#Really talking up the companions

[chronurgy]

Bioware failed to manage expectations for veilguard at every possible turn in a way that is both genuinely confusing and makes it hard for me to feel sympathetic about the fan backlash they're getting

[trappedinafantasy37]

Minthara reading everyone to filth upon recruitment is funny, but it also highlights just how paranoid she is. Realistically, it probably takes her a few days to figure everyone out rather than the instant she is recruited. When talking about all the companions, a common theme in all her responses relates to their combat capabilities and survivability, and points out their strengths and their weaknesses. She's not throwing shade or stirring the tea. Minthara is conducting a threat assessment. Minthara having very realistic and accurate readings of everyone is a trauma response, because she needs to know who they are and very quickly.

She is trying to figure out who is the most likely to kill her and why they would kill her. But also how they would go about it and is weighing her odds against them. She has to know their weaknesses in case she needs to exploit them, and she has to know their strengths so she can defend against them. And Minthara doesn't just consider their combat capabilities, but their psyche as well, using it as a factor to determine the likelihood of them ever coming after her specifically and how she can disarm them psychologically if need be. But you know who she doesn't provide her assessment for? You.

You are a conundrum. The moment you saved her, she has been curious of you, but wary. Although grateful you saved her, she doesn't understand why you saved her when she believes you had far more reason to either kill her or leave her behind. She wants to trust you, but her trust has always gotten her stabbed. She wants to have faith that her savior won't turn against her, but she has no reason to believe you won't. She spends the entirety of Act 2, watching you, analyzing you, trying to figure you out because she doesn't know what to do with you. She asks you some questions because she is still trying to figure out what motivates you. "Why come to Moonrise? Why raid the grove? Why knock me out?" In two of these questions, she is determining how likely you are to harbor any violent intent. And one of these questions is born of your history of bringing her harm. (Oh the irony of Minthara trusting you less if you knocked her out)

You're a potential enemy whose weakness she doesn't want to exploit, a potential enemy she doesn't want to have to defend herself against. And all this time she spends watching you, she finds things about you that she likes. Really likes. And while conducting her assessment of you, she falls in love with you, and it terrifies her because she still does not know if she is safe with you. So she asks you to share your mind and just tell her if you're safe and can be trusted. She doesn't want to guess anymore, and she doesn't want to come to a potential conclusion she doesn't like. She doesn't want to do the analysis, she doesn't want to be paranoid, she wants to trust you and feel safe with you. She needs to know that you are a safe person for her to love.

[snek-eyes]

See you in hell.

[ID: A series of gifs from the Good Omens 2.2 minisode "A Companion to Owls."

Sitis looks disbelieving as she says, "…No. God wouldn't!" Crowley gives an exaggerated frown and replies, "Are you sure?"

Sitis looks horrified and says, "But they've done nothing! They're innocent!" Crowley nods impassively: "So were the goats." Sitis stares at him in horror.

In the cellar, Aziraphale looks back over his shoulder, seeming offended. "God's [side], of course!" Crowley reclines, raising his eyebrows and nodding. "Oh, really. Same God that wants me to whack the kids?"

Aziraphale looks very uncertain, and slowly says, "…Yes. But…" Crowley grins slowly, gesturing to Aziraphale and saying, "That's just how it started for me."

Back in the house, Sitis looks devastated and desperate. "If my children are dead, then… I will curse God, and—"

Crowley swings abruptly around the doorframe and rushes over to interrupt Sitis. "WHOA! That never ends well."

At the cliff's edge overlooking the sea, Aziraphale looks on the verge of tears but determined. "Well. I'm ready to go." Crowley asks: "Go where?" Aziraphale swallows. "To hell."

Crowley sits down on the rock and says, "I'm not taking you to hell, Angel." Aziraphale looks over at him, his tearful expression turning confused. "Why not?" Crowley replies mildly, "Well, I don't think you'd like it."

End ID.]

