#Princess of Bavaria
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Princess Bona of Bavaria, nee Princess of Savoy-Genoa, with her husband, and their two children, Amalie Isabella and Eugen, in 1921.
#Princess Bona of Bavaria#Princess Bona of Savoy-Genoa#Princess Maria Bona of Savoy-Genoa#Prince Konrad of Bavaria#Princess of Bavaria#Prince of Bavaria#wittelsbach#royalty#history#princess#italian royalty
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Devrim Lingnau and Melika Foroutan as Empress Elisabeth and Archduchess Sophie in a new poster for the second season of The Empress (2022).
#The Empress#The Empress (2022)#Die Kaiserin#costume drama#historical drama#period drama#devrim lingnau#melika foroutan#elisabeth of austria hungary#elisabeth of austria#Elisabeth in Bavaria#Archduchess Sophie of Austria#Princess Sophie of Bavaria#german tv#german series#Netflix
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'Sisi' was a terrible empress. Her romanticization needs to STOP.
In more recent decades, Elisabeth has received a growing attention in pop culture: there are several series, films and even a musical paying tribute to her legend. Her beauty is admired, her trials and tribulations are pitied, her struggle to escape the chafing constraints of royal life is celebrated. There's a whiff of feminism surrounding her lately - a strong, intelligent woman, metaphorically, and if we take the film Corsage, even literally flipping off the patriarchy. She's galloping through forests barefoot, she's facing off her tyrannical mother in law, she's fighting for her freedom, for control over her own life. German writer Karen Duve goes as far as to call Elisabeth "an undiscovered feminist icon."
But... was she? One of her ladies in waiting once said that Elisabeth will "live on in legend, not in history". And right she was. You see, Elisabeth has triumphed. When I look around, it seems as if we see her exactly as she would have wanted us to. A tragic heroine, a beautiful apparition, a nymph who somehow got trapped in the mortal realm, to her immense suffering. And for a modern woman, there is much to empathize with in Elisabeth: her sublime sensitivity, her iron self-discipline, her headstrong character, her inborn thirst for freedom. But upon lifting the starry veil of this ethereal fairy-tale queen, one will find the face of a much more complex, flawed and ultimately human woman. Self-obsessed and narcissistic, monstrously selfish and possessive, cruelly indifferent to her empire (with one all-consuming exception), incessantly self-victimizing and deeply, deeply unhappy - overwhelmingly through her own fault.
#empress sisi#elisabeth of austria#empress elisabeth of austria#elisabeth in bavaria#elisabeth of austria hungary#duchess elisabeth von wittelsbach#the empress#princess sisi#documentary#sissi trilogy#kaiserin elisabeth#kaiserin sisi#franz joseph of austria#kaiser franz joseph#franz joseph#mary vetsera#rudolf of austria#marie festetics#marie valerie#crown prince rudolf#gisela of austria#Youtube
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COSTUME APPRECIATION Princess Sophie, Archduchess of Austria, The Empress
#sophie of bavaria#princess sophie archduchess of austria#melika foroutan#the empress#theempressedit#perioddramaedit#periodedit#gifshistorical#userperioddrama#costumesource#gifs*#ca*#empress*
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TIARA ALERT: Sophie Alexandra Evekink wore the Bavarian Sapphire Floral Tiara for her wedding to Prince Ludwig of Bavaria at the Theatine Church in Munich, Germany on 20 May 2023.
#Tiara Alert#Princess Sophie#Bavaria#tiara#bridal tiara#sapphire#floral tiara#Bavarian Royal Family#Germany#German Royalty#Wittelsbach
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hi again, may i make another request for an artwork of princess augusta of bavaria (love ur art and it deserves more recognition) <3
Hi again athqera!!
Sorry for the long wait I needed a little more time to think about what I wanted from this art. Anyway, Princess Augusta of Bavaria (Duchess consort of Leuchtenburg)!
