#Ree Ai

[shinischis]

just rewatched movie 26 again AND WHEN I TELL YOU IM INSANE OVER HAIBARA AND CONAN IN THIS ONE

conan is so damn serious about keeping haibara safe even if it brings him face to face with the black org that could literally get him killed

and haibara wants to do the same damn thing when conan does something reckless for the one millionth time

agasa dropping to the floor when conan couldn't find or get haibara the first time, my heart, he cares about her so much

akai and furuya interaction, even though its just a little short part I love it, akai recognising furuya's voice right away ILL BITE SOMWTHING

ran is so protective over every single one of the kids, they way she jumps into danger right away when she realizes haibara got kidnapped, going face to face with a black org member to save her , I freaking love ran so much

I was seated when it was said that pinga said he knew conan was shinichi , and then he died and I was like, no one's gonna know anything at this rate THERES SO MUCH GOING ON

[marginal-effect]

getting a samsung phone was probably one of the worst mistakes ive made tech wise in years its like having a iphone all over again except worse somehow

[lost-carcosa]

Tories Without Privilege…

Whilst this would be karma and just really fucking funny, I doubt any of these overprivileged workshy sociopaths would learn anything from the situation.

[gojoest]

ai..... your basketball gojo theme just made me squeal.... -@silkscream

ahhh mission accomplished it is :3

[janishoppin1950blog]

[dangraccoon]

Mando'a (but Horny kov'taakyc)

Honestly, this is as much a post for me to reference back as it is for other writers to use 😅

ANYWAY

** denotes words that I created based on the rules listed in this mando'a dictionary (found here)

mando'a - english - pronunciation

Body Parts

bevagol - penis, dick, cock - bayv-AH-gohl

murce - lips (pl.) - MOOR-shay

palon - hole, opening; aisle, passageway - pah-LOHN

pel'gam - skin - pel-GAM

pel'troan - cheek - pail-TROHN

petir - center - PEH-teer

shebs - backside, rear, buttocks (also rear of building etc) - shebs

yai - belly, womb, abdomen - yay

yaiten - vagina (anatomical) - yay-TEN

Actions

aar'betenor - groan, moan - ahr-bey-tehn-OHR

baa'ruir - shiver, shudder - bah-roo-EER

baar'murcyur - making love, having sex - bahr-moor-SHOOR

baar'mureyca - sex (lit. "body kiss") - bahr-MOOR-aysh-ah

bat'gaanir - rub, grind - baht-gah-NEER

chayaikir - tease, barrack, make fun of (not as hostile as mock) - chai-ay-KEER

dihaarir - undress, take clothes off, unbutton, unzip - dee-hah-REER

↳ ke'dihaarir - undress (command) **

gayiylir - spread - guy-ee-LEER

gedetir - plead, beg - geh-deh-TEER

↳ ke'gedetir - beg (command) **

irudir - hug, embrace - ee-roo-DEER

iviin'hiibir - grasp, grab, seize - ee-VEEN-hee-BEER

murcyur - kiss - moor-SHOOR

pehir - spit - peh-HEER

tigaanur - touch - tee-gah-NOOR

videkir - swallow - vee-deh-KEER

↳ ke'videkir - swallow (command) **

Feelings

adenn - merciless - ah-DEN

aiki’yc - desperate - ai-KEESH

baar'laamyc - orgasm (lit. body high) - bahr-LAH-meesh **

↳ baar'lamycir - orgasming **

dola - throughout, pervading, soaked - DOH-lah

etyc - dirty, filthy, grimy - EHT-eesh

gebyc - narrow, tight - GEHB-eesh

jatisyc - delicious - jah-TEE-seesh

kandosii'la - stunning, amazing - kan-doh-SEE-la

murey'lin - lust - MOO-ray-leen

murey'yc - sexy, erotic - moor-ay-EESH

nepel - solid, hard - nay-PAIL

nukut'la - naked, nude, bare - noo-KOOT-lah

ori'aal - passion - OH-ree-AHL

piru'lini - thirst - pee-roo-LEE-nee

piryc - wet - PEER-eesh

tsikala - prepared, ready - zee-KAH-lah

yaihi'l - full - YAH-heel

yaiyai'yc - bloated, satisfied - yai-YAI-eesh

Other

ash'emuurir - please someone - ash-eh-moo-REER

copaanir - want - KOH-pan-EER

haav - bed - hahv

↳ haavir - bed (verb; to bed)

