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#RIP Dr Legg
applestorms · 24 days
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doom, aspect complements, & oppressing social systems
some kinda half-baked (literal) shower thoughts on aspect complements, particularly life & doom, with, surprisingly, not too much on the captors but a decent section on jane. this is long as fuck, shit.
TL;DR: aspect complements are nice in how they expand the meaning of each individual aspect, doom & life in particular are cool in how they have such overarching influence over the lives of characters and should really get more attention analysis-wise, ft. my own musings about how the alpha kids' lives are seeped in doom, in large part because of madame HIC herself. written in one sitting because i guess i'm insane.
the one thing i really, really like about the canon established by the extended zodiac is the way it splits aspects into complementary pairs. to me, one of the major appeals/frustrations of homestuck's classpect & lunar sway system is how vague and yet distinct the categories are, how blurry the borders are but how distinct of an Feel you can get almost instantly upon even just hearing the names of each aspect. e.g. i can say that [x] character from an entirely separate piece of media is a prince of doom, and even if you don't know jack shit about homestuck classpects on some level you can still get that, understand the implications that has on the character-- what "prince" means for how they treat others or the expectations they have for themself, the specific emotional connotations of what a person presiding over "doom" might be associated with. they play into long-established cultural categories, basically, remixed Jungian archetypes as some people might (and have) put it. still, i think homestuck has a pretty interesting way of interpreting these categories, which is part of why classpects can be so appealing.
homestuck aspects hold a lot of implicit associations that you can learn & guess at over the course of reading the comic, so setting up these complementary pairs works really well in my mind since it only strengthens the associations. take light & void, for example: light is associated thematically with knowledge, luck, and being in the spotlight. typically (at least in my own american context), the opposite of light is designated as dark-- but homestuck instead makes light's complement void, the aspect associated with nothingness, secrets, people & characters forgotten or left behind, waiting. following the logic of this video, void isn't even associated w/ the color black (typically associated w/ darkness) but rather the color white, pure emptiness, something that can't really be known, 道可道,非常道。名可名,非常名。"The Dao that can be trodden is not the enduring and unchanging Dao. The name that can be named is not the enduring and unchanging name," (Daodejing, Legge translation) or, alternatively, "A Way that can be followed is not a constant Way. A name that can be named is not a constant name," (Ivanhoe translation) and so on and so forth. light in homestuck thus isn't just knowledge about the world, it is the world. it is, period. understanding the world, being a major player within that world is equivocated with being itself though this pairing-- and, in turn, a lack of understanding is associated w/ a lack of (meaningful? seen?) existence itself.
anyways, there are interesting things you could said about all these pairings (thinking about blood & breath and hope & rage in particular), but the one i really wanna focus on right now is one set that i think often goes overlooked, which sucks because i think both aspects carry a lot more weight in homestuck than people tend to give it credit for: life & doom.
life is the side to this i have less strong feelings/thoughts about, so let's maybe start with that. we have a handful of pretty relevant life players in comic so this is perhaps the clearer side of the dichotomy: while feferi doesn't get a ton of focus after her original introduction in hivebent (and especially after murderstuck, rip), jane, meenah, and the condesce are all pretty major characters so we have a decent amount to work with for analysis. i particularly like the classpect-navalgazing summary of life as an, "aspect of affluence," life players being people that grow up with a lot materially but in turn have a lot to figure out about the emotional/empathy stuff, who benefit from a kind of "dubious privilege," that makes their homelife cushy and gives them a hefty inheritance to fall back on, but makes all the social shit more confusing.
it's that struggle against the status quo that they simultaneously benefit from that really stands out to me here, especially because the main life player that i want to talk about is the condesce-- not just meenah, but )(er Imperious Condescension herself. so, to get into that...
homestuck really functions under a systems brain, which is obvious from the start w/ all the computer science jokes (that i definitely 100% understand) but easily expands past that as the series goes on. if you've gotten this far into reading this essay, you know what i'm talking about. what's been more relevant in my mind recently, though, is not just the ways in which homestuck itself is built up through these systems, but the way it both thematically & literally portrays social systems as well, as a general concept/working force in the universe even outside of more specific social systems like racism/sexism/ableism/etc.
