#Quarto Publishing

[haute-lifestyle-com]

The Cottage Garden, from Quarto Publishing and Danish garden celebrity Claus Dalby, takes readers on an inspirational journey traveling across Europe and the United States introducing the principles of creating a quintessential cottage garden anywhere

[cathygeha]

REVIEW

Low Sodium Cooking Made Easy by Dick Logue

 I remember when this author first started sharing low-sodium recipes online and subscribing to his newsletters. They were fascinating, easy to follow, well crafted recipes that I was easily able to follow and over time…the number of recipes has increased, and the presentation is professional, easy to understand and the recipes many and varied. There is something for everyone in here…not a lot of vegan-vegetarian recipes for me and yet I was intrigued by the seasoning blends, condiments, sauces, information on basic ingredients, sauces, and recipes I thought might work for my more vegetarian-vegan lifestyle.

 The introduction was informative and interesting and was followed by these chapter titles:

* Spice blends and seasonings

* Condiments and sauces

* Appetizers, snacks, and party foods

* Breakfast

* Chicken and turkey

* Beef

* Pork

* Fish and seafood

* Soups, stews, and chilis

* Salads and salad dressings

* Potatoes and rice

 This is a cookbook that I would recommend to anyone wanting to decrease their sodium intake for any reason. Flavor has been retained even though salt may have been eradicated and I am eager to try a few recipes from this book in the near future.

 Thank you to NetGalley and Quarto Publishing for the ARC – This is my honest review.

 5 Stars

     BLURB

 Hundreds of simple, flavor-filled recipes to make the transition to a low-sodium diet easy and delicious Adapted from 500 Low Sodium Recipes by Dick Logue, Low-Sodium Cooking Made Easy will help you make the journey into a low-salt regimen that puts flavor first. If you’ve recently been prescribed a low-sodium diet to improve your heart and/or kidney health, adapting to this new lifestyle doesn’t have to be punishing. This cookbook offers a plethora of delicious recipes that are easy to make at home, even if you have forever been a fast-food, take-out junkie and have little to no experience with cooking for yourself. You will not only learn the basics of low-sodium cooking but you will learn to cook, shop, and enjoy your new lifestyle without sacrificing taste. Low-Sodium Cooking Made Easy offers:   A comprehensive introduction to a low-sodium diet—Learn how to keep track of your sodium intake, read labels, find and use low-sodium ingredients and alternatives, use spice blends and seasonings to enhance flavor, and replace common high-sodium foods and ingredients with healthier alternatives you can easily make at home. A diverse range of recipes for every occasion—With easy-to-make recipes for everything you love to eat, including Chicken Pot Pie, Honey-Glazed Spareribs, Cheddar Biscuits, Balsamic and Maple Salmon, Focaccia Bread, Devil’s Food Cake, and more. Nutrition information for every recipe—Each recipe includes a nutritional analysis to make it simple for you to keep on track with your low-sodium diet. A low-sodium lifestyle can be delicious and healthy with this resource at your fingertips!

[whimsicaldragonette]

ARC Review: An Atlas of Lost Kingdoms: Discover Mythical Lands, Lost Cities and Vanished Islands by Emily Hawkins

Preorder

Add to Goodreads

Publication Date: October 4, 2022

Synopsis:

On this quest around the world, you will discover lost kingdoms, phantom islands, and even legendary continents once sought by explorers but now believed to be mythical. For centuries, people have dreamed of finding the lost worlds of Atlantis, El Dorado, and the Seven Cities of Gold. As well as shedding light on these famously elusive places, this atlas contains maps and captivating illustrations to illuminate lesser-known destinations, from the lost island of Hy-Brasil to the desert city of Zerzura. You will learn about rich mythologies from different cultures, from the Aztecs to the ancient Britons, from the Greek legends to Japanese folklore.   Most of the places in this book have never been found, but within these pages you will succeed where the adventurers of the past were thwarted. Learn about ancient maps, age-old manuscripts, and cryptic carvings that reveal clues to the whereabouts of these lost kingdoms. The journey will transport you to thoroughly other-worldly places. From Emily Hawkins—New York Times bestselling author of Oceanology—comes this whimsical blend of myth and history, fact and fantasy. This lavish volume will fire the imaginations of young adventurers everywhere.