jat'ad - good boy/girl (name of affection or praise) - jah-TAHD

jatisir - delight, please, indulge - jah-tee-SEER

linibar - need - lee-nee-BAHR

pel'tigala - tender - pel-tee-GAH-lah

pelid - mattress, something soft to lie down or fall onto - pai-LEED

tennir - open - teh-NEER

↳ ke'tennir - open (command)

Kinky

brii'tay - knot - bree-TIE

↳ brii'tayir - knot (verb, i.e. A/B/O) **

nadal - heat - nah-DAHL

↳ or'nadal - in heat **

mircir - cage, lock up, capture - meer-SEER

tay'briik - cord, rope, string - tie-BREEK

tay'briir - tie up - tie-BREER

tay'gaan - strap, belt - tie-GAHN

yaihad - pregnancy - yai-HAHD

yaihad'la - pregnant - yai-HAHD-lah

yaihadir - conceive, impregnate - yai-hah-DEER

aar'ika - sting, little pain - AHR-eek-ah

aarar - hurt, cause pain - ah-RAHR

ekur - choke - eck-OOR

gratiir - punish - grah-TEER

kadalikir - scratch, leave a mark - kah-dah-lee-KEER

nynir - hit, strike - nee-NEER

oya'karir - hunt, chase - OY-yah-kah-REER

ky'goy - edge, verge, break, precipice - kee-GOHY

↳ ky'goyir - edge (verb) **

Drop a note or ask if there's anything you think I should add!

[ranahan]

C, cy, yc—why are they pronounced like that?

I think I’ve mentioned before that the rule is very nearly regular, so here it is. I’ve reproduced Traviss’s original pronunciation guides here (so you can see whether what I’m saying holds true).

c (without y) is pronounced as /s/ before high front vowels /e i/

cerar [sair-ARR]

ceratir [sair-AH-teer]

ceryc [sair-EESH]

cetar [set-ARR]

cetare [set-ARE-ay]

cin [seen]

cinargaanar [see-NAHR-gah-nahr]

cinarin [see-NAH-reen]

cin'ciri [seen-SEE-ree]

cinyc [SEE-neesh]

ciryc [seer-EESH]

mircin [meer-SEEN]

mircir [meer-SEER]

mirci't [meer-SEET]

racin [ray-SEEN]

tom'urcir [tohm-OOR-seer]

ver'mircit [VAIR-meer-seet]

otherwise as /k/

That is, after other vowels:

ca [kah]

cabuor [kah-BOO- or]

cabur [KAH-boor]

ca'nara [KAH-nah-RAH]

can'gal [CAHN-gahl]

carud [kah-ROOD]

ca'tra[KAH-tra]

cuir [COO-eer]

copaanir [KOH-pan-EER]

copad [KOH-pad]

copikla [koh-PEEK-lah]

copyc [KOH-peesh]

cu'bikad [COO-bee-kahd]

cunak [COO-nahk]

cuun [koon]

cuyan [koo-YAHN]

cuyanir [coo-YAH-neer]

cuyete [coo-YAY-tay]

cuyir [KOO-yeer]

cuyla [COO-ee-lah]

du'car [DOO-kar]

du'caryc [doo-KAR-eesh]

ge'catra [geh-CAT-rah]

jorcu [JOR-koo]

ori'copaad [OH-ree-KOH-pahd]

vencuyanir [ven-COO-yah-neer]

vencuyot [vain-COO-ee-ot]

vercopa [vair-KOH-pa]

vercopaanir [VAIR-koh-PAH-neer]

