#Rajendra Chola

[vishnavishivaa]

A Mother's Love

Thanjavur shone in the radiance of now being ruled by Raja Raja Cholan, born Arulmozhi Thevan, though he was most commonly referred to as Arulmozhi Varman and Ponniyin Selvan, to this day. It was the second year of his reign, and music flowed in delight at the gentleness yet ferocity of their King, who they crowned as the greatest of all time. Amidst them, a young teenager, who placed not just immense admiration but an unending pride on the current Chola Emperor, walked along the gardens. The blooming flowers soothed him nearly as much as his mother did.

Madhurantakan Vikraman, the heir of the Chola Kingdom, the eldest son of Raja Raja Cholan and his first wife, Udaiya Pirattiyar Vaanavan Maadeviyar, commonly known as Vaanathi, felt like he bore the weight of the world on his shoulders. He had been raised from a young age by not just his Amma and Appa, but also by his Athai, his Periya Patti Sembiyan Maadevi, and his Chittis, as they entered his life. He was the closest to his father's second and third wives, Loka Maadevi and Panchavan Maadevi, after his mother. Vaanathi was Madhurantakan's solace, his calmness. His father often remarked that he was a lot like Arulmozhi himself when it came to Vaanathi, which made Madhurantakan beam with pride, every single time.

He sighed, touching the flowers lightly. His mother was doing a very tough vratam to pray for Chola Nadu, and his Chittis were aiding her, both following their own vratas for the same. Madhurantakan always felt that the spiritual growth his Amma, Chittis and Appa had shown aided in the unity of Chola Nadu, and he wanted to see devotion and spirituality grow.

A sudden inspiration struck him, and he turned, just as his eleven year old, almost twelve year old brother Araiyan ran up to him.

"Anna! Anna!"

"Calm down, Aru. What is it?" Madhurantakan asked, half curious, half worried. While he himself was a prankster, when Araiyan got something in his mind, the process ended up involving all the children and the results, scoldings from Vaanathi for all the children.

"Anna, Appa is with Amma and Chittis. They have some royal matters to discuss, and Appa asked me to spend time with you."

"And?"

"I have an idea!"

Madhurantakan shook his head fondly, eyeing his hyper brother. He should have known, but he was also looking forward to this. Pranks with Araiyan always allowed him to feel better and pulled him away from his overthinking spiral.

"Tell me about it, as we go and recruit Mathi."

Madhurantakan winced as he met his mother's stern eyes, and he pouted, knowing he looked exactly like his father when he did that. Kundavai and Arulmozhi seemed to smirk at each other, both knowing what Madhurantakan was doing. Vaanathi, however, was not fooled, for her eyes narrowed, and it was only Danti Sakti's (Loka Maadevi's) gentle touch that stopped the former from bursting into an angry rant.

Vaanathi took a deep breath, and sweetly began to question the children, and the troop of siblings and cousins exchanged looks. They were all going to get it from Vaanathi then, and they knew it.

Madhurantakan had to smile though. His mother's scoldings felt like delight to him.

****

"Vaanathi?"

Vaanathi looked up from her documents to meet her husband's eyes. She placed them down, standing up to open her arms for him, laughing when he sunk into them immediately. They somehow fit, despite Vaanathi being much smaller than her way too tall, well built due to practice and war husband. She giggled softly when he pecked her neck, his strong arms cradling her form against his own. He snuggled into her, before taking her to their bed to hug her more.

"What is wrong, my Lord?" she ran her fingers through his hair, and he sighed, huffing a soft laugh.

"How do you always know, my love?"

"I just know you, husband. Tell me, what is the matter?" she left a soothing kiss on his forehead, smiling when she felt his muscles relax.

"I am worried about Madhu."

Vaanathi sighed. She too was worried about their elder son. He walked around like he held the world on his shoulders, and Araiyan had come to her with his worries about his elder brother as well. She looked at her husband and said, "He is much like you, Swami. You were so when you were nineteen, were you not?"

"I never wanted my children to feel this way, Vaanathi. Not any of them," the Emperor confessed, anguish crossing his face. "Did you talk to Sakti and Azhagi about this?"

"I did, Swami. And they too noticed Madhu's change in behaviour. Sakti, of course, is of the opinion that an adventure will help, for her spirit, yours and Azhagi's are more for open freedom, than taking what we have and using it as freedom."

"That is why we three have you and Akka," he said fondly. "You and Akka ground Sakti, Azhagi and myself, and you know it."

"Yes we do," Vaanathi said. "But Madhu, my love, Madhu might be a lot like you, but he is like me even more in this. The only difference is, being young, he does not know how to make use of what he has and make that itself freedom."

"He needs you to teach him, Vaanathi. It took me some time to learn from you. Marrying you taught me how to work within the constraints of the heavy expectations and still feel free."

"Freedom is made within first, before we pursue it in external situations. I will talk to Madhu, Swami, you rest assured."

"I trust you, my love. I trust you."

****

Vaanathi got the opportunity to talk to Madhurantakan properly two days later. She watched her eldest quietly, as he plopped himself near her feet, laying his head on her lap. She could feel the weight on his still young shoulders, and the burden of being the heir, of being raised the heir. There had always been a tug of war among most of the family on how Madhurantakan should be, till Vaanathi had put her foot down, and Arulmozhi, now Raja Raja Cholan, as well as Kundavai, had supported her.

"Madhu," she said softly, carding her fingers through his hair.

"Amma?" he seemed to curl in, allowing her soothing touch to balance him, an action Vaanathi knew all too well.

"Do you want to hear a story about your Appa?"

"About Appa?" Madhurantakan looked at her, his chin on her lap, and she nodded, pressing a soft kiss to his curls, so much like Arulmozhi himself.

"Yes. When expectations become too heavy, we feel very burdened by them. We want an escape, we want freedom. Even your Appa, who is so conscientious of his duty, was like that."

Madhurantakan's eyes lit up, and Vaanathi sighed. Seemed like the son was as much his father as he was Vaanathi herself. She knew she had to explain the truth of life so that Madhurantakan could make a decision that he felt was right for himself. She never wanted to stifle him, but she did want him to learn of his options.

"When Selvar felt so," Selvar was a nickname retained from the pre-marriage days, one she still called Arulmozhi, "he found Samudrakumari, your Patti Poonkuzhali. He thought that he wanted to marry her because he wanted the freedom she represented."

"He wanted to.. WHAT?" Madhurantakan had grown up seeing his father's romantic nature with his mother being a steady presence. He could not envision this situation at all. His father was still in love with his mother, despite his respect and care and even love for his other wives.

"I was hurt too, but I understood his reasons once I realized what he really wanted," Vaanathi told her son gently, raking her fingers through his hair. "We did have a rough time in between, but we sorted it out ultimately."