My Rating: ★★★★★

*My Review below the cut.

My Review:

This is an absolutely stunning book and I would have *devoured* it as a child. I still devoured it as an adult, but I wish I'd had it available when I was obsessed with explorers and lost cities as a child. The illustrations are gorgeous. The colors are vivid and make the cities and kingdoms seem real and as if they might pop off the page. Or as if you could sink into them and do some exploring of your own. The composition of the illustrations draw your eye around the page. The cities and kingdoms are spread out across the globe and the book is organized into sections by continent. Each section begins with a map of that region with all of the probable locations of the cities and kingdoms laid out in relation to one another which is very helpful in getting an overview and general idea of where each is located, especially for kids who may not be well-versed in geography and might be confused if they are simply said to be in Yemen, Ethiopia, Mongolia, etc. I love how the text is parceled out in boxes and banners that overlay the illustration, with some text written on the illustrations themselves in bite-size chunks. It breaks up the details and information and makes it seem easier to read and understand. This is a definite plus in a book for kids. I recognized many of the names of the lost cities and kingdoms as well as the names of many of the explorers. Some I even recognized from books my kiddo and I are reading. I came away feeling like I'd been on an adventure and learned a whole lot on the way. I especially like how each entry felt thoroughly researched and was broken into two parts: the mythology and legend of the place in question, and then the expeditions and evidence for or against it being a real place. It didn't diminish the importance of the cities and kingdoms in the mythology or religion of any peoples, but it also gave a reality check so kids don't come away thinking everything mentioned in it is a real discoverable place. 10/10 would absolutely recommend and I am pre-ordering a copy for my kiddo for Christmas right now. *Thanks to NetGalley and Quarto Publishing Group - Wide Eyed Editions for providing an e-arc for review.

[fearsmagazine]

Agnes Hollyhock's VAMPIRES - The History & Lore of the Undead comes to bookshops August 13, 2024.

Rediscover the precursors to and the cultural and historical ancestors of the modern-day vampire—the most powerful of all the forms taken by the undead—in this hauntingly illustrated volume.

The idea of a supernatural being with a never-ending, insatiable appetite for blood or human viscera has plagued the human mind for centuries, appearing in mythology and folklore from all corners of the world. Why were people of the past so concerned with such a creature? What worries and anxieties about human nature and existence could conjure up such a monster? Those of us in the present day are no less fascinated, taking these tales and reinventing and revitalizing them to embody our fears and desires in equal turn, ensuring that these undead beings will truly live on forever.

VAMPIRES (Wellfleet Press | August 13, 2024 | $19.99) explores the imagination, stories, and culture of these bloodthirsty creatures of the night by reintroducing the very first beliefs of vampires across a wide variety of cultures and geographic regions. Learn the history of your favorite monsters and their characteristics such as: o Shroud Eaters: German vampires who feed on their burial shrouds, other corpses, psychic energy, and human flesh o Strigoi: Medieval vampires from Slavic folklore. One story associated with them may have been the origin of vampires drinking blood from their victims' throats. o Jiangshi: An undead revenant from China. They are said to derive their supernatural powers from the moon, so are at their weakest during the day or on a new moon. o Dhampirs: Monsters, or misunderstood? The children of vampires and humans, Balkan folklore suggests that dhampirs make the ideal vampire hunters, as they can eliminate vampires with any tools at their disposal. o and more!

Featuring intricate illustrations, this ghoulish handbook looks back to the folklore throughout the centuries of the undead. Find the vampires you never knew existed and reveal the history of the undead.

[jessicaroux]

A Natural History of Dragons comes out September 3rd in the US and September 5th in the UK! It’s a beautiful tome detailing dragons around the world, their anatomy and life cycle, habits and habitats, and the secrets of dragon fight. Written by Emily Hawkins and published by Quarto Kids 🐉 available for preorder wherever books are sold.

