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doubleattitude · 4 years ago

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24/7 Dance Convention, Pittsburgh, PA: RESULTS

High Scores by Age:

Sidekick Solo

1st: Penelope LeMieux-’I’d Rather Go Blind’

2nd: Harper McCarey-’I Can Go The Distance’

3rd: Aleah Blair-’Heartbreaker’

3rd: Ava Edmonds-’Let ‘Er Rip’

3rd: Brynley Brett-’Let Me Entertain You’

4th: Elliana Macioce-’Dreamer’

5th: Ella Kirchoff-’VK Mashup’

6th: Gabriella Pallozolo-’Name Game’

7th: Cora Baney-’Work For It’

8th: Layla Bajek-’Free Little Bird’

Mini Solo

1st: Kensington Dressing-’Distant World’

2nd: Emily Polis-’Bloodthirsty’

2nd: Mya Lanigan-’Halo’

2nd: Avaleigh Mackaron-’On A Clear Day’

3rd: Channing Embry-’Blackbird’

3rd: Emmie Whyte-’New York, New York’

3rd: Lexus Natalie-’Shelter’

4th: Kendall Bruce-’Swing Phenomenon’

4th: Jordan Officer-’Wash & Set’

5th: Aili Joyce-’Hurricane’

5th: Giada Reino-’Nature Boy’

6th: Lily Tompkins-’Angel Standing By’

7th: Ava mcLendon-’Ready For War’

8th: Mia Bianco-’Business of Love’

8th: Ava Cutchall-’Wings’

9th: Kylie Pecoraro-’Every Season’

9th: Elyse Rost-’Love Is’

9th: Addie Changoway-’Variation of Don Quixote’

10th: Mia Rossa-’Arms Of The Angel’

10th: Charlize George-’What A Feeling’

Junior Solo

1st: Cameron Voorhees-’Unplugged’

2nd: Sean Detwiller-’Ain’t No Sunshine’

2nd: Caitie Polis-’Fallen Angel’

2nd: Adina Rooney-’Inhale Exhale’

2nd: Maura Matuska-’LJ’

2nd: Bella Rose Penrose-’Spine’

3rd: Julia Chavez-’Everything I Do’

3rd: Ella Way-’Glory’

3rd: Londyn LeMieux-’Human Touch’

3rd: Ivy Gang-’Stutter’

3rd: Joelle Cherry-’Through Water’

3rd: Shayla Blair-’To Be Free’

4th: Bria Burnett-’Lung’

4th: Fallyn Kauffman-’Marathon In Roses’

5th: Isabella Ginevra-’Fight Song’

5th: Avani Agrawal-’Spindra’

6th: Holly Miller-’After The Rain Stops’

6th: Brooklyn Corbett-’Feeling Good’

7th: Paige Borg-’Otto’

7th: Lauren Hudach-’You Are A Memory’

8th: Colette McIvor-’Cold Hearted’

8th: Penelope Ciminieri-’Connected Colors’

9th: Caroline McGowan-’I Love You Always Forever’

10th: Peyton Langworthy-’Ashes’

10th: Tessa Mattina-’Nature of Daylight’

Teen Solo

1st: Ying Lei Pham-’Empty Space’

2nd: Camila Cordero-’Fhantom’

2nd: Tatiana Hagee-’Harvest Moon’

2nd: Sarah Georgiana-’Lungs’

2nd: Isabella Pinkston-’Speaking Of The End’

2nd: Calico Reyes-’Trust In Me’

3rd: Beth Anne McGowan-’Heart Is As Black As Night’

3rd: Isabel Reese-’Inside’

3rd: Olivia Martin-’Smile’

3rd: Jeremy Powalowski-’You Worry Me’

4th: Ava Carroll-’Are You Sure’

4th: Elyse Wingertsahn-’I Cry For Daylight’

4th: Samantha DeFabio-’Multiple Self’

4th: Illiana Victor-’New Memory’

4th: Tori Shaner-’Youth’

5th: Zoey Schneiter-’Do You Feel Real’

5th: Maeve McCormack-’Maybe We’ll See’

6th: Taylor Strilesky-’Dynamite’

6th: Alaina Scabora-’Empty Spaces’

6th: Emily Yap-’Farewell’

6th: Kayle Shaner-’No Rights, No Wrong’

6th: Louise Hindsbo-’Reactor’

7th: London Mitchell-’Bitter Earth’

7th: Samuel Evans-’Coming To An End’

7th: Camryn Lanigan-’Fall Creek’

7th: Hailey Keaveney-’Listen Within’

7th: Shay Kaminski-’Once Upon Another Time’

8th: Isabella Klink-’Gemini Feed’

8th: Jocie Slesinski-’Illness as A Metaphor’

8th: Piper Embry-’No Middle’

9th: Maddie Enright-’Alps’

10th: Maggie Anzells-’Let Me Go’

10th: Taylor Higgins-’Ready’

Senior Solo

1st: Clara Thiele-’Opposing Truths’

1st: Gionna D’Allesandro-’Wish You Were Here’

2nd: Anna Miller-’Godspeed’

3rd: Raegan Stafford-’Villain’

4th: Jocelyn Wynn-’Ego’s Detached’

4th: Cassidy Reigel-’Musical Theatre’

5th: Sarah Beth Lentz-’I Remember Her’

5th: Julia Strasburg-’Never Go’

5th: Trinity Malgay-’Something Short & Sweet’

6th: Keira Fleming-’Oscillating In Time’

6th: Emmalyn Mackaron-’Sans Toi’

6th: Abby Griffith-’The War’

6th: Tori Stewart-’This Woman’s Work’

7th: Madelyn Gaba-’Enough Of Our Disease’

7th: Dana Miller-’Sad Day’

7th: Brooke Cheek-’The Beginning and the End’

7th: Mia Stockle-’Tumbling Lights’

7th: Kylie West-’What A Little Moonlight Can Do’

8th: Emma Girdany-’Flickers’

9th: Katrina Oschmann-’Polly’

9th: Ashley Veverka-’Right As Rain’

10th: Lila Bierman-’Cleo’

10th: Mackenzie Stephenson-’Come Back’

10th: Brooke Kosinski-’La Vie En Rose’

10th: Abbey Barron-’Once I Was Loved’

10th: Megan Kovach-’The Swan’

Sidekick Duo/Trio

1st: Evolve Dance Complex-’Fly Me To The Moon’

2nd: Evolve Dance Complex-’Beat’

3rd: Xtreme Tumbling and Dance Center-’Candy Girls’

Mini Duo/Trio

1st: Evolve Dance Complex-’Gallows’

2nd: Stars Dance Studio-’Rescue’

3rd: Xtreme Tumbling and Dance Center-’Dr. Beat’

Junior Duo/Trio

1st: Center Stage Dance Studio-’Rhythm’

2nd: Evolve Dance Complex-’Exiles’

3rd: Center Stage Dance Studio-’Dancing In The Dark’

3rd: Middletown Dance Academy-’Jilted’

3rd: Studio 412-’Nature Boy’

Teen Duo/Trio

1st: Ludovici Dance Academy-’Lash Out’

2nd: Evolve Dance Complex-’Still Life’

3rd: Middletown Dance Academy-’Ninjaness’

3rd: Center Stage Dance Studio-’The Come Down’

3rd: Evolve Dance Complex-’Wheel’

Senior Duo/Trio

1st: Dance Mechanics-’Bills, Bills, Bills’

2nd: Center Stage Dance Studio-’Enemy’

2nd: Center Stage Dance Studio-’Because of You’

3rd: Center Stage Dance Studio-’Let’s Fall In Love’

Sidekick Group

1st: Noretta Dunworth School of Dance-’Bon Appetit��

2nd: Evolving Artists Dance Studio-’Rainbow In Your Eyes’

3rd: Evolving Artists Dance Studio-’Trickle Trickle’

Mini Group

1st: Evolve Dance Complex-’Undertow’

2nd: Center Stage Dance Studio-’Mambo No. 5′

3rd: Noretta Dunworth School of Dance-’Quake’

Junior Group

1st: Center Stage Dance Studio-’Charge Up’

2nd: Evolve Dance Complex-’Hope There’s Someone’

3rd: Studio 412-’Afraid To Go’

Teen Group

1st: Evolve Dance Complex-’Debut’

1st: Evolve Dance Complex-’My Tears Are Becoming A Sea’

2nd: Evolve Dance Complex-’We Rise We Fall’

3rd: Ludovici Dance Academy-’Don’t Be So Hard On Yourself’

3rd: Dance Spectrum-’Don’t Worry’

3rd: Center Stage Dance Studio-’If You Went Away’

Senior Group

1st: Noretta Dunworth School of Dance-’Go Home’

2nd: Ludovici Dance Academy-’Runaway Baby’

3rd: Center Stage Dance Studio-’Senorita’

3rd: Center Stage Dance Studio-’Smoke Signals’

3rd: Center Stage Dance Studio-’So Many Signs’

3rd: Noretta Dunworth School of Dance-’That’s Life’

Sidekick Line

1st: Noretta Dunworth School of Dance-’Can You Feel It’

2nd: Noretta Dunworth School of Dance-’Reflection’

Mini Line

1st: Noretta Dunworth School of Dance-’Steam Heat’

2nd: Ludovici Dance Academy-’Straight To Memphis’

3rd: Xtreme Tumbling and Dance Center-’Little Red’

Junior Line

1st: Evolve Dance Complex-’Better Days Ahead’

2nd: Xtreme Tumbling and Dance Center-’Goodbye Yellow Brick Road’

3rd: Dance Spectrum-’Ice Ice Baby’

Teen Line

1st: Center Stage Dance Studio-’Are You Even Real?’

