#Rajendra Kumar Songs

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Pal Pal Dil ke Paas Lyrics Translation | Blackmail / Kishore Kumar

Movie: Blackmail (1973), Music: Kalyanji-Anandji, Lyrics: Rajendra Krishna, Singer: Kishore Kumar,Label: Universal Music

A Kishore Kumar classic from 1973 film Blackmail, this song is now remade by Abhijit Vaghani in the film Wajah Tum Ho, where it's sung by Arijit Singh and Tulsi Kumar, on T-Series.

pal pal dil ke paas tum rehti ho jeevan meeThee pyaas ye kehti ho You are near my heart every single moment, You call this life a sweet thirst...

har shaam aankhon par teraa aanchal laharaaye har raat yaadon ki baaraat le aaye main saans letaa hoon, teree khushboo aatee hai ek mahkaa-mahkaa saa paighaam laatee hai mere dil kee dhaRkan bhi, tere geet gaatee hai pal pal dil ke paas tum rehti ho Every evening, the end of your saari seems to flutter over my eyes. And every night brings a bunch of memories. When I breathe, I smell your fragrance. It brings along a mildly fragrant message. Even my heartbeat sings your songs... You are near my heart every single moment..

kal tujh ko dekhaa thaa, maine apne aangan mein jaise keh rahee thee tum, mujhe baandh lo bandhan mein ye kaisaa rishtaa hai, ye kaise sapne hain, begaane ho kar bhee kyun lagte apne hain main soch mein rahtaa hoon, Dar Dar ke kahtaa hoon pal pal dil ke paas tum rehti ho... Yesterday, I saw you in my own courtyard. It was as if you were saying, 'tie me in a bond,' What kind of relationship is this, What kind of dreams are these, even though we are not related, why do we feel so close? I keep thinking, and say only with a hesitation... that every moment, you live close to my heart...

tum sochogee kyon itnaa main tum se pyaar karoon tum samjhogee deewaanaa, main bhee iqraar karoon deewaanon kee ye baaten, deewaane jaante hain jalne mein kyaa mazaa hai, parvaane jaante hain tum yoon hi jalaate rahnaa, aa aa kar khwaabon mein pal pal dil ke paas tum rehti ho You'd wonder why I love you so much, You'd think I'm crazy, and even I agree to that. These things about crazy people are understood by those crazy like them, (like) What's the fun in burning oneself, is understood by moths only. you just keep on igniting my passion, coming into my dreams you always live close to my heart...

Pal Pal Dil Ke Paas Tum Rehti Ho | पल पल दिल के पास |Lyrical Song |Kishore Kumar |Dharmendra, Rakhee

"I know I haven't seen you lately, but you're always on my mind."

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The Timeless Charm of Mohammed Rafi’s Music

The Indian music industry has seen numerous legendary voices over the years, but very few have left an indelible mark like Mohammed Rafi. His unparalleled versatility and soul-stirring renditions made him one of the most celebrated playback singers in the history of Indian cinema. With a career spanning over three decades, Rafi became the voice of emotions, seamlessly adapting to various musical genres and styles. His songs continue to be cherished by people of all generations, making him a timeless icon whose melodies remain fresh even in the contemporary music landscape.

Early Life and Musical Journey

Born in 1924 in Punjab, Mohammed Rafi's journey into the world of music was anything but ordinary. His passion for singing was evident from a young age, and his dedication to the craft soon caught the attention of music directors in the film industry. He made his playback singing debut in the 1940s, during a time when Bollywood music was undergoing a major transformation. With a naturally gifted voice that could convey deep emotions, Rafi quickly became a favorite among music composers and filmmakers. His ability to modulate his voice to suit different actors and film situations set him apart, making him one of the most sought-after singers of his time.

A Voice That Knew No Boundaries

What made Mohammed Rafi truly exceptional was his ability to excel in any genre of music. Whether it was a soulful ghazal, a high-energy qawwali, a romantic ballad, or a devotional bhajan, he infused each song with a distinct charm. His iconic song “O Duniya Ke Rakhwale” from Baiju Bawra showcased his powerful vocal strength, while “Chaudhvin Ka Chand” from the film of the same name revealed his ability to bring out the soft and soothing aspects of his voice. His songs were not just tunes but expressions of deep emotion, capable of moving listeners to tears or filling them with joy.

