#Raja Natwarlal

[getmemymicroscope]

This is an excellent movie. The story isn't new to me, since I've seen many things (filmed after The Sting, admittedly) that have taken on similar stories - I'm specifically thinking of an episode of Leverage (The Bottle Job) and of the Bollywood movie Raja Natwarlal (which wasn't all that bad, to be honest).

The acting, the story, the storytelling ... and man, those twists. First, that twist with Salino was absolutely brilliant; second, that twist with Agent Polk was pretty damn good as well. There's no really wasted scenes or moments - everything comes together well, up to the very end.

I guess the only real question is why Salino didn't take him out earlier, especially since opportunities existed (even if the "last night" he asked about was clearly the worst of those opportunities, especially because of the nosy neighbor), but then, I guess maybe all those 'opportunities' were maybe just a bit too public and noticeable.

The twist did become clear with the timing of them showing someone putting on the gloves (even if the face remained hidden), but even with that, it was just splendidly done.

Great movie.

[thewikiwiki]

Sarvgunn Sampann (2023) Film Story, Cast, Real Name, Wiki, Release Date & More

Sarvgunn Sampann (2023): Film Story, Cast, Wiki, Real Name, Crew Details, Released Date and More Sarvgunn Sampann is an upcoming drama film produced by Dinesh Vijan. It marks the directorial debut of Sonali Rattan, wife of filmmaker Kunal Deshmukh. Sonali has previously assisted her husband on films like Jannat, Tum Mile, Raja Natwarlal, and Shiddat. It is one of the films announced in a grand…

[desihitmusic-blog]

Tere Ho Ke Rahenge

Tere Ho Ke Rahenge

[siddysays]

HUMAIMA MALICK IN PANKAJ NIDHI

Finally! @HumaimaMalick hits a bullseye with @PankajAndNidhi #RajaNatwarlal #StyleStar #HotStuff #Love

Styled by Kshitij Kankaria, Humaima Malick looked stunning in this Alexander Wang + Pankaj & Nidhi combo for a television appearance to promote her upcoming movie Raja Natwarlal. While one wishes there were better images (and I didn’t have to resort to stealing them from her stylists instagram) this look (and the black McQueen + Zara we’ll talk about soon) see the star finally evolving in style.…

[norabose-blog]

Based on the story of a notorious real-life con man, this twisty Bollywood thriller revolves around cunning fraudster Raja Natwarlal, who pulls off a series of two-bit scams in Mumbai on his way to a big swindle. A small-time con man wants to get into the big leagues and take on a Goliath in the world of scams.

[getmemymicroscope]

It's crazy to think about how Emraan Hashmi's career has gone from 'serial kisser' (Murder, Zeher, Tumsa Nahin Dekha, Aashiq Banaya Apne, Aksar) to spanning a career that includes not just 'serial kisser,' but also: 'one who always dies' (*spoiler warning*: Murder, Chocolate*, Kalyug, Aksar, Gangster, Awarapan, Jannat, Jannat 2, Hamari Adhuri Kahani, Chehre); large cast star (Once Upon a Time in Mumbaai, Mumbai Saga, Baadshaho, Shanghai; The Dirty Picture); and even occasionally solid single-lead movies (Why Cheat India; Ungli; Raja Natwarlal; Mr. X). That's not to say all the movies were amazing or anything, but he's become pretty dependable as an actor (and while the song quality hasn't lived up to the success of his first couple of movies - which was going to be hard to do, living up to this appearance of Himesh as a singer, and then even getting Atif Aslam involved there for a bit - Zeher, especially; Kalyug, too - it is still pretty good overall). In fact, in this aside about songs in his movies, while you can't go wrong with Aashiq Banaya Apne and Aksar, as full soundtracks, I also love Tum Mile and Once Upon a Time in Mumbaai, and essentially every movie has one to two absolutely solid songs.