1st: Evolve Dance Complex-’Cruelest Month’

1st: Evolve Dance Complex-’Pump It Up’

2nd: Dance Spectrum-’Shining Star’

3rd: Center Stage Dance Studio-’Remember When’

Senior Line

1st: Noretta Dunworth School of Dance-’Fancy’

2nd: Noretta Dunworth School of Dance-’Hallucinations’

3rd: Noretta Dunworth School of Dance-’Misunderstood’

Junior Extended Line

1st: Center Stage Dance Studio-’Cha Cha Heels’

2nd: Center Stage Dance Studio-’B.E.P’

3rd: Center Stage Dance Studio-’Wash’

Teen Extended Line

1st: Center Stage Dance Studio-’Impacto’

2nd: Center Stage Dance Studio-’More Than Friends’

3rd: Dance Spectrum-’Coming In Hot’

High Scores by Performance Division:

Sidekick Jazz

1st: Noretta Dunworth School of Dance-’Can You Feel It’ 2nd: Evolving Artists Dance Studio-’Trickle Trickle’

Sidekick Tap

1st: Noretta Dunworth School of Dance-’Bon Appetit’

Sidekick Lyrical

1st: Noretta Dunworth School of Dance-’Reflection’ 2nd: Evolving Artists Dance Studio-’Rainbow In Your Eyes’

Mini Jazz

1st: Center Stage Dance Studio-’Mambo No. 5′ 2nd: Noretta Dunworth School of Dance-’Quake’ 3rd: Noretta Dunworth School of Dance-’Louder’

Mini Tap

1st: Ludovici Dance Academy-’Straight To Memphis’ 2nd: Noretta Dunworth School of Dance-’Big Band Sound’ 3rd: Noretta Dunworth School of Dance-’HSKT’

Mini Contemporary

1st: Evolve Dance Complex-’Undertow’ 2nd: Noretta Dunworth School of Dance-’Let The River Run’ 3rd: Noretta Dunworth School of Dance-’You’ve Got A Friend’

Mini Lyrical

1st: Ludovici Dance Academy-’A Safe Place’

Mini Musical Theatre

1st: Noretta Dunworth School of Dance-’Steam Heat’

Mini Specialty

1st: Xtreme Tumbling and Dance Center-’Little Red’ 2nd: Evolve Dance Complex-’Ramalama’

Junior Jazz

1st: Center Stage Dance Studio-’Charge Up’ 1st: Center Stage Dance Studio-’Cha Cha Heels’ 2nd: Noretta Dunworth School of Dance-’Trust’ 3rd: Dance Spectrum-’Makes Me Feel’ 3rd: Xtreme Tumbling and Dance Center-’Burlesque’

Junior Ballet

1st: Dance Spectrum-’Brazilian Rose’

Junior Hip-Hop

1st: Center Stage Dance Studio-’B.E.P’ 2nd: Dance Spectrum-’Ice Ice Baby’

Junior Tap

1st: Ludovici Dance Academy-’Love Myself’ 2nd: Center Stage Dance Studio-’Canned Heat’ 3rd: Dance Spectrum-’Crazy In Love’

Junior Contemporary

1st: Evolve Dance Complex-’Better Days Ahead’ 1st: Evolve Dance Complex-’Hope There’s Someone’ 2nd: Studio 412-’Afraid To Go’ 3rd: Evolve Dance Complex-’Hope’

Junior Lyrical

1st: Center Stage Dance Studio-’Yours’ 2nd: Dance Spectrum-’Fly’ 2nd: Xtreme Tumbling and Dance Center-’Goodbye Yellow Brick Road’

Teen Jazz

1st: Center Stage Dance Studio-’More Than Friends’ 2nd: Center Stage Dance Studio-’Breakin’ Dishes’ 3rd: Center Stage Dance Studio-’Step On Up’ 3rd: Dance Spectrum-’I Want You to Shake’ 3rd: Noretta Dunworth School of Dance-’Love Is Fire’

Teen Ballet

1st: Dance Spectrum-’Bataille’

Teen Hip-Hop

1st: Center Stage Dance Studio-’Impacto’ 2nd: Dance Spectrum-’Coming In Hot’ 3rd: Dance Spectrum-’What’s The Dillio?’

Teen Tap

1st: Dance Spectrum-’Shining Star’ 2nd: Center Stage Dance Studio-’Remember When’ 2nd: Ludovici Dance Academy-’Don’t Be So Hard On Yourself’ 2nd: Dance Spectrum-’Don’t Worry’ 3rd: Dance Spectrum-’Seven’

Teen Contemporary

1st: Evolve Dance Complex-’My Tears Are Becoming A Sea’ 1st: Evolve Dance Complex-’Debut’ 2nd: Center Stage Dance Studio-’Are You Even Real?’ 2nd: Evolve Dance Complex-’Pump It Up’ 2nd: Evolve Dance Complex-’We Rise We Fall’ 2nd: Evolve Dance Complex-’Cruelest Month’ 3rd: Center Stage Dance Studio-’If You Went Away’

Teen Lyrical

1st: Dance Mechanics-’Volcanic’ 2nd: Dance Spectrum-’We Choose’ 3rd: Studio 412-’Beautiful Mess’

Teen Acro

1st: Dance Spectrum-’I Just Wanna’

Senior Jazz

1st: Noretta Dunworth School of Dance-’Fancy’ 2nd: Noretta Dunworth School of Dance-’That’s Life’

Senior Tap

1st: Ludovici Dance Academy-’Runaway Baby’ 2nd: Center Stage Dance Studio-’Senorita’ 3rd: Noretta Dunworth School of Dance-’Superstition’

Senior Contemporary

1st: Noretta Dunworth School of Dance-’Go Home’ 2nd: Center Stage Dance Studio-’Smoke Signals’ 3rd: Dance Mechanics-’As It Was’ 3rd: Ludovici Dance Academy-’Night Run’ 3rd: Noretta Dunworth School of Dance-’The End of the World’ 3rd: Noretta Dunworth School of Dance-’I’m Rising’

Senior Lyrical

1st: Center Stage Dance Studio-’So Many Signs’ 2nd: Ludovici Dance Academy-’The Last Goodbye’ 3rd: Dance Spectrum-’Station’

11 O’Clock:

Sidekick

Noretta Dunworth School of Dance-’Can You Feel It’

Mini

Center Stage Dance Studio-’Mambo No. 5′

Noretta Dunworth School of Dance-’Steam Heat’

Evolve Dance Complex-’Undertow’

Xtreme Tumbling and Dance Center-’Little Red’

Ludovici Dance Academy-’Straight To Memphis’

Junior

Ludovici Dance Academy-’Love Myself’

Studio 412-’Afraid To Go’

Evolve Dance Complex-’Better Days Ahead’

Center Stage Dance Studio-’Charge Up’

Dance Spectrum-’Crazy In Love’

Noretta Dunworth School of Dance-’Trust’

Teen

Dance Mechanics-’Final Goodbye’

Dance Spectrum-’Shining Star’

Evolve Dance Complex-’Debut’

Center Stage Dance Studio-’Impacto’

Studio 412-’A Broken System’

Ludovici Dance Academy-’Don’t Be So Hard On Yourself’

Senior

Dance Mechanics-’As It Was’

Ludovici Dance Academy-’Runaway Baby’

Noretta Dunworth School of Dance-’Fancy’

Center Stage Dance Studio-’Senorita’

