#Richard Wyler

[gatutor]

Charles Laughton-Richard Wyler-Sally Forrest "The strange door" 1951, de Joseph Pevney.

[thursdaymurderbub]

Silver Screen magazine, April 1938

[erstwhile-punk-guerito]

[thebestestwinner]

The top two vote-getters will move on to the next round!

[roseshavethoughts]

Showing Pride: 5 Early LGBT Movies You Should See This June

Showing Pride: 5 Early LGBT Movies You Should See This June #PRide #Film #Cinema

Early LGBT cinema emerged as a significant cultural movement in the late 19th and early 20th centuries, albeit in an era when homosexuality was deeply stigmatized and criminalized in many parts of the world. Despite societal prejudices, pioneering filmmakers dared to explore same-sex desire, identity, and relationships through their art. These early cinematic works, often characterized by subtle…

[tastethesetears]

Wyler Valentine’s Day Event | Day 3: Keys

"A soulmate is someone who has locks that fit our keys, and keys to fit our locks. When we feel safe enough to open the locks, our truest selves step out and we can be completely and honestly who we are; we can be loved for who we are and not for who we’re pretending to be. Each unveils the best part of the other." - Richard Bach

[sensedim1938]

PAKİSTANLI MÜSLÜMAN BİR BİLİM ADAMININ İLGİNÇ ARAŞTIRMASI..

Dünyada yalnızca 14 milyon Yahudi var;

~Amerika'da 7 milyon,

~Asya'da 5 milyon,

~Avrupa'da 2 milyon,

~Afrika'da 100 bin

Adet Musevi yaşıyor..

Soru: Pekiyi de kaç adet Müslüman İnsan var?

Cevap: 1,4 milyar Müslüman;

~1 milyar Asya,

~400 milyon Afrika,

~44 milyon Avrupa,

~6 milyon Amerika

Kıt'asında Yaşıyor.

👉Yâni Dünyada 1 Musevi’ye Karşın 100 Müslüman Var...

İyi ama Yahudiler Müslümanlardan niçin 100 kat daha güçlü ve daha zengin ve daha eğitimli ve daha mucitler?

Tarafsız ve Bilimsel Yollarla tespit edilmiş nedenlerini öğrenmek istiyorsanız lütfen okumayı sürd��rün.

👉Tüm zamanların en etkin bilim adamı Albert EİNSTEİN bir Yahudiydi.

👉Psikanalizin babası Sigmund FREUD bir Yahudiydi.

👉Karl MARKS Yahudiydi.

Tüm İnsanlığa zenginlik ve sağlık katmış Yahudilere bakalım;

👉Benjamin Rubin insanlığa aşı iğnesini armağan etti.

👉Jonas Salk ilk çocuk felci aşısını geliştirdi.

👉Gertrude Elion lösemiye karşı ilaç buldu.

👉Baruch Blumberg Hepatit-B aşısını geliştirdi.

👉Paul Ehrlich frengiye karşı tedaviyi buldu.

👉Elie Metchnikoff bulaşıcı hastalıklarla ilgili buluşuyla Nobel ödülü kazandı.

👉Gregory Pincus ilk doğum kontrol hapını geliştirdi.

👉Bernard Katz nöromasküler iletişim kaslarla sinir sistemi arası iletişim alanında Nobel ödülü kazandı.

👉Andrew Schally endokrinoloji metabolik sistem rahatsızlıkları, diyabet, hipertiroid tedavilerinde kullanılan yöntemi geliştirdi.

👉Aaaron Beck Cognitive Terapi’yi akli bozuklukları, depresyon ve fobi tedavilerinde kullanılan psikoterapi yöntemini geliştirdi.

👉Gerald Wald insan gözü hakkındaki bilgilerimizi geliştirerek Nobel ödülü kazandı.

👉Stanley Cohen embriyoloji embriyon ve gelişimi çalışmaları dalında Nobel aldı.

👉Willem Kolff böbrek diyaliz makinesini yaptı.

👉Peter Schultz optik lif kabloyu, Charles Adler trafik ışıklarını,

👉Benno Strauss paslanmaz çeliği,

👉Isador Kisse sesli filmleri,

👉Emile Berliner telefon mikrofonunu,

👉Charles Ginsburg ilk bantlı video kayıt makinesini geliştirdi.

👉Stanley Mezor ilk mikro işlem çipini icat etti.

👉Leo Szilard ilk nükleer zincirleme reaktörünü geliştirdi.

