#Recyclable D&D Waste

[jurnaldeoltenia]

Craiova reciclează de Ziua Mediului!

ECOTIC împreună cu Primăria Municipiului Craiova și Recyclable D&D Waste organizează în perioada 29 mai – 10 iunie o campanie de colectarea a deșeurilor de echipamente electrice și electronice. Astfel, cei care predau deșeuri electrice pe parcursul campaniei vor participa la o tombolă unde sunt oferite următoarele premii: cuptor cu microunde, mixer cu bol și boxă portabilă. Extragerea…

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Impact of Construction and Demolition Waste and its Use in Buildings

Introduction Construction and demolition (C&D) waste is a significant environmental concern worldwide. The massive amounts of waste generated from construction and demolition activities pose a threat to the environment and human health. However, innovative approaches have emerged to tackle this issue, focusing on recycling and reusing C&D waste in building projects. This article explores the…

[sssshhhthefilmsabouttostart]

The best and worst films of 2020

Let’s be honest - 2020 was an extremely shitty year for moviegoers everywhere, as the Queen would say an annus horribilis.

Due to the Covid pandemic’s dramatic impact on nearly every facet of human life, cinemas closed, film festivals went virtual and film productions became an intricate mess of insurance and safety challenges.

Yet despite these dire challenges and an unpredictable future, cinema remained very much alive throughout the year, with a wide range of ambitious undertakings snaking their way into whatever form of release seemed viable. Blockbusters receded to the background, allowing a wide range of movies to trickle through an uncertain marketplace that would have been hostile to them even in pre-pandemic times.

So what cinematic gems and unmitigated disasters were dropped upon audiences during the year?

Ladies and gentlemen, may we please offer for your consideration...

HONOURABLE MENTIONS

THE CURRENT WAR - THE LIGHTHOUSE - IN FABRIC - BEING FRANK: THE CHRIS SIEVEY STORY (D) - BOMBSHELL - THE PEANUT BUTTER FALCON - THE SOCIAL DILEMMA (D) - LIGHT OF MY LIFE - THE ASSISTANT - THE LODGE - THE GENTLEMEN - THE WAY BACK - DARK WATERS - 1917 - THE BURNT ORANGE HERESY - THE HUNT

2020′S TOP TEN BEST FILMS

10. THE WOLF OF SNOW HOLLOW

Hot off the critical success of his debut feature ‘Thunder Road,’ writer-director Jim Cummings’ refreshing yet effective take on the werewolf genre amped up the dark comedy whilst delivering quite a few chills. Tinged with realistically flawed characters and clever scares, ‘The Wolf of Snow Hollow’ might not have been your typical werewolf flick but it successfully managed to bring that classic legend to life once again.

9. LET HIM GO

Previously last seen together as Clark Kent’s adoptive parents in ‘Man of Steel,’ Diane Lane and Kevin Costner were reunited onscreen as husband and wife again in writer-director Thomas Bezucha’s neo-Western drama ‘Let Him Go.’ Adapted from author Larry Watson’s 2013 novel, the film featured stunning landscapes, full-blooded moments of sudden violence and compelling performances from Diane Lane, Kevin Costner and, most memorably, Lesley Manville’s turn as a gritty and cunning matriarch.

8. COLOUR OUT OF SPACE

Based on the classic short story by HP Lovecraft and featuring another scene-stealing performance from Nicolas Cage, this clever adaptation was an effective horror film with an unrelentingly grim sci-fi bent. In addition to the truly disturbing and inspired images of queasy body horror, ‘Colour Out of Space’ also marked the eagerly-anticipated re-emergence of filmmaker Richard Stanley (his first time back in the director’s chair since being fired from his 1996 remake ‘The Island of Dr Moreau’).

7. THE INVISIBLE MAN

Who knew a remake could be so refreshing? With this updated take on the H.G. Wells tale, writer-director Leigh Whannell did just about everything right, delivering a tense, clever thriller with touches of both horror and sci-fi. As the fascinatingly flawed yet appealing tough protagonist, Elisabeth Moss gave a captivating performance in a film that was chilling in all the right ways, packed with plenty of twists and a deliciously nasty resolution.

6. THE TRIAL OF THE CHICAGO 7 (NETFLIX)

Whilst the subject matter of ‘The Trial of the Chicago 7′ shared an uncanny relevance to today’s politically charged times, as a gripping courtroom drama with a stellar cast, the film ticked all the boxes. ‘West Wing’ creator Aaron Sorkin put his trademark traits - razor-sharp wit, rhetorical flair and political insight - to very good use in this masterful retelling of the trial following the 1968 anti-war protests outside the Democratic National Convention.

5. HEARTS AND BONES

In his debut feature film, Australian director Ben Lawrence created a spiritually rich and immersive drama about the relationship between a grizzled, broken war photographer and a Sudanese refugee. Whilst Hugo Weaving was note-perfect in his portrayal as a crumbling man wrestling with his past, equally impressive was first time actor Andrew Luri who delivered a quiet yet memorable performance in what was an affecting piece of cinema.

