#Raphael appreciation post

[dreamstormdragon]

Sorry for another ask but I am curious I know you said you can relate to Raph and Don is your fav. I will get to the point lol. What is your opinion on Raph? For the iterations you have seen of course

Oh this a welcomed one!

I adore Raph. He's one of my favorite character types - the gruff, protector who inside has this heart of gold, he just has to work through some stuff.

Rise Raph, will be first to go in this department, what a himbo, what a gem, what a sweetie. He's still got some of his rage, but he's more so the protector of the family. I love details like the bandage on his chest, that smile. His interactions with his brothers and April are so funny and wholesome. (The Lair Games and The Clothes Don't Make the Turtle are my favorite episodes for some choice brotherly moments)

Then we get to 2003 Raph, who is the one I first saw, the one who made me adore the character as a whole. This is the one I related to the most, because of the mix of his heartfelt moments, mixed with sometimes being too much.

Shoutouts to Lone Raph and Cub, for being the best Raphael episode. This boy just wants to save his loved ones and his brothers and father, bring out the best in him. Meet Casey Jones is another great Raph episode, because we see how Raph can turn OUT if he's not careful (and showing his merciful side, which I feel like is a character trait, that doesn't get talked about enough?)

Like, this boy could've laid Casey out, truly could've beat the snot outta him and left him hanging, but he DIDNT'.

I also, really appreciate in Hunted the way that Raph specifically wanted to *wrestle* with Leatherhead. There was no fear of his strength or his temper, just full out respect. I remember I read this AMAZING fict, btw involving them by Halogalapaghost: https://archiveofourown.org/works/53261914 Oh my gosh SO GOOD.

I really enjoyed the storylines they gave Raph, throughout 03, because he was trying to be better from what he was - even though, some of it was still his pissing contest with Leo, but ohhh so good... and Same as It Never Was Raph?

HELLO?

SIR?

YES?

THANK YOU

(Oh man, do not get me started on SAINW. DO NOT GET ME STARTED-)

This is gonna turn into just a 2003 Raph post, if I'm not careful. He's my SECOND favorite next to Donnie if y'all haven't guessed yet.

Because NEXT ON THAT LIST IS 1987 RAPH

DUDE HAD S TIER RIZZ.

Oh who am I kidding? Raph's always got rizz. It's just a matter if the writers will LET HIM HAVE A W.

Raphael Meets his Match was one of my favorite episodes of 1987 for that very reason. He's snarky, he will OBLITERATE you verbally, but this dude had rizz!!!

Honestly, he always makes me laugh.

NOW IF WE'RE TALKING RAPHAEL-

2007 RAPHAEL

Oh man, this totally gave me a type when I was 11... Gruff, armored, badass motorcycle, I was fresh off my Sonic phase (yes I was a Shadow stan, let's just get that outta the way now)

My Linkin Park listening, Shadow the Hedgehog loving self, was fresh off of getting caught up on 03 when this dropped.

That movie had no right being that fun. I know it's up in the air whether or not it's ACTUALLY 03 canon but it hurts no one to think it is so I consider this Raph to just be the 19 year old ver of 03 Raph. Lot of time to grow and adjust. The Nightwatcher look for him, was SO good and that scene where he's fighting that demon? LOVED IT. Still die laughing to this day.

I need to read the 07 comics, because I know there's a Nightwatcher origin comic.

The fight between this Raph and Leo too... this was one where, Raph had some good points. Leo had issues to work through but then he comes back and just expects everyone to be ready to go back to how it was... and Raph's been keeping things in check, while Don and Mikey tried to keep them financially afloat, (frick I should've included 07 Donnie too, but again *points to "I see them as the same just older"*) and Raph had to keep the city SAFE.

Some of the BEST ficts I ever read, involved that fight in the rain. Mmm that was good HOT SOUP

But then... my favorite Raphael of all time...

IDW Raphael is everything, I love about him and more. He's this protector, he's still got his temper, but his bonds with his family, with Casey, with Alopex...

It's just all coming together so nicely and I ADORE moments like these, where we see him calm, where we see his SMILE. WHere everything in his world, for just ONE MOMENT is all right. Where he's okay.

I love that and I adore Raph/Alopex, I love it more than RaphXMona. (I ALSO LOVE THIS ONE. IT'S GOOD BUT RAPHLOPEX IS MY OTP)

And I do not have an opinion yet on Mutant Mayhem Raph YET, but we will get there.

Thank you for coming to my RAPH APPRECIATION HOUR!

[cannedpeaches6942]

[celestialrealms]

I've been clearing out my cards for any leftover chats I hadn't unlocked in OG... anyway Raphael and Solomon taking Luke trick or treating is so cute 🥺 (and so is them sending the extra candy to Michael 🥲🥲)

[fabuloustrash05]

Why I Love 2012 Raphael

A TMNT 2012 Character Appreciation/Character Analysis Post

If you know me or follow me here or on Instagram then you know that my favorite Ninja Turtle is Raphael. More specifically, Raphael from the TMNT 2012 series. Nowadays, this version of Raph gets a lot of unfair hate from fans (new and old), which I find to be ridiculous. So I decided to show this turtle in red some love and express my reasons as to why I love 2012 Raphael. 

To start, I wanna give some love and appreciation to Raphael’s voice actor, Sean Astin. His voice was perfect for the role. I feel so many other Raphael voices try too hard to make him sound manly and more of a giant muscular brute, often forgetting that he is just a teenage boy. Sean does a good job making Raph sound tough when needed, but still making him sound like he is a teenager. He does a great job balancing Raph’s rude attitude but also his gentle and sweet side as well. Also he nailed those girlish screams! XD I feel voice actors nowadays don’t get a lot of recognition, so I wanted to show my appreciation here.

The biggest thing I love about Raphael is his development in the show. I’d argue he had the most/best character development among the four Turtles. We all know how he is in the beginning of the series, being rude, hotheaded, constantly picking fights with Leo and other characters. The show makes it obvious that Raph in S1-2 is scared of his own emotions and feelings, the only time he truly opens up and expresses himself is when he talks to his pet turtle, Spike. The best way I can describe Raph’s character is that he is the “tough guy with a heart of gold” trope. I believe one of the show’s producers, Ciro Neili, even confirmed that was their intention when creating Raph’s character for the show. Raph is a brute, a hothead, but deep down he's a big softie. A lot of Raphael haters seem to forget or ignore that fact about his character. Yes, he is mostly known throughout the fandom to be the hothead, he is the muscle of the group, but he is also the protector. Raph knows that, so if he comes off as weak, then he loses that title. Deep down Raph, and the people around him, know that he is a big softy who loves and cares for others, but he keeps up this tough guy persona in order to protect and seem strong for the ones he loves most. 

As the series goes on Raph learns to open up to others, he grows to respect Leo as a leader and seems to control his temper way more by Season 5. On rewatch I notice in S4-5, Raph only ever gets mad for valid/understandable reasons, mainly when someone is hurting/threatening his loved ones. How did this happen? I believe Raph’s development started when he lost Spike in season 2.

