#Remove Objects From Photo

[photocut-ai]

Remove Unwanted Objects From Photo Using PhotoCut  -  AI Photo Editing Tool

Experience the transformative potential of our cutting-edge tool, PhotoCut, meticulously designed to effortlessly eliminate unwanted objects from your images. This user-friendly and intuitive solution is tailor-made for those seeking a comprehensive approach to photo enhancement, guaranteeing that your cherished memories are precisely curated to your vision. With PhotoCut, you gain access to a seamless and precise removal process for any undesired elements, providing you with the creative freedom to refine your photos to perfection. Immerse yourself in the convenience and precision offered by our tool as you elevate the visual appeal of your images, ensuring they become polished and pristine reflections of your most treasured moments. Explore the next level of photo editing with PhotoCut, where innovation meets your creative aspirations.

Download the app for Apple Device and Android

Precision Object Removal

Our revolutionary Precision Object Removal feature stands at the forefront of photo editing, utilizing advanced algorithms to seamlessly remove unwanted objects from your photos. This sophisticated technological approach is meticulously designed not only to eliminate objects with precision but also to preserve the integrity of the background. Through the application of state-of-the-art algorithms and intricate techniques, this tool achieves an unparalleled level of accuracy in the removal process, ensuring that your photos undergo a transformation that is both seamless and visually striking. The commitment to utilizing advanced technology underscores our dedication to providing users with a sophisticated, user-centric, and superior photo editing experience. Experience the next frontier in precision editing with our Precision Object Removal feature, where innovation meets the preservation of visual integrity. Even the tool allows users to remove background using Background Remover tool.

User-Friendly Interface

At the core of our platform is the User-Friendly Interface, meticulously designed to ensure that removing objects from your photos is an effortlessly simple process. This purposeful and intuitive design prioritizes ease of use, making photo editing accessible to users of all skill levels. Whether you're a seasoned professional or a novice in the world of image editing, our platform's user-friendly interface provides a seamless and straightforward experience, eliminating any complexity associated with the task of removing objects from photos. The emphasis on a user-friendly design not only simplifies the process but also actively encourages a broader audience to engage with our platform, fostering inclusivity and making advanced photo editing accessible to everyone with the desire to enhance their visual storytelling. The application incorporates AI technology into its Photo Editing tool, resulting in a user-friendly interface.

Instant Results

At the heart of our platform lies the commitment to delivering Instant Results, ensuring a seamless and time-efficient object removal process. Our advanced technology is geared towards providing users with quick and efficient results, saving valuable time in their photo editing endeavors. Experience the convenience of swift and time-saving edits as our platform accelerates the object removal process, offering instant gratification to users seeking efficient and streamlined photo editing. The emphasis on delivering instant results underscores our dedication to providing a user-centric and time-effective photo editing experience, where speed and precision seamlessly come together for optimal results. Explore the efficiency of our platform and elevate your editing workflow with the power of Instant Results in object removal.

(Transparent background maker : A tool engineered to create transparent backgrounds for photos or graphics, with seamless cloud integration for enhanced accessibility and storage options.)

High-Quality Output

At the forefront of our commitment to excellence is the assurance of High-Quality Output, ensuring that your photo maintains its exceptional visual quality even after the seamless removal of unwanted objects. This paramount feature emphasizes our dedication to preserving the integrity of your images throughout the editing process. Our platform guarantees that, with the removal of objects, your photo retains its original resolution, clarity, and overall excellence. Through meticulous attention to detail and a focus on maintaining visual integrity, we provide users with the confidence that their edited photos will stand out for their continued high quality. The commitment to delivering a high-quality output underscores our platform's promise to elevate your photo editing experience with results that meet the highest standards of visual excellence. Explore the transformative power of High-Quality Output as you enhance your images without compromising their inherent quality and appeal.

(Cut out image : Efficiently eliminate the background to isolate an element or object within an image, leveraging fast processing speed.)

Adjustable Tools

At the core of our platform is the commitment to providing a versatile editing experience, prominently showcased through our array of Adjustable Tools meticulously designed for fine-tuning the object removal process. Our platform offers users a comprehensive suite of tools, each catering to specific nuances of the editing journey. These adjustable tools empower users with the flexibility to refine and customize the object removal process according to their unique preferences. From precise adjustments in colors to nuanced changes in textures, our Adjustable Tools cater to a spectrum of editing needs, allowing users to achieve unparalleled precision in the removal of unwanted objects. Explore the vast possibilities and elevate your editing precision with our Adjustable Tools, ensuring a transformative and customized approach to object removal that aligns seamlessly with your creative vision.

(Enhance your photo using AI image enhancer & image upscaler tool)

Batch Editing

At the heart of our platform is the seamless integration of Batch Editing, a feature that revolutionizes the object removal process by enabling users to simultaneously remove unwanted elements from multiple photos. This highly efficient workflow eliminates the need for repetitive tasks, allowing users to optimize their time and efforts. With Batch Editing, you can efficiently manage and enhance entire photo collections, ensuring a consistent and polished look across multiple images. This time-saving capability enhances productivity and streamlines the editing process, making it an ideal solution for users dealing with large volumes of photos. Explore the transformative potential of Batch Editing as it empowers you to effortlessly achieve cohesive and professional results across multiple photos, marking a significant enhancement in your overall photo editing experience.

(AI photo editor : An AI-powered tool for editing and enhancing photos)

There are additional AI-powered tools with features that you might appreciate :

Remove color from image

Remove people from photos

Remove object from photo

Remove text from images

Change your photo background

Continue Reading :

[productreview13]

Easily remove any photo objects and watermarks

[neofelis----nebulosa]

saw a living oriole irl for the first time today!

[the-trans-dragon]

.

[retouchcompanysblog]

Top 5 Benefits of Professional Object Removal Services for Photographers

In today's fast-paced world of photography, delivering flawless images is crucial to standing out. While capturing a perfect shot is the goal, there are often unwanted elements or distractions that sneak into the frame. This is where a professional object removal service becomes invaluable. Whether you're a photographer working on wedding portraits, product photography, or landscape shots, being able to remove unwanted objects from photos ensures your images are pristine and visually captivating.

While there are plenty of free tools available to remove objects from photos online, professional object removal services offer advantages that go beyond basic editing. This blog will explore the top 5 benefits of hiring experts for object removal and why photographers should consider these services as part of their workflow.

1. Precision and Accuracy

When it comes to removing unwanted objects from a photo, precision is key. Free online tools might be helpful for quick fixes, but they often lack the intricate detailing that a professional can provide. Professional object removal services use advanced software and expert techniques to ensure every trace of the unwanted object is removed without compromising the image's quality.

For example, in a wedding photo, removing a distracting person or object from the background requires careful attention to detail, especially in maintaining the natural look of the surroundings. Professionals can skillfully replace backgrounds, textures, and lighting in a way that seamlessly blends with the rest of the photo, something that most online tools struggle to achieve.

2. Time Efficiency

As a photographer, your focus should be on capturing moments and perfecting your craft, not spending hours trying to edit out unwanted elements from your photos. By outsourcing to an object removal service, you save yourself the time and effort needed for meticulous editing.

Although some photographers might turn to free tools to remove objects from photos online, these tools often require manual adjustments and can be time-consuming. Professional services, on the other hand, streamline the process by offering fast, reliable, and efficient editing solutions. With skilled editors at work, you can focus on what you do best—taking stunning photographs—while leaving the tedious object removal tasks to the experts.

3. Maintaining Image Quality

A common issue when using basic online tools to remove unwanted objects from photos is that they can distort the image or reduce its overall quality. This happens because free online tools use simplified algorithms that don't always handle complex textures or lighting changes well. The result can be blurred areas or visible patches that detract from the photo’s appeal.

On the other hand, a professional object removal service ensures that the photo's quality remains intact throughout the editing process. These experts are trained to handle complex backgrounds, shadows, and intricate details, ensuring the final image looks natural and professional. They employ high-end software like Adobe Photoshop or specialized editing platforms that provide superior results compared to free online alternatives.

4. Enhanced Creativity and Freedom

Photographers are artists, and every photo tells a story. Sometimes, the original shot doesn’t perfectly align with the photographer's vision due to unwanted distractions. Professional object removal services provide the freedom to bring your creative ideas to life.

For instance, in landscape photography, you might capture a breathtaking scene, but there's a power line or a passerby that spoils the shot. Using an object removal service, you can eliminate these distractions and keep the focus on the intended subject. This allows you to enhance the visual narrative of your image and create photos that truly capture your artistic vision.

By relying on professionals to remove unwanted objects from photos, photographers can experiment with their creativity without being held back by limitations in post-processing skills or software. Whether it's removing minor distractions or drastically altering an image’s composition, professional services give you the freedom to create stunning, clean visuals.

5. Professionalism and Client Satisfaction

For professional photographers, delivering high-quality, polished images is essential for building a reputation and satisfying clients. Whether you're working with clients in fashion, real estate, or wedding photography, their expectation is always the same: perfection.

When you use a professional object removal service, you are ensuring that your clients receive impeccable images that reflect your attention to detail. High-end object removal not only gets rid of distracting elements but also enhances the overall appeal of the photograph, making it more aesthetically pleasing. For instance, real estate photographers can rely on professionals to remove unwanted items like clutter, wires, or reflections from property photos, ensuring the final result is pristine and appealing to potential buyers.

Offering this level of professionalism not only improves client satisfaction but can also lead to repeat business and referrals. By consistently delivering images that exceed expectations, you enhance your brand’s reputation, which is invaluable in the competitive world of photography.