[fuckyeahgoodomens]

The stuff in Gabriel’s box that Crowley dumps out to read the bottom..was that stuff Gabriel brought back from Heaven that Aziraphale wasn’t a high enough rank to see..but Crowley can? Or just random insignificant bookshop stuff. Aziraphale almost looks confused when Crowley dumps it out

Hiya! :) Those were bookshop things Aziraphale put there bc he started using it as just a box :). But they are actually quite interesting :D.

In the Good Omens book there is (with Bilton and Scaggs being publisher next door to Aziraphale):

Bilton and Scaggs' second great publishing disaster occurred in 1653. By a stroke of rare good fortune they had obtained one of the famed "Lost Quartos"—the three Shakespeare plays never reissued in folio edition, and now totally lost to scholars and playgoers. Only their names have come down to us. This one was Shakespeare's earliest play, The Comedie of Robin Hoode, or, The Forest of Sherwoode. *The other two are The Trapping of the Mouse, and Golde Diggers of 1589.*

Master Bilton had paid almost six guineas for the quarto, and believed he could make nearly twice that much back on the hardcover folio alone.

Then he lost it.

In the box on the left you can see the two plays that has been lost to the publisher neighbour (*cough*StolenByAziraphale*cough*? :D).

The second document I'm a bit confused about :D.

New Cumnock,

February, 1913

...from the Trustees of the late John Gibson, Post:

...from Cumnock, the sum of One hundred and fifteen

...with interest at four per cent until final

...of the Estate is to he be deducted from the

...falling to me,

John Gibson

Some kind of last will? I found a Jonh Gibson from New Cumnock but still don't know the connection to Aziraphale? :)🤔

@neil-gaiman could you shed light on this please? :) ❤

[greenhorn-art]

All The King's Horses | As You Are Now, So Once Was I by @samwpmarleau (grumkinsnark)

All The King's Horses [LiveJournal ch1] [Fanfiction.net ch1]

As You Are Now, So Once Was I [LiveJournal ch1] [Fanfiction.net ch1]

Fandom: Supernatural, Criminal Minds

Rating: Teen | PG-13

Category: Gen

Words: ~36,192

All The King's Horses: Protect and Serve. Fidelity, Bravery, Integrity. To what lengths would you go to uphold those oaths? When it comes to a particularly brutal and unsolvable case, the BAU just may have to resort to some more unorthodox methods. SPN/Criminal Minds crossover.

As You Are Now, So Once Was I: Sequel to "All the King's Horses." When Dean catches J.J.'s press conference on the news about a current case and notices a few...inconsistencies, he realizes the BAU is definitely going to need his help. Again. ON HIATUS

About the Book

FORMAT: Letter quarto, flatback bradel binding, french link stitch, no tapes

FONTS: EB Garamond [via Google Fonts], Supernatural Knight [via DaFont], D-Din [via Font Squirrel], Daniel [via DaFont], Permanent Marker [via Google Fonts], Arial

IMAGES: Seal of the FBI [via Wikipedia], Dean's handprint scar [by greenhorn-art]

MATERIALS: 24lb Xerox Bold Digital paper (8.5"x11"), 80pt binder's board (~2mm), 30/3 size waxed linen thread, embroidery floss (DMC #721), 1.9mm cording, brown cardstock, black Cialux bookcloth, gold foil transfer sheet (came with We R Memory Keepers hot foil pen)

PROGRAMS USED: Fic exported with FicHub, word doc compiled in LibreOffice Writer, Typeset in Affinity Publisher, imposed with Bookbinder-JS, title pages designed in Affinity Designer/Photo

.

I first read these stories on LiveJournal back in 2013, some time after I first encountered Tumblr, Supernatural, and the wider world of online fandom. Once I discovered SPNxCriminal Minds crossovers I devoured so many of them. Something about POV Outsider on the Winchesters, the existing connections with investigating monster vs human-crazy cases, and run-ins with the FBI... it's just works so well.

Of all the SPNxCM fics I read and enjoyed, All The King's Horses is among those that bookmarked themselves in my brain. Since it's been living there all these years, I thought it deserved a place on my bookshelf too.

(Rambling below)

Sourcing the Fic

I used FicHub to download the fics off of Fanfiction.net as HTML. Then I pasted them into LibreOffice Writer and created rich text documents of each fic, so I could Place them into Affinity Publisher.

