#Prach sans

[trash-4u]

omg art spam also...I did design Nightmare... which I changed his name to Noire...and designed a few other characters while I was at it ...Ik I'm late with posting :( Don't rush me

[reseau-actu]

Après l’agression à Rouen de l’universitaire guinéen, le meurtrier présumé a été hospitalisé en psychiatrie. Les proches du chercheur dénoncent un crime raciste.

Mamoudou Barry a-t-il été victime d’une agression raciste? Ses proches en sont persuadés. Moins de deux jours après la mort de ce jeune universitaire guinéen, roué de coups près de Rouen vendredi, un Français d’origine turque a été placé en garde à vue lundi matin. Un «petit voyou», selon une source policière, qui portait «un maillot du club de football turc de Galatasaray» au moment des faits, juste avant la finale de la Coupe d’Afrique des Nations entre l’Algérie et le Sénégal. Lundi après-midi, la garde à vue a été levée pour raison médicale et le suspect, qui présente des «antécédents psychiatriques», a été hospitalisé sous contrainte. Dans la soirée, le procureur de Rouen Pascal Prache a annoncé l’ouverture d’une information judiciaire pour «violences volontaires ayant entraîné la mort sans intention de la donner avec la circonstance que les faits ont été commis à raison de l’appartenance ou de la non-appartenance, vraie ou supposée de la victime à une ethnie ou une nation, une prétendue race ou religion déterminée». Cette infraction de nature criminelle «fait encourir une peine de 20 ans de réclusion», a précisé le magistrat.

« L’agresseur les a pointés du doigt et a dit :“Vous les sales Noirs, on va vous niquer ce soir !” »

Kalil Aissata Kéita, ami de Mamoudou Barry

Vendredi soir, Mamoudou Barry, 31  ans, enseignant-chercheur à l’université de Rouen-Normandie, avait été invectivé à la hauteur d’un arrêt de bus à Canteleu, près de Rouen, alors qu’il rentrait chez lui en voiture avec son épouse. «L’agresseur les a pointés du doigt et a dit: “Vous les sales Noirs, on va vous niquer ce soir!”», raconte Kalil Aissata Kéita, qui se présente comme le «plus proche ami de la victime. Il faisait allusion au match Sénégal-Algérie». Mamoudou Barry est alors descendu de sa voiture et l’agresseur «l’a frappé à coups de poing et de bouteilles», poursuit-il, rapportant le témoignage de l’épouse du jeune Guinéen. «Il y avait plein de monde aux deux arrêts de bus qui se font face, et personne n’a levé le petit doigt!, s’émeut Saidou, un ami d’enfance. Alors que sa femme se précipitait vers son mari à terre, qui perdait beaucoup de sang, l’homme lui a lancé: “Reste là, sinon je vais te faire la même chose!» ainsi que d’autres insultes du type “sale pute nègre”. Puis il a réajusté sa casquette en arrière et est parti, tranquille, les mains dans les poches». Transporté à l’hôpital, Mamoudou Barry, père d’une fillette de 2 ans, a succombé à ses blessures samedi.

Le suspect, âgé de 29 ans, est «sous curatelle renforcée», a indiqué une source policière. Il est connu pour des infractions à la législation aux stupéfiants et pour des faits de violences, notamment sur sa compagne. C’est d’ailleurs elle qui l’a dénoncé, rapporte France Bleu, l’ayant vu rentrer vendredi soir «très énervé et la main gonflée». «Il s’agit d’un crime raciste, sans aucun doute», selon l’avocat de la famille Barry, Me Jonas Haddad. «M. Barry est bien mort en raison de sa couleur de peau, souligne-t-il, après que son agresseur lui a dit qu’il allait “niquer des sales Noirs”.»

«Mamoudou a toujours été un guide pour les étudiants, un exemple pour ses collègues»

Ses collègues de l’institut de recherches Thinking Africa

Né dans un village près de Mamou, dans le centre de la Guinée, Mamoudou Barry avait perdu son père enfant. «On l’appelait “Le Sage”, se souvient son ami Saidou. Car tout ce qui comptait pour lui, c’était les études. Jamais il ne s’est battu: au contraire, il était une référence pour tout le monde. On a postulé ensemble pour aller faire nos études en France», en 2012.