Peki, ama;

~Son 100 Yıl içinde Yahudiler sadece Bilimsel alanda 104 Nobel Ödülü kazanırken,

~1.4 milyar Müslüman neden yalnızca 3 Nobel kazandı

Yahudiler niçin bu kadar yaratıcı ve neden bu kadar güçlüler? Yahudi inancına bağlı ve küresel çapta büyüyüp tanınmış şu yatırımcılara ve işadamlarına ve markalarına bakalım;

* Ralph Lauren (Polo),

* Levi Strauss (Levi's Jeans),

* Howard Schultz (Starbuck's),

* Sergei Brin (Google),

* Michael Dell (Dell Bilgisayarları),

* Larry Ellison (Oracle),

* Donna Karan (DKNY),

* Irv Robbins (Baskins & Robbins),

* Bill Rosenberg (Dunkin Doughnuts)

* Richard Levin (Yale Üniversitesi'nin kurucu başkanı).

Yahudi inancına bağlı ve küresel çapta büyüyüp tanınmış şu sanatçılara bakalım:

* Michael Douglas,

* Dustin Hoffman,

* Harrison Ford,

* Woody Allen,

* Tony Curtis,

* Charles Bronson,

* Sandra Bullock,

* Billy Crystal,

* Paul Newman,

* Peter Sellers,

* George Burns,

* Goldie Hawn,

* Cary Grant,

* William Shatner,

* Jerry Lewis,* Peter Falk...

Yönetmenler ve Yapımcılar arasındaki Yahudiler:

* Steven Spielberg,

* Mel Brooks,

* Oliver Stone,

* Aaaron Spelling (Beverly Hills 90210),

* Neil Simon (The Odd Couple),

* Andrew Vaina (Rambo 1 /2 / 3),

* Michael Mann (Starzky and Hutch),

* Milos Forman (One Flew Over The Cuckoo's Nest, Amadeus),

* Douglas Fairbanks (TheThief of Baghdat),

* Ivan Reitman (Ghostbusters) ,

* Kohen Kardeşler,

* William Wyler.

* William James Sidis

Sorun kendinize;

250’lik IQ derecesiyle Dünyaya gelmiş en parlak insan hangi dine mensuptur?

Sorun kendinize;

Neden Yahudiler bu kadar güçlüdür?

Cevabı şudur;

Her çocuğa ve her gence kaliteli eğitim verirler...

Bu eğitim türü sorgulayıcı (teslimiyetçi değil), araştırıcı (ezberci değil) ve yaratıcıdır (bilgi üretmek/bulmak içindir)

[vintage-every-day]

𝑻𝒉𝒆 𝑳𝒊𝒕𝒕𝒍𝒆 𝑭𝒐𝒙𝒆𝒔 1941 Directed by William Wyler. With Bette Davis, Herbert Marshall, Teresa Wright, Richard Carlson. The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the Deep South at the turn of the twentieth century.

[brokehorrorfan]

The Girl from Rio will be released on 4K Ultra HD + Blu-ray on September 26 via Blue Underground. The 1969 sci-fi/action spy movie is a loose sequel to 1967's The Million Eyes of Sumuru.

Jess Franco (Vampyros Lesbos, A Virgin Among the Living Dead) directs from a script by Harry Alan Towers (The Mangler). Shirley Eaton, Richard Wyler, George Sanders, and Maria Rohm star.

The Girl from Rio has been newly restored in 4K from the uncensored camera negative with Dolby Vision/HDR and 1.0 DTS-HD MA sound. The first pressing includes an embossed slipcover.

Special features - including a RiffTrax edition of the film - are detailed below.

Special features:

The Girl from Rio: RiffTrax Edition - Riffed by Mike Nelson, Bill Corbett, and Kevin Murphy (new)

Audio commentary with film historians Nathaniel Thompson and Troy Howarth (new)

Interview with Murderous Passions: The Delirious Cinema of Jesus Franco author Stephen Thrower (new)

Additional scenes from German version (new)

Rolling in Rio – Interviews with director Jess Franco, writer/producer Harry Alan Towers, and star Shirley Eaton

Trim reel

Poster & still gallery

Bisexual super-villain Sumitra (Shirley Eaton) launches a diabolical plan to enslave the male species with her army of lusty warrior women. But when Sumitra kidnaps a fugitive American playboy, she crosses a sadistic crime boss (George Sanders) and ignites a battle of the sexes that will bring Brazil to its knees in more ways than one. Get ready to experience director Jess Franco at his most erotic, exotic and bizarre.