Studio Showcase:

Noretta Dunworth School of Dance-’Fancy’

Ludovici Dance Academy-’Runaway Baby’

Evolve Dance Complex-’Debut’

Dance Spectrum-’Shining Star’

Center Stage Dance Studio-’Impacto’

#24/7 #2021 #dance #pittsburgh #pensylvania

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foxingpeculiar · 5 years ago

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Since I don’t plan on putting on another one in the next two hours, I apparently watched exactly 200 movies for the first time in 2019. We’ll see if we can beat that. They are, if anyone cares:

Searching (2018, Aneesh Chhaganty)

Black Mirror: Bandersnatch (2018, David Slade)

Upgrade (2018, Leigh Whannell)

Pather Panchali (1955, Satyajit Ray)

Aparajito (1956, Satyajit Ray)

The Vampire Lovers (1970, Roy Ward Baker)

Bad Lieutenant: Port of Call New Orleans (2009, Werner Herzog)

*Can You Ever Forgive Me? (2018, Marielle Heller)

Cape Fear (1991, Martin Scorsese)

Wild Strawberries (1957, Ingmar Bergman)

The Seven Year Itch (1955, Billy Wilder)

A Star is Born (2018, Bradley Cooper)

You Were Never Really Here (2017, Lynne Ramsay)

Vampire’s Kiss (1988, Robert Bierman)

Gangs of Wasseypur—Part 1 (2012, Anurag Kashyap)

*Destroyer (2018, Karyn Kusama)

Gangs of Wasseypur—Part 2 (2012, Anurag Kashyap)

Under the Silver Lake (2018, David Robert Mitchell)

Night Moves (1975, Arthur Penn)

*Spider-Man: Into the Spider-Verse (2018, Bob Persichetti/Peter A Ramsey/Rodney Rothman)

The Thin Red Line (1998, Terrence Malick)

*Shogun Assassin (1980, Robert Houston/Kenji Misumi)

Secret Window (2004, David Koepp)

Gemini (2017, Aaron Katz)

Velvet Buzzsaw (2019, Dan Gilroy)

A Field in England (2013, Ben Wheatley)

Fyre: The Greatest Party That Never Happened (2019, Chris Smith)

Daisies (1966, Věra Chytilová)

The Devils (1971, Ken Russell)

Beyond the Black Rainbow (2010, Panos Cosmatos)

Bohemian Rhapsody (2018, Bryan Singer)

Bye Bye Birdie (1963, George Sidney)

Body Heat (1981, Lawrence Kasdan)

Being There (1979, Hal Ashby)

Logan’s Run (1976, Michael Anderson)

Escape From Tomorrow (2013, Randy Moore)

The Double (2014, Richard Ayoade)

Days of Heaven (1978, Terrence Malick)

The Blackcoat’s Daughter (2015, Oz Perkins)

Submarine (2010, Richard Ayoade)

*The Wandering Earth (2019, Frant Gwo)

Abducted in Plain Sight (2017, Skye Borgman)

The Thomas Crown Affair (1968, Norman Jewison)

Certain Women (2016, Kelly Reichardt)

Green Book (2018, Peter Farrelly)

Cold War (2018, Pawel Pawlikowski)

*The Boxer’s Omen (1983, Kuei Chih-Hung)

Vox Lux (2018, Brady Corbett)

A Most Violent Year (2014, JC Chandor)

Leaving Neverland (2019, Dan Reed)

Barbarella: Queen of the Galaxy (1968, Roger Vadim)

The Clovehitch Killer (2018, Duncan Skiles)

The Wicker Man (1973, Robin Hardy)

Jubilee (1978, Derek Jarman)

Blithe Spirit (1945, David Lean)

Burning (2018, Lee Chang-Dong)

Starchaser: The Legend of Orin (1985, Steven Hahn)

First Man (2018, Damien Chazelle)

*Us (2019, Jordan Peele)

Re-Animator (1985, Stuart Gordon)

The Dirt (2019, Jeff Tremaine)

Brokeback Mountain (2005, Ang Lee)

All That Heaven Allows (1955, Douglas Sirk)

The Blues Brothers (1980, John Landis)

Unfaithfully Yours (1948, Preston Sturges)

Hustle & Flow (2005, Craig Brewer)

Yojimbo (1961, Akira Kurosawa)

The Detective (1968, Gordon Douglas)

Support the Girls (2018, Andrew Bujalski)

The Age of Innocence (1993, Martin Scorsese)

Boys Don’t Cry (1999, Kimberly Peirce)

Eyes of Laura Mars (1978, Irvin Kershner)

*Long Day’s Journey Into Night (2019, Bi Gan)

Pet Sematary (1989, Mary Lambert)

*Avengers: Endgame (2019, Anthony & Joe Russo)

Fear (1996, James Foley)

Shivers (1976, David Cronenberg)

The Brood (1979, David Cronenberg)

Drowning by Numbers (1988, Peter Greenaway)

Like Someone in Love (2012, Abbas Kiarostami)

Society (1989, Brian Yuzna)

The Perfection (2019, Richard Shepard)

Lords of Chaos (2018, Jonas Åkerlund)

Perfect Blue (1997, Satoshi Kon)

Happy Death Day 2 U (2019, Christopher Landon)

The Dunwich Horror (1970, Daniel Haller)

Three Days of the Condor (1975, Sydney Pollack)

The Parallax View (1974, Alan J Pakula)

Klute (1971, Alan J Pakula)

The Day of the Jackal (1973, Fred Zinneman)

Play Misty for Me (1971, Clint Eastwood)

The Craft (1996, Andrew Fleming)

Charade (1963, Stanley Donen)

Her Smell (2019, Alex Ross Perry)

Gattaca (1997, Andrew Niccol)

Hackers (1995, Iain Softley)

The Paperboy (2012, Lee Daniels)

They Live (1988, John Carpenter)

*Midsommar (2019, Ari Aster)

A Murder of Crows (1999, Rowdy Herrington)

The Predator (2018, Shane Black)

*Once Upon a Time… in Hollywood (2019, Quentin Tarantino)

Bullitt (1968, Peter Yates)

Basic Instinct (1992, Paul Verhoeven)

The Da Vinci Code (2006, Ron Howard)

The Trip (1967, Roger Corman)

X: The Man with the X-Ray Eyes (1963, Roger Corman)

The Falcon and the Snowman (1985, John Schlesinger)

Inside Daisy Clover (1965, Robert Mulligan)

The Falls (1980, Peter Greenaway)

Cannibal Holocaust (1980, Ruggero Deodato)

Pokémon Detective Pikachu (2019, Rob Letterman)

War & Peace (1967, Sergei Bondarchuk)

A Zed and Two Noughts (1985, Peter Greenaway)

The Man with the Golden Arm (1955, Otto Preminger)

Maniac (1934, Dwain Esper)

Possession (1981, Andrzej Żuławski)

High Life (2018, Claire Denis)

Catch Me If You Can (2002, Steven Spielberg)

The Souvenir (2019, Joanna Hogg)

Gow the Killer (1931, Edward A Sailsbury)

Jurassic World: Fallen Kingdom (2018, JA Bayona)

Suicide Squad (2016, David Ayer)

Jaws of the Jungle (1936, Eddie Granemann)

*IT, Chapter Two (2019, Andy Muschietti)

Rocketman (2019, Dexter Fletcher)

Booksmart (2019, Olivia Wilde)

A Futile and Stupid Gesture (2018, David Wain)

Goodbye Lover (1998, Roland Joffé)

24 Hour Party People (2002, Michael Winterbottom)

Wild Women of Wongo (1958, James L Wolcott)

Body of Evidence (1993, Uli Edel)

Capricorn One (1978, Peter Hyams)

Identification of a Woman (1982, Michelangelo Antonioni)

Marihuana (1936, Dwain Esper)

*Ad Astra (2019, James Gray)

The Violent Years (1956, William Morgan)

Salvatore Giuliano (1962. Francesco Rosi)

Metropolis (2001, Rintaro)

Mom and Dad (1945, William Beaudine)

The Eye of Vichy (1993, Claude Chabrol)

Harper (1966, Jack Smight)

The House That Dripped Blood (1971, Peter Duffell)

The Fearless Vampire Killers (1967, Roman Polanski)

Plan 9 From Outer Space (1959, Edward D Wood Jr)

*Joker (2019, Todd Phillips)

Attack of the Crab Monsters (1956, Roger Corman)

Fracture (2007, Gregory Hoblit)

The Bedroom Window (1987, Curtis Hanson)