Unforgettable Collaborations

Rafi’s success was largely attributed to his collaborations with some of the finest composers in Bollywood. His partnership with Naushad resulted in some of the most melodious songs in Indian cinema. Together, they created masterpieces that are still considered the gold standard of film music. His work with S.D. Burman led to hits like “Tere Mere Sapne” and “Khoya Khoya Chand,” while his association with R.D. Burman produced some of the most energetic and groovy numbers of the 1970s. Additionally, Shankar-Jaikishan, Laxmikant-Pyarelal, and Madan Mohan all recognized Rafi’s extraordinary vocal range and composed music that brought out the best in him. These collaborations ensured that his voice reached every corner of the country, making him a household name.

Rafi’s Influence on Bollywood Stars

One of Mohammed Rafi’s greatest strengths was his ability to adapt his singing style to match the on-screen persona of various actors. He became the voice of some of Bollywood’s biggest stars, including Rajendra Kumar, Shammi Kapoor, Dev Anand, and Dharmendra. His ability to bring out the playful energy of Shammi Kapoor in songs like “Yahoo! Chahe Koi Mujhe Junglee Kahe” and the deep romantic essence of Dev Anand in “Dil Ka Bhanwar Kare Pukar” speaks volumes about his versatility. His voice had an innate ability to elevate an actor’s performance, making songs an essential part of the cinematic experience.

Enduring Popularity and Legacy

Even though Mohammed Rafi passed away in 1980, his music continues to thrive. His songs are still played on radio stations, at weddings, and during festive celebrations. With the advent of digital platforms, younger generations have also discovered the magic of his voice. Covers and remixes of his classics continue to be produced, but his original renditions remain unmatched in their purity and depth. Many contemporary playback singers consider him their idol and attempt to emulate his style, though few can capture the essence of what made him truly special.

The impact of Rafi’s music extends beyond India. His songs have a global following, with fans in countries like Pakistan, Bangladesh, the UK, and the US. His voice transcended linguistic and geographical boundaries, proving that true artistry knows no limits.

Why Mohammed Rafi’s Songs Stand the Test of Time

What makes Rafi’s music timeless is its emotional depth and technical brilliance. Unlike fleeting trends that dominate the industry for short periods, his songs have a classic appeal that never fades. His ability to bring out human emotions through his singing ensures that his music remains relevant, regardless of changing tastes and advancements in recording technology. His melodies have a way of transporting listeners back in time, evoking memories and emotions that remain fresh despite the passing years.

Another reason for his enduring popularity is the sheer variety in his discography. His songs cater to every mood and occasion, making them a staple in Indian households. Whether it’s a romantic evening, a devotional gathering, or a celebration, there’s always a Mohammed Rafi song that fits perfectly.

Conclusion

The golden era of Bollywood music would be incomplete without Mohammed Rafi. His contribution to the industry is unparalleled, and his songs continue to be cherished by music lovers across generations. With a voice that could convey joy, sorrow, romance, and devotion with equal brilliance, he remains one of the most iconic figures in Indian music history. His melodies have stood the test of time, ensuring that his name and music will be celebrated for years to come. The legend of Mohammed Rafi lives on, proving that true talent never fades.

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Jacqueline Fernandez: A Journey to the Spotlight in Bollywood and Beyond

For additional resources on music marketing and distribution, visit DMT Records Private Limited.

