#Radford Studios

[srkshaju]

Tragedy on the Set of Marvel's "Wonder Man"

Tragedy struck the set of Marvel Studios' upcoming series "Wonder Man" on Tuesday as a crew member, identified as a rigger, died in an accident.

The incident occurred at Radford Studios in Los Angeles, while the crew was working on the set.

The victim's identity and details of the accident are currently under investigation by the California Division of Occupational Safety and Health (Cal/OSHA).

Marvel Studios released a statement expressing their deepest condolences to the family and friends of the deceased while pledging their full support to the investigation.

The International Alliance of Theatrical Stage Employees (IATSE), the union representing behind-the-scenes workers, also expressed their grief and offered support to the family and colleagues of the deceased.

They emphasized their commitment to safety on set and pledged cooperation with Cal/OSHA's investigation.

They also reminded members to call the IATSE Safety Hotline if they feel unsafe on set.

Filming for "Wonder Man" had begun but was paused due to the recent SAG-AFTRA strike.

Whether the accident will further impact the production schedule remains unclear.

Some sources indicate most filming was complete, with only minor pick-ups planned.

The series, starring Yahya Abdul-Mateen II, is directed by Destin Daniel Creton ("Shang-Chi and the Legend of the Ten Rings") and written by Andrew Guest ("Brooklyn Nine-Nine").

Ben Kingsley will reprise his role as Trevor Slattery from the Marvel Cinematic Universe.

This heartbreaking incident once again highlights the importance of safety on set.

Our thoughts and condolences are with the victim's loved ones and colleagues during this difficult time.

Read More

[idledearest]

SPOOKY MONTH DOODLE PILE!!

familiarizing myself with the art style bc im upset i havent made fanart for the series since the beginning and i inserted like.. 2 of my ocs cuz i wanted to see what they’d look like in spooky month. also yes, i love bob and i have the urge to make a self-insert/oc just to smooch him.. i cant help it LARGE SCARY MAN 😭💕

for now my persona has to deal with him.. 😞

skid and pump are my kids 💀🎃

[srpayt0n]

PART 2! Glad y'all like it the first edits! so here we are again and this time...you guys will be the first to see them <3

[sami-guinea-arts]

Art Trade with kippyips.art on Instagram!

I still learning to draw thick characters like Rick so please pardon me giving him beef... xd

Rick being depressed is a real mood and he deserves the world, I just want him to smile for once. :(

[oldshowbiz]

CBS Studio Center, Studio City, California

[fans4wga]

Strike Support Declining - Here's how you can continue to support the writers

Since the WGA strike started on May 2, the public has shown immense support for the writers—sending food, snacks, drinks, and encouragement from across the world all the way to Los Angeles, New York, and other picketing locations.

But loud and vocal strike support—in the news and in public spaces—is notably declining the longer the strike goes on. So we're bringing you a few ways to show writers, studios, and fellow fans: we're still here, and we still stand with the WGA.

1. Post on Twitter (and other social media sites)

You might think social media noise won't be noticed by the studios, but it CAN encourage individual WGA members—and slowly but surely put pressure on the studios to make a fair deal.

If you follow WGA members such as Adam Conover (Adam Ruins Everything), John Rogers (Leverage, Librarians), Gennifer Hutchison (Breaking Bad, Better Call Saul), Javier Grillo-Marxuach (Lost, The Witcher) [and many many more you can find through their following lists], tell them you support them! Hashtag #IStandWithTheWGA #DoTheWriteThing and tell them that you and your fandom are prepared to support them as long as the strike lasts; that they deserve to have their demands met and you're with them all the way. Boost morale however and whenever you can!

Likewise, actively push back against misinformation/disinformation. See a TikTok claiming that all Hollywood writers are filthy rich and we shouldn't vocally support them? Correct it with well-sourced citations from the WGA, published news articles, and stories from those affected (like the time a writer on FX's The Bear attended the an awards show with his bank account balance in the negative, only to then win an award for Best Comedy Series—proving that good writers on award-winning shows still cannot make a living!)

Remember you can always link to Adam Conover's excellent explanation of WGA demands versus studio refusals, tweeted here.