At the same time, it really sucks to see Akshay Kumar struggling through a string of flops right now, because - well, this is nothing like his string of bad movies in 1994 (11 movies released in total - though Mohra and Main Khiladi Tu Anari were actually good, and Suhaag was entertaining) or 1997 (7 movies in total) or that weird span he had of really bad 'comedies' that people inexplicably loved (Garam Masala, Deewane Huye Paagal, Phir Hera Pheri, Heyy Babyy, Khatta Meetha, Action Replayy, Tees Maar Khan, Thank You - though I will admit to, on multiple rewatches, having developed a soft spot for the absolute spoofiness of Tees Maar Khan). That's not to say his movies this past year were all excellent (looking at you, Raksha Bandhan, which was one of the worst movies I've ever seen), but this string seems to be more because people are stupid (they are) than a bad choice in movies. Sure, Ram Setu left something to be desired and Cuttputlli suffered from one too many idiot characters, but Akshay's been solid throughout. This isn't a rehash of the early 90s, that's for sure - people are just being dumb (as evidenced by the box office, aside from Pathaan, has been a disaster).

Selfiee is, by no means, one of Akshay's greatest roles ever - and probably not Emraan's either. But it's nowhere near 'bad' or anything either. Probably what hurts it most is that it depends entirely on being an emotional drama (with that random attempt at comedy that is the other actor, which arguably wasn't really needed for the story - but I guess it works a bit better than having him be a completely serious competitor) - and in a day of crazy action movies, emotional drama appears to be a bit harder for people to sit through.

At it's core, though, it reminds me a lot of Taxi No. 9211 (which I absolutely love!) - it's not as good, in my biased opinion, possibly because by making one of the characters a 'big name actor' (in the movie, I mean, not because they cast Akshay Kumar), the movie automatically goes to a much larger scale than the individual battle between Jai and Raghav. That battle is contained between them, and their loved ones, and one poor rule follower/pencil pusher at a bank; whereas here, almost immediately, it becomes a full-scale nationwide thing involving not just 'a common man,' but instead the "Common Man." And that just seems to be a bit harder to pull off, especially about something like a driving test (like, what the hell is up with that 10 question test he gives him; are they able to freestyle questions like that?).

The other movie that comes to mind is An Action Hero - which is sort of funny, because Akshay had a guest appearance in that role where he was advising Ayushman's character on what to do in that setting. Of course, in that movie, it was the death of someone and not just a driving test issue - and also, of course, the movies are completely different and pursue completely different stories. But the idea of an actor 'gone rogue' (less rogue, here, since he's actually able to defend himself) and the country up in arms about the sudden lack of deitiness of their self-annointed god is very similar - to the point where, in both movies, we have a bunch of very, very annoying media people who just do not shut up.

As this movie progressed, I saw more and more similarities to Taxi No. 9211 - Emraan as Nana, Akshay as John. And while the scale is much more grand, the basic battle - egos; common man versus rich man - in the backdrop of a time limit brought forth by something out of their control is very similar. Not as fun, here, maybe - I don't want to keep harping on it, but I really do think a lot of it had to do with the overzealous public that was over-the-top invested in everything - but still pretty fun overall.

Main Khiladi Tu Anari is obviously a fun song (though, sadly, it's an end credit song - though, given the gist of the movie, I think that was pretty obvious from the moment the song released) - a rant about Bollywood's obsession with destroying old classics with remixes instead of just coming up with new stuff aside - but the song at the beginning was just meh. The background music that played was pretty cool. Akshay and Emraan are, obviously, absolutely fantastic. Absolutely love them. Diana Penty sadly has very little scope, and Nushrratt Bharuccha's role is only slightly bigger. Adah Sharma was a surprise, in the sense that I had no idea she was going to be in the movie.

