#Production and Operations Courses
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kartikreddyblog · 5 months ago
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Driving Efficiency and Innovation: PGDM in Production & Operations Management
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diptisinghblog · 5 months ago
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Mastering Operational Excellence: PGDM in Production and Operations Management
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khushidubeyblog · 6 months ago
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Production and Operations Management: Streamlining Processes for Business Efficiency
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ananyamehtablog · 7 months ago
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Top Colleges in Bangalore Specializing in Production and Operations Management
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alaa-kh-me · 29 days ago
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Hi😍😍
عيد سعيد عليكم وعلي الأسرة الكريمة 🤩🤩🤩
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businessideas23 · 1 month ago
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visiturcollege · 4 months ago
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diptisinghblog · 7 months ago
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Mapping Your Path: Top Colleges for Production and Operations Management in India
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educationnewblogger · 8 months ago
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ananyamehtablog · 9 months ago
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Operations Management and Production Management: Streamlining Processes for Business Efficiency
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the-real-team-starkid · 5 days ago
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With your help, THE GUY WHO DIDN'T LIKE MUSICALS will return to the stage this summer! Check out the Kickstarter pre-launch page and bookmark the project!
The hit horror-comedy musical returns after seven years for a bigger, longer live run. Join Paul, Emma, and the rest of Hatchetfield in a fight for survival as the world around them is transformed into a musical hell!
If funded, the live remount will run this summer (July - August 2025) at the El Portal Theater in Los Angeles, CA. Following that, a digital version of the new performance will be made available at first to rent, then it'll hit YouTube a short time later. The show's Kickstarter campaign starts Saturday, April 26th, so bookmark the project and join us for the horror and jubilation!
This long awaited remount of THE GUY WHO DIDN'T LIKE MUSICALS will be directed by Lauren Lopez. It will star:
Jon Matteson as Paul Matthews
Lauren Lopez as Emma Perkins
Joey Richter as Ted Spankoffski
Corey Dorris as Bill Woodward
Jaime Lyn Beatty as Charlotte Sweetly
Jeff Blim as Mr. Davidson & General MacNamara
Mariah Rose Faith Casillas as Zoey Chambers, Alice Woodward & The Greenpeace Girl
Will Branner as Professor Hidgens
THE GUY WHO DIDN'T LIKE MUSICALS features a book by Nick & Matt Lang, and music & lyrics by Jeff Blim. More info about the remount's creative team to come over the course of the Kickstarter campaign.
WARNING: THE GUY WHO DIDN'T LIKE MUSICALS is intended for mature audiences. It features adult language, adult humor, simulated violence, singing, dancing, and imagery that some audience members may find frightening. Viewer discretion is advised.
VIDEO CREDITS:
Kickstarter Video Director: Nick Lang
Director of Photography: Curt Mega
Production Coordinator: Kim Whalen
Camera Operator: Eric Carroll
Make-Up Artist: Gabriela Vega
Editor: Nick Lang
Promotional Photographer: Paul Gabriel
Logo Designer: Meg Lloyd
Meteor Created by: Matt Lang
KS Video Cast: Jon Matteson, Lauren Lopez, Jeff Blim, Mariah Rose Faith Casillas, Corey Dorris, Joey Richter
Music: Jeff Blim & Matt Dahan
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crushpunky · 6 months ago
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drew and actress!reader test how well they know each other
masterlist | actress!reader masterlist
this is based off the gq couples interviews. this one was a bit more difficult to write since there wasn't anything to go off of, but hopefully y'all enjoy it :)
Y/n sat in her chair, adjusting her hair to fall smoothly around her face with a calming, deep breath. Drew took his seat opposite her, smiling widely as a production assistant handed each of them a stack of cards. He wore an oversized knitted cardigan over a crisp white t-shirt paired with a pair of distressed jeans, his sharp features and messily styled hair tying the look together in a way that made y/n swoon.
“You ready?” Drew asked, raising his eyebrows slightly. With both of them preparing for the release of the newest season of Outer Banks as well as their respective upcoming projects, their agents suggested they do an interview together. Overjoyed at the offer, the two of them emphatically agreed to sit down with GQ for their Couples Quiz. It wasn’t the first time they had done interviews together, usually joined by the rest of the OBX cast, but this was the first time it had only been the two of them explicitly opening up and talking about their relationship.
“Of course,” Y/n returned his grin, crossing her legs as she glanced over towards the cameras. Since they went public with their relationship, they had never been especially secretive about it, talking about each other easily in passing as their partner or significant other. However, it was a bit nerve racking to be so open and talk so openly about the intricacies of their relationship.
“Alright, y/n you are clear to begin with the introduction…” one of the camera operators focused the lens on y/n, “now.”
“Hello, I am y/n y/ln and this is…” y/n gestured over to Drew, whose gaze still remained on her before he tore his eyes away and looked into the camera lens. 
“Drew Starkey.” Drew said quickly, causing y/n to laugh and a smirk to creep upon Drew’s lips.
“And today we will be taking GQ’s Couples Quiz.” Y/n finished before turning to Drew once more. With a dramatic flare, Drew shuffled his cards and cleared his throat.
“First up, how many siblings do I have?” Drew said with a quirk of his brow.
“Oh that one’s easy,” y/n said, wiping a faux bead of sweat off her forehead, “you are the oldest of four. You have two sisters and a brother.”
“That is true, that is true.” Drew grinned before tossing the card behind his chair.
“Alright, my turn,” y/n straightened in her chair, “what was my first job?”
“Why a barista of course,” Drew said, “and an excellent one at that. This girl makes a fucking killer iced latte—”
“Joseph!” Y/n reddened at his swearing, Drew immediately clamping a hand over his mouth as the two of them laughed.
“Sorry GQ,” Drew chuckled, “but it’s true. She makes a very good iced latte.”
“But yes, you are correct. My first job was in a coffee shop.” Y/n said, resting the cards back in her lap.
“Next,” Drew began, “what was our first date? Ooh that’s kind of a hard one.”
Y/n nodded to herself, thinking back towards the beginning of their relationship. It was by no means a traditional beginning, the two of them already living with each other between seasons of OBX when COVID hit. It had been only a few months into quarantine when they could no longer deny the feelings they had for each other, eventually leading them to finally start dating after what felt like lifetimes of pining over each other.
“Yeah, it is,” y/n chewed on her bottom lip in thought, “I mean we were already living with each other when we started dating, so I think we might’ve skipped that step.”
Drew chuckled, “yeah I think you’re right. But I think we’ve made up for our lost dates, you think?”
“Oh yeah, five years of living with this one I think we’ve made up for it.” Y/n smiled, thinking back to all the nights they’d spent together, whether sitting on the couch watching a movie, out at a fancy restaurant, or tangled in the sheets in their shared home. Continuing on, y/n looked at the next card.
“Drew if you don’t get this one we might have a problem,” y/n said, to which Drew’s eyes widened as he leaned in intently.
“What is my favorite Taylor Swift song?” Y/n peered over the card, a wide grin creeping on her cheeks as she watched Drew let out an exhale of relief.
“I definitely know this one: Getaway Car,” Drew said with a shrug. Y/n turned to the camera, flashing a smile and tossing the note card back. Drew did a fist pump before relaxing back into his seat.
“He knows me so well,” Y/n said. “What’s your favorite Taylor song, Drewseph?”
“Ooh, that’s a good question…” Drew rubbed his fingers along his jaw in contemplation. “I think I’m going to say Daylight because that was what we played at our wedding.”
Y/n rolled her eyes in faux annoyance at Drew’s overly sentimental but oh-so-very-Drew answer before letting out a giggle. Drew playfully rolled his eyes in return, a wide smile still plastered across his face.