Slash and Destroy is one of my favorite Raphael focused episodes and I will stand by and say that this episode was the beginning of Raph’s character development. In the episode, Raph’s pet Spike gets mutated and becomes Slash, targeting and attacking Raph’s brothers. As a reminder, up to this episode, the only person Raph could express his true feelings to was Spike. Everytime Raph ranted negatively about his brothers, Spike was there to hear it, causing him to have a negative view on Leo, Donnie and Mikey. Slash shows pure hatred for the brothers, especially Leo. After brutally attacking Leo, Slash smiles and says “Been looking forward to that for a long time.” The mutagen warped Slash’s brain, making him go crazy and viciously attack Raph’s brothers because like Raph said earlier in the episode, he doesn’t need them. Raph gets a visual representation of his words and negative thoughts towards his brothers in action through Slash. Slash’s purpose in this episode is to represent all of Raph’s anger and frustration he’s had for his brothers over the years based on what he told Spike. By the end of the episode, Splinter comforts Raph and suggests that he should “focus on the friends he has in the present''. For all of Raph’s life, he trusted and relied only on Spike, but Spike is now gone, so Splinter indirectly advises his son that it is time to trust and rely on others, to not bottle up his emotions, advice that Raph takes.

As the show goes on, Raph slowly progresses, opening up more to others, which will eventually lead to him having two great things in his life come season 4 (but we’ll talk about them later).

Casey was another part of Raph’s development that some fans don’t notice. Donnie makes a comment that Casey being around is like having two Raphaels. While Raph and Casey become best friends because of their similar personalities, Casey is also a reflection of Raph. When around Casey, Raph has to be the level headed one, the responsible one. He criticizes Casey for not being stealthy like a ninja in the S2 episode Newtralized and not planning ahead in the fight (remind you of anyone? *cough* Leo *cough*). When they first meet, Raph gives Casey the same exact advice his father gave him earlier in the episode that “anger is a dangerous alley”. Casey is a more reckless version of Raph, something Raph unknowingly sees and tries to help and protect, he has to be the mature one in their dynamic, opposite to when he’s teamed up with Leo and gets to be the rebel again. It’s like he’s getting a taste of his own medicine.

Not to mention, Raph met Casey after he lost Spike, having a new friend he can rely on. Later on in the episode Newtralized, after meeting Slash, Casey says, “Is that your old pet turtle? The one who got mutated?”. This little piece of dialogue is so important to Raph’s character but it sadly goes over a lot of people’s heads. It indirectly tells us that off screen, Raph has opened up to Casey and told him about a traumatic and hard time in his life. Progress that we will continue to see as the show goes on.

Season 3 Raph at the Farmhouse was the peak of his character development! Raphael took charge in that arc. He became the temporary leader of the group when Leo was out of commission due to his injury. After losing their father (reminder they thought Splinter was dead by this point), being chased out of their home and the city, and losing to one of their greatest enemies, Raph stepped up. He took care of everyone. He made sure that Donnie, Mikey and even April kept up with their ninja training, he was the one who is always prepared during an attack or new threat (ex: when he and the others were trapped in the geyser in the episode Eyes of The Chimera and he was the only one with a grappling hook to help them get out, criticizing his brothers for not being true ninjas and how they should be prepared for anything). April even states that for months, Raph stayed by Leo’s side when he was in his coma, refusing to eat or sleep, and when Leo did wake up, Raph was the first to help him get back on his feet, taking him out on walks to help get his strength back. 

Raph not only was there for Leo, but he was there for Donnie. After Donnie gets heartbroken when April rejects his music box gift in the episode A Foot Too Big, Mikey is sympathetic, but Raph hits Donnie with a much needed reality check. He tells him bluntly “It's never gonna happen, Donnie. We're mutants. She's a girl. You're a giant talking turtle. The sooner you get used to it, the better.” Even with that though, Raph acknowledges his brother’s broken heart and quickly tries to cheer Donnie up and get his mind off April with some training. Then later in the episode, when Donnie expresses how uncomfortable he is with Big Foot’s romantic gestures, Raph once again nails it perfectly by telling him, “Now you know how April feels.” Some may say what Raph said was mean and how he should’ve put him down more gently, but in truth this was something Donnie needed to hear and no one else was gonna do it any time soon! Someone had to open his eyes to the situation, and Raph was the perfect candidate. 

The final brother dynamic in the farmhouse arc with Mikey and Raph was little when it came to screen time, but Raph still shows how much he loves his little brother after Mikey gets captured by the Punk Frogs in the episode The Croaking. As soon as he sees Mikey, Raph drops everything mid fight to hug his brother, relieved for his safety, though the hug abruptly ends after Raph and Mikey find the situation to be “weird”, a very brotherly response if you ask me XD 

With this, we know full well how much Raph loves his brothers. Despite his “lone wolf” attitude in season 1, Raph makes it clear from the very beginning that he does care about his brothers more than anything else in the world. He's loyal, he stays by his brothers' side and has admitted countless times that he would rather die than see them get hurt. "I have no problem risking my own life, but risking my brothers?" (S1 ep14) and he states this again in the next season, “Sorry, Slash. My brothers come first, no matter what.” (S2 ep7). Raph makes it clear (to the audience) that his brothers and his family always come first (so I don’t know why fans keep saying he hates them).

Also, anyone that says that he abuses and is a bully to Mikey needs to go touch some grass because that is a big fat lie and you obviously didn't watch the show (or you're an only child). Brothers are going to fight and pick on each other. That is normal! As someone with an older brother (who is much like Raph btw), I can confirm that siblings to this and in the end we still love each other and have each other’s backs. Out of all the brothers Raph is the most protective of Mikey. The second he learns that Mikey is hurt or someone wants to harm him he is the first going in for the attack or the first one to take action to protect Mikey and bring him to safety.

I mentioned this earlier, but I love how Raph grows/learns to respect Leo as a leader, though he still questions his brother’s judgment from time to time. By season 5, in the episode The Forgotten Swordsman, Raph and Mikey are out on patrol and start talking about Leo. Mikey expresses concern for Leo to which Raph says “He just misses Master Splinter. Being sensei's hard on him. I just wish we knew-”. Raph gets cut off, so we never know what he was going to say, but I headcanon he was going to say “I just wish we knew how to help him.” Raph acknowledges Leo’s growing stress and pressure of being the new sensei after Splinter’s death and he wants to help out anyway he can, but he (and everyone else) just don’t know how. He looks up to and respects Leo and cares about him a lot more than fans and even he himself believe.

Though we see very little moments of them, my overall favorite brother dynamic is Raph with Donnie. I like how Raph is the only brother who is direct and tries to help Donnie move on from his crush on April because he worries and cares for Donnie and knows he’s sensitive when it comes to his feelings. Even when Raph shows disapproval of Donnie’s crush on April, Raph will still be a wingman for Donnie. In the episode Operation: Break Out, after rescuing April’s dad from the Kraang prison, Raph starts hyping Donnie up in front of April to make him look good. Also Donnie refers to him and Raph as “The New A Team” in the episode Arena of Carnage (Mikey does too at one point in another episode, but later he calls him and Raph “Team Awesome”). I just think Donnie and Raph are a fun team and a very underrated sibling duo of “brains and brawn” in the series. It deserves more love and attention from fans.