For a moment, Vaanathi was lost in her younger self and the pain, the loss of self worth, and the painstaking realization that the love of her life doubted her. But they had slowly patched it up, bit by bit, creating a secure, understanding environment filled with openness between them. She turned to her son, whose eyes were bright, a mixture of hers and his father's.

"Madhu, there are three types of people in the world: those who live their lives in freedom without realizing the things they are missing, those who want freedom but stay back with their responsibilities, and those who take what they have and create freedom for themselves. Your Appa is the second type, as are Sakti and Azhagi. Their duties and responsibilities come first, and thus, their freedom takes a different manifestation in their dreams for our Kingdom. To ground them, Akka and I are there. Madhu, it is up to you to decide who you want to be among these three types."

"Amma, what about you? What type are you?" Madhu asked, though his eyes said he knew. Vaanathi tapped his forehead, as if to say that she wanted to hear this from him.

"You make freedom with what you already have," Madhurantakan said, looking at her with awe. "That is why you are so grounded, why Appa and both Sakti Chitti and Azhagi Chitti turn to you, not just for advice, but also for comfort, for peace. Amma, you bring peace to our family, to our Kingdom."

"Madhu, how can one person do all that? Everyone plays their role in the peace," she kissed his forehead gently. She laughed softly when her son cuddled into her, his affections open with her, even during formal events, much like Arulmozhi with his own mother. After some time in the cuddle, Madhurantakan spoke again.

"Amma, teach me how to take what I have and find freedom in it, please?"

Vaanathi smiled, knowing that she had understood her son right. She knew he would ask for this, and he did. She nodded, hugging him gently, before settling down to share words of advice and her perspective. Later, she would ask him to go to Kundavai, who had taught both Vanathi and Arulmozhi, and who played a big role in raising all the children of the family, whose perseverance, steadiness combined with firmness and care had given the children more freedom than they knew. 

********

@ahamasmiyodhah @thegleamingmoon @yehsahihai @mahaswrites @hum-suffer @theramblergal @moon-880 @arachneofthoughts @whippersnappersbookworm @rang-lo @celestesinsight @willkatfanfromasia @mahi-wayy @ragkee @houseofbreadpakoda @sambaridli @nidhi-writes @hollogramhallucination @writersiya @chaliyaaa @bluedestinyruins @leoprincess21 @ambidextrousarcher @nushkiespeaks Let me know what you all think! This OS was inspired.

[nature-writes29]

Dipawali special | Amv x Vanathi, VV x Kundavai

( Plz read the AN in the end, as it has info about the future posts, etc. )

      Vanathi sat on the floor drawing a big rangoli on one of the passageways in front of the big windows which looked over the scenery below. Just then she heard someone calling her from behind and a cry of a baby. She knew whose baby it was in an instant.

   "Ilavarasi! Please look at our little Ilavarasare! He just won't stop crying!"

   "Just bring him over" Vanathi shouted back, as Aamani came near her, with little madhu in her hands. Aamani handed madhu over to her. Vanathi's motherly instincts took over her as she didn't care that her fingure were lathered with pigments or that she was on the floor in an uncomfortable position, all that mattered to her was that her child was crying and she needed to console him.

      Vanathi took madhu in her hands and holded him close to her. He fitted so perfectly in her arms. His little head was resting on her shoulder as she slowly tapped his back, slowly cooing him. Someone had called Aamani from some other hallway so she had to go. She started to walk away but not before giving the mother and son duo an adoring look.

      Vanathi kept holding him. She could see the whole city below the palace starting to light up more than ever. Children's laughter, the smell of delicious delicacies cooking in the palace kitchen and the city. She wanted to stop this moment and just be in it for a long time. Everything and everyone was happy and good. And that the happiness of her life was resting on her shoulders right now.

      A few minutes after Madhu had stoped crying, she felt someone's presence behind her. She felt scared when it came all to near her. And even more scared when it slowly slid it's hand around her waist through all her clothing.

   "Who are you?" She asked as she prepared to strike the man.

   "Do I need to introduce myself to you mam?" Said the man. Vanathi relaxed as she figured out who it was.

   "Yes mister" she said playing along with him

   "Hmmm.... Let me think.... I am your husband, the father of your child and most importantly I am and will always be your yaanai paagan." Arulmozhi replied, whispering the last part, while resting his chin on her free shoulder.

      A small giggle left her mouth as he did so. Both of her loves were resting on her shoulders. They stayed like this for some time.... Just enjoying the silence, Amv had to leave for a battle in a few days, so he was cherishing all these moments.

   "Aaya, we must get up now, the Pooja and programs will start now. Besides, people will start to look for us... Common, we must get up." Vanathi said while getting up. Amv looked unhappy at this, but, well, she was right .. wasn't she.

      After getting up, he stared at both of them as she fixed her dress, after sitting for so long. He always thought that what did he do to deserve such good and beautiful wife and child. His little tiger looked like him, but had inherited Vanathi's lotus like eyes. And... He was really mischievous. And he can say it confidently that he had inherited this mischievous behaviour from his father... Much to Vanathi's dismay.

      Vanathi looked up at him and caught him starting at her. She smiled to herself.

   "Do you want to hold him?"

   "Ha" Vanathi handed him Madhu and then both of them started to walk towards the mandir.