«Nous perdons un homme de valeur, un conciliateur, un brillant intellectuel pluridisciplinaire, soulignent ses collègues de l’institut de recherches Thinking Africa dans un communiqué. Mamoudou a toujours été un guide pour les étudiants, un exemple pour ses collègues.» Docteur en droit de l’université de Rouen, Mamoudou Barry venait de soutenir sa thèse: «Les politiques fiscales et douanières en matière d’investissements étrangers en Afrique francophone: le cas du secteur des ressources naturelles extractives».Saidou, qui a filmé cette présentation, rapporte que «la salle était pleine, tellement les gens s’intéressaient à sa personne et à ses recherches». Il ajoute: «Le doyen de la fac a dit que, en trente-cinq ans de présidence du jury, il n’avait jamais vu un étranger manier aussi bien la langue de Molière.» «C’était un homme très discret, disponible et proche de ses étudiants, renchérit Frédéric Douet, professeur de droit fiscal, responsable de l’école doctorale de cette université. En théorie, il n’y a plus de mentions, mais exceptionnellement, il a été décidé de lui accorder les félicitations du jury.»

Une «marche blanche» partira vendredi à 15 heures de la faculté de droit de Rouen. Une cagnotte en ligne avait déjà recueilli plus de 30.000 euros lundi soir. Et depuis la Guinée, le président Alpha Condé a assuré suivre «de très près l’évolution des enquêtes diligentées par les autorités françaises».

[globmedia]

Côte d’Ivoire

Werewere Liking : « Il est important que les femmes aient plus de pouvoir »

Si elle a délégué la direction artistique de son village abidjanais de Ki-Yi, cette matriarche des cultures continue de créer et de transmettre son savoir. À l’occasion de la réédition de son roman « La Mémoire amputée»

Surnommée «la reine-mère» au sein du village Ki-Yi, centre de formation et lieu de vie communautaire qu’elle a fondé en 1985 à Cocody, Werewere Liking, 72 ans, ne prend pas pour autant la jeunesse de haut. L’enthousiasme domine dans la voix de cette écrivaine, metteuse en scène, musicienne et figure spirituelle née au Cameroun, à Bondé, mais établie en Côte d’Ivoire depuis les années 1970, quand elle évoque l’initiative des Prouesses. Après avoir réédité Un Chant écarlate de Mariama Bâ, cette jeune maison d’édition française associative a entrepris de faire résonner à nouveau son chant-roman La Mémoire amputée, préfacé dans cette nouvelle version par l’écrivaine camerounaise Hemley Boum.

Un récit initiatique composé quinze ans avant la vague Metoo pour briser l’amnésie et l’omerta collectives autour de l’histoire des femmes, leurs traumatismes physiques et psychologiques, souvent dus aux mains des hommes, et qui célèbre la sororité. «Un chant de résistance contre le silence et l’oubli», selon les mots de Hemley Boum.

«Je souhaite que les femmes forment de nouvelles équipes, qu’elles se soutiennent et essayent de conduire ensemble des projets différemment», lance-t-elle, réaffirmant son soutien aux «fillettes» Flora Boffy-Prache et Zoé Monti-Makouvia, les deux «sœurs» fondatrices des Prouesses. Est-ce ce vœu qui a présidé à sa décision de passer la main ? En septembre dernier, cette pionnière du théâtre rituel a cédé la direction artistique du village Ki-Yi à la chorégraphe franco-haïtienne Jenny Mezile. Sans toutefois abandonner la création, la transmission.

Aujourd’hui on parle de tout, mais surtout de ce qui permet de continuer l’assujettissement

La Mémoire amputée connaît aujourd’hui une nouvelle vie grâce à une jeune maison d’édition. Quel sentiment cela vous inspire-t-il ?

Werewere Liking : J’étais impressionnée face à leur démarche. Surtout parce que ce sont des jeunes qui étaient peut-être ignorantes des faits qui m’ont inspirée [notamment la guerre d’indépendance au Cameroun], mais qui se sont passionnées autour du livre. Cela donne du courage, cela apporte un nouvel enthousiasme.

Il y a près de vingt ans, vous exploriez déjà des sujets tabous, comme l’inceste, la masculinité toxique, autour desquels la parole se libère aujourd’hui. A-t-on changé de paradigme ?