“Alright, alright, who is my favorite character in Outer Banks?” Drew asked, tapping the queue cards against his chin as he waited for y/n to respond.
“I know they probably wanted this to be some cute answer and say me, but it’s really not.” Y/n said, causing the crew behind the cameras to giggle.
“Yeaaahhh it’s not.” Drew shook his head with a laugh only causing the crew’s giggles to intensify.
“It’s Barry, Nick Cirillo. The true love of his life.” Y/n said, using her finger to mime a tear falling down her cheek with an exaggerated frown.
“No, don’t say that.” Drew tossed the card at her with a shake of his head. “Yes, Barry is my favorite character, but the love of my life is most definitely sitting right here in front of you folks.”
“Aww, Starkey you sap.” Y/n said, blowing Drew a quick kiss before grabbing another question card.
“Alright, back to the questions,” y/n began. “When did we first meet?”
Drew’s face immediately lit up at the memory, “oh I remember it very clearly.”
“Do you now?” Y/n chuckled, cocking her head as she listened to Drew’s words.
“Yes, it was right after I had gotten a call back for Outer Banks,” Drew said. “They invited me in for a chemistry read and I just remember coming in and seeing this… just, absolutely beautiful girl sitting with the directors and my stomach dropped. Then she came over to me and introduced herself and I thought I was going to pass out. I was so nervous, but I tried my best to play it cool and… yeah. Here we are.”
“There is no way that is true!” Y/n teased, laughing at Drew’s exaggerated gestures as he told his story. She certainly remembered the day fondly, but she didn’t detect any of Drew’s nervousness… Maybe because she herself was so overcome with nerves the second she saw him walk through the door it didn’t even occur to her that someone who looked like that could possibly feel the same way about her.
“It is!” Drew said, raising his hands in surrender. “I thought I was totally going to bomb the audition but once the camera started rolling everything just clicked… and I’ve been totally obsessed ever since.”
Y/n felt her cheeks warm up, moving to cover her face with one of the question cards.
“Ok, here is the final question, baby,” Drew continued, a mischievous grin on his lips as he watched y/n’s flustered expression.
“Oh no!” Y/n said, smoothing her hair down and taking a deep breath to calm the flutters in her stomach. Despite being together for nearly five years, and even getting married, Drew still managed to always make her weak in the knees and remind her just why she loved him so much.
“Where is my favorite place on Earth?” Drew asked.
“Oh, I think I know this one,” y/n said with a smile. “Charleston, South Carolina.”
“Yep. Best place, best people… it’s truly our home.” Drew grinned, putting the card down and resting his chin in his hand as he stared at y/n lovingly. Catching his gaze, y/n stood up before walking over to him, the two of them embracing each other as the cameras continued to roll. Once they pulled apart, Drew rose to his feet, the two of them turning towards the camera.
“Thank you, GQ!” Y/n waved, Drew placing a kiss to the top of her head before waving along, the two of them smiling ear to ear and practically radiating with a love that continued to grow stronger every day.
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mrs-stans · 5 days ago
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How Sebastian Stan Survived Communism and Became Hollywood’s Most Daring Shape-Shifter
So you need somebody who can play the Winter Soldier, Trump, and Tommy Lee? We’ve got the guy.
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Sebastian Stan, who can currently be seen in Marvel’s Thunderbolts*, photographed in February in Palmdale, California. Jacket by Prada; vintage T-shirt from Stock Vintage.PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
The sun is going down fast, and Sebastian Stan is trying to get inside a locked Romanian church. This windblown Monday in late February would have been his late father’s 70th birthday, and before the day is gone, he is determined to light a candle and say a prayer in the old man’s memory at a place that had meaning for them both. Stan was born and raised in Romania, where faith and superstition became rooted together for him. “Whenever I’m in a church, I have to go like this three times,” he says, making the sign of the cross with his right hand. “I have to do it. And I have to do it three times before I get on a plane.”
Just before we arrived at this Southern California church in pursuit of the sacred, Stan was indulging the profane. Is there another way to describe an encounter with a remote-controlled talking penis? The actor is based in New York, so when he visits LA, as he’s doing now to attend the Academy Awards, he has a full to-do list. Today, that includes a visit to the makeup studio Autonomous FX, which won an Emmy for transforming Stan and Lily James into Tommy Lee and Pamela Anderson for the Hulu series Pam & Tommy. The whole day is a microcosm of what has established Stan as one of the more daring and endearing actors working today. He thinks deeply but has a wild side too.
We’ll get back to the robo-penis later.
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Jacket by Dior Men; belt by Artemas Quibble; vintage T-shirt from Stock Vintage; vintage pants from Front General Store.PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
It’s getting late, and Stan has to hurry through rush-hour traffic to get right with God for his father’s birthday. The Biserica Ortodoxă Română Sfânta Treime (or Holy Trinity Romanian Orthodox Church) that he wants to visit to light the tribute to his father is meaningful to the Romanian immigrants who founded it, but it’s no soaring cathedral. It’s tiny, a single-story white stucco structure with a squat steeple that’s hidden behind much taller trees. Across the street is the headquarters of the Bilt-Well Roofing company, which is a comparatively much bigger operation.
Stan left Romania more than three decades ago, but it’s still a core part of him. So is the uncertainty of growing up in a place where the government dominated and demoralized its own citizens—which makes him especially attuned to authoritarianism in his adopted country of the United States. His old accent is gone, of course. Few who have seen him onscreen as the Winter Soldier in a decade and a half of Marvel movies—including the upcoming outcast team-up adventure Thunderbolts*—could find a trace of it. Stan’s character of Bucky Barnes is as all-American as his closest friend, Captain America. The character was a Brooklyn native, but Stan took on a neighboring Queens inflection for another famous (or infamous) performance, playing young Donald Trump in the scathing true-life drama The Apprentice. The role earned him both a best-actor Oscar nomination this year and the enduring rage of a vengeful, unchecked president.
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Suit by Emporio Armani; shirt by Giorgio Armani; necklace and watch by Cartier. PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
New faces and new voices were exactly what drew Stan to acting in high school. He moved to the US in the 1990s, and—as an immigrant kid still struggling to adapt to the language and culture—it was a lot more fun to be Bum Number Two in a production of Little Shop of Horrors than it was to be himself. “I just remember how fun it was to try to change everything,” he says. Being onstage turned a shy kid into a scene-stealing extrovert—and he was good at it. His mother sent him to summer theater camp not far from their new home just outside New York City, and by the end of high school, he was being cast as the lead in Cyrano de Bergerac. He was a good-looking kid, but he still loved hiding his face beneath Cyrano’s oversized nose. “You’re dressing up, you’re putting on fake beards, you’re walking differently, you’re changing,” he tells me. “You take big swings. You take bigger swings than you do when you’re a young actor coming to LA to go on pilot season auditions and they try to cast you as yourself—and you’re only allowed to play yourself.”
“SEBASTIAN HAS ALWAYS BEEN REALLY FEARLESS,” SAYS CHRIS EVANS. “YOU CAN SEE THAT IN HIS CHOICES. HE TAKES BIG SWINGS.”
Stan prefers to push himself to the background. He is not an oversharer. He’ll talk about characters or stunts or the meaning he sees in a particular movie or TV show, but while fans know every detail about the lives of other performers they adore, Stan has built a following while keeping the specifics of his own life somewhat obscure. The pilgrimage to light a candle for his dad is something he would ordinarily have done by himself. But Stan agreed to share something of himself for this story, in defiance of the actorly part of his personality that wishes when you looked at him, you’d see someone else.
He pulls on the handle of Holy Trinity’s main doorway. It doesn’t budge. “Doesn’t look very open,” he says. He’s not ready to give up. He walks around the church’s property and finds an older man sweeping up outside the congregation’s neighboring all-purpose hall.