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Ramprasad Ki Tehrvi Film Review

Image of Lead filmstars in the film Ramprasad ki Tehrvi Plot: This film is about the family of Ram Prasad, who has died, and all of his six children, four sons and two daughters, who come to their ancestral house on the thirteenth day of their father's death. Instead of sharing their grief, they all become entangled in their own problems and begin fighting among themselves. They had never come to see their parents before, but now they have come and are fighting among themselves on their father's rituals. Their mother is silently watching all of this, saying nothing. Now that the mother is alone, whose son will take her with him? Will she live alone in such a large house? To find out, watch the movie. Tone and Theme: The tone of this film is family drama, and the theme is family and relationships. The goal of making this film is to show the reality of today's families, which is that children don't care about their parents. It draws attention to the issue and makes an impression. It forces us to face the realities of our society. Acting and Characters: Supriya Pathak Kapoor has done an excellent job as Amma. She did a splendid job playing her role. Her acting abilities are exceptional. She has effectively conveyed the pain of losing a husband on her face. Naseeruddin Shah plays a guest role. He performed admirably in his limited screen time. Konkona Sen Sharma's performance as Seema can also be described as good. Her acting conveyed a completely different attitude, sadness, pain, and loneliness on screen. The supporting cast includes Parambrata Chattopadhyay, Vikrant Massey, Manoj Pahwa, Ninad Kamat, Vinay Pathak, Deepika Amin, Divya Jagdale, Sadiya Siddiqui, Anubha Fatehpura, Sarika Singh, Brijendra Kala, Shrikant Verma, Rajendra Gupta, Pushpa Joshi, Vineet Kumar, Alka Kaushal, and Yamini Dass. All of whom play their. It directed by Seema Pahwa, a well-known film actress. This is her first Hindi movie, and her directorial debut. She attempted to tell the story in a good way. It moves at a slow pace, but it never deviates from the plot. She has effectively depicted the story's conflict and confrontation. Seema Pahwa has done an excellent job directing her first movie. All the characters very well portrayed on screen. Everyone appears to be acting like real-life characters. Story-Screenplay: Seema Pahwa's story is also contemporary; relationships are no longer important in society, and the screenplay is magnificent. Dialogues: Seema Pahwa has written dialogues of all the characters that seem believable and fit perfectly according to the story of the film. Everyone's dialogues match the tone and theme of the film, The dialogue in the film's narration accurately describes all the characters' expressions. Music and Background Score: Sagar Desai's music and background score had little impact; all the songs were played in the background, and the background score complemented the movie's mood and story. Lyricist: All the songs written by Neeraj Pandey connect themselves to the story. Cinematography: Sudip Sengupta shot the entire movie in a single house. So there wasn't much scope in the film, but all the shots that were shot inside the house were brilliantly shot. Resul Pookutty and Amrit Pritam provide excellent sound design. Production Design: Parijat Poddar's production design was based on the story. Dipika Kalra's editing could have been tighter. The film is slow-paced, and the pace between scenes is weak. Costume Design: Darshan Jalan and Manish Tiwari's costume designs complement the film's theme and tone. Opinion: People who enjoy watching art films can see this film once. Climax: The film's climax was very well executed. Message: In today's families, it is very important to cherish relationships and affection for one another. Nominations for the 67th Filmfare Awards include Best Film, Best Actress, Best Director, and Best Debut Director. Nominations were received for Best Film Critics, Best Story, and Best Supporting Actress. The film received one Best Debut Director award, which went to Seema Pahwa. CBFC-U Movietime: 1h.53m Genre: Family Drama Backdrop: Lucknow Release: 2021 Cast includes Supriya Pathak Kapoor, Konkona Sen Sharma, Parambrata Chattopadhyay, Vikrant Massey, and Manoj Pahwa. Ninad Kamat, Vinay Pathak, Deepika Amin, Divya Jagdale, Sadiya Siddique, Anubha Fatehpura, Sarika Singh, Brijendra Kala, Shrikant Verma, Rajendra Gupta, Pushpa Joshi, Vineet Kumar, Alka Kaushal, Yamini Dass, Naseeruddin Shah (guest appearance) Producer: Manish Mundra, Jio Studios, Writer, and Director: Seema Pahwa; Sound Design: Resul Pookutty, Amrit Pritam. Darshan Jalan and Manish Tiwari created the costumes, Sagar Desai composed the music and background score, and Parijat Poddar handled the production design. Dipika Kalra is the editor; Sudip Sengupta is the cinematographer; Neeraj Pandey is the lyricist; Krishna Swain is the art director; and Casting Bay handles the casting. Read the full article

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खुदा भी आसमाँ से [4K] Romantic Video Song : Dharti (1970) मोहम्मद रफ़ी, ...