The stories were crossposted, first on LiveJournal and then Fanfiction. I included the metadata from both sites in the appendices.

(It's fascinating to see the differences in the same work between platforms. FFN requires genres, so if the author doesn't add them on LJ then by default there's more info on FFN. But FFN limits listed characters to 2, so authors have to pick and choose the most important. Then there's the author's amusing disclaimers and spoiler warnings for these fics, which are only included in the LJ version)

Shoutout to the author for how they linked/listed their accounts on other platforms! Thanks to that I was easily able to track down all the tags/metadata for the fics, and find them here to express my appreciation for their stories!

Typesetting

Fonts

EB Garamond is my new favourite body font, 11pt as per my usual.

The title page is entirely Arial: 1) it was the closest match I have to the case file prop I was copying, and 2) if it was a government doc they wouldn't be using anything but the most basic fonts.

Headings and the the bullets bracketing the page numbers are set it Supernatural Knight, a free font in the style of Supernatural's title.

The location segments are in D-DIN, the closest free match to the font Criminal Minds uses (which is probably DIN).

Daniel is used for Dean's 'rushed but legible' note.

Permanent Marker for the 'thick black Sharpie' case file labels.

Artwork

Title pages designed as FBI case files, copied from a prop found online (specifically Etsy's propfictionstudios', but it's all over the web so no idea who actually created it). I had fun plugging in all the fanfic/bookbinding meta!

The ID# above the author's name is the FFN story ID, and the date is the date originally posted on LJ.

The handprint used in the headings of ATKH is Dean's scar. I traced off of a screenshot from s4e01 Lazarus Rising. I chose to use the handprint instead of the anti-possession tattoo or a Devil's Trap as my SPN art element because 1) it's specific to Dean, and 2) indicates/reminds that the story is not set during the season 3 Agent Henriksen/FBI arc.

Grabbed the FBI seal off of Wikipedia.

Construction

Both fics typeset and printed separately, then sewn together into one book. Title page for the sequel was tipped in like an endpaper prior to sewing.

Endbands sewn with orange embroidery floss (DMC 721) around 1.9mm cording. I chose orange because Dean's being in jail brought to mind the orange prison jumpsuits Sam and Dean wore in s1e19 Folsom Prison Blues.

Black bookcloth for the cover, like the Winchesters' beloved black '67 Chevy Impala. (I'd wanted a Supernatural reference to balance out the Criminal Minds-ness of the FBI case files).

I'd originally planned to make lineart of the front of the car, and have it stretch across the bottom of the cover (maybe even wrap around to the back). Even found a useful reference to trace [from here], but it didn't look as good as I'd hoped. Instead I reused the FBI seal and swapped out its text with the titles.

(The effect of shiny foiled FBI symbol on small black book reminds me of one of those FBI badge wallets!)

The foiling process was an unnecessarily long and gruelling affair. My laptop served as a massive power bank for the hot foil pen as I spent 2hrs ever so slowly tracing the image, and then 15mins on the author name and touch-ups. Did it need to take so long? Moving slowly, pushing down hard, going over everything at least three times? I'm sure it didn't. BUT I did not want to chance peeling up the foil to check how I was doing and risk shifting it. It was worth it in my books (haha) ‒ I feel giddy and kick my feet like a schoolgirl whenever I see it!

New Things

Used 24lb paper for the first time, and I love it! It's a little thicker and heavier then regular 20lb printer paper, feels more substantial.

The page numbers & running/section headers are along the outer margin, instead of in the header/footer. This was my way around Affinity's buggy-ness regarding pinning things inline in master pages. (More about that below). If I had been thinking, I could have formatted them like the tabs on a file folder and cut the textblock to match. Oh well, the things you notice once it's printed 😔

This time I also started new chapters/sections using text flow & paragraph spacing settings, instead of using a master. As always, there are pros and cons.

Pro: much faster and less involved. (find chapter start, apply paragraph style VS working from the end cutting text, inserting a frame break, unlinking frames, inserting new pages with master, relinking, pasting, and adding chapter title to a different text box)

Con: images need to be added manually (whether by adding image directly, or by applying a master with the image). I forgot to do this for the second fic, so only ATKH have Dean's handprint scar.