Stan opens his arms and addresses him with a traditional Romanian greeting of respect: “Sărut mâna…”
I kiss your hand.
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Coat by Miu Miu; belt by Artemas Quibble; necklace and watch by Cartier; vintage pants by Carhartt from Front General Store.PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
A week later, Stan is wearing a Prada tuxedo. It’s the night of the Academy Awards at the Vanity Fair Oscar Party, and instead of trying to win over a skeptical church janitor, he’s trying to reassure his fellow actors and filmmakers that he is just fine, despite losing best actor to Adrien Brody earlier in the evening. (The VF Oscar Party is off-the-record, but Stan gave us permission to set the scene.) Most well-wishers now come to him with condolences, but he didn’t expect to win, and in some ways he may have avoided a bigger headache.
Trump has made political retribution a hallmark of his new term in the White House, and he was enraged by the sheer fact of The Apprentice’s existence. The movie, written by veteran journalist and Vanity Fair special correspondent Gabriel Sherman, depicts Trump in the 1970s as a needy wannabe mogul, eager to escape the shadow of his powerful father and being taught by Roy Cohn (Jeremy Strong) that underhanded tactics are a shortcut to success. When the movie was released last October, a month before the election, the once and future president unloaded on it via Truth Social, calling it “a cheap, defamatory, and politically disgusting hatchet job,” and adding: “So sad that HUMAN SCUM, like the people involved in this hopefully unsuccessful enterprise, are allowed to say and do whatever they want.”
It’s unlikely that Trump had actually seen the movie at that point, but Stan has little doubt that he’s watched it since. “I would put money down he’s seen it 100 fucking times, of course, because he’s a narcissist,” Stan told me the previous week. “And I bet you there’s certain things he likes about it.” Such as? “How he looked,” Stan replies with a smile.
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Pants by Brunello Cucinelli; vintage T-shirt and boots from Stock Vintage. PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
He is too modest to say it directly, but he’s more handsome than Trump ever was, even with the prosthetic makeup that thickened the actor’s neck and dental devices called plumpers that pooched out his lips and jowls. Autonomous FX did those makeup effects too, allowing him to look more like the disco-era version of Trump. Capturing him physically, while also surfacing the scared and desperate young man beneath that exterior, is what earned Stan his Oscar nomination. “He loses his humanity. I guess that’s essentially what happens,” Stan said of the movie. “As an actor, all you’re trying to do is just look at these very human things and identify with them.”
That doesn’t mean he wants Trump to put him at the top of his enemies list. Before the Academy Awards, Stan said he was trying not to worry about potential retribution and didn’t think it would happen, unless…“I don’t know, maybe if I win the Oscar, which is like 0.0000 percent.”
“HE’S WILLING TO PLAY UNLIKABLE CHARACTERS,” SAYS JESSICA CHASTAIN. “HE’S NOT HAPPY TO JUST BE A CONVENTIONAL MOVIE STAR.”
So yes, he’s feeling fine at the party. He took with him other honors from the backslapping season, like when Jane Fonda name-dropped him while accepting a lifetime achievement award at the Screen Actors Guild Awards. “While you may hate the behavior of your character, you have to understand and empathize with the traumatized person you’re playing. Thinking of Sebastian Stan in The Apprentice,” she said.
Stan said her shout-out was “maybe better than winning an Oscar.” “I wasn’t at the SAG Awards,” he continued. “I wasn’t nominated. I didn’t go. But somebody told me to turn on the TV because Jane Fonda mentioned my name. I would never have thought in my life that she would know who I am.”
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Jacket by Prada; vintage T-shirt and boots from Stock Vintage; pants by Prada; belt by Artemas Quibble; necklace and watch by Cartier. PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
Then there was the actual trophy he won, a Golden Globe for best actor in a musical or comedy, bestowed on him not for The Apprentice but for A Different Man, in which he plays a man with a disfiguring genetic condition who undergoes a radical medical procedure to look more “normal.” The back-to-back recognition caught the attention of Hollywood’s power brokers, including Marvel Studios president Kevin Feige, who has been working with him for nearly 15 years now. “To see him winning a Golden Globe for one movie and then being nominated for an Academy Award for another movie in the same year is pretty darn impressive,” Feige says.
The Golden Globe win stirred unexpected emotions in Stan. “You never really think that you’re going to be up there,” he’s told me. “I realized from that Golden Globe moment that when it happens, it’s massive. You can’t help but reflect on everything and everyone that contributed to you getting there.”
One of them is Annabelle Wallis, Stan’s partner of several years. The couple had kept their relationship private before the Globes, when she accompanied him and got an “I love you” callout from him on the stage. Wallis joined Stan at the Oscars as well, wearing a forget-me-not blue Grecian-style gown, and he introduces her happily to me at the Oscar party. (She has heard all about our adventure trying to get into the Romanian church.) Wallis is an actor herself, best known for The Tudors and Peaky Blinders, but their relationship is not something either of them discusses. “I feel like it’s really difficult nowadays to be able to have any privacy whatsoever,” he said. “It’s the one part of my life that I try to keep somewhat for myself, even though it sort of ends up being out there.”
Stan gets that protective streak from another person who helped him get where he is—his mother, Georgeta Orlovschi, who also accompanied him to the Oscars. She raised him for many years as a single mom after she split from his father when Stan was young. “They were both very strong individuals with very strong personalities,” he says. “Neither wanted to be justified by the other. I think they both had a rebellious spirit.”
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Hat by Nick Fouquet; necklace by Cartier.PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
His father later disappeared completely, going into exile in the States. Constantin Stan was a cargo-ship worker who helped fellow countrymen evade government persecution that pervaded Romania in the decades after World War II. “He was a bit of a hero in my town,” Stan says. “My parents were part of the youth that were standing up to Communism. My father was helping people escape the country illegally, to the point where he was a wanted man. And he himself had to flee.”
Stan grew up not really knowing the man everyone else knew by the nickname “Tino,” apart from occasional telephone calls. But if his dad could vanish, it seemed plausible that his mother might too. Then one day she did.
Stan was about eight years old when his mother fled Romania to set up a new life for them abroad. Throughout his childhood, government mismanagement and corruption had led to food scarcity, fuel shortages, and electricity blackouts. The eventual revolution culminated in the downfall and execution of dictator Nicolae Ceaușescu in 1989. “I watched him get shot on television,” Stan says. “I remember that.”
The aftermath wasn’t necessarily better. “It was chaos,” Stan says, noting “how many orphaned kids were in Bucharest after the revolution because everybody didn’t have money. Nobody knew how to live. They’d been so suppressed.” He spent a year with his grandparents before joining his mother in Austria. “She came and got me when she finally had a job and established herself enough there in Vienna,” he says.
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Sweater by Loro Piana; pants by Schott NYC; necklace and watch by Cartier; vintage tank top from Stock Vintage.PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
The anxiety he felt about losing her continued even after they were reunited. “She was working. She was playing piano at night when she could, and then she was teaching piano all day long. So at 9 or 10 years old, I was taking the trolley to school myself. I was taking the subway back myself,” Stan recalls. “Then I was coming home and I was alone, and I would have to make myself food and I’d do my homework and I’d wait for her to come home. That was a lot of alone time for a kid in a foreign country.”
He learned independence, but it scarred him too. “I remember waiting for her to get home and worrying: What if she doesn’t come home? I can see how that’s worked against me in certain ways and how it’s totally benefited me in other ways. You have a lot of time with your imagination when you’re a kid like that alone. So I feel I’m very good at using my imagination to believe certain things, which helps me in a way. But then there are times where I’m feeling a degree of uncertainty and lack of control over my life that can be paralyzing.”