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Pal Pal Dil Ke Paas Piano Notes | Blackmail

Pal Pal Dil Ke Paas Piano Notes

Notes :-  Music C4# F4# C5# B4 A4# G4# B4 A4# G4# B4 A4# G4# F4# F4 D4# F4 F4# C4# F4# C5# B4 A4# G4# B4 A4# G4# B4 A4# G4# F4# F4 D4# F4 F4# A4# C5# A4# A4# A4# D4# F4 F4# Pal pal dil ke paas, tum rehti ho D4# F4 F4# A4# G4# G4#, D4# D4# F4 F4 F4# F4# Pal pal dil ke paas, tum rehti ho D4# F4 F4# A4# G4# G4# G4# A4# G4#, D4# D4# F4 F4 F4# F4# Jeevan meethi pyaas, yeh kehti ho, music A4# B4 C5# D5# C5# C5#, G4# G4# A4# A4# B4 A4#, A4# G4# F4# F4 Pal pal dil ke paas tum rehti ho D4# F4 F4# A4# G4# G4# G4# A4# G4#, D4# D4# F4 F4 F4# F4# Har shyam aankhon par, tera aanchal lehraye C4# C4# D4# D4# D4# D4# D4#, D4# A4# A4# G4# G4# F4# F4# D4# F4 D4# C4# Har raat yaadon ki, baarat le aaye C4# C4# C5# C5# C5# C5# D5# C5# B4, B4 A4# A4# G4# G4# G4# B4 B4 A4# A4# Main saans leta hoon, teri khushboo aati hai A4# G4# G4# A4# G4# G4# F4# F4# F4# C4, A4# G4# G4# A4# A4# G4# G4# F4# F4# F4# C4 Ek mehka-mehka sa, paigaam laati hai A4# G4# G4# A4# A4# G4# G4# F4# F4# F4# C4, A4# G4# G4# A4# G4# F4# F4# F4# Meri dil ki dhadkan bhi, tere geet gaati hai C4# C4# C5# C5# C5# C5# D5# C5# B4, B4 A4# A4# G4# G4# G4# B4 B4 A4# A4# G4# Pal pal dil ke paas, tum rehti ho D4# F4 F4# A4# G4# G4# G4# A4# G4#, D4# D4# F4 F4 F4# F4#

About Song :-

The song "Pal Pal Dil Ke Paas" is a classic Hindi song originally featured in the 1973 Bollywood movie "Blackmail." The film was directed by Vijay Anand and starred Dharmendra and Rakhee Gulzar in lead roles. The music for the film was composed by Kalyanji-Anandji, and the lyrics for this particular song were written by Rajendra Krishan. Here are some details about the song "Pal Pal Dil Ke Paas": Song Title: Pal Pal Dil Ke Paas Singers: Kishore Kumar and Lata Mangeshkar Music: Kalyanji-Anandji Lyrics: Rajendra Krishan Film: Blackmail (1973) Actors: Dharmendra, Rakhee Gulzar, Shatrughan Sinha, and others Plot: "Pal Pal Dil Ke Paas" is a romantic song featured in the film and is one of the most iconic and beloved songs in Bollywood history. It beautifully captures the essence of romantic love and the emotions associated with it. The song is known for its melodious composition by Kalyanji-Anandji and the enchanting duet by Kishore Kumar and Lata Mangeshkar. "Pal Pal Dil Ke Paas" has a timeless quality and is considered a classic love song in Indian cinema. "Blackmail" is a thriller-drama film with elements of romance and suspense. The film received critical acclaim for its engaging storyline and memorable music. The song "Pal Pal Dil Ke Paas" has been an evergreen favorite among fans of Bollywood music and is often played on various romantic occasions. Its enduring popularity has led to several cover versions and adaptations over the years. The song remains a timeless classic and a testament to the musical excellence of Kishore Kumar, Lata Mangeshkar, and the composers. Read the full article

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Remembering screenplay writer/ lyricist Vrajendra Gaur on his death anniversary.