Conclusion

While the temptation to remove objects from photos online using free tools may be strong, the advantages of hiring a professional object removal service like Retouch Company far outweigh the benefits of DIY solutions. Precision, time efficiency, quality maintenance, enhanced creativity, and professionalism are just a few reasons why photographers should invest in professional services to ensure their images stand out.

Whether you’re a wedding photographer looking to remove distractions from the background or a real estate photographer cleaning up a space digitally, Retouch Company’s object removal service ensures your images look polished, professional, and visually stunning. In a world where every detail matters, outsourcing to the experts at Retouch Company will give you peace of mind and allow you to focus on your passion—capturing unforgettable moments.

[sirfrogsworth]

Photographers all know about polarizing filters. They remove reflections off the surfaces of objects. We use them to see into water or windows that are obscured by those reflections. But anything with an even slightly glossy surface has a layer of reflection on top. So if you have a shiny green plant, it can remove the shiny and reveal a very saturated green underneath. Polarizers also remove a lot of scattered and reflected light from the sky. Which reveals a deep blue color you didn't even know was there.

Here is a photo I took of my circular polarizer.

And the first thing I noticed when walking outside during the eclipse was the color of everything was more saturated, just like in that circle. Apparently, an eclipse significantly reduces polarized light and I got this creepy feeling because I was only ever used to seeing the world like that through the viewfinder of my camera.

The other thing I noticed was my outdoor lights. I leave them on all the time because I never remember to turn them on at night. And usually the sun will render them barely visible during the day. On a very sunny day they almost look like they are off.

But you can clearly see they are shining and even flaring the camera during the eclipse.

Our eyes adjust to lighting changes very well so it was hard to tell how much dimmer things were, but that is a good indication. I took this photo a few minutes ago and you can see how dim the lights appear after the moon has fucked off.

I did a calculation using the exposure settings between these two photos. The non-eclipse photo has 7 f-stops more light. That is 128 times or 12,700% more light.

A partial Pringle eclipse cut the sun's light by 99.2% and somehow our eyes adjusted to make it seem like a normal sunny day (with weird ass saturated colors).

[patheditprovider]

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Our clipping path services are perfect for e-commerce, advertising, and any application requiring clean, professional image cut-outs. Choose Path Edit Provider for affordable, high-quality photo editing.

[rexoweb0]

5 Apps to Remove Unwanted Objects from Photos Free

Do you have a photo that you love, but there’s an unwanted object in the way? Or maybe you want to remove a person from a group photo. Whatever the reason, there are a number of apps to remove unwanted objects from photos free on Android. Whether you’re trying to remove a person from a background, a stray object from a landscape, or a blemish from your face, there are a number of free apps…

[cashmoneyyysstuff]

another childhood friends to lovers believer???? YES YES YES!!!! can i please request bakugou and reader moving in together, and reader shows him a memory box she's kept since they were kids...like photos, random trinkets he got her, pressed flowers, birthday cards...and he's like one second away from bursting into tears, because this is 2 decades worth of love (and many more to come) 😭🥹💗 thank you, mwah x 💖

memory box !

you take a trip down memory lane..

a/n : OH. MY GOD. I literally Had to write this this is genuinely adorable anon you are SMACKING. i lub this

cw: literally all fluff, CHILDHOOD FRIENDS TORAGAHAHEHG, katsuki gets emotional quickly and i live by this, lmk if i missed sum !

“oi !” katsuki calls out from behind you “do i throw this out or not ?”

you look back, only to see a little red box in his hands. your little red box.

you shoot up, dropping the clothes you were stacking in your shared dresser. “no, don’t!” you reach out and hold your arms up, katsuki looks even more confused, eyebrows furrowing harder.

he shakes your box around, bringing his ear to it to hear the rattling and clinking of the objects inside. “what the hell is in this thing ?”

“don’t shake it around like that !” you shriek, ripping the box out of your boyfriend hands and leaving him shocked. you smile to yourself, slowly sitting down on the wooden floors of your new apartment. your new apartment with katsuki.

“i never actually showed you this, huh.. ?” you watch as he follows you after a moment of looking at you like you’ve grown a second head, crouching down next to you with eyes fixed on your little shoe box. you remove the lid and immediately a sense of nostalgia shoots through you, you hadn’t looked at this for a while now.

“this is my memory box, i’ve had it for years.. i think since i was..what, seven ?” you wonder out loud, you’d definitely had it for a long, long time. katsuki sits next to you silently while you excitedly look through it.

“oh yeah, definitely seven—look this is the friendship bracelet i made for us !” you exclaim excitedly. it’s definitely more than a bit worn, that was the main reason you put it in this box, it was the first item you’d put in there.

you’d made one for you and one for katsuki, using your precious loom band box set you’d gotten for christmas. you’d used up all of your orange and black for it and worn yours until it started fraying. you almost cried when one of the bands snapped and you’d gotten too big for it, or it had just gotten too little for you. you refused to throw it away and found a random empty shoe box to put it in, and the rest was history.

“oh, and these are left over tickets from when we went to the fair, my keychain you got me from the aquarium—i remember you begged your mom for it.” you laugh, begged was an understatement. you remember how mitsuki pulled him away because he was causing a scene, you didn’t understand why he was so insistent on getting a souvenir, you had a good day as you all walked around looking at fish and katsuki dragging you around by the hand like he built the place himself. you remember how excited he got when you got to the shark exhibit.

you didn’t get it, until he stopped you when you were ready to leave with your own parents, grabbing you by the back of your shirt and avoiding your gaze as he stretched his little arms out and wordlessly offered you a little penguin keychain, mumbling something about how you looked happy when you saw them, ears pink while his mom smirked behind him, his father smiled down at you both kindly.

that was the first present he’d ever bought for you. with his mom’s money of course, you giggle at your own thoughts. but he’d still gotten it for you because he thought it’d make you happy. it was your treasure and you wore it on your bag for years until it started getting dirty, and you’d hid it in your shoebox to keep it safe.

you suddenly realize your boyfriend’s been awfully unlike himself for the past few minutes, silently blinking at the contents of your box and now at your little keychain.

you suddenly feel a bit self conscious, maybe he thought it was weird..

you blink in surprise when he reaches for your penguin chain and you offer it to him. it’s a bit brownish now, having lost its shine over the years. he runs his thumb over the fuzzy faux fur.

“thought you forgot about this..” he mumbles to himself.

your eyes shoot wide. “wha—no way ?!”

“ya stopped wearing it on your bag so i thought you got rid of it.” he doesn’t look angry, simply observing the chain, letting it dangle in the air.

“i just didn’t want it to get any dirtier than it clearly already is” you joked. you’re in deep now, shuffling around for more items in your box. katsuki joins you this time, pulling out an old picture.

“holy shit.” he breathes. you catch a peek at what he’s looking at only to see the both of you.

“woah, we were so small !” you giggle. it was a picture of your grade school entrance ceremony. you remember katsuki stubbornly refusing to take it and it took his mom about ten minutes to get him to stay put and take the shot. you’re all smiles, waving at the camera like you’d been instructed to and gripping katsuki’s hand. said little boy had an angry, angry frown on his face, sticking his tongue out at the camera.

“you’re cheeks were huge.” you laugh, katsuki sits down properly to nudge your shoulder with a huff. “shaddup,” he says, though there was no real bite to his words. “you weren’t any better than me.” you laugh some more and continue to pull things out. “where’d you even get this ?” he asks.

“your mom gave me a copy.”

“fuckin—of course she did.”

there’s a blurry picture you’d managed to take of katsuki when you’d gotten your first polaroid camera, and some pictures from when you’d convinced him to get in a photo-booth from your first date at the fair. dozens of birthday cards he’d written for you, you’re tempted to read them all right now but you worry katsuki might get embarrassed and actually throw the box out, so you’ll do that later.

the flowers he’d plucked out of the ground one random afternoon at his house, a rock he'd given you because it looked cool, a couple of seashells you found at the beach together, a dried up four leaf clover he claimed would bring you good luck, the container of the lip balm you were wearing when he kissed you for the first time. years worth of memories all in your little shoebox.

“fuck, you really kept all this stuff..” you hear katsuki mutter. you turn to see him still with that elementary school picture in hand, staring at it thoughtfully.

“course i did.” you hum, leaning against his side. “i spent all of my childhood with you suki, that’s unforgettable to me. i wanted to make sure i wouldn’t ever forget how much you mean to me.” katsuki’s eyes fix yours as you continue talking. and you realize how they slowly turn glossier. he realizes when you do and quickly ducks his head, scoffing to himself but a sniffle slips out.

“hey..” he shakes his head, you don’t continue, only reaching to hold him in your palms. he shoves his cheek against one, chuckling to himself.

“shush.” he mutters, voice cracking, his eyes remain shut to not let anything slip. he presses a kiss to your skin, grabbing at your wrist. "you're gonna be the fuckin' end of me, y'know ?" you laugh, rubbing your thumb against his skin, you feel him sigh against your palm.

"love you."

you smile "i love you too" you whisper back. "so, you still wanna throw it out ?" you joke, katsuki's eyebrows furrow.

"fuck, no." he asserts "it's staying here, an' i'll give you more shit to fill it up with."

and you truly couldn't be more excited, starting a new chapter of your life with the boy that had shared it all with you. you want your shoe box to be filled to the brim with more and more memories of you both, all of them just as close to your heart as the last.

"hmm," you hum "can't wait."

taglist :

@napbatata @andysdrafts @queenpiranhadon @jastoo46 @cecelia77

@katszumi @m-inluv @monchurie @the-hangry-otter @starlostlaiba

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@aspiringwriter1111 @sugurusmoon @redvelvetstan1

@niktwazny303 @nemisimp @kit-katsukii @alphasage @milktea-academia

[dcxdpdabbles]

I was thinking about Danny talking about Dan to the Justice League and all it would take would be a little slip of the tongue for Danny's "he's my evil future self" to be heard as "he's my evil future son." Because it's one thing to have futures where You turn evil, but another thing to have futures where your family members, your KIDS, turn evil.