4. TOTALLY UNDER CONTROL (DOCUMENTARY)

Watching a documentary about the COVID-19 crisis in the middle of a global pandemic might not sound appealing but prolific filmmaker Alex Gibney’s latest work was easily the most essential non-fiction film of 2020. Shot safely in secret for five months, ‘Totally Under Control’ played out like a tightly-wound thriller as it placed the Trump Administration’s inept response to the coronavirus pandemic under the microscope.

3. BAD EDUCATION (HBO)

As far as crime stories go, embezzlement isn’t always the most thrilling subject. However, ‘Bad Education’ turned a relatively simple white collar crime story about a New Jersey school administrator caught stealing money into a compelling drama, thanks to an incisive and nimble script and spot on performances from Allison Janney, Geraldine Viswanathan, Ray Romano and especially Hugh Jackman.

2. MANK (NETFLIX)

Director David Finch’s dazzling portrait of Herman J. ‘Mank’ Mankiewicz, the screenwriter who collaborated with wunderkind filmmaker Orson Welles to write the first draft of ‘Citizen Kane,’ was a cinematic jewel from start to finish. Similar to last year’s ‘Once Upon A Time in...Hollywood,’ ‘Mank’ delivered a layered depiction of the filmmaking process, whilst Gary Oldman continued to excel at immersing himself in playing real-life characters, this time as the hard-drinking, intellectual screenwriter.

1. NOMADLAND

Writer-director Chloe Zhao’s intimate drama about an unemployed widow living as a van-dwelling modern-day nomad was a thoughtful, contemplative and reflective piece of storytelling. It may have touched upon mature themes about loneliness, financial instability and restlessness, but ‘Nomadland’ remained an uplifting and hopeful piece of cinema that captured the various bittersweet reasons people choose to live a life on the road.

With an outstanding performance from Frances McDormand, brought to life through the charm of the ‘real life’ supporting cast, great direction and Joshua James Richard’s mesmerising cinematography, ‘Nomadland’ was the perfect film for 2020.

...AND NOW THE WORST!

DISHONOURABLE MENTIONS

VAMPIRES VS THE BRONX - BAD BOYS FOR LIFE - THE OLD GUARD - PROJECT POWER - ISN’T IT ROMANTIC - THE RHYTHM SECTION - WHERE’D YOU GO, BERNADETTE - I’M THINKING OF ENDING THINGS - MIDWAY - YOU SHOULD HAVE LEFT - BABY DONE - FORCE OF NATURE - CAPONE - THE NEW MUTANTS - DOOLITTLE

10. WONDER WOMAN 1984

To quote Red Letter Media’s resident film critic Mike Stoklasa, “this movie was the cinematic equivalent of the Bluesmobile.” Directed by Patty Jenkins, this 80′s-set sequel to the 2017 DC superhero hit was lethargically paced and featured a completely bonkers narrative that made absolutely no sense. Horribly scripted, disjointed and overstuffed (a runtime of 2.5 hours), ‘Wonder Woman 1984′ sadly jettisoned everything that made Jenkins’ original film so compelling. The result? An appalling misfire.

9. THE GRUDGE

A curiously talented and interesting cast were somehow lured into - and subsequently wasted in - this pointless, tired, reboot/revival of the long-running ‘Ju-On’ Japanese-based horror series. Despite director NIcholas Pesce’s attempt to disguise the rudimentary nature of the plot via back-and-forth timeline jumping, ‘The Grudge’ was just a formulaic paint-by-the-numbers meander through a poorly developed story that existed only to prop up a bunch of uninspired jump scares.

8. BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN)

There are many movies that have no reason to exist - and this latest misfire from DC Comics was one of them. Directed by Cathy Yan, ‘Birds of Prey’ was a mire of uninspired ideas and recycled genre conventions that got old real quick. Penned by Christina Hodson (’Bumblebee’ being the ‘highlight’ on her resume), the script was as simplistic as it was thin, with needless subplots merely introduced to inflate the film to a decent running time. Even Margot Robbie’s manic performance as the ‘Mistress of Mayhem’ couldn’t save this mess.

7. JAY AND SILENT BOB REBOOT

What could’ve been a dream film for fans of these two classic stoner characters instead was nothing but a string of cameos and callbacks in a plot-less bore. Director Kevin Smith sucked all the life and fun out of this watered-down story, that suffered from a constant series of awkward and forced jokes that were painfully unfunny. An unfortunate stinker.

6. AVA

This latest foray into the ‘female assassin for hire’ genre was about as cliched as you could get. An emotionally troubled female killer whose male mentor assumes the role of the surrogate father? Check. Pounding dance music score? Check. Obligatory nightclub fight sequence? Check. Confused love interest? You betcha! Humourless, dry and uninspired, ‘Ava’ played out like a poor man’s ‘La Femme Nikita.’