I do like that they didn't drag everything out too far and give us too many false endings (a la Pathaan, or RRR) - the whole thing is about a driving test, and they do pretty good about sorta sticking to that. There's probably a lot that could be said about the over deification of stars by the public (very similar to the bullshit that goes on with some politicians here, and with religious zealots here and there) and how ridiculously people act in that setting (see: the paparazzi, aka media, the entire movie; the fans at the end, once Akshay leaves; the talking media heads on the TV, egging everything on), but sadly, we're probably a long, long time from that changing. Whether you should ever think of some such celebrity as a god is questionable (no; the answer is a very simple no); but the society is such that so many people do it (see, again, the success of Pathaan, for example, and the stupid zealots that keep pushing a boycott over things like the color of a sari or lyrics in a song or words in a dialogue or content in a book).

I really did enjoy this movie, and I would not be opposed to watching it again for entertainment.

[bloggvalley]

Actor Ashiesh Roy passes away

Actor Ashiesh Roy passes away

By: Entertainment Desk | New Delhi | November 24, 2020 11:37:40 am

Ashiesh Roy was seen in Sasural Simar Ka. (Photo: Ashiesh Roy/Facebook)

Actor Ashiesh Roy passed away due to kidney failure on Tuesday at his residence. Known for his work in TV shows like Sasural Simar Ka and Raja Natwarlal, Roy had been keeping unwell for a while. He was admitted to the ICU in a Mumbai hospital in May this…

[desihitmusic-blog]

Namak Paare

[vsplusonline]

How Sonam Kapoor And Swara Bhasker Wished Their Raanjhanaa Co-Star Mohammed Zeeshan Ayyub On His Birthday

New Post has been published on https://apzweb.com/how-sonam-kapoor-and-swara-bhasker-wished-their-raanjhanaa-co-star-mohammed-zeeshan-ayyub-on-his-birthday/

How Sonam Kapoor And Swara Bhasker Wished Their Raanjhanaa Co-Star Mohammed Zeeshan Ayyub On His Birthday

Sonam Kapoor shared this photo. (Image courtesy: sonamkapoor )

Highlights

Zeeshan Ayyub turned 37 on Tuesday

His Raanjhanaa co-stars Sonam and Swara wished him on social media

Zeeshan Ayyub will next be seen in Hansal Mehta’s Chhalaang

New Delhi:

On Mohammed Zeeshan Ayyub‘s birthday, his Raanjhanaa co-stars Sonam Kapoor and Swara Bhasker wished him in the sweetest way possible on social media. The actor turned 37 on Tuesday. Sharing a throwback photo of herself with Zeeshan Ayyub on her Instagram story, Sonam Kapoor wrote: “Happy birthday darling Zeesh! All my love to you on your birthday.” Swara picked a couple of stills from their 2013 film and accompanied them with adorable yet hilarious birthday notes. The caption on one of the stills, starring Dhanush alongside Zeeshan Ayyub and Swara, read: “Here captured in a single shot are all the emotions you make me feel! Happy birthday!”

Raanjhanaa, directed by Aanand L Rai, featured Sonam Kapoor, Dhanush, Swara Bhasker and Zeeshan Ayyub in the main roles. The film revolves around the story of Kundan (Dhanush), a Banarasi man, who falls in love with Zoya (Sonam Kapoor), a Muslim woman. Zeeshan Ayyub and Swara Bhasker played Dhanush’s childhood friends in the film.

Now check out what Sonam Kapoor and Swara Bhasker posted for Zeeshan Ayyub on his birthday:

Screenshot of Sonam Kapoor’s Instagram story.

Screenshot of Swara’s Instagram story.

Screenshot of Swara’s Instagram story.

Screenshot of Swara’s Instagram story.

On the work front, Zeeshan Ayyub made his debut in the film industry with Raj Kumar Gupta’s biographical thriller No One Killed Jessica in 2011. He co-starred with Rani Mukerji and Vidya Balan in the film, which was based on the murder case of Jessica Lal. The actor then went on to feature in Ali Abbas Zafar’s romantic comedy Mere Brother Ki Dulhan, starring Katrina Kaif, Imran Khan and Ali Zafar. In 2011, he featured in a cameo in Aanand L Rai’s Tanu Weds Manu and collaborated with the director again for Tanu Weds Manu 2, Raees and Raanjhanaa.