Phantom was new to the Justice League team. He had been inducted only three months ago and could be seen coming and going at odd hours. No one really knew much about him.

Phantom was recommended by Wonder Woman during the last selection. Apparently, she knew him due to a mutual acquaintance, a woman named Pandora, who had asked the princess to meet the boy—teenager? Man? It was hard to know what to call him because his physical appearance was that of a youth when he was immortal. She rarely nominated anyone for membership, but the person was precious to the team when she did.

And the ghost was.

Although he needed some formal training, Phantom had an excellent grasp of his powers and the cleverness to pull off moves with them, which Batman even praised. Many of the members adored Phantom's willingness to take on any role in a team.

He never complained about letting someone else take the lead, followed orders without much trouble, blended well with anyone as a teammate, and, most of all, had compassion for civilians. Phantom was often the hero who lingered after a battle to help clean up and provide relief aid.

Civilians adored him, and his fans were growing in numbers.

Despite all of this, Phantom wasn't really close with anyone. The ghost rarely lingered after his missions or monitor duty. He flew in, kept to himself, and left out once he was done.

Phantom never started or helped the conversation progress if it was not mission-related. He wasn't as bad as Batman, but he made it hard to connect to him. Diana assured everyone it wasn't because Phantom did not like them—he was only shy.

It was hard to put the being who single-handedly held off Superman the last time he was mind-controlled next to the word shy. Yet they've seen it.

They saw him nervously play with his gloves as someone spoke to him, struggled to think of what to say in conversations, and even ducked his head when he got too anxious.

It was like whiplash to see the ghost go from a shy, nervous teenager to the one that stopped and held Superman in a taekwondo hold until Batman could stab the needle to get him free of mind control.

Then, that same powerful fighter drags himself to the crowd and the smocking city, ready to assist in any way.

Despite being exhausted and covered in wounds, Phantom helped the crew in charge of clearing the debris by lifting heavy objects and scanning the building for people needing medical attention.

Phantom had been more than willing to follow emergency services' commands, personally thanking the EMTs and firefighters once the chaos was over. When a little boy asked for a photo, Phantom told him they could take one when everything settled.

No one expected the ghost to keep to his word, finding the boy and his mother later at a hospital for that photo. He has been awfully apologetic that the camera could only catch a blurry outline of him with his glowing green eyes.

The little boy hadn't stopped grinning despite suffering a broken leg.

He was literally the sweetest little hero—Bruce had to remind himself that he was not an actual child and was, in fact, thousands of years old whenever he saw the ghost fidgeting with something while on monitor duty.

That's why, the day Phantom threw himself into one of the lounges couches with a distressed sigh, everyone in the area surrounded him.

"Everything alright, Phantom?" Asked Oliver as the ghost's glow flickered in and out of his usual glow.

The immortal did not remove his hands from his face but nodded. His glow lowered again as if reacting to his lie.

The heroes gave each other loaded looks before Diana stepped forward. "You seemed troubled, dear friend. Are you willing to allow us to lead an ear to your woes?"

"Dan is just giving me trouble," Phantom mumbled, his words muffled by his hands.

Wonder glanced at the others, but when they shrugged in confusion, she sat next to the teenager. Placing one supporting hand on his shoulder, she rubbed it gently and leaned towards him. "Who is Dan?"

"Me."

Barry blinks. "You?"

"Yeah, the evil me of the future."

Phantom becoming evil? That was inconceivable.

"Did something happen to make you think you're going evil?" Barry asks gently, taking the other open seat on Phantom's left. He places a warm hand on Phantom's hunched-over back and is violently reminded of how tiny the boy must have been when he died.

It breaks his heart. He's smaller than Wally.

"The ancient of Time showed me that he destroyed the world. I helped create him, so I had to be the one to stop him. For the good of the world."

Diana sucks in a gasp, making Oliver, Hal, Barry, and Dinah weary at once. She made the hand motion, signaling that she would explain later, making the other heroes nod. "I know you may blame yourself, but that was merely a warning from the gods. You still have time to change the outcome."

Phantom glances up from behind his fingers. "You really think so?"

"Yes, of course."

The ghost offers everyone a small smile before vanishing from sight. There are gasps and a desperate cry for his name, but eventually, they realize the ghost has left.

"What was that about?" Hal asks after a moment.

Wonder Woman stands, striding over to the large windows of the watch tower. Her eyes turn to the brightest star visible with a small, sad smile. "Clockwork is the name of the ancient- one of the gods- that controls time. He rarely has champions, but when he does, he often gives them glances of their future. Many claim it's more of a curse than a blessing, for they often see the worse of what is to become."

Dinah straightens. "You're saying Phantom really will go evil?"

"No." Diana closes her eyes. "Ghosts are formed in three ways. The first is death. Someone or something dies, and they are formed from the souls getting attached to ectoplasm. The second is that they are bestowed a duty and are created to keep that duty alive. It often governs a part of our reality- space, dreams, wishes, and even plants. The last is the least common due to how rare it is for ghosts to have powerful enough cores. It is to be born from a stronger ghost, taking pieces of their core and growing into their own person."

Diana turns back to the confused-looking heroes to deliver her blow. "Phantom said it was himself that turned evil, but referred to himself as "Dan". Ghosts do not change their names, for their names are part of what holds their cores together. This means Dan is not him but came from him. His son will grow to be evil, and Phantom will likely have to put him down per Clockwork's instructions for the good of the world."

Hal bites out a curse. "That's sick. How could the time god ask Phantom to kill his own kid? Even if he is evil, Phantom doesn't deserve to have that duty placed on his shoulders. He's just a kid."

"But he isn't," Barry sighs. "Phantom is older than ancient Egypt. He just looks like a kid."

"It does not matter." Wonder Woman declares. "Clockwork's warnings can be overturned. We just need to help Dan off the road of darkness while he is still young."

They call for a Justice League meeting, one that only includes the original team that founded the league, to discuss a strategy plan. At first, some want to change the meeting to discuss how to put down Dan, wondering if being Phantom's son made him just as powerful before Batman stands up.

Bruce does not like the idea that the boy will end up destroying the world, but he is the most outspoken about Dan's innocence in the present day. His scorching words make a few ashamed of themselves for giving up on saving the boy before even meeting him.

The meeting drags on for hours until they eventually agree that they will monitor the child. If they realize he is too far gone to save, they will be the ones to end him. Phantom did not deserve to be the killer.

Clark asked Phantom to bring Dan around and introduce him. They dress the indentation as a league-wide party for the member's family (those in the know). The ghost looked spooked before he agreed to bring his child to meet the team.

A week later, every hero smiles politely at the six-foot-tall man with flaming hair who introduces himself as Dan. He's as bulky as Bane, and his low, dark voice echoes through the room. It's comedic compared to the cracking voice of his father, who has to flout to make them the same height.

As soon as the pair of ghosts fly away to speak to Supergirl and Robin, Barry grabs Bruce's cape. "That's a full-grown man."

"I know"

"Bats, that man is built like a brick house. "

"Yes"

"I thought Phantom said he was three? How in the Speed force is that man three?"

"It seems ghosts age differently. Or they are formed to take on the age they desire. I need to do research."

While the surrounding founding members whisper to each other, more heroes arrive at the makeshift party, some in their costumes and some in their civilian identities.

There are various reactions to Dan. A few consider him Phantom's father or brother, but both ghosts quickly make faces. Phantom reminds someone no less than five times that Dan is his future self.

Wonder Woman has to follow the pair whispering to confuse members about the cultural differences between ghosts and children. She doesn't have to explain that to the magic users or those who have worked with ghosts before.

There were a few who had vastly different reactions.

The members of Young Justice, including Secret, all backed up the claims that ghosts did not change their names and were treating Dan as a Phantom's son without blinking an eye.

John Constantine looked at Dan and cooed. "Aw, a baby core. How old is he?"

Phantom cracks a smile while Dan scoffs. "Three"

"Adorable." He raised his flask in salute, "He's powerful. You must be so proud."

Phantom's smile becomes strained. "Thank you."

Across the room, the founding members swear they will save Dan no matter what, as the larger ghost rolls his eyes and crosses his arms.

[hotchscoffeecup]

“Power Struggle”

Pairing: Aaron Hotchner/Reader

Rating: M

Category: Angst, Hurt/Comfort

Word Count: 7.2k

Summary: For months, you and SSA Aaron Hotchner have been toeing the boundary between romance and your careers. When the unsub that's been killing women in Michigan by way of replicating Zeus' punishments from Greek mythology takes you as his next victim, it's up to Hotch and the rest of the BAU team to find you before it's too late. Hurt/comfort and angst with happy ending.

Tags: graphic depictions of violence, reader kidnapped by unsub, blood, implied SA, nudity, electrocution, scarring, hospitals

“You’re telling me someone is out here killing people to recreate, what? Greek legends?” Sheriff McCullen’s brow pinches as he shakes his head.

“Legends are stories often loosely based on a real person or event to teach us a lesson. Mythology is based on supernatural or sacred lore and explains why things came to be. It’s a common mistake.” Reid speaks quickly and methodically, as if reciting from a textbook. “It’s straight out of the mythos,” he explains, his voice tinged with something akin to excitement as he approaches the whiteboard where photos of the victims had been pinned up for review. Using a ballpoint pen as a pointer, he taps the first image of the first victim. “Regina Manford, she was found tied to a boulder in Craig Lake State Park with her liver removed. Animal predation showed birds had pecked at her while she was still alive. In Greek mythology, Zeus did this to Prometheus to exact revenge on him after he stole fire to give to man.”