#augusta of bavaria#french history#german history#napoleonic era#art#digital illustration#taniata's art#princess augusta of bavaria#was inspired by a her portrait I found by chance#it gave me special pleasure to draw this dress#its simple and beautifully#i hope you like it!#⭐ response to request
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Joseph Karl Stieler (German, 1781–1858) Sophie, Archduchess of Austria (née Princess of Bavaria), 1832 Gallery of Beauties, Nymphenburg Palace
Sophie was the eldest daughter of King Maximilan I of Bavaria and his second wife, Princess Caroline of Baden. She was thus a half-sister to King Ludwig I. She was also the mother of the future Emperor Franz Joseph of Austria.
#Joseph Karl Stieler#german art#germany#german#1832#1800s#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#archduchess#princess#bavaria#female portrait#female#woman#brunette#blue eyes
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Is it true that empress sissy was bad mother? Or just rumours
I think it really depends on what do you understand as being “a bad mother”. First of all royal women were not expected to be the main carers of their children: this job was divided among the many people in charge of the well-being of the kids. Parents usually only saw their kids little on a daily basis, since they did not even ate together. So one shouldn’t expect Elisabeth to have been changing diapers and heating milk bottles. The second thing to consider is just how young she was when she became a mother; giving birth to three consecutive babies in such a short time spam (with the additional stress of knowing everyone is expecting you to produce an heir) must have take a huge toll on her, so I don’t think is that surprising if she didn’t smoothly adjust to the role of mother.
Even so, she did love her children, as this letter she wrote to a Bavarian relative soon after the birth of her first child shows:
My little one really is already very charming and gives the Emperor and me enormous joy. At first it seemed very strange to me to have a baby of my own; it is like an entirely new joy, and I have the little one with me all day long, except when she is carried for a walk, which happens often while the fine weather holds. (Hamann, 1986)
But Elisabeth had no control in how her eldest children were raised: her mother-in-law, Archduchess Sophie, took charge of them. Something important to keep in mind, however, is that taking charge of them doesn’t mean that she personally cared them (again, this wasn’t the role of royal woman), but that she chose the staff of nursemaids, nannies, governesses and tutors that oversaw the children’s caring and later education. But this lack of control over her children ended up being a great source of sorrow for the young mother.
During this time the first big conflict between Elisabeth and Sophie arose: the children’s nursery was placed on the same floor as Sophie’s appartements, which meant that she could go over to see her granddaughters with a lot more of freedom than Elisabeth, whose appartements where on a different floor. Being on a different floor meant than she could only see her daughters during the times set by protocol, and always in company of her retinue of ladies and lackeys, which ended up limiting even more the time she could spend with them in privacy. She told to her lady-in-waiting Marie Festetics in 1872:
Only now do I understand what bliss a child means. Now I have finally had the courage to love the baby and keep it with me [her fourth child Marie Valerie]. My other children were taken away from me at once. I was permitted to see the children only when Archduchess Sophie gave permission. She was always present when I visited the children. Finally I gave up the struggle and went upstairs only rarely.
This statement comes from almost twenty-years after the events, so it should be taken with a bit of a grain of salt (in the first letter I quoted Elisabeth mentions that she had Baby Sophie with her “all day long”, so she wasn’t “taken away at once” as she claims here). The most important takeaway from this statement to me is that even after all those years the fact that she wasn’t allowed to see her girls freely hurt her. So it’s not surprising that her first act of “rebellion” at court was when she decided to move the nursery to her floor in 1856.
After successfully moving the nursery near to her appartements, slowly Sisi started to take more and more control of her children. At the end of 1856 Franz Josef and Elisabeth went on a state visit to Lombardy-Venice and they took Baby Sophie with them. This tour was relatively successful, and months later they tried to replicate its success on Hungary. For this tour the parents decided to take not only Baby Sophie but also Gisela, since it was planned to last two months and they didn’t want to be separated from their daughters for such a long time.
As it’s known, Baby Sophie sadly died of typhus during this trip. Although is often repeated that Archduchess Sophie blamed Elisabeth for the child’s death, she in fact was very sympathetic towards the young mother, since she also had lost an infant daughter and could understand her pain. But Elisabeth seemed to blame herself regardless, and soon fell into a deep depression that lasted months and filled her entire family with worry.