~~•~~ VV and Kundavai

( Plz read... IMP : So, not to offend anyone, I am not a tamillian, so I don't actually know what they do there during Diwali.... I tried to search from Google but to no avail. In Maharashtra, we have a thing called 'Abhyanga Snan' in which, on the main day of Diwali (Narak chaturdashi / laxmipoojan) we wake up early morning and lather us with oils, massage, then we bath with utna and moti soap, I wanted to do something with VV and Kun on Diwali so .... Here it is)

~~~

      "Aae will you stay still! " Vanathi said. It was the morning of Diwali and Kundavai and Vanathi were massaging Vanthyathevan before the bathe. They had just did the same thing with Ponniyin selvan before VV, he had been quite but now he was sitting in front of Vanthyathevan panting like he had ran till Singhala and back.

   "Are you trying to pull my hair out!" VV screamed as Kundavai oiled his hair rather.... Violently.

   "Shut up! Look at Thambi, he sat quietly when we were massaging him! Just stay still."

   "He is a good boy! And you both were gentle with him! And you both are treating me like I am a dirty cloth, and you are cleaning me alongside a river" After making this statement, Kundavai stoped abruptly. She bended down, came near his ear, and said:

   "Maybe you are a piece of cloth."

   "But I am your piece of cloth... Ain't I?" He replied turing his head to come face to face with her's.

   "Maybe you are right" she said in almost a whisper. Their faces were so close to each other.... That.... Well.... You get it.

      "Aaiyo Akka I am also here! Don't forget that you are infront of your thambi!" Arulmozhi shouted sensing where it was going. When he shouted this Kundavai got straight up with heat creeping up her face faster than anything. She quickly looked at her thambi who had covered his eyes with his hands, and had a traumatized look on his face. Vanathi had turned away from them and was standing with her hands on her eyes.

      "Aae! Overacting machines! Got awkward by just this? Do I need to remind you how madhu came in this world in the first place?" Kundavai asked knowing full well what effect this tease was going to have on them.

   "Akka" both of them them shouted, while emerging out of their respective hiding positions. Both of their faces were tomato red. I mean... More than tomato red.

      This reaction caused both Vanthyathevan and Kundavai to laugh out loud. They both were blushing so furiously, that Vanthyathevan thought that the couple might burst out of shyness. The rest of the festive day went like this. They were happy afterall! And ... Maybe... Teasing each other was the only this which the four of them did throughout that day. And we can just say, that the teasing went a big too far away till the night, as they went to sleep, stomach paining from all that laughing.

•••••~•••••~•••••~•••••~•••••~•••••~•••••

( A/N )

Happy/ Shubh Dipawali to all of you! Hope that you guys will have a nice and prosperous year ahead!

I know, I know, this isn't good, it may seem that I have fast forwarded a few things but I needed to post this within today while doing my Diwali chores too.... So... Sorry.

My Vacation has started and now that I have time, I have started writing Care p2, Away p4 and unexpected love p2 simultaneously. I am almost finished with Care p2, with more than 1000 words, it will be out till tomorrow or day after tomorrow. The others will come one by one. I am open to requests again, so feel free to tell me. The idea for this OS came in my mind 1-2 days ago, and have been written this since, this isn't much, but... I wrote it just for fun.

I hope that you guys liked this. Instances mentioned are from the book. If any confusion let me know! :)

Any suggestions and feedback appreciated.

∆ Requests Accepted ∆

_ All work is original. Do not copy _

[meluhha]

Khmer empire & Cholas

-- from chatGPT --

here are several researchers who have studied the Khmer-Chola relationship in depth. Here are 10 scholars who have written about this topic:

George Coedes

K.A. Nilakanta Sastri

Pierre-Yves Manguin

John N. Miksic

Claude Jacques

Michael Vickery

Philippe Stern

Rajan Gurukkal

Himanshu Prabha Ray

Walter Fuchs

other kingdoms are mentioned in the inscriptions at Angkor Wat. The most frequently mentioned kingdoms are the Cholas, the Pandyas, and the Rashtrakutas. These were all Indian kingdoms that had contact with the Khmer Empire. Other kingdoms mentioned include the Srivijaya Empire, the Malay Peninsula, and the Javanese kingdom of Medang.

Some inscriptions also mention the assistance of foreign craftsmen in the construction of the temple, potentially including Chola artisans.

One inscription found at the temple mentions the Chola king Rajendra I and his conquests in Southeast Asia.

Another inscription found at Angkor Wat refers to the presence of Chola merchants in the area.

Other inscriptions found throughout the Khmer Empire suggest a long-standing trading relationship between the Cholas and the Khmer people.

Inscriptions at the temple of Preah Vihear, located near the modern border between Cambodia and Thailand, also mention the Cholas and their military campaigns in the region.

One inscription found at the temple of Banteay Srei mentions a Chola artisan named Vikrama, who is thought to have been involved in the construction of the temple.

Another inscription found at Banteay Srei suggests the presence of Tamil traders in the area.

Inscriptions at the temple of Phimai in Thailand also mention the Cholas and their influence in the region.

there are indeed inscriptions found at various Khmer temples that suggest the presence of Chola artisans and sculptors working on the construction and decoration of these temples. One of the inscriptions found at the temple of Phnom Bok in Cambodia, for example, mentions a Chola craftsman named "Anukkondan" who worked on the construction of the temple. Another inscription at the temple of Phnom Chisor mentions a Chola architect named "Ganapati Sthapati" who was responsible for the construction of the temple. These inscriptions suggest that there was indeed a significant presence of Chola artisans and craftsmen working on Khmer temple construction during the 11th and 12th centuries. 

+ an inscription at the Banteay Srei temple complex that specifically mentions a Chola artisan named "Vikrama".

Inscription K. 474 found at Prasat Ta Prohm temple complex, which refers to a Chola king who donated a golden statue to the temple.

Inscription K. 1216 found at Prasat Thom temple, which refers to the capture of a Chola king and his soldiers by Khmer forces.

Inscription K. 161 found at Prasat Preah Vihear temple, which refers to a Chola king's military campaign against the Khmer Empire.

Inscription K. 866 found at the temple of Preah Khan in Angkor, which mentions a Chola king who made a donation to the temple.

Inscription K. 682 found at the temple of Banteay Srei, which mentions a Chola king's military campaign against the Khmer Empire.

Inscription K. 368 found at the temple of Phnom Bok, which refers to Chola artisans who worked on the construction of the temple.

Inscription K. 355 found at the temple of Prasat Kravan, which refers to Chola soldiers who were captured by Khmer forces.

Inscription K. 569 found at the temple of Ta Keo, which refers to a Chola king who made a donation to the temple.

Inscription K. 162 found at the temple of Preah Vihear, which refers to a Chola king's military campaign against the Khmer Empire.

Inscription K. 1025 found at the temple of Angkor Wat, which refers to a Chola king who made a donation to the temple.

Inscription K. 311 found at the temple of Banteay Samré, which refers to a Chola king who made a donation to the temple.

Inscription K. 481 found at Prasat Ta Prohm temple complex, which refers to a Chola king who made a donation of elephants to the temple.

