#Reading Subtext

[fireheartwraith]

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[puppyeared]

act 4 :(

@chipper-smol and i came to a realization

[sexy-sapphic-sorcerer]

We had canon gay Sherlock Holmes in barely post-Hays Code Hollywood

(Rogozhin tries to persuade Holmes to sleep with Madame Petrova)

The Private Life of Sherlock Holmes (1970) dir. Billy Wilder

[gas-station-trackphone]

ftm trans Eddie Munson gets turned into a chew toy for hell bats and rescued in the 11th hour by his friends who don't know he's trans, who have to run some triage first aid and can hardly make sense of the blood and gore that used to be his body as they cut off his shirt and pants to get access to the worst of the wounds, who definitely aren't in their right minds well enough anyway to think of anything other than stopping the bleeding and getting him to a hospital, which they do, and miraculously Eddie finds himself blinking awake in a bright, fluorescent room feeling exactly like he imagines a chew toy for hell bats would feel in the aftermath which is to say: like shit. Even more miraculously, he finds hometown hero Steve Harrington posted up at his bedside with greasy hair (!!! Eddie never thought he'd see the day) and bags under his eyes.

The overwhelming relief on Steve's face when he sees Eddie is awake is touching, the misty eyes and cracking voice when he says god, i thought you were toast, man are downright flattering and, let's face it, giving Eddie all the wrong ideas that he figures he has an I-almost-died pass for at the moment so he rocks with it, let's himself indulge in the fantasy for a moment. Then, gradually, Steve's relief becomes more and more obviously some brand of deeply felt pity (or sympathy, but Eddie's never been good at distinguishing the two), which bursts his bubble enough to call him out.

"I know I look like what comes out the business end of a meat grinder, but I swear I'm good, dude. They definitely have me on the good shit, I hardly feel it. I'll be good as new in no time." Big fat fucking lie, by the way, but he'll say whatever if it gets that wounded puppy look out of Harrington's eyes.

"I...yeah, Eddie, I'm glad." And whatever it is he doesn't want to say, whatever is putting that you poor motherfucker look on his face, he's absolutely the opposite of subtle about it.

Eddie can hear the manifestation of his panic on the heart monitor.

"What? What is it? Is everyone- is Dustin-?" He can't say it, can't even think it, would rather be slowly torn to shreds all over again than know he failed at his one fucking task to keep the kid safe.

"No! I mean, yes, he's fine, they're all fine. Henderson's got a broken ankle and both of Max's arms are broken but the docs say they'll be fine in a few months with physical therapy."

The release of tension in Eddie's body hurts almost as much as the relief soothes him. "Okay then, what the fuck are you not telling me? It's fine, I'm a big boy, Harrington, I can take it."

He sighs, looking sick with it. "Eds...I don't know how to tell you this."

Oh god, what the fuck. Eddie's right back to freaking out because Steve looks inexplicably guilty, pained in the face like he's about to deliver the worst news he could imagine but if everyone's fine then-

"It's your dick, man. It's- it's gone. The bats-"

And Eddie laughs so hard he tears about a dozen stitches, immediately stops laughing, and throws up over the side of the bed and thankfully not all over his freshly reopened wounds as Steve shouts for help.

Eventually, when he's all stitched up again and barely hanging on to his hard earned lesson to not literally bust his gut laughing about the look on Steve's face (he has to force himself not to tell Wayne the specifics of how he ended up back in the OR, because he's absolutely gonna crack up and Eddie will definitely be unable to help himself from laughing with him), he realizes he's going to come out to all his friends in the very near future because holy shit, he has to tell everyone about Steve's utterly devastated expression at the news of Eddie's Ken doll-ification by way of demobat.

[t3acupz]

The 100 Greatest TV Shows of All Time by Variety

[damage-ko]

Subtext so textual that even my mom notices the old man yaoi

[the-real-list-of-ominous-threats]

I’m going to take away your media literacy skills

[clarebear-0925]

BEAU DEMAYO JUST CONFIRMED MORPH IS IN LOVE WITH LOGAN ON TWITTTERRRR!??

THIS IS NOT A DRILL

[undercover-grisha]

Inej: “I don’t want to talk about it.”

Kaz, incredibly amused: “You got arrested-“

Inej: “I don’t want to talk about it.”

Kaz: “For driving a carriage on the wrong side of the road.”

Inej, steaming:

Kaz:

Inej: “Are you just going to smugly smile or…”

Kaz, internally: “I think I love you.”

Kaz, out loud: “I’ll drive the carriage next time. Sit next to me and maybe observe something, Wraith.”

[body-patrol]

[13eyond13]

The thing I respect most about Griffith Berserk is actually how ridiculously unsubtle with his hitting on Guts he is. Just IMMEDIATELY going up to him and literally grabs his face like "I realized I WANT you, now let me tell you exactly why." Like this isn't your typical suggestive homoerotic innuendo, this is just what he actually says. To the point Guts is just like, oh you mean like, in a gay way? And Griffith's just like... "*gay silence*" like idk you certainly can't blame the frustrating star-crossed lovers mutual piningness of their relationship on him being a bit too ambiguous about things or too cowardly to shoot his shot lol

[sillytalia]

am i the only one who finds yao in the new au chapters incredibly trans coded?? i am well aware that "when i grow up i will have everything that i don't have now" is in reference to china's economic growth within the past few decades but...does that also come with estrogen and serving cunt 24/7 or what?? like this is a straight up transition 😭

[epiphainie]

i've just finished my s7 rewatch and it's kinda so funny to me how much discourse people created over every bucktommy interaction when their whole arc boils down to tommy being patient and vulnerable with buck and showing up for him. like when you are not wearing shipper goggles under the name of "analysis" and don't try to reverse-engineer every word and look and shot with utmost bad faith, that's what it is. a simple and sweet story of a new exciting relationship with a guy who's understanding and willing to show up. literally the two things buck needs from a relationship but never had with his previous love interests. they are kinda sickeningly sweet and well-communicating actually lol

[sapphoismymuse]

I SEE WHAT THEY MEANT ABOUT KEEPING THE HAND SCENE IN THE MOVIE OH MY GOD

[dungeonmessy]

still re reading dungeon meshi rn. this page filled me with immense dread