5. FANTASY ISLAND

Hollywood’s obsession with repackaging Gen-X childhoods continued with this absurd attempt to reboot the classic 1970′s TV series as a low-budget horror joint under the Blumhouse label. At a dangerously close two hour runtime, there was simply nothing interesting about the film’s characters or its inane plot about a mystical island that grants wishes (a’la ‘The Monkey’s Paw’). Our advice? Turn ‘de plane’ around if you ever plan to visit this ‘Fantasy Island.’

4. ARTEMIS FOWL

For every ‘Harry Potter’ that explodes into the public consciousness, there always seems to be a dozen or more failed franchises. Sadly, Disney’s ‘Artemis Fowl’ found itself in the latter category. Director Kenneth Branagh’s dull and superficial attempt to transfer this popular children’s book series from page to screen suffered from a lack of character development, an over-reliance in CG effects and featured a lifeless performance from newcomer Ferdia Shaw as the titular character. 

3. HUBIE HALLOWEEN (NETFLIX)

A month before last year’s Oscar nominations were released, Adam Sandler joked on ‘The Howard Stern Show’ that if the Academy snubbed him for his role in the film ‘Uncut Gems,’ he would make a movie “that [was] so bad on purpose.” And that’s exactly what happened. Supposedly a comedy, ‘Hubie Halloween’ was unfunny, disposable and completely devoid of any originality. Sadly for audiences, Sandler signed a four-movie deal with Netflix last year, worth up to $275 million - so we can expect to see more of this shit soon!

2. ALIEN ADDICTION

Aliens visit New Zealand and get high smoking human faeces? Someone should have advised Kiwi director Shae Sterling that audiences have moved on from such puerile comedies as this abomination. Suffice to say, if anybody ever admitted to finding this film remotely funny, they’d probably be outcast from society. An embarrassment to all those involved. 

1. THE BEACH BUM

Director Harmony Korine’s generic stoner comedy about a prolific poet who drifts through life in a drug-induced haze had all the natural high of an unfiltered, soggy joint and was easily, hands down, 2020′s worst film.

‘The Beach Bum’ was a pretentious and uninteresting movie whose lead character, considered to be an ‘artistic genius,’ was nothing more than a relentless shithead to everyone around him. As Moondog, the semi-naked, bongo-playing, pot-fuelled beat poet, Matthew McConaughey was insufferable and grating in his portrayal of a character you would quite easily want to punch in the face - repeatedly. Blazed and confused, ‘The Beach Bum’ had no plot, no class and no entertainment value whatsoever. 

MOVIE POSTERS

From the classic to the abstract, here is just a sample of some of the best poster designs from a highly unusual year of movies.

...AND FINALLY, WHEN WHEN IT COMES TO DIRE-LOG, THEY SAID WHAT!?

“I've never wanted anything more. But he's gone, and that's the truth. And everything has a price. One I'm not willing to pay. Not any more. This world was a beautiful place, just as it was, and you cannot have it all. You can only have the truth. And the truth is enough. The truth is beautiful” (’Wonder Woman 1984′).

And who could forget this little chestnut of advice...

“That is the only truth and truth is all there is. You cannot be the winner because you are not ready to win. And there is no shame in that. Only in knowing the truth in your heart and not accepting it. No true hero is born from lies” (’Wonder Woman 1984′).

[soloau21]

Rubbish Collection Services

Solo Resource Recovery is Australia's leading provider of rubbish collection services and council waste disposal services, with experienced and trained staff and vehicles to collect, transport, process, recycle, and dispose of rubbish and waste generated by organisations, households, and industries.

[mikemortgage]

AMP Robotics and Ryohshin Partner on New Industrial Automation for Construction and Demolition Recycling

https://mms.businesswire.com/media/20190312005140/en/709941/19/3762135_Final_ryohshin-04_MP4.mp4

</p

Technology Leaders Partner to Launch High Performance Artificial Intelligence Robotics Systems to Japanese Market

DENVER & TOKYO — AMP Robotics Corp. (“AMP”), a pioneer in artificial intelligence (“AI”) and robotics for the recycling industry, and Ryohshin Co. Ltd. (“Ryohshin”), a leader in waste management technology in Japan, today announced a partnership to make and sell AI-driven industrial robotics for material recovery in the Japanese Construction and Demolition (“C&D”) market. The companies also announced the commercial launch of a comprehensive solution of high-performance C&D robotic systems now available in Japan.

@AMP Robotics launches new technology with @Ryohshin for #construction and #demolition #recycling. Advanced high speed #AI driven #robotics improve recycling rates, operate 24/7 and recover material metal, wood, electronics, concrete and much more.

Ryohshin and AMP co-developed a groundbreaking robotic system using the AMP Neuron™ AI platform to guide high-performance robots that recognize, sort, pick and process C&D debris for recycling. The two C&D robotic systems are called ‘AI-Benkei’ and ‘AI-Musashi’.