Aujourd’hui on parle de tout, mais surtout de ce qui permet de continuer l’assujettissement comme la politique ou les choses qui sont déjà minées. On ne peut donc aller nulle part, on tourne en rond. Il faudrait mener toute une réflexion qui aille chercher dans les savoirs scientifiques et spirituels perdus et dans les perspectives géopolitiques et géostratégiques. Le panafricanisme est un gros travail qui doit continuer à se faire de manière plus insistante, qui doit être davantage à la portée de la jeunesse pour qu’on ne perde pas ce qui est essentiel, c’est-à-dire l’humain d’abord.

Vous avez souvent exprimé votre méfiance vis-à-vis du monde politique. Votre position a-t-elle évoluée ?

Les politiques qui sont en place aujourd’hui en Afrique, surtout en Afrique francophone, ne sont pas des politiciens libres, ils sont tenus «par le cou et par les couilles», comme on dit ici vulgairement. Ils ne peuvent pas bouger, ils sont tétanisés par une machine extrêmement puissante élaborée sur le long terme. On ne peut pas se passer de politique, puisque c’est ça qui tient le monde. Mais celle-ci doit s’appuyer sur ce que font les humains et non pas le contraire. On veut nous transformer en êtres hybrides qui ne savent même plus qui ils sont, quels sont les éléments fondamentaux de leur nature.

Dans ce roman, vous épinglez les hommes qui «s’entredéchirent pour des bribes d’apparences d’un pouvoir sans conscience divine, un pouvoir pire que celui de la jungle». L’accession des femmes au pouvoir est-elle la solution ?

Les femmes au pouvoir de manière exclusive non, mais elles doivent être associées à tout ce qui concerne la survie et le développement de l’humain, parce que c’est nous qui le portons dans nos ventres pendant neuf mois alors que le père dépose «ça» en une seconde. Il me semble que c’est important que les femmes aient de plus en plus de savoir et de pouvoir pour permettre d’obtenir des décisions qui privilégient la vie. Pour avoir des décisions plus humanistes, plus matures, plus raisonnables.

Pourquoi avoir choisi de passer la main dans votre village de Ki-Yi ?

Il y a beaucoup de changements dans le village, ça devient énorme pour une seule personne. Il faut passer la main pour certaines choses, on ne doit jamais penser qu’on est le ou la seule à pouvoir agir, il faut transmettre. J’ai donc cédé la direction artistique et la direction de la programmation des espaces à une femme beaucoup plus jeune que moi qui a encore toute sa passion et toute sa foi. C’est une artiste pluridisciplinaire, comme moi, qui essaye de privilégier les valeurs de notre ancestralité pour nourrir notre jeunesse avec quelque chose de spirituel, qui correspond à notre part de vérité.

Le renouveau de la culture en Afrique passe-t-il forcément par un retour aux sources ?

Un recours aux sources ! Le retour peut être perçu par des personnes d’une certaine mauvaise foi comme une volonté de stagnation ou de recul, de repli alors qu’il ne s’agit pas de cela. Je peux faire appel à quelque chose qui vient du passé sans être obligé de faire un demi-tour.

Avez-vous de nouveaux projets ?

Je continue la formation spirituelle, et je suis désormais à la tête du domaine des arts et cultures de l’Académie des sciences, des arts, des cultures d’Afrique et des diasporas africaines (ASCAD). Ça me demande beaucoup de travail.

Je fais aussi du chant et de la danse thérapie. Musique, chorégraphie, théâtre… Je prépare de nouvelles approches pour pouvoir donner des outils d’expression plus subtils à notre jeunesse. Je travaille de plus en plus à préparer demain.

Julie GONNET (JA)

[oeliahurst-blog]

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[autoring]

http://ift.tt/2qqj1lA

Právě v Peru čeká i nejtěžší výzva – v úvodních dnech soutěže prověří dakarskou kolonu velké duny. Jezdci si neoddychnou ani v dalších etapách: vzápětí je totiž čeká Bolívie a po ní i dusná Argentina. Závodní sestava týmu BARTH Racing zmapovala pět největších pastí, které čekají na účastníky letošního Dakaru.