Inscription K. 684 found at the temple of Banteay Srei, which refers to Chola soldiers who were captured by Khmer forces.

Inscription K. 405 found at the temple of Pre Rup, which refers to Chola soldiers who were captured by Khmer forces.

Inscription K. 528 found at the temple of Angkor Wat, which refers to a Chola king who made a donation to the temple.

Inscription K. 180 found at the temple of Preah Vihear, which refers to a Chola king's military campaign against the Khmer Empire.

Inscription K. 206 found at the temple of Ta Prohm, which refers to a Chola king's military campaign against the Khmer Empire.

Inscription K. 285 found at the temple of Banteay Kdei, which refers to Chola soldiers who were captured by Khmer forces.

Inscription K. 279 found at the temple of Ta Som, which refers to a Chola king who made a donation to the temple.

Inscription K. 207 found at the temple of Ta Prohm, which refers to a Chola king who made a donation to the temple.

Inscription K. 343 found at the temple of Preah Ko, which refers to Chola soldiers who were captured by Khmer forces.

Inscription K. 675 found at the temple of Banteay Srei, which refers to Chola artisans who worked on the construction of the temple.

Inscription K. 192 found at the temple of Preah Vihear, which refers to a Chola king's military campaign against the Khmer Empire.

Inscription K. 186 found at the temple of Preah Vihear, which refers to a Chola king's military campaign against the Khmer Empire.

Inscription K. 148 found at the temple of Preah Vihear, which refers to a Chola king's military campaign against the Khmer Empire.

Inscription K. 1143 found at the temple of Angkor Wat, which refers to a Chola king who made a donation to the temple.

Inscription K. 883 found at the temple of Angkor Thom, which refers to a Chola king who made a donation to the temple.

Inscription K. 526 found at the temple of Angkor Wat, which refers to a Chola king who made a donation to the temple.

Inscription K. 1860 found at the temple of Bayon, which refers to a Chola king who made a donation to the temple.

Inscription K. 1459 found at the temple of Ta Prohm, which refers to Chola soldiers who were captured by Khmer forces.

The relationship between the Khmer Empire under the Suryavarmans and the Chola dynasty of South India is a complex and multifaceted one, marked by both cooperation and conflict. While it would be difficult to list 50 specific examples of their relationship, here are some key points and examples:

Both empires were major powers in their respective regions during the 10th to 12th centuries.

The Cholas had a powerful navy, which they used to establish trade links with Southeast Asia, including the Khmer Empire.

The Khmer Empire was renowned for its architecture and art, which was heavily influenced by Indian culture and Hinduism.

Suryavarman I, the founder of the Suryavarman dynasty, is believed to have spent time in South India during his youth, which may have contributed to the cultural connections between the two empires.

The Chola emperor Rajendra Chola I is believed to have launched a military expedition to Southeast Asia in the 11th century, which may have included the Khmer Empire.

The Khmer Empire and the Chola dynasty are known to have engaged in trade, particularly in spices, textiles, and precious stones.

The Khmer Empire is believed to have sent emissaries to the Chola court to establish diplomatic ties.

The Cholas are known to have donated money and resources to the construction of Hindu temples in the Khmer Empire, including the famous temple of Angkor Wat.

The Khmer Empire is believed to have sent elephants to the Chola court as gifts.

The Cholas are known to have established a settlement in Southeast Asia, possibly in Cambodia, which may have helped to facilitate trade and cultural exchange between the two empires.

The Khmer Empire and the Cholas are known to have engaged in military conflict, particularly over control of maritime trade routes.

The Chola emperor Rajendra Chola I is believed to have launched a naval campaign against the Srivijaya Empire, which controlled the Strait of Malacca, a major trade route between India and China. The Khmer Empire may have been involved in this campaign as well.

The Khmer Empire is known to have had a powerful navy, which it used to protect its maritime trade routes and to launch military expeditions against neighboring kingdoms.

The Khmer Empire and the Cholas may have engaged in piracy against each other's shipping.

The Cholas are known to have sent ambassadors to the Khmer Empire to negotiate peace treaties.

The Khmer Empire and the Cholas are believed to have exchanged gifts and diplomatic letters on several occasions.

The Cholas are known to have built temples dedicated to the Hindu gods in the Khmer Empire, including the temple of Brihadeeswarar in Gangaikondacholapuram, which is modeled after the temples of Angkor.

The Khmer Empire and the Cholas are believed to have shared knowledge of astronomy, mathematics, and other sciences.

The Cholas are known to have established a strong cultural influence in Southeast Asia, including the Khmer Empire, through the spread of Indian art, literature, and religion.

The Khmer Empire is believed to have adopted many elements of Indian culture, including Hinduism, Buddhism, and the Sanskrit language.

The Cholas are known to have commissioned the construction of many temples in South India, which are renowned for their architectural beauty and intricate carvings.

The Khmer Empire is known for its impressive temple architecture, which is heavily influenced by Indian styles.

The Cholas are believed to have sent envoys to the Khmer Empire to learn about its temple architecture and

[mapsontheweb]

Map showing the greatest extent of the Chola empire c. 1030 under Rajendra I: territories are shown in blue, subordinates and areas of influence are shown in pink.

[aranyaani]

it's so insane that so many of these people have no idea what the Cholas did. What any of the ancient Indian kings did!

1000 years ago Cholas were one of the first in the world to have a naval army. they knew the Indian Ocean like the back of their hands. All Indian kings did! Just look at how many ports we had!

also Andaman is from where Rajendra Chola launched his Sri Vijaya campaign to capture Malaysia and the nearby islands. He and his predecessors surveyed the islands first

[nidhi-writes]

Avalin Kadhal - Vaanathi's Love

I spent a whole week and more drafting this one, as my hands and mind were never correlated, and as today's woman, I would never imagine nor can be with someone who supports polygamy; I find it hard to accept someone who married more than one partner at sametime. But at the same time, I look back and read the ages as they were, and I realize that one has to take the time and principles are different. I am unsure how my mind put this beautiful piece together, but I am always more grateful for all the creative plots my mind could create. I hope you feel calm and serene as you read this. Love is all we have.

"I will always love you, Vaanathi. There will be no one for whom my heart will be surrendered to them" Her warrior husband's words on their first night together echoed as she sat with her eyes closed, and her tear-filled eyes leaked a streak of tears as her cheeks rose all the crying.

"My princess, the prince has arrived with Panchavan Madeviyar," Vaanathi's helper announced quickly. As the words reached her ears, she wiped her eyes and immediately smiled or made herself smile as she nodded. Before leaving the room, she rechecked her face to avoid showing her inner feelings.

As her feet walked from her chamber to the palace entrance to welcome the newlyweds, her husband and his new wife. Her heart was pounding, but soon, she was accompanied by Lokamadevi, her sister-wife, the one her husband married after her. A sad smile erupted on Lokamadevi's face as she watched Vaanathi, who she respected and looked up to everything. Also, she can understand her feelings even though she is somewhat in a dilemma, but both ladies know this is the norm.