Shankar Jaikishan and Vrajendra Gaur, a Very Good Association

The extremely successful Shankar Jaikishan and the prolific dialogue and screenplay writer, lyricist, Vrajendra Gaur came together in 1960 and worked for seven movies in fifteen years. Everyone of the movies had very good screenplay and dialogues with excellent music.

Singapore (1960): Produced by F. C. Mehra, the movie was directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Padmini acted in the lead with the title song filmed on the Malay Beauty Queen, Maria Menado. There are eight songs in the album. Shailendra and Hasrat wrote four songs each. Lata sang three solos and three duets with Rafi, with Mukesh singing one solo. The movie had a successful run.

Pyar Mohabbat (1966): The movie was produced and directed by Shankar Mukherjee. Vrajendra Gaur wrote the dialogues. Dev Anand was cast opposite Saira Banu. There are nine songs in the album. Shailendra wrote five songs and Hasrat four. Rafi sang two solos and two duets, one with Asha and the other with Manna Dey. Sharda sang two solos with Lata and Asha singing a solo each. The latter also sang two duets, one with Rafi and the other with Usha Mangeshkar. Although the music was very good, sadly, the movie did not fare well at the box office.

Duniya (1968): The romantic thriller was produced by Amarjeet. Vrajendra Gaur and K. A. Narayan wrote the screenplay. It was directed by T. Prakasa Rao. Dev Anand and Vyjayantimala were cast in the lead. There are six songs in the album. Hasrat wrote three songs while ashailendra, Neeraj and S. H. Bihari wrote a song each. Rafi sang three solos, Asha sang a solo and a duet with Kishore Kumar. Mukesh and Sharda sang a duet. It had a good run at the box office.

Lal Patthar (1971): F. C. Mehra produced the movie, a remake of a Bengali movie by the same name. The dialogues are by Vrajendra Gaur. It was directed by Sushil Majumdar. Raj Kumar, Hema Malini, Vinod Mehra and Raakhee played the key roles. There are six songs in the album. Neeraj wrote three songs, Hasrat two and Dev Kohli wrote one. Asha sang three solos and a duet with Manna Dey, with Rafi and Kishore Kumar singing one solo each.

Jaane Anjane (1971): The movie was produced and directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Leena Chandavarkar are cast in the lead. There are seven songs in the album. There are seven songs in the album. Hasrat wrote four songs, S. H. Bihari two and Gulshan Bawra wrote one. Lata sang a solo and a duet with Rafi. Asha, Kishore Kumar and Sharda sang a solo each, while Suman Kalyanpur sang a duet with Manna Dey. The movie did reasonably well at the box office.

Jangal Mein Mangal (1972): The movie was produced and directed by Rajendra Bhatia. Vrajendra Gaur wrote the dialogues. Kiran Kumar and Reena Roy played the lead roles. There are seven songs in the album. Hasrat and Neeraj wrote all the songs together. Asha sang three solos and a duet with Usha.Kishore Kumar sang two solos and a duet with Rafi.

Resham Ki Dori (1974): T. C. Dhawan produced the movie and Atmaram directed it. The dialogues were by Vrajendra Gaur. Dharmendra was cast opposite Saira Banu. There are six songs in the album. Indivar wrote three songs, Neeraj two and Hasrat wrote one. Asha sang two songs, a solo and another with a chorus. Rafi, Manna Dey, Suman Kalyanpur and Kishore Kumar sang one solo each. Indivar, Shankar Jaikishan and Suman Kalyanpur received Filmfare Award nominations for Best Lyricist, Best Music Director/s and Best Female Playback Singer. The movie ran well at the box.

Although their movies together did very well, Shankar Jaikishan and Vrajendra Gaur parted their ways.

Seen in the picture below are (L-R): Shankar, Shanker Mukherjee, Vrajendra Gaur and Shailendra at the recording of a song for Pyar Mohabbat.