Difficulties Encountered

Affinity Publisher is fighting me on pinning things inline on master pages. They like to disappear on regular pages I've applied the master to. Sometimes it works, sometimes it doesn't, sometimes it only works on some of the pages. Idk what's up. (The bullet character only faces one way so I had use textboxes, flip/mirror one, and pin them inline to the page number).

So instead of having page numbers in the footer, bookended left and right by text boxes with Supernatural Knight's bullet, I put it vertically down the side.

Updated Publisher and all my paragraph styles' fonts changed/went funny. Something to do with the update's variable font support, I think. What was previously 'EB Garamond' regular, was now something along the lines of 'EBGaramond-Regular' which isn't a font. Issue seems to have ironed itself out in my original (near-complete) doc while I was busy remaking it. 😐

On the bright side, the update brought QR code generation to Affinity!

[bobnichollsart]

My 25 years of palaeoart chronology...

One of the books I illustrated in 2007 was TRAILBLAZERS: DINOSAUR HUNTERS, published by Quarto Children's Books. I'll post a few acrylic paintings from it today, here's a Protoceratops and Tarbosaurus.

[uwmspeccoll]

It’s Fine Press Friyay! 

This week we’re digging into our 1896 copy of Alexander Pope’s (1688-1744) The Rape of the Lock: an heroi-comical poem in five cantos, which features decadent illustrations by Aubrey Beardsley (1872–1898). This crown quarto edition of 500 was issued in London by Leonard Smithers (1861-1907). It was printed on deckle edge paper at the Chiswick Press.  

This publication is an excellent example of high burlesque, a style of satire in which “a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter.” Pope’s epic treatment of a minor event of social trespass- the theft of a lock of Arabella Fermor’s (1696-1737) hair by Lord Petre (1689-1713), her suitor at the time of the incident and soon-to-be ex-fiancée, mocked the excessive role of social mores and morality in European culture of the era through exaggerated imitation.  

Leonard Smithers was a London bookseller and publisher associated with the Decadent Movement, a 19th century Western European artistic and literary movement that prized aesthetic excess, artificiality, and hedonism. In addition to his support for Beardsley’s work, he also promoted the work of a number of controversial figure or the time including, amongst others, Max Beerbohm, Aleister Crowley, and Oscar Wilde.  

The Chiswick Press was founded in 1811 by Charles Whittingham (1767–1840), who found success in producing accessibly priced editions of classics. His nephew Charles Whittingham II (1795–1876), who took over in 1840, was known for printing William Morris’s (1834-1896) early work, and would establish the press as part of the Private Press Movement in England, which started in reaction to the mechanization of book production. Contributors to the Private Press Movement championed the material qualities of their publications, lending heightened consideration to aesthetic choices and reviving traditional techniques of typography, binding, paper making, and printing.

--Ana, Special Collections Graduate Intern

View more Chiswick Press posts

View more Alexander Pope posts

View more Aubrey Beardsley posts

view more Fine Press Friday posts.

[youryurigoddess]

Aziraphale’s secret investigation and overlooked Clues

Remember this frame from Good Omens S02E06? Apparently Aziraphale had been using the empty carton box brought by Jim to store things in. It became a new home to at least two out of three “Lost Quartos” — the supposedly lost Shakespeare plays briefly but hilariously mentioned in the Good Omens book — as well as a very mysterious legal document.

Thought probably half of the Good Omens analysts here, including the ever so wonderful @fuckyeahgoodomens, who managed to find some information about the deceased John Gibson from New Cumnock (1855 - 1905).

Unfortunately the most interesting thing about this early 20th century provincial postmaster was his youngest child James (1894 - 1973), a quite famous stage (West End!) and film actor immortalized on screen in The Master of Ballantrae (1962), Witch Wood (1964) and Kidnapped (1963).

After that particular discovery the fandom-wide search seemingly led nowhere and the topic died a premature death.

And I almost figured it out seven months ago.