By the end of 1857 she showed signs of being pregnant again, and in September of 1858 she finally gave birth to the long awaited heir, Crown Prince Rudolf. And just as with her daughters, Elisabeth had no control over the boy’s upbringing.
In 1860 Elisabeth started to become ill - of what, nobody knew. I won’t go much into this (since that’s just an entirely different post), but by the end of the year, after exhausting all possible treatments, it was decided that the Empress should go away from court to recover from her mysterious illness. This was the beginning of Elisabeth’s two years trip - first to Madeira and then to Corfu. Franz Josef offered her to take Gisela with her, but since she couldn’t also take Rudolf (the heir had to remain in Vienna), she decided to leave her behind because she didn’t want to separate the siblings, who were very close (Winkelhofer, 2022).
Elisabeth returned a changed woman, much more confident in herself, no longer the shy girl who was easily intimidated by courtiers. But she still had no control over how her children were educated. Or that was until Rudolf started his formal education. At the age of six he was separated from his sister and governess, given his own household, and Count Gondrecourt was assigned as his tutor. Gondrecourt had the mission of “toughening up” the boy, since he was considered to be weak of mind; his method to achieve this consisted in psychologically torturing Rudolf, and after he fell ill, seemingly of a nervous collapse. When Elisabeth discovered what her son was going through she was horrified and decided to step in. So she did something almost unprecedented, not only for her personally, but also in general for a woman of her status: she gave her husband an ultimatum:
I wish to have reserved to me absolute authority in all matters concerning the children, the choice of the people around them, the place of their residence, the complete supervision of their education, in a word, everything is to be left entirely to me to decide, until the moment of their majority. I further wish that, whatever concerns my personal affairs, such as, among others, the choice of the people around me, the place of my residence, all arrangements in the house etc. be reserved to me alone to decide.
Even more surprisingly for the time, Franz Josef agreed, and gave her full control of the children’s education. Gondrecourt was dismissed and Colonel Josef Latour was personally chosen by Elisabeth in his place. Latour was highly unpopular at court because he wasn’t an aristocrat and had very liberal political ideas, but Elisabeth protected him and he kept his job. Latour ended up becoming a close friend to his pupil until his death. But even though she now had what she had always wanted, total control of her children’s upbringing, she never became really close to her eldest daughter and son.
This is the part in which we can talk about her being “a bad mother”. When you compare her relationship to her fourth and last child, Marie Valerie, born ten years after Rudolf out of her desire to have another baby, raised entirely by her (as always keeping in mind that this means she had full control of the staff that took care of Valerie), to how she was with Gisela and Rudolf, the clear favoritism is evident. It seems that she felt more distant towards the eldest, probably a combination of her not having a saying in their upbringing until they were older and her constant trips away from court didn’t help her to close the gap. Gisela, who was a very down-to-earth person, a lot like her father, doesn’t seem to have minded this (or at least she never showed it), but Rudolf always craved for a close relationship with his mother, which he never could truly have. He adored her and was always grateful for her intervention when he was little, but seeing how all his mother’s love and attention went towards Valerie made Rudolf jealous of his younger sister; because of this the siblings also never managed to become close.
Valerie ended up feeling overwhelmed by her mother’s love. Elisabeth was very emotionally dependent on her daughter and made her her constant companion and support, which isolated the girl from the rest of her family. Valerie adored her father and felt that her mother put her against him, and Elisabeth insistance in raising her as a Hungarian (Valerie’s mother tongue wasn’t German, but Hungarian) made her hate Hungary. She turned out to be quite different to what her mother had planned, and that was probably just the result of having so many expectations imposed on her since she was born. But even so Elisabeth loved her and only wanted her to be happy. And this is shown by the fact that (unlike Queen Victoria with her daughter Beatrice) she didn’t want her to stay by her side forever, but to marry for love and form her own family. So she supported her decision to marry Archduke Franz Salvator, who out of all her suitors was the least favorite (Franz Josef wanted her to marry the Crown Prince of Saxony and Rudolf Archduke Eugen).