Other than the aforementioned films, Zeeshan Ayyub has also starred in movies such as Tubelight, Thugs Of Hindostan, Jannat 2, Shahid, Raja Natwarlal, Dolly Ki Doli, All Is Well, Phantom, Manikarnika: The Queen Of Jhansi, Article 15 and Arjun Patiala. He will next be seen in Hansal Mehta’s Chhalaang, in which he will share screen space with Rajkummar Rao.

Source link

[viggos-mortensen]

subgenres of the ehcu discography:

- DEPRESSION bops

- emo stuff that would put mcr and evanescence to shame

- breezy romantic bops where the singer, usually kk, drops a random "woah oh woah" and its just The Best

- horny/intense romantic bops from the vintage ehcu era that y'all like to call hoe anthems

- himesh

- sad/intense romantic bops where the singer, usually kk, goes off again!

- sufiyana stuff

- miscellaneous because sometimes there's a random item song or pop song (i am looking at u tum mile (2009), crook (2010) and raja natwarlal (2014) soundtracks)

listen,,, there's only one (1) hoe anthem in the ehcu if you think about it and it's not even a hoe anthem y'all are just used to the srk waala romance

[thekangster]

Our Day Is Incomplete Without Singing, Listening His Songs, He Is Real Soul Of Imtiaz Ali's All Movies. Jab We Met - Tum Se Hi (आधा सा वादा कभी, आधे से ज्यादा कभी, जी चाहे करलुं इस तरह वफ़ा का, छोड़े ना छूटे कभी, तोड़े ना तूटे कभी, जो धागा तुमसे वफ़ा का जुड़ गया, मैं तेरा सरमाया हुं, जो भी मैं बन पाया हूं, तुमसे ही, तुमसे ही, मंजिलें मील जाती है, तुम से ही, तुमसे ही) Aao Milo Chale ( बैठें बैठें कैसे कोई रस्तात नया सा मीले, तु भी चले, मैं भी चलुं, होंगे कम ये तभी रास्ते ) Yeh Ishq Haaye , Nagada, Mauja Hi Mauja. Love Aaj Kal - Twist, Chor Bazari( तारिफ तेरी करना, तुझे खोने से डरना, भूल गया अब तुझपे दिन में चार दबाना मरना ) Yeh Dooriyaan ( कहा भी ना मैंने, नहीं जीना मैंने, तु जो ना मीला, तुझे भुले से भी बोला ना मैं ये भी चाहुं फासला, बस फासला रहे, बनके कसक जो कहे, हो और चाहत ये जवां, तेरी मेरी मीट जानी है दूरियां, बेगानी है दूरियां, हट जानी हैं दूरियां, फना हो सभी दूरियां ) Aaj Din Chadeya (मांगा जो मेरा है, जाता कया तेरा है , मैंने कोनसी तुझसे जन्ऩत मांगली, कैसाा खुदा है तु बस नाम का है तु रब्बा जो तेरी इतनी सी भी ना चली, जीती रहे सल्तनत तेरी, जीती रहे आशिकी मेरी, दे-दे मुझे जींदगी मेरी, तेनु दिल दिमाग वास्ता) Main Kya Hoon (मैं खुद से ही वादे नीभाऊं, मैं वोह हुं जो चाहुंगा वोह पाऊं, ) APKGK- Tu Jaane Na ( मील के भी हम ना मीले तुमसे न जाने करुंगी, मीलों के है ये फासले न जाने कयुं, तु जाने ना ) Prem Ki Naiya, Aa Jao Meri Tamanna ( हर घड़ी लग रही तेरी कमी, हुं पता लापता कीस गली ) Rajneeti ( Bheegi Si Bhaagi Si), OUATIM(Pee Loon, Tum Jo Aaye Zindagi Me Baat Ban Gayi), Rockstar - All Time Best Musical From Bollywood 🙌🙌🙌 Nadan Parinde Hawaa Hawaa (Story Of King And Queen ) Sadda Haq (Rebellion Anthem) Kun Faay Kun ( God, Man, Discovery And Kun-Fayakun) Sheher Me Jo Bhi Main Phir Se Us Chala Katiya Karun Ranjhana, Highway - Patakha Gudi - ( मीठ्ठे पान दी गील्लोरी, And भोला तेरा माली, ओ हरीयाली जंगलवाली ) Maahi Ve Tamasha (One Simply Can't Get Over From मटरगस्टी, Breakup Song : 'अगर तुम साथ हो ', And 'चली कहानी' ) Cocktail(આપણું ફેવરીટ આલ્બમ), Special 26, Aashiqui 🙌, Phata Poster Nikla Hero ( Main Rang Sharbato Ka, Tu Mere Agal Bagal Hai ) Sultan(जैसी तु है वैसी रहेणा, जग घुमेया तारे जैसा ना कोई), Raja Natwarlal - Tere Hoke Rahenge ( तेरी बाहों का घेरा बडा महेफुझ लगे हैं, बड़ी बेखौफ जगह है ये, इनमें ही रहेगा चाहे तेरी पनिहे, जब तक है जीना चाहेंगे, तेरे होके रहेगे, दिल ज़िद पे अड़ा है ) Happy New Year (Manwa Laage) And JHMS ( "खाली है जो तेरे बीना, मैं वोह घर हुं तेरा, घुमे, फिरे चाहे जींस डगर, तु है मेरा" And "सफर का ही था मैं सफर का रहा ! " )