“MY PARENTS WERE PART OF THE YOUTH STANDING UP TO COMMUNISM,” HE SAYS OF HIS ROMANIAN CHILDHOOD. “MY FATHER WAS HELPING PEOPLE ESCAPE THE COUNTRY ILLEGALLY—TO THE POINT HE HIMSELF HAD TO FLEE.”
Stan was around 12 when his mother began dating a man named Anthony Fruhauf, who was the headmaster of a small private high school in central New York. When they got married, Stan’s mother made plans to move with her son once again, this time to the United States. “He was really kind. My stepdad was a real influence in a good way,” Stan says. “In those early years in America, speaking English with him at home I think probably led to how I lost my accent.” He was all right seeing it go. He wanted to belong.
All this surfaced when Stan was onstage accepting his Golden Globe. “This is for my mom who left Romania in search of a better life, and for my stepfather, Tony, who took on a single mom and a grown-up kid,” he said, hoisting his award as his voice broke. Pointing heavenward, he added: “Thank you for being a real man.”
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Coat by Bottega Veneta; belt by Artemas Quibble; necklace and watch by Cartier; vintage T-shirt from Stock Vintage; vintage pants from Front General Store. PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
Despite craving stability, Stan learned the value of taking chances, which has earned him a daredevil reputation among his actor friends. “Sebastian has always been really fearless,” says Chris Evans, who first appeared opposite Stan in 2011’s Captain America: The First Avenger and costarred with him repeatedly as the Marvel Cinematic Universe expanded. “You can see that in his choices. He takes big swings. When that Trump movie was kicking around, I remember thinking, I wonder who is going to take this job? It’s just got so many strings attached to it. And I was so unsurprised when I heard it was Sebastian.”
The devil on Stan’s shoulder urging him forward was Jessica Chastain, who became a close friend after they worked together on 2015’s The Martian and later the 2022 spy thriller The 355. “When we were on set for The 355, that’s when he first told me he had had the offer to play Donald Trump. A thing about Sebastian that people might not realize is he’s very, very thoughtful, almost to a point where he overthinks things. It could cause a little bit of stress. He was like, ‘Well, what do you think? What would you do?’ I said, ‘Do it.’ I was like, ‘What do you have to lose? Take a risk.’ As long as it doesn’t cause you physical danger, if something scares you—do it.”
Chastain saw Stan do that very thing in 2017’s I, Tonya, in which he played Tonya Harding’s then husband, who hatched the scheme to sabotage her rival, Nancy Kerrigan. “When so many people are trying to make you this conventional movie star, it’s a risk to do something that isn’t that,” Chastain says. “He’s willing to play unlikable characters. I find that executives have trouble with characters that may be complex and have dark sides to them. He really embraces that. He’s not happy to just be a conventional movie star.”
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Coat by Loewe. PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
Marvel Studios was looking for a dark side when they were casting the role of Bucky Barnes in the first Captain America movie in 2010. Stan was a relative unknown, though he’d had a recurring role on Gossip Girl as a pathological liar of a rich kid. “You could see that he has so much inside him and so much behind his eyes. I’ll never forget that,” Feige says. “I said to Stephen Broussard, who was one of the producers on Captain America, ‘He’s going to be a good Bucky, but he’s going to be a great Winter Soldier.’ ”
Bucky evolves into that villainous alter ego in subsequent MCU stories, going from fearless soldier to shell-shocked prisoner of war and, eventually, mind-controlled assassin who struggles to break his programming and redeem himself. Getting the part was beyond game-changing for the actor. “I was actually struggling with work,” Stan says. “I had just gotten off the phone with my business manager, who told me I was saved by $65,000 that came in residuals from Hot Tub Time Machine.” He’d played the smarmy bully in that comedy a year before. Now it was his salvation.
Since then, the Winter Soldier has become one of the most beloved and relatable characters in the MCU, even though his story is far from the traditional everyman narrative. Bucky resonates because he’s damaged goods—the patron saint of fuckups struggling to do right. The arc culminates in his new lead role in Thunderbolts*, with Bucky leading a team of former troublemakers and outcasts. Feige says that, without Stan, the character’s strange journey wouldn’t have been the emotional gut punch it is.
After lunch, Stan goes to his appointment at Autonomous FX. The headquarters is tucked near an ice warehouse and a scrapyard in an industrial neighborhood of Van Nuys. Stan is trying on a pair of fake teeth that slip over his perfect pearly whites. The goal is to give him a more regular-guy look for Fjord, the movie he’s shooting in Norway with filmmaker Cristian Mungiu, a fellow native of Romania.
There’s a story behind these teeth—dating back to before Stan got braces as an adult. “When I got Invisalign, I was so obsessed with them,” he says. “The more you wear them, the faster they work. So I actually wore them at the fucking Captain America: The Winter Soldier premiere. I have them in and I’m smiling with them and people can tell. I was self-conscious because my teeth were always a little….” He splays his fingers into crooked angles.
The prosthetic teeth are modeled on Stan’s own before he fixed them. Stan has another blast from his past waiting for him too. After the fitting, Jason Collins, the founder and lead creative force behind Autonomous FX, takes Stan through the workshops, where sculptors are making limbs, bodies, and demonic babies. On the shelves, busts of other actors like Christian Bale and Annette Bening, used for previous projects, stare down with vacant eyes.
Collins and his company essentially provide the level-up version of the fake beards and noses that Stan first loved about acting in high school—except occasionally X-rated. As part of this nostalgia trip, Collins brings out a plastic tub with the remains of the robotic erection from Pam & Tommy. The latex has dried out and decayed away. This penis “character” was voiced by Jason Mantzoukas and had strong opinions about the Mötley Crüe drummer’s romance with the Baywatch star. It was a risky creative choice by the showrunners but added levity to the series and was inspired by Lee’s own autobiography, in which he banters philosophically with his sex organ.
The makeup team and the actor forged a bond along the way. “It really becomes a partnership,” Collins says. “We stare at him for weeks and months at a time. So we know the physical structure. We know what the span of his legs is and all that other stuff.”
“You get to know the actor very well,” says Stan. Their earliest meeting involved figuring out how to fit a prosthetic over his actual privates and snake cables for the controls down his backside. “When I first came here, they made a replica to work on. So they had to cast this,” Stan says, gesturing to his crotch. “I remember you’re like, ’All right buddy, well, I guess it’s good to meet you.’”
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Jacket by Bottega Veneta; vintage T-shirt and boots from Stock Vintage; belt by Artemas Quibble; necklace and watch by Cartier. PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
After the makeup shop, Stan heads for the last stop of the day, the Orthodox church. After a persuasive conversation in Romanian, the custodian agrees to unlock the chapel for him. “Vezi ca pana,” Stan says. You’ll see it’s only for a moment.
As the doors swing open, the faces of saints stare down at us from rows of miniature shrines, not unlike the busts of the famous actors in the prosthetics lab. Both places represent things Stan believes in—the ability to transform into something new and a yearning to connect with something beyond yourself.
Stan doesn’t claim to be especially religious, but the Holy Trinity chapel takes him back to that fearful time living under Communist dictatorship, when he put his faith in higher powers and prayed for the best. “We would go to church a lot when I was little,” he says. “It’s still tied into certain things for me, because I felt such a degree of powerlessness over decisions being made early on.”
STAN IS NOT AN OVERSHARER. BUT HE AGREED TO SHARE SOMETHING OF HIMSELF HERE, IN DEFIANCE OF THE ACTORLY PART OF HIM THAT WISHES WHEN YOU LOOKED AT HIM, YOU’D SEE SOMEONE ELSE.