2. Donate or boost fundraisers

You might be surprised to learn that the picketing locations are not always parties! Sometimes themed pickets are fun, and fandoms and celebrities occasionally are able to fundraise for a food truck or ice cream truck at picketing locations. However, that is the EXCEPTION and not the norm. Writers are asking for food & drinks at many locations.

There are many funds to donate to, and it can be overwhelming to pick one! But one that could use your support RIGHT NOW is the CBS Radford picket line:

-If you're in LA, you can bring food and snacks directly to that picket line (or get food deliveries sent there, with instructions to be given to the strike captain on duty.) Strike locations are available on the WGA West website and are updated there.

-Or there's a pizza fund for the strike locations (unfortunately Venmo is a US-only donation option)

-If you're not in LA, donate to the Entertainment Community Fund to support TV and film workers affected by the strike.

-More tips on donating to the strike in this great article!

-Lots of fandoms are organizing donations on their own, for instance the Our Flag Means Death fundraiser on Paypal (updated 30 July 2023 with new link) (available internationally). Check to see if your fandom has started a fundraiser... or start one yourself to show your support! We're happy to give tips on organizing your fandom!

As always, please boost this post and any and all well-sourced information that comes from the WGA or its members. We're happy to fact-check anything you send our way too.

[dropoutdottv]

🚨A new episode of Um, Actually is out now on Dropout!

Join host Ify Nwadiwe, fact checker Brian David Gilbert, and special guests Dani Fernandez, Elyse Willems and Danielle Radford to compete on nerdy trivia from Metal Gear Solid, Marvel, Studio Ghibli, and more!

[yepthatsacowalright]

"Reality Takes A Holiday" as the finale for Eerie Indiana is so important to me and I'll tell you why.

First off, I'm pretty sure it was the first time I ever saw what a set looked like, what a script looked like, and how many people work behind the scenes to make a show. It got me curious to learn more, which then sort of altered the whole trajectory of my life, so that's a weird and fascinating to think about. Specifically, I really liked the fact that studio lots had golf carts, and one of my longest standing childhood dreams was to drive one. I didn't even need to be doing anything important. I just yearned to be, for a brief moment in time, a golf cart person on an LA back lot.

Then, years ago when I moved to LA and got my first ever production assistant job, I GOT TO DRIVE THE CART AROUND THE STUDIO! It was everything I hoped it would be, and easily the best part of that job. And that job, by the way, was at CBS Radford Studios. Which I remember even at the time thinking, 'Hehe Radford, like Mr. Radford.' Not realizing THAT'S WHERE THE CHARACTER GOT HIS NAME. Eerie Indiana FILMED AT RADFORD STUDIOS. I was living my golf cart fantasy at the EXACT SAME PLACE that I had seen and dreamed of golf carting, which is such a strange fact that I wish I'd known when I was working there because what are the fucking odds? But, to bring it back to the actual storyline of the episode (spoilers ahead btw), I love that there's the line, "'If he's not back by the final shot, the network's gonna cancel all of us!" Because Marshall writes himself out of the reality where Eerie Indiana is a TV show. So he isn't back by the final shot. And the network does cancel all of them. I love the implication that the town being a fictional place watched by an audience was just another part of Eerie's weirdness. That the brief time it was on the air was a blip of realities connecting and Marshall fixed it by choosing to go back. He and Simon continue their investigations, we just don't get to follow along anymore. It is the most satisfying ending to a short lived series I've ever seen, and I think that's why it's stuck with me for decades. It feels like an honest way to end something that no one working on it wanted to end. Were it up to them, they would rewrite the ending and go back, too.

[livelovecaliforniadreams]

We shot this on another part of CBS Radford. It was around, it was, yeah. It's a different section of the, I remember where it was in the lot. It's more like the suburban area. I I I know where it is in my mind on the, on the studio lot. But it wasn't New York Street. I, I I, because I remember it being like, and I think it's because we, we didn't have a corner on New York Street and this, they wanted a corner. For the car to pull up. I don't know for some reason. 'cause you, because you think about that one street goes past the liquor store or whatever that store is. And that wouldn't have been New York Street 'cause New York Street was just, you know, one street basically... -Rider

[catzspine]

My SpookySona!! (the sequel lmao)

// CW: Blood , limbs , mentions of murder and torture.

After some time i decided to do a small redesign of my spookysona! Krester! (yeah that's me).