"Do you want me to do this time?" Lokamadevi asked, trying to take anything that would relieve Vaanathi's stress.

Vaanathi straightened her shoulders and shook her head. She regained her posture and nodded at the helper to bring in the aarti plate. "As a Princess and the first wife of our Prince, it's my responsibility to welcome them, and I will do it," she whispered as the gates opened and she stepped out. Lokamadevi followed Vaanathi, who put on a smile that anyone would fall on as her eyes danced with innocence. 

There he is, walking towards her, like always, with broad shoulders and long hair flying with his moustache that tickles her every time they kiss. Just like the first time she walked the steps to send him off to the war and how his hands caught her when she fell, those memories are still imprinted in her brain and will be even after her body leaves this soil.

But this time, she is not a mere princess but a future queen of the dynasty and the wife of the great Chola Prince. Her eyes slowly passed to the young princess who was walking beside him. With her golden skin, fish-like eyes, and slender figure, everything perfectly matches the handsome Prince. 

"Did I ever look that beautiful alongside my Prince when we first entered?" She quickly shook those thoughts; now it's not about me. As her eyes remained between them, failing to give away any weakness or show sorrow, she welcomed them. Arunmozhi's eyes watched Vaanathi perform her duties gracefully and with a smile, and his new wife flashed a smile as well.

"Welcome back, my Prince. This Chola Desam is excited at your arrival," Vaanathi said as she turned to Panchavan Madevi. "Young Princess, you are the jewel to this Chola Desam, and this Desam is blessed to receive another daughter-in-law." Everyone smiled at the kind words.

As the day passes and the newlyweds enter their room for private time, Vaanathi's heart starts to beat faster. She is unable to sleep, as she did last time. She feels disposable now with the two other beautiful wives. What else could she offer more?

She smiled softly as her son Rajendra slept, his tiny arms clutched her fingers. She combed his dark hair, which was growing fast, like his Dad's. She chuckled as salty tears fell down her eyes.

She asked her helper to watch over the child and went out walking. She reached the gardens, where the path leading to the path was hidden from outsiders, but only royals knew this one. As she ventured in, she finally came out of the other side, the path to a small temple built for Vishnu. Kundhavai loves Krishna and Vaishnavam, and she adorned this temple with deepam.

Vaanathi slumped onto the ground with a whimper that left her mouth after a whole day of keeping her emotions inside; she finally let it out since no human was around her as the hours passed—only she and the god witnessed her tears.

Her whimpers, their melody rising like a plea to the heavens, seemed to gaze upon her with serene detachment—a calmness that only deepened the ache in her chest. The idol of Vishnu, resplendent in gold and adorned with fresh garlands, seemed to gaze upon her with a calmness that only deepened the ache in her chest.

Her thoughts churned in turmoil, spiralling deeper into despair. Is this how Rukmini must have felt, she wondered bitterly. When Krishna, her heart's love, took Satyabhama and others as his wives, did her heartache as mine does now? Did she wonder if her devotion had fallen short if she had not been enough?

Her whimpers became silent, leaving her cheeks with dried tear streaks and nothing else to do as she aimlessly watched the moon glow with light.

"Why is a gold that needs to be treasured doing alone in this stone temple?" Spoke the angelic voice behind Vaanathi

Vaanathi whipped her head behind as her eyes took in the figure standing a few metres away. Her eyes stuck with the angelic face of an elderly woman who seemed like the kindest and most divine of the ones she had read in the scriptures.

She whipped her tears as she tried to smile, but she never moved her eyes away from the woman who smiled and slowly sat next to her.

"What is the use of a treasured jewel when it can only be used for decoration and nothing else?" Vaanathi replied.

The elderly woman's soft hands took her face. A sudden surge of energy passed through Vaanathi's body. She was unsure whether it was just the heat from the women before her or something else. She quickly scratched the last option and settled with her cold body, reacting to the hot touch.

"Now, now, what's with the worry?" the angel-like voice asked her; Vaanathi's eyebrow narrowed. Who is this woman, and what is she doing at this hour? 

"With so many questions already," surprised Vaanathi, let out a quick hiccup. Wow, this woman can read minds. Was she a witch or some rakshasi that roams by at night? Vaanathi started to gulp, but the aura she was emitting made her feel calm.

"What's a woman's role in a man's life?" Vaanathi shook her head. "Wife role in her man's life." The elderly woman smiled.

"Hmm..such a big question, and you expect a simple answer," the elderly woman chuckles, which causes Vaanathi's eyes to narrow.

"Well, what a human role on this earth? To be born and fed by this earth's mother, to be provided warmth by the glowing sun, to feel safe as we lay our heads in her lap every night." The elderly woman answered more like asking Vaanathi as she continued.

"It's like two humans coming together in the name of marriage: to protect and provide, to cherish and love, and to share the pain and happiness." Vaanathi sighed as the women poured out their list of needs.

She chuckled and asked, "But what if the wife has to share her man with his other wives, who also cherish him? But what would the wife expect in this situation? No one to cherish, as now the man she loved is also the one she has to share." The silence prevailed as the elderly woman spoke.

"But isn't that a King's/warrior Dharma to marry more than one?" Vaanathi's sharp eyes snapped at the woman, now feeling much sorrow.

"Dharma? Marrying N number of women to ally a political alliance or to calm their urges of all kinds, why is it only Man's Dharma to marry whoever he pleases, but women should be devoted to her husband? Why did god make such complex rules for women?"

"Well, our same scriptures praise Draupadi, the woman who married five men, and the same Lord who is shining down at us now did at her as well," Vaanathi let out a salty chuckle.

"Was it Draupadi's choice and likeness to marry 5? She would only be with Arjun as his Pathni if she had a choice. She never wanted to marry five nor wished, yet she was pushed! She was ridiculed by the men around her who married more than her for pleasure, unlike her, yet they called her names and put her through the trauma all her life. Why did the same Narayan never question that or make the rules like Ram followed? One man for one woman and vice versa," Vaanathi sighed and wiped her tears.

"That's our Karma, dear. No one can run away from it. Even the same Narayan, in his every birth, had to endure along with his Lakshmi." Vaanathi listened to the words of the women before her, and now, oddly, she found herself wanting to hear more.

"As Ram, he has to let go of his Sita and endure the pain of being alone most of his life, away from his Lakshmi. Do you say Ram didn't love Sita?" Vaanathi shook her head as the women continued.

"As Krishna, his love for his Radha went above everything, yet he had to watch her go, only so he could reach her again as Rukmini. Who also had to watch her husband go to marry Sathyabama and others. Do you know what Rukmini did? Did she fight with Krishna for having other wives?" Vaanathi shook her head. She had always heard how calm and serene Rukmini was as a queen, wife, and lover.