Stan and the man he wants to commemorate with a candle were estranged for years. He and his father finally reconnected when Stan was around 18 and began visiting Los Angeles for auditions. The New York kid would save money by staying with his father, who had settled in the San Fernando Valley (not far from the makeup shop, actually) and worked, once again, in shipping. The periodic visits brought them closer, and the relationship stayed tight until his dad died unexpectedly from COVID on a trip back to Romania in 2021.
Stan sometimes thinks his father’s story might make a good movie. In Romania, Tino was legendary for sneaking contraband Western goods like blue jeans and bananas into the country while smuggling dissidents out aboard the same vessels. “He worked hard and he loved America and he believed in being free,” Stan says. “I have always made the argument that immigrants to some extent are more patriotic than even the people that are born here because they don’t take things for granted. At least that’s what I saw in my father.”
The janitor guides us to the back of the church, where there’s a small side room with a votive stand arrayed with unlit candles.
“Can you give me one second? I’ll be right back,” Stan says.
He disappears into the shadowy alcove and strikes a light.
Later, driving away from the chapel, Stan tries to explain why he felt so compelled to go there. “I think it’s just the acknowledgment of how fragile we all are. Sometimes you go somewhere where it’s really not about you. It’s a moment to let go. Turn off for a while,” he says. “You don’t have to be anything in there. You don’t have to think any which way.”
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Jacket by Balenciaga; belt by Artemas Quibble; vintage T-shirt from Stock Vintage; vintage pants by Carhartt from Front General Store. Throughout: hair products by Rōz; grooming products by Tom Ford Beauty.PHOTOGRAPH BY NORMAN JEAN ROY, STYLED BY EDWARD BOWLEG III.
He says something similar via text two weeks later, when he’s in Norway, starting work on his new role in Fjord—with his new teeth that resemble his old teeth.
“The feeling is always the same. Like it’s the first time,” Stan writes. “It’s always a mix of fear and hope. It’s losing yourself. It’s a free fall. Every time.”
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otkuhotgirl · 7 months ago
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─── 𝐃𝐎𝐂𝐓𝐎𝐑’𝐒 𝐎𝐑𝐃𝐄𝐑𝐒
# with trafalgar water d. law.
it was said that those trapped inside his sphere were then nothing but a helpless patient on his operating table. law made sure you, too, would experience it.
⎰ & KINKTOBER, day three. medical play. glove kink. smut (mdni)! fingering (reader!receiving). freaky law. use of devil-fruit. double penetration. afab!reader.
WC: 2.5k
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it was an agreement that the captain of a crew was the most valuable asset. law had matured into such a position with natural ease — powerful and intelligent; responsible and menacing — yet, his most arduous and important role relied neither on his battle skills nor on his plans. law was crucial to the lives of crew due to his extensive anatomical knowledge and the devil-fruit whose power could heal whatever ill. he was reliable, organized, logical. shame had no place within the walls of the infirmary, for law cared not for the cause of the disease or the placement of a pimple — instead, he all but strived to get rid of it.
the gratefulness and cheerful compliments thereafter were fuel to his ego, the confirmation that he had fulfilled his duties as a captain. law drew pleasure from the fact that he was one to execute a role unique amidst his crew. he had taught them concepts of medicine and surgery — to have a set of aiding hands, at least — but none of those with whom he shared the submarine were fit to nurse themselves to health. that diligent performance, more often than not, brought him a greater sense of power than the one granted by victorious battles.
it was an achievement; a task; his father’s legacy. law treated his patients with utmost professionalism, the character of their shared dynamic long forgotten if one had to be examined. it was a neutral space; undiscriminating. his ethics were thorough, his examination was immaculate. the mere thought of law losing focus during such instances was inconceivable. that was, of course, until you were the subject whose back pressed against the examination table.
the prelude itself had been virtuous. your limbs were sore during the aftermath of an arduous battle, minuscules cuts adorning your skin due to the offensive character of your opponent. law had insisted on treating you, regardless of how minor were the gashes. the memories were a vivid talon that had claimed his mind: your knee pressed against your chest as he stretched your muscles; the perspective from being atop your figure; your mellow breaths of relief whenever his fingers succeeded in undoing a tense knot. law had grown hot, then, forced to hasteness for the sudden tightness of his pants would be sure to denounce the perverted thoughts.
the second time was one of prolonged misery. a mosquito bite from a foreign island had left you bedridden; feverish. a frailer state of mind and manners, hazed by the consequences of a higher temperature. from soothing massages to the press of ice-cold thermal bags — your comfort became his most favored goal. the pain, however, proved to be overbearing, and the product of such given relieves came in the form of multiple moans. a press of his hand had you sighing; the cool, metal touch of his stethoscope against your burning skin made you beg for longer contact. whenever law dared to place a damp towel above your forehead, you’d lean into his touch and plead for him to stay.
yet, the occurrence that snapped the strained thread of his mind had been during a routine checkup. your mouth was open wide; law had a thin, small, wooden-stick on your tongue, striving to check on the health of your throat. he teased your gag-reflex, a gloved thumb pressed against your lower lip. law had lost his senses at the sight of your tears, the wild rise-and-fall of your chest, a context much too similar to that of a blowjob. the examination was cut short, and law had spent an entire hour in the shower right thereafter, fisting his cock; chasing a fleeting orgasm that had refused him, for your touch was its demand.
the infirmary shifted into a somewhat sinful ambience. the metal table was but a surface on which you could be ravaged. the stethoscope an instrument he could use to listen to the pace of your heartbeat, its increase gradual to his thrusts on your pussy. and the gloves. rubber moistened with your cum and spit; the act of stretching it near you, for it would then strike at the growing-sensible flesh. law wanted to witness the middle in which pain and pleasure converged — and you had been the chosen subject.
fleeting touches; warm breath hovering above your earlobe; the caress of your leg, under the table, with the point of his shoe. the guaranteeing of your restlessness coated in faux aloofness. when the teasing, at last, conquered its desired effect, law had the infirmary far more than prepared to receive your storm. his nape had burned under your gaze throughout the later hours of the afternoon, and when law stepped inside the maddening room, he was well-aware that you would be soon to follow.
he hid amidst the shadows, reveling in your confused-etched expression as you walked through the infirmary’s door. when you reached the center, law locked it, the force of its shutting enough to produce a loud, startling noise; echoing through the metal hallways of the submarine. you jumped, glancing at his frame placed by the door. law’s eyes drowned in the sight of you, thoughts swirling to the fantasies whose realization was of absurd importance.
“is something wrong, captain?” you inquired, arms crossed.
law’s steps were slow; calculated. he approached you as though a leopard surrounding its prey. you grew wary, retreating without forethought until your hip-bone collided with the examination table.
“how are you feeling tonight?” law grinned at the sight of your confusion, the increasing nervousness all but exciting him further.
the sound of his palms slamming on metal had you shrieking, yet law did not seem apologetic. he all but devoured your trapped figure, cursing the chaste knitting of the jumpsuit — though the sight of his crew’s symbol above your chest sent him a jolt of uncontrollable possessiveness.
“i’m fine,” you stuttered, clearing your throat and clinging to the fabric of your garment. “better than ever.”
“is that so?” law mused, pressing the back of his hand against your forehead. his fingers were but a hook on your chin; curled and unyielding. “you’re a bit pale, wouldn’t you agree?”
“captain, i don’t—”
“doctor,” he corrected through rough intonation, forcing the angle of your face to match his own.
“doctor,” you echoed. while the grunt of lust at the sound had been contained, the same could not be said about his member — a gradual erection, borderline painful.
he sighed in faux disappointment, allowing his hand to wander; to hover above your chest. “you leave me no choice but to examine you.”
you were left out of words, mouth agape as your mind struggled to wrap itself around that turn of events.