Reid moves on to the next victim, bouncing on the balls of his feet as he did so. “Sarah Walters was found bound to an old water wheel that had been set on fire. Greek Mythology suggests this is a copy of Zeus’ punishment for Ixion.”

“And what did he do to deserve that?” asks the sheriff.

Reid’s lips form a tight line. “He was invited into Zeus’ home on Olympus. After attempting to seduce his wife, Hera, Zeus punished him by binding him to a wheel of fire cursed to spin forever toward the underworld. She might’ve smiled or even looked at him, and in his delusion believed she was a seductress deserving of punishment.”

“So, what? This guy sees himself as some sort of god?”

“We believe that is his delusion, yes,” answers Emily. “Each victim also bore signs of sexual trauma, this is something Zeus is also renowned for in the mythology. Our unsub thinks he’s infallible and that these women’s lives and deciding when and how these women live and die is his divine right.”

“Do we know if there will be more victims?” asks one of the detectives.

You step forward from your place between Morgan and Hotchner. “Given the number of victims Zeus punished within the mythology, we can assume he is not finished. These kills are two weeks apart. It’s been twelve days since the last body was found. We can only assume he’s currently hunting for his next victim. And when he finds one, he convinces her to go to a second location. It's once they leave the primary location that he attacks. In each case, the victim suffered a blow to the head, leaving a uniquely shaped gash in her forehead. This suggests that he strikes them with a distinct blunt object or even a ring that’s on his hand.”

“We need every man out on the streets,” Hotch states, his eyes hard as he scans the group of law enforcement gathered to receive the profile. “He stalks his victims in the city, often on the weekends when night life is busiest. He’s charming. He has no problem approaching women because he views himself as a deity and carries himself with the arrogance and confidence of one. He’s white, in his early to mid 30s, good looking, charming, and likely has a career that would’ve provided him with medical training.”

A female detective with short blonde hair sticks her pencil in the air. “How do we know that?”

“The incisions made on Regina’s body were clean, precise, and showed no signs of hesitation,” explains Rossi. “The M.E. also informed us that the hepatic artery was clamped off, meaning,” Rossi hesitates before continuing on, “meaning Regina Mansford was alive as her liver was being cut from her body.”

An uncomfortable murmuring breaks out. Hotch raises a hand, silencing them. Your mouth goes dry and you swallow, hoping your team doesn’t notice the way your eyes dilate when you look at him and the silent way in which he can command a room.

“This is why we need every available officer on the streets. Increase units in the downtown area. Have plain clothes officers on the streets. That’s where we’ll be. Thank you.” Hotch tucks his head and sweeps out of the bullpen, the rest of the team trailing after him into the conference room.

“Where do you want us?” asks Morgan as you shut the door to the conference room.

“Reid, I want you here working the geographical profile. See if there’s anything we missed that could bring us closer to a precise location where he’s kidnapping his victims. Rossi and JJ, I want you to go back to Sarah’s apartment and see if we missed anything that tells us where she was exactly on the night she was kidnapped. Derek and Emily take the north side of downtown.” He inclines his head toward you. “You and I will take the south side.”

His eyes linger on yours a moment longer than they ought to have. You dip your head and swiftly exit the room, jacket in hand as you prepare to brave not only the frigid Michigan cold but working one one-on-one with Hotch. This had been going on for months; subtle looks, brief touches where his fingers would slide over yours while passing off a case file…yet a part of you still wasn’t sure if it would ever go any further than that. You spend so much of your time with the team, it would be so easy to mistake one gesture for something that it wasn’t. Yet you knew that wasn’t true. You know behavior. You’re trained to recognize the subtlest of shifts in demeanor and body language and you know exactly what is going on.

You jump as someone pushes through the front door of the precinct. Emily’s gentle laugh disrupts your rumination. “Sorry,” she says, “I didn’t mean to scare you.”

She moves to stand closer to you as she zips her jacket. “The guys went to grab the cars.”

You nod and shove your hands in your pockets.

Emily arches a perfectly manicured brow. “What’s up?”

You school your expression and feign nonchalance. “Nothing, I just want to catch this guy before he hurts anyone else.”

Emily’s brow furrows and then straightens, a glimmer of knowing in her eye. “Something tells me there’s a different guy on your mind.”

Your heart skips a beat and you nearly choke on the crisp winter air. “What? I don’t—“ Your words falter as Derek and Hotch arrive, the SUVs humming to a gentle stop at the curb.

Emily eyes you, a sly smile curving one side of her red lips. “We’ll talk later.” She winks and steps forward to open the passenger side door, sliding inside and disappearing into the dark interior.

As you turn to move toward the SUV, Hotch is there, opening the door for you. The gesture surprises you, but it shouldn’t. He’d been doing little things like this for weeks now. You nod your head in thanks and as you turn your body to slide past him, his hand catches your hip. Your breath hitches in your throat as his fingers glide against the small of your back, guiding your movement into the vehicle.

His hard eyes meet yours as he shuts the door and you’re grateful for the shadows inside the car as you feel your face flush bright red. Hotch slides into the driver’s seat with ease. He shifts the car into gear and pulls onto the road, heading in the direction of downtown.

After a few minutes, you open your mouth to disrupt the silence, but his cell rings. Hotch answers and places it on speaker as JJ’s voice floats through the receiver, “Hotch, we think we’ve got something at Sarah Walters apartment.”

“What’s that?” you ask.

“There’s a sticky note in her trash can,” a garbled sound echoes through the speaker as she shifts the phone. The sound of paper crinkles as she reads, “Tony’s at 9, does that mean anything? Has Garcia come across a Tony in any of her research into the victims’ lives? Maybe an Anthony?”

An image of a neon sign flashes across your mind’s eye. “It’s a bar,” you say matter-of-factly.

“A bar?”

“I remember seeing the sign on our drive-in. It’s a bar on the south side of downtown. That could be where he’s meeting these women.”

“We’re only a few blocks away, we’ll head there now. Thank you, JJ.” He hangs up and slips the phone into his jacket pocket.

“How do you want to play this?” you ask.

“We go in, make observations, see if we can identify anyone that matches the profile.”

You smirk and a small laugh escapes your lips.

“Something funny?” Hotch asks, his voice low in his throat.

You purse your lips, pausing before you proceed. “If we go in looking like feds, we’ll scare this guy away.” You tilt your head, considering. “Well, one of us anyway.”

A slight twitch in his brow is the only indication your words have just barely gotten under his skin. “Touched a nerve, sir?”

As the traffic light ahead blinks red, he eases the car to a stop. He breathes out slowly, the amber glow of the stoplight reflecting in his eyes. In less than two heartbeats, he thrusts the car into park and with both hands clasps your face, drawing you in to kiss you with such fervor white spots dot your vision. It takes a moment to process the heat of his mouth on yours and the way his tongue slides between your lips, and before you can truly reciprocate the light turns green and he pulls back, his breathing ragged against your mouth as his forehead touches yours. “Be careful when and how you choose to call me sir.”

Before you can exhale, his eyes are on the road again and you’re driving deeper into downtown.

“Understood,” and then you add, almost imperceptibly, “sir.”

A small smile quirks at the corner of his lips, but he says nothing more as you approach your destination.

It's nearing 9:30pm when you pull up on the street parallel to Tony’s. People trickle in and out of the bar in groups of twos and threes; most are young, in their mid to late twenties.

“Right,” you say as you unbuckle your seatbelt and turn to exit the vehicle. “Stay here.”

“Excuse me?” Hotch asks, reaching over your lap and grabbing your wrist to stay your hand from popping the door open. Your breathing stills and he just barely turns his face toward yours. “Since when do you give me orders?”

Unsure where the confidence to challenge him comes from, you lean in near his ear. You swallow once before speaking. “I think you like taking them.” Feeling incredibly brazen, you nip at his ear once and as the unexpected gesture disarms him; flick your wrist out of his grasp and pop the door open. You slide out of the car and are immediately greeted by the frigid January air eliciting goosebumps up and down your arms. Extending an arm overhead to hang on to the frame of the SUV; you lean down into the cab of the vehicle. “I’ve got you right here,” you say as you tap the hidden earpiece. “Let me know if you see anyone from the outside that fits the profile.”

Hotch eyes you and there’s a fierceness in his gaze. You wonder if he’s thinking of how he’ll ultimately retaliate for your little role reversal now that he’s gone and upped the ante in this little game of cat and mouse. “See you soon,” you wink and slam the door shut.

As you approach the bar, you make sure your coat is buttoned in a way that hides your sidearm and credentials from sight. The bouncer doesn’t even pretend to ask for an ID as you approach and move through the front door with ease. As you cross through the threshold, your senses are assaulted by the smell of beer on tap, the sharp tang of liquor, grease, and an amalgamation of perfumes and colognes.

Immediately you begin scanning the room. You note the layout of the bar: three exits for patrons, the one you just came in through, one near the bathrooms for cigarette smokers, and an emergency exit on the far right wall near to the kitchen. There are three pool tables all of which are occupied as well as three dart boards along the far wall. Groups of friends engage one another and dates carry on without a hitch. You approach the bar, which is centered along the far wall. Stools line the high countertop and behind the bar, two women work to fulfill the never-ending drink orders. You approach the bar and slide into one of the empty seats, relaxing your shoulders as you do so, and order a rum and coke that you don’t plan on drinking.

After a moment the bartender drops a cocktail napkin in front of you and places the drink on top. You thank her and stir the contents of the drink with the swizzle stick popped inside.