Pre-order The Girl from Rio.

[glowing-disciple]

Reading List - 2024

Currently Reading:

The Book of Dragons by Edith Nesbit

Peter and Wendy by J. M. Barrie

Sweet Sweet Revenge LTD by Jonas Jonasson

Books Read:

101 Famous Poems by Various Authors

The Abraham Lincoln Joke Book by Beatrice Schenk De Regniers

The Ancient Aliens Question by Philip Coppens

The Art of Computer Designing by Osamu Sato

The Broken Dice, and Other Mathematical Tales of Chance by Ivar Ekeland

The Cairngorms by Patrick Baker

The Codebreaker's Handbook by Herbie Brennan

The Color Kittens by Margaret Wise Brown

The Complete Book of Kitchen Collecting by Barbera E. Mauzy

Dinosaurs, Beware! A Safety Guide by Marc Brown

Dracula by Bram Stoker

Dreaming the Biosphere by Rebecca Reider

Farmer Boy by Laura Ingalls Wilder

Frog and Toad are Friends by Arnold Lobel

Funny Number Tricks by Rose Wyler

Gender Queer: A Memoir by Maia Kobabe

Giant Sea Creatures, Real and Fantastic by John Frederick Waters

Great Mysteries of the Ice and Snow by Edward F. Dolan

Hammer of the Gods by Stephen Davis

Hiram's Red Shirt by Mabel Watts

A History of Chess by Jerzy Gizycki

I don't care by JoAnn Nelson

An Introduction to Linguistics by Loreto Todd

Jaws by Peter Benchley

Jungian Archetypes: Jung, Gödel, and the History of Archetypes by Robin Robertson

Keeper of the Bees by Gene Stratton-Porter

MASH: An Army Surgeon in Korea by Otto F. Apel

The Messier Objects Field Guide by Stephen James O'Meara

Out of the Silent Planet by C. S. Lewis

Precious Remedies Against Satan’s Devices by Thomas Brooks

Reflections on Evolution by Fredrick Sproull

Roadie: My Life on the Road with Coldplay by Matt McGinn

Some of The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire by Howard Pyle

Strange Creatures of the Ice and Snow by Edward F. Dolan

Time for Bed, Sleepyheads by Normand Chartier

Weird Islands by Jean de Boschère

Future Reading:

A Girl of the Limberlost by Gene Stratton-Porter

Adventures in Cryptozoology Vol. 1 by Richard Freeman

All the King's Men by Robert Penn Warren

Always Running by Luis J. Rodriguez

Ancient Mysteries, Modern Visions by Philip S. Callahan

The Anti-Mary Exposed by Carrie Gress

The Arm of the Starfish by Madeleine L'Engle

The Art Nouveau Style by Stephan Tschudi Madsen

As I Lay Dying by William Faulkner

Black Beauty by Anna Sewell

Braiding Sweetgrass by Robin Wall Kimmerer

Brave New World by Aldous Huxley

The Call of the Wild by Jack London

The Catcher in the Rye by J. D. Salinger

Champions of the Rosary by Donald H. Calloway

The Color Purple by Alice Walker

The Complete Works of H. P. Lovecraft

Cubism by Guillaume Apollinaire

Dear Mr. Henshaw by Beverly Cleary

Ender's Game by Orson Scott Card

Equal Rites by Terry Pratchett

Evolution by Nowell Stebbing

Expressionism by Ashley Bassie

Fahrenheit 451 by Ray Bradbury

Fearsome Creatures of the Lumberwoods by Hal Johnson

Found in a Bookshop by Stephanie Butland

Frankenstein by Mary Shelly

Freaks on the Fells by R. M. Ballantyne

Freckles by Gene Stratton-Porter

Fundamentals of Character Design by Various Authors

Graceling by Kristin Cashore

The Great Gatsby by F. Scott Fitzgerald

The History of Don Quixote de la Mancha by Miquel de Cervantes Saavedra

Howl's Moving Castle by Diana Wynne Jones

Humorous Ghost Stories by Various Authors

I, Robot by Isaac Asimov

Illuminated Manuscripts by Tamara Woronowa

The Island of Doctor Moreau by H. G. Wells

Joan Miro by Joan Miro

The Jungle by Upton Sinclair

Jurassic Park by Michael Crichton

Light of the Western Stars by Zane Grey

Living by the Sword by Eric Demski

The Longest Cocktail Party by Richard DiLello

Mere Christianity by C. S. Lewis

North and South by Elizabeth Cleghorn Gaskell

Otis Spofford by Beverly Clearly

The Phantom Tollbooth by Norton Juster

The Shining by Stephen King

The Silmarillion by J R R Tolkien

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

Strange Love by Ann Aguirre

The River by Gary Paulsen

Things My Son Needs to Know About the World by Fredrik Backman

The Third Man Factor by John Geiger

The Time Machine by H. G. Wells

To Kill a Mockingbird by Harper Lee

Treasure Island by Robert Louis Stevenson

The War of the Worlds by H. G. Wells

We Are Where the Nightmares Go and Other Stories by C. Robert Cargill

The Weiser Field Guide to Cryptozoology by Deena West Budd

The White Mountains by John Christopher

[trans-elrond]

tagged by @scorchedhearth to list my top 9 favorite first watches of 2023! everyone pls, indulge me in being slightly jealous that i saw poor things and the end we start from at the lff in october.

in order of watch date:

petit maman dir. céline sciamma

a league of their own dir. penny marshall

funny girl dir. william wyler

across the spider-verse dir. joaquim dos santos, kemp powers and justin k. thompson

bound dir. wachowski sisters

wendy dir. benh zeitlin

the end we start from dir. mahalia belo

poor things dir. yorgos lanthimos

marie antoinette dir. sofia coppola

honorable mentions: the favourite dir. yorgos lanthimos, cronos and nightmare alley dir. guillermo del toro, hit man dir. richard linklater, the hunger games: the ballad of songbirds and snakes dir. francis lawrence, barbie dir. greta gerwig, nimona dir. nick bruno and troy quane, past lives dir. celine song, chitty chitty bang bang dir. ken hughes, dungeons and dragons: honor among thieves dir. jonathan goldstein and john francis daley, puss in boots: the last wish dir. joel crawford, and women talking dir. sarah polley

in conclusion: i love the movies!!!!!!!!!!!!!!!!! and women. <3 tagging anyone who would like to do this, pls tag me and show me your top 9 first watches

[gatutor]

Richard Carlson-Teresa Wright "La loba" (The little foxes) 1941, de William Wyler.

[onefootin1941]

Mrs. Miniver", directed by William Wyler and starring Greer Garson, Walter Pidgeon, Teresa Wright and Richard Ney, 1943.

[columbosunday]

2023 Favorites:

Books:

- Nada by Jean-Patrick Manchester

- Vertigo by Narcejac & Boileau

- Pronto by Elmore Leonard

- Mister Wonderful by Daniel Clowes

- Someone Who Isn't Me by Geoff Rickey

Albums:

- Speed, Sound, Lonely KV by Kurt Vile

- Matthew & Son by Cat Stevens

- Tell Mama by Etta James

- The Art Pepper Quartet by Art Pepper

- Count Bassie and the Kansas City 7

Movies:

- The Man from Laramie dir. Anthony Mann

- Forty Guns dir. Samuel Fuller

- Three Days of the Condor dir. Sydney Pollack

- The Children's Hour dir. William Wyler

- Brazil dir. Terry Gilliam

- Hud dir. Martin Ritt

- Written on the Wind dir. Douglas's Sirk

- Basket Case 3 dir. Frank Henenlotter

- Magic dir. Richard Attenborough

Tagged by: @dejavu2006 and @streetlegal1978

[cristalconnors]

JUNE screening log

77. Demonlover (Olivier Assayas, 2002)- 9.4

78. Coma (Bertrand Bonello, 2024)- 9.0

79. Stalker (Andrei Tarkovsky, 1979)- 9.0

80. Shampoo (Hal Ashby, 1975)- 6.8

81. Neighboring Sounds (Kleber Mendonça Filho, 2012)- 8.2

82. Anhell69 (Theo Montoya, 2024)- 7.7

83. How to Have Sex (Molly Manning Walker, 2024)- 7.3

84. Cat on a Hot Tin Roof (Richard Brooks, 1958)- 6.4

85. Hit Man (Richard Linklater, 2024)- 7.2

86. The Heiress (William Wyler, 1949)- 8.1

87. Female Trouble (John Waters, 1974)- 8.4

88. The American Friend (Wim Wenders, 1977)- 9.2

89. Furiosa: A Mad Max Saga (George Miller, 2024)- 7.8

90. Bringing Up Baby (Howard Hawks, 1938)- 10

91. Stagecoach (John Ford, 1939)- 7.5

92. Romance (Catherine Breillat, 1999)- 8.4

93. From Here to Eternity (Fred Zinnemann, 1953)- 5.5

94. Min and Bill (George Hill, 1930)- 7.3

95. Kinds of Kindness (Yorgos Lanthimos, 2024)- 6.8

96. Funeral Parade of Roses (Toshio Matsumoto, 1969)- 9.4

97. Janet Planet (Annie Baker, 2024)- 8.9

[crowdvscritic]