The Celluloid Closet (1995, Rob Epstein & Jeffrey Friedman)

Echoes in the Darkness (1987, Glenn Jordan)

No Way Out (1987, Roger Donaldson)

Pumpkinhead (1988, Stan Winston)

Corman’s World: Exploits of a Hollywood Rebel (2011, Alex Stapleton)

McLuhan’s Wake (2002, Kevin McMahon)

Taking Lives (2004, DJ Caruso)

Spine Tingler!: The William Castle Story (2009, Jeffrey Schwarz)

House on Haunted Hill (1959, William Castle)

The Tingler (1959, William Castle)

The Virgin Spring (1960, Ingmar Bergman)

Last House on the Left (1972, Wes Craven)

*Judy (2019, Rupert Goold)

Judgment at Nuremberg (1961, Stanley Kramer)

Cam (2018, Daniel Goldhaber)

Dolemite is My Name (2019, Craig Brewer)

Dolemite (1975, D’Urville Martin)

*The Lighthouse (2019, Robert Eggers)

The Defilers (1965, David F Friedman)

A Nightmare on Elm Street 2: Freddy’s Revenge (1985, Jack Sholder)

Paranormal Activity 2 (2010, Tod Williams)

Paranormal Activity 3 (2011, Henry Joost & Ariel Schulman)

Kill List (2011, Ben Wheatley)

Krull (1983, Peter Yates)

Ginger Snaps (2000, John Fawcett)

Blood Feast (1963, Herschell Gordon Lewis)

Primal Fear (1996, Gregory Hoblit)

The World of Apu (1959, Satyajit Ray)

Man of Steel (2013, Zack Snyder)

Superman: The Movie (1978, Richard Donner)

Coffy (1973, Jack Hill)

In the Shadow of the Moon (2019, Jim Mickle)

The Irishman (2019, Martin Scorsese)

Marriage Story (2019, Noah Baumbach)

Echo in the Canyon (2019, Andrew Slater)

Shock Corridor (1963, Samuel Fuller)

The Road to Wellville (1994, Alan Parker)

The Last Temptation of Christ (1988, Martin Scorsese)

*Knives Out (2019, Rian Johnson)

Howl (2010, Rob Epstien & Jeffrey Friedman)

Hustlers (2019, Lorene Scafaria)

Late Night (2019, Nisha Ganatra)

Reefer Madness (2005, Andy Fickman)

Soapdish (1991, Michael Hoffman)

Happy Together (1997, Wong Kar-Wai)

The Cloud-Capped Star (1960, Ritwik Ghatak)

Jodorowsky’s Dune (2013, Frank Pavich)

Thief (1981, Michael Mann)

Detour (1945, Edgar G Ulmer)

The Bank Dick (1940, Edward F Cline)

Blinded by the Light (2019, Gurinder Chadha)

#movies #personal #lists

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rebelcorbett-blog · 5 years ago

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Rebel was an amazing cat who lived for 17 years. He was normally very healthy and always had a lot of energy even though he had a very calm demeanor. He came into the Corbett household in 2002 as a kitten, and lived with his best friend Scratches. Rebel was there for the Corbett’s through a lot of hard times. Always a supportive cat who had a lot of love and just wanted some pasta and whipped cream in return. This November he went over on the rainbow bridge but his legacy will last forever. Rebel was one of the most memorable cats anyone has ever met, and this Tumblr is dedicated to memories of him. We love you Rebel, always.

#rest in peace #housecat #cute pets #domestic cat #memories #memorial

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blogquantum493 · 3 years ago

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godaddywebsitebuilder285 · 4 years ago

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Figure It Out

Color is, without a doubt, the visual element most often misunderstood and misused.

As mentioned earlier, when designing visual representations, color is often the first visual encoding that people use. It’s also quite limited to about a dozen, distinguishable colors. It’s a potent visual element, but one fraught with accessibility and perceptual problems. A general rule of thumb: Save color for things you want to draw people’s attention to. Start with grayscale representations. Add in color only later, where it might be really, really useful. That’s it. We can move along.

Except…

We need to dispel some popular beliefs about colors, beliefs that are often held up as truth, when, in fact, this is not the case. What’s presented in this short chapter is more foundational knowledge than tips for immediate application. But also, this understanding of color is—we found in retrospect—a powerful lens for understanding the concepts shared throughout this book. We see in our exploration of color this pattern: while many of the absolutes we cling to are social constructs (varying across cultures and over time), behind these changing constructs we also find some universal human constants.

How Many Colors Are in the Rainbow?

Let’s begin by unpacking the statement above, suggesting that we only see about a dozen colors. Actually, the human eye can perceive many more colors, perhaps a million or so. Of this million, it’s estimated that each of us—individually—can distinguish somewhere between 130 to 300 colors.[1] But within a cultural group, we can only share about a dozen such colors. These limitations have little to do with personal visual acuity, but rather with language: a group’s ability to see and perceive a specific color is determined by language. Do we—as a society—share the same named color value associations?

We can talk about something being “red” and feel confident in what we all see. From both a developmental perspective and an anthropological perspective, red is the first color (after white and black) that most cultures are aware of. But if I describe something as magenta, do we have a shared agreement as to what that named concept refers to? Perhaps you see hot pink where I see a vibrant, purply-reddish color? Another example of this language-color dependency: the Russian language has a specific word for the color that we (English speakers) perceive as light blue.

To put this shared vocabulary into perspective, let’s start with something that is constant and beyond our language: the visible spectrum of light that is a rainbow.

When Colors Are Constant

Around the world, the meteorological phenomenon we describe as a rainbow is a constant thing. Light refracts across water droplets to create a spectrum visible to humans. What we see as colors are the wavelengths of light visible to the human eye (see Figure 8.1). On either end of this visible spectrum are ultraviolet and infrared waves, which while invisible to human eyes, we know they are visible—that is, seen—by cameras and some nonhuman creatures (cats can see certain infrared frequencies, for example). Beyond this visible spectrum, we have things like gamma rays, X-rays, and radio waves, which all make up the entire spectrum of white light from the sun.

Figure 8.1 The visible light spectrum is a small part of the broader electromagnetic spectrum. Starting from this perspective helps us recognize the subjectivity of what is “seen” and how this might vary with different creatures and devices.

But let’s stay focused on the portion of this light spectrum that is visible to humans, the part that allows us to see. Within this spectrum, the rainbow possesses millions of color combinations, as there are no clearly defined boundaries between the colors.

Why then, should diverse cultures over thousands of years arrive at the same set of color language definitions? Are colors an absolute thing? Not exactly.

The Subjectivity of Color Identification

Consider “ROYGBIV,” which is the acronym we all learned to name the colors of the rainbow. How did we conclude, at least in Western cultures, that a rainbow has seven colors? Why not five, or six, or eleven? We have Sir Isaac Newton to thank for this.

These seven colors—red, orange, yellow, green, blue, indigo, and violet—were not the result of any serious scientific inquiry. Rather, Newton was fond of the number seven. Just as there are seven musical notes in a scale, Newton believed that colors should follow a similar pattern. He might have connected this with seven days in the week or the seven known planets (at the time) in our universe. In other words, ROYGBIV was an arbitrary choice based on mystical superstition.

Understanding how we arrived at these seven colors sheds light on the subjective nature of color identification. This may also explain a bit about the challenge that so many people have with indigo—that odd color that sits somewhere between blue and violet—as a separate color!

But here is where we have to be careful, as we are stepping into a decades old debate: Do the number of basic color terms and the location of color category boundaries vary across languages? Or might there be a universal pattern to the color naming systems of all cultures?

This Wikipedia entry sums up the debate rather nicely:

There are two formal sides to the color debate, the universalist and the relativist. The universalist side claims that the biology of all human beings is all the same, so the development of color terminology has absolute universal constraints. The relativist side claims that the variability of color terms cross-linguistically (from language to language) points to more culture-specific phenomena. Because color exhibits both biological and linguistic aspects, it has become a deeply studied domain that addresses the relationship between language and thought. [2]

An Argument for Relative Linguistics

We can characterize what Newton did as imposing an arbitrary number of colors upon the color spectrum. And we might conclude the same thing has happened throughout history as different people groups formed words to describe the world around them.