…and in a word-final position:

balac [bah-LAHK]

bic [beek]

ibac [ee-BAK]

ibic [ee-BIK]

norac [noh-RAK]

tebec [TEH-bek]

yc is always pronounced as /iʃ/

aikiyc [ai-KEESH]

aruetyc [AH-roo-eh-TEESH]

balyc [BAH-leesh]

beskaryc [BES-kar-EESH]

burk'yc [BOOR-keesh]

chakaaryc [chah- KAR-eesh]

copyc [KOH-peesh]

dalyc [DAH-leesh]

daryc [DAR-eesh]

diryc [DEER-eesh]

duumyc [DOO-meesh]

etyc [ETT-eesh]

gaht'yc [GAH-teesh]

gehatyc [geh-HAHT-eesh]

haamyc [HAH-meesh]

haatyc [HAH-teesh]

haryc [HAR-eesh]

hayc [haysh]

hetikleyc [hay-TEEK-laysh]

hettyc [heh-TEESH]

hodayc [HOH-daysh]

hokan'yc [hoh-KAH-neesh]

iviin'yc [ee-VEEN-esh]

jagyc [JAH-geesh]

jaon'yc [jai-OHN-ish]

jari'eyc [JAR-ee-aysh

jatisyc [jah-TEE-seesh]

johayc [JO-haysh]

kotyc [koh-TEESH]

kyr'adyc [keer-AH-deesh]

kyrayc [keer-AYSH]

kyr'yc [KEER-eesh]

laamyc [LAH-meesh]

lararyc [lah-rah-eesh]

majyc [MAH-jeesh]

morut'yc [moh-ROO-teesh]

narseryc [nar-SAIR-eesh]

nayc [naysh]

neduumyc [nay-DOO-meesh]

nehutyc [neh-HOOT-eesh]

nu'amyc [noo-AHM-eesh]

nuhaatyc [noo-HAH-teesh]

ori'beskaryc [OH-ree-bes-KAR-eesh]

ori'jagyc [OH-ree-JAHG-eesh (or OH-ree-YAHG-eesh)]

ori'suumyc [OHR-ee-SOOM-eesh]

oyayc [oy-AYSH]

piryc [PEER-eesh]

ramikadyc [RAH-mee-KAHD-eesh]

ret'yc [RET-eesh]

ruusaanyc [roo-SAHN-eesh]

sapanyc [sah-PAHN-eesh]

shaap'yc [sha-PEESH]

shi'yayc [shee-YAYSH]

shuk'yc [shook-EESH]

shupur'yc [shoo-POOR-esh]

sol'yc [sohl-EESH]

talyc [tahl-EESH]

tomyc [TOH-meesh]

tranyc [TRAH-neesh]

tratyc [TRAH-teesh]

tug'yc [too-GEESH]

ulyc [OO-leesh]

urcir [oor-SEER]

utyc [OO-teesh]

verburyc [vair-BOOR-eesh]

verd'yc [VAIR-deesh]

vutyc [VOOT-eesh]

yaiyai'yc [yai-YAI-eesh]

Note that this is still true when yc occurs in the middle of a word instead of the end:

barycir [bah-REE-shir]

besbe'trayce [BES-beh-TRAYSH-ay]

dirycir [DEER-ee-SHEER]

ke'gyce [keh-GHEE-shay]

majyce [mah-jEE-shay]

majycir [MAH-jeesh-eer]

mar'eyce [mah-RAY-shay]

mureyca [MOOR-aysh-ah]

cy is pronounced as /ʃ/

burc'ya [BOOR-sha]

burcyan [BOOR-shahn]

cyare [SHAH-ray]

cyare'se [shar-AY-say]

cyar'ika [shar-EE-kah]

cyar'tomade [SHAR-toe-MAH-day]

mirshmure'cya [meersh-moor-AY-shah]

murcyur [MOOR-shoor]

oyacyir [oy-YAH-sheer]

Ret'urcye mhi [ray-TOOR-shay-MEE]

sheb'urcyin [sheh-BOOR-shin]

sho'cye [SHOW-shay]

tracy'uur [trah-SHOOR]