AI-Benkei is the heavy-duty workhorse using a single-robot cell to handle heavy debris up to 40 kg, processing up to a remarkable 25 metric tons per hour. AI-Musashi is the highspeed racehorse using a tandem-robot cell that rapidly picks smaller items at an unprecedented speed of 160 pieces of material per minute, processing up to 10 metric tons per hour. The two systems combine payload and speed to form a complete solution that can operate 24/7 and process a vast array of material including metal, wood, electronics, concrete and much more.

“Ryohshin is grateful to partner with AMP. I am very pleased by their expertise in artificial intelligence and robotics. Our teams worked extremely well together to successfully commercialize this new C&D technology,” said Osamu Kono, chief executive officer of Ryohshin. “Our customers will benefit greatly from AI-Musashi and AI-Benkei. This technology marks a significant advancement for recycling in Japan.”

AMP has licensed AMP Neuron to Ryohshin for their use and sale of these robotic systems in Japan. In return, AMP will use the robotic technology developed with Ryohshin for its own next generation AMP Cortex™ C&D robotic system for sale in North America.

“Ryohshin’s strong reputation and leadership in the Japanese recycling market makes a perfect match for us as we expand internationally. They are a fantastic technology partner and we see this as the first of many collaborations”, said Matanya Horowitz, chief executive officer of AMP. “The combination of AI-Benkei and AI-Musashi with AMP Neuron is a tremendous leap in technology and productivity for C&D businesses. We are excited about the market response and will launch our own next generation AMP Cortex™ robotics system for C&D in North America soon.”

AMP Neuron is the “eyes” and “brain” of the robotic system achieving real-time pattern recognition to identify target materials. It continuously learns by processing vast amounts of data converted from millions of images captured via its vision system. AMP Neuron recognizes different colors, textures, shapes and patterns to identify material characteristics. AMP Neuron collects all data in a material stream, providing transparency about its material composition, as well as analysis of operational productivity. Customers use this data to monitor and measure performance, while gaining critical insights to make key business decisions.

Ryohshin will show AI-Benkei and AI-Musashi at the 2019 N-Expo, Asia’s largest environmental trade show taking place in Tokyo March 12 – 15, 2019.

About AMP Robotics Corp.

AMP Robotics™ is transforming the economics of recycling using advanced artificial intelligence (AI) and robotics. The company’s high-performance industrial robotics system, AMP Cortex™, precisely automates the identification, sorting and processing of material streams to extract maximum value for businesses that recycle municipal solid waste, e-waste and construction and demolition. The AMP Neuron™ AI platform operates AMP Cortex using advanced computer vision and machine learning to continuously train itself by processing millions of material images within an ever-expanding neural network that experientially adapts to changes in a facility’s material stream. Visit us at www.amprobotics.com.

About Ryohshin Co. Ltd.

Ryohshin is a technology leader in the Japanese waste management and recycling market. The company designs, engineers, manufactures, distributes, integrates and services one of the most extensive equipment lines in the market today. Headquartered in Toyama, Japan and founded in 2001, they have earned a strong reputation in quality and service from a diverse customer portfolio. Ryohshin is committed to sustainability and the environment powering their facilities with solar energy, while introducing new technologies that advance the effectiveness of recycling to preserve our planet. Learn more at http://www.ryohshin.co.jp

Contacts

AMP Robotics Media Contact Chris Wirth chris@amprobotics.com

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Global Solar Water Desalination Plants Market

Global Solar Water Desalination Plants Market is likely to witness a projected growth at a CAGR of 9.1% from 2020 to 2027.

Global Solar Water Desalination Plants Market Market Dynamics:

Global research on water was done to reach the conclusion of water stress level around the world and growing demand of solar desalination plants market. Fresh and clean water is essential for every living person worldwide, with increasing demand of water every year by 1%, which is expected to increase 20% to 30% by 2050. The ongoing research on desalination processes have brought advanced technologies that are going to fulfil at least the necessity of fresh water in some parts of the world. 2019 research shows, if degradation of nature and unsustainable use of water continues at same rate, 45% of the global gross domestic products and 40% of global grain production will be at risk by 2050. Many scientist are focused on solution, which will be coat efficient and produce fresh water in low time. Global players are concentrating on 2 Bn people who may not have drinking water by 2025 and to safety their daily needs.The report study has analyzed revenue impact of COVID -19 pandemic on the sales revenue of market leaders, market followers and market disrupters in the report and same is reflected in our analysis.

Drivers and Restraint:

The demand for fresh water in industrial, agriculture, energy supply and domestic is skyrocketing the global market of solar water desalination plants. The low maintenance system, relatively cheap, domestic level use, which scale up through programmatic approaches, climate change, and its easy installation on-shore and off-shore are few reasons behind growing market. The solar water desalination plant produce fresh water from seawater, brackish water and waste water. Water desalination process will reduce the rising concerns of climate change, Carbone emission, increasing human population and contamination of fresh water globally.