[sarkarimirror]

Kadar Khan Veteran actor dies in Toronto.

Veteran comedian,actor Kader Khan died after a prolonged illness at a hospital in Toronto in Canada, a family member said here on Tuesday. Kader, 81, is survived by his wife Hajra, son Sarfaraz, daughter-in-law, and grandchildren. According to Ahmed Khan, a close relative, he passed away around 4 a.m. (IST). He added that the last rites will be held in a Toronto cemetery later in the day. Reported to be critical and on a ventilator, rumours of Kader’s demise had been doing the rounds on social networks and some media outlets (not IANS), since the past five days, which left the family and other relatives traumatised. He spent nearly four months in hospital, for various old-age related ailments including breathing issues and finally succumbed on December 31 evening (Toronto time). Born on October 22, 1937 in Kabul, Afghanistan, to a Pashtun family, Kader Khan was educated in a municipal school and later graduated from Mumbai’s Ismail Yusuf College, Jogeshwari, a government-run institution. An avid reader and a film-buff, he had a huge collection of books on various subjects related to film-making, acting, screenplay writing, penning story-dialogues and other departments, and had a mastery over Urdu. Starting with his first film as an actor in “Daag”, (1973), over the next 35 years he went on to act in over 300 films in memorable roles, and also wrote the story or dialogues for more than 250 films in Hindi and Urdu, starting with “Roti” (1974). Some of his most memorable films as a comedian-character actor are: “Daag”, “Adalat”, “Bairaag”, “Parvarish”, “Muqaddar Ka Sikandar, “Shalimar”, “Mr. Natwarlal”, “Suhaag”, “Dhan Daulat”, “Qurbani”, “Jwalamukhi”, “Abdullah”, “Naseeb”, “Ahista Ahista”, “Yaarana”, “Zamaane Ko Dikhana Hai”, “Satte Pe Satta”, “Raaz”, “Desh Premee”, “Sanam Teri Kasam”, “Mehndi Rang Layegi”, “Himmatwala”, “Coolie”, “Ghar Ek Mandir”, “John Jaani Janardhan”, “Tawaif”, “Loha”, “Jawab Hum Denge”, “Shahenshah”, “Pyar Ka Mandir”, “Khoon Bhari Maang”, “Vardi”, “Baap Numbri, Beta Dus Numbri”, “Pyar Ka Devta”, “Saajan”, “Bol Radha Bol”, “Meherbaan”, “Aankhen”, “Eena Meena Deeka”, “Coolie No.1”, “Saajan Chale Sasural”, “Judaai”, “Dulhe Raja,” “Aunty No.1” and “Sooryavansham”. He penned the story-dialogues for top-grossing films like: “Jawani Diwani”, “Benaam”, “Roti”, “Amar Akbar Anthony”, “Parvarish”, “Muqaddar Ka Sikandar”, “Suhaag”, “Mr. Natwarlal, “Yaarana”, “Lawaaris”, “Desh Premee”, “Khuddar”, “Coolie”, “Sharaabi”, “Ganga Jamna Saraswati”, “Singhasan”, “Khoon Bhari Maang” and “Aunty No. 1”. He also produced a film,  Read the full article