“But Yuri, you’re so clever. How can somebody as clever as you be so stupid?”, you probably want to shout across a busy London street at this point. Well, let me tell you. Much like Aziraphale, I'm blindingly intelligent for about thirty seconds a day. I do not get to choose which seconds and they are not consecutive.

Only tonight the stars have aligned in an ineffable way.

For those of you who don’t follow this account, some time ago I’ve realized that John Gibson isn’t the only testator whose estate was being investigated by Aziraphale right before The Whickber Street Traders and Shopkeepers Association monthly meeting.

If you watch S2 finale closely enough, you should notice that Crowley not only stress cleans Aziraphale’s bookshop — he also goes through the books and papers on his desk between the last three angels leaving the bookshop and Maggie and Nina’s intervention. A seemingly permanent arrangement of the props post-shooting, visible in detail both on Radio Times tour and SFX magazine photo shoot, sheds even more light on this detail.

The close-ups published after S2 release are legible enough to refer us to a much more prominent historical figure, Josiah Wedgwood (1730 – 1795) — an English potter, entrepreneur and abolitionist. Founding the Wedgwood company in 1759, he developed improved pottery bodies by systematic experimentation, and was the leader in the industrialisation of the manufacture of European pottery.

Long story short, I transcribed the handwritten pages abandoned on Aziraphale’s desk, found out the source and the full text of what could be identified as Wedgwood’s last will and testament, took a walk to visit his Soho workshop, and proceeded to write a lengthy meta analysis about it.

I was today’s years old when I realized that there’s something else connecting those two dead British men.

The Scottish Post Office Directory of 1903 recorded John Gibson from New Cumnock as a “stationer and china dealer” (above) operating from the shop located in the town’s post office building.

Indeed, a close look at his post office shop window in the Henderson Building (below, bottom left) reveals an artful display of fine china and pottery next to postcards printed by Gibson.

There are multiple ways to connect this surprising link with possible S3 plot points, obviously, but it’s getting late, so let’s just name the two most important ones.

You’ve probably heard of the Holy Grail, maybe from Monty Python or Good Omens S01E03 1941 flashback. Depending on the version of the story, if can be a cup, a chalice, a bowl, or a saucer — but almost always a dish or a vessel connected personally, physically and metaphysically to Jesus (unless you’re partial to Wolfram von Eschenbach’s idea that the Grail was a stone, the sanctuary of the neutral angels who took neither side during Lucifer's rebellion).

A slightly more obscure dish related to the Son of God appears in the sixteenth chapter of the Book of Revelation as a vital part of His Second Coming. The Seven Bowls (or cups, or vials) of God’s Wrath are supposed to be poured out on the wicked and the followers of the Antichrist by seven angels:

Then I heard a loud voice from the temple telling the seven angels, “Go and pour out on the earth the seven bowls of the wrath of God.” So the first angel went and poured out his bowl on the earth, and harmful and painful sores came upon the people who bore the mark of the beast and worshiped its image.

The second angel poured out his bowl into the sea, and it became like the blood of a corpse, and every living thing died that was in the sea.

The third angel poured out his bowl into the rivers and the springs of water, and they became blood. And I heard the angel in charge of the waters say, “Just are you, O Holy One, who is and who was, for you brought these judgments. For they have shed the blood of saints and prophets, and you have given them blood to drink. It is what they deserve!” And I heard the altar saying, “Yes, Lord God the Almighty, true and just are your judgments!”

The fourth angel poured out his bowl on the sun, and it was allowed to scorch people with fire. They were scorched by the fierce heat, and they cursed the name of God who had power over these plagues. They did not repent and give him glory.

The fifth angel poured out his bowl on the throne of the beast, and its kingdom was plunged into darkness. People gnawed their tongues in anguish and cursed the God of heaven for their pain and sores. They did not repent of their deeds.

The sixth angel poured out his bowl on the great river Euphrates, and its water was dried up, to prepare the way for the kings from the east. And I saw, coming out of the mouth of the dragon and out of the mouth of the beast and out of the mouth of the false prophet, three unclean spirits like frogs. For they are demonic spirits, performing signs, who go abroad to the kings of the whole world, to assemble them for battle on the great day of God the Almighty.  (“Behold, I am coming like a thief! Blessed is the one who stays awake, keeping his garments on, that he may not go about naked and be seen exposed!”) And they assembled them at the place that in Hebrew is called Armageddon.