1. Navigace v dunách Organizátoři naplánovali hned na úvod jubilejního 40. ročníku pořádné zpestření. Prvních pět dní totiž povede trasa ryze pouštními podmínkami. „Peru bude nejzajímavější. Písek a duny rozřadí startovní pole,“ předvídá pětinásobný šampion kategorie čtyřkolek Josef Macháček. Kromě rizika zapadnutí se závodníci v dunách budou muset vypořádat s mimořádně náročnou navigací. „Tady vám stopy nepomůžou. Rozhodnutí musíte provést bez uklidňujícího prvku, spoléháte pouze na vlastní orientaci,“ přibližuje náročnost zkušený motocyklista BARTH Racing týmu David Pabiška. Právě z dun má největší obavy i Boris Vaculík, pilot závodního fordu. „S pískem mám totiž nejmenší zkušenost,“ přiznává někdejší úspěšný autokrosař.

2. Jemný písek feš-feš Hrozba druhé části Dakarské rallye se jmenuje feš-feš. Tento jemný písek se vyskytuje převážně v Argentině, například v okolí San Juanu. Svým charakterem připomíná vápno nebo cement. Jeho zrádnost spočívá v tom, že zakrývá kamenité podloží. „Když do něj motorkáři zabřednou, může je shodit ze sedla. Je potřeba se naučit, jak tento specifický písek vypadá, odhadnout ho předem,“ popisuje David Pabiška a dodává: „Pokusíte-li se ho přejet, drobné kamínky se dostanou mezi rozetu a může dojít k přetržení řetězu. To je jeden z největších strašáků pro motorkáře.“ Na feš-feš nadává i Josef Macháček. „Ti, co po něm jedou jako první, mají obrovskou výhodu – není totiž tak vyjetý. To hodně ovlivní zejména výsledky v zadních řadách,“ doplňuje šedesátiletý nestor soutěže.

3. Deštivá Bolívie Nepříjemné a proklínané území. Do Bolívie se účastníci podívají v 6. etapě, kdy rozžhavené duny vystřídají jezera a hory. Například v bolívijském Altiplanu se bude závodit ve výšce 2500 metrů nad mořem. „No, závoděním bych to nenazýval. Je to past na výkon motoru. Vždycky spíše koukáme, jakou rychlost nám v těchto výškách dovolí,“ konstatuje čtyřkolkář Macháček. Závodníky v horách zkouší ještě déšť. „Cesty v Bolívii kloužou, jsou blátivé. V minulém roce jsem tam měl největší počet pádů, pneumatiky na tomto povrchu prakticky vůbec nedrží,“ mluví o hrozbách motorkář Rudolf Lhotský, jehož hlavním partnerem je firma TOPFOREX. „Když se namočíte, jedete v tom celý den. Máme jedny brýle a mokré rukavice vám nepomohou. Je to fakt složité,“ přidává se jeho týmový kolega, quadista Zdeněk Tůma.

4. Prach a vyschlá řečiště V minulosti do vyprahlého kamenitého řečiště zapadl třeba legendární Carlos Sainz, jinak dvojnásobný mistr světa v klasické rallye. Bylo skryté za keřem a španělský pilot nadával, že nezabočil doleva. „Ten záběr si dodnes pamatuji. Straší mě to. Vím, že si na to musím dát pozor,“ říká Boris Vaculík, který se závodním fordem vyjede do Dakarské rallye poprvé. Ještě horší je však kombinace vyschlých řečišť a zvířeného prachu. „Prach je v Argentině zvláštní. Když jsem tam jel poprvé, těšil jsem se. Brzy jsem však pochopil, že se tam práší až moc, a byl z toho trochu otrávený,“ přibližuje podmínky Rudolf Lhotský, dvojnásobný mistr Evropy v mezinárodních dálkových závodech Baja.

5. Sucho a velbloudí tráva Závodníky prověří velbloudí tráva hlavně ve druhé části Dakaru, tedy v Argentině. Jedná se o zvětralou horninu, na které jsou uschlé křoviny s nebezpečnými drny. „Je to velice zrádné. Když do toho vjedete, jen stěží pak vyjedete zpět na trať. Uschlé dřeviny jsou tvrdé jak kámen. Přitom si třeba řeknete, že to v pohodě přejedete, a pak se najednou válíte po zemi,“ popisuje David Pabiška. Právě vedro a vysoké teploty představují zejména v Argentině obrovské problémy. „Jde tam o život. Myslím, že v loňském roce tam někdo umřel na zástavu srdce z vedra. Každý to snáší jinak. Musí se pít hodně vody a v žádném případě to nelze podcenit,“ dodává motorkář Rudolf Lhotský.