from all the reading/watching i've done looking at peoples' various classpecting analysis (long way of saying i forget exactly where this comes from), i've come to view rage & doom as two sides of the same coin, or more accurately, two reactions to the same perceptions: both doom & rage are acutely aware of just how much the world & greater forces around them are fucking them over, it's just that doom reacts by giving in to the Inevitability of it all, trying to work within the restraints of the system surrounding them, while rage reacts by giving a giant fuck you and trying to tear it all down.
tying this back to life, the dichotomy of life & doom as complementary again has some interesting implications, specifically in how life players benefit from the status quo while doom players suffer so heavily under the weight of it. keep in mind: just like meenah, the condesce is a thief, the only real difference being that the condesce's power extends over a much grander scale of space & time. when the condesce kills off humanity, stealing life from the planet & replacing it w/ her own faux/more desirable replicas, she is in the process dooming humanity & the planet itself (parallel to roxy: steal void, create being, steal life, create nihilistic inevitability). as one of the major villains in homestuck, really second only to lord english, the condesce is thus not just an individual person but something like a system of power itself. as dirk says to jake on (A6A3:4864)
TT: Though the Baroness made very few substantive gestures of aggression, the global fear of her looming threat would trigger all the changes she needed. TT: Governments prepared for war, as if to defend against the invading alien armies she undoubtedly commanded. TT: But of course, she had no army. She was always the only one of her kind. TT: Instead, the world powers were only setting about to build her armies for her.
thus HIC, as the most powerful iteration of meenah that we see in comic, both benefits from the status quo as it is already established and has enough power to evolve/expand upon it herself, to the point where you can really see her as the figurehead/leading innovator for oppression, both on alternia and earth in the B2 timeline.
it's because of this that i think doom has a lot more influence over the plot/world of homestuck than people give it credit for. to give a more distinct example of this, while the alpha kids' game is called a void session, i don't think it's too far off base to note the ways in which doom hangs over it as well. looking specifically at some (alpha) kids:
DIRK is probably the least directly connected alpha kid to doom, being associated more w/ void through homestuck's systems brain & his various connections to equius (& nepeta), as well as the heart/mind pairing (and jake's hope influence sneaking into everything tbh w/ BGD). still, i think it's pretty obvious to anyone that's like. read through dirk's self-hating bullshit that he has a lot of doom-related thoughts, which can in part be attributed to HIC's influence on his apocalypse world, but also, and more notably in my mind, dave's lasting legacy on him.
alongside the typical patron troll pairings of john/vriska, rose/kanaya, dave/terezi, and jade/karkat for the beta kids, we also have the (less overt/clear) pairings of which troll resembles each kid the most: namely, karkat being the "john" of the trolls, leader-ship/social position-wise, jade being associated with both nepeta & feferi, and rose... being like kanaya, vriska, and terezi, i guess?? it's less clear for the girls i suppose, and perhaps not a super strong connection in general as the trolls are pretty distinctly themselves separate from the human kids, but the important detail here is the connection between sollux & dave, as the (not at all) "cool kids" and primary besties to the main leader of their respective group. visually, they can also be loosely associated through their trademark glasses, sollux's red and blue lenses being connected to the A & B universes of the trolls & humans respectively and dave's stiller shades being connected to paradox space & the greater universe of homestuck (and problem sleuth) as a whole after passing through a black hole.
dave's biggest connection to doom however is in his connection to doomed timelines and the dead daves all of his timeline-hopping shenanigans lead to. he kind of ends up constantly skirting around the edges of doom, in a way, utilizing terezi's seer of mind help to just barely avoid his own inevitable doom. you could almost define time itself as an aspect along those terms, actually, with the stress time players are constantly under coming from the impending doom hanging over their heads that they're always just barely avoiding, like a satellite constantly falling and missing the planet as gravity pulls it along into orbit. sick imagery regardless.