So was she a bad mother? It’s complicated. She loved her children (and I do think she loved all of them, despite Gisela being often considered the “forgotten” child), fought to have control on how to raise them (which was unusual for the time) and when she lost them she deeply grieved them. But she couldn’t be the support that her son needed, and the child she did gave her constant love felt suffocated. Sometimes an answer isn’t as a easy as yes or not, and I think we should keep that in mind when looking at Elisabeth as a mother. I hope you find my answer helpful, and sorry if it’s too long!
SOURCES:
Hamann, Brigitte (1986). The Reluctant Empress: A Biography of Empress Elisabeth of Austria (translation by Ruth Hein)
Winkelhofer, Martina (2022). Sissi. La vera storia. Il camino della giovane imperatrice (translation by Federica Saccucci)
#empress elisabeth of austria#sophie of bavaria archduchess of austria#archduchess sophie of austria#gisela of austria princess of bavaria#crown prince rudolf of austria#archduchess marie valerie of austria#asks
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“Crown princess Antonia of Bavaria had such a tragic life. She was imprisoned in a concentration camp, due to her and her husband’s not supporting the nazis. She was reportedly tortured and was very malnourished when they found her in a hospital. She never talked about her experiences and vowed that she would never return to Germany. She died prematurely in her mid fifties after a decade of suffering from the aftermath.” - Submitted by Anonymous
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prettiest royal woman iyo?
Queen Alexandra
Empress Maria Feodorovna
Grand Duchess Tatiana Nikolaevna
Empress Victoria of Germany
Queen Maud of Norway
Grand Duchess Elisabeth Feodorovna
Queen Sophia of Greece
Queen Maria Sophie of the Two Siciles
Princess Margaret
Princess Beatrice of Edinburgh, Duchess of Galliera.
#answered ask#queen alexandra#alexandra of denmark#empress maria feodorovna#dagmar of denmark#grand duchess tatiana nikolaevna#victoria princess royal#empress victoria of germany#maud of wales#queen maud of norway#grand duchess elisabeth feodorovna#elisabeth of hesse#queen sophia of greece#princess sophia of prussia#queen marie sophie of the two sicilies#duchess marie sophie in bavaria#princess margaret#countess of snowdon#princess beatrice of edinburgh#duchess of galliera
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Sophie-Alexandra Evekink at her wedding to Prince Ludwig of Bavaria at St Kajetan Church in Munich. Germany - 20.05.23
#princess sophie alexandra of bavaria#german royalty#tiara hair#i wasn't going to post about this wedding but she looked so pretty and i loved the hair-tiara combo
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Princess Sophie-Alexandra of Bavaria || Reem Acra
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Devrim Lingnau and Melika Foroutan as Empress Elisabeth and Archduchess Sophie in the second season of The Empress (2022).
#The Empress#The Empress (2022)#Die Kaiserin#period drama#costume drama#historical drama#devrim lingnau#melika foroutan#elisabeth of austria hungary#elisabeth of austria#Elisabeth in Bavaria#Archduchess Sophie of Austria#Princess Sophie of Bavaria#german tv#german series#Netflix
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(Almost) Every Costume Per Episode + Duchess Ludovika's textured blue gown and blue wrap in 1x02,3
#The Empress#TheEmpressEdit#Die Kaiserin#DieKaiserinEdit#Duchess Ludovika#The Arrival#The Wedding#weloveperioddrama#perioddramaedit#costumeedit#costumes#costume drama#Almost Every Costume Per Episode#Ludovika in Bavaria#Princess Ludovika#Awkward-Sultana#period drama#historical drama
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COSTUME APPRECIATION Princess Sophie, Archduchess of Austria, The Empress
#sophie of bavaria#princess sophie archduchess of austria#melika foroutan#the empress#theempressedit#perioddramaedit#periodedit#gifshistorical#userperioddrama#costumesource#gifs*#ca*#empress*
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TIARA ALERT: Princess Sophie of Bavaria wore the Bavarian Sapphire Floral Tiara for the ball following her wedding Prince Ludwig of Bavaria at Schleissheim Palace in Munich, Germany on 20 May 2023.
#Tiara Alert#Princess Sophie#Bavaria#Bavarian Royal Family#tiara#sapphire#floral tiara#bridal tiara#Germany#German Royalty
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