“sit. you know the drill,” he commanded, and once you had done as such, law turned on his back, striding towards the locked drawer whose contents were the ones adjusted to fulfill the standards of what he meant on doing. his movements were languid, patient. at the absence of sound on your part, law tsked, angling his head so as to glare at you. “strip.”
your spontaneous gasp of bewilderment had a smirk etching on his face. “captain, i— what?”
“doctor. and i don’t plan on repeating myself,” he scolded, fishing the stethoscope from its previous spot. “i taught you the proper way to listen to one’s heartbeat. forgot it already?”
“oh,” you breathed out sheepishly, tugging down the zipper of your jumpsuit. law at last understood the root of your hesitation, for you wore nothing but a bra underneath. his mouth dried up, and he dared not readjust his gaze. “i thought, well, nothing. it was silly.”
“no, please, enlighten me,” he requested, positioning the stethoscope around his neck.
the growth of tension escaped past your pores as though a leaking faucet. “just, with the touches and the glances, i figured you were in search of another thing entirely.”
“and what would that be?”
your movements ceased midway, the upper half of the jumpsuit a dangling fabric at your sides. you hid your face from his glance, though his focus remained on the inviting sight of your cleavage.
“you know—”
“i do not,” law detached his figure from its previous support spot on the table’s edge, languid steps guiding him to you. “and a decent patient does not keep secrets from their doctor.”
you were caged, forced to lean back as law angled himself forward. the sudden exchange of energy, due to the temperature divergence between your spine and the metal, made you hiss. your back arched out of instinct; your chest pressed against his own as a consequence. mere inches separated his face from yours, his breath fluttering your eyelashes. your pupils dilated when law tossed his blue coat aside, the half-unbuttoned shirt he wore doing nothing to shelter his bare abdomen and chest from your lustful eyes.
you gulped; wild rise-and-fall of chest. “sex.”
he hummed, putting on the stethoscope’s ear pieces. its chest piece teased the warmth of your skin, movements too erratic to catch the proper pace of your heartbeat. “i can’t hear you, say it louder.”
you were aghast, stuttering as he smirked with malice. sentences sounded muffled; chaotic breathing hindering the performance of the tool. law placed the stethoscope aside, feigning dissatisfaction.
“it seems i’ll have to scan it closer on,” he stated, a twist of his wrist enough to teleport your heart to the palm of his hand.
it was a beating wonder; a rampant pace. the source of your life secured in between his teasing fingers. clutching it would have you howling in pain, stabbing it would reap your soul; an unfathomable, despising, thought. when it came to the negative consequences to a severe act of violence committed to one’s heart, law was well-versed. the soothing touches, however, were unprecedented territory — for now.
law drew your heart closer to his mouth, ever-so-tender. he blew a careful gust of air over the delicate flesh, and the kiss thereafter tore a devastating moan from your lips. droplets of sweat bubbled from your pores; your pupils buried the tone of your irises; your limbs all but trembled. law failed to contain a groan, losing balance at the blood flowing through his aching cock. he was desperate to witness that reaction yet again.
“take it all off,” he instructed, voice coming out strained due to the effort to keep himself from crumbling.
he laid your entire body on the examination table, struggling to ignore your whimpers as the fabric slid down your legs. law sliced the rubber gloves, discarding the pieces meant for the palms.
“room,” law detached his fingers, guiding them to the glove holes; covering them in rubber. he returned to you, breath catching at the sight of your body, bare and trembling, a marvel bestowed upon him. “the doctor will see you now.”
“please, doctor,” you mewled. “heal me.”
without further ado, granted the privilege of his devil-fruit, law guided his floating fingers to your cunt. a gloved thumb teased your clit through circular movements, two fingers parting your folds. he was aghast at the amount of lubrification caused by the mere press of his lips on your heart. law shoved his middle-finger into your cunt, coating the rubber with your essence. a loud whimper had his cock aching, and law grew worried, much too selfish to share your sounds with the external environment.
“silent,” he rasped, latching his lips to your heart, leaving a trail of kisses on the flesh. your back arched, a muted moan tearing through your throat.
he witnessed the squirming of your body; the violent trembling of your legs. his ring finger accompanied his middle one, scissoring your cunt as his thumb maintained a stable eight-pattern on your clit. law’s warm tongue teased your heart, and the shout of pleasure whose sound the barrier had silenced was his latest straw. law undid it, shoving his index and minor finger into your mouth.
“suck it,” law commanded, having your spit coat the rubber. his mouth dried, a wet patch visible on the fabric of his pants.
the swirling of your tongue around his fingers had his cock twitching, yet law had no hands available to unbutton the belt. he clicked his tongue, and the fingers inside your holes had switched, activating his devil-fruit regardless of the detachment.
“shambles,” his pants and underwear teleported to a meaningless spot.
law detached his cock and removed the pair of fingers from your cunt, for the particular warmth and wetness were meant to be claimed by his cum.
“doctor,” you babbled, voice muffled by his fingers, tears rolling down your cheeks as he applied pressure to the entrance of your ass. “it’s too—ngh much.”
“you’re still sick,” he cooed, teasing your folds with the tip of his member. “and i must treat it. can we proceed with it?”
you nodded, gagging when he shoved his fingers deeper — unrestrained by the confines of his tendons.
“speak,” he insisted, neglecting your inability to produce proper words.
“yes,” you cried out, sending vibrations through his fingers.
“yes what?” law snapped, teasing your entrance with the tip of his middle-finger.
“yes, doctor,” you coaxed in sheer desperation, trembling with need.
law hummed with satisfaction, careful during the insertion on your butthole. the rubber had enough of your essence to serve as a form of lubricant, yet he wished not for you to feel pain. his tongue licked strips on your heart, and your throat produced but an orchestra of boisterous moans, half its sound muffled. a never-ending pace of kisses to your wildly beating heart served as decent distraction, and when law slid his middle and ring fingers into your ass, you barely ever felt it.
your high was a powerful force, drowning his floating cock in your cum. law trembled, rutting his hips out of instinct, the movement itself useless as his member was no longer attached to his body. law marveled at the sight of you, covered in sweat and spit; squirting all over the examination table. he was drawn closer as though a senseless sailor to a siren’s aria, lost in your contorting features, the pleasure written all over.
your eyes met his, wet with past tears. “can i treat you, still?”
law feared that he had crossed a line, far gone in his bliss to remind himself that, although there were no limits to what he was willing to give you, the same could not be said about how much you were capable of receiving.
yet, after a minute, your breathing stabilized and your cheeks briefly hollowed, tongue swirling around his fingers. he removed them, if only to facilitate your speaking.
your voice was meek; hoarse. “treat me ‘til the end, doctor.”
he groaned when your lips parted, head weakly moving to accommodate his fingers. law’s member started to stretch you out, making itself at home within the walls of your cunt. you trembled, sensitive, and law moaned as his cock was coated with the essence from the previous squirting. he paid attention to your expression, fingers scissoring inside your butthole as he matched the pace with that established by his cock.
law caressed your heart, busying his mouth with the press of soothing kisses on your face. he shoved his cock past what was humanly possible, brushing the tip on your cervix; returning it to your entrance and ramming it inside yet again. your moans were the most entrancing melody he had heard, and law caught himself comfortable enough to produce similar sounds.
you tightened around both his fingers and cock; cunt and ass giving in to the overbearing tides of pleasure. your voice failed you, and law had his fingers removed from your mouth in order to listen to the sound of your bliss without restraints. the veins of his members twitched; he felt the knot close to its undoing. yet, it was the bulge of his tip visible through your stomach that had his vision covered in dark spots.
his grip left your heart — out of safety — as his orgasm washed over him, converging with your cum. he rode his high, careful as to observe your face and retrieve once the stimulation became too much. you were left limp on the table, a brief vocal command of his devil-fruit returning the detached limbs to his body. he threw the damp gloves on the trash can, and helped you sit, holding your heart in order to return it to your chest.
when you kissed it — shuddering at your own touch — and observed him through your eyelashes, law, however, became more than willing to ruin the infirmary further.