However, as of any process has its drawbacks, desalination has a by-product which should be used before desalination process, for example chemicals like chlorine, hydrochloric acid and hydrogen peroxide. Once these chemicals lose their properties they are dumped, which becomes an environmental concern. Brine is a side product which remain after the water is supplied and remaining left water is flushed back into ocean or sea, and the amount of saturated salt becomes a concern again. Other restraint to this market are energy concerns, health and ocean pollution.

Segmentation:

As per research, the segmentation is done by Processes, Method and Application. The report gives the detail value of these processes and explain why they are effective and how much water each type can produce on daily basis. The current statistics of reverse osmosis is widely used around the globe, it comprises of X1% and are installed in different region. The processes and method are used together to come up with better solution in desalination system, where the thermal multi-stage flash processes makes up 2X% of installation. Multi-effect distillation provides X%, electro-dialysis and electro reversal have X%, nano-filtration provides X% and others X% globally

Regional Analysis:

Worldwide there are different processes in use to remove salts from seawater (XX%), brackish water (1X%), river water (X%) and wastewater (X%). Developing countries around the world, mostly in the water deficient areas in Africa, Asia Pacific and Middle East countries have adapted this technology. Middle East requirement and adaption is high with production capacities of desalination plants. Region like North America and Latin America have high potentials with projected market share of XX%. Middle East and African countries are expected to reach the revenue of US$ XX Bn by 2027.

In 2017 the total number of desalination plants was noted approximately around 2000 and some of them where under construction. These plants have capacity to generate roughly 108.5 million m3/day, which suffice the need of 315 million people globally, who rely fully/partially on these plants. High capacity desalination plants are present and operation in Middle East countries and have remained the targeted market for desalination process over a decade, but now Asia Pacific, North African countries have more attention in present and forecasted period of 2020 to 2027.

According to report, today Middle East and North Africa region have approximately 2800 desalination plants, which produce 37.32 million m3/day. Recently, water supply department of Honk-kong selected consortium including ACCIONA to design, build, operate and maintain the first phase of the Tseung Kwan O desalination plant and project is worth US$ 1 Bn. North America is also expected to grow by undertaking the water crises in United States. The Latin America and Europe have significant amount of desalination plants and are expected to grow thanks to key players in Europe focused on environmental effect and projects carried out by different organization, who clam to provide water to every surviving human on planet. Countries having access to coast areas are taking more initiative in adapting the desalination plants, hence increases the growth globally.

Global Solar Water Desalination Plants Market1

On-Going Developments:

• Feb-2020- Saudi Arabian smart city agency NEOM has announced it will start work on the world’s first solar dome desalination water plant. • 2019- Scientists at MIT have developed a prototype solar-powered water desalinator, which they say achieved solar-to-vapour efficiency of 385% through a multi-stage process where the heat released as water condensed was recycled, and to power the next stage of evaporation. Rather than using photovoltaics to power electrically-driven desalination. • New development where entire electrical and automation is possible for desalination process e.g., drivers and motors; soft starters; transformers; instrumentation; control products and programmable logic controller (PLCs); distribution control system and optimized tools.

The objective of the report is to present a comprehensive analysis of global solar water desalination plants market including all the stakeholders of the industry. The past and current status of the industry with forecasted market size and trends are presented in the report with the analysis of complicated data in simple language. The report covers all aspects of the industry with a dedicated study of key players that includes market leaders, followers and new entrants by region. PORTER, SVOR, PESTEL analysis with the potential impact of micro-economic factors by region on the market are presented in the report. External as well as internal factors that are supposed to affect the business positively or negatively have been analyzed, which will give a clear futuristic view of the industry to the decision-makers. The report also helps in understanding global solar water desalination plants market dynamics, structure by analyzing the market segments and project the global solar water desalination plants market size. Clear representation of competitive analysis of key players By Type, Price, Financial position, Product portfolio, Growth strategies, and regional presence in the global solar water desalination plants market make the report investor’s guide. • Scope of the Global Solar Water Desalination Plant Market:

Global Solar Water Desalination Plant Market, by Membrane Process

• Solar-powered Reverse Osmosis • Electro-dialysis and Electro-dialysis Reversal • Membrane Desalination • Nano Filtration Global Solar Water Desalination Plant Market, by Method

• Solar-powered Humidification-Dehumidification (HDH) Desalination • Solar Diffusion Driven Desalination • Concentrated Solar Power (CSP) -based Desalination • Solar Pond Desalination Global Solar Water Desalination Plant Market, by Application

• Industrial • Agriculture • Domestic • Commercial Global Solar Water Desalination Plant Market, by Region

• Asia Pacific • North America • Europe • Latin America • Middle East Africa Key Players

• Solar Water Solutions Ltd • Sinovoltaics Group • Photon Energy Systems Ltd. • Trunz Water Systems AG • Photon Energy Systems Limited • AMP • Elemental Water Makers B.V. • Sterlitech Corporation • F CUBED LIMITED • Waaree Energies Ltd. • Water Office • ACCIONA • Harbin ROPV Industrial Co LTD • SUEZ • LG Nano H2O Inc • Vontron Membrane Technology • Fluid Equipment • FDCO • IDE Tech • ANDRITZ AG • WOG Tech • Technol Protoroz d o o • PACT • Avista tech • Toray Industries Inc • OMya International AG For More Information Visit @: https://www.maximizemarketresearch.com/

This Report Is Submitted By :Maximize Market Research Company Customization of the report: Maximize Market Research provides free personalized of reports as per your demand. This report can be personalized to meet your requirements. Get in touch with us and our sales team will guarantee provide you to get a report that suits your necessities.