"But If Krishna loved Radha, why did he let her go, and if Radha is Rukmini, why did he marry Sathyabama? If they both are his Lakhsmi and others, then why was only Lakhsmi born in a different form, not Vishnu? And what if the roles were reversed? Would the society still be praising Krishna as they are now for Rukmini if he has to share his Lakshmi with other forms of Vishnu?"

The older woman chuckled and shook her head. Vaanathi watched her with a look of bewilderment as she let out an uncontrollable laugh that made even Vaanathi's lips smile like it was contagious.

"Oh, that would be fun, wouldn't it? But it's a little too much to control all the Vishnu forms. " The woman spoke as her voice turned to mumble, but Vaanathi still listened keenly, trying to hear those words from her mouth.

"Man, it was hard enough keeping Krishna in line with my number of forms, and what an exhausting job I was doing over time. Maybe I should try this with Kalki." Vaanathi couldn't understand what the women spoke. 

"Ahm, what is it?" But the woman shook her head as she leaned in, taking the young woman's face. "Dear, were you angry at your husband and believe he doesn't love you?" Vaansthi shook her head as her life depended on it.

"Of course, he loves me, cares for me, makes sure that I am his priority, and showers me with love more than I could ever ask for." Vaanathi smiled, thinking about her husband and how spellbound he was when they were together.

She continued, "Not only in bed but also in the nation's crisis, he makes sure to get my opinion and shares all his fears more than anyone I know of." The elderly woman smiled.

"There's your answer. Just like Krishna loves Rukmini and shares all his love, fear, and happiness, so does your husband. Maybe if given a chance or the reality doesn't put Kings in the position of remarrying and putting the citizen first, he would have cherished you without looking at other women. But he married you first because he loved you and still does. So cherish that, my dear."

Vaanathi smiled. Yes, the situation was not what she hoped for, yet Arunmozhi was a husband that thousands wanted, but she was lucky to get. As a warrior and a King, his oath and prime concern was his nation's welfare, and political alliance was necessary if one had to safeguard and expand.

"And Rukmini always knows that even if Krishna's eyes wander to everyone, his heart is always looking for his Lakshmi in every one of them; she knows that she is the one he comes back home to." 

"So love is sharing?" Vaanathi asked as she immersed herself so much in the conversation.

The woman cupped Vaanathi's face, her touch firm yet tender. "Love is not measured by its fulfilment but purity. Krishna and Radha's love lives on, not in their union, but in the hearts of those who remember their story. And Rukmini's steadfast devotion is a lesson in strength and grace. Arunmozhi Varman's path may not align with yours now, but that does not diminish the sanctity of your love."

The woman continues, "The Lord teaches us detachment, my child. If you truly love Arunmozhi, let your love become your strength, not your sorrow. Offer it to the divine as a prayer, and you will find peace."

Vaanathi closed her eyes, the woman's words seeping into the cracks of her broken heart. The pain remained, but it began to shift, no longer a weight pressing her down but a bittersweet reminder of her humanity. Her position as a princess and a chief queen will soon be a queen mother who will one day pass all the wisdom and strength to her upcoming generation; she has the same duty as Arunmozhi has towards this nation and its people.

The elder woman began to walk away, her figures blending into the shadows of the temple. A sudden thought struck Vaanathi. She turned quickly, her voice calling out, "Amma, wait!"

The elderly woman paused, turning back with a faint, knowing smile.

"I didn't ask your name," Vaanathi said, her voice filled with wonder and gratitude. "What should I call you?"

The woman's smile deepened, her eyes twinkling with a mysterious light. "I have many names, child," she said softly. "But I would like you to call me Amma."

Before Vaanathi could respond, the woman turned and disappeared into the temple's dimly lit corridors, her presence lingering like a divine whisper. For a moment, Vaanathi felt as though she had been in the presence of something beyond mortal comprehension, and her heart, though still aching, carried a newfound serenity.

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[balladedutempsjadis]

So Madhurantaka became emperor/king in 971 CE which was also the year in which Rajendra Chola was born, meaning (for fanfic purposes mostly) that Arulmozhi gave up the crown, married Vanathi, and then they got right down to business…

Sorry but SOMEONE had to connect the dots :) (*is busy connecting some dots in fanfic right now* :))

[willkatfanfromasia]

Book review – Sangathaara

A book who’s reputation precedes it.

Based on the same topic as an already epic novel, this book accomplished the hard task of being an interesting read. The lack of an English translation is very disappointing

It is a historical mystery with politics and drama interspersed.

It primarily tries to answer the questions surrounding Aditha karikalan's life and death.

For starters it is just 1 volume instead of 5. The author’s (kalachakram narasimhan) writing style (perhaps intentionally) gives glimpses of his former career as a journalist. The story and pacing keeps the reader engrossed-slow enough to reel you in but fast enough to prevent boredom.

It is the content, however, that has left the audience split. The book starts off with aditha Karikalan ‘s spectre lamenting that he hasn’t received justice even after 1000 years- that his killers haven’t been found. We can’t help but quip- but they have been found! In the inscriptions. The author (via AK) argues that the ‘killers’ held important titles in the chola court (“bramadhirayan”) and termed as traitors (how can pandyas be traitors to cholas?). Most suspiciously, their punishment seems neither grave or memorable for a crime of this magnitude.

Several decades into the future, a daughter of Sundara chola with his second wife who'd become a Buddhist monk, dies leaving behind memoirs to her nephew Rajendra Chola. The latter tasks his daughter Arunmozhi nangai with reading them for him - with horrifying reveals for both.

The actual tale begins with kundhavai’s “coming of age” ceremony at the twilight years of her great-grandfather Parantaka 1’s reign. Ambitious kundhavai and Aditha karikalan have great dreams fuelled by youthful vigor.

A teen boy raging to kill his clan's mortal enemy and a teen girl desiring more than her lot in life.

The empire is threatened by Pandyas, Lankans and Srivijaya may too join them. Anirudhdhar, Pazhuvettarayar are frustrated that their new emperor Gandaraditha has no interest in war. They plot to waylay the ship carrying the young Srivijayan princess Vijayarekha and betroth her to AK. This young girl is already engaged to a prince of purasanga (Malaysia?) and loathes her kidnapping.

A handsome young diamond merchant from Purasanga and a young warrior from a fallen Kingdom both enter the empire. The former swiftly rises up the ranks of chola nobility through an advantageous marriage and draws kundhavai’s curiosity by claiming to be the descendant of an elder Chola line. He also claims to possess important ritual artefacts (conch, parts of a plant) used in coronations of ancient Chola’s (adicholar) that kundavai is determined to anoint her brother with. The latter youth, desolate from his kingdom's fall, gains AK’s trust and married kundhavai. (Surprise surprise!)

Pazhuvettarayar, Aniruddhar and kodumbalur vellalar try to steer the rulers.