Exceptions

The above holds true except for some exceptions:

The first is a group of words with a combination of u + yc:

buyca [BOO-shah]

buy'ce [BOO-shay]

buycika [BOO-she-kah]

This might be related to the status of /ui/ as a diphthong in Mando’a & could be a piece of evidence against it. What do I mean? Well, every instance of ⟨uy⟩ in the dictionary, Traviss breaks up in two syllables /u.i/. Could be there’s no diphthong /ui/ in Mando’a? However, I think it’s more likely this is because Traviss gives the pronunciations with an English orthography (i.e. how an English speaking reader would know to pronounce the words), and there’s no diphthong /ui/ in English, so in order to represent those sounds in English, they have to be broken up in separate syllables.

I also think the long /uː/ in buy’ce etc. is likely simply an elision: try going slowly from /u/ to /i/ to /ʃ/, and you’ll notice it’s easier to slip directly from /u/ to /ʃ/. I would generalise it as the diphthong /ʊɪ/ being realised as /uː/ before palatal consonants (at least; maybe others as well).

and:

buyacir [boo-ya-SHEER] /bʊ.ja.ˈʃiɾ/

Which has no excuse for being irregular except for influence on its spelling from buy’ce, so you could alternatively spell it as buyacyir or pronounce it as /bʊ.ja.ˈsiɾ/ (either would be regular).

The other exception to the rule is:

acyk [AH-seek]

The rule for this could be formulated as “y is the only vowel in a syllable, it’s pronounced as /i/ and the pronunciation of c follows that.” Except for…

tracyn [trah-SHEEN]

Which itself could be analysed as a combination of the above rules: y as an only vowel gets pronounced as /i/, but the consonant in cy is still pronounced as /ʃ/ (in which case it would be acyk that is irregular instead).

It’s the derivations that appear irregular:

tracinya [trah-SHEE-nah]

tracyaat [tra-SHEE-at]

tra'cyar [tra-SHEE-ar]

Tracinya is plainly a derivation of tracyn, just spelled with an i instead of y. Interestingly, in Harlin’s Mando’a tracyn is pronounced as /tra.ʃin/ and tracinya as /tra.sin.ja/. So perhaps it’s acyk which should be pronounced as /a.ʃik/?

I’ve chosen to adjust the pronunciation of the other two to conform to the rule of pronouncing cy as /ʃ/: /tɾa.ˈʃaːt/ & /tɾa.ˈʃaɾ/.

And then:

yacur [YAH-soor]

Idek? I have do idea where this one comes from.

And:

Coruscanta [KOH-roo-SAHN-ta]

which is a loanword and doesn’t count. Although I’d suspect that “Corusanta” might be a fairly common misspelling among native speakers.

Explanation

So why is it pronounced like that? The explanation is something called palatalisation, which is the same reason why c in Latinate words is sometimes pronounced as /k/ and sometimes as /s/.

In very simple terms, the high front vowels and the semivowel /j/ are pronounced such that the tongue is at or very nearly the palatal position. So they tend to pull the preceding consonants to the palatal place of articulation (instead of whichever place of articulation they used to be pronounced at).

So in Mando’a:

c → k

c + high front vowel /i e/ → /s/

c + semivowel /j/ → /ʃ/

Not sure if /k/ is the original value of ⟨c⟩ since this rule doesn’t seem to apply to ⟨k⟩. Maybe ⟨c⟩ had originally another value, which has later changed into /k/?

There will be a second part to this post later, but I’ll break this off here for now.