About Maximize Market Research: Maximize Market Research provides B2B and B2C research on 20,000 high growth emerging opportunities & technologies as well as threats to the companies across the Healthcare, Pharmaceuticals, Electronics & Communications, Internet of Things, Food and Beverages, Aerospace and Defense and other manufacturing sectors. Contact info: Name: LumawantGodage Organization Address: MAXIMIZE MARKET RESEARCH PVT. LTD. Email: sales@maximizemarketresearch.com Address:Pune, Maharashtra 411051, India. Contact: +919607195908

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Turning Trash into Treasure: The Scope of Waste Materials as Fillers in Construction

The construction industry is a major contributor to global resource consumption and waste generation. One approach to tackling this challenge lies in the innovative use of waste materials. This article explores the potential of waste materials as fillers in construction, examining the environmental and economic benefits, the vast range of usable waste streams, and key considerations for their…

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rotary drum granulator

Fertilizer granulator is one of the common equipment in the fertilizer production industry, which has a wide range of application. It can be used for cold and hot granulation, as well as large-scale production of high, medium and low concentration compound fertilizer and organic fertilizer. The main working mode of the drum granulator is wet granulation of pellets. Through a certain amount of water or steam, the basic fertilizer can be fully chemically reacted after being humidified in the barrel. Under a certain liquid-phase condition, with the help of the rotary movement of the barrel, the extrusion pressure between the material particles can be generated to agglomerate into a ball. Generally, the working conditions of the organic fertilizer production line are poor. In order to reduce the labor of workers, the automation degree should be improved as much as possible in the production process. But the excessive pursuit of high automation will lead to the rise of operating costs. organic fertilizer production line Zhengzhou Tianci Heavy Industry Machinery Co., Ltd. R & D, design, manufacturing and sales, relying on the company's strong technical and economic strength, has continuously developed a wide applicability and energy-saving fertilizer production equipment, which provides a recyclable way for the treatment of livestock manure, straw residue, urban sludge and other wastes in the breeding industry.

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Top 17 Fantastic Experience Of This Year’s Autocar Cab Chassis | autocar cab chassis

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Stephen King - On Writing | A Memoir on the Craft

Stephen King - On Writing | A Memoir on the Craft

I believe large numbers of people have at least some talent as writers and storytellers, and that those talents can be strengthened and sharpened. If I didn’t believe that, writing a book like this would be a waste of time

V.C.

There were more doors than one person could ever open in a lifetime, I thought (and still think) - “endless possibilities of life”

By the time I was fourteen, the nail in my wall would no longer support the height of the rejection slips impaled upon it, I replaced the nail with a spike and went on writing.

I think I was forty before I realized that almost every writer of fiction and poetry who has ever published a line has been accused of someone of wasting his or her god-given talent. if you write(or paint/dance/sculpt/sing), someone will make you feel lousy about it, that’s all.

Mindset of writing

If stone sober people can fuck like they’re out of their minds - can actually be out of their minds while caught in that throe - why shouldn’t writers be able to go bonkers and still stay sane.

Writing is a lonely job, having someone who believes in you makes a lot of difference. They don’t have to make speeches, just believing is usually enough.

Stopping a piece of your work just because it’s hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing is to shovel shit in a sitting position.

I’m convinced that fear is at the root of most bad writing

Toolbox

Vocabulary

It ain’t how much you got, honey, its how you use it.

Put your vocabulary on the top shelf, and don’t make any conscious effort to improve it.

Use the first word that comes to mind, if it’s appropriate and colorful.

Concision

"My first kiss will always be recalled by me as how my romance with Shayna was begun"

"My romance with Shayna began with our first kiss. I'll never forget it”

You might also notice how much simpler the thought is to understand when it's broken up into two thoughts. This makes matters easier for the reader, and the reader must always be your main concern;

Adverbs

To write adverbs is human, to write he said or she said is divine.

On Writing

Good writing consist of mastering the fundamentals (vocabulary, grammar, the elements of style)

Reading

To be a good writer, you must read a lot and write a lot. You cannot hope to sweep someone else away by force of your writing until it has been done to you. If you don’t have time to read, you don’t have time(or the tools) to write, simple as that.