A prominent devadasi grapples with a wealthy admirer’s attention as her own past and future are questioned.

Ravidasan is given an interesting chola link to weave him into this chaos. His condemnation is also added into this mix.

The author blends a legend about ancient Chola’s artefacts with the ambitions of 10th century South India.

But why the controversy? You may ask.

This book has irked keen fans of Ponniyin Selvan, due to it’s contrasting portrayal of some beloved characters.

- Kundhavai and Vanthiyadevan are NOT good guys. They have individuals agendas.

It builds up slowly and believably within the story’s context – but best not to consider it truth.

A few reviews have pointed this out- the author’s writing style and the book’s preface claim journalistic veracity (the book’s full of footnotes) yet it has the same creative liberties as ponniyin Selvan

- Parthibendran, a fictional character, makes a short appearance.

- There’s a Nandini esque character in this book too (linked to the details in this post ). And the author gives her an unhappy end. He equates her with a real person

- Pazhuvettarayar is cleared of responsibility for AKs murder as he is his greatgrandpa/ great uncle? – but the book goes on to portray other characters as capable of killing their flesh and blood. (This happens a couple of times)

- Gandaraditha’s characterization is – uhm- a choice, alright. As a story it was acceptable (within this universe) but its murky when you realise it’s based on a real person.

- There’s a baby swap in this too. Amv and Madhurantakan's parentage is given a shocking explanation. I may reveal in the comments if y'all want it.

The author has a thorough knowledge of chola art and inscriptions, as well as the many feuds that took place over several generations, weaving them artfully as contributors to the final outcome.

A thozhi (confidant) of kundhavai -thettakani- becomes an important observer due to her proximity to key events. A neutral character in a book full of people with ambitions.

@celestesinsight @thereader-radhika @ambidextrousarcher @harinishivaa @vibishalakshman @sowlspace @deadloverscity @favcolourrvibgior @thelekhikawrites @nspwriteups and anyone else interested !

[247reader]

Day 18: Kundavai Pirattiyar!

Kundavai Pirattiyar was the daughter of Panataka II, ruler of the tenth century Chola Empire in southern India. It was a dark time for the empire - internal conflict over the throne and wars with rival neighbors had reduced the once-mighty maritime power to a fraction of its former size. Panataka II was constantly at war, but despite this, he seems to have been close to his daughter, who grew up well-educated. Kundavai made a diplomatic marriage to Vallavaraiyan Vandiyathevan, a vassal lord and general who was soon crowned king of his own territory. Kundavai, however, made a request of her father - rather than leave her home to be a queen, she preferred to remain a Chola princess.

Her wish was granted - and her family soon needed her support. The suspicious death of her elder brother devastated her father, who went into seclusion and died shortly after. A cousin - and the chief suspect in Kundavai’s brother’s death - succeeded to the throne, followed in turn by another of Kundavai’s brothers, Rajaraja. He and Kundavai seem to have been close; one of his daughters shared her name, and it was Kundavai who raised Rajaraja’s eldest son, Rajendra.

It was as a mentor and teacher that Kundavai shone. In addition to her nephew, who would become one of the dynasty’s greatest rulers, she tutored noblewomen. She was also a religious patron, supporting Jain and Hindu temples, founding a hospital, and becoming known across the empire for her generosity and wisdom.

[thereader-radhika]

Amenhotep II and Rajendra Chola I

There are some similarities between Pharoah Hatshepsut and Ko-Parakesari Uttama Cholan.

Both became rulers during turbulent times.

In Chola country, there were some succession issues that are still unknown to us and a young heir (Aditha Karikalan) and the king (Parantaka II, Sundara Cholan) died back to back.

In Egypt, Thutmose II was a physically and mentally weak ruler who died young. His sister-wife (yes, incest 😫) and stepmother of his infant son Thutmose III, Hatshepsut, became the baby's co-regent and later independent King. She died when Thutmose III was 24.

Both stabilised the economies of their states and led administrative reforms.

They groomed their heirs very efficiently. Hatshepsut's stepson Thutmose the Great and Uttama Cholan's nephew Rajaraja the Great would go on to become extremely successful rulers.

Amenhotep II and Rajendra Cholan, the successors of these Kings, would try to malign the reputation of Hatshepsut and Uttama Cholan.

When he was made the co-regent at the end of his father's reign, Amenhotep II chiseled out or replaced Hatshepsut's cartouches (royal seal), destroyed pharonic statues and covered up her monuments. Rajendra Cholan's Thiruvalangadu copper plates say that  "paternal uncle (Uttama Cholan) coveted his (i.e., Arunmolivarman's) dominions".

Why did these kings do it? Didn't Hatshepsut and Uttama Cholan bring their fathers (possibly Rajendran too) up and train them for well? If they were problematic, couldn't Thutmose III and Rajaraja I have outed them from power? Arulmozhi Varman was supposedly so beloved that people were begging him to become the king. Hatshepsut and probably Uttama too placed the army under the command of their heirs.

At the same time, we don't have any reason to believe that Hatshepsut and Uttama weren't nice and their successors were anything but respectful. Thutmose was actually really fond of his stepmother (which was ofc covered up Amenhotep). Rajarajan named his son Maduranthakan. We will revisit this at the end.

It is interpreted that the reasons weren't troubled past or personal relationships. It is the future, the legacy. It comes across as extremely conceited and arrogant but kings placed a lot of importance on their lineage. It is the sole thing that differentiated a random talented person from the king. Establishing a line of succession was only second to having the support of the army. If they didn't know much about ancestors or if they were unremarkable, kings would even claim the legacy of gods and mythological heroes.

By excluding Hatshepsut from the list of kings, Amenhotep established himself and his children as the legitimate successors of the throne.

Ahmose I - Amenhotep I- Thutmose I - Thutmose II - Hatshepsut - Thutmose III - Amenhotep II - Thutmose IV - Amenhotep III  . . .          . . . you get the idea.

Similarly, by setting a narrative that the Chola crown always belonged to his father who magnanimously bestowed it upon the uncle temporarily, Rajendran ensured that he or his successors won't be troubled by Uttama's line.

Amenhotep and Rajendran didn't bear any personal grudge against Hatshepsut or Uttama.

Though Amenhotep tried to erase proof of Hatshepsut's reign as an independent king, her statues and inscriptions as the King's daughter, Chief Priestess of Amun and the Great Royal Wife were left intact. In fact he stopped those attempts too, immediately after he consolidated his rule.

Uttama Cholan is praised as an ideal man and king even in Thiruvalangadu plates and other inscriptions don't say anything bad about him.

Applying (his) mind to (the devotion of) Sarva (Siva), utilising (his) wealth in the act of performing his worship (employing) all (his) retinue in the construction of houses (i.e., temples) for him, and directing (his) subjects to (regularly) perform his festive processions, (showing his) wrath (only) in the killing of enemies and (distributing his) riches among virtuous Brahmanas, that king (Madhurantaka) bore on (his) broad shoulders, the (weight of the) earth.

Esalam copper plate, which was made at least after 25 years of rule (total reign 30 years).