Photo courtesy: Suneel Gaur

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Watch "Aji Rooth Kar Ab Kahan Jaiyega | Lata Mangeshkar | Arzoo 1965 Songs | Sadhana, Rajendra Kumar" on YouTube

JANA BHI NAHII...MUJHE...JIDHAR JIDHAR TUM UDGAR UDHAR MAIN...🥳🥳🥳🥳🥳

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‘You’re All Tomorrow’s Leaders & Tomorrow’s India’- Rector at St Aloysius ITI Auto Tech Fest

 St Aloysius Industrial Training Institute, Mangaluru in collaboration with TATA motors and SKIP had organised the 5th National level Auto Tech Fest (Automobile Contest) AUTOSPARK 2023. The inauguration of AUTOSPARK 2023 was held in St Aloysius ITI campus on 9 February 2023. Student participants apart from Dakshina Kannada, and Mangaluru had also come from Gujarat, Kerala, Tamil Nadu, Karnataka, Andhra Pradesh, Orissa, West Bengal, Maharashtra, Goa, and other parts of the Country. The valedictory function was graced by Fr Melwin Pinto SJ, the Rector of St Aloysius Institutions, Mangaluru who presided over the function. At the same time, D Rajendra Kumar- Managing Director, Automatrixs Group of Companies, Mangaluru was the chief guest. Other dignitaries who joined on the dais were Vinod Kulkarni – Head CSR Tata Motors Ltd; Dr F Joseph Stanley, General Secretary, SKIP Bangalore; Br. C A Thomas – Chairman SKIP; Fr. John D’Souza S J – Director of St Aloysius ITI; Sunil Kunder- President, St Aloysius College Alumni Association (SACCA); Roshan Dsouza – Principal, St Aloysius ITI; Alwyn Menezes – Vice Principal; and Robin Vas, Convener of the programme. Officials from SKIP, Instructors and students from different states and Student Council members were present.

The valedictory programme commenced with a prayer song which was sung by SAITI students, followed by a dance by Fashion Designing and Sewing students of St Aloysius ITI. Robin Vas, Convener of the programme escorted the dignitaries to the dais. Alwyn Menezes, the Vice Principal of St Aloysius ITI welcomed the gathering. The trainers and trainees from Kerala, Tamil Nadu, Karnataka, Andhra Pradesh, Orissa, West Bengal, Gujarat Maharashtra, and Goa were present for the event. Altogether there were 19 trainers and 76 trainees for the event. Cross pit stop, Tech quiz, Auto Shooter, Brain Freezer, Tech Innovation, Fastener Maze, and Skills on wheels were competitions held for the trainees and Compe Trainer was the competition held for the trainers.

Prizes were distributed to the Winners in various contests by the dignitaries on the dais. The names of the winners were read by Umesh J A, JTO of Electronics Mechanic Trade; Ashwin D’Souza JTO of Front Office Management; Mrs Padmavathi, JTO of Electronics Mechanic Trade; John D’Souza, JTO of AC Technician; Ms . Vanditha Rego, JTO; Wilson, JTO of RAC, among others. The BEST INNOVATIVE PROJECT AWARD was bagged by ‘Little Flower Engineering Institute, Kochi for their Model of Series Hybrid Vehicle; and the OVERALL CHAMPIONSHIP was bagged by Don Bosco Technical Institute, Park Circus, Kolkata. Read More On..

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Lyris Ek Gora Ek Kaala

Lyris Ek Gora Ek Kaala

Lyrics in English | Ek Gora Ek Kaala| Gora Aur Kala (1972) | Rekha | Rajendra Kumar Dhoom Mach Gayee Dhoom OJhoom Saathi Jhoom ODhoom Mach Gayee DhoomSaathi Jhoom Saathi JhoomMausam Hai Matwaala (2)Baagon Me Do Phool KhileEk Gora Ek Kaala (2)Dhoom Mach Gayee DhoomSaathi Jhoom Saathi JhoomMausam Hai Matwaala (2)Baagon Me Do Phool KhileEk Gora Ek Kaala (2)Ek Gora Ek KaalaDhoom Mach Gayee…