I’ve talked about how much Raph cares for and is loyal to his brothers, but he is the same towards his friends too. He's protective of April, being the one to go rescue her from the Kraang in the episode The Kraang Conspiracy. He’s even the one who’s words get to April when she was possessed by the alien Za-Naron in the episode The Power Inside Her, reminding April about how much she cares for Donnie which gives her the strength she needed to free herself from Za-Naron’s control. Raph shows he cares for Casey's safety when they do dangerous missions that are out of Casey’s element and was the one who made sure Casey was safe when he was cursed by Alopex’s blade in season 4, and despite their past, Raph is always worried and shows concern for Slash.

Raph shows throughout season 2 that he has faith in Slash to turn to the side of good (something Raph gets proven right about later on). Raph is even one of the first people to trust Slash when he returns with his new team The Mighty Mutanimals in season 3, despite Leo's harsh judgements and suspicion.

The strange thing is, it is usually the other way around, with Leo wanting to make allies and Raph being the distrusting one, a dynamic switch we will see again in season 4…

I can’t make a 2012 Raphael appreciation post/character analysis without talking about the queen herself, Mona Lisa! As mentioned previously, Raph is a softie, and one of the biggest examples of that is when it comes to his relationship with his love interest, later girlfriend, Y’gythgba aka Mona Lisa. When trying to survive on the ice planet, Raph is the only one to suggest that he and the others should team up with the Salamandrians to find the metal they need to fix their ships and get off the planet. Though Raph’s plan is highly motivated by his newfound feelings for Mona, he knows that it is the best option that can help save his family and friends, and despite Leo dismissing the idea, Raph sneaks off alone to convince the Salamandrians himself. 

Raph’s feelings for Mona Lisa have always interested me, specifically how he fell for her. Unlike his brothers with their love interests being the cliche “love at first sight”, Raph’s was “love at first fight”. We all know how Raph fell for Mona, they fought each other after a misunderstanding and after one good punch to the face Raph was smitten. He quickly began admiring her strength, acknowledging what a power punch she gave him, and amazed by her skills and spirit as a warrior. Raph admits right from the start that he loves Mona because she's “bigger, stronger and a better fighter than” him. He never once feels that his masculinity is being threatened when around her, and throughout their relationship never told her to not be herself. He loves that she's better than him as a warrior and can beat his shell! He shows excitement at the suggestion of him and her sparring together someday in the episode The War for Dimension X. He adores her, and never cares about others' judgment regarding his relationship with her. When Casey laughs at him after discovering his crush on her, instead of denying his feelings or getting angry at Casey and later the others for mocking him (something we would expect Raph to do), Raph instead continues expressing his romantic interest in her to everyone. He opened up about his feelings to others! If S1 Raph met and fell in love with Mona, I’m convinced he would’ve been a tsundere and just be in denial about it the entire time, not wanting to look soft because he has a crush. Raph met Mona at the perfect time in his life. He has emotionally mature. In truth, I think Mona made Raph a better man and was the key to help him continue his character growth throughout the rest of the series.

A good example of how much Raph has changed and matured is when Mona betrayed him in the episode The Evil of Dregg. Discovering that his first love, the one person he trusted “more than anyone in the galaxy” betrayed him, broke Raph’s heart and his fighting spirit. When Mona pleads for forgiveness, you can understand Raph’s anger and now he’s not quick to forgive her, but even when he’s mad at her he still loves her. Look at Raph right before Mona goes off into battle:

If he was truly mad at her, he wouldn’t be looking back, his back would be fully turned, refusing to have his eyes meet with her’s. He looks back at her but he’s not looking at her with anger or hatred, it’s sorrow. Raph still cares, he’s just hurt at the moment. Because of the betrayal, Raph believes that everything he and Mona have been through meant nothing to her, but then Mona assures him that his doubts are wrong when she tells him that she loves him for the first time, and that’s all Raph needed to hear to bring back his fighting spirit and run into battle to join her. Raph even snaps and tries to kill Lord Dregg after he harmed Mona and shows just how far he’ll go for her if someone ever tries to harm her (he does it again in S5 when Bishop insults Mona, he quickly jumps in to defend “his woman”). By the end of the episode, Raph and Mona reconcile. Him forgiving her shows how much Raph has grown as a character. S1 Raph would never have forgiven her, he would’ve held the grudge and not let go of it, but this Raph knows what Mona did was out of her control, she was blackmailed, so Raph did the mature thing, understood her situation, and forgave her. Him forgiving her shows how strong their love for each other is, and they keep on showing how much they love one another throughout the rest of the series. 

Some other little details about Raph’s character that I like is that he's an animal guy. With his first pet Spike and the rooftop pigeons, we see a side of him that everyone else rarely gets to see. This minor trait about his character speaks a thousand words. It shows that he is gentle and caring at heart despite his tough persona he gives out to everyone else. We see this not only with Spike in seasons 1-2, but also later in seasons 4-5 with his new pet, Chompy Picasso.

By the time Chompy enters Raph’s life, he has matured. The purpose for Spike was for Raph to have someone to talk to about his feelings and express himself without judgment. Spike was like a therapy dog. Chompy however is not that. Raph has learned to open up by this point in the story, so he doesn’t need Chompy to talk about his personal problems and frustration as much as he had with Spike. Yes, Chompy is there to listen to Raph but at this point in the story Raph is open and expressive and not afraid to show his feelings to others. Raph has probably mention things to Chompy he still wouldn’t say to others (like in The Tale of Tiger Claw, he talks about Mona Lisa to Chompy, seeming that this isn’t the first time he’s done this), but Chompy isn’t a pet for Raph to vent to, instead he was a way for Raph to learn a new responsibility. Chompy is just a baby who just needs someone to love him, to look after and care for him, and Raph is that someone. He took a big responsibility to take care of Chompy after it was believed that his mother, Tokka, was killed. Raph doesn’t need another therapy dog, no, Chompy needs a caregiver, and when Tokka returns to take back her baby, she sees how much Chompy loves Raph and decides that it is better for him to stay on Earth with Raph where she knows he will be safe. I will always stand by this: Raph needed Spike, Chompy needed Raph.