“Is this seat taken?” an unfamiliar voice causes the hair on the back of your neck to prickle and you know immediately that it’s him.

Painting on a saccharine sweet smile, you turn toward the voice. A white man, standing at about 6’2”, is smiling down at you. The neon lights behind the bar reflect in his blue-gray eyes and his honey blonde hair falls in soft waves to his shoulders. “Please,” you say demurely and gesture toward the seat. You tell him your name and continue smiling.

“Ronan Carlson,” he introduces himself as he slides in beside you and adjusts the lapels on his leather jacket, a fake Rolex peeking out from his sleeve. He’s preening, you think to yourself. The bartender approaches from behind the bar and he smiles, the curve of his lips the opening act of his charming performance. “I’ll have what she’s having, thank you.” He pulls a roll of cash from the inner pocket of his jacket, flips through several bills, and pulls a $100 bill free before sliding it across the counter to her.

The bartender’s eyes widen in surprise and he winks at her. She nods her thanks and turns to make his drink.

“That was very kind of you,” I say, stirring my drink for the thirteenth time.

He shrugs and tips the baseball cap he’s wearing down over his eyes and you know it’s to obstruct the view the cameras have of him. “It’s only money, and I think I may have made her night.” He inclines his head toward the bartender whose head is bent close to the other woman’s. She’s smiling wide and shows her the $100 bill.

Internally, you roll your eyes hard, but externally you smile and look at him from beneath your lashes. “You must have a great job, what do you do for work?”

His hand flexes as he sets his drink down on the counter and you note the two chunky platinum rings he wears on his right hand. There are symbols etched into them offset by different colored stones, but you don’t want him to catch you staring as he answers, “I’m in business for myself these days,” he says with no further explanation. “Though I used to be in the military.”

You feign surprise, though you were hopeful he’d continue to divulge information. “The military, wow. Let me guess,” you pause and allow your eyes to slowly scan him from head to toe. You remember the profile. “Army…medic.”

“Reign it in,” you hear Hotchner’s voice through the earpiece. “Be mindful of how much you reveal to him. Don’t let him know you know more about him than he’s letting on.”

You watch him assess you and your read into him. One blonde brow creeps up toward his hairline and that wicked smile curves his lips again. “Excellent guess, how do you figure?”

Leaning on to your forearms, you push your drink aside and slide your hand over his and you don’t miss the way his fingers tense at your touch.

“It’s the hands,” you say coyly. “You look like you know how to handle yourself.” He relaxes under your touch and a heat ignites in his eyes that makes your stomach churn, but you don’t let it show on your face. “You look like you know how to handle a lot of things.”

He licks his lips and turns the ring on his finger. “Tell you what,” he says as he picks up his drink. He places the glass to his lips and downs its contents. “Why don’t we get out of here?” He looks down at you from beneath dark lashes. “And I’ll show you just how much I can handle.”

You stand up and flash him a grin. “Let me quickly freshen up and I’ll meet you out front.”

His lips quirk into a smirk, “I’ll meet you in the parking lot.”

You smile as you slip away toward the bathroom. As you push through the crowd you inform Hotch that the unsub is on his way out.

“There’s a line growing out the door,” he answers over the earpiece. “Does the description match the profile?”

“To a T,” you answer as you push past a couple with their tongues in each other's mouths. The amount of patrons has increased dramatically over the last hour. The volume of the music makes it hard to hear through the earpiece. You push your way into the restroom and are surprised to find it empty. Fortunately, the outside noise is muffled. You begin to describe Ronan’s appearance and note the jacket and hat he’s wearing. “He’s wearing two oddly shaped rings,” you add. “I think it’s what’s caused the unusual injury to the victims’ faces.”

“I’ve got him. He’s cutting through the line toward the parking lot.” You hear the car door open and slam.

“Got it, I’ll be right there.”

“Good work,” Hotch says over the open line.

You smile to yourself as you unbutton your jacket, glad to be on the receiving end of his praise. For a split second you wonder what else you could be on the receiving end of if you continue to play this game with him. After the case, you remind yourself. Priorities. Priority number one is getting this sick bastard off the street, and he’s right here within your grasp. You shoulder the door as you reach for your gun, positioning your thumb over the rotating hood to dislodge your weapon from its holster.

Over the speakers, an employee is calling to celebrate someone’s birthday. The crowd is distracted and pushing toward the source of celebration. The bar erupts into an off key rendition of Happy Birthday but you don’t hear it as 30,000 volts of electricity course through your veins. Your muscles spasm and lock up as you fall forward. Pain radiates from your abdomen in waves that crash over you again and again. You try to tell your body what to do as strong arms catch you and pull you into a chest that smells like cigarette smoke, but your limbs don’t cooperate. You feel his nose root into your hair as his lips find your ear. “How’s that for capable?”

As he shoulders your weight and steers you out through the emergency exit you hear Hotch’s voice in your ear. “It’s not him!” There’s an edge of panic in his voice as he says your name. “Do you copy? It’s not him. He gave another man $500 to wear his hat and jacket into the parking lot. It’s not him. Do you have eyes on him?”

Dark spots the edges of your vision as he drags your dead body weight. You try to focus all of your ability on getting out any words that can signal to Hotchner what’s happening, any at all but your mouth feels like it’s filled with cotton.”

You hear the tinkling of keys and a door slide open. Pain rattles through your skull as he throws you into the back of whatever vehicle he’s operating. Pain slices through your wrists as zip ties slice through the skin there. Through tunnel vision you see him leering at you. He’s backlit by the streetlights.

As his fist flies toward you, you finally manage one word.

“Aaron.”

•

When you come to, the first thing you feel before the splitting pain in your head threatens to cleave your mind in two, is cold.

Your mouth is dry, but as you move to lick your lips you realize you can’t because there’s a gag in your mouth. You try to move your hands, but they’re bound too. Zip ties cut into each wrist, securing them at your sides on the legs of a wooden chair. When you try to shift the chair, you learn that it’s bolted to the floor and your legs are spread open; zip ties at your knees and ankles keep them apart. Except for your bra and underwear, you’re naked. He undressed you. You feel the wound from the stun gun before you glance down at your stomach and see the two bloody pinpricks in your abdomen. You feel your heart rate increase as panic begins to set in. Do not panic , you tell yourself as you take a steadying breath. The minute you start to panic, you’re dead. You close your eyes and piece together the last dredges of your memory.

Tony’s. Sitting at the bar. The unsub. Ronan. Hotch was in pursuit. And then there was just pain.

Hotch.

The pain in your skull is overwhelming and you’re not sure if you can feel the earpiece anymore.

“Hotch,” you attempt to say through the gag. “Hotch, do you read me?”

You close your eyes as hot tears brim along your lash line when there’s no response. The signal is out of range or the unsub found the earpiece and removed it.

A door creaks open on squeaky hinges and your eyes dart toward the source of the sound. Ronan walks through the door with a sick smile on his face. As he saunters toward you, he rolls the sleeves of his flannel up to his elbows. Without looking away from you, his arm drops to his side and he scoops a folding metal chair with one hand, carrying it with him as he edges closer to you.

You flinch as he cracks the chair down in front of you, forcing it open. He chuckles as he takes a seat. His eyes skirt the length of your body and you wish any limb were free to deliver a blow to his smug face.

He reaches into his back pocket and withdraws your badge. He flips it open and holds it up to your face, the way his eyes flit between you and your credentials makes your lip curl.

“An FBI agent,” he says slowly. He slaps your credentials shut against his denim-clad thighs. “Hot damn!” he shouts and whoops. He throws your badge to the wayside and it clatters against the cement floor. “I’m going to take my time with you.”

It could’ve been hours. It could’ve been minutes. The torture is unrelenting and the pain is unending. Your chest heaves as you brace yourself for the next surge of electricity. Ronan, if that’s even his real name, twists the knob on the amplifier and taps the jumper cable clamps in his hands together. He smiles when he hears the buzz of electricity between them. As he presses them into your thighs, you cry out in pain as the shockwaves paralyze your body and mind and the pain overwhelms you.

“YES!” he roars as he pulls them away from you. He’d taken his flannel off, but now he peels off his t-shirt, balls it up, and uses it to wipe the sweat off of his face.

With the voltage no longer coursing through your veins, you slump forward, chest heaving as your scrambled brain fights to stay alert.

He drops the cables and clasps your face in his hand, forcing your chin up to meet his wild eyes. “You just don’t quit, do you? You're special.” He strokes your cheeks with his thumbs as if he cherishes what he’s doing to you. “You are worthy of a god.”

When you come to Ronan is watching you. He’s leaning forward, elbows on his knees, chin resting on his clasped hands.

“She wakes,” he muses.

You glare at him and his brow pinches. He purses his lips together like he’s been stung, but his eyes are alight with amusement.

“You,” he says, gesturing up and down your body, “look beautiful.”

You don’t need to look down to know the number of bloodied burn wounds spanning the lengths of your legs. If you couldn’t keep track of any other thought, the count was all that kept you grounded. There were ten. Five on each leg. Your wrists and ankles bled from the way you’d pulled against them with every shock he delivered.

He reaches forward and this time you don’t flinch. He hooks two fingers into the gag and pulls it down over your chin, his fingers trailing your lips as he does so.

“Here,” he says, bringing a bottle of water to your lips. “Drink.”

You clamp your lips shut and turn your face away. He laughs and shakes his head. “Come on now, don’t refuse me. That’s not how you show gratitude when a god shows you mercy.”

You muster as much hatred into your stare as you focus your attention back on him. “Mercy?” you hiss, and your voice is hoarse from screaming against the gag. It hurts to speak. You pull against your restraints. “This is what you call mercy?”