[bollywoodirect]

Remembering Anand Bakshi Sahab on his 15th death anniversary.

Anand Bakshi (Bakhshi Anand Prakash Vaid) was born in Rawalpindi, now in Pakistan, on 21 July 1930. His ancestors were Mohyal Brahmins from Kurree, near Rawalpindi, and had their origins in Kashmir. His mother, Sumitra, died when he was five years old. Bakshi's family migrated to India (Delhi) on 2 October 1947, in the aftermath of the partition, when he was 17 years old. The family arrived in Delhi, via a Dakota aircraft, and then migrated to Pune, then Meerut and settled in Delhi finally.

Bakshi was fond of writing poetry since his youth,but he did this mostly as a private hobby. In a 1983 interview with Doordarshan, Bakshi recounted that after his initial studies, he joined the Indian Army, where due to a paucity of time, he could only write occasionally. He continued to write poetry whenever time permitted, and used his songs and lyrics in local programmes related to his troop. He worked in the Army for many years and simultaneously tried to market his songs in the Mumbai film world.

Anand Bakshi came to Hindi films to make a name for himself in writing and singing but ended up becoming more successful in writing lyrics. He got his break writing songs in a Brij Mohan's film titled, "Bhalaa Aadmi", 1958, acted by Bhagwan Dada. He wrote 4 songs in this film. His first song in this film was "Dharti Ke Laal Na Kar Itna Malaal" which was recorded on 9 Nov 1956. In his own voice on All India Radio interview

After writing for few movies from 1956 onwards, he first found success in 1962, with Mehendi Lagi Mere Haath, which was produced by (LimeLight), Music Kalyanji & Anandji, Music Pub-HMV/Saregama. Bakshi later made another mark for himself writing a quawalli for the 1962 film Kala Samundar, the song was "Meri Tasveer Lekar Kya Karoge Tm". He got his real big breakthroughs in 1965 with Himalaya Ki God Mein, and a huge breakthrough again in 1965 with the super hit film Jab Jab Phool Khile, starring Shashi Kapoor; and yet again in 1967 with the super hit movie Milan (starring Sunil Dutt). These six hit films within a decade of his entry into films cemented his status as a lyrics writer of immense caliber. He went on to work as a lyricist of over 3500 songs and 638 films in his career.

He got his first break as singer in a film directed by Mohan Kumar's Mom Ki Gudiya(1972). The first song he sang was a duet "Baaghon mein bahaar aayi hothon pe pukaar aayi", along with Lata Mangeshkar for music composed by Laxmikant Pyarelal. He also sang the solo " Main dhoondh raha tha sapnon mein" from the same film. He also sang songs in 4 other films: Sholay (1975) where he sang the quawwali "Chand Sa Koi Chehera" along with Manna Dey, Kishore Kumar, Bhupinder, the song was released only on the vinyl but not in the feature film; Maha Chor (1976); Charas (1976); and, Balika Badhu (1976). Anand Bakshi’s was widely associated with music Composers such as Laxmikant Pyarelal, R D Burman, Kalyanji Anandji, SD Burman, Anu Malik, Rajesh Roshan and Anand-Milind and his songs have been sung by all the top singers as also other singers like Shamshad Begum, Ila Arun, Khursheed Bawra, Amirbai Karnataki, Sudha Malhotra and more. He is known to have worked with more than one generation of music composers.