This is probably an unpopular opinion, but I think Raphael is more similar and a parallel to Splinter than Leonardo is. Leo may be Splinter’s “best pupil” and next in line to be sensei for the Hamato Clan, but Splinter and Raph have a lot more in common than the show’s canon or even the fandom acknowledge and it hurts to think of the wasted potential. Raph obviously inherited Splinter's temper. We see in flashbacks that when Splinter was a young man he had an uncontrollable temper that Shredder could easily manipulate, and we still sometimes see that temper blow up in the show when Splinter is upset and disciplining his sons. There’s more similarities though than just them both being hotheaded. They both have a love and appreciation for art. Splinter mentions in Lone Rat and Cubs that he always wanted to be an artist, and it’s well known he loves the renaissance artists. Raph being an artist is a cute and fun little detail about his character that I really like and you see many times in the show, but fans barely acknowledge. He’s the one who painted the Venus pin up girl on the Party Wagon, he gives his girlfriend the nickname “Mona Lisa” (which he indirectly tells her that every time he calls her Mona Lisa he is reminding her that she is a beautiful work of art), and names his pet "Chompy Picasso" after the artist Pablo Picasso. Not to mention that both men know the pain and fear of the woman you love dying in your arms. I love Raph’s relationship with Splinter in the show, and it’s honestly way more interesting than Leo and Splinter’s.

I love their little “Spike, chew on your leaf…” bit in season 1 and how they bond over the Japanese mantra to help Raph overcome his fear of insects in season 4 (btw Raph being scared of bugs was so fun, I like the trope of the big strong dude being scared of something so small and harmless). The episode ends on a fun note, Splinter tells Raph to not tell the others of the mantra cause he “might use that trick on them one day”, showing that Splinter has a devious fun side to him similar to Raph’s.

Is 2012 Raphael perfect? Not at all. No character is. He still has flaws, but I feel that’s what makes him such a fun character still. I feel he had the best and most character development in the series. I love his voice actor, I love his character development, I love his relationship with his brothers, friends and girlfriend, I love all the little character details about him from his love of animals to his passion in art. It’s just my personal opinion, but I think 2012 Raph is the best version of Raphael. He has faced injustice in this day and age with fans misrepresenting his character and hating him for the wrong reasons. You don’t have to like him, everyone has their own opinions on certain characters and I respect that, but there’s a time when not liking him goes too far with saying he’s a bully and abuses his family. The haters can go argue with a wall, 2012 Raphael is the best and I love him, and I hope this post made you appreciate him a little bit more too <3

[xenetala]

It's been over 10 years since I've done any writing or art and I want to thank the BG3 Raphael fan community for inspiring me to getting back in touch with my artistic side. ❤️

I'm a traditional media artist that usually does landscapes and digital art has frankly felt like a scary challenge, but I'm trying. 😁 And, I want to send a special thanks to @adevilyoudo @bitethedevil @feyspeaker @firlionemoontav @mslanna and @atrueneutral for sharing your works. ❤️ I may not interact with all of you much, but it's your works that inspired me the most and I can't thank you enough.

With that, I'd like to present you my interpretation of the BG3 storyline using my attempt at a cartoony thing:

Act I: Why'd it have to be mindflayers?

Act II: We beat a god! Rawr!

Act III: We gives handsome devils shinies.

[monocrowee]

my silly mouse guy for @hydropyro mouse army !!! ty for doing this as well as making this got me to finish and post something:]

[goldenflowerdragon]

Raph appreciation post

[sweetened-condensed-rage]

I've never actually seen Halsin hate on my dash until today and it was like seeing a wild animal for the first time

[archangelraphael]

⚠️ RAPHAEL POSTING LOCKDOWN!!! ⚠️

Hi, so basically from 0:00 of today to 0:00 of tomorrow i will be rebogging a ton of raphael centric posts.

If i did the queueing right, you will be seeing a post each 15 min during the whole day.

So i highly recommend that if you don't want to see so many posts at once you block the >>> #raphael appreciation day <<< tag.

And of course that I would love if anyone out there joined me, so feel more than free to tag and send me posts <3 <3 <3

[auggiedrawsturts]

I haven't posted anything in a while so uhhjh please accept these shitty doodles from some magma sessions with @skillzissue as compensation

[theturtlelovers]

爪ㄖ几ㄒ卄ㄥㄚ 丂卄ㄖㄩㄒㄖㄩㄒ丂

ᴇᴠᴇʀʏ ᴍᴏɴᴛʜ, ɪ ᴅɪᴠᴇ ɪɴᴛᴏ ᴛʜᴇ ᴀɴᴀʟʏᴛɪᴄs ᴛᴏ sᴇᴇ ᴡʜᴏ's ʙᴇᴇɴ ꜰᴜᴇʟɪɴɢ ᴍʏ ꜰᴀɴꜰɪᴄ ᴀᴅᴅɪᴄᴛɪᴏɴ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴜɴᴡᴀᴠᴇʀɪɴɢ sᴜᴘᴘᴏʀᴛ. ᴛʜᴇ ᴍᴏsᴛ ᴀᴄᴛɪᴠᴇ ᴜsᴇʀ ɢᴇᴛs ᴀ sʜᴏᴜᴛᴏᴜᴛ ʙᴇᴄᴀᴜsᴇ, ʟᴇᴛ's ꜰᴀᴄᴇ ɪᴛ, ʏᴏᴜ'ʀᴇ ᴛʜᴇ ᴇɴᴀʙʟᴇʀs ᴏꜰ ᴍʏ ᴄʀᴇᴀᴛɪᴠᴇ ᴄʜᴀᴏs. ᴛʜᴀɴᴋ ʏᴏᴜ ꜰᴏʀ ɪɴᴅᴜʟɢɪɴɢ ᴍʏ ᴏʙsᴇssɪᴏɴ!

sᴇᴘᴛᴇᴍʙᴇʀ ²⁰²⁰ ᴏᴄᴛᴏʙᴇʀ ²⁰²⁰ ᴅᴇᴄᴇᴍʙᴇʀ ²⁰²⁰ ᴍᴀʏ ²⁰²⁴

[leoreadss]

Could we talk about this: Mr. A.Z. Fell?

Cause in the book his name at Warlock birthday party is

'Aziraphale remembered what Maskelyne had told him about dealing with hecklers. "Make a joke of it, you pudding-heads-and I do mean you, Mr. Fell" (the name Aziraphale had adopted at that time)'

and again here we read

'no one bothered to take up this matter with the nice Mr. A. Ziraphale, who ran the bookshop two doors along and was always so helpful with the translations, and whose handwriting was instantly recognizable.'

So the name on the bookshop is just his name (Aziraphale) but spelt A.Ziraphale.

Am I missing something?

but wait....!!!

Could be possible that A.Ziraphale is actually A(rchangel) Raphale?

Am I renting?

I can’t believe there are people who hate Azi.

If Crowley still loves him, so should you.

And yes, Crowley still loves him.

He waited outside.

The love is still very much there.

They’re Just Not Talking Right Now.

So, reblog if you still love Mr. A.Z. Fell

[spacelazarwolf]

Hey there! I’ve really appreciated your posts and perspective over this past month, I’m having a hard time (as so many Jews are) and your voice helps.

I’m hoping you can help me with reliable resources. A friend of mine condemned the Hamas attacks etc (as they should, to my relief) but is under the impression that Israeli govt is doing genocide to the Palestinians. I’ve no idea how to approach that to verify (or not), I don’t even know where to start looking. Do you have any suggestions?