“I’m only testing you to see if you’re worthy,” he says by way of explanation. "You've lasted longer than the others."

“Worthy of what?” you ask, but you already know the answer.

“To be my Hera.”

“How is what you’re doing to me, what you did to those other women, going to help you find her?”

“They weren’t worthy,” he answered. “They couldn’t take my power like you could, my lightning. They were false. They needed to be punished.”

He leans in, his lips close enough to yours that you can feel his smoky breath on your skin. “But you, you deserve to be rewarded.” Your skin bristles at his words. His lips find your jawline and you grimace as he drags them up the side of your face. When he pulls away, dried blood flakes onto his skin.

“Don’t be afraid,” he soothes as he smoothes your sweat-drenched hair away from your face. “You’ll enjoy it.”

Unable to suffer any more of his poisonous bullshit, you rear your head back and slam it forward. Pain explodes behind your forehead, but it’s worth it to hear the satisfying crunch of his nose breaking. He roars in pain and clutches his bleeding nose. White light blinds you as he backhands you and curses your name. His ring splits the skin of your cheek open. The force of the blow causes you to bite your lip and you feel your teeth cut into the chapped skin there. You spit blood at him, angering him further.

“You are false!” he screams, spittle flying from his mouth as he shoves the gag back into your mouth. “You are not her!” He moves to pick up the jumper cables, twisting the knob of the amplifier all the way up causing the bulbs overhead to flicker. You know this is it. If he touches you with those, it will kill you.

Bracing yourself for the killing blow, you go to the grave knowing you did not give in to this bastard.

It never lands.

Instead, three shots ring out and he’s falling to the floor dead at your feet. As the unsub’s body falls, Hotchner’s frame comes into view and a choked sob escapes your lips. He holsters his weapon and runs to you. Emily and Morgan are right behind him. Morgan passes Hotch a Swiss Army knife from his pocket and he makes quick work of the zip ties binding you to the chair. From the corner of your eye, you see Emily turn off the amplifier and check Ronan’s pulse.

Unable to hold yourself up, you fall forward into his ready arms, letting yours fall over his shoulders. Hotch drops to his knee to support your weight. “You’re okay,” he says as he pulls the gag free from your mouth and you sob into his chest. He smooths your hair back from your face, his eyes assessing the damage done to you. Blood stains his shirt, your blood.

“Morgan, your jacket.” Hotch orders.

Without hesitation, Morgan unfastens his bulletproof vest and unzips his jacket. He passes it to Hotch who drapes it around your shoulders in an attempt to preserve some of your modesty.

“I need a medic!” he shouts before directing his attention back to you.

Your eyes waver as you try to keep them open. You lock in on the depths of his warm brown eyes. “You’re going to be fine,” he says but his voice sounds far away.

“He wanted someone to be his Hera,” you say weakly.

“Don’t worry about that right now,” Hotch soothes.

You swallow and it hurts your throat to do so. Your lips crack open, “You found me.”

Hotch cradles your head against his chest. “Of course I did.”

You wince as the sound of a gurney crashes into the room, the metal wheels squealing as it draws near. Your head swims as you’re swept into the air and laid out on its cushiony bed. A light shines in your eyes and voices are overlapping. Blindly, you use what strength you have left to drop your hand off the side. Unable to focus your attention on where he is, you know he’ll hear you. “Don’t leave me.”

And as you lose consciousness, you feel his hand slip into yours.

“I’m not going anywhere.”

•

A steady beeping fills your ears as you slowly come to. Your eyes feel bruised and you don’t think you have it in you to open them, but you feel something around your wrists and bolt upright. Pain crashes over you in a wave. It was a dream. You’re still bound in that basement. The beeping increases, growing louder and faster. Someone says your name and you feel hands on your shoulders. You try to swing your fist and are surprised when your arm follows through and makes contact with flesh. Did you break through the zip ties? You hear your name again, clearer this time. A man. He’s asking you to stop, to relax.

“It’s me,” he repeats and says your name again. “You’re safe. You’re in the hospital.” He says your name again. “It’s me, it’s Aaron.”

You stop fighting and blink hard. Hotchner’s stern face comes into view, except there’s concern wavering in the depths of his brown eyes. His brow softens as you relax. A small smile turns the corners of his lips. “Hey there,” he says. A nurse rushes into the room and he raises a hand, “We’re fine, here. Thank you.”

The nurse looks at you and you nod. She looks unsure about leaving but ultimately relents. “I’ll let the doctor know you’re awake.”

Aaron cups the back of your head in one of his hands and gently begins to lower you back down onto the pillows behind you. You allow him to guide you and feel the tension ease from your muscles as your back sinks into the surprisingly plush hospital pillow.

As the adrenaline wears off, you’re finally able to take stock of your injuries as the pain quickly makes itself known. You feel your pulse beating in your skull, pounding at your temples, eyebrow, and cheekbone. With shaky fingers, you touch the places where you remember the unsub striking you. You feel a thick bandage taped over your right eyebrow and steri-strips over your cheek. Your lip is swollen from where you bit it.

Bandages encircle your wrists and there’s an IV stuck in your hand. You’ve been dressed in a hospital gown and the sheets are drawn up to your waist covering the burn wounds. You don't have to see them to know how bad they look. The pain is telling enough.

“Is he dead?” you ask, lowering your hand back down to the bed.

Hotch’s lips form a tight line. “Yes.”

You blink back tears as that information sinks in. “Good,” you whisper in a choked voice. You blink and allow your head to loll to the side. A colorful bouquet of roses and carnations dotted with plastic ladybugs and butterflies sits in a clear vase on the side table.

You smile, “Garcia?”

Hotch smiles in turn. “It was tough to convince her to go home and get some sleep, but I promised her I wouldn’t leave you alone. Even then, it was still a hard-fought battle.”

You chuckle and wince as the movement irritates your injuries.

Hotch telegraphs his next move, and you know it’s to avoid startling you. He cups his hand over your uninjured cheek and strokes the skin there with his thumb.

“I’m sorry I wasn’t there,” he says, and his voice sounds tired and pained. “I should’ve gone inside with you.”

“Hotch, don’t.” You reach up and wrap your fingers around his wrist. “Don’t do that to yourself. He didn’t know I was with the FBI until after he took me. If you’d been there, he might’ve pegged us as law enforcement and taken off. He might still be out there and we’d be finding another dead woman in a matter of days. You know I’m right.”

Hotch closes his eyes and heaves a heavy sigh. “I could hear you.”

“What?” you whisper. You try to sit up and wince as the movement stings the wounds in your legs and abdomen. Hotch stands and helps adjust the pillows behind your back before sitting back down in the chair at your bedside.

“Not for very long. He drove out of range, but I heard him speaking to you. I heard the blows land. I heard your head smack against the floor when he threw you in the van.” He stops and shakes his head. “I felt so helpless. I was afraid. I couldn’t get to you, just like,” his voice catches in his throat. “just like I couldn’t get to Haley.”

Your heart breaks for him as he speaks. You reach for his hand and take it, squeezing it. “Aaron, you did get to me. You saved my life.”

He clears his throat and swallows. “Yes, but we were almost too late.”

“But you weren’t,” you state, your tone firm. “Aaron, look at me.”

He hesitates and inhales deeply before lifting his gaze to yours. The corners of his eyes soften as he meets yours and you smile. You gently tug his hand, “Come here.”

Hotch glances toward the door and then back at you, “The doctor—“

“Isn’t going to do shit,” you finish. “I’m the one that endured hours of torture. Pretty sure I’m allowed some close comfort.”

He lets out a shallow laugh. “Yes, I suppose you’re right.” Standing, he shrugs out of his suit jacket and drapes it over the back of the chair. With one hand he loosens his tie until he’s able to pull it up and over his head. He tosses it onto the chair and circumnavigates the bed, assessing the best way to join you on the small mattress.

You groan as you slide over. Hotch reaches out to stop you but you silence him with a pointed look. “Mind the IV,” you say as you pat the space beside you.

Hotch acquiesces, using the tips of his fingers to raise the IV drip enough for him to slide into bed beside you. He slips an arm around you and drops the feed. It falls across his torso. The feel of his arm around you is comforting, like a security blanket, like safety. You relax into him, and rest your head on his chest. His lips brush against your bandaged brow.

“Not quite how I imagined we’d first be sharing a bed,” you joke softly as you nuzzle in deeper against the wide plane of his chest.

You feel him smile against your hair. “Only you could joke at a time like this.”

“If I can’t laugh at what’s happened, I’ll never be able to close my eyes at night.”

“Well, if that’s the case.” He rubs the bare skin of your arm in small circles. “I’ll be there until you can.”

You turn your head to look at him then, your heart full. This is happening. His eyes are on yours and you push yourself toward him ever so slightly. He closes the small gap between you and presses his lips to yours. It wasn’t hungry and primal like the kiss in the car. There would be plenty of time for that later. This kiss was light, tender…healing.

“Sir, I’m sorry. I tried to go home, I really did but as soon as I got there I—” Garcia’s voice abruptly cuts off. You look up and her initial look of surprise turns to one of abject joy.

You feel your cheeks flush as Emily and Morgan appear in the doorway behind her. Morgan’s eyes widen and Emily’s brow arches as a smile curves her lips.

“I, uh, brought backup.” Penelope giggles. She remembers she’s holding something. “And cookies! I couldn’t sleep, so I baked. I figured I could bribe you into going home and getting some sleep.” Her words leave her mouth at a mile a minute. “I thought you’d fight me on it, so I brought some muscle.” She gestures with a tilt of her head. “They’re the muscle.”