sidenote: perhaps i've been staring at this dumb aspect circle for too long, but it seems notable enough to mention that doom & time connect in a line that is directly parallel to life & space's connection. ALSO, just now remembering that i wrote an entire essay on space & time and those aspects' connection to life & death (the concepts, not just the aspects) way back in like, february, that i almost entirely forgot about until literally just now. guess i'll try editing that later?? (edit: i'm a doofus. i talked about the space/time stuff mostly in my kant essay. still gonna post something about death in homestuck later, though.) carrying on.
anyways, even looking past beta dave's connection to sollux, alpha dave is a character so seeped in tragedy that i don't think i even need to say all that much to make this connection clearer. his entire life as dirk dictates it is essentially just one big fight against an inevitable end, not only for himself but the entire rest of humanity as well, and the underlying implications that even if he had lived to old age he never would've been able to meet or raise dirk only hammers this in even harder. alpha dave was doomed from the start, not just from the moment HIC landed on earth but the moment skaia took his and dirk's baby meteors and damned them to separation.
JAKE's connection to doom is similarly primarily through sollux, though it's both more direct and less obvious than dirk's. putting his connections to jade and my space/life thoughts aside for another essay, jake's main link to doom is through erisolsprite-- fittingly, in the biggest catastrophe of a doomed timeline, in game over.
the mention of erisol in general actually brings up another weird, not-quite complementary connection between doom & hope, which is another line of connection in the rectangle that is hope/rage/life/doom-- notably, i believe optimistic duelist referred to these as the mutable aspects, the most abstract of the twelve. to bring back my point from earlier, i would also say that these are the aspects with the most far-reaching, powerful influence over homestuck, whether that be in-story in the world, through the systems of power and oppression that characters live under (in the case of doom & life), or on a meta level on the story itself, particularly when it comes to what is or isn't allowed to happen/plot contrivances & coherency, etc. (in the case of rage & hope).
sollux & eridan's dynamic in A5 really establishes doom & hope as two opposing viewpoints, complacency & utter surrender in the face of a horrible fate you can never escape versus faith & imagination to the point of fucking lunacy & calling a magic wand a "science stick". in erisolsprite, it's really the doom that comes through the strongest, perhaps in contrast against jake's own pitiful attempts to hope himself through the in-game social awkwardness he wants to pretend doesn't exist. in parallel to fefetasprite's complete silence (but simultaneously, implied perfect support & friendship), erisolsprite is an asshole that can't stand anyone and especially not himself and has completely given up on any remaining semblance of hope-- kind of a thematically nice conclusion, actually, finding the middle ground of sollux's doom & eridan's princely destruction of hope after all their conflicts from earlier in the story. or it could be, if it weren't so fucking miserable to look at. point is, i think jake's hopelessness (or perhaps more accurately, his inability to access hope) later in the story becomes quite synonymous with doom, similar to dirk in how neither of them can see much of a future.
ROXY is actually probably the least doom-ridden of the entire group, which i suspect may come from the fact that she is herself a void player and thus is more at home in the context of a void session, even if all her friends are being shitheads the entire time. really, the points where roxy is the most bitter & doom-ridden occurs before they even enter the game, when she is still under the strongest influence of the condesce, like how roxy continually pushes back on even starting the game at all just as a fuck you to HIC.
fittingly, i think it's actually the absence of doom that makes roxy such a strong & great friend once she gets her shit together in-session. she kind of has an opposite arc to the rest of the alpha kids, starting off completely doom-ridden thinking that she's never going to meet her mom or her friends and constantly paranoid that HIC is going to fuck everything up, only to re-evaluate once she's physically with her buds and have more faith in the future. a good example of how life & doom are connected to social systems (or not just any specific system of bigotry, but moreso the general feeling of having greater powers outside your control that have a major influence on your life) maybe-- roxy must extricate herself as entirely as possible from the status quo, from world-wide and/or world-influencing figures' expectations, before she can start focusing on and figuring out what really matters to her and pursue those goals, e.g. getting sober.