There's not much to say about them, i want them to be a simple character with a dark interest. They work as a school janitor (there must be a school in Spooky Month right?) during the day. They look, talk and sometimes act creepy but they is mostly friendly!

However, during the night-

They like to record disgusting videos to sell and/or upload them for free on the "dark web". The videos are mostly about people getting murdered (no kids or animals) either in a park at night or in Krester's basement, an improvised torture room and recording studio. Their username they use to upload their content is " D15M3MB3R_CL0WN" (just noticed the spelling mistake in the ref sheet oh god) but they is mostly known as "Limbs the clown", a nickname the internet gave them after their creepy way of playing with the limbs of the victims in their videos.

Fun facts!

- I like to draw ship art of them with Dexter and Radford, but i think Krester is not capable of having a normal relationship. Basically, the ship art is just for fun and not important to their lore at all lmao (unless?).

- To make them i took inspiration from characters like The Quartermaster (Camp Camp), Groundskeeper Willie (The Simpsons), Strade (BTD), Fluttershed (PONY.MOV) and myself ofc!

- I have a few ideas for their voice claim, either this or this.

- I'm bad with heights, but let's say they is around...eh between Kevin and Radford! (slightly taller than John).

Boundaries:

- I'm okay with fanart as long as its not NSFW. And by NSFW i mean SEX, i'm okay with gore fanart of them so go wild!!

- Ship art with other canon characters is also okay as long as its not something problematic (ex: minor x adult).

- If u ever draw fanart of them don't be shy to tag me! I would love to see it :3!!

[might update this in the future!]

[gvtted-ratz]

>request/idea rules<

requests: open

>marvel<

anthony "tony" stark/iron man, peter benjamin parker/spider-man, wade wilson/deadpool, helmut zemo, james "bucky" barnes/winter soldier, matthew "matt" murdock/daredevil, franklin "foggy" nelson, frank castle/the punisher, william "billy" russo/jigsaw, miguel o'hara, spider-punk/hobart "hobie" brown (smatsv)

>horror/thriller<

slashers/antagonists

billy lenz (black christmas 1974), brahms heelshire, martin mathias (martin 1977), harry warden/the miner (og and remake), asa emory (the collector), jason voorhees (og and 2009 remake), michael myers (og and rz remake), lester sinclair (house of wax), vincent sinclair (house of wax), mark hoffman (saw 4/5), lawrance gordan (saw 2004), hannibal lecter (nbc hannibal), will graham (nbc hannibal)

final/”good” guys

arkin o'brien (the collector/the collection), nicholas "nick" henry jones (house of wax), peter strahm (saw 4/5), adam faulkner stanheight (saw 2004), david radford (saw 0.5)

>games<

error 143

micah yujin

john doe +

john doe

duskwood 

richy rogers, phil hawkins, jake "hakermen", thomas, daniel "dan" anderson

killer frequency

forrest nash, henry barrow

the price of flesh

machaete, thomas (tom), jackal (jack/dean), derek goffard, matt goffard, mason heiral, dragon (jace/jason), komodo (mike/michael), the announcer (fox/ren hana)

that's not my neighbour 

physicist/dr. w. afton, milkman/francis mosses, hoon (milkman doppelganger), scarlet milk (milkman doppleganger), pilot/steven rudboys, d.d.d agent (hazmat guy), teutates taranis, abducius morail, yog sothoth

studio investigrave games

rody lamoree, vincent charbonneau, protagonist, co-worker, normal guy, fake protag, fake co-worker

call of duty (+modern warfare 2)

könig, simon "ghost" riley, kyle "gaz" garrick, john "soap" mactavish, alejandro vargas, rodolfo "rudy" parra, gary "roach" sanderson

>tv/movies/web-series<

the batman (2022)

the riddler/edward nashton

 there will be blood (2007)

eli sunday

marble hornets (2009-2014)

masky/timothy "tim" wright, skully/jay merrick, alexander "alex" kralie, hoody/brian thomas

>will not do<

• incest

• suicide

• ddlg/ddlb

• scat/urine

• pregnancy

• heavy angst

• age regression

• teacher/student

• sa/rape/non-con

• full smut/sex scenes

• illnesses/issues we're unfamiliar with (ask)

• underage/child anything (papa, uncle, child, etc. reader &/or character) - this includes childhood friend AUs

• fem reader (including pronouns/detailed anatomy due to high discomfort) - anything else is fine

> can/will do<

• fics (1k+)

• past abuse

• headcanons

• past self-harm

• drabbles (100-1k)

• alpha/beta/omega

• polyamory relationships

• blood, gore, violence, etc.