Morgan exhales and points a finger at you and Hotch. “Can someone explain to me what’s going on here?”

Emily elbows him and he drops his arm. She takes the tray from Garcia and walks it over to the side table where she places it next to the flowers. She winks at you as she turns back to Garcia and Morgan. “It’s about time,” she says.

Penelope laughs as she hooks her arm in Emily’s. “What's it been? Two, three months?”

Morgan guffaws. “Months?”

Penelope pats his face with a ring-adorned hand. “My sweet oblivious profiler. Come on, hot stuff.” She takes him by the hand and leads him from the room. Emily shakes her head and laughs. “Men.”

“Safe to say the team knows.”

Hotch releases a breathy laugh and kisses your forehead again. “I know what will be the first thing on the agenda at tomorrow’s debriefing.”

•

6 weeks. It had been 6 weeks since you’d pressed the elevator button that would bring you back to the office. The weight of your gun feels right where it sits upon your hip, your gait more familiar to you now than when it wasn’t holstered to your side. You nervously adjust the grip on your go bag. You’d packed and repacked it the night before.

This morning as you were getting out of the shower, you stared at yourself in the mirror. Your cheek had healed nicely though the skin on your brow that had been split by the unsub’s ring had scarred, severing the tail end of your eyebrow from the rest of it. The ligature marks around your wrists and ankles had healed and the skin was smooth once more. The stun gun had scarred your abdomen, but all that remained were two purple pinpricks of scar tissue no bigger than the size of an infant’s thumbnail.

Your legs are a different story. The front of your thighs are an array of mottled scar tissue. One burn had gone so deep that they’d needed to graft skin from your calf to salvage it. The wounds no longer hurt physically, but you’d woken up from nightmares on more than one occasion.

You were never alone though. Garcia worked remotely on secure laptops with VPNs as often as she was able. Rossi brought you home-cooked Italian at least twice a week and talked with you over numerous glasses of red wine. Reid brought black-and-white foreign existentialist films that you didn’t understand, but his enthusiasm as he watched made you happy all the same. Emily and Morgan brought coffee and donuts as often as they could and Hotch…if he wasn’t at the office or visiting Jack, he was with you. On several occasions, he brought Jack. Jack would sit on the bed beside you, playing with his toys, narrating the adventures of his action figures as Aaron stood in the doorway, smiling. At night, when you had woken in a cold sweat, Aaron was there with a washcloth to wipe it away. When the bandages had stuck to your burn wounds and it felt like your skin was being peeled apart, he got your pain medicine and helped change the dressings, holding you until the pain had passed.

You blink as the elevator dings, signaling you’ve reached your destination. You take a deep breath and smooth down the front of your blouse as the door opens wide. Everything looks the same, yet everything feels like it's changed as you approach the desk you occupy perpendicular to Emily’s. A smile crosses your lips as you see the Welcome Bac k card on your desk. Two vases of flowers sit behind the card. One is almost exactly like the one from the hospital so you know it’s from Garcia. The other, a bouquet of purple tulips, has a note attached to it. You open the note and read it.

Glad to have you back. Things haven’t been the same around here without you. -AH

Hotch. You should’ve known. You smile and tuck the note into your purse.

“Hey, hey, look who’s finally decided to get her ass back to work.” Morgan’s charming laugh is followed by Emily chastising him.

“Ignore him,” she says as she places a steaming mug of coffee on your desk.

“You’re a godsend,” you say by way of thanks and take a long drink. Two sugars, no milk, just the way you like. “Wow, Emily, that’s perfect. I needed this.”

“How come you don’t remember how I take my coffee?” Morgan asks pointedly.

She shrugs, “Chicks before dicks, Derek.”

You sputter and choke on your coffee.

“Look,” he says as he pats you on the back. “Her first day back and you’re gonna kill her.”

At that moment JJ passes by with a file in hand. She raises it in the air and gestures to the conference room. “We got a case.” She smiles at you warmly. “It’s good to have you back.”

Together, you, Morgan, and Emily enter the conference room where Reid, Hotch, and Rossi have already gathered. Once you’re all sat, JJ begins presenting the case. You review current victims and why the Sacramento Police Department has invited you onto the case

“Sacramento PD is expecting us this afternoon. We’ve got a long flight ahead of us. Wheels up in thirty, understood?”

A chorus of ‘yes sirs’ echo throughout the room. As the team gathers their belongings and moves to leave, you wait for Hotch to catch your eye. You wink at him before mouthing, “Yes, sir.”

[lordcrumps]

The Sims 2 For Rent - CC EXPANSION PACK

Sul Sul!

~ More photos under the under the cut ~

Last week the Sims 4 got a new pack, this week Sims 2 players get that same pack! In a collaboration with @platinumaspiration and @tvickiesims and a HUGE assist from @episims, we bring you "The Sims 2 For Rent CC Expansion Pack!"

This is a large set, and advisable that it does not get merged even further than it already is! - I ran into some issues when trying to do this!

When you explore this pack, please take a look at the marble ring rug, it has some surprisingly cute rug swatches! I put a swatch in it to remove the marbles themselves, so you have a cute small rug! - I only mention this as I was going to bin the rug off once uploaded, but then I found it had some lovely swatches!

FUNCTIONALITY

So most of the items will function as they should and intended as. Its just not just deco items.

There is two collection files included, separated into build buy! Please note that fences and stairs and spandrels cant be but into a collection!

The squatty toilet that took me over 12 hours to make, yeah they squat, animation can be a bit bouncy but such is life. This toilet also can be flushed, get dirty and is cleanable!

Outdoor plants are seasonal!

Counters are animated with insides built, there is no drawer on the counter, I did not want to change the shape of the unit, and saw EA did the same - ignore the fact they grab something from a non existent drawer

Wardrobes have interiors elements, and have working doors!

Each Kettle have two versions, choose only one, one for the colour traits mod / one 'normal'. They function as Tea makers! Huazzah!

Spandrels in build mode are classified as fences. I made a variant with fence / no fence.

Several of the larger deco pieces such as the Arch Gate, or umbrella are actually lights!

Radiators act like radiators!

The Aircon Unit is completely functional, doesn't lower bills, but it does lower sims temperatures!

"Water Heaters" act like solar panels, they get money off your bills!

The Electrical Fuse box has 2 versions, I kept them both in, one wall deco and one functions as a burglar alarm - I wanted more alarms.

Most Sofas / Chairs have morphs!

Slots added to the Vanity and Bathroom Cabinet!

FENCES / SPANDRELS / STAIRS OH MY!

I have included swatch images of each of the spandrels, fences and stairs and labelled them to match, this is so that you can go in and take out any of the swatches you do not want. This is because there are lot of new fences and the menu can feel cluttered with them in for some people.

DOWNLOAD

ALT - SFS

~ Credits / Thanks / List of items not converted under the cut ~

MORE PHOTOS

CREDITS

Mini fridge is cloned from Targa over at MTS - so now it works just like a regular fridge barring a few animations (get baby bottle and juggle)

Kettles were cloned from @pforestsims's kettle, link here.

@jacky93sims for the base of the squat toilet! Epi for the code edits!

THANKS

@tvickiesims, @platinumaspiration thank you soo much for helping with the objects, really couldn't do it myself!! Your amazing, awesome, and some of the best creators out there! Thank you again!

@episims - YOU ARE DA BOMB! Thank you for all your help in getting those toilets working with me, and everything else you do when you answer my little annoying questions! Appreciated like you wouldn't believe!

LIST OF ITEMS NOT CONVERTED - @sims4t2bb

Due to the sizing / functionality of these objects, they will not be included in this pack!

All Yer Fixins Untenable Food Stand

Mali's Moonlight Market Craft Stall

Vegan Vittles Night Market

Late Night Snack Dessert Stall

Rice to Meet You Night Market

The Unrestroom

Fisherman's Slats Window - Tall

The Secret Maze Window - Very Tall

The Secret Maze Window - Super Duper Tall

Stained Glass Tomarani Shutters - Tall

Stained Glass Tomarani Shutters - Tall and Open Wide

The Save Us From Ruin Tallest Cinched Wall Curtain

The How Many Times Do We Need To Tell You It's Not Silk Taller Wall Curtain

The We Are Going To Jail< Tallest Wall Curtain So You Know the Truth Curtain

[clefairysoup]

What yours and Ellie’s apartment would look like and why

All the photos are from Pinterest not mine! Reblogs and comments are very appreciated. I come bearing fluff. No apocalypse and I’m not sure if someone has done this idea, I haven’t seen anything but if someone has please tell me and I will delete this

The kitchen

This is the most average broke uni student kitchen I have ever seen, and it fits you two. Ellie bought magnets that say 'eat pussy all day' and stuck them on the fridge, she told you it’s a reminder for her to come get her other meal. Anyways ellie gives of vibes that the most cooking she can do to her abilities is sticking a nasty ready meal in the microwave. More under cut

dining area

your dining area is the most boring and small place in the apartment, you both simply have no care for it. Its just a table with 2 chairs that sits in the most random spot (your fucked when people come over). Usually you eat in the living room, only ever used when you feel bad for neglecting it, cluttering things on the table of random objects that you forget about or for stealing one of the chairs for something else. ultimately useless.

Bathroom

Simple but still shows sign of use. some cute plants and odd posters and stickers ellie insists of having on the wall. Ellie definitely manages to get water all over the floor when showering, even with the curtain and your like ??? Just me thatlikes those toilet rug things but then its also gross at the same time, because thats where you shit why do you have a rug on it. Ellie has a mug that says, 'Keep calm im a lesbian' on it that holds your tooth brushes.