and of course, our beloved life player, JANE. as a life player, jane's connections to doom are a lot more obvious than the previous three, but i think that only strengthens this idea of doom residing over the alpha kids' session (and homestuck as a whole, really). where you have to look more to the generally miserable, nihilistic sentiments of the other kids to see the influence of doom, jane is literally and regularly brainwashed to the values & ideals of HIC. note some of the specific orders that her tiaratop gives her (A6A1:4153):
You put on your highly fashionable UNREAL HEIRESS THOUGHTWAVE TIARATOP and flip it on. It immediately hums to life as its blazing fast processes mingle with your thoughts. It is the most efficient computing technology in the world by far, as long as you don't wear it for too long. But aside from a few migraines, you can't possibly imagine any OBEY drawbacks that CEASE REPRODUCTION could come with SUBMIT merging CONSUME your thoughts with EMBRACE YOUR CULLING experimental technology CONFORM TO SOCIAL ORDER from an STAY ASLEEP extremely powerful DIE corporation, wait what?
or, one by one, categorized loosely:
OBEY, SUBMIT, CONFORM TO SOCIAL ORDER, STAY ASLEEP: obvious implications, again ties to the idea of doom & life dictating overarching social systems/order. the last one is notable in that it also ties jane to jade's narcolepsy, which fits the whole crockertier/grimbark arc that happens later on when those two meet.
CEASE REPRODUCTION: perhaps more HIC specific, in that she hates human reproduction. i think i might address this more in that time/space essay, if i ever get around to editing/finishing that.
EMBRACE YOUR CULLING, DIE: the "DIE" part of this is pretty on the nose w/ HIC's stealing of life aka eradication of humanity, but the "EMBRACE" part of the culling one really solidifies a connection to doom.
what stands out to me is that it is unclear how much of these subliminal teachings jane is meant to internalize & apply to herself personally versus spread & share & execute in her job as an heiress & tool to HIC. it's clear from the way that jane talks to jake in the jail cell that even while in full-crockertier mode she at least in part goes against some of these teachings, telling jake on (A6A6I1:6443):
JANE: You do remember our recent agreement to have "a zillion babies," don't you, Jake? I do hope you were not planning to renege on this vow. JAKE: *Sob sob sob...* JANE: Our children will rule the empire when we are gone, which of course will be never, because we will be eternally young and beautiful and immortal and in love, for ever and ever.
clearly conflicting with the whole "CEASE REPRODUCTION" thing, though she does admittedly treat him with quite a bit of disgust at the same time that she's telling him he's doomed to be a baby making machine or whatever.
point is, as a life player, and especially as a life player under the direct influence & control of HIC, jane is in that conflicting & confusing position talked about earlier, where she simultaneously benefits from privilege & has extensive control in deciding which standards she wants to, as well as extends those expectations onto the people around her (e.g. for a more minor example, think of how she dictates the grammar of her friends when speaking to them online), but is also stuck in a position where she deals with some of the most significant negative side-effects of such standards.
jane's gender fuckery really sums this up best: she both loves & idolizes gumshoes and the traditionally masculine aesthetics and attitudes that come w/ them, but is also in one of the most obsessively feminine, stay-at-home, stuck-in-the-kitchen 1950s housewife archetypes ever. she's a girlboss heiress to a capitalist, corporate empire, a job that is itself very traditionally masculine in the inherent power it holds, but resides over one of the most traditionally feminine spheres it possibly could. jane is made of life, she was born into and built out of the status quo & social standards of the world she landed on and reaps all the benefits & consequences of such, trapped in a system that protected her, in her house by a father that loves her, and constantly keeps trying to break out even if she doesn't even understand the full magnitude of what she's doing or wants. crockertier jane is really just the epitome of this-- a form that dooms her just as much as it benefits her, wealth that cushions her ass and means absolutely nothing, a title that she cannot be extricated from, for better and for worse.
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jackbatchelor3 · 6 years
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Mary the Punk Comes Back Promo | EastEnders
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sexydeathparty · 3 years
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Leonard Fenton, EastEnders' Dr Legg Actor, Dies Aged 95
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Soap star Leonard Fenton – best known as EastEnders’ Dr Harold Legg – has died at the age of 95. 
The actor appeared in the very first episode of the BBC soap in February 1985, making sporadic appearances in 267 episodes until his final scenes in 2019.  
In a statement, his “heartbroken” family confirmed he died on Saturday, as they honoured his acting career. 