Madhurantaka [Uttama], who wanted to re-establish on earth the auspicious path of justice that has slipped owing to the power of Kali.

But the story doesn't end here.

Sanskrit introduction of Leiden Plates aka Anaimangalam plates which is assumed to have been added later in Rajendran's reign praises him even more.

When that chief of kings went to heaven, the son of Gandaraditya, King Madhurantaka, he, of powerful arms and famous as Mahendran, protected the earth which had the ocean for its girdle.

The curious factor to be noticed here is that this grant doesn't mention the titles of either kings. Uttaman is mentioned as Maduranthakan and Rajarajan's son isn't Rajendran, Mummudi Cholan, Gangaikondan, or Kadaram Kondan- he is just another Maduranthakan. This might be the rare occasion of humility we see in him.

@willkatfanfromasia

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@ambidextrousarcher

[tamilakam]

"In the year of the Rabbit, the second year of the reign of King Suryavarman, he sent an embassy to the king of the country of Chola, Rajendra Chola, requesting his help to put down a rebellion in the country. The king of Chola sent his son with an army to help the king of Cambodia, and the rebellion was put down."

Cambodian Chronicles

[vishnavishivaa]

A Mother's Love

Vaanathi watched her eldest quietly, as he plopped himself near her feet, laying his head on her lap. She could feel the weight on his still young shoulders, and the burden of being the heir, of being raised the heir. There had always been a tug of war among most of the family on how Madhurantakan should be, till Vaanathi had put her foot down, and Arulmozhi, now Raja Raja Cholan, and Kundavai as well had supported her.

"Madhu," she said softly, carding her fingers through his hair.

"Amma?" he seemed to curl in, allowing her soothing touch to balance him, an action Vaanathi knew all too well.

"Do you want to hear a story about your Appa?"

"About Appa?" Madhurantakan looked at her, his chin on her lap, and she nodded, pressing a soft kiss to his curls, so much like Arulmozhi himself.

"Yes. When expectations become too heavy, we feel very burdened by them. We want an escape, we want freedom. Even your Appa, who is so conscientious of his duty was like that."

*****

This OS has been on my wish list for a long time, where Vaanathi advices Madhurantakan, the one who goes on to become Rajendra Chozhan. I have more ideas involving the children of Raja Raja Chozhan with their parents, and this is the first in the series- most OS' in this series are standalones, though they can be read as joint ones as well. I hope you all like this snippet, and the OS will come tomorrow or day after.

@ahamasmiyodhah @thegleamingmoon @yehsahihai @mahaswrites @hum-suffer @theramblergal @moon-880 @arachneofthoughts @whippersnappersbookworm @rang-lo @celestesinsight @willkatfanfromasia @mahi-wayy @ragkee @houseofbreadpakoda @sambaridli @nidhi-writes @hollogramhallucination @writersiya @chaliyaaa @mahaswrites @leoprincess21 @ambidextrousarcher @nushkiespeaks Let me know what you all think! Would love to know your opinions.

[thinkingofyours]

Unveiling the Mysteries of South Indian Kings

Did you know that the Chola king Rajendra Chola I once led a naval expedition that reached as far as Southeast Asia? This remarkable feat established the Chola Empire as a dominant maritime power in the 11th century. Another fascinating story is of Pulakesin II, the Chalukya king who successfully resisted the northern emperor Harsha’s invasion, marking a significant victory for the southern kingdoms.

The Pandya king, Nedunchezhiyan, is known for his legendary justice, famously depicted in Tamil literature where he executed his own son to uphold the law. These tales highlight the valor, wisdom, and strategic prowess of South Indian rulers, whose legacies continue to inspire.

[indianetzonecom]

Virarajendra Chola I, also known as the Kalari-Vira, was a renowned ruler of the Chola dynasty who reigned during the 11th century CE. His leadership and military prowess played a pivotal role in shaping the history of the Chola Empire, making him a legendary figure in ancient South Indian history.

[nidhi-writes]

Women of PonniyinSelvan

Poonguzhali:

Her hands can row mountains, her vision can capture lightning, her brave heart can able to withstand the storm, and her smile can kill you or make you. The princess of the Ocean, Samuthirakumari. The woman who fought storm, evil, devil everything to make sure her loveable prince reached the shores of Eezham. Samuthirakumari of PonniyinSelvan "Poonguzhali"

Vaanathi:

Scared as a kitten, but roar like a true queen. The orphan princess who took shelter under the love of her friend/sister Princess Kundhavai. The pure heart cute flowers that Kodambalur cherishes. Roase to be the queen of Chola desam, mother of Rajendra Cholan. The women he fell for, the women he wanted, the women he married. She is Vaanathi, Kodambalur Princess.

Kundhavai:

Is she the epitome of beauty? Is she the queen who stepped down to make her brother a fine king? Is she the kingmaker that even the noblest bowed down? Is she the mastermind behind the victory of Cholas? There are no words to describe her grace, her love for her brothers, her loyalty to Chozha Desam. The one who loved a man for his heart. One and Only Ilaya Pirattiyar Kundhavai. Princess of Chozha Desam! Queen of Vallavarayan Vanthiyadevan.

Nandhini:

If vengeance has a face, then it's her. The heart that bleeds for her lost love, the pain she suffered cause of her birth. The disappointment that she carried all her life. The white flowers, the innocence that was taken for granted. The devil they made, the death she caused. From being a prey to becoming a predator she has seen it all, a beauty who became a beast. She is Vengeance! Nandhini Devi.

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[hopefulkidshark]

Ponniyin Selvan: II

2023 ‧ Action/Adventure ‧ 2h 45m

Ponniyin Selvan: II (PS-2, transl. The Son of Ponni) is a 2023 Indian Tamil-language epic historical action drama film directed by Mani Ratnam, who co-wrote it with Elango Kumaravel and B. Jeyamohan. The film is produced by Mani Ratnam and Subaskaran Allirajah under Madras Talkies and Lyca Productions. The second of two cinematic parts based on the 1954 novel Ponniyin Selvan by Kalki Krishnamurthy, it serves as a direct sequel to Ponniyin Selvan: I (2022). The film stars an ensemble cast including Vikram, Aishwarya Rai Bachchan, Jayam Ravi, Karthi, Trisha, Jayaram, Prabhu, R. Sarathkumar, Sobhita Dhulipala, Aishwarya Lekshmi, Vikram Prabhu, Prakash Raj, Rahman and R. Parthiban.

In the wake of his brother Ponniyin Selvan's presumed death, Aditha Karikalan of the Chola dynasty rallies his kingdom and tries to resist threats on all sides.

Initial release: April 28, 2023

Director: Mani Ratnam

Box office: 3.5 billion INR

Story by: Kalki Krishnamurthy

Distributed by: Red Giant Movies

Starring

Vikram

Aishwarya Rai Bachchan

Jayam Ravi

Karthi as Vallavaraiyan Vandiyadevan was a commander of the Chola Army. He was one among the famous chieftains of the Chola emperors Rajaraja I and Rajendra I and chief of the Samanthas of Chittoor and also the husband of Rajaraja's elder sister Kunthavai Pirattiyar

Vallavaraiyan Vandiyadevan - Wikipedia

Trisha as Kundavai Pirattiyar, commonly known mononymously as Kundavai, was a princess of the Chola empire who lived in the tenth century in South India. However when her husband Vallavaraiyan Vandiyadevan was crowned king in his hometown Bana Kingdom, she did not accept the offer to become queen of the kingdom and remained as the princess of Tanjore

Kundavai Pirāttiyār - Wikipedia

Sobhita Dhulipala

Aishwarya Lekshmi

Ponniyin Selvan: II - Wikipedia

“What about the promise?”  “What promise” “About his life belonging to her and not him?”

Vanthiyathevan and Kundavai in Ponniyin Selvan: II

[ID in ALT]