Příspěvek 5 největších pastí Dakarské rallye: Prach, řečiště nebo velbloudí tráva! pochází z Autoweb.cz

[everydaybayarea]

"Mighty Seniors" Portrait Series, 2017 by @janettshoots, this weekend’s #MyEDBA community feature. Part 2 of 3. ⠀ Image 1: Kenya Prach, 57, Cambodian martial artist, has been practicing this style of fighting since childhood. Now a teaching in San Francisco, he does not aim to show people how to fight, but rather pass on a good heart through the discipline of fighting. ⠀ Image 2: “'Be strong, climb on!' is what I have inscribed on a picnic table in memory of my husband at the top of Mt. Tamalpais" said Laurie Berliner, 56 of Fairfax. In addition to climbing for a number of years, she also runs, hikes and bikes around Marin County. ⠀ Image 3: Valentina Prodan, 64 of San Francisco has been practicing Egyptian belly dancing for 15 years. She loves dancing, and no matter what age she is, this is something that always makes her feel happy and beautiful. ⠀ #everydaybayarea #catchlighteveryday #MyEDBA (at San Francisco Bay Area)

[diariodafangirl]

NEON - Na música, no cinema e na TV

O neon que era a grande novidade nos anos 80 está de volta. Se você pensa que apenas a moda foi influenciada por essa febre você está mais do que enganado. Fiquei observando ao meu redor o tema voltando e claro que amei. Por mais que meu estilo seja baseado em preto,cinza e listras sempre tive uma grande paixão pelos anos 80. E agora vou lhe mostrar direitinho por que o tema voltou com tudo. (me senti na redação da Capricho).

  Na música:

   O tema nunca foi embora, mas ultimamente tem feito parte de vários clipes e capas de CDs. 

  Aqui no Brasil tivemos Karol Conka e Banda Uó que chegaram com suas músicas dignas de altas noites na balada:

 Lá fora a coisa foi bem pesada, misturada com o tema praia de Demi Lovato

A Demi gosta tanto do tema que até fez uma música chamada NEON LIGHTS. 

Até o gótico suave de The Weeknd com o Daft Punk (que cá entre nós, são quase marco no tema neon).

Até Ariana Grande caiu no gosto colorido e brilhante só que saindo um pouco da praia e indo direto pra academia:

Também teve HALSEY amigos.

  No cinema:

 LA LA LAND  Mas Ingrid. Comoassim La La Land?    As cores que deram vida ao filme lembram o neon e o clima de nostalgia juntos. Podemos ver esta foto, por exemplo:

  Azul e Rosa eram A COR dos anos 80 e estavam por toda parte.

  NERVE

 O filme que é inspirado no livro de mesmo nome, misturou Black Mirror com Mr. Robot e Gossip Girl de um jeito maravilhoso e frenético. Tem neon pra cara****. Acho que os diretoretores chegaram no estúdio e falaram NEON, VAI TER MUITO NEON. E o resultado é uma fotografia linda e colorida seguida por uma trilha sonora maravihosa que tem até Halsey AKA rainha do Neon também.

ESQUADRÃO SUICIDA

  Ok, é o pior filme de 2016. Sim, é o pior filme de 2016. Mas temos que concordar que o diretor estava antenado no que estava rolando por aí e pensou que o Neon fosse a solução mágica para o filme. Foi? Não foi. Mas é uma das melhores coisas no filme

DEMÔNIO NEON

O próprio filme já diz então espere muita cor na sua cara e SIM também temuma ftografia linda de doer a alma de qualquer cinéfilo.

Na tv:

Ano passado tivemos o frisson de STRANGER THINGS e a coisa começou a ficar super séria depois de todos termos um puro ataque de nostalgia ao ver um trio de crianças descobrindo um mundo desconhecido e misterioso em meio aos anos 80. Então TINHA que tem Neon. Até a abertura da série é amorzinho.

BLACK MIRROR - SAN JUNIPERO.   CLARO que tinha que ter essa episódio super fofo que foi a quebra de tensão em meio a uma maratona pesada dessa série que foi criada para jogar só verdades na nossa cara. E claro... NEON

. Muito Neon... 