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— 🐈‍⬛ : dear lord this was nasty. i love kinktober.
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beatrice-otter · 1 year ago
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I’ll be honest, when one party’s aiding and abetting the genocide and the other’s outright gonna kill all my friends, I don’t really care if the fascists “win”. They’ve won already.
You know who would be delighted to hear that? Trump and Putin. The US far right and the Russian government have poured lots of time, effort, and money over the last decade+ into convincing US leftists and liberals that things are hopeless, there's no point in even trying to make things better, and the Democrats and Republicans are functionally interchangeable. They do this because one of the easiest ways for them to win is if the left gives up and stops trying. Every person on the left they can convince to give up in despair brings them closer to complete control. Defeatism on the left actively supports victory on the right.
I think your statement is wrong on a number of levels, both factual and emotional. It comes from not understanding what the actual options are for the US government and the President specifically, either at home or abroad. And it will allow actual fascism to flourish and make the world far worse than it is now.
On an emotional level, the way to address this is to stop doomscrolling. Stop focusing on the worst things happening in the world. Don't ignore them! but don't let them consume you. Start looking for the things that are going well. Find places in your community that you can get involved in making things better. Even if it's only on a small scale like volunteering in a soup kitchen or homeless shelter, it will help you realize that you aren't helpless, that there are things that can be done to make the world a better place. Stay informed about things on a local, national, and international level, but limit how much time and attention you give to things that depress you that you can't affect. Instead of sitting there thinking about all the ways the world sucks and how awful things are, look for things you can do that are productive, and then do them. You'll feel better and you will have made your corner of the world a little better. And you will be a lot less likely to unintentionally fall into the despair, nihilism, and passivity that the fascists want you to be consumed by.
Always remember that the worlds problems are not resting solely on your shoulders, or solely on America's shoulders, and neither is the hope of fixing them. Everyone has things that we can do to make the world a better place, but there are also things that are beyond our control. We can control what we do; we cannot control what others do. We can and should try to make the world a better place, but focusing on the things we can't change has no positive benefits. Focusing on things we can't change accomplishes two things: it makes you feel bad, and it stops you from doing the things you actually can do to make things better. Neither of these things is good for you or anyone else. Look for things you can do and do them. Keep informed on the things you can't change, but don't focus on them.
On a factual level, let's look at "aiding and abetting genocide," shall we?
First, it's important to remember that the US President is not the God-Emperor Of The World. The US government has limits to what it can and can't do in other countries, and both legally and practically. If the US wants to intervene in a problem in another country, there are a variety of things we can do that boil down to basically four categories. It's a lot more complex than this in practice, of course, but in general here are the categories of things we can do:
Send in the troops. Invade, either by ourselves or as part of a NATO or UN operation. (Or maybe just send in a CIA wetworks team to assassinate the head of state.) I hope you can see the moral problems with this option, and also, we've done this a shitton of times over the course of the 20th Century and pretty much every time we've done it, we've made an already awful situation worse. On a moral level, it's pretty bad, and on a practical level, it's worse. Sure, we could stop the immediate problem, but what then? Consider Afghanistan and Iraq. We got rid of Saddam Hussein and the Taliban, and everything went to shit, we spent twenty years occupying Afghanistan with pretty much nothing to show for it. (The Taliban is back in control of Afghanistan.) Things were worse when we left than when we arrived. So this option is pretty much off the table (or should be).
Diplomatic pressure. Now, the thing is, they're a sovereign nation, they don't have to listen to us if they don't want to. We have a lot of things we can leverage--including financial aid--but the only way to force them to do what we want is to invade and conquer, and that only works temporarily. Since we can't force, we have to persuade. This requires us to maintain our existing relationship with the country in question, and possibly strengthen it, because that relationship is what we're leveraging to try and influence them to do what we want them to do. If we do not maintain our relationship, they have no reason to listen to us.
Cut ties and go home. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things and we wash our hands of the whole situation. This keeps our own hands lily-white and pure, but it also means we have zero leverage to work on any kind of a diplomatic solution. They have no reason to listen to us or care about what we think. We can pat ourselves on the back for doing the right thing, but we destroy our own ability to influence anything. Not just now, but also in the future. Let's say the current crisis ends, and then ten years later there's another crisis. If we want to have any effect then, we would have to start from square one to start building a relationship. Cutting ties would be great for making Americans feel better about ourselves, and there are times when it's the only option, but it should be a last resort. If there is any hope of being able to influence things for the better this will destroy it at least temporarily.
Cut ties and impose sanctions. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things, but also use the might of the American economy to isolate and punish them. We've done this a lot over the 20th Century, too, and it has never actually resulted in the country in question buckling down and toeing the line we want them to. What happens is the sanctioned country has an economic shock (how long it lasts and how bad it gets depends on a lot of factors) and then pulls themselves back together economically, except this time they're more self-sufficient and less reliant on international trade and financial networks. They tell themselves that America is evil and the cause of all their problems, and so not only do they not listen to us, they actively hate us. And they have fewer international relationships, so fewer reasons to care about what the international community thinks about them. So they're most likely to double down on whatever it is they're doing that we don't like. This one is completely counterproductive and utterly stupid. It's great for making Americans feel better about ourselves, but if we actually care about being able to use our influence for good (or, at least, to mitigate evil) this option shoots us in the foot. It encourages other nations to do the very thing we're trying to stop them from doing.
So, with those four options in mind, both option one (invasion/assassination) and option four (sanctions) are off the table for being immoral and counterproductive. That leaves "breaking our relationship and going home" and "using diplomatic pressure" as our only two viable options.
Biden has chosen option two, diplomatic pressure. Yes, he and our government have continued financial support for Israel ... but with strings attached. They have put limits on it that have never been put on any US foreign aid before. They have taken legal steps to lay the groundwork to target Israeli settlers (i.e. Israeli citizens who confiscate Palestinian homes and businesses). We've been hearing reports for months that Benjamin Netanyahu (Israeli Prime Minister, and a far-right-wing demagogue) hates Biden's guts, because Biden is pressuring him to stop the genocide and work towards peace. Biden is maintaining the relationship, and he's using that relationship to try and influence things to curb the violence and pave the way for a just peace settlement of some sort. Biden has also mentioned the possibility of a two state solution where Palestine becomes its own completely separate country. That's huge, because up until this point the US position has always been that Israel is the only possible legitimate nation in that territory. If Biden stopped US support for Israel, it wouldn't force Israel to stop what it's doing ... but it would let them ignore us. It would remove any leverage or influence we might have.
Biden's hands aren't clean. But the only way for them to be clean would be to also give up any chance of influencing the situation or working to protect Palestinians now or in the future. Only time will tell if it works, but I personally would rather have someone who tried and failed than someone who didn't even try. You might disagree about whether this is the right course of action, and there's a lot of room for honest disagreement about the issue (there's a lot of nuances that I'm glossing over or ignoring). But please do acknowledge that Biden isn't supporting Israel because he supports genocide; he's doing it so that he can continue to maintain diplomatic pressure on Israel to stop the violence.
Which brings us back to "aiding and abetting genocide." Trump is not like Biden. Trump is good friends with Netanyahu and backs Israel to the hilt. Trump thinks that all Arabs are terrorists (and all Muslims are terrorists) and genuinely believes the world would be a better place with them dead. Biden is continuing to support Israel, but using that support as influence to get them to stop or slow down. Trump would be using that influence to encourage them.