• anything soft, comfort, fluff

• aus (soulmate, cafe, bookstore, etc.)

• some ships/otps/rarepairs (feel free to ask)

• death of character/reader (character/reader kills the other)

• nearly any pronouns (including neos, just provide pronouns)

• male/masc, gender-neutral, nonbinary, trans male reader, inhuman reader (this includes monster, alien, divine etc.)

• "steamy" scenes/dub-con <- will be posted on ao3 ONLY (link will be provided for requests)

[srpayt0n]

[hymnsofnauseatingbanality]

"How many fingers am I holding up?" Film & TV adaptations of Nineteen Eighty Four: - 1953, Studio One adaptation, starring Eddie Albert & Lorne Greene - 1954, adapted by Nigel Kneale, starring Peter Cushing & Andre Morell - 1956, directed by Michael Anderson, starring Edmond O'Brien & Michael Redgrave. - 1984, directed by Michael Radford, starring John Hurt & Richard Burton.

[hathousehappenings]

40. Welcome Back, Hatter!

Well, everyone… we’ve reached the episode.

This was the second (or third?) episode I watched when I got back into the show and boy can you tell! It's also silly, because for some reason I was under the impression that Hatter and Hare were an actual couple in the show, and in the attic scene there's a moment when the Hare is about to say something and he pauses and I swear I thought he was goin to confess his love for Hatter. it was only for a second, but I totally thought it.

Watching Hatter say goodbye to everyone really goes show how different his relationship is with everyone. I love how Rabbit straightens up Hatter’s bow. He knows Hatter can come across as a mess, but he still wants him to make a good impression. You don’t see Rabbit do stuff Ike that for anyone other than the Queen (because that his job) and Alice. Also having Caterpillar actually admit that he's going to miss Hatter is funny because I get the feeling that Caterpillar has very little patience for Hatter and Hare's antics.

This is also notable because it’s the 40th episode, believed to be the final one that was filmed at MGM/Hollywood studios in Orlando before moving to the CBS Radford studio in Los Angeles. This is also our fairwell to the Tweedle’s MC Hammer suits.

I've been rambling and I haven't even discussed the picture, lol. I felt a lot of pressure with this one because I know it's an important episode for all us HatterxHare shippers. I don't know if I succeeded or not, but I can say that I'm at least really happy with the expressions in this one. I'm going to be coming back to this episode at some point (I actually have a whole animatic planned out, I just need to get off my tookus and get it done), so keep your eyes open for that... eventually. ^^;

[oldshowbiz]

Don Fedderson Productions in Studio City

[hustledimension]

The Filmmakers of The Road to El Dorado

From here

DON PAUL (Director) most recently served as co-head of the visual effects department for DreamWorks’ first traditionally animated feature, "The Prince of Egypt."

He was previously head of effects for Walt Disney Feature Animation, where he worked on such hits as "The Little Mermaid," "Aladdin," which earned a BAFTA nomination for Best Visual Effects, and "Pocahontas."

Paul began his career right out of college when he was accepted into Disney’s training program. His earliest credits at Walt Disney Feature Animation include "The Fox and the Hound" and "The Great Mouse Detective." He also worked on such projects as "Who Framed Roger Rabbit," "An American Tail," "The Land Before Time" and "Amazing Stories."

Eric "Bibo" Bergeron (Director) previously worked as an animation supervisor on such films as "The Adventures of Pinocchio" and "The Goofy Movie." He worked at Amblimation in London, where he served as an animation supervisor on the features "An American Tail: Fievel Goes West" and "We’re Back! A Dinosaur’s Story." In addition, Bergeron founded his own animation studio, Bibo Films, in 1993, which is located in his native France.