NEON PRA DAR E VENDER.

RIVERDALE

  O blog não seria o mesmo se não tivesse aquela indicação marota, né não?   Então vamos lá... Riverdale é uma série sobre uma pequena cidade dos EUA que é brutalmente afetada após o astro de futebol americano da escola local ser assassinado. A história lembra muito Pretty Little Liars mas sem a erolação toda, então...

  KILLJOYS

  Como é de prache, se algo tem temática futurista TEM QUE TER neon. (posso estar sendo repetitiva ao falar NEON o tempo todo, posso sim). A série é um Battlestar Galactica, uma pitada de Firefly e um pouco de Guardiões da Galáxia, tem um humor e cenários bem montados. Típica série boa do canal Syfy.

O tema ficou na minha cabeça por um looongo tempo e me sinto super bem em finalmente colocar para fora hahahahah. Espero que tenham gostado. Até mais, pessoal!

[trash-4u]

Peril’s Design

Here's Peril :D

I had a strong and sudden inspiration from something idk what but it made this boy! He had another design on paper butttt I wasn't really liking it, so I remade him into something better that actually looks good :D

So- I should probably put some information out about Peril

Peril is from the OG Timeline with alterations. He's from a genocide timeline. The human was getting sick of the simple and same monsters with the same EXP. Nothing was a challenge anymore. A thought came across them although. What if the monsters gained EXP from everyone, became stronger and see which one is the real determined one. Human or monster. The human only did boss monsters, starting with Toriel. They told how they have killed everyone in cold blood and that they'd kill her over and over and continue to repeat in detail till they give in.

Each timeline Toriel would try to do something. They'd try to kill the demon child, reason, cry, be disappointed. It was only after a few more tries did Toriel give in and killed everyone in the ruins. Toriel was the humans puppet, there hostage used to kill.

Toriel proceeded everywhere underground.

Papyrus

Undyne

Alphys

Mettaton

Even Asgore when he tried to stop his long lost wife.

Sans couldn't even stop her, the worst part he noticed was that he would remember all of this.

After everyone's death in the underground and now that the human was satisfied with Toriel's work, they'd make her try to kill them. Toriel felt rage. She killed everyone, saw there sorrow, confusion. She couldn't understand why the human would want her to treason and kill her kind just to end there life.

Toriel let everything out at the human. Human was pleased with this new challenge. The human was finally getting to low HP.

The human would die, over, and over, and over. How many times Toriel would kill the human, they'd come back. It was a thrill again till the game was over and the human killed Toriel.

The timeline would then be reset.

From how exciting the last timeline was to the human, they'd do it to other monsters. Pretending to be a pacifist till they meet there target and ruin the whole timeline

First it was Toriel

Then after torturing and picking at Papyruses mind it was his turn. Papyrus was rather quiet but felt strong sorrow. He knew the human wouldn't change for the better, but he wish they would.

Papyrus had to kill his friends, people he knew as the human watched from behind him, guiding his way.

To Sans this was the worst timeline. Having to try to dodge his brother, fighting him, trying to snap him out of the humans manipulation, but Papyrus knew that it would happen either way. He knew there was no stopping it. If it wasn't him, it was the next Papyrus, if not the next...then the next Papyrus. One of the Papyruses was going to give in anyway. What's the point?

What does it even matter if it's all going to be reset and another oblivious Papyrus was going to be killed, or used to kill?

Why would it hurt to follow the humans game when they're not in control of what happens?

Sans would die, unable to have the soul to harm or hurt his brother. Papyrus was enable to kill his brother although, knowing it's all going to be reset, despite the pain of having to watch his brother die...

The same fate that bestowed Toriel, would fall to Papyrus and the timeline was reset.

Next Undyne

Alphys

Every boss monster suffered the fate of doing genocide on there own kind just because of a humans psychological torment.

Sans watched it all. Unable to do something about it. He couldn't convince them, stop them. He tried but it'd all go to the same fate as before. Him dying. Even if he were to kill one of his friends and stop this nonsense.

His mental health would decrease drastically, he wouldn't be able to handle the EXP and LV to where he would stay sane.

Luckily but still unfortunately the human would go back to it's SAVE with there puppet still intact.

He would die

The human puppet would die

Everything is reset.

Sans knew there was no denying the human would try to make him feel the pain and torment last.