They said on Monday (via the PA news agency): “Best known for his role as Dr Legg on EastEnders, Leonard’s acting career spanned more than 60 years.
“He worked in TV and film and his long stage career included time at the National Theatre and most recently the Royal Shakespeare Company. He felt privileged to have worked with some of the greats of the theatre, including Samuel Beckett, Orson Welles and Jonathan Miller.
“His passion for painting and singing pre-dated his acting career and was equally as important to him. He will be missed beyond words by his family. We feel incredibly lucky to have been able to be with him as his health worsened towards the end – a privilege denied to so many during these tough times.”
Leonard’s cause of death has not been confirmed. 
EastEnders has also paid tribute to Leonard, with a spokesperson saying: “We are deeply saddened to hear that Leonard has passed away. Since appearing in the very first episode of EastEnders, Leonard created a truly iconic character in Doctor Legg who will always be remembered. Our love and thoughts are with Leonard’s family and friends.”
Leonard Fenton’s family have shared a statement with us, announcing that he has very sadly passed away, at the age of 95. To read the full statement, please visit our official EastEnders Facebook or Instagram pages. Our love and thoughts are with Leonard's family and friends. pic.twitter.com/jjd6A8Fchx
— BBC EastEnders (@bbceastenders) January 31, 2022
💔 Dr Harold Legg. An #EastEnders icon from the very first episode. Here’s to Leonard Fenton for his wonderful presence over the decades. #EastEnderspic.twitter.com/8Fx8V5LJmQ
— BBC EastEnders (@bbceastenders) February 15, 2019
Dr Legg will be remembered as a friend of Dot Cotton, played by June Brown, as he entertained her hypochondria and seemingly endless list of ailments.
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The character was written out of the soap in 2019 when Dr Legg died of pancreatic cancer. 
Upon returning to the soap for his final storyline after an 11-year absence, June said it was “an utter delight” to be working with Leonard again. 
In her own tribute to Leonard, June said: “I first met Leonard as Dr Legg when I joined the cast of EastEnders as Dot, his hypochondriac patient, in 1985. He was a charming man in all ways, first as a person and then as an actor, extremely polite and kind.
“I enjoyed working with him enormously for many years and missed him when he retired. I was glad that I’d been with him for his last scene with Dot at his bedside and my thoughts are with his devoted family.”  
June Brown, MBE OBE “I first met Leonard as Dr Legg when I joined the cast of EastEnders as Dot, his hypochondriac patient, in 1985. He was a charming man in all ways, first as a person and then as an actor, extremely polite and kind." (1/2)
— EastEnders Press (@EastEndersPress) January 31, 2022
"I enjoyed working with him enormously for many years and missed him when he retired. I was glad that I’d been with him for his last scene with Dot at his bedside and my thoughts are with his devoted family.” (2/2)
— EastEnders Press (@EastEndersPress) January 31, 2022
Gillian Taylforth, who plays Kathy Beale in the soap, also said: “I’m so sorry to hear the very sad news about Leonard. He was a lovely, charming man who was so kind and always told the most wonderful stories. I send my love and condolences to his family. RIP dear Leonard.”
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There is little doubt that the dingo is the most reviled of all Australian mammals 
Aussies, as we all know, have a multitude of colourful expressions, some printable and others less so. But if someone calls you a dingo, there can be no doubt – your reputation is shot. ‘Dingo’ is “a term of extreme contempt… because of the animal’s reputation for cowardice and treachery.” The poor dingo has always had a terrible press.
How did the unfortunate dingo come by such notoriety?
Right from the time British settlers first brought sheep to Australia in the 18th century, the carnivorous dingo has been considered No. 1 pest by ranchers, a pest best met with a shotgun. Bounty hunters were hired to track and kill them. The bounty hunter in colonial writings of the 19th century was cast in the role of the quintessential Australian, canny and heroic, ridding the land of the thieving marauding dingo that was “ripping the heart out of sheep grazing country.” In these tales, dingoes were the outlaws and criminals.
“280,000 bounties were paid for dingoes between 1883 and 1930, by which time dingoes had become scarce in all but the north-eastern corner of the State [New South Wales], where sheep numbers were lowest” – a grievous slaughter, practically an annihilation.