He wrote the first recorded songs of many first time male and female leads who went on to become stars, and also of singers like Shailendra Singh, Kumar Sanu, Kavita Krishnamurthy, etc., and he established himself as a versatile lyricist with the song "Dum Maro Dum" in the movie Hare Rama Hare Krishna (1972). After this, he wrote memorable lyrics in many movies including Bobby and Amar Prem (1971), Aradhana 1970, Jeene Ki Raah, Mera Gaon Mera Desh, Aaye Din Bahar Ke, Aya Sawan Jhoom Ke, Seeta Aur Geeta, Sholay (1975), Dharam Veer, Nagina, Hum (1991), Mohra (1994), Dilwale Dulhania Le Jayenge (1995), "Pardes" (1997), Heer Raanjha, Dushman (1998), Taal (1998), Mohabbatein (2000), Gadar: Ek Prem Katha (2001) and Yaadein. Mehendi Lagi Mere Haath, Devar, Jab Jab Phool Khile, Milan, Do Raaste, Aradhana, Amar Prem, Main Tulsi Tere Angaan Ki, Hare Rama Hare Krishna, Aasra, Himalaya Ki Godh Mein, Chotta Bhai, Sohni Mahiwal Seeta aur geeta, Mera gaon mera desh, Roti, Anokhi Ada, Jeene Ki Raha, Aan Milo Sajna, Sharafat, Khilona, Maryada, Kati Patang, Raja Aur Rankh, Aradhana, Farz, Do Raaste, Raja Rani, Raja Jaani, Loafer, Bairaag, Piya Ka Ghar, Apna Desh, Charas, Aap Ki Kasam, Bobby, Main Sundar Hoon, Amar Akbar Anthony, Dharam Veer, Shalimar, Satyam Shivam Sundaram, Julie, Jawani Diwani, Dostana, Hero, Main Sundar Hoon, Taqdeer, Raja Saab, Love Story, Betaab, Avtaar, Aasha, Apnapan, Suhag, Mr Natwarlal, Sargam, Karz, Ram Balram, Aas Paas, Krodhi, Fifty Fifty, Jaaneman, Judaai, Sharda, Namak Haram, Mukti, Khilona, Jeevan Mrityu, Naseeb, Desh Premee, Chupke Chupke, Ek Hi Bhool, Jeevan Dhara, Andha Kanoon, Farz, Shaan, Abdulla, Sholay, Rocky, Aamne Saamne, Shakti, Teri Kasam, Hum, Saudagar, Lamhe, Sahibaan, Khuda Gawah, Alag Alag, Sacha Jhoota, Dilwale Dhulania Le Jayenge.

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[gkt49]

Emraan Hashmi: This is the best time in my career

Emraan Hashmi: This is the best time in my career

Mumbai, Aug 8 Actor Emraan Hashmi said he has just trusted in working hard and never tremendously made a fuss over the destiny of his movies in the box office.

Some of Hashmi’s current movies like “Raja Natwarlal”, “Hamari Adhuri Kahaani”, “Azhar” and “Raaz Reboot” did not do well economically.

The actor, be that as it may, said it didn’t influence him or his profession at all as he’s as yet…

[andreasarianto]

Liked on YouTube: Tere Hoke Rahenge Female Version | Raja Natwarlal - Cover by StereoGrind https://youtu.be/oG6rFLjpkMA

[love-midnight-sunshine]

Genre: Crime, Thriller 

Language: Hindi (Eng-Sub)

IMDb Ratings: 6.1/10

Quality: WEBRip

Movie Size: 720p (1.15GB)

Director: Kunal Deshmukh

Movie Cast: Emraan Hashmi, Humaima Malik, Paresh Rawal

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Sypnosis: A small-time con man seeks assistance from his mentor with the intention of settling scores with a gangster.

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