[queersrus]

Candy theme

[candy theme]

for @seraphim-coinz 's event, prompt one !

partnered with our other blogs @dollilian, @objectumluv, @systiveboxes, @skelatomy

(nick) names:

aero, almond, altoid, astro, ayd, airhead bonbon, bonnie, butter, burst, bar, bounty, boyer, bubble, bear, bubba

candi/candie/candy, candice/candace, candiette, cotton, caramel, caramilk, crisp, cadbury, creme, cane, corn, charlston, chew, charlie, chik, chip, choco, chocolate, chuckle, chupa, chup, clark, crunch, crunchy/crunchie

dot, drop, dove, double, dum, dunkaroo five, fazer, ferrera, ferrero, flake, fruitella, fudge, fruit gummy, gusher, galaxy, gob

henry, hershy/hershey, heath, haribo, hi-chew, hubba ike, ice jelly, jello, jellybean, jolly, joy, juice, juicy, juju, jujube

kit, kat, kitkat, kiss, kinder, knopper, krackel lolly/lollie, lollypop/lollipop, lemon, laffy, licorice/liquorice, lindor, lemonhead

mint, minty, mike, milky, mallo/mallow, marsh, marshmallow, maltese, malteser, mamba, mars, mento, milk, milka, milton, moonpie, mound

necco, nerd, nestle orbit, oreo

pixy/pixie, patch, pop, parma, payday, pb, peanut, peep, pez, pocky, peppermnt

reese/rease, ruth, ranch, rancher, rocher, rock, rolo, runt skittle, smartie/smarty, sour, snicker, star, starburst, sixlet, skor, spree, sweetart, sweetheart, symphony

tootsie, taffy, toffee, turk, twizzler, twix, trident, tape, tempo, tic, tac, toblerone, topic, treet/treat, trolli, tupla, twinky/twinkie, twirl violet

way, wunder/wonder, wafer, warhead, whopper, wine, wispa, wonka york zaotang, zero

1st p prns: i/me/my/mine/myself

ai/ae/aery/aeroine(aerine)/aeroself ai/aire/airy/airheadine/airheadself bi/bone/bonbony/bonbonine/bonbonself ci/cande/candy/candine/candyself ci/care/caramy/caramine/caramelself(caramilkself) chi/choce/chocy/chocolatine/chocolateself gi/gume/gummy/gummine/gummyself(gumself) ji/jelle/jelly/jelline/jelloself pi/pocke/pocky/pockine/pockyself ri/ree/reesy/reesine/reeseself ski/skitte/skittly/skittline/skittleself ski/skore/skory/skorine/skorself ti/tootse/tootsy/tootsine/tootsieself ti/taffe/taffy/taffine/taffyself wi/wonke/wonky/wonkine/wonkaself

2nd p prns: you/your/yours/yourself

ao/aer/aers/aerself aio/air/airheaders/airheaderself bo/bonbonr/bonbonrs/bonbonrself co/cander/candiers/canderself co/carameler/caramelers/caramelerself cho/chocor/chocors/chocorself go/gummer/gummers/gummerself jo/jellor/jellors/jellorself po/pocker/pockers/pockerself ro/reeser/reesers/reeserself sko/skittler/skittlers/skittlerself sko/skor/skors/skorself to/tootser/tootsiers/tootserself to/taffer/taffers/tafferself wo/wonker/wonkers/wonkerself

3rd p prns: they/them/theirs/themself

ae/aero, aer/ro, ae/ro, aer/aero, aero/aeros, aero/bar, air/head, airhead/airheads bo/bon, bon/bon, bonbon/bonbons can/dy, can/candy, candy/candys, candy/bar, cara/mel, car/caramel, caramel/caramels, cara/milk, caramilk/caramilks, cho/colate, choco/lat, cho/colat, choc/ olat, choco/chocolat, chocolat/chocolats gum/my, gum/gummy, gummy/gummys jel/jello, jel/lo, jello/jellos po/pocky, po/cky, poc/ky, pock/y, pock/pocky, pocky/pockys re/eses, ree/ses, ree/se, ree/reese, reese/reeses, reeses/pieces ski/skittle, skit/skittle, skittle/skittles, skit/tle, sko/skor, sko/or, skor/skors to/toots, too/tsie, too/tootsie, tootsie/tootsies, ta/taffy, taff/y, taf/fy, taf/taffy, taffy/taffys wo/wonka, wonk/a, won/ka, wonka/wonkas, wonka/bar

titles:

the candy seller, the candy maker, the candy hoarder, the candy man/woman/being, the candy lover, the ruler of candyland