[forcedhesitation]

astarion origin playthrough worth it just for all the extra moments where he does the "sad wet cat" face

[lunarharp]

played dragon age 2...just simple scribbles

[messiahzzz]

When I came across that "joke" from Tav to Quill and Z'rell's comment (plus Halsin), I had to take a minute to process what happened. Gale might be a bit silly and eccentric but he's the kindest, sweetest and most passionate character in that party. No wonder the poor man has deep insecurities to solve, so many people reduce him to an easy target! Ofc one of the side effects would be overconfidence and ambition as a defense mechanism. He's obv lonely; only Tara and Morena ever loved him for him.

his eccentric nature might be a part of it. he is loquacious, outgoing, and doesn’t see the point in hiding his enthusiasm. he is considered to be the weird one. naturally, wizards in general being seen as somewhat squishy and physically weak might also add to it.

personally, i really don’t like the implications of the (widely considered) autistic-coded character being the one who faces the most ridicule by far by other characters and fans (and larian) alike.

some might disagree with me on that, but i don’t find it funny by any means either. mostly it just makes me feel bad. “he deserves it. cocky, arrogant, hubris-ridden wizard needs to be taken down a peg” like he isn’t… y’know… already at his lowest. it also disregards the fact that much of his bravado is part of his carefully curated Great Wizard of Waterdeep™ persona that he has skillfully adopted to mask his general feeling of being defective. being fiercely proud of your skill and knowledge and being doubtful of having something truly worthwhile to offer are mindsets that can coexist. according to fandom, gale is either secret hubris incarnate that is only waiting to be unleashed upon the world or pure baby that can do no wrong. instead of a character that is just as flawed and traumatized as all the others, but no less deserving of genuine love.

to me, the constant ridicule just reads as further feeding into his deep-rooted insecurities and his belief that he (as gale, the person) isn’t someone who holds inherent worth. it really, really doesn’t sit well with me.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[impossible-rat-babies]

idk I think you can be upset w a game not providing evil/asshole options while also realizing certain evil/asshole choices will not work with the narrative that the game is going for

[ducksoup17]

I cant believe these live in my house with me

[michaeljoncarter]

ALSO, like with just about everything about wyll in the full release version i m o, the way his interactions with mizora throughout the game were just sorta ported over without much tweaking to make them fit in with the new version of his character is so weird and clunky and just.... uncomfortable

the fact that mizora was mortal in the original version of the story was kind of an extremely important detail that not only wyll's entire character quest but also their entire relationship and history hinged on. the ea version of mizora was half-human, not a full devil, and according to dnd rules as i understand them, that means she would've had a regular human lifespan. (eta: yes, she's still called a cambion in the full version, but my issue is at some point between ea and full release, all the differences between cambions and devils apparently just up & vanished) so if ea mizora and ea wyll, who were around the same age, met when wyll was 17, that means they met when mizora was also somewhere in the range of her mid/late teens

there's obviously still an unhealthy power imbalance there with her being his patron and all, but there's a pretty big difference between a teenage boy being manipulated by an equally as young teenage girl into signing a pact vs a teenage boy being manipulated by a fully immortal & presumably-already-grown-at-the-time woman into signing himself into her service

and the flirty/sexual dialogue being left in makes this 100x worse. originally, mizora and wyll were explicitly in a romantic relationship that had just ended right before the game started (like literally right before. as in he told you that the nautiloid snatched them up WHILE he was in the middle of giving her his breakup speech (lmao)), but there is literally ZERO reason for the full release version of their relationship to have such a weirdly charged undertone to it??

you can't just take the dynamic of "toxic high school sweethearts who just had an insanely messy breakup 3 days ago after dating for 5+ years" and slap it onto "grownass woman who manipulated a teenage boy into signing his life away to her 5 years ago" with zero acknowledgement of the fact that that changes literally everything??

like sorry, this isn't just petty exes bickering anymore. this is now reading as nonstop sexual harassment, and to someone without the context of this happening due to a messyass rewrite (or even with it tbh), it's weird as fuck that some characters get entire arcs dedicated to unpacking the trauma that comes from being trapped in this exact dynamic, but with wyll, neither he nor the player ever get a chance to try to stop it or even really acknowledge the fact that it's happening in any significant way

the sloppiness of this whole rewrite is actually insane to me

[acetheta]

i think i could heal if people were more crazy about spydoc. btw

[syn0vial]

everyone's acting shocked that shadowheart is the top romance option and not astarion, but as your impossibly stereotypical lesbian-with-mostly-straight-dude-friends, lemme tell you, there is nothing shocking to me about a shadowheart sweep OR the fact that astarion fans are so much louder comparatively

[trappedinafantasy37]

We did it guys! Minthara is in the top 100 most mentioned video game characters on Tumblr, sitting comfortably at rank 55!