As recently as 2011, an Aussie MP was still proposing a bounty be put on the animal’s head.
The villainous persona the unfortunate dingo has acquired is deeply imbedded in Australian culture. As a former dingo trapper Sid Wright says in his 1968 book ‘The Way of the Dingo’: “In the outback it is accepted without question that the dingo is a slinking, cowardly animal” 
“There is little doubt that the dingo is the most reviled of all Australian mammals. It is the only native mammal not protected in NSW by the State’s fauna legislation. [Indeed] the dingo, along with other wild dogs, is covered by a Pest Animal Control Order.”
The longest fence in the world
In the 1940s, the gaggle of higgledy piggledy fences erected to keep dingoes (and rabbits) out of sheep-grazed land was joined up to make one giant fence stretching 8614 km. Since shortened to 5614 km, it encloses the south east quarter of Australia, of which New South Wales is the heart. It’s the longest fence in the world, and its upkeep costs 10 million Australian dollars a year – “a truly epic testament to how much Australians can hate the dingo.”
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Dingo fence Sturt National Park (Wikimedia Commons)
(Eat your heart out Donald Trump – if your horrible wall happens, as all lovers of wildlife, biodiversity and commonsense sincerely hope it won’t, it would be little more than half the size of this one.)
So, a loathed and despised predatory pest – such is the view of the dingo from the rancher’s side of the fence.
From the dingo’s side of the fence the picture looks very different
Dingoes ranged the bush thousands of years before the first sheep set foot on Australian soil, and while some co-existed with the indigenous peoples, none were ever domesticated. Quick-witted, pragmatic, and resourceful, these are wild animals perfectly adapted to their environment. According to a study undertaken at the Dingo Discovery Sanctuary and Research Centre near Melbourne, the dingo is, “the most intelligent animal in Australia apart from man.”
Sid Wright’s personal opinion of the dingo did not accord with what he knew to be the ranchers’ view. For him the animal was a “wild, magnificent creature” that should be conserved in Australia’s national parks and reserves.
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These two opposing stances represent Australia’s ‘dingo schizophrenia’
So what to do about the dingo? Is it villain or hero? Should it be killed to protect sheep, or should it be protected as native fauna? This is the dilemma legislators and conservationists have to grapple with, of which the four most important elements are these:
1. Is the dingo a distinct species of its own, or is it simply a feral dog?
2. If it is a distinct species, is it a genuine native one, and why does this matter?
3. If it is a distinct and native species, is it threatened?
4. As the apex predator in Australia, what is the value of the ‘ecosystem services’ it provides?
Answer to Q.1
The dingo is indeed a dingo not a dog. It is a distinct species, as distinct and different from a domestic dog as the wolf is.
According to Dr. Laura Wilson, UNSW’s School of Biological, Earth and Environmental Sciences, “Pure dingoes have been shown to have cranial growth patterns more similar to wolves than domesticated dogs, larger brains and a more discrete breeding season producing fewer pups than domestic dogs.
“Dingoes are also notably less sociable with humans than domesticated dogs, characterised by a weaker ability to interpret gestures and a shorter time maintaining eye contact.”
The most recent research into the animal found further evidence of specific characteristics that differentiate dingoes from domestic dogs, feral dogs, and other wild canids such as wolves. And were there still any doubt, the clincher is of course the genetic data.
Answer to Q.2
“Dingoes have been living wild and independently of humans for a very long time — they have a distinct and unique evolutionary past that diverged some 5 to 10 thousand years ago from other canids. This is more than enough time for the dingo to have evolved into a naturalised predator now integral to maintaining the health of many Australian ecosystems.” – The dingo is a true-blue native species.
Co-author of a new study, Professor Corey Bradshaw agrees:“We show that dingoes have survived in Australia for thousands of years, subject to the rigours of natural selection, thriving in all terrestrial habitats, and largely in the absence of human intervention or aid.”
“The dingo is without doubt a native Australian species,” the Prof concludes.
Why does it matter?
It matters because conservationists’ ability to protect the dingo hinges entirely on establishing and upholding its status as a distinct and genuinely native Australian species.