[neilperrysme]

aayiye band kar lein darwaaze, raat sapnein chura na le jaaye

koi jhonka hawa ka awaara, dil ki baaton ko uda na le jaaye

aur ahista kijiye baatein,dhadkanein koi sun raha hoga

ahista

pankaj udhas | zafar gorakhpuri

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Ramprasad Ki Tehrvi Film Review

Image of Lead filmstars in the film Ramprasad ki Tehrvi Plot: This film is about the family of Ram Prasad, who has died, and all of his six children, four sons and two daughters, who come to their ancestral house on the thirteenth day of their father's death. Instead of sharing their grief, they all become entangled in their own problems and begin fighting among themselves. They had never come to see their parents before, but now they have come and are fighting among themselves on their father's rituals. Their mother is silently watching all of this, saying nothing. Now that the mother is alone, whose son will take her with him? Will she live alone in such a large house? To find out, watch the movie. Tone and Theme: The tone of this film is family drama, and the theme is family and relationships. The goal of making this film is to show the reality of today's families, which is that children don't care about their parents. It draws attention to the issue and makes an impression. It forces us to face the realities of our society. Acting and Characters: Supriya Pathak Kapoor has done an excellent job as Amma. She did a splendid job playing her role. Her acting abilities are exceptional. She has effectively conveyed the pain of losing a husband on her face. Naseeruddin Shah plays a guest role. He performed admirably in his limited screen time. Konkona Sen Sharma's performance as Seema can also be described as good. Her acting conveyed a completely different attitude, sadness, pain, and loneliness on screen. The supporting cast includes Parambrata Chattopadhyay, Vikrant Massey, Manoj Pahwa, Ninad Kamat, Vinay Pathak, Deepika Amin, Divya Jagdale, Sadiya Siddiqui, Anubha Fatehpura, Sarika Singh, Brijendra Kala, Shrikant Verma, Rajendra Gupta, Pushpa Joshi, Vineet Kumar, Alka Kaushal, and Yamini Dass. All of whom play their. It directed by Seema Pahwa, a well-known film actress. This is her first Hindi movie, and her directorial debut. She attempted to tell the story in a good way. It moves at a slow pace, but it never deviates from the plot. She has effectively depicted the story's conflict and confrontation. Seema Pahwa has done an excellent job directing her first movie. All the characters very well portrayed on screen. Everyone appears to be acting like real-life characters. Story-Screenplay: Seema Pahwa's story is also contemporary; relationships are no longer important in society, and the screenplay is magnificent. Dialogues: Seema Pahwa has written dialogues of all the characters that seem believable and fit perfectly according to the story of the film. Everyone's dialogues match the tone and theme of the film, The dialogue in the film's narration accurately describes all the characters' expressions. Music and Background Score: Sagar Desai's music and background score had little impact; all the songs were played in the background, and the background score complemented the movie's mood and story. Lyricist: All the songs written by Neeraj Pandey connect themselves to the story. Cinematography: Sudip Sengupta shot the entire movie in a single house. So there wasn't much scope in the film, but all the shots that were shot inside the house were brilliantly shot. Resul Pookutty and Amrit Pritam provide excellent sound design. Production Design: Parijat Poddar's production design was based on the story. Dipika Kalra's editing could have been tighter. The film is slow-paced, and the pace between scenes is weak. Costume Design: Darshan Jalan and Manish Tiwari's costume designs complement the film's theme and tone. Opinion: People who enjoy watching art films can see this film once. Climax: The film's climax was very well executed. Message: In today's families, it is very important to cherish relationships and affection for one another. Nominations for the 67th Filmfare Awards include Best Film, Best Actress, Best Director, and Best Debut Director. Nominations were received for Best Film Critics, Best Story, and Best Supporting Actress. The film received one Best Debut Director award, which went to Seema Pahwa. CBFC-U Movietime: 1h.53m Genre: Family Drama Backdrop: Lucknow Release: 2021 Cast includes Supriya Pathak Kapoor, Konkona Sen Sharma, Parambrata Chattopadhyay, Vikrant Massey, and Manoj Pahwa. Ninad Kamat, Vinay Pathak, Deepika Amin, Divya Jagdale, Sadiya Siddique, Anubha Fatehpura, Sarika Singh, Brijendra Kala, Shrikant Verma, Rajendra Gupta, Pushpa Joshi, Vineet Kumar, Alka Kaushal, Yamini Dass, Naseeruddin Shah (guest appearance) Producer: Manish Mundra, Jio Studios, Writer, and Director: Seema Pahwa; Sound Design: Resul Pookutty, Amrit Pritam. Darshan Jalan and Manish Tiwari created the costumes, Sagar Desai composed the music and background score, and Parijat Poddar handled the production design. Dipika Kalra is the editor; Sudip Sengupta is the cinematographer; Neeraj Pandey is the lyricist; Krishna Swain is the art director; and Casting Bay handles the casting. Read the full article