Hailing from Paris, Bergeron studied art at the Ecole de la rue Madame. He graduated from the animation school CFT- Gobelins in Paris, where he later taught classes. He went on to serve as a director and animator on various commercials at several different studios in Paris. He also worked in London at Passion Pictures and ULI Meyer studios as a commercial animator. While at ULI Meyer, Bergeron animated a sequence from "FernGully: The Last Rainforest."

Bonne Radford (Producer) became one of the first employees at DreamWorks when it was founded in 1994. She served as Head of Feature Animation until 1996.

Prior to joining DreamWorks, Radford worked for Amblin Entertainment, beginning as a controller and subsequently being promoted to vice president of finance and production. She became head of animation at Amblin in 1990, overseeing the animation studio Amblimation in London.

During her tenure at Amblin, she worked on such hit films as, "E.T. The Extra-Terrestrial," "Back to the Future I, II, and III," "Who Framed Roger Rabbit," "Indiana Jones and the Temple of Doom," "The Color Purple," "Empire of the Sun," "An American Tail: Fievel Goes West" and "The Land Before Time." She made her producing debut as an executive producer on the animated film "Balto."

BROOKE BRETON (Producer) was instrumental in launching Jim Cameron’s effects house Digital Domain, where she held the post of senior vice president of production for several years. During her tenure, Digital Domain created the visual effects for such blockbusters as "True Lies," "Interview With the Vampire" and "Apollo 13." They also created the effects for the "Terminator 2 - 3D Attraction," which is currently featured at Universal Studios Hollywood.

Prior to joining Digital Domain, Breton served as the associate producer on three Star Trek features: "Star Trek IV: The Voyage Home," "Star Trek V: The Final Frontier" and "Star Trek VI: The Undiscovered Country." She also produced the visual effects for Warren Beatty’s "Dick Tracy."

A 20-year Hollywood veteran, Breton began her career at Paramount Television, where she worked on such shows as "Happy Days," "Laverne & Shirley," "Angie" and "Call to Glory." Years later, she returned to television to serve as supervisor of post production on the first season of the popular series "Star Trek: The Next Generation."

JEFFREY KATZENBERG (Executive Producer) is a principal partner in DreamWorks SKG, a multi-faceted entertainment company, which he co-founded with Steven Spielberg and David Geffen in October 1994.

He previously served as the executive producer of DreamWorks animated epic "The Prince of Egypt," which grossed over 225 million dollars worldwide, and won an Oscar for Best Original Song ("When You Believe"). The film more recently enjoyed a hugely successful release on video and DVD.

BILL DAMASCHKE (Co-Executive Producer) is executive in charge of production at DreamWorks Animation, overseeing day-to-day operations for all feature animation projects.

He began his animation career working on the feature "Pocahontas." Coming to DreamWorks, he served as production manager on "The Prince of Egypt."

A graduate of Illinois Wesleyan University, Damaschke has a BFA in Music and Theatre.

TED ELLIOTT & TERRY ROSSIO (Screenwriters) previously co-wrote the Oscar-winning animated musical "Aladdin," starring the voice of Robin Williams, which became the top-grossing film released in 1992. They more recently scripted Martin Campbell’s action adventure hit "The Mask of Zorro," starring Antonio Banderas and Anthony Hopkins.

Elliott and Rossio’s earlier live-action credits include "Small Soldiers," Roland Emmerich’s "Godzilla," on which they shared story credit, "Little Monsters," starring Fred Savage, and "The Puppet Masters," starring Donald Sutherland.

In 1996, Elliott and Rossio became the first writers signed to an overall deal at DreamWorks SKG. They are currently working on DreamWorks’ upcoming computer animated feature "Shrek," based upon the children’s book by William Steig, and starring the voices of Mike Myers, Eddie Murphy, Cameron Diaz and John Lithgow.

ELTON JOHN (Songs) has been a creative force in the music industry for over three decades. In addition to his status as a legendary recording artist, he was honored with an Academy Award and a Golden Globe Award for Best Original Song for "Can You Feel the Love Tonight" from "The Lion King," shared with lyricist Tim Rice. In addition, John and Rice co-wrote the Oscar-nominated songs "Circle of Life" and "Hakuna Matata" for "The Lion King," which still reigns as the top-grossing animated feature and generated the top-selling album of the year.