It matters because the Western Australian government for example, in order to evade its conservation obligations to the dingo, recently made a politically-motivated and controversial attempt to classify it as “non-native fauna”.
Bizarrely – though maybe it’s not so bizarre considering New South Wales’ land area falls almost in its entirety on ‘the ranch side’ of the Dingo Fence, and is therefore no doubt under constant pressure from the ranching lobby – NSW is trying its darnedest to square the circle. It simultaneously acknowledges the dingo as a native species and excludes it from the protection afforded by the Biodiversity Conservation Act 2016 to all the rest of its native fauna. “All native birds, reptiles, amphibians and mammals (except the dingo) are protected in NSW. It is an offence to harm, kill or remove native animals unless you hold a licence.” But not if you’re harming, killing or removing dingoes. That’s ok. And dingoes continue to be routinely shot and poisoned in huge numbers.
It matters because Australia holds an unenviable record: “Half the world’s mammal extinctions over the last two hundred years have occurred in Australia, and we are on track for an acceleration of that loss” – Dr Thomas Newsome, School of Biological Sciences University of Sydney. “Predation by feral cats and foxes is the main reason that Australia has the worst mammal extinction record of modern time” – Prof. Sarah Legge, Threatened Species Recovery Hub.
Answer to Q.3
It matters because the dingo is on the IUCN’s Red List as a “vulnerable species”, and could also be heading for extinction.
Islands
Even without finding itself in the ranchers’ crosshairs, the dingo may lope down another disquieting path to extinction: interbreeding with domestic dogs settlers brought with them to Australia. Unless positive steps are taken to segregate the dingo, its genes will be diluted until the true species ceases to exist.
As with all other antipodean native fauna, the simplest way to conserve them is on an island. On islands it’s easier to control who or what arrives and who or what leaves. World Heritage site Fraser Island is “home to the most pure strain of dingoes remaining in eastern Australia.” Fraser Island boasts a wealth of native wildlife and operates an eco-code for visitors.
Dingoes on the beaches of Fraser Island
Yet even here dingoes live under a cloud of controversy. “110 dingoes have been humanely euthanised for unacceptable or dangerous behaviour on Fraser Island between January 2001 and September 2013, with between 1 and 32 dingoes killed in any given year.”
In 2011, one Jennifer Parkhurst was fined and given a suspended sentence for feeding the dingoes on the island, which she claimed were starving. Others supported her claim: “If things go on the way they’re going, the whole dingo population on that Fraser Island will become extinct,” said veterinarian Dr Ian Gunn, from Monash University’s National Dingo Recovery and Preservation Program. Yet other sources claim many of the dingoes on the island are overweight, verging on the obese!
And as you can imagine, the news media are ever ready to fall into a feeding frenzy and stoke dingo controversy whenever there’s a dingo attack on people. Wiki lists 10 such on the island since 1980, the worst in 2001 resulting in the tragic death of 9 year old Clinton Gage.
31 Fraser Island dingoes were culled in response. “It was a meaningless cull, but in terms of the genetics, it was terribly significant because it was a high proportion of the population” – Dr Ernest Healy, of Australia’s National Dingo Preservation and Recovery Program. Such a drastic cull diminished the gene pool, and just where the animals should live free from the dangers surrounding their mainland cousins, this raised the spectre of extinction for the pure breed dingo of the island. “Kingaroy dingo handler and breeder Simon Stretton says purebred Fraser Island dingoes will be gone in 10 years.”
Answer to Q.4
Besides sheep and cattle, invasive species camels, horses, donkeys, deer, rabbits, goats, hares, foxes, cats, rats and house mice also arrived in Australia courtesy of 19th and 20th century settlers. (Foxes were introduced in 1855 simply so the new human arrivals need not forgo the ‘sport’ of hunting them they enjoyed so much at home. The foxes have since multiplied to more than 7 million, and the threat level they pose to native fauna is ‘Extreme’.) After humans, these invasive species are next most responsible for the decimation of Australia’s unique flora and fauna. The carnivores take out the fauna (the foxes and cats alone take out millions of native animals nightly, and are almost solely responsible for the loss of 20 native animal species) and the herbivores “graze the desert to dust and turn wetlands to mud barrens.” 
