#