Today, the songs from "The Lion King" are delighting Broadway and London audiences in the award-winning stage production of the musical. John and Rice have since teamed again on the Broadway-bound musical "Aida," based on the Verdi opera.

John began his domination of the music scene at the beginning of the 1970s, when his songwriting partnership with lyricist Bernie Taupin resulted in a succession of gold and platinum albums and number one singles. In 1971, he became the first artist since the Beatles to have four albums in the American Top 10 simultaneously. Honky Chateau, released in July 1972, began a string of seven consecutive number one albums.

His long list of successful album titles also includes Elton John, Tumbleweed Connection, Madman Across the Water, Don’t Shoot Me I’m Only the Piano Player, Goodbye Yellow Brick Road, A Single Man, Victim of Love, The Fox, Jump Up!, Too Low for Zero, Breaking Hearts, Ice on Fire, Leather Jackets, Reg Strikes Back, The One, Duets, and The Big Picture. John’s extensive catalogue of hit songs includes "Your Song," "Daniel," "Bennie and the Jets," "Goodbye Yellow Brick Road," "Don’t Let the Sun Go Down on Me," "Candle in the Wind," "Philadelphia Freedom," "Rocket Man," "Someone Saved My Life Tonight," "On and On," "I Don’t Want to Go On With You Like That," "The One," "Something About the Way You Look Tonight" and many more.

In addition to his Oscar, John’s numerous honors include Grammys and American Music Awards. In 1994, he was inducted into the Rock and Roll Hall of Fame, and, in 1998, he was knighted by H.M. Queen Elizabeth II. He was presented with a Grammy Legend Award at this year’s Grammys.

TIM RICE (Songs) is one of the music industry’s most renowned lyricists and a triple Oscar winner in the category of Best Original Song. He won his first Academy Award and a Golden Globe for the song "A Whole New World," written with Alan Menken, from the animated hit "Aladdin." He took home his second Oscar and Golden Globe, shared with Elton John, for "Can You Feel the Love Tonight" from the blockbuster "The Lion King," in addition to earning Oscar nominations for "Circle of Life" and "Hakuna Matata" from the same film. He won his most recent Oscar for "You Must Love Me," from the film version of "Evita," which he co-wrote with Andrew Lloyd Webber.

Rice has also enjoyed success on the stages of Broadway and London’s West End, and in theatres worldwide. His partnership with Andrew Lloyd Webber resulted in the musical hits "Evita," "Jesus Christ Superstar" and "Joseph and the Amazing Technicolor Dreamcoat." He also worked with Alan Menken on six new songs for the stage production of "Beauty and the Beast." Rice and Elton John again collaborated on the hugely successful Broadway production of "The Lion King," which won the Tony Award for Best Musical and recently opened in London. He and John more recently teamed on the musical "Aida," based on Verdi’s opera, which is about to open on Broadway.

Rice’s other notable stage musicals include "Blondel," with music by Stephen Oliver, and "Chess," with music by Bjorn Ulvaeus and Benny Andersson from the group ABBA. The latter spawned an internationally successful album that featured the hit songs "One Night in Bangkok" and "I Know Him So Well." In addition, Rice has collaborated with such notable composers as Marvin Hamlisch, John Barry, Paul McCartney, Burt Bacharach and the late Freddie Mercury on songs not written for the stage.

In 1994, Rice was knighted by H.M. Queen Elizabeth II.

HANS ZIMMER (Composer) earned dual Oscar nominations last year for his score for the animated musical "The Prince of Egypt" and Terrence Malick’s World War II drama "The Thin Red Line." In 1994, he won both the Academy Award and Golden Globe for his score for the blockbuster "The Lion King," which marked his first collaboration with Elton John and Tim Rice. The highest-grossing animated film to date, "The Lion King" also spawned one of the most successful soundtrack albums ever, which sold more than 12 million copies worldwide. The composer has also been honored with Oscar nominations for "As Good as it Gets," "Rain Man" and "The Preacher’s Wife."

Currently, his music for "The Lion King" is again drawing applause in the award-winning Broadway production of the musical. The show earned the 1998 Tony Award for Best Musical, as well as the Grammy Award for the Best Original Cast Album.