The real importance of reading is it created an ease and intimacy with the process of writing; one comes to the country of the writer with one’s papers and identification pretty much in order.

Once weaned for the ephemeral craving for TV, most people will find they enjoy the time they spend reading. I’d like to suggest that turning off that endlessly quacking box is apt to improve the quality of your life as well as the quality of your writing.

We read to experience the mediocre and the outright rotten; such experience helps us recognize those things when they begin to creep into our own work, and to steer clear of them.

You learn the best by reading a lot and writing a lot, and the most valuable lessons of all are the ones you teach yourself.

You must begin by being your biggest advocate, which means reading the magazines and publishing the kind of stuff you write.

Write with the door closed, rewrite with the door open

When you write, you want to get rid of the world, do you not? Of course you do, when you’re writing, you’re creating your own worlds.

Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right - as right as you can, anyway - it belongs to anyone who reads it.

The place can be humble(probably should be. and it really one u needs one thing: a door which you are willing to shut. The closed door is your day of telling the world you mean business; you have made a serious commitment to write and intend to walk the walk as well as talk the talk.

But you need the room, you need the door, and you need the determination to shut the door. You need a concrete goal, as well. The longer you keep to these basics, the easier the act of writing will become.

If you're a beginner though, let me urge that you take your story through at least 2 drafts; the one with the door closed, the one you do with it open…

Keep the door closed

There comes a point when you want to show what you're doing to a close friend, either because you're proud of what you're doing or because you're doubtful about it. My best advice is to resist this impulse. Keep the pressure one; don't lower it by exposing what you've written to the doubt, the praise, or even the well-meaning questions of someone from the Outside World. Let your hope of success(and your fear of failure) carry you on, difficult as that can be. There'll be time to show off what you've done when you finish... but even after finishing I think you must be cautious and give yourself a chance to think while the story is still like a field of freshly fallen snow, absent of any tracks save your own.

Here's something else - if no ones says yo you, this is wonderful! you are a lot less apt to slack off or to start concentrating on the wrong thing.. being wonderful, for instance, instead of telling the goddam story.

You've done a lot of work and you need a period of time to rest. Your mind and imagination - two things which are related, but not really the same - have to recycle themselves. My advice is you take a couple days off - go fishing, and then work on something else, something shorter, preferably and something that's a complete changer directions and pace from your newly finished book.

Resist temptation, you'll very likely decide you didn't do as well on that passage as you thought and you'd better retool it on the spot. This is bad. The only thing worse would be for you to decide the passage is even better than you remembered - why not drop everything and read the whole book over right then? Get back to work on it! Hell, you're ready! You're fuckin Shakespeare!

After 6 weeks - Revising/Rewriting

If you've never done it before, you'll find reading your book over after a six week layoff to be a strange, often exhilarating experience, It's yours, you'll recognize it as yours, even be able to remember what tune was on the stereo when you wrote certain lines, and yet it will also be like reading the work of someone else, a soul-twin, perhaps. This is the way it should be, the reason you waited. It's always easier to kill someone else's darlings than it is to kill your own.

With 6 weeks of time, you'll also be able to see nay glaring holes in the plot of character development. I'm talking about holes big enough to drive a truck through. And listen, if you spot a few of these big holes, you are forbidden to feel depressed about them or beat up on yourself. Screw-ups happen to the best of us,

When reading your own draft - only god gets it right the first time and only a slob says "oh well, let it go, that's what copyeditors are for”

I love this part of the process because I'm re-discoverying my own book, and usually liking it.

Underneath, I'm asking myself the big question: Is this story coherent? What I want most of all is resonance, something that will linger for a little while in Constant Reader's mind and heart.

Most of all, I'm looking for what I meant.

The forumla for revision

2nd draft = 1st draft - 10%

When to open the door

Someone once said - All novels are really letters aimed at one person. At various points, the author is thinking, "I wonder what he/she will think when he/she reads this part?"

And if what you hear makes sense, then you make the changes. You can't let the whole world into your story, but you can let in the ones that matter the most. And you should.

Kill your darlings, kill your darlings, even when it breaks your egocentric little scrubber's heart, kill your darlings

What to write about

The big question - what are you going to write about? And the equally big answer, Anything you damn well want. Anything at all, as long as you tell the truth.

What would be very wrong, I think, is to turn away form what you know and like or love, in favor of things you believe will impress your friends, relatives, and writing circle colleagues.

When I'm asked why I decided to write the sort of thing I do write, I always think the question is more revealing than any answer I can possibly give. Wrapped within it, like the chewy stuff in the center of a Tootsie Pop, is the assumption that the writer controls the material instead to the other way around. "The book is the boss”

What you know makes you unique in some other way. Be brave.

If you’re a lawyer, your story about lets say lawyers & gangs whatever will be very good because its grounded on experience and truth.

Structures of Writing

Stories and novels consist of 3 parts - Narration, Description and Dialogue.

Narration Moves the story from point A to B, and finally point Z

Description Creates a sense of reality for the reader.