*one who collects vintage candies, one who shares candy, one who owns many candies, one who is making many candies, one who holds candy knowledge

candy maker

*one can be replaced by any prn

[soruset]

wait i need to make a list of nicknames for the peopl i like on tjis sitw

uh

@/the-real-gmail : jee mayl/monty !1!!1!1! AAAA

@/youripadress9080 is ipad but apollo will be their name forever!1!!1!1 or also appylo and apolaki (apolaki is an inside joke YOU CANT STEAL RHAT AFSFFAFSFAV /lh)

@/6esiree uhhh... ree ?

@/eyes-shining-with-love : ai i suppose :0

@/notherpuppet euyshdggdg fsr i centered in on 'ther' and it stayed

thats all i can think of 4 now oh well 😞

[ignitesthestxrs]

I know you said you’ve gone back into it slowly but any book recs?

yes absolutely!! i have read some bangers lately tbh. also another thing i am trying to do is start uuuh reviewing what i'm reading so i will link a couple of those as well. but here is a sporadic collection of my reading enjoyments of the last year or so!

IF FOUND RETURN TO HELL // THE DEATH I GAVE HIM by Em X. Liu

em is hands down one of the best writers i know with prose that will punch you in the face and leave you asking if you can have another, please.

IF FOUND RETURN TO HELL is a queer found family novella featuring a done-with-this protag working in a wizarding call centre who abruptly comes down with a case of 'sweet angel baby boy possessed by demon hell child' in a broken magical healthcare system where following protocol is more important than like, helping people. so what is journeyman wen to do if not, you know, help anyway?

THE DEATH I GAVE HIM is the queer scifi hamlet retelling of my dreams, which is funny because i didn't care about hamlet until this book taught me how to. a thoughtful exploration on the nature of adaptation, death & immortality, and also what happens when your best friend is an AI and you wanna fuck him.

IN COLD BLOOD by Truman Capote the original true crime novel. still stuck in my truman blorbo moment. full review here

ASSASSIN'S APPRENTICE by Robin Hobb classic 90s fantasy with surprisingly emotional focus on the protag in a way i really dug. unhinged levels of accidental queerbaiting in a way that i enjoyed rather than despaired of. full review here.

PANDORA'S JAR: WOMEN IN THE GREEK MYTHS by Natalie Haynes a great overview of classical women that takes into account multiple sources and the way they have been read over centuries, and how the time in which a tale is being told affects the tale just as much as what the text of the story actually is. does a good job of walking the middle ground between like, historical sexism and the reflexive girlbossification instinct.

IN OTHER LANDS by Sarah Rees Brennan the queer harry potter offshoot we all actually deserve. portal fantasy with an acerbic main character who will save the world out of sheer spite because the world doesn't seem to think he can save it, or want him to do it even if he could. a genuinely lovely musing on the nature of loneliness, what abuse does to a child, how it's hard but possible to overcome the prejudices you learn when you're young, and how eventually, you're going to have to make the decision to let yourself be loved.

SHE WHO BECAME THE SUN by Shelley Parker-Chan truly i don't have the word for how fucking excellent this queer epic fantasy is. set in mongol-ruled china, this book is a masterclass in political intrigue, historical fiction, military fantasy, and also genderfuckery. feat. the kind of tragedy you see coming for several hundred pages and still takes your breath away when it hits, and also lesbian fisting. anyone who says books based in history can't get queer can get fucked.