Over the last 15 years, Zimmer has composed music for over 60 feature films, as well as television projects. His credits include "The Peacemaker," "The Rock," "Broken Arrow," "Nine Months," "Crimson Tide," for which he won a Grammy, "Beyond Rangoon," "Cool Runnings," "A League of Their Own," "Black Rain," "Thelma & Louise," "Backdraft," "Green Card," "True Romance," "Days of Thunder," "Driving Miss Daisy" and "My Beautiful Launderette," to name only a portion. He is currently scoring DreamWorks’ upcoming epic drama "Gladiator," for director Ridley Scott, and "Mission: Impossible 2," directed by John Woo.

In addition to his composing work, Zimmer heads DreamWorks’ film music division. His appointment marks the first time that a composer has headed the music department of a major studio since the days of Dimitri Tiomkin at MGM and Alfred Newman at 20th Century Fox.

JOHN POWELL (Composer) created the score (with Harry Gregson-Williams) for DreamWorks’ computer animated hit "Antz," and more recently scored the comedy "Forces of Nature," starring Sandra Bullock and Ben Affleck. He made his film scoring debut with John Woo’s action thriller "Face/Off," starring John Travolta and Nicolas Cage. He also composed the score for the film "Endurance" about Olympic champion runner Haile Gebrselassie, which fused African, Arabic and Western music. Powell is currently re-teaming with Harry Gregson-Williams to score DreamWorks’ upcoming animated comedy "Chicken Run."

A native of England, Powell graduated from Trinity College of Music in London. In 1988, he landed a job composing music for commercials and television at London’s Air-Edel Music. There he also made his first foray into feature films, assisting Patrick Doyle on "Into the West," and working as an electronic music programmer for Hans Zimmer on "White Fang." He left Air-Edel in 1995 to co-found his own studio with fellow Trinity College alumnus Gavin Greenway, where they wrote music for over 100 commercials and independent films, as well as the opera "An Englishman, Irishman and Frenchman."

Moving to the United States, Powell scored the DreamWorks Television series "High Incident" and the pilot "For the People." In addition, he arranged songs written by Stephen Schwartz for DreamWorks’ animated epic drama "The Prince of Egypt."

RAYMOND ZIBACH (Art Director) previously worked as a background key and production painter on animated portions of the hit basketball comedy "Space Jam," which blended live action and animation. He also worked as a background key on such popular Nickelodeon cartoons as "Ren and Stimpy" and "Rocko’s Modern Life." His other credits include the television and direct-to-video projects "Darkwing Duck," "Aladdin and the King of Thieves," "Timon and Pumbaa" and "Shnookums and Meat."

Zibach is a graduate of the Otis/Parsons School in Los Angeles, where he majored in design and illustration. In addition to his work on the screen, he has lent his artistry to book illustrations for such titles as Around the World With Timon and Pumbaa, Aladdin’s Quest Series, The Lion King Series, Princess’ Collection and The Genie’s Tale.

Paul Lasaine (Art Director) previously worked as a background supervisor and visual development artist on DreamWorks’ "The Prince of Egypt."

Before coming to DreamWorks, Lasaine worked as a matte painting artist on a variety of live action films, including "Mortal Kombat," "The Santa Clause," "The Jungle Book," "The Pelican Brief" and "Dick Tracy."

Lasaine grew up in Encino, California, and received a Bachelor of Fine Arts degree from California State University, Northridge.

WENDELL LUEBBE (Art Director) counts among his other art directing credits the animated films "A Goofy Movie" and the upcoming "Return to Neverland."

Luebbe holds a Bachelor of Fine Arts degree in Design from the University of Kansas. He also studied character animation at the California Institute of the Arts.

Christian Schellewald (Production Designer) previously served as a visual development artist on DreamWorks "The Prince of Egypt." He began his animation career at Amblimation in London, where he worked as a layout artist on "Balto."

Hailing from Essen, Germany, Schellewald studied graphic design at the University of Essen. He went on to work as a comic strip artist and freelance illustrator, before segueing into animation.

DAN PHILIPS (Digital Supervisor) joined DreamWorks Animation in 1995, and helped to establish the visual effects department for the division. He most recently served as co-visual effects supervisor on "The Prince of Egypt."

Philips began his career with the Canadian Broadcasting Corporation working in graphic, set, and production design. He then worked for Omnibus Computer Graphics as creative director and art director. Segueing to freelance work, he worked on the visual design and art direction for film and video advertisements for Diet Pepsi, Digital Computers and Rubbermaid.