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Watch "Bahaaro Phool Barsaao | 4K Video Song | Suraj (1966) | Mohammed Rafi |Vyjayanthimala, Rajendra Kumar" on YouTube

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Aye Dil Mujhe Bata De Piano Notes | Bhai Bhai

Aye Dil Mujhe Bata De Piano Notes

Notes :-  Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Music A3 F4# E4 D4, A3 F4# E4 D4, A3 F4# E4 D4 E4 A3 E4 D4 C4#, A3 E4 D4 C4#, A3 E4 D4 C4# D4 F4# G4 A4 G4 A4, B4 A4 G4 B4 A4 B4, C5# B4 A4 C5# B4 C5#, E5 D5 C5# D5 Masti bhara tarana, Kyun raat ga rahi hai A4 D5 D5 D5 D5 E5 C5#, A4 C5# C5# C5# C5# D5 B4 Aankhon mein neend aakar, Kyun door ja rahi hai G4 B4 B4 B4 B4 C5# B4 A4 G4, G4 A4 B4 B4 A4 G4 A4 Music A4 D5 C5#, B4 A4 C5# B4, A4 G4 B4 A4 B4 C5# D5 Masti bhara tarana, Kyun raat ga rahi hai A4 D5 D5 D5 D5 E5 C5#, A4 C5# C5# C5# C5# D5 B4 Aankhon mein neend aakar, Kyun door ja rahi hai G4 B4 B4 B4 B4 C5# B4 A4 G4, G4 A4 B4 B4 A4 G4 A4 Dil mein koyi sitamgar, Armaan jaga gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4

About Song :-

"Aye Dil Mujhe Bata De" is a classic Hindi song from the 1956 Bollywood film "Bhai Bhai." The film was directed by M.V. Raman and starred Ashok Kumar, Kishore Kumar, and Nimmi in lead roles. The song is known for its melodious and romantic composition. Here is some information about the song "Aye Dil Mujhe Bata De" from "Bhai Bhai": Singer: Geeta Dutt Music: Madan Mohan Lyrics: Rajendra Krishan Summary of the Song: "Aye Dil Mujhe Bata De" is a melodious and romantic song that expresses the feelings of love and longing. The lyrics convey the desire of the heart to confess its love to the beloved. Geeta Dutt's soulful rendition adds depth and emotion to the song. The music, composed by Madan Mohan, is characterized by its gentle and melodious tune. Significance: The song "Aye Dil Mujhe Bata De" is considered a classic of its time and is remembered for its timeless melody. It contributed to the film's appeal and is often associated with the era of classic Hindi cinema. Music Video: The music video of "Aye Dil Mujhe Bata De" features Nimmi and Ashok Kumar and beautifully captures the romantic mood of the song. It showcases their on-screen chemistry and the emotions of love. "Aye Dil Mujhe Bata De" remains a cherished song among fans of vintage Bollywood music and is often included in compilations of classic Hindi film songs. It continues to be celebrated for its melodious composition and heartfelt lyrics. Read the full article

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ए हुस्न ज़रा जाग तुझे इश्क़ जगाए - (रफ़ी) निर्देशक : नौशाद

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