A MARVELLOUS LIGHT by Freya Marske for a total 180 in mood, here is your queer romantic fantasy set in an Edwardian England that is reflective of the fact that like, queer people did in fact exist in Edwardian England. A lighter fare that nonetheless will hit you right in the heart and leave you delighted that a) there's a second book out now and b) the third one is coming soon. also Freya is an Artiste when it comes to writing good sex scenes, which

i belatedly realise it seems like i'm focusing on in this post but i just! like a queer text that tackles queer sex with nuance and interest and the horror and/or joy of the body, and the above authors are all fucking masters at their art (which includes, but by no means is limited to, writing about fucking)

[shinischis]

"vanilla"

where...💭

shinichi can't sleep and kaito kid is like a walking sleeping pill

— kaito kid | kuroba kaito / kudo shinichu | edogawa conan

10k words

Link

[marginal-effect]

ill miss being in college forever and ever but also im glad i got out before the ai boom bc if my unstable overachiever ass had to witness certain ppl talking about using chatgpt to do their assignments id be in jail right now

[queerwelsh]

Bywyd Cwiar Cranogwen

Ganed ‘Cranogwen’ (9 Ionawr 1839 – 27 Mehefin 1916), neu Sarah Jane Rees, yn Llangrannog, i Frances Rees a’r morwr John Rees. Yn anarferol am y cyfnod, addysgwyd Cranogwen yn yr ysgol leol ynghyd â’i brodyr hyd at bymtheg oed. Mae’n hefyd yn aml yn cael ei ystyried yn anarferol oedd Cranogwen yn morwr yn ymuno â’i thad ar y môr yn masnachu ar hyd yr arfordir ac weithiau i Ewrop. Fodd bynnag, nid oedd yn anghyffredin i ferched fynd gydag aelodau gwrywaidd o'u teulu i weithio. Roedd gwragedd a phlant y morwyr yn mynd gyda nhw, er na chaniatawyd hyn ar longau’r Llynges Frenhinol ar ôl 1869. Mae rhai morwyr benywaidd eraill yn cael eu hystyried yn cwiar heddiw, a rhai morwyr hefyd yn cael eu hystyried yn ddynion traws. Dychwelodd Cranogwen i addysg ar ôl tair blynedd ar y môr, i ysgolion mordwyo yn y Cei Newydd a Llundain, ac yn 1859 sefydlodd un ei hun yn Llangrannog. Er bod tystiolaeth o feirniadaeth ar ferched yn rhedeg ysgolion mordwyo, o eglwysi a’r ‘Llyfrau Gleision’, nid oes cofnod o feirniadaeth o’r fath tuag at Cranogwen.

Ym 1865 enillodd Cranogwen yn Eisteddfod Genedlaethol Aberystwyth gyda ‘Y Fodrwy Briodasol’, yn mynegi beirniadaeth o’r disgwyliad ar ferched i briodi, trwy safbwyntiau pedair priodferch, gan gynnwys un yn dioddef o gam-drin domestig. Curodd hi feirdd gwrywaidd enwog fel Islwyn. Yr oedd ei henw barddol yn cynnwys yr enwau Sant Caranog, yr enwyd Llangrannog ar ei gyfer, a'r afon Hawen gerllaw. Gyda llwyddiant parhaus mewn Eisteddfodau, cyhoeddwyd Caniadau Cranogwen yn 1870 a bu Cranogwen yn siarad ledled Cymru, a theithio fel pregethwr lleyg Methodistaidd, gan gynnwys dwy daith Americanaidd.

Ym 1874, bu farw Fanny Rees o Langrannog o'r diciâu ym mreichiau Cranogwen, ar ol symud i fyw yn ei chartref teuluol. Disgrifir galar Cranogwen ar ddiwedd trasig ei pherthynas mewn ysgrifeniadau hunangofiannol. Yn ogystal, ystyrir ei barddoniaeth i fel ei hysgrifennu mwyaf angerddol, megis ‘Fy Ffrynd’. (Ceir cerdd angerddol iddi hefyd gan Buddug, sy’n disgrifio sut y bu bron iddi addoli ac edmygu Cranogwen ‘anfarwol’.) Wrth i Cranogwen barhau i fyw gyda’i rhieni, roedd Jane Thomas yn byw yn agos, fel ei phartner cefnogol ac ymroddedig. Pan fu farw rhieni Cranogwen, gwerthodd y tŷ a bu’n byw gyda Jane am ugain mlynedd olaf ei bywyd.