The seventh angel poured out his bowl into the air, and a loud voice came out of the temple, from the throne, saying, “It is done!” And there were flashes of lightning, rumblings, peals of thunder, and a great earthquake such as there had never been since man was on the earth, so great was that earthquake. The great city was split into three parts, and the cities of the nations fell, and God remembered Babylon the great, to make her drain the cup of the wine of the fury of his wrath. And every island fled away, and no mountains were to be found. And great hailstones, about one hundred pounds each, fell from heaven on people; and they cursed God for the plague of the hail, because the plague was so severe.

[haute-lifestyle-com]

The Complete Guide to Vegetable Gardening, from Quarto Publishing, brings to the pages an exhaustive guide to cultivating the garden, beginning with the basics, from understanding soil to preserving your harvest, companion planting, and herb gardens

[cathygeha]

REVIEW

Vegan Fast Food by Brian Watson

Copycat Burgers, Tacos, Fried Chicken, Pizza, Milkshakes, and More!

 Feasting on the photos was a delight and made me drool…would love to have picked up a burger ready to eat right from one of those pages but instead hope to make one at home in the future, if I can find the ingredients here in Lebanon.

 What I liked:

* The gorgeous photos with every recipe

* Concise recipes that are easy to follow

* The ingredients are probably easy to find in the West and sources and products are recommended

* Reading about variations on how to grill the burgers

* That there was one bean burger I can probably find the ingredients for locally

* That there were alternatives offered for basic “not-meat” ingredient

* Safety tips

* Kitchen tools, tips, and suggestions

* How closely the vegan recipes resembled the real fast foods

* Recipes I’d like to try: rice paper bacon, vegan Ranch Dressing Recipe and other condiments, actually… a lot of them!

* Kind of wondered about the nutritional information on the recipes but perhaps it is better NOT to know ;)

* The variety of recipes provided

 What I didn’t like:

* That many of the recipes are ones I probably cannot make locally as many ingredients are not available in Lebanon and if they are, they are prohibitively expensive due to the current local economy.

 Did I like this book? Yes

Would I give it as a gift to someone? Yes

 Thank you to NetGalley and Quarto Books for the ARC – This is my honest review.

 5 Stars

      BLURB

 Forget the drive-through, in Vegan Fast Food you’ll find mouthwatering junk food and comfort food classics, minus the meat and dairy. Whether you’re a brand-new vegan missing buffalo wings or a longtime vegan tired of the limited vegan options when eating out, Brian Watson, aka Thee Burger Dude, has been there. In fact, few food bloggers have thought more about what textures, tastes, and special sauces make iconic dishes so addictive. In this book, he takes you on a tour through national chain favorites, regional cult classics, and even a few nostalgic dishes perfect for parties, potlucks, or any Saturday night. Recipes include: Nationwide Burgers and Fries: Brian made his name on recreations of iconic burgers. In this chapter, he shares his obsessively researched, version 2.0 editions for nationwide icons and debuts a ton of new recipes as well. Fried Chicken, Wings, and Nuggets: Multiple styles of plant-based fried chicken are covered, including Brian’s YouTube sensation oyster mushroom fried chicken. Beyond the Bun: Craveable Mexican, Asian, and fast-casual recipes that are every bit as good as the original meaty or cheesy versions range from delivery-like pizza and kung pao to gorditas, burrito bowls, and meatball subs. The Most Important Meal of the Day: Breakfast for dinner? Hangover brunch? No matter the mission, this chapter packs the vegan biscuits and gravy, breakfast burritos, diner-style pancakes, and the French toast sticks to make it happen. With a basics chapter that sets you up with homemade burgers, fried chicken, and all the essential condiments, you’re sure to find whatever you’re craving!

[piscesmoonpress]

skinny-dip inside your mind by spacexcowgirl (@spacexcowgirl)

Through the smoke and dark lighting, it’s hard to make the man out, but his looks really don’t matter. This isn’t about what Regulus wants in a partner, it’s about what he needs to survive. At the moment, he’ll take whatever he can get.