What has this to do with the dingo? A lot! As Australia’s apex predator, the ‘ecosystem services’ the animal provides are, researchers are discovering, invaluable. “Dingoes play a vital ecological role in Australia by outcompeting and displacing noxious introduced predators like feral cats and foxes. When dingoes are left alone, there are fewer feral predators eating native marsupials, birds and lizards” – Prof Bradshaw.
Dingoes may be enemy No. 1 in the eyes of sheep farmers, but cattle farmers (as well as the native fauna) should thank their lucky stars to have them around. “Dingoes can also increase profits for cattle graziers, because they target and eat kangaroos that otherwise compete with cattle for grass in semi-arid pasture lands”  -Prof B once more.
And according to Dr. Mike Letnic, Centre for Ecosystem Science UNSW, “the dingo, as Australia’s top predator, has an important role in maintaining the balance of nature and that reintroduced or existing dingo populations could increase biodiversity across more than 2 million square kilometres of Australia.” Where dingoes had been exterminated, Dr. Letnic found far greater numbers of red foxes and invasive herbivores, with small native mammals and grasses being lost.
As the re-introduction of grey wolves to Yellowstone National Park famously proved, from the presence of an apex predator flows a trophic cascade of ecological benefits. In the dingo’s case, the trophic cascade emanating from this particular apex predator flows all the way down and into the soil itself. And for the research that uncovered this surprising benefit, the infamous Dingo Fence for once worked in the animal’s favour:
“The fence provides a unique opportunity to test the effects of the removal of an apex predator on herbivore abundance, vegetation and nutrients in the soil,” says researcher Timothy Morris.
From comparing the conditions in the outback on either side of the fence came forth the revelation that exterminating dingoes not only has an adverse effect on the abundance of other native animals and plants, but also degrades the quality of the soil.
Far from supporting a continued assault on this much maligned creature, all the evidence supports “allowing dingo populations to increase”. More dingoes, not less are Australia’s prerequisite to “enhancing the productivity of ecosystems across vast areas of the country.”
Oh Aussie legislators and ranchers, you are getting it so wrong. Stop demonising and destroying this ‘wild, magnificent creature’, and let us see Canis dingo running free for millennia to come.
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If you are of the same mind, please sign and share these petitions:
Petition to remove dingoes from the Pest List
Petition to save dingoes from extinction – re-classify as an endangered species
Petition to stop the promotion of a new export market — Australian dingoes for Asian diners
Petition to stop the use of toxin 1080 to poison dingoes
If the dingo teaches us anything as human beings, surely it’s this:
“As they have demonstrated time and again, large carnivores will not stay within human defined safe zones. We need to learn to share the land and its bounty with them, to live with them, or we will lose them—and with them a considerable part of what makes us human.” 
Mark Derr, Saving The Large Carnivores, Psychology Today
Sources
Dingoes should remain a distinct species in Australia
11 Wild Facts About Dingoes
Dingo – Wiki
Dingo Fence – Wiki
Dingo dualisms: Exploring the ambiguous identity of Australian dingoes
Who’s afraid of the big bad wolf: is the dingo friend or foe?
Last howl of the dingo: the legislative, ecological and practical issues arising from the kill-or-conserve dilemma
Thirteen mammal extinctions prevented by havens
Dingoes, like wolves, are smarter than pet dogs
Time for a bold dingo experiment in NSW national park
Careful using that f-word to describe dingoes
Invasive Species in Australia – Wiki
Culling is no danger to the future of dingoes on Fraser Island
Fraser Island ‘pure bred’ dingoes could be extinct in 10 years
Dingo fence study shows dingo extermination leads to poorer soil
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Tsá Tué – Where People & Animals Are Equal
Walking Hand in Hand with Nature
Through Artist’s Eyes – The Wondrous Web of Life & Death
A Dingo is a Dingo Not a Dog – & Why That Really Matters There is little doubt that the dingo is the most reviled of all Australian mammals  Aussies, as we all know, have a multitude of colourful expressions, some printable and others less so.
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