Thank you.

thanks! this is a really tough question, but i'm going to do my best to break it down. also if anyone's thinking of clowning on this post without reading it, inb4 "omg ur denying genocide!!!!!!" bc this post is literally outlining, in detail, all the ways the israeli government is, by definition, committing genocide.

this is really long, just a heads up.

a big frustration i have with a lot of progressive or leftist spaces is the tendency to throw around words like genocide without being able to define the term or properly apply it to the situation in question. this isn't just a semantics issue. if all you're doing is repeating the buzzwords you've heard on social media, your "activism" is going to be less than useless. it is crucial that if you are going to talk about the current genocide in gaza, you must be able to define exactly what a genocide is and how it applies to what's happening in gaza.

i'm paraphrasing from this article by the united nations. the word "genocide" was coined in 1944 by raphael lemkin in his book "axis rule in occupied europe." it was developed partly in response to the shoah, but also to previous instances of what we would now define as genocide. it was recognized as a crime under international law in 1946, and codified as an independent crime in the 1948 convention on the prevention and punishment of the crime of genocide.

the definition of genocide

(from article II of the convention on the prevention and punishment of the crime of genocide):

in the present convention, genocide means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such:

a. killing members of the group; b. causing serious bodily or mental harm to members of the group; c. deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; d. imposing measures intended to prevent births within the group; e. forcibly transferring children of the group to another group.

the 10 stages of genocide

a model created by gregory stanton, the founding president of genocide watch

classification - people are divided into "them and us"

symbolization - when combined with hatred, symbols may be forced upon unwilling members of pariah groups.

discrimination - law or cultural power excludes groups from full civil rights: segregation or apartheid laws, denial of voting rights.

dehumanization - one group denies the humanity of the other group. memmbers of it are equated with animals, vermin, insects, or diseases.

organization - genocide is always organized... special army units or militias are often trained and armed...

polarization - extremists drive the groups apart... leaders are arrested and murdered... laws erode fundamental civil rights and liberties.

preparation - mass killing is planned. victims are identified and sepaarated because of their ethnic or religious identity.

persecution - expropriation, forced displacement, ghettos.

extermination - it is 'extermination' to the killers because they do not believe their victims to be fully human.

denial - the perpatrators... deny that they committed any crimes.

application to the crisis in gaza

to start with the first definition from the united nations:

a. killing members of the group - YES

the death toll in gaza has risen above 8,000 according to the associated press. as far as i know, as of writing this post, there has been no ceasefire so the death toll will continue to rise.

b. causing serious bodily or mental harm to members of the group - YES

over 20,000 people in gaza have been injured, and gazans - particularly children - suffer incredibly high rates of ptsd.

c. deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part - YES

the israeli blockade of gaza has had devastating consequences for gazans. they are running out of food, water, fuel, and medicine, and this is costing additional lives.

d. imposing measures intended to prevent births within the group - unclear but leaning toward YES

whether or not it is the explicit goal, the current bombardment of gaza has put the lives of 50,000+ pregnant women in gaza at risk, along with their babies. babies who need incubators are also in danger as generators begin to run out of fuel.

e. forcibly transferring children of the group to another group - as far as i am aware, NO

according to the us embassy in israel, the palestinian authority ministry of social development is the only authorized entity regarding adoption of palestinian children. this doesn't mean it isn't happening, it just means i was not able to find any credible sources.

the 10 stages of genocide

classification - YES there is a long history in israel of othering palestinians, both socially/culturally and legally. former israeli minister of interior and minister of justice ayelet shaked shared a racist quote from netanyahu's former chief of staff explicitly framing palestinians as "the enemy."

symbolization - not yet there are no overt symbols palestinians, even within israel, are required to wear to outwardly identify themselves, but there are identifying features on their ids. in fact, the opposite has been happening, with far right members of the israeli government attempting to pass legislation making it illegal to publicly display palestinian flags.

discrimination - YES there is, again, a long history of discrimination against palestinians within and by the state of israel. it is difficult for palestinians from the west bank or gaza to gain status in israel, israeli work permits are used as a form of control, and often forcibly separate palestinian families.

dehumanization - YES former israeli deputy minister of defense eli ben dahan said of palestinians, "to me they are like animals, they aren't human."

organization - YES israel is currently carrying out an organized and brutal attack on gaza.

polarization - YES from extremist groups like hamas, to the corruption in the likud party in israel, there are very clear signs of extreme polarization. israel's siege against gaza has caused polarization across the entire globe.

preparation - YES gazans in particular are unable to leave gaza without a permit, and now with the blockade from both israel and egypt they are essentially trapped.

persecution - YES gaza in particular could absolutely be likened to a ghetto. as stated above, (in "usual" circumstances) they are unable to leave without a permit, and since hamas took control it is nearly impossible to get an israeli work permit.

extermination - GETTING THERE if the siege continues and gazans are unable to get out of gaza, there will be catastrophic casualties.

denial - YES i often hear that "israel has a right to defend itself" but i cannot possibly find a way to frame the current siege as "self defense."

so in conclusion, israel is - by multiple definitions - committing genocide against gazans. and it's very important to be able to identify specifics, especially if you are planning on having discussions about it. and i've said it in the past, but if you are not directly affected by what's happening - palestinians in particular, but israeli citizens and jews and muslims in the diaspora are also getting hit hard - it is IMPERATIVE that you are able to talk about this with a level head. escalating tensions and pushing away potential allies is only going to make things worse. find common ground, form connections, and then have a productive discussion.

[fabuloustrash05]

A Character First, A Love Interest Second: RaMona Did It Right!

((A TMNT 2012 RaMona Analysis))

Something I feel we as a fandom don’t give Raph enough credit for is how he’s the only brother to NOT have a “love at first sight” trope with his love interest Mona Lisa, and I feel that says a lot about his character and relationship with her, not only that, but it saves Mona’s character.

How you may ask? A lot of people don’t seem to realize this, but I love how when Mona Lisa is first introduced she’s not immediately established to be a love interest unlike the other girls. Mona is given some time to be her own character and show off a bit of her personality. For the other girls, there introduction is through the Turtles POV, established as a love interest FIRST then her own character/personality is shown later. This is made clear just from each Turtles reaction when first meeting their love interest. We are introduced to the female character through the “love at first sight” moment!

Donnie

Leo (I hate that I’m using this as an example this but this help prove my point)

Mikey

Edit: I timed it to see how long the girls intros were before they were established as a love interest. Here’s the LINK

I wanna clarify before people start assuming, no, I’m NOT saying that the other 2012 girls have no personality. They do, it just bothers me how they were introduced. Them being the love interest seemed more important to establish to the writers then her own character first.

Meanwhile for Mona Lisa; she’s introduced to the audience NOT the Turtles. This gives her a chance to establish her character/personality first then show her as a love interest later!