Bedroom

Ellie’s lazy ass would NEVER make the bed, she just rolls right outta there. Got a whole shelf and drawer to your cds and vinyls, and the many different head phones and players. Shelves of all the comics ellie loves and your things. Cringy ass pillows all over the bed. Ellie also keeps her guitar on the wall.

Living room

Once again ellie removed the ceiling lights from the living because it didn’t match the vibe. You now have over 12 lamps scattered around the room, that you find in little thrift stores. 100% have a mini fridge because you guys can’t be bothered to take 4 steps to the kitchen. 100 pillows and the throws that you try to fold up but somehow just end up pilled in a ball back to how they were. You guys own tons of board games that Ellie keeps from her childhood.

bonus

Ellie owns a freaking plakat beta fish because I said so, and she’s also an autistic nerd (someone had to say it ). She loves her fish called Hester which is an astrology term for star, that she also is nerdy af about

I hope you enjoyed me talking about my wife of 3 years, Reblogs are very appreciated

[foervraengd]

Mirre’s “How i render gemstones” tutorial!

(note: image above is not what is shown in the walkthrough. It is an example piece)

Ingredients:

Art program that has layers and selection tools

Patience (hubris or stubbornness is fine too)

(recommended) photo references of gemstones and/or prisms

(Optional but very helpful) Knowledge on how to use Reference layers and anti-overflow in Clip studio Paint

For this tutorial i am going to use clip studio’s “anti-overflow” feature. This post is not going to explain how to use that specific setting but you should be able to find guides on how to use it on clip studio’s official website or on youtube.

Please Note: The result of this technique will not 100% represent real life gemstones. These are more simplified but should still make an impression of the brilliance and appeal of gems, crystals and diamonds.

If you don’t work in CSP: the best workaround is to use the polygonal lasso selection tool for the same purpose.

This ended up being a long post so I am putting it under the readmore:

First off; Basic idea on how the light refracts inside a solid transparent object:

Wether it is acrylic, glass, water or crystal, the way light pass through more or less should behave the same as long as it is solid and not hollow inside. Pay attention to how the darkest parts of the stone goes along the inner edges, leaving a ”mid tone” sort of in the center. However, this might vary depending on the light setting. But it is a generally good rule-of-thumb to follow if you’re drawing something not based on a photo. Another thing to pay attention to here is how the placement of the highlight will lit up the inside of the gem in a parallel line. It also shows through on the cast shadow.

Light refraction on a cube:

I have already made two posts on this, so definitely go through them:

CUBE BREAKDOWN POST HERE

But a rough summary from those two links would be: Every side/facet of a gem or a cube etc refracts the light individually and not as one entity (that would make it look hollow and not solid). Think of it like how each piece in a broken mirror individually reflect your face back to you. Like a weird patchwork!

Putting this into practice:

For this tutorial I’m going to be nice to myself and not try to draw perfectly accurate gemstones. Instead I’m gonna draw them with a more ”natural” looking set of facets. Which actually isnt as common in real world as video games makes us think. Some crystals have geometric shapes naturally, but a lot of other stones are not as fancy. Anyway, im taking artistic liberty on these example stones because the technique I’m going to use will work for these just fine.

So, in clip studio paint, I first draw the stones on a vector layer. I give them facets for the front side. Then I duplicate the layer, remove the front facets and replace them with the facets on the back of the stone. The third image here shows both layers visible on top of each other. I now put these into a layer folder and mark the folder as ”reference”.

Now, on a layer below the lineart folder, fill with your base tone. Then make a layer on top (if you can clip it to the base tone, do that), this layer is where you decide where the highlight will be placed. In some cases the highlight is only lighting up one single facet - it really depends on the design of the stone. You can also blend and soften the highlight here if it looks good for you, just make sure not every facet is highlighted. The highlight layer should be on top of all the other layers clipped to the base tone layer.

Now it is time for the juicy juicy stuff! Turn on both lineart layers so they’re both visible. I hid the hilight layer here because it was in the way, but might not be needed in your case. Make a layer clipped to the base tone and paint in the darkest tone. This is where anti-overflow helps me out, because when i run my brush over all these crossed lines it will make the stroke pop in and out for each facet. If you dont use CSP, this is where you can use the lasso tool and select every second facet. It will take a bit more time but it should work similarly.

After the darkest tones I then make a layer for the inside light that the highlight has lit up. Here i keep it inside the darkest tone but this might vary depending on the light setting. If it looks good to me, then that’s what i stick to.

The way I approach rendering the facets here is like the grid in the example images above, every shade and tone appear more or less in each facet but the amount is relative to their position. So a gradient wouldnt have a smooth transition; it would be slightly scewed in each square on this example grid. Essentially like how some bathroom window glass panes look like.

Now it’s time to hide the lineart layer folder and check if the gemstones look decent to you. If not, then you can look up some reference photos and analyze where the values group together the most; be careful not to focus too much on the photos 500 million sparkles. Squint your eyes or blur the reference and try to see how the overall values behae.

I, personally, am satisfied with these rocks so I slap on a gradient map (you can manually color in them too if that’s your thing) and call it a day. The lit up inside of a gemstone tend to have a brighter and more saturated color than the mid tone.

Other Examples with this technique:

If you look up ”gemstone types” you can often find images displaying various facet types from more than just front view. These can serve as useful base templates for practicing this rendering technique. The backside of a gemstone is called the “pavillion” and is really useful to have at hand when it comes to painting the inner refractions. You can probably also use 3D models and convert the wireframe into lineart. But that is slightly out of my pool of knowledge.

Applying this knowledge without using a base lineart layer is of course possible. In this painting I followed a simplified summary of how the facets sparkle: Keep the highlight shape to match the front facet design, and all the inner refractions should be more scattered and split up but face a direction towards the center of the gem. Now don’t you think this sort of makes the gems look like eyes? That’s right! You can, and absolutely should, apply this on eyes to create the most sparkly anime eyes ever.

Now, refracted light that lands on the surface surrounding gemstones varies depending on the material - and if the gem is inside a metal frame it usually doesnt create this much refraction around it. But I want to have fun so i decided to break this rule in the name of pretty sparkles. :)

[yzzart]

hello, my love! how're you? I hope you're well

could you write one more compilation between tom and y/n? further detailing their relationship with the rest of the cast. I love seeing you include Rachel in your writing, and I'd love to see her recording, commenting and showing more tweets about y/n and tom!!

thank you very much for your generous and sweet attention ❤️☺️

"Definitely an old couple."

pairing: tom blyth x actress!reader.

summary: your fans are obsessed with compilations of you and tom being an old married couple.

word count: 604!

notes: your request is an order, my sweet anon! and in the future i will post a request showing the tweets that Rachel shared with reader 😼!!

"Our beautiful lovebirds." — The camera, which was recording a video, is pointed at you and Tom, who were sitting in your chairs and observing yourself in the mirror that had been placed by the makeup artists. — "I love calling them that." — She commented alone, then, laughing; until Tom put the peacekeeper helmet on your head, all the while laughing about how adorable he looked.

Quickly, he grabbed his cell phone that was on the table in front of him and took a photo; in fact, more than two photos. — Suddenly, the camera goes into frontal mode, showing Rachel's image.

"A cliché couple, i love them."

"About the movie, i'm curious to know, in your opinion, what was the best thing about it?" — The interviewer asked, uncrossing her legs and waiting, attentively, for the answers.

"The best thing?" — A fake thoughtful frown formed on your face. — "I really think it was seeing blond Tom…?" — Tom hit your leg, laughing along with the interviewer; you tried to maintain a serious expression, conveying an air of confidence with your answer, a very complicated mission. — "Oh, and the worst thing was him returning to his natural color." — Your eyes swept over Tom, who continued to laugh, smiling listening to the sound of his laugh.

"That's not possible." — He recovered, running his hand through his coat, fixing it a little, and turning his head to the side, looking at you; his lips were still forming a mischievous smile. — "I remember you saying you're the number one fan of my natural hair." — Tom crossed his arms with a defiant look, and tilted his head.

"And i am, my dear." — Imitating his action, you also crossed your arms, teasing your boyfriend; Tom lightly pushed your arm and placed a hand on your thigh.

"Oh, and Tom and Y/n're, like, Lenny's godparents." — Rachel fixed her headphones, removing some strands that were in her ears, turning her head to the interviewer and Tom. — "Sometimes i feel like he prefers them over me." — She joked, feigning a melancholic frown and forming a small pout.

"It's just that she and i are his favorites now." — Tom replied, earning laughs from the interviewer and Rachel.

"And Y/n is the clear winner!" — Tom announced, clasping his hands together and looking at the camera, watching one of the producers, who worked behind the cameras, prepare to present the small prize. — "Can i dedicate a speech demonstrating my pride or is it too early?" — Rachel laughed, not believing his words and finding it funny, accompanied by Josh, with you making a gesture of reference. — "Please, honey."

"I don't know but i'll listen." — You replied, arranging a high-five with your boyfriend and noticing the presence of the little prize approaching. — "This is for me?" — Tilting your hand, you took the enchanting object and admired it; something that looked like a miniature Oscar, and was really adorable.

"When you're the best, you're the best." — Rachel and Josh spoke together.

"And i think Y/n just arrived!" — The interviewer commented, tilting her head towards a small crowd that was forming at the beginning of the red carpet; and several flashes and some screams were witnessed by everyone at the scene.

"Oh, she's here." — Leaning his hands on the railing and moving away, Tom ran his eyes over the crowd; until, finally, he had the opportunity to see you and, automatically, an exuberant glow remained in his deep blue eyes. — You were so beautiful, always have been, he thought. — "Look at her." — His tone was low, but so admirable and enchanted. — "I need to ask her for an autograph."