopin and the Pull of Faith: A Note on Lilacs," in Southern Studies, 18, (Spring, 1979), pp. 103-109.

Jasenas, Elaine, "The French Influence in Kate Chopin's The Awakening" in Nineteenth Century French Studies, 4(1976): pp. 312-22.

Jones, Anne Goodwyn, Tomorrow is Another Day: The Woman Writer in the South, 1859-1936. Baton Rouge: Louisiana State University, 1981.

Jones, Howard Mumford, "America and French Culture, 1750-1848" in Milestones in American Literary History, edited by Robert E. Spiller.

Kate Chopin Newsletters

Vol. 1, No. 12, Spring, 1875.

Vol. I, No. 3, Winter, 1975-1976.

Vol. II, No. 2, Fall, 1976.

Vol. II, No. 3, Winter 1976-1977.

Kazin, Alfred. A Writer's America, Landscape in Literature, New York, Alfred A. Knopf, 1988.

__________, On Native Grounds, Cornwall. NY: Cornwall Press, 1942.

Kearns, Katherine, "The Nullification of Edna Pontellier" in American Literature, Vol. 63, No. 1, March 1991, pp. 62-88.

Koloski, Bernard, Ed., Approaches to Teaching Chopin's The Awakening. New York: MLA, 1988.

__________, "The Structure of At Fault"

Kraditor, Aileen S., The Ideas of the Woman Suffrage Movement, 1890-1920. New York: Columbia University Press, 1965.

Lally, Joan Marie. "Kate Chopin: Four Studies" (PhD Dissertation, University of Utah), MLA. University Microfilms, Ann Arbor, Michigan, 1973.

Lewis, R.W.B., The American Adam, 1955.

__________, Trials of the Word.

__________, Cleanth Brooks and Robert Penn Warren, eds., American Literature: The Makers and the Making. 1973.

Lohafer, Susan, "The Classics" in Coming to Terms with the Short Story, Chapt. 6, pp.103-133.

__________, "Preclosure and Story Processing," in Short Story Theory at a Crossroads by Susan Lohafer and Jo Ellyn Clarey, pp. 249-273.

Martin, Wendy, Ed., New Essays on The Awakening,part of The American Novel Series. New York: Cambridge University Press, 1988.

Mills, Elizabeth Shown, Chauvin Dit Charleville: Mississippi State University Press, 1976.

Oates, Joyce Carol, ed., The Oxford Book of American Short Stories: Oxford and New York, Oxford University Press, 1992.

O'Brien, Sharon, "The Lineaments of Antebellum Southern Romanticism," in Rethinking the South, Essays in Intellectual History, pp. 38-56.

__________, "Sentiment, Local Color, and the New Woman Writer: Kate Chopin and Willa Cather," in Kate Chopin Newsletter, 2, (Winter, 1976-1977), pp.16-24.

O' Connor, Flannery, "The Regional Writer," in Mystery and Manners, pp. 51-59.

Papke, Mary E., Verging on the Abyss, The Social Fiction of Kate Chopin and Edith Wharton. New York: Greenwood Press.

Pattee, Frederick Lewis, A History of American Literature Since 1870.

__________ "The Feminine Novel," in The New American Literature, 1890-1930.

Perspectives on Kate Chopin: Proceedings of the Kate Chopin International Conference. Northwestern State University, Natchitoches, Louisiana, April 6-8, 1989.

Portales, Marco, "The Characterization of Edna Pontellier and the Conclusion of Kate Chopin's The Awakening," in Southern Studies, Vol. XX, No. 4, 1981, pp. 427-436.

Potter, Richard, "Negroes in the Fiction of Kate Chopin," in Louisiana History, 12 (Winter, 1971), pp. 41-58.

Prenshaw, Peggy Whitman, "Southern Ladies and the Southern Literary Renaissance," in The Female Tradition in Southern Literature, ed. Carol Manning, University of Illinois Press, 1992.

Rogers, Nancy, "Echoes of George Sand in Kate Chopin, Litterature Comparee," No. 1, 1983, pp. 225-228.

Rosowski, Susan J., "The Awakening as a Prototype of the Novel of Awakening, in Women's Experience," pp. 26-33.

Rowe, Anne E., "Kate Chopin" in Fifty Southern Writers before 1900, pp.133-143.

Scott, Anne Firor, The Southern Lady: From Pedestal to Politics, 1830-1930. Chicago: University of Chicago Press, 1970.

Seyersted, Per, Kate Chopin. A Critical Biography, Baton Rouge, Louisiana: Louisiana State University Press, 1969.

__________ and Emily Toth, eds., A Kate Chopin Miscellany, Natchitoches: Northwestern State University Press, 1979.

__________ "Kate Chopin" in American Literary Realism, 1870-1910, Vol. 3, No. 2, Spring 1970. Dept. of English, The University of Texas at Arlington.