With Astarion at rank 1 (cause of course), Gale at 5, Shadowheart at 6, Karlach at 8, Lae'zel at 9, Wyll at 12, Halsin at 16, Tav at 19, Gortash at 47, and The Dark Urge at 67. Baldur's Gate 3 is also the most talked about video game on this platform, as well as the 6th most talked about thing on all of Tumblr!

I wish Minthara was higher, but you know what, I'm happy she's on there at all! It is also interesting that she ranks higher than Durge and that Durge is that low on the list. It's also pretty interesting that there is such a discrepancy between Durge and Gortash as Durgetash is also the 67th most talked about ship on the platform. It is quite an achievement that our favorite drow is even on that list at all.

It is all just making me think back to some of the more dejecting AO3 statistics with Minthara almost being a blip, practically a statistical outlier in some ways. Even some insignificant side characters got more attention and adoration than her, or had numbers that would compare to her. But Tumblr is a much bigger platform than AO3, containing a much wider array of topics (including fanfics). So for Baldur's Gate 3 and Minthara to stand out that much is really saying something! Reading these statistics on Tumblr does go to show that one platform does not represent the entire fandom and that AO3 is only a piece of the picture.

[snek-eyes]

Andi Osho as Sitis (wife of Job) in Good Omens 2.02

[Image ID: A series of gifs from Good Omens season 2, featuring the character Sitis, an older dark-skinned woman dressed in blue.

The camera zooms into a Bible illustration of Sitis lamenting to the sky.

Sitis's face becomes concerned as Job says: "Sitis my dear, this person was looking for the children." She turns, looking defensive, and asks, "Why? Who're you?"

Sitis looks stressed as she chuckles humorlessly and gestures to their ruined house. It is slightly smoking. She says: "Not now, Bildad the Shuhite. Good of you to look in, but we're a tiny bit busy weathering the wrath of God."

Close up on Sitis as her face becomes confused, then changes to horror and disbelief. "…No. God wouldn't!"

Sitis holds back tears as she asks something of her husband. He is about to burst into tears as he shakes his head no.

Sitis implores the angels as Job falls to his knees beside her. "I don't, I don't want more children." A close up of her desperate face. "If my children are dead, then… I will curse God, and—"

Crowley, as Bildad the Shuhite, clasps his hands and rubs them together in a "let's get started" motion. Sitis looks scared and backs away.

Crowley stands framed between Sitis and Job, who are facing each other. He makes a switching motion between them as he says, "Now good lady, simply turn to your husband, reach into his robes…" Sitis looks dubious but reaches towards Job, who abruptly looks very surprised. Crowley interjects: "N-h-higher. Higher."

Sitis and Job's children stand between them. Jemimah throws her arms around her mother who embraces her joyfully.

Job, looking confused, gestures to his restored children as he says to the angels. "But, it is—" Sitis quickly reaches out to Job and interrupts. Clearly frantic and trying to hide it she says, "A-a miracle. It is a miracle, that our new son should look so much like our old son."

Sitis explains very deliberately to Job as she pats her son who is definitely not Ennon on the arm: "No, Job. Look, it's not Ennon, it's… a new child. These are all… They're all… new… children."

Sitis anxiously watches Job speak, and starts to relax until a baffled and annoyed Ennon says something. She tenses and turns to him.

End ID]

[yappacadaver]

I wish we had a betrayerrrrr

[hood-ex]

Crying over how much Merry and Pippin love Frodo.

"After all, you must remember that we know you well, and are often with you. We can usually guess what you are thinking. I knew Bilbo, too. To tell you the truth, I had been watching you rather closely ever since he left. I thought you would go after him sooner or later; indeed I expected you to go sooner, and lately we have been very anxious. We have been terrified that you might give us the slip, and go off suddenly, all on your own like he did. Ever since this spring we have kept eyes open, and done a good deal of planning on our own account. You are not going to escape so easily!"

"You can trust us to stick to you through thick and thin—to the bitter end. And you can trust us to keep any secret of yours—closer than you keep it yourself. But you cannot trust us to let you face trouble alone, and go off without a word. We are your friends, Frodo. Anyway: there it is. We know most of what Gandalf has told you. We know a good deal about the Ring. We are horribly afraid—but we are coming with you; or following you like hounds."