We learn just from her introduction scene and even her moment when confronting the Turtles that she is: strong willed, prideful (she’s proud of being the warrior she is and takes her battle’s seriously), stubborn (fight first, ask questions NEVER, like Raph), honorable, loyal (we learn she’s a lieutenant and respects and highly looks to her Commander), and even a bit short tempered (again, like Raph).

Her and Raph even get to speak to each other and have a little banter of threats before romance between them starts to blossom. There is no love at first sight. Unlike the other Turtles who immediately fall in love with the girl just from looking at her and thinking she’s pretty. Their feelings for each other took more time.

Raph did not fall for her looks like his brothers, he fell in love with the person Mona is. Physical attraction (I believe) is very important in a relationship and Raph does show and admits he does in fact find Mona attractive (Ex: calling her a beautiful work of art) but her looks is not what caught his attention. It was her personality, her spirit and capabilities as a warrior! I saw someone mentions this in another post once, but on rare occasions do we get to hear the other Turtles explain exactly WHY they like their love interests other then that they found the girl pretty (Yes, Donnie admits he thinks April is “cool” and Leo says Karai’s “fun” but that’s not enough!), meanwhile for Raph from the very beginning he has his list of reasons ready as to WHY he likes Mona! And he has no shame to admit it proudly!

And throughout the rest of their relationship, we see more of those reasons unfold. We see Raph and even Mona show more reasons as to why they love each other so much. And unlike the others ships, we actually get to see them act and be a couple! They flirt with each other, embrace and hold hands, make out, write love letters to each other, etc. The reason they worked so well is because as I said we get to see them be a couple, but also because Mona got to established herself as a character first before being Raph’s girlfriend.

Many of us can agree that TMNT 2012 failed greatly in the romance department, but they at least did one couple right with the relationship of Raphael and Mona Lisa. So I thank them for that <3

[dekariosclan]

Attention Galemancers: Gale thinks you are wonderful

In celebration of Galemancer week, this post is dedicated to all my fellow wizard-lovers 💜

We’ve talked plenty about how much we love Gale—but in this post I want to talk about how Gale Dekarios loves us, too. Very, very much.

From Astarion-to-Gale pipeliners, to the gamers who played BG3 not intending to romance anyone, to players who thought they’d just play the game casually and mayyybe smooch the hunky Druid elf guy or hot fiery lady, we all played BG3 thinking we had a pretty clear idea of how it was going to go—only to find ourselves rizzed by the wizard.

But we didn’t just choose Gale—Gale chose us.

Remember, Tav does not initiate the romance; Gale has to choose to start the weave scene. So if you’re reading this and you’re a Galemancer, it’s because Gale wanted you to be one.

That’s right Galemancers: Your Pixel Husband©️ took one look at you/your Tav, liked you immediately, and told the other romanceable companions, ‘I beg your pardon, this one is mine.’ The rest is history.

Gale loves us just as much as we love him—and this goes for ALL GALEMANCERS, no matter how your romance went:

Did you go into the game already liking Gale and actively wanting your Tav to romance him? Then Gale applauds your excellent taste. It’s one of the many reasons he chose you! To like so many things about him, and right from the start…he thinks your generosity is quite wonderful.

Did your Tav choose another companion first, and only romance Gale later on/during a second play through? No matter. He knew that you would come to your senses eventually! (just like he’s sure Minthara will appreciate him at some point…) He just had to be patient. It’s fine; you were worth the wait, after all.

Did you get Sneaky God Gale and have to re-do your run/start a new one to get your human proposal ending? Gale knew from the start that you were special—and that you would love him enough to replay the game and fix any bad outcomes. He knew you would do whatever was necessary to correct his path so he could marry you! Seeing you do all that for him…well…it only makes him want you more.

Did you encourage Gale to become a God & have him ascend your Tav, too? Then GodGale is beyond thrilled he chose you. Like he says in the human epilogue: ‘I could spend an eternity in your company.’ Now he can finally do that! (One small request—please keep his ambition in check, but do allow him to continue to troll Raphael as often as he likes.)

Did you romance Gale, but have your Tav go to Avernus with Karlach to help her? Gale always knew you had a heart of gold, and that’s one of the reasons he chose you. A little distance & time won’t hurt a bond like yours—and he’ll have his hearth & home waiting for your return.

Did you read online guides to do Gale’s & Tav’s romance correctly and get the ending you wanted from the start? What divine calculus plucked you from the heavens and thrust you into Gale’s arms? He knew you were studious and detail-oriented from the moment he met you, which is why he chose you! To know you studied so hard in order to get a good ending for him…none have loved him so purely before.

— — —

In short: Gale Dekarios doesn’t toss the ‘L’ word around lightly. He only picks someone to be a Galemancer if he truly thinks they are wonderful—and that’s not just anyone.

In conclusion: Galemancers, you are wonderful!

Now go enjoy the rest of this week with your well-earned and well-deserved pixel wizard—who chose you 💜

[dandylovesturtles]

oh yeah so Yes pretty overwhelmingly won the poll so you guys only have yourselves to blame for seeing this nonsense I will probably not do much more with lol

anyway I've been mentally calling it the Draxum's Kids AU or Step-brothers AU because I didn't come up with anything creative

high level premise is that, due to ~mystic shenanigans~, Draxum from the OU (post-movie) gets pulled through a portal to another dimension, about a year behind the OU dimension, where he kept the turtles and accomplished a lot of his human eradication goals but was also a terrible father. Draxum sees the writing on the wall that his AU self's foolish actions have led to an impending apocalypse and finds the AU's Mikey (who is only called Boxshell) to help him get back to the original dimension. But as soon as he meets back up with Boxshell his Dad Instincts kick in and he realizes he can't just leave "his" kids here to die, so he decides to kidnap all four of them back to the original dimension.

this is complicated a bit by all of them hating each other

under the cut is about 3000 words of Draxum getting abducted

Draxum would really appreciate it if they could make it six months without a potentially world ending threat.

This one seems particularly suspicious. Giant black swirling vortexes giving off massive mystic energy signatures don’t simply <i>appear</i>, not for no reason. The fact that Michelangelo had been the first to notice it, cocking his head to the side like a bloodhound hearing a rabbit, was not putting him at ease, either.

“Soooo,” says Leonardo, swords already drawn and held loose at his sides, “what is it, Draxy?”

That is not his name, but because the situation is serious, he answers anyway. “You expect me to know? I’ve never seen anything like that before.”

“Come on, you’re our mystic guru! So get with the guruing!”

Draxum just gives him the look that the kids are coming to call his “not mad, just disappointed” face. He doesn’t have any more answers than he did two seconds ago. On the plus side, it doesn’t seem like anything is coming <i>out</i> of the dark swirly vortex, nor is anything getting sucked in. It’s just hanging there, in the sky over the Hidden City, menacingly.

“Doesn’t it feel familiar?” asks Michelangelo. Unlike Leonardo, he still hasn’t drawn any weapon. He’s just watching it, curious.

“I don’t remember the Krang portal looking like that,” says Donatello. “We could see the Prison Dimension on the other side. That’s just… an indistinct vortex of doom.”