To try to stop this he attempted to kill himself before the human could even find him.

But it was reset and the human was much quicker to save him from commiting suicide with the help of his brother and friends.

A human playing hero again...it sickened Sans, watching them befriend everyone.

Once Sans and the human were alone, Sans would try to get rid of them, but the human remembers there old same attacks.

Sans knew he wasn't able to beat the human. The human knew this to.

Sans knew there manipulative game and it wasn't going to work on them. The human can kill him as many times as they want not like it'd make a difference of being kill multiple times already.

No...the human wanted to see a stronger Sans. The one monster that was hard to beat was now beaten...what if he was stronger, had more EXP than now. Yes...it would satisfy the human. What fun.

The human would then make a deal with Sans. Sans kills everyone for the promise of never commiting genocide ever again.

Sans refused this offer but the consequences were much more awful than what Sans would have imagined. Displeased by Sans denial the human would ruin more of his life. They'd have Sans watch everyone he loves be tortured and killed.

Him being worthless, unable to do anything.

Only being able to listen to there screams and cries

He couldn't take this anymore. This was way worst that remembering how he's died. How everyone has died how everyone has killed him before.

Sans gave in to the humans deal, his mental health unstable, not like he wasn't already a broken man.

Everyone in the underground would dust by his hands. He was now the vilian.

Sans and the human fought for hours. The human died many more time than before with all the other boss fights.

Sans, while fighting was thinking. What's going to happen when this is all done. Will the human never come to the underground. Will they finally free them. Or did they just lie and plan on fucking everyone and everything over again?

Sans didn't want to take the chance of everything being the same forever.

It can't be like this forever!! It just can't

Distracted, the human would stab Sans.

Finally a hit...

But Sans has much more HP than the human.

Sans would tear his hand into the human chest, ripping there soul out.

He'd have enough of this.

With the human soul he'd absorb it into his own body.

His blue flaming eye would then burn as his sockets melted from the determination. The human body would drop as Sans would scream in pain. He was going blind.

He'd stopped using his magic, he couldn't even have his eye light on.

He used green magic on his sockets to stop it from melting anymore. The EXP and power making the human soul stable in him.

... everything was quiet.

It was quiet for days..months even. No one was around.

He slowly went insane. He could hear the voices of his friends and family. They whispered to him. They all remembered what he's done. What they all did.

They barely talked and only keeping him company for so long before the whisper of the human would keep close to him.

The human wanted him to give them back there power, back to there body to get there soul back to reset. It wasn't a chance. No body wanted to go through that again.

More months would go by. Sans doing the same things he usually does. He goes to his station and sleep. Go to grillbys and sleep. Go on his couch or mattress and sleep. Not like he could do much from everything being blurry now, unable to see clearly anymore.

He didn't shower...he was still covered in blood, dust...Papyrus's scarf.

He'd have sudden outburst and think crazy thought whenever he'd talk to his friends.

Thoughts like how to kill himself, how to reset just to have the human be tortured by his hands. Perhaps they'd liked murdering everyone. They do remember the thrill of finally ending all the pain and suffering the human caused despite the silence now.

Sadly he couldn't reset for his monster magic unable him to.

There was only so much of this quietness that Sans could take before he was going to end it all with him or give it back to the human.

No one wanted either.

It was only so much he could handle.

One significant day though, his attempt of suicide, an interruption had entered his timeline. Not that Sans would care. On a cliff he stood, jumping off to his death before something caught him.

A tentacle.

It pulled him up from his fall to the surface. A failed attempt again at ending this nightmare.

Stood upon him were skeleton monsters that looked like him.

He was confused, worried. It was the first time in what feels like a whole year that he's seen another person, another monster.

The one that stood in front of him was the tentacle looking skeleton. He had one cyan eye while his body was covered in a substance. He looked sophisticated.

Beside him was a glitched skeletons. He had a long jacket, a sweater and other nice clothing. His eyes were a color of dark red that would occasionally change color. He had this glitched square box next to him with an eye. They were a clear white bluish color and glowed a bit.

The other two were intimating and looked the closest like him.

One had bandages over his skull and edgy clothing. The other had Papyruses scarf over there head like a hood.

Sans had asked who they were, where'd they come from. He was desperate for answers.