Showalter, Elaine, ed., The New Feminist Criticism: Essays on Women, Literature and Theory. New York: Pantheon, 1985.

__________, Sister's Choice, Tradition and Change in American Women's Writing. The Clarendon Lectures, 1989. Oxford: Clarendon Press, 1991.

__________, "Tradition and the Female Talent: The Awakening as a Solitary Book," in New Essays on the Awakening, pp. 33-55.

Sims, Barbara, "Emersonian Idealism and Kate Chopin's The Awakening" (Unpublished paper).

Skaggs, Peggy, Kate Chopin. Boston: Twayne Publishers, 1985.

Sloane, David E. "Kate Chopin's European Consciousness" in American Literary Realism, 1870-1910, Vol. 8, No. 3, Summer, 1975. Seminar Moderator, MLA Conference on American Literary Realism, 1975.

Stayley, Laura, "Suffrage Movement in St. Louis during the 1870s," in Gateway Heritage, Vol. 3, No. 4, Spring, 1983, pp. 34-41.

Stepenoff, Bonnie, "Kate Chopin in `Out-At-The-Elbows' St Louis" in Gateway Heritage, Summer, 1990, pp. 62-67.

Stevens, Walter B. "Conde Louis Benoist" (in which Louis A. Benoist is also portrayed); "Eugene Hunt Benoist;" "Howard Benoist;" and "Lee Benoist." Brief biographical sketches in St.Louis: History of the Fourth City, 1763-1909. Chicago and St. Louis: The S.J. Clarke Publishing Co., 1909, pp. 86, 89, 400, 872-874.

Taylor, Helen, Gender, Race and Region in the Writings of Grace King, Elizabeth McEnery Stuart, and Kate Chopin.

Toth, Emily, Kate Chopin. Austin: University of Texas Press, 1990.

__________, "Kate Chopin's North Louisiana Awakening," in Louisiana Endowment for the Humanities, Winter, 1993, pp.12-18.

__________, "Kate Chopin and Literary Convention: 'Desiree's Baby'" in Southern Studies, Vol. XX, No. 2, 1981, pp. 201-208.

__________, "Kate Chopin on Divine Love and Suicide: Two Rediscovered Articles," in American Literature, Vol. 63, No. 1, March 1991, pp.114-121.

__________, "The Independent Woman and Free Love." Massachusetts Review, 16 (Autumn 1975), pp. 647-664.

__________, "St Louis and the Fiction of Kate Chopin," in Missouri Historical Society, 32 (October, 1975) pp. 33-50.

Turnell, Martin, "Maupassant," in The Art of French Fiction. New York, New Directions, 1959, pp. 93-97.

Turner, Frederick, Spirit of Place: The Making of an American Literary Landscape. Washington, D.C.: Island Press, 1989.

Wilson, Edmund, Patriotic Gore.

__________, ed., The Shock of Recognition. New York, N.Y.: Farrar, Straus and Cudahy, 1967.

Walker, Nancy, "Feminist or Naturalist: The Social Context of Kate Chopin's The Awakening," in Southern Quarterly, 17 (1979), pp. 95-103.

Wolff, Cynthia G., "Kate Chopin and the Fiction of Limits: 'Desiree's Baby'" in Southern Literary Journal, 10, Spring, 1978, pp.123-33

Wood, Ann Douglas, "The Literature of Impoverishment: Women Local Colorists in America 1865-1914" in Women's Studies, Vol. 1, No. 1, 1972.

Zabel, Morton Dauwen, Literary Opinion in America. New York: Harper and Brothers, 1937.

Ziff, Larzer, The American 1890s: Life and Times of a Lost Generation. New York: Viking, 1966.

Primary Sources:

From the Missouri Historical Society:

Kate Chopin Papers

Kate Chopin Account Ledger with Houghton Mifflin and Co, February 28, 1902

"Katie O'Flaherty, St. Louis. 1867" ( Commonplace Book,1867-1870)

"Impressions 1894" (May 4,1894-October 26, 1896)

"Leaves of Affection."

"Leilia. Polka for Piano." Undated. Published for the author by H. Rollman and Sons, St. Louis, 1888.

Correspondence: R.E. Lee Gibson to Mrs. Chopin, April 28, 1899. ALS. Lewis B. Ely to Mrs. Chopin, April 28, 1899. Lewis B. Ely to Ms. Chopin, May 13, 1899. L. to "My Dear Little Katie", May 16, 1899. Sue V. Moore (Publisher of St. Louis Life from 1890-1896) to K.Chopin, (on response to The Awakening). Letter fragment regarding The Awakening.

Essays: "Crumbling Idols by Hamlin Garland" in Life, October 6, 1894. "The Real Edwin Booth." Undated. in St. Louis Life, October 13, 1894. "Emile Zola's Lourdes" in St. Louis Life, November 17, 1894. "The Western Association of Writers" in Critic, July 7, 1894.