Small example -

The cab pulled up in front of Palm Too at quarter to four on a bright summer afternoon. Billy paid the driver, stepped out onto the sidewalk, and took a quick look around for Martin. Not in sight. Satisfied, Billy went inside.

After the hot clarity of Second Avenue, Palm Too was as dark as a cave. The backbar mirror picked up some of the street-glare and glimmered in the gloom like a mirage. For a moment it was all Billy could see, and then his eyes began to adjust. There were a few solitary drinkers at the bar. beyond them, the matire d’, his tie undone and his shirt cuffs rolled back to show his hairy wrists, was talking with the bartender. There was still sawdust sprinkled on the floor, Billy noted, as if this were a twenties speakeasy instead of a millennium eatery where you couldn’t smoke, let alone spit a gob of tobacco between your feet. And the cartoons dancing across the walls - gossip-column caricatures of downtown political hustlers, newsmen who had long since retired or drunk themselves to death, celebrities you couldn’t recognize - still gambolled all the way to the ceiling. The air was redolent of steak and fried onions. All of it the same as it ever was

The maitre d’ stepped forward. “Can I help you, sir?” We don’t open for dinner until six, but the bar -

“I’m looking for Richie Martin,” Billy said.

If you want to be a successful writer, you must be able to describe it, and in a way that will cause your reader to pickle with recognition. When it's on target, a smile delights us in much the same way meeting an old friend in a crowd of strangers does. By comparing two seemingly unrelated objects - a restaurant bar and a cave, a mirror and a mirage - we are sometimes able to see an old thing in a new and vivid way.

Practice the art, always reminding yourself that your job is to say what you see, and then to get on with your story.

Dialogue What brings the characters to life through their speech

And the cardinal rules of good fiction is never tell us a thing if you can show us, instead. "Annie seems particularly happy that day" If I have to tell you, I lose.

Dialogue is a skill best learned by people who enjoy talking and listening to others - particularly listening.

Some people don't want to hear the truth, of course, but that's not your problem. If you expect it to ring true, then you must talk yourself. Even more important, you must shut up and listen to others talk

I think the best stories always end up being about the people rather than the event, which is to say character-driven.

Every character you create, is partly you.

Practice is invaluable(and should feel good, really not like practice at all) and that honesty is indispensable. Skills in description, dialogue and character development all boil down to seeing or hearing clearly and then transcribing what you see or hear with equal clarity.

Good fiction always begins with story and progresses to them it almost never begins with theme and progresses to story.

~~Plot?~~ I won't try to convince you I never plotted like I never told a lie, but I do both as infrequently as possible. I distrust plot for 2 reasons.

Because of our lives are largely plotless, even when you add in all our reasonable precautions and careful planning;

I believe plotting and the spontaneity of real creation aren't compatible.

My basic belief about the making of stories is that they are pretty much make themselves. The job of the writer is to give them a place to grow.

Plot, I think, the good writer's last resort and dullard's first choice. The story which results form it is apt to feel artificial and labored. I never demand a set of characters that they do things my way. On the contrary, I want them to do things their way

Most of the ideas come from "situations" - what if vampires did this what if what if

these are all situations which occurred to me - while showing, while driving, while taking my daily walk

I believe stories are found things, like fossils in the ground, he said that he didn’t believe me. I said that’s fine, as long as he believe that I believe it. Stories are relics, part of an undiscovered pre-existing world. The writers job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible.

Why Write

I did it for the buzz, I did the for the pure joy of the thing, and if you can do it for joy, you can do it forever

Writing did not save my life - but it has continued to do what it always has done: it makes may life a brighter and more pleasant place.

Writing isn't about making money, getting famous, getting dates, getting laid, or making friends, In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.

The rest of it - and perhaps the best of it - is a permission slip: you can, you should, and if you're brave enough to start, you will. Writing is magic, as much as the water of life as any other creative art, The water is free, So drink, drink and be filled up

Talent renders the whole idea of rehearsal meaningless; when you find something at which you are talented, you do it(whatever it is) until your fingers bleed or your eyes are ready to fall out of your head. Even when no one is listening(or reading/watching), every outing is bravado performance, because you as the creator are happy.

If God gives you something you can do, why in God’s name wouldn’t you do it.

Quotes [No theme]

"there's just enough of me left inside to know that I am globally, perhaps even galactically, fucked up.”

"and telling an alcoholic to control his drinking is like telling a guy suffering the world's most cataclysmic case of diarrhea to control his shitting”

The work starts to feel like work, and for most writers that is the smooch of death. Writing is at its best - always, always, always - when it is a kind of inspired play for the writer. I can write in cold blood if I have to, but I like it best when its fresh and almost too hot to handle.

Remember you are writing a novel, not a research paper, the story always comes first.

It seems to occur to few of the attendees that if you have a feeling you just can't describe, you might just be, I don't know, kind of like, my sense of it is, maybe in the wrong fucking class.

“One word at a time”