Indeed, various studies of diverse cultures reveal that “although the physiological basis of color vision is essentially the same for all humans with normal trichromatic color vision, there is considerable diversity in the way that different languages segment the continuum of visible colors.”[3] In other words, the rainbow has no natural boundaries; how we slice it up into colors is a subjective thing that varies across different cultures and time. (See Figure 8.2 for an illustration of this concept.) From one research paper, we learned that “some languages have been reported to use as few as two terms to describe all visible colors (Rosch Heider, 1972). Others have been reported to use between three and eleven (Berlin & Kay, 1969), while some (e.g., Russian; Davies and Corbett, 1997) may have twelve.”[4]

Specific examples in support of this argument:

In Russian culture, there is no generic concept of blue. Rather, Russian makes an obligatory distinction between lighter blues (goluboy) and darker blues (siniy).

The Japanese language (before the modern period) had just one word, Ao, for both blue and green. It wouldn’t be until the year 1,000 that the word midori would be introduced to distinguish a greenish shade of blue

The Himba tribe from Namibia recognizes five basic colors.

The Berinmo of Papua New Guinea has also reached a different conclusion as to the number of colors they recognize. While they draw no distinction between blue and green, they do “draw a distinction within what English speakers would consider yellow, with the word nol on one side and wor on the other.”

From this, we might conclude that the colors of the rainbow do seem to be arbitrary and dependent upon language. (Connect this with earlier points we made about thoughts and cognition as layers upon layers of prior associations.)

Figure 8.2 This comic from Randall Munroe of xkcd nicely illustrates the subjectivity of the shared color language for English speakers.[5]

But surely, you may be thinking, color identification isn’t entirely subjective? Here’s where the research gets interesting: despite these regional differences, a fascinating and consistent pattern begins to emerge.

An Argument for the Universal

In the late 1960s, after studying color terms across many different languages, researchers Berlin and Kay introduced the idea that there were eleven possible basic color categories: white, black, red, green, yellow, blue, brown, purple, pink, orange, and gray. They argued a universalist theory: that color cognition is an innate, physiological process rather than a cultural one.

While their research has been challenged on different grounds, what has since followed is some agreement that for all noted language differences, there is a fixed order in which color names arise. The ways in which color language evolves across cultures suggest maybe there is a universal pattern governing the direction of patterns in the evolution of colors. All cultures start with the ability to distinguish dark things from light things. This is followed by the recognition of red. After that, it might be the addition of yellow or green. And blue always seems to come last. Not every language follows the exact same path, but they adhere to this same general pattern.

While the broader debate is not necessarily concluded, the general consensus seems to be that “in color, relativism appears to overlay a universalist foundation.”

Why All the Fuss over Color?

While this is certainly fascinating, how is this useful? We include this as a mirror to challenge assumptions. If we turn a critical eye to the commonly accepted color wheel, this was likely influenced by Newton’s original color wheel sketch. But is this the “right” way to think about colors? Primary colors combine to make secondary colors, which in turn allow us to describe tertiary colors. We learn this from an early age and accept this way of thinking about color as absolute. But this is just one frame. This is just a way of thinking about visible light. And this singular perspective has limitations, especially when used in medical, scientific, and engineering visualizations. Research papers such as “Rainbow Color Map (Still) Considered Harmful”[6] question the value of the rainbow color spectrum in data visualization applications. The point is simple: there are other ways we might think about color. We can look at alternatives such as perceptually ordered color spectrums, an isoluminant color map, or simply use representations of color that aren’t derived from a wheel. Tools such as ColorBrewer 2.0[7] or the NASA Ames Color Tool[8] are incredibly useful for choosing a palette more suitable for visualizing data.

Since this book is concerned with how human creatures understand information, and because we so often use color to clarify, we felt it worth calling out that color and color recognition are not necessarily universal things, but are dependent on cognition, language, and biology. Understanding this allows us to challenge common assumptions about what is “true” about color and perception.

Which leads us to…

Color, Cultures, and Universal Associations

Red means stop. Green means go. These concepts are universal, right? Not so fast. Across cultures, colors do not necessarily convey the same concept. And where we may have the same ability to identify a color, the associated meaning is just that—a learned association. Concluding that red means passion, vitality, or energy, because blood and fire are red things is not a universal idea. Neither is associating green with growth, just because nature involves so much green. (In some Chinese cultures, green can be associated with death.) At this point, please throw away those blog posts and posters about colors to choose for different cultures. While we’re keen to seek out human universals, color has proven to be something that does not have consistent meaning across cultures, or even within a culture group. Rather, the concepts we associate with particular colors are highly contextual and local, not just to a particular culture, but sometimes to smaller social groups. The meanings we point to—blue as a safe, corporate color, for example—are highly generalized assumptions, highly contextual, and mostly learned associations.

The Color Purple

Let’s take purple, as an example. For many centuries, purple dye was expensive and rare. Procuring purple dye was labor intensive and required collecting a secretion from sea snails. Historian David Jacoby remarked that “twelve thousand snails of Murex brandaris yield no more than 1.4 g of pure dye, enough to colour only the trim of a single garment.”[9] As a result of this laborious process, the high cost of producing purple clothing made this color a status symbol among kings, queens, and other rulers. If you could afford to wear purple, you were quite wealthy. The conceptual association then is one of scarcity (in this case of a particular dye), signaling something to be valued above other things. While we may still see the lingering effects of this history (the Purple Heart is among the highest honors awarded for U.S. military service), the constraint of purple as a scarce color is no longer true. As such, this color is able to take on new meanings.

“Pink Is for Girls, Blue Is for Boys”

To put this into perspective, let’s investigate the idea that “pink is for girls, blue is for boys.” From clothing choices to marketing toys to how we decorate bedrooms, most of us grow up believing there’s some inherent gender association built into the colors pink and blue. But, were we to travel back in time—just over 100 years—we’d find no such distinction. Or we might find the opposite association.

According to University of Maryland historian Jo B. Paoletti, author of Pink and Blue: Telling the Girls from the Boys in America, pink and blue weren't always gender-specific colors. For centuries, young children mostly wore a functional white dress, and then in the early 20th century, things began to change. Consider this quote, pulled from the June 1918 issue of Earnshaw's Infants’ Department, a trade publication:

The generally accepted rule is pink for the boys, and blue for the girls. The reason is that pink, being a more decided and stronger color, is more suitable for the boy, while blue, which is more delicate and dainty, is prettier for the girl.

A Smithsonian review of Paoletti’s book,[10] goes on to add:

Other sources said blue was flattering for blonds, pink for brunettes; or blue was for blue-eyed babies, pink for brown-eyed babies, according to Paoletti.

In 1927, Time magazine printed a chart showing sex-appropriate colors for girls and boys according to leading U.S. stores. In Boston, Filene's told parents to dress boys in pink. So did Best & Co. in New York City, Halle's in Cleveland, and Marshall Field in Chicago.

By the 1940s, this association had flipped. Manufacturers had settled on pink for girls and blue for boys (see Figure 8.3 as an example of this association). Baby Boomers were raised with wearing the two colors. The point of this narrative? Color associations are learned things and can change over time. Even something as seemingly strong as the pink/blue binary was a manufactured association. To be clear, this doesn’t mean a color association is any less powerful in the moment, at a particular point in history, but these color associations do not represent any universal truths.

Figure 8.3 - The “blue is for boys and pink is for girls” concept was a manufactured one, originating in the first half of the 20th century.

Accordingly, it’s good to be wary of generalizations such as “blue is a safe, corporate color.” In the case of corporate associations, one generation’s “safe” may—depending on the media and actions—signal stuffy, inauthentic, or distrustful to the next generation. It all depends on the learned associations embraced—for a time—by a particular culture.

Not All Colors Are Created Equal

We tend to treat our color palettes like interchangeable parts. Just pick a color. Or pick some colors we all find pleasing. Consider how many of us use the default color palettes built into software tools like Excel or PowerPoint. We usually choose a pleasing color palette, with the sentiment being “as long as you can distinguish one color from another, it’s okay, right?”

Not exactly. Not all colors are created equal. In terms of visual perception, some colors jump out at you while others recede into the background (see Figure 8.4). This is because of variances in hue and saturation.

Figure 8.4 The range of colors perceived by humans is uneven. (Equiluminant colors from the NASA Ames Color Tool)

A very bright color is going to draw more visual attention than a more desaturated color. This makes sense if we consider how things farther away from us tend to be hazier and desaturated. If something in the distance is noticed, it’s likely because it’s moving or contrasts with the surroundings.

This same disparity applies to color hues. We tend to look at color charts like this one and assume that the extreme ends of red, green, and blue are on equal footing.

However, because of the wavelengths of these colors and how our eyes perceive color, we see green as brighter than red, which itself is brighter than blue.

How Is This Knowledge Useful?