Logbooks

Wednesday Club of St. Louis Reciprocity Day, "An Afternoon with St.Louis Authors," Wednesday, November 29, 1899.

St. Louis Society Scrapbook, 1889-1906, p. 100.

From the Cammie Henry Research Center, Watson Library, Northwestern State University of Louisiana:

Benoist, Clemence, " My Native Town," a handwritten essay about Cloutierville when she was a student at Grand Coteau (Sacred Heart Academy in Louisiana).

Melrose Collection

Arthur Babb Sketchbook (material on Brazeales)

Death notices of Mrs. Marie Chopin Breazeale

Mildred McCoy Collection

Various materials on Kate Chopin, Oscar Chopin, Bayou Folk Museum, letters and some photographs

Box 5 holds Oscar Chopin papers:

(Leases, Sales, Tax papers, Mortgage Papers from Citizens' Bank of Louisiana)

Court Case involving Oscar Chopin, Executor, Vs the U.S., No 592, French and American Claims Commission.

"Sucession Oscar Chopin, Dec'd"

Review of At Fault in The Enterprise in Natchitoches, December, 1890.

Correspondence: Kate Chopin to the Editor of The Enterprise, in response to the review of At Fault, December 9, 1890. Fragment of a handwritten letter describing racial violence in Natchitoches Parish in 1876, author unknown.

From the Library of Congress:

19th century Guides to St. Louis:

The St. Louis Guide, St. Louis: F.W. Benton and Company, 1888.

Strangers' Guide to the City of St. Louis, St. Louis: T.K.Sage and Co.

From Oakland, Afton Historical Society:

Correspondence, James Murrin to J.H. Tighe Jan 7, 1868. (Alludes to Mrs. Thomas O'Flaherty, Jennie and Katie O'Flaherty)

Stories and Poems (Handwritten or Original Publication):

"A Little Free Mulatto"

"Alone"

"An Embarrassing Position" One act Comedy by Kate Chopin. Printed

"A Scrap and A Sketch", Retitled by hand as "The Night Came Slowly"

"The Christ Light" Original issue of Syndicated American Press Association story retitled "The Going a. of Liza. "

"The Dream of an Hour" (Vogue, December 6, 1894)

"Reve D'une Heure" (Translation of "The Dream of an Hour")

"Emancipation. A Life Fable." Undated; late 1869 or early 1870.

"The Maid of Saint Phillippe"

"The Storm: A Sequel to the 'Cadian Ball.&quot July 19, 1898.

"Two Portraits"

At Fault (Novel) July 5, 1889-April 20, 1890. Published for the author by Nixon Jones Printing Co., St. Louis, Sept., 1890.

A Night in Acadie (Collected short stories) Chicago: Way and Williams, 1897.

Bayou Folk (Collected short stories). Boston: Hougton Mifflin and Co, 1894.

The Awakening, (June (?)1897-Jan 21, 1898. Chicago and New York: Herbert S. Stone and Co, 1899.

Newspaper Articles:

"A St. Louis Woman Who Has Won Fame In Literature," in St. Louis Post Dispatch, Magazine Section, Sunday, November 26, 1899.

Bassford, Homer, "Louis A. Benoist Quieted Bank Run Here Century Ago by Paying in Full All Who Asked Cash," in St. Louis Star and Times, May 30, 1933. (From Oakland Papers, Afton Historical Society.)

"Dr. William Taussig tells of the Gasconade Disaster," St. Louis Republic, November 1, 1905.

"The Gasconade," A poem in The Leader, Literary Department, November 17, 1855

"O'Flaherty's Fatal Ride" The St. Louis Daily Times, Monday December 29, 1873 (contemporary account of the death of Kate Chopin's brother, Thomas O'Flaherty).

Newsclippings re Death of Thomas O'Flaherty. November 10, 1855, with Ms fragment and photograph of Kitty Garesche (1870) on verso.

"Open to Hermann," in The Leader, Saturday, December 22, 1855. p. 7 (small article on the aftermath of the wreck of the Gasconade bridge).

"Recalls the Noted Gasconade Horror," Globe Democrat, November 2, 1913 (Missouri Historical Society Vertical File).

"Seventeen Persons Killed. Great Numbers Wounded" The Leader, Saturday, November 3, 1855.

Weil, Tom, "Historic Central Louisiana Haunted by Romantic Past," St. Louis Post-Dispatch, Februrary 26, 1989, 3T.

Wilensky, Harry, "Her Masterwork was Taboo," St. Louis Post-Dispatch, Wednesday, April 24, 1974, p. 3F.

"Wreck Survivor Writes about Gasconade Crash" (Joseph T. Keyte); appeared in the Republican (?), Nov 10-13m 1913 (Missouri Historical Society Vertical File).

Viets, Elaine, "Author's House Still Has Spirit," St. Louis Post-Dispatch, March 7, 1985, F1.

Wolfe, Linda, "There's Someone You Should Know: Kate Chopin," The New York Times, September 22, 1972.

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