In 1990, Philips joined Walt Disney’s Feature Animation as the head of Computer Generated Imagery (CGI), where he worked on the animated hits "Beauty and the Beast," "Aladdin," "The Lion King" and "Pocahontas."

James Baxter (Senior Supervising Animator - Tulio) was an animator on the central character of Moses in DreamWorks’ "The Prince of Egypt." Presently, he is the supervising animator on the wild mustang Spirit, the main character in DreamWorks’ tentatively titled "Spirit," due out in 2001.

Baxter previously served as a supervising animator on such characters as Quasimodo in "The Hunchback of Notre Dame," Rafiki in "The Lion King," and Belle in "Beauty and the Beast." He also worked on such animated films as "The Rescuers Down Under" and "The Little Mermaid."

Born in England, Baxter attended West Surrey College of Art and Design. He began his career at Walt Disney Studios London as an in-between artist and animator on Jessica Rabbit and Roger for "Who Framed Roger Rabbit."

DAVID BREWSTER (Senior Supervising Animator – Miguel) recently served as the supervising animator on the pivotal role of Older Rameses in "The Prince of Egypt." He was previously an animator on "The Hunchback of Notre Dame," and a supervising animator on "FernGully: The Last Rainforest." His additional credits include "Rock-A-Doodle," "All Dogs Go to Heaven," "The Land Before Time," "The Grinch is Back" and "Rock and Rule," among others. Early in his career, he did several years of series work on such cartoons as "Scooby Doo" and "The Flintstones."

In addition, Brewster has worked on numerous commercials and special projects, including spots for Burger King, Nestle’s Quik, Alpha Bits, Shake & Bake, and Rice Krispies.

Rodolphe Guenoden (Supervising Animator – Chel) formerly served as the supervising animator on the character Tzipporah in "The Prince of Egypt."

Prior to joining DreamWorks, Guenoden worked at Amblimation as a supervising animator and story artist on "Balto." He was also a senior animator on "We’re Back! A Dinosaur���s Story" and an assistant animator on "An American Tail: Fievel Goes West."

Guenoden comes from France where he attended CFT - Gobelins in Paris.

KATHY ZIELINSKI (Supervising Animator – Tzekel-Kan) served as an animator on several character in "The Prince of Egypt." She is presently working as an animator on DreamWorks’ upcoming film, tentatively titled "Spirit."

Zielinski was previously the supervising animator on Frollo in "The Hunchback of Notre Dame," various incarnations of Jafar in "Aladdin," Hexxus in "FernGully: The Last Rainforest," and Frank, the frill-necked lizard in "The Rescuers Down Under." She also served as an animator on such projects as "Mickey’s Christmas Carol," "The Black Cauldron," "The Great Mouse Detective," "Oliver & Company" and "The Little Mermaid," and as a character designer on "Pocahontas."

FRANS VISCHER (Supervising Animator – The Chief) previously served as a directing animator on such features as "Cats Don’t Dance," "Bebe’s Kids" and "Rover Dangerfield." He also worked as an animator or storyboard artist on the features "Who Framed Roger Rabbit" and "The Goofy Movie."

In addition, he was an animator or storyboard artist on a variety of other projects, including the shorts "Tummy Trouble," "Michael and Mickey," "Back to Neverland," "The Duxorcist" and "Night of the Living Duck."

Kristof Serrand (Supervising Animator – Altivo and Cortes) was the supervising animator for older Moses and Pharaoh Seti in "The Prince of Egypt." He is currently working on DreamWorks’ tentatively titled "Spirit," due out in 2001.

Prior to joining DreamWorks, Serrand worked at Amblimation in London as a supervising animator for "Balto," "We’re Back! A Dinosaur’s Story," and "An American Tail: Fievel Goes West." Serrand also worked as an animator on such features as "The Big Fight," "Asterix in Britain" and "The Cesar’s Surprise."

A native of France, Serrand studied at CFT- Gobelins in Paris, where he later taught classes for five years. He also worked as an animator in the military service for the Army’s cinema department.

(note from me: spirit actually came out in 2002, but it looks like it was planned for 2001)