Ym 1878, daeth Cranogwen yn olygydd 'Y Frythones' - nid y cylchgrawn cyntaf i ferched Cymru ond y cyntaf a olygwyd gan fenyw - a oedd â mwy o negeseuon proto-ffeministaidd a hyd yn oed cwiar na'i ragflaenydd, er yn dal i gynnwys gwersi ar fod yn merched a menywod dosbarth canol parchus a chrefyddol. Ond o fewn y gwersi hyn, roedd Cranogwen yn hyrwyddo ysgrifennu merched Cymru, gan sicrhau bod 'Y Frythones' yn cael ei ysgrifennu ar gyfer merched gan ferched, wrth ddweud i'w darllenwyr nad oedd angen iddynt i gyd briodi, fel ‘merch fan yma ar ein pwys’ (Jane Thomas) a byddai’n rhoi atebion, yn y golofn 'Cwestiynau ac Atebion', y gellir bellach eu dadansoddi fel queer. Ym 1887, pan ysgrifennodd darllenydd wrth gwestiynu steiliau gwallt byr bob ar ferched, gan ddweud na allai ddweud ai merched neu fechgyn oedd y rhai â'r steiliau gwallt hyn, atebodd Cranogwen: “Yn gyntaf peth gan hyny, felly, gofynnwch i'r person pa un fydd, ai bachgen ai merch? Yna ewch yn mlaen a'ch neges." Pan holodd darllenwyr am ferched yn dod yn bregethwyr, fel Cranogwen ei hun, daeth hi i’r casgliad, “Nid yw gwahaniaeth rhyw yn ddim byd yn y byd.”

Roedd Cranogwen yn forwr, athrawes, bardd, llenor, golygydd, ymgyrchydd dirwest a llawer mwy. Etifeddiaeth ffeministaidd yw ei hetifeddiaeth – sefydlwyd ‘Llety Cranogwen’, lloches i ferched a menywod digartref yn y Rhondda gan Undeb Dirwestol De Cymru. Mae hi’n parhau i fod yn ysbrydoliaeth, i’r grŵp Cymraeg ‘Cywion Cranogwen’ ac i gylchgronau Cymraeg modern gan ac ar gyfer merched Cymru, fel ‘Codi Pais.’ Mae ei hetifeddiaeth hefyd yn un cwiar, yn ysbrydoli merched a phobl cwiar, ac oedd Cranogwen yn agored am ei pherthynasau yn ei hoes ei hun (er fel 'cyfeillgarwch rhamantus' pryd hynny), sydd bellach yn cael eu dileu yn rhy aml yn hanes y fenyw 'anfarwol' hon. Dylai Fanny Rees a Jane Thomas, a oedd yn caru ac yn cefnogi Cranogwen, a’r themâu cwiar mewn barddoniaeth gan ac i Cranogwen, bellach gael eu cynnwys yn barhaol yn ei hanes. Ni ddylid dileu eu hanes nac arwyddocâd etifeddiaeth Cranogwen i bobl LHDTC+, ac yn enwedig menywod cwiar Cymru.

Ers 2023, mae cerflun o Cranogwen yn ei phentref, Llangrannog.

Ffynonellau a Darllen Pellach:

Caniadau Cranogwen

Jane Aaron, ‘Gender Difference is Nothing,’ Queer Wales, gol. Huw Osborne & ‘Developing Women’s Welsh-language Print Culture’ Nineteenth Century Women’s Writing in Wales.

Katie Gramich & Catherine Brennan gol. Welsh Women’s Poetry, 1460-2001: An Anthology.

Norena Shopland, Forbidden Lives: LGBT Stories of Wales.

Sian Rhiannon Williams, ‘Y Frythones: Portread Cyfnodolion Merched y Bedwared Ganrif ar Bymtheg o Gymraeg yr Oes,’ Llafur, IV, 1 (1984).

Jane Aaron, Cranogwen, 2023

Llun o Lyfrgell Genedlaethol Cymru.

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[monachopsis-99]

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