While it’s nice to think that precise color values are interchangeable (setting aside any cultural associations), your perception doesn’t work that way. In the same way that certain frequencies on the radio come in clearer than others, certain colors do the same. You need to account for, or at least consider, the unevenness of color perception.

In the example in Figure 8.5, you see the same eight-segment pie chart. The example on the right uses all high-saturation colors while the example on the left mixes high- and low- saturation colors.

Figure 8.5 Two pie charts showing identical information. The chart on the left uses colors of mixed saturation, meaning some colors will naturally stand out more than others, making this an uneven representation.

Functionally, these both communicate the same thing. But consider how you perceive each. With the example on the right, use of high saturation is consistent; no color should be more prominent than another. But when you mix high and low saturation, as with the example on the left, the higher saturation colors tend to “pop” more—drawing you to these segments. While this chart is more aesthetically pleasing (as it uses half as many colors), it’s also a bit misleading—notice how your eye is drawn to the orange segment in the upper right. The lesson? Assuming the goal is objectivity and truthfulness, you’d want to avoid mixing saturations and hues that are unevenly perceived. If the goal were the opposite, to draw attention away from or toward a particular bit of data, you could manipulate perception by adjusting saturation and hue (not that this is being recommended!). This ability to direct attention by using bolder colors is something that everyone should be aware of and intentional about.

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architectnews · 4 years ago

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Nicolas Pople Architects creates vaulted CLT church in Stroud

Nicolas Pople Architects has created a facetted cross-laminated timber chapel for a church in the town of Stroud in southwest England.

Built for the Christian Community in Stroud, the timber chapel was made from a combination of cross-laminated timber (CLT) panels and glue-laminated (glulam) structural beams.

Nicolas Pople Architects worked with structural engineer Corbett Tasker to create the facetted CLT structure, which was designed to invoke the feeling of a contemporary gothic cathedral.

Nicolas Pople Architects has created a vaulted CLT church in Stroud

"We wanted to create a contemporary, well-crafted sacred space, inspired by the great medieval gothic cathedral and church builders in a way which isn't noticeably of a particular style or religious group," explained Peter Corbett, co-founder of Corbett Tasker.

"It's a space where the structure is honestly expressed without being visually distracting. In the words of Aaron Mirkin – priest at the Stroud chapel – it is 'uplifting but not overwhelming'," he told Dezeen.

The interior is made from facetted CLT panels

Within the main chapel, the walls and roof are made from angled slabs of exposed structural CLT.

The architecture studio wanted to create a space with interesting geometries, but one that had clean lines and did not distract from the Christian Community services that take place.

The chapel has an exposed CLT roof

"The space should not be the focus of attention: the ritual is what matters," said Nicolas Pople Architects founder Nicolas Pople.

"From a design point of view this requires a balancing act between static and dynamic, and careful attention to detail so that paradoxically, it does not draw the eye."

It has facetted timber walls

The design team chose to build the structure from CLT as it allowed them to reinterpret the stone, curved vaults of gothic cathedrals in a contemporary way with a sustainable material.

"Fundamentally CLT allowed the design team to create a beautifully crafted space using complex geometry whilst significantly de-risking the construction phase – it is not feasible to build cathedrals like the gothic masons did!" said Corbett.

"There are also strong ethical reasons for choosing to build in timber, the only truly sustainable material and the natural choice for a forward-thinking church community."

The CLT was used to create a vault-like structure

The architecture studio and engineer aimed to push the possibilities of CLT construction and created a facetted timber vault from CLT, which was supported by glulam beams.

"Very often CLT structures are built with horizontal slabs supported on vertical walls, or a grid of orthogonal beams and columns," explained Corbett.

"Here, in perhaps a first in this country, we used the panels to create a timber vault, where compression forces dominate over bending forces, creating an 18-metre spanning arch from altar to congregation and using a 'folded plate' technique to give additional structural stiffness."

The main chapel is wrapped in single-storey rooms

The chapel was built on the site of the church's former community hall and other facilities, which were demolished, at a 90-degree angle to the previous chapel that has been converted into a community room.

Wrapping around the double-height main hall is a single-storey structure that contains the church's entrance hall, office, cloakroom, toilets, a wake room and the vestry.

The church isfinished in white render

The walls of the timber structure are covered in white render, while cedar shingles were used on the chapel's roof and a green roof was installed on the flat roofs of the surrounding rooms.

German studio Architektur3 also used timber for a triangular tower and public viewpoint that was added to a church in the Black Forest, while TSDS Interior Architects built a church entirely from wood on a rubber plantation in Indonesia.

Other recently completed churches on Dezeen include a circular church in Brno that is topped with a panoramic, rainbow-hued window and a porcelain-clad church designed by Espen Surnevik in Norway.

Photography is by Fernando Manoso Borgas.

Project credits:

Architect: Nicolas Pople Architects - Nic Pople, Serena Evans, Muneeb Ali Khan, George Sinclair and Sophie Woodhatch Project manager: Local Agenda – Geoff Haslam, Sarah Udo-Affia Structural engineers Corbett Tasker – David Tasker, Peter Corbett and Tom Bignell M&E consultant: Hydrock – Josh Bullard and Jack Gorman Acoustic consultant: Mach Acoustics – Max Reynolds Quantity surveyor: Gardiner and Theobald – Jack Jones and Michael Moss Drainage consultant: Clive Onions CLT manufacturer: Zublin – Daniel Kreissig Contractor: Beard – Sean Franks (contract manager) and Tim Alloway (site manager)

The post Nicolas Pople Architects creates vaulted CLT church in Stroud appeared first on Dezeen.

#Architecture – Dezeen

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somediyprojects · 2 years ago

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Lilac stitched by AlenaBy. Pattern from the Pixie Couture: Spring Garden Party Collection by Nora Corbett.

“Lilac (NC 130) by Nora Corbett. I’ve stitched her in 28 days.

It’s stitched with Silk floss from Rainbow Gallery with petit point stitch (or it also called continental stitch). It’s a great technique to use to emphasize the details or skin. I used Krenik and DMC Light Effects floss for wings.”

#cross stitch #inspo #x #nc #nora corbett

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lilyyiphotography · 4 years ago

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LEGO photographer #2 - Shelly Corbett

Shelly Corbett is the first female toy photographer that I came across. Her choice of toy is also lego minifigures although her characters are different to Daniels. She mainly uses animals or has her lego characters dressed in animal costumes. Her photographs are also very fun and not as serious as the other photographers. From her photographs I can tell that she has fun posing the lego figures and capturing different stories. Her profile is found on Instagram. She is not only a toy photographer she is also the founder of another Instagram account that focuses on toy photography only and like to showcase other toy photographer’s work. ( https://www.instagram.com/shellycorbettphotography/ )

As you can see with her images, her style is very different compared to Daniels. Where Daniels style is clean and bright with little use of colour, Shellys style is quite the opposite. In her photographs the backgrounds are all very bright, some with a lot of colours going on. Sometimes the background does feel a little bit too much and strays the eyes away from the lego like in fourth image. But I chose these images not because of her colourful style but because the lens she uses is very different and unique. They allow her to get close to the lego figure capturing the details but the corners and the background are all ey blurred out making it hard to see the details or see the environment. There us also a lot of bokeh in the background giving the images a iridescent kind of look and feel. Each of her images also produces a quirky story behind the surroundings that she chooses to place her figures on fits with the theme even with the unicorn lego character swinging. The background of that image is so colourful which is normally what you would find associated with unicorns, therefore her use of rainbow colours isn’t random choice but instead its chosen specifically because the character is a unicorn.

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suzanneshannon · 5 years ago

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Figure It Out

Color is, without a doubt, the visual element most often misunderstood and misused.

Except…

How Many Colors Are in the Rainbow?

To put this shared vocabulary into perspective, let’s start with something that is constant and beyond our language: the visible spectrum of light that is a rainbow.

When Colors Are Constant

Why then, should diverse cultures over thousands of years arrive at the same set of color language definitions? Are colors an absolute thing? Not exactly.

The Subjectivity of Color Identification

This Wikipedia entry sums up the debate rather nicely:

An Argument for Relative Linguistics

Specific examples in support of this argument:

In Russian culture, there is no generic concept of blue. Rather, Russian makes an obligatory distinction between lighter blues (goluboy) and darker blues (siniy).

The Himba tribe from Namibia recognizes five basic colors.

Figure 8.2 This comic from Randall Munroe of xkcd nicely illustrates the subjectivity of the shared color language for English speakers.[5]

An Argument for the Universal

While the broader debate is not necessarily concluded, the general consensus seems to be that “in color, relativism appears to overlay a universalist foundation.”