And those are the two choices. Someone who is trying to curb the genocide, and someone who actively supports it.
I really hope you can see the significant and substantial difference between those two positions.
But let's say that you're right and Biden's policy towards Israel and Palestine is every bit as bad as Trump's would be. If there was nothing to choose between them on foreign policy grounds, there would still be a shitton to choose between them on domestic policy grounds. You admit that the right wants to kill your friends, and yet you don't seem to think that stopping them from killing your friends might be a good thing to do.
"We can't save Palestinians, so we might as well let Republicans destroy the rights, lives, and futures of LGBTQ+ people, women, people of color, people with disabilities, poor people, non-Christians, and anyone else they don't like." "We can't save Palestinians, so why bother to try to save the people we might actually be able to save." "We can't save Palestinians right now, so there's no point in trying to build up a longer-term political bloc that might drag US politics to the left over the long run."
Do you get why there's a problem with that line of thought?
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hoshigray · 10 months ago
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iillly happy bday bbgggg pls BULLY SATORUUUUU pleasepleaseoHFGOSH
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𝐚. 𝐧𝐨𝐭𝐞: THANK YOU AND BET !!
⊹ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: Gojo x fem! reader - explicit content; minors DNI - modern au! college setting; you + satoru are juniors - sex in a public space; library study room - breast fondling + nipple play - sex on a table - overstimulation - pet names (crybaby, cutie, pretty girl) - clitoral play (pinching and swiping) - unprotected sex (psa: wrap that shit up, kiddos ) - mention of cervix and tears.
⊹ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 1.1k
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“Ahhaaa! Thhh, shtopp! T’oo fast…!!”
“Yeah, goin’ too fast? Hnnmm, shit…tell that to your hips.”
This is not how this day was supposed to go, but that’s what having a bully in your life is like, right?
Today was one of those days where you’d spend most of your leisure time studying and catching up on upcoming coursework before the weekend, savoring your free days to rest and do some light reading for Monday. So here you were, spending the Thursday evening at the library in a study room you reserved until closing time. Fingers are typing away on your keyboard, putting words to your Word document while taking pieces of your french fries to munch—your study snack from the dining hall. 
And everything was going swimmingly, feeling the groove of things operate accordingly while bumping to your music.
Until your eyes snap to the door opening, and they widen at the sight of the culprit. Snow white hair and round glasses, and your stomach drops. “G-Gojo?”
“Yo!” He chips with a smirk, stepping inside and closing the door with his heel. You could’ve sworn you locked that door, but you’re sure it is now after he does it for you. “I knew I saw you walking out from the dining hall; the nerd is all cooped up in the library. Whatcha up to?”
“I, umm,” your gaze moves to your Word document, not wanting to see Gojo walk to where you’re sitting at the rectangle table. “J-Just, getting ready for a group seminar tomorrow…Need my notes ready.”
The tall boy slides his backpack off and drops it to the chair on the side of the table. His closing the door blinds and striding back to you grows the unsettling feeling in your tummy. “Ehhh, notes? Must be bored.”
“Not really…” It’s challenging to channel your focus on something productive when you watch from your peripheral with every step he takes until he’s behind you. “Just need to answer four more questions, and then I’ll,” your body rigid when he places his hands on your shoulders—there’s no escape now. “…I’ll be done.”
“Mmmm,” he hums and puts his chin to your head. “Working so hard, huh?” He kneads your shoulders and travels down to your arms. “I think it’s about time you give yourself a break.”
“Gojo, please,” pleads teeter out your mouth, yet your futile attempt to stand is refuted.
“Whaaat? You gotta give yourself breaks, right?” He moves his face to your shoulder to whine. “Can’t help a friend relax for a bit from studying?”
You open your mouth to respond, but words don’t leave your lips—a moan is snuck out from his hands, finding your chest. Sneaking inside your shirt to cup and soft mounds behind your bra. “Nnnn, n-no, we can’t…not here—“
“Psshh, you’re no fun, baby,” he coos to your ear, tweaking a nipple for you to squeak. “It won’t be for long, promise. Besides,” you turn to him, his blue orbs seen better from the dark shades now that you’re closer. “No one knows better to care for you than me, right? C’mon, just five minutes, and I’ll go, ‘kay?”
Your stomach has not stopped contorting knots ever since you saw that door open, and now you’re in a dilemma you prayed wouldn’t happen today. Regardless, you only have to give him what he wants, and you can return to work. So, you swallow your pride and kiss him on his soft lips. 
“—Ohhhh, y-you said for fi—Iiiive minutes…!!”
“Hahhh, did I say that? Heh, must be bad with time.”
Deliberately making a supposed five-minute break turn into nearly thirty minutes isn’t terrible with time—just plain ignorant. 
Your laptop, course material, and Gojo’s shades are pushed further into the table, substituting them with your figure to be laid on the edge of the table surface. Your bottoms and panties were stripped to the ground with Gojo’s jeans, your sexes exposed and now joined in the union as he propels his hips to pound into your chasm. Your cunt was a mess, slick, and come mixed and collecting in a soapy ring with the back-and-forth motions of your junior bully. 
The walls of the library rooms aren’t the best, nearly paper-thin to hear convos from one room to the other. You bite your lips to try to conceal your cries, but the curve of Gojo’s dick poking your walls have you screaming silently. “Fuck, pretty girl,” he intentionally grinds his pelvis to your folds, the broken wails egging him on to tease you more. “Scared someone will come and find us, huh? Scardey-cat,” the hands to your wrists pull you in with every rut. 
“Gaaahh, Gojooohhh,” your brows sewn together after the stimulation of your G-spot is hit yet again. “I’m sens’tiveee, go sloooww!”
“Shiiiit, that’s kinda hard when you’re clenching me so hard,” he hisses with a sigh. “Pretty much asking for me to mess you up.”
You shake your head at the brush of his tip hitting your cervix. “Ahaaaa, ohhJesus,” tears well up in your eyes with another jab to your womb.
“Oh, is the lil’ nerd about to cry?” Gojo bends down to you while his hips keep working, his flushed face inches closer to yours, and he wipes a tear with a thumb. “Awww, don’t do that; don’t want people next door to see what’s up with you.” His thumb enters your mouth, your tongue tasting your salty tear.
You sob on his digit, licking his thumb, and more twitches of your vagina come from more grazes on your inner texture. “Nhhooh, ahhhmyGod, good, feels tew goood…!”
Gojo can feel it; you’re clasping onto his length way too much not to notice. He snickers, “Gonna cum, baby?” You nod hurriedly, and he brings his forehead onto yours. “Want me to help you with that?” Too enraptured that you don’t notice him sneaking his hand to your lower half and a pinch to your clitoris has you cry. “Shhh, shhh,” he coaxes to your ear, his thumb swiping on the bud as you sob in parts. “Go ahead, wring me out, you slutty crybaby.”
Another pinch, and you’re contracting around him hard. Your orgasm hits you right there, the hot feeling of your body is washed with a sharp cold that rattles your legs. Hands come and grip the back of Gojo’s long sleeve, your cunt flitting on him as your body jolts from pleasure.
Gojo hurries to pull out and stroke his cock, his seed spilling out to paint your messy slit with the come oozing out from your hole. He throws his head back in bliss. “Shit, that felt good.”
“I,” you are stuck in a daze, yet you try to communicate. “I have to…get back to studyinng.”
“You still have some of those pills from last time?” You nod slowly as he brings his briefs and jeans back on. “Good! Be right back; gonna get some wipes from the restroom.” He then leaves and closes the door on his way out, leaving you cold and helpless on the table surface.
And now you know. Note to self: lock the door whenever you study at the library.
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