“Not like the Krang,” says Michelangelo, but he doesn’t offer any further guesses. He just watches it with big eyes.

“But we gotta do somethin’ about it, right?” asks Raphael. “We can’t just leave it up there.”

“Well, if it’s not hurting anyone,” says Leonardo slowly.

“Just because it is not doing anything in this instant does not mean it will stay that way,” says Draxum.

“Yeah, yeah.” Leonardo slices through the air, a blue and less chaotic looking portal opening up. “Let’s check it out, Dee. Get some energy readings and all that nerd jazz. The rest of you, stay here in case it’s dangerous.”

“Oh, but it’s fine if it’s me,” says Donatello, but he steps up to the portal anyway. 

Draxum feels uneasy, because he doesn’t know what that thing is or what it will do, and because he doesn’t want the two of them going alone. “I’ll come with you,” he says, and when the kids give him a look, he quickly adds, “I may notice something that Donatello would miss.”

“I don’t <i>miss</i> things,” Donatello snaps back, but that’s factually untrue, so Draxum just grunts in response to it. 

“Sure, goatman cometh,” says Leonardo airily. “Let’s just go!”

Just to be sure nothing bad will happen, Draxum steps through first. The twins follow him.

They’re on a rooftop now, just under the vortex. Draxum had been expecting… something, but there are no threats, no signs of anything amiss. It’s a bit windy, and the vortex is making an ominous buzzing noise, but that’s all.

“Can you tell anything from here?” asks Leonardo, looking between the two of them. Donatello has his goggles down and a holoscreen up, incomprehensible numbers scrolling by at a fast pace. For his part, it seems the same to Draxum here as it did across town.

Donatello’s readings slow, and he raises the goggles again. 

“It’s… definitely massive, but I can’t tell much more than that. Though… I think Mikey was right. That it feels familiar.” He looks at his brother, something complicated in his expression. “Like we’ve seen something like this before.”

“I was afraid you’d say that,” says Leonardo, before turning his attention to Draxum. “How easy is it to make an interdimensional portal, anyway?”

Draxum snorts at this question. “For a pocket dimension, relatively simple. For an actual, separate world… Theoretically, it could be done, but it would take a massive amount of mystic energy and decades of experience. Especially if one does not have a mystical object to channel a portal through, like the key that was used for the Krang’s prison dimension.”

“But Mikey was able to do it,” Leonardo points out.

“Yes. And need I remind you it almost killed him.”

“You needn’t,” he snaps back. “I’m just saying… <i>if</i> it can be done, it really seems like someone’s trying it right now.” He still has his swords out, watching the vortex warily. “And what’re the odds that they’re coming here for a friendly visit?”

Draxum doesn’t argue there; he’s already treating whatever this is as hostile. Better to assume wrong and apologize later than to let down his guard and let one of his kids get hurt.

There’s the sound of footsteps behind them, and the three of them turn at once, startled. “Well, there’s Mikey,” Leonardo is already saying in a resigned sort of way, like he knew Michelangelo would join them before he gave the command.

“Sorry, Leo,” says Raphael, landing with heavier tread on the rooftop just behind Michelangelo. “He gave me the slip.”

“Guys, it’s fine!” Michelangelo argues, in that tone he uses when he feels like he’s being babied. “I’m telling you, whatever’s making that portal isn’t here to hurt us.”

“And you know this based on what evidence?” asks Donatello.

“It’s a feeling!”

“Ah yes, feelings, how quantifiable.”

“Well <i>you</i> don’t have any evidence it’s evil either, Donald!” Michelangelo retorts.

Draxum is about to step into the middle of this quarrel when Leonardo stops it for him.

“Guess we’re about to find out who’s right,” he says, eyes locked on something above them, and Draxum looks up just in time to see that there’s <i>movement</i> coming from the vortex now. “Dee, take Raph; Miguel, you’re with me.”

“Wait, guys, we should just-” Michelangelo tries again, but a shimmering blue portal under his feet stops him. Leonardo and Michelangelo reappear in the sky above, Leonardo using his portals to stay airborne while Michelangelo catches himself with his mystic powers. There’s the roar of a jet, and then Donnie is after them, his shimmering mystic tech carrying himself with Raphael dangling underneath.

And of course they’ve left him on the roof. Draxum sighs. <i>Children</i>.

He pops several vines on the roof and uses them to propel himself skyward, eyes searching for what has come through the portal, if that’s what it is. It’s difficult to see against the black coloration, but the boys seem to have gathered under a figure in a dark cloak, who emerges slowly from the middle of the vortex. It seems to cling to them like dark, black ink, the mystic energy drawing out behind them in long, gooey ropes. 

Draxum knows he is still many meters away, but even still, he doesn’t think the figure is very large. It’s a surprise, given that the vortex itself is at least fifteen or more meters across, but the figure coming out is short and slight, not even as big as Michelangelo. Of course, that doesn’t mean much; plenty of yokai are small statured naturally, as are some humans. Even Lou Jitsu is small, now, but still mighty. He can’t let the size of the person put him off guard, especially when they have summoned such massive mystic energy.

“Hey!” cries out Michelangelo. “Can we talk to you!?”

The figure in the cloak seems to startle at being addressed. For a moment, they hang in the air, the ropey energy of the vortex growing thicker on their arms and legs. Almost like it’s trying to pull them back.

The figure seems to realize this, too, because they jerk forward and raise their arms in a panicked arc.

Fire comes out - dark flames with incandescent blue cores that Draxum knows are hotter than any normal flame. If the boys are struck, the damage will be severe. Thankfully, Michelangelo yelps and whirls aside before he can be burned.

“I don’t think they’re interested in talking!” calls Donatello.

“That’s alright,” yells Raphael, his ninpo lighting his body red, “because <i>I’m</i> interested in smashing!”

The midair fight begins in earnest now, the boys darting around the figure with their weapons drawn, even Michelangelo. The cloaked figure fights back with the flames, dark and so hot that as Draxum’s vines carry him closer, he can feel the heat coming off of them. Yet, despite the intensity of the attacks, Draxum notices that they are unwieldy and unpracticed, like the wielder has no real experience in fighting, and certainly not midair against so many opponents. Add to that, the strange, inklike properties of the still-spinning vortex seem to be actively trying to pull the figure back; each time they make progress, the moment their attention is drawn by one of the boys, they’re yanked back another few feet.

Draxum sprouts a few more vines off his main one, so that he can move more freely. Aerial combat has never been his forte, but he can make it work. So long as none of those desperate fire attacks burn through his vines and send him tumbling to the ground (he can only hope, in that event, that one of the twins notices him). 

The cloaked figure is still attacking wildly, and the boys have to move fast to keep out of the way. It’s easier for Michelangelo and Donatello, who can stay airborne indefinitely; Leonardo, meanwhile, has to use his portals to catch himself and Raphael periodically, portalling them back to the sky or giving them a portal to ground to launch off of. This leaves them open to attack.