The skeleton in the front had answered him. "My name is Terrer, guardian of negativity...these are my acquaints, Ultri with his assistant Eco, Mizera, and Prach," he'd answered.

"We all come from a different world from yours and each other," he'd respond. This was all new to Sans.

Terrer offered that if Sans worked for him, he's get him out the place where there are more skeletons, monsters, and humans. He offered to get him off this dead AU.

He didn't sugarcoat that there is murder involved with joining him, but at least he's free to move place to place.

He'd be given a new name, a new identity, new clothes, a new home. As long as he'd stay loyal to Terrer and work for him, would he save him.

Sans had no other choice. It was die. Be tormented by the human again. Or work for Terrer.

Terrer offered his hand, and hesitantly, Sans took it and decided to work for him.

To dismiss confusion from the common name Sans. He was named "Peril"

Peril was taken back to there base, a huge mansion, maybe even a castle. He was given a room, new clothes, and good food to eat rather than the rotting food back at home.

At first he was quiet but the more he's got to know his new team members, he saw them more as family...

Cute but terrible backstory :D Anyways here's some fun facts about him

Peril is nearsighted He likes chocolate, but can't eat too much or he'll get sick He doesn't like talking to his voices often because he either goes into a panic attack or becomes unreasonable He hates listening to the human He's rather much more quiet He is mostly emotionless so he doesn't get attached to anyone that might die He can barely remember what his friends and family look like. He only remembers there voice He still has nightmares about everything that's happened in his AU When he's panicked and scared, his eye lights unconsciously come back, although doing that gives him a headache and makes it harder to see When he's in an unstable mindset his eye lights turn red like the humans. He gets a headache from this too. Best to stay away from him or calm him down because it's a chance the human can take control of his body and emotions His best friend is Prach due to the fact that Prach relates to him on some level He hates honeybuns since that's what he mostly ate in his AU He hates the quietness and is always listening to something like music Murdering is okay :) He and everyone else despise Inkoust from the fact that he could of saved them from there broken AU or timeline like Terrer did They don't like Sen because of Terrer's backstory Peril is taller than Terrer, but the second shortest He's the reasonable teammate Depressed :D His favorite food is spaghetti tacos His favorite color is dull dark blue His favorite holiday is Halloween, most because of the candy He's an Aquarius, his birthday is on Feb 5 He's lazy at times. A bad habit from his AU He doesn't know how to cook His favorite instrument is the drums He's asexual and isn't looking for a relationship since he's scared of hurting them or killing them because of the human

That's pretty much it on Peril! There's probably gonna be more on him, but for now this is the boy :D

[trash-4u]

This is-

an old design for my own Dust sans-

BUT IF U GET INSPRIATION HERE :D

[reseau-actu]

Une enquête a été ouverte après la mort d'un jeune universitaire Guinéen, Mamoudou Barry, violemment agressé vendredi soir près de Rouen, a-t-on appris dimanche de sources concordantes.

"Tout est mis en œuvre pour identifier et interpeller l’auteur de l'agression (...) Il appartiendra à la Justice de faire toute la lumière sur cet acte odieux", a écrit sur Twitter le ministre de l'Intérieur Christophe Castaner. "Mes premières pensées vont à ses proches dont je partage l’émotion et l’indignation".

De sources policières, Mamoudou Barry a été agressé à Canteleu, dans la banlieue de Rouen. Pris en charge par les secours, il a été hospitalisé au CHU de Rouen, où il est mort samedi.

"Les faits auraient été commis entre 20H00 et 21H00, sous réserve du résultat des investigations à venir", a indiqué le procureur de Rouen Pascal Prache dans un message à l'AFP.

"Les investigations sont en cours. Les auditions et vérifications devraient permettre de préciser le déroulement des faits", a-t-il ajouté sans plus de précision.

Mamoudou Barry était chercheur à l'Université de Rouen-Normandie, a-t-on appris auprès de l'établissement.

Il avait soutenu une thèse de droit sur les "Politiques fiscales et douanières en matière d'investissements étrangers en Afrique francophone" le 27 juin dernier à Rouen, selon le site de l'Université.

Âgé de 31 ans, marié et père d’une fille, il a été "victime d'une agression verbale puis physique d’une extrême violence qui lui ont causé des lésions cérébrales et l’ont mis dans un coma profond dès la soirée du 19 juillet", est-il précisé de même source.