Why All the Fuss over Color?

Which leads us to…

Color, Cultures, and Universal Associations

The Color Purple

“Pink Is for Girls, Blue Is for Boys”

A Smithsonian review of Paoletti’s book,[10] goes on to add:

Other sources said blue was flattering for blonds, pink for brunettes; or blue was for blue-eyed babies, pink for brown-eyed babies, according to Paoletti.

Figure 8.3 - The “blue is for boys and pink is for girls” concept was a manufactured one, originating in the first half of the 20th century.

Not All Colors Are Created Equal

Figure 8.4 The range of colors perceived by humans is uneven. (Equiluminant colors from the NASA Ames Color Tool)

This same disparity applies to color hues. We tend to look at color charts like this one and assume that the extreme ends of red, green, and blue are on equal footing.

However, because of the wavelengths of these colors and how our eyes perceive color, we see green as brighter than red, which itself is brighter than blue.

How Is This Knowledge Useful?

In the example in Figure 8.5, you see the same eight-segment pie chart. The example on the right uses all high-saturation colors while the example on the left mixes high- and low- saturation colors.

Figure It Out published first on https://deskbysnafu.tumblr.com/

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sweetlifetownsville · 6 years ago

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Taking Double Dipping To An Art Form: Are Townsville Airport Owners QAL Asking Us To Pay TWICE for their airport upgrade?

Its a genuine question now that the Townsville Airport has somehow managed to wangle a $50million low interest loan from the Northern Australia Infrastructure Fund (NAIF) for the terminal upgrade. You decide if youre being had. Also this week, try and blame this on evaporation the much-ballyhooed Strand lagoon on the Strand is reported to be a dead duck. And nothing to do with the floods The Pie hears this unicorn project from a financially wobbly council was scuttled mid-last year. And seems one TCC councillor will be calling it quits at the next election. And the council offers it;s own classic Whos on first comedy routine when asked a simple question by a ratepayer. And an unmistakable message to ISIS maniacs who now want to return home. But first Why Outsiders See Some Queenslanders As Special as in safety helmet and crayons special. One moment their a dangerous pest that should be culled, and the next well The good folks of Cardwell are mourning the loss of Bismarck, the reputedly 100 year old croc that has patrolled Cardwells off-shore water front for years, keeping other more aggressive animals out of his territory. Understandably, the locals loved Bismarck albeit from a sensible distance, were outraged when some knuckle-dragging drongo used the old croc for target practice.

Now, in the best tradition of what is known as recreational grief in a town where there isnt ever a lot to do, a memorial dayis plannedBismarck which may eventually result in a more tangible reminder. At least, according to Bentley.

An interesting, quirky story, but not as quirky as the Astonishers usual grasp of basic maths , the numbers thingy has brought them undone again. Magpies Nest regular commenter Peewee Herman didnt miss them when he sent this in: Peewee Herman Submitted on2019/03/05 at 8:31 am Iconic crocodile? Page 7 of todays papers has a story with the headline Iconic saltie feared killed that starts THERE are fears an iconic North Queensland saltwater crocodile has been shot and killed. It then goes on to quote a police officer Sgt Gillinder said police were yet to determine if the 4.5m crocodile had been shot, died of natural causes or been killed by a rival. Okay, so its 4.5m long, weve established that quite easily thanks to the police who have also got no idea how it died. THEN we have this ripper par It is an offence under the Nature Conservation Act 1992 to take an estuarine crocodile without authority and there are greater penalties in place for the unlawful take of an iconic crocodile, defined as 5m or greater in length. The maximum penalty for the unlawful take of an iconic crocodile is $28,383.75. So hang on, weve got a 4.5m dead croc which clearly isnt iconic (because its not 5m or longer), we dont know how it died but we are subjected to more moronic garbage from the Astonisher who dont seem to have a single clue even when its spelled out in THEIR OWN STORY! As The Pie has said elsewhere, it would seem the papers continual incorrect overuse of the word iconic is now iconic of the Bulletins sloppy stupidity. What Townsville Today Can Learn From Chicago Then Back early last century, world heavyweight champ James J Corbett had to endure the downside of the fame his sport brought. Every barroom brawler in America would try to pick a fight with him, to either have a shot at being able to brag they decked the former world champ, or just boast down the years about the time Corbett decked them.

Boxer James Corbett Corbett generally avoided such confrontations, more often than not with good humour. On one occasion, in a Chicago bar, one bantam weight challenger, a small, wiry guy who boasted he was faster and quicker than the champ because he had won several amateur lightweight titles, persisted in taunting Corbett, up to and including dancing up besides the big several times, and throwing real punches into his arm and body. Corbett stoically ignored the pest, but finally, beer in hand, he turned to face his tormentor, and told him If you hit me one more time Id better not find out about it, or youre in trouble. The Pie was put in mind of this when reading about a non-existent stoush between Qantas and the rapacious grasping efforts of Queensland Airports Limited to impose a ticket tax so passengers fund work that will benefit the companys bottom line.

Iditor Jenna Cairney is what we kids knew in playgrounds as a promoter, a third party urging two others to have a fight. Qantas has been and remains James J Corbett in this updated scenario, imperiously swatting away would-be barroom pests like QAL boss Chris Mills, the gormless and mostly irrelevant QAL office boy in Townsville Kevin Gill and our own dear Mayor Mullet, who caused great mirth in Qantas HQ and deep embarrassment in this city by calling for a boycott because Qantas wouldnt agree to tax her citizens and visitors to her city with a ticket tax (an issue with which she as mayor had no business shit stirring about, and shouldve vehemently opposed). But her gal pal forever willing to don the jesters motley and belled cap, Jenna Cairney is again trying to talk up faux controversy in the hope of sales and good favour from the power elite. But its instructive to take a look at QALs other development in its network, the $380million expansion of its Gold Coast Airport. Theyve just signed a deal with Lendlease for the whizz bang upgrade, a very well worthwhile project for the premier tourist strip.

And taking a look at crucial aspects of this project is very informative, in relation to the aspirations for their Townsville Airport. The Gold Coast operation is in a competitive arena, vying with Brisbane for passengers, and therefore needs to upgrade to boost their through-put. Townsville is not in competition with anyone, it is a monopoly in a vastly smaller market and is already subsidized to an extent by public money, in the form of a deal with the RAAF.It appears to be in QALs DNA to get any enhancement to their assets bottom line to be paid by the public, and they make no bones about it. This from a QAL question and answer release about the Goldie project: Who will pay for the project? Will Gold Coast Airport passengers pay more as a result? When Project LIFT is approved by the Australian Government and proceeds to construction, the project will be undertaken by GCAPL in its role as specialist operator. As with any major development, GCAPL as the proponent will seek to recover the costs of the development over its operational life. We will do this through revenue from commercial developments on the Airport as well as Airport charges. And, according to QAL boss Mills, this is the formula they want to apply to the vastly different case for Townsville. But allow The Magpie, no accountant he by any means, ask this: If we, as taxpayers, have already lent QAL the bulk of this money through the recently announced $50million NAIF low interest loan, why does the company think it is OK to charge US to pay back what WE have loaned THEM? As Dame Edna says, Spooky, eh, possums? Note That QAL Head Honcho Is Now On The Scene Maybe Gill Is Being Sidelined. But asking questions like this is going to have Kevin Rhymes With Gill wringing his hanky in knocked-kneed dismay. Last year, he had a public sniffle which was clearly heaping hot coals on the Magpies blameless head when he told BD Magazine: The toxic cycle of social media and those feeding off it are harming our city. Those types of people are just negative, theyre not representative of Townsville. They may look representative because its so easy and its anonymous, but we need to switch off to that. Reasonable complaints and feedback is fine, but this horrid stuff is too toxic to let in. Harming our city? Oh, Kevvy this self-serving tosh from a man who wont answer a straight question about the upgrade when faced with a list of queries n the ticket tax upgrade from former journo Doug Kingston, Gill wanted a closed door meeting to discuss them. Doug said no, he wanted the answers out in public. No meeting open or otherwise ever happened. But look, maybe The Pie should dial down the rhetoric a bit, he has been chastised by one reader for rushing to criticise Mr Gill. Perhaps a more conciliatory, philosophical approach is called for, so

A Footnote Interesting to note one of the NAIF board members is this bloke

Not surprising that Mr Rolfe is kindly disposed towards airports he is also a board member of NQ Airports, which owns Cairns and Mackay. Wonder why he has a soft spot for Townsville Airport, though, since the $55million Cairns airport upgrade currently underway will be fully funded by NQ Airports! And their PR people tell The Pie no ticket tax is even contemplated, let alone a NAIF loan. How do they do it? The Unicorn Rainbow Fart Of The Week. As we know, a mirage is an optical illusion of atmospheric conditions, especially the appearance of a sheet of water caused by the refraction of light by heated air. Water? Illusion? Hot air? No description is more fitting for the unicorn rainbow fart of a 10 hectare lagoon for the Strand.