Pairing: Regulus Black/James Potter Fandom: Harry Potter

I'm so excited to share this bind that I made for Rose, who wrote one of my favorite jegulus fics over the span of a single weekend, and messaged me about it incessantly the entire time.

Turning this story into a bind was so fun, and I'm incredibly proud of the way it turned out. Hopefully, I managed to do this masterpiece justice.

Quarter-Letter | 23,433 words | 157 pages

Title Font: Clavichord Body: Fern

Typset and bound by me in InDesign for @spacexcowgirl.

Making the typeset for this bind was a bit of a process I wasn't prepared for. Previously, I made all my typesets on Word, and the switch over to InDesign was not an easy one. That said, I have officially been converted, and I am so proud of the way this one turned out.

Rose said that she imagined this story as a bit dreamy, though given that it's an incubus fic, I did got in a bit of a gothic direction. All the design details, excluding the eye on the cover page, is done using the Fern and Clavichord fonts, including the motif on the back of the bind.

This was also my first quarto, which was a fun challenge that I wasn't expecting to enjoy so much. I can confidently say there will be many quarto binds in my future—this one was quick, easy, and addicting.

Materials and Techniques

Cover Bookcloth: Duo in Mudbath Spine Bookcloth: Iris in Black HTV: Siser Brand in Red Endbands: Mettler Silk Finish Thread

The only new technique I used in this bind was the double-core french endband, which I learned from @no-name-publishing as a part of the @renegadeguild binderary tutorials.

The binding itself is a three-piece bradel bind that I used before on my Choices bind. It's slightly adapted from the DAS tutorial to accomodate a flat spine, as this book was a bit too small for my comfort to round, but otherwise used all the same steps.

I recently acquired a few yards of Duo in various colors, and I absolutely fell in love with the mudbath color for this bind—the contrast of the blue and the red gives it a very dreamy look. The spine is Iris bookcloth, which is a favorite of mine because of how well it foils. This bind is photographed on misprints, of which I had quite a few, given that this was my first quarto.

skinny-dip inside your mind is free to read on ao3, here.

[allstartrekgames]

Durotta

Original Release: 1991 (appeared in Star Trek in 1998)

Developer: Blaise Muller

Publisher: Gigamic

Original Platform: Board Game

Durotta is what the game Quarto will be called in the 24th century. Based on the Voyager Season 5 opening episode “Night”, with Tom Paris opening the game with the “Novakovich gambit”.

The object of Durotta is to place a piece in order to form a line of 4 with a single matching characteristic. These characteristics are: Tall/Short, Round/Square, Light/Dark and Full/Hollow. As long as one characteristic is consistent across 4 in a row, you’ll win. For example: if you place a tall piece to form a row of four tall pieces, you win, even if they are all a mixture of light and dark.

What makes the game special is that you don’t choose what piece you play: your opponent does, which makes the game incredibly strategic as you have to think about what moves your opponent can make when deciding what piece to hand them, but also keep an eye on the remaining pieces when placing one as you don’t want to force yourself to give your opponent the winning piece. We see Tom and B’elanna passing each other the pieces, so it seems like they were following the actual rules of the game (even if they made up names for moves).

I only tried this game because of it’s appearance in Voyager, but I really love it. It’s a brilliant game, and the mini version (the one I got) is nice and portable – it also looks fantastic and makes for a great display piece.

[moonshinebindery]

Book No. 13

A tête-bêche quarto of two Hannibal fics by emungere, bound for @springkitten, which were exactly the right length to make this a satisfyingly chunky little book to hold.

I have to confess I'm only passing familiar with Hannibal, so I had to take a wild stab at the vibes (as Hannibal does at people, perhaps?), but they assure me that these were acceptable.

This was my first time typesetting from start to finish in Affinity Publisher, and I'm now at that stage where it's not so frustrating to use that I can't appreciate how powerful a tool it is, which is great.

I also trialled a new method of hot foiling, using a handheld foil pen with a plotter-cut vinyl stencil. I'm really pleased with the results here, which is largely due to the faux-leather bookcloth (also a first for me). It took the foiling beautifully, as well as taking creases nicely and generally being very fun to work with.