Draxum couldn’t have made it in time if he’d wanted to, but in the moment he isn’t thinking he has to.

One of the unfocused black flames strikes Raphael; his ninpo projection protects him from being harmed, but he still lets out a gasp of surprise as it burns rapidly through the ninpo itself, leaving him exposed. Donatello swoops in to catch him before he can fall, and all the boys hang back for a moment, stunned by this development.

“What was <i>that</i>!?” Leonardo calls out, portaling above Donatello and landing on his constructed battleshell (Donatello says, “Oof!” loudly, but doesn’t throw him off). “It just burned through Raph’s shield like it was tissue paper!”

“Augh… that felt… weird.” Raphael is rubbing at his temple with his fingers. “Raph did not like that.”

“Alright, clearly this guy is dangerous.” Leonardo is tense, eyes focused as he watches the cloaked figure yank free of the stringy ropes of magic from the vortex, coming closer. “But see how the portal’s trying to pull them back in? We just gotta get them close enough and send ‘em back where they came from.”

He glances over at Michelangelo. Draxum looks, too. The boy’s brow is creased, like he isn’t happy with this outcome, but his eyes are focused on Raphael.

“...Yeah,” he says finally, and gives his nunchucks a swing. They light up with his orange ninpo, the bright fire a stark contrast to their enemy’s dark flames. “Let’s send ‘em back!”

The boys spring back into action, and Draxum follows suit, his vines carrying him up, closer to the vortex. Now he can feel more of the thing’s power directly, a great gusting wind that pulls rather than pushes. He hangs back from the direct fighting and instead watches the boys closely, should he need to intervene the way he hadn’t for Raphael. If the fire can eat through their ninpo, then any of them being struck would be disastrous - especially if one of the others could not catch them in time.

The kids are succeeding in their gambit to push the figure back towards the vortex, but that means they are also increasingly putting themselves in range of its dangerous reach. The ropey strands of dark mystic energy reach out like hungry tendrils, latching onto scales before being cut or shaken off. Leonardo has all but abandoned the fight against the figure and instead puts his efforts into slicing the strands apart any time they touch one of his brothers, either directly with his katana or with a well placed portal. He leaves the strands that attach themselves to the mysterious person, and they wrap more firmly around the legs, arms, and neck of the one in the cloak.

And that’s when they finally speak.

“No!” they cry out, in a voice unmistakably juvenile. “No, please! I just want to escape - don’t make me go back!”

Michelangelo stops short, bobbing uncertainly only a few meters from the screaming figure (a boy, Draxum thinks, but cannot be sure). “Guys,” he says hesitantly, lowering his weapons. “I really think we should-”

Whatever he was about to say is interrupted by a burst of flames from the cloaked boy’s hands, spiraling directly towards him.

“MIKEY!” shout several voices at once; Draxum only realizes a beat later that one of them is his. He’s the closest, and he moves fast, putting himself and a wall of vines between the flames and his son.

The flames make such short work of the vines, it’s almost comical. Draxum watches as the fire races down the towering stalk he’s made, eating them away and leaving nothing behind, not even ashes. The vine Draxum was standing on is, of course, completely obliterated, and he feels the swoop in his stomach as gravity starts its relentless pull.

“Dad!” he hears Michelangelo call out. The boy reaches a hand toward them, and in his panic Draxum reaches back. They are only a few meters from each other, and then less and then less, fingers almost touching-

But it is something else that grabs him first.

The vortex’s dark energy feels disgusting and slimy where it touches Draxum’s fur, like a leech pulled from some noxious bog. Its tug is ferociously strong, and he realizes that if Leonardo had not been quick, if the magic had wrapped around any of his brothers’ limbs the way it’s wrapped around Draxum’s arm, disentangling them would have taken massive effort. As it’s going to take to free him now.

There’s a yank, and he’s ripped away from Michelangelo and towards the vortex.

“No!” screeches the cloaked boy, and sputtering flames spill out around him, forcing the turtles back before they can move in to rescue him. “No! Get away! Leave me alone!”

“Gladly!” Draxum shouts back, ripping and yanking to try and free his arm. “Just close this foolish portal and go back where you came from!”

“I <i>can’t</i>!” the boy screams, and he sounds so wretched, Draxum almost feels some sympathy for him. “I can’t! I can’t!”

“You must!” Draxum argues, because he can tell. The energy has wrapped too securely around the cloaked boy now; there will be no freeing him. The portal he made is impressive, <i>especially</i> as young as he sounds, but it is not complete. He could not be severed from it, even if they tried to help. In fact, if they fully pulled him from the vortex, it would likely kill the child.

No; he must go back. But… is there still time for Draxum?

“Barry!” he hears the boys call out. They try to get close, but another burst of searing heat from the panicked boy in the vortex keeps them from advancing. More of the stringy ropes of magic are wrapping around Draxum now, on his arms, his torso, his legs. His neck. They yank him back, hard, and he gasps as the air leaves his lungs. The mystic energy slithers over him like a living creature, wrapping him up more and more securely in its snare.

It seems… there is not.

“<i>NO</i>!” screams the cloaked boy, one last panicked, desperate cry, but then his voice is abruptly silenced. There’s a roaring noise, incomprehensibly loud, and Draxum faintly wonders if this is how it sounds when a star collapses in on itself.

The last thing he sees as the portal closes around him is Michelangelo’s face, eyes wide and afraid, mouth open in a shout, hand outstretched as far as it can go.

And then all is dark.

…

When Draxum wakes, he’s laying on the ground in an alley in the Hidden City.

He feels a flash of <i>something</i> markedly unpleasant when he realizes he’s alone: sadness, betrayal, perhaps even, Titan forbid, <i>loneliness</i>. It seems the boys have left him to his fate and gone home.

Then he remembers the portal, and Donatello and Michelangelo’s guess that it was interdimensional. It’s likely the boys don’t know where he is. It’s possible he’s not even in the same time.

Or the same world at all.

Disturbing as that thought is, the part of the Hidden City he can see from his vantage point seems familiar enough. He recognizes this as a part of the old downtown, not far from where he and the kids had been fighting the cloaked boy. Even if this isn’t his time, at least he should still be able to navigate - that makes things easier.

He gets to his feet, shaking the soreness out of his limbs. He hears something pop, and is suddenly immensely glad the boys aren’t here after all. He’d rather not endure another round of teasing for being “old”.

The Hidden City he travels through seems largely the same as the one he left, to a degree that he starts to wonder if it wasn’t an interdimensional portal after all. If it was, the dimension he’s in now seems to have only slight variations.

Or that’s what he thinks, until he makes it to the nearest portal back to New York City.

There’s a checkpoint set up in front of it, one that didn’t exist here before. There are guards standing sentinel, ushering through a line of yokai and occasionally asking questions. They don’t seem hostile to the yokai, but it does seem like precautions need to be taken for… some reason.

More startling to Draxum are the crests that adorn banners hung around the checkpoint, matching emblems blazed on the uniforms of the officers.

His family’s crest.

It seems this dimension is quite different after all.