Even the artists impression in the Bulletin at the time was lifted from a Cairns project. Of all the things that this town needs to be realized, this shiny beads and blankets offering to the electorates natives was perhaps the most egregious. It seemed unlikely from the outset, and now seems to have been quietly dropped from Mayor Mullets regular mewlings. Perhaps this is why. The Pie understands that a prominent citizen (a genuine leading citizen, who employs many people and invests his own money in this town) decided to put an apartment in Mariners North on the market. But in the middle of last year, he withdrew it because the Strand lagoon proposal suddenly came out of nowhere. He figured such a scheme would add considerable value to the property if he sat tight for a while. However, when he made some further high level inquiries hes the sort of bloke who has this level of access and quickly learned that the proposal was largely bullshit, he promptly put the property back on the market and sold it a month later, about August last year. So keep this timeline in mind if Mayor Mullet or any of her pack of urgers tries to tell you that the lagoon project has been delayed/abandoned because of the January flood the lagoon was long gone from the drawing board before Jenny managed to create her own temporary lagoon and canal estates out of several usually dry suburbs. Then There Were Nine

Did you notice that Clr Murray Soars sounded a tad exasperated with the high-handed state governments jack-booting decision to plonk a five storey up-market flop-house for young people in the middle of Aikenvale.? Soars told the Bulletin he had delivered a letter from the mayor to the member for Brisbane who lives in Mundingburra Coralee ORort, objecting to the planned project. Neat move by the old Mullet, no dill she, because it makes it look like shes championing the locals but since she doesnt have a real say in a state matter, she chumship with Premier Alphabet will not be dented. A sorry Soars told the Astonisher: We [on Thursday] presented [Mundingburra MP] Coralee ORourke with a letter signed by the Mayor objecting to this structure in its format that theyre suggesting, he said. Essentially no councillor was advised of this program. We are a toothless tiger unfortunately, its just the way the Act is written. Not that Maurie gives much of a toss anyway, word is that he will bail before March next year, having done his bit as a desperate lasted minute inclusion drafted onto Team Mullet, when Jenny has been rebuffed by a number of other choices asked to plug the vacant team spot. But when you resign Maury, whatever you do, dont shed any tears, otherwise you will forever be get the nickname Weeping which would be most unfortunate, Mr Soars, if you get my drift. Communication Breakdown: A Conversation With The Council Regular Nest correspondent The Wulguru Wonder was indeed left wondering during the week, after trying to tease out an answer to the simplest of questions from the TCCs open and transparent media people. The WW was a bit confused by this TCC media release during the week. Townsville Mayor Jenny Hill has welcomed the announcement of $1.96 million in Federal funding for the Castle Hill Concept Plan as part of Townsville 2020 vision for our city. Id like to thank the Federal Government for their funding commitment for the Castle Hill Concept Plan, Cr Hill said. The Castle Hill Concept Plan includes a vivid-style light show installation, a caf at the summit, a zipline and a pedestrian connection to Walker Street. The Castle Hill project is a key part of the Townsville 2020 Master Plan and vision for our city, Cr Hill said. The Wulguru Wonder thought this a bit ambiguous; was the money was for the concept plan, or for the actual elements mentioned in the plan (ziplines, food trucks, a footpath to the top from CBD). He decided to make a polite inquiry of the council, and enjoyed this chat for his trouble.

laurel a If you think the Townsville Council sometimes acts like the Mafia, there is one big difference the council makes you an offer you cant understand. Speaking Of Which .. A most enlightening comment sent in today from Mark Harvey, a former pooh-bah in the councils water area. Mark wrote: The Water Supply (S&R) Act is the head of power for TCC to apply a water restriction. S41 details that the only time a restriction can be applied is: Urgent need (ie something broke); if the available water supply has fallen to such a level that unrestricted use is not in the best public interest (40% in RRD in the current policy); or if the restriction is an essential part of a comprehensive demand management strategy. This is why the 2015 restriction policy did away with the old permanent Level 1 restriction it was illegal. The intention at the time was that when restrictions were lifted we would go to Permanent Water Saving Measures simple non-mandatory ways of saving water: do not water during the heat of the day and you do not need to water more than 3 times per week. Following odds and evens is sensible if everyone waters on the same day you get a drop in water pressure, and it gives the system operators a low demand Monday during which major works are conducted. So now the dam is full and we have Water Conservation Measures which according to the Council resolution are interim until the 3 point plan is implemented. Apparently good practice has an end date! The resolution makes no reference to restrictions at all. The summary does however state that the measures allow watering over 3 days on odds and evens. It is reasonable to assume that they do not allow watering at other times, and therefore constitute a restriction. This is also supported by the language in the promotional material, which would lead the average resident to believe that these are in fact a restriction. By the wording of the resolution, I do not believe that this was intended to be a legitimate restriction under the Act. I am sure it could be legally argued however that the language makes it a restriction even if it is not badged as one, and it could therefore be alleged that it is an illegal restriction. Any legal opinion out there? Miracles Yet Remain To Cease

Craig Gore has returned to face trial on multiple fraud charges. Many folk, including The Magpie, were skeptical when last December Gore was refused to allow to leave the country one day and the next, had his passport returned by the very same judge, allowing him to skedaddle forthwith to the bosom of his tax-evading missus in Sweden. The deal was that he return after three months to face trial on charges of swindling $800,000 from self-managed fund investors in 2013-14. We all thought that was going to be the start of Skase Redux, with the taxpayer facing a hefty legal bill for extradition proceedings. But no, our man hopped off his return flight as scheduled, and he appeared in court on time last Wednesday., where the judge set a trial date of September 23, with a pre-trial hearing on May 24. But in the past, Gore has proven to be smarter than the average outhouse rodent, and may have productively used his time in Sweden to work out a family move to a non-extradition country and then wheedle his way into another conjugal visit before the trial starts. Gore is a grub of such ego that jail time certainly does not suit his lifestyle, and he certainly has plenty stashed away. Hence the cynicism. A Note On Climate Change The debate on climate change goes on, and gets more confusing every day.

Taken 2 months ago in the US.

Vax-uous Thinking There is a big court case involving anti-vaccination nutters in NSW coming up shortly. These thoughtless anti-social twerps need to be sorted out before there is a really serious incident, especially among very young children.

This Week In Trumpistan And many an editorial pen is noticing the number of Democrats coming out of the woodwork, eager to get the presidential nomination to take on Trump. (The Pies money, purely from a betting standpoint, is Elizabeth Pochahontas Warren). And much is made of one who wont be running.

Even A Stopped Clock Is Right Twice A Day.

In Britain, this rather horsey looking individual is a rather unpleasant woman named Katie Hopkins has been the Pommy rights gift to the leftish outrage industry. a darling of the tabloids, she outlandishes Pauline Hanson, that Burston bloke and the ninny Fraser Anning rolled into one. But, as occasionally happens, this sort of person makes a point with which it is hard to disagree. And thus it was a homily applicable to Australia when Ms Hopkins sent a message to the stupid British teenager who ran off to join ISIS, got pregnant and now wanted to return home to have her baby and live a quiet life not as quiet an existence as many of those she was complicit in killing. Unfortunately, the baby died shortly after birth this weekend, but the girl still wants to be allowed to go back to Britain, which may prove an impossible, and unmerited change of heart Hopkins blunt message, dripping with understandable venom, rings true for those Aussie mental deficients to traipsed off to fight for ISIS. We Learn Something New Every Day and sometimes wish we didnt. An occasional miscellany. The band Steely Dan was named after Steely Dan 111 from Yokohama, an over-sized, steam-powered, strap-on dildo mentioned in the William S. Burroughs novel Naked Lunch. But of course, you knew that. . As you can see, everything from weak jokes to serious and worthwhile comment keep coming in to be published in the blog comments throughout the week its your platform, join in. And as always, a donation to support the Magpies Nest is always appreciated and always needed. The how to donate button is below. http://www.townsvillemagpie.com.au/double-dipping-to-an-art-form-are-townsville-airport-owners-qal-asking-us-to-pay-twice-for-their-airport-upgrade/

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