crowd vs. critic single take // MRS. MINIVER (1942)

Photo credits: IMDb.com

Mrs. Miniver takes place in two eras: the time before September 3, 1939 and the time after.

Before Great Britain declares war on Germany, Mr. Clem (Walter Pidgeon) and Mrs. Kay (Greer Garson) Miniver’s biggest concerns are about money. Specifically, they spend their energy convincing each other—and their upper crust neighbor Lady Beldon (Dame Mae Whitty)—their spending on little luxuries like hats and cars is worthy of their family’s middle class income. Though Lady Beldon does not care for blurring social lines, her granddaughter Carol (Teresa Wright) is more open-minded, catching the eye of the collegiate Vin Miniver (Richard Ney). But everything changes on September 3rd. Vin enlists, Clem volunteers, and Kay makes a bomb shelter comfortable for their young children. For the Minivers, World War II is not just on the battlefield on the continent—it’s here at home.

CROWD // And the Academy’s love affair with World War II begins! Mrs. Miniver is the first of 11 Best Picture winners set during or immediately after the war, which means more than 10% of the Academy’s top prizes have been dedicated to defeating the Nazis. Even among those titles, though, Mrs. Miniver is singular. Casablanca, From Here to Eternity, The Bridge on River Kwai, Patton, and The English Patient follow soldiers and resistance fighters; The Sound of Music, Schindler’s List, and The King’s Speech recount true stories of extraordinary individuals living through the conflict; and The Best Years of Our Lives and An American in Paris depict the struggle to rebuild the world afterward.

Unlike those epics, we only see the Minivers on the homefront. Vin joins the Royal Air Force, but like his mother, we only wonder what he sees from the cockpit. Clem supports the efforts at Dunkirk, but Christopher Nolan still felt the need to depict that rescue of troops in his own film because we never see Clem beyond the horizon of Britain’s shores. Yes, the episodic Miniver lacks the jet-fueled forward propulsion of Nolan’s film, but that wouldn’t be honest with the civilian experience. The family’s skirmishes with danger are few and unpredictable, and in some ways, that makes them more upsetting. When tragedy does strike, it hits a family we’ve laughed and rejoiced with around the dinner table, making this melodrama still moving today.

POPCORN POTENTIAL: 8/10

CRITIC // If there’s any criticism to be leveled at Mrs. Miniver, it’s that its affection for the titular family is blind. Character flaws? Complex motives? Who needs them when you’re trying to create a rousing morale-booster justifying a global conflict still in the court of public opinion? The Minivers and their neighbors are symbolic avatars more than well-rounded individuals, which is just one reason Winston Churchill called this film “propaganda worth a hundred battleships.” In fact, the last scene was literally re-distributed as print and radio propaganda!

Still, given that this particular fight against fascism is one with fewer moral gray areas, romanticizing these people fighting out of uniform has aged better than, say, a film about the Russian Revolution. In the history of cinema, a majority of war films focus on combat and political leaders, while Mrs. Miniver reminds us the people at home—including but not limited to the oft-disenfranchised women, children, elderly, and working classes—can be just as cudgeled by war without enlisting. They may avoid the trenches, but their food, shelter, life, and limb are just as uncertain, not to mention the future of their loved ones serving in the military. With that in mind, who’s to complain about making these hometown heroes so likable? 

It’s also difficult to fault Mrs. Miniver for idolizing its subjects when its cast and its craft are working in tandem with its vision. William Wyler, who still holds the record for the most Best Director nominations at 12, assembled a cast as winning as the parts they were playing, none more than the Garson’s Mrs. Miniver herself. Her hopeful but clear-eyed face of determination creates a center of gravity for the rest of the actors, and the compassion driving her never becomes too syrupy. 

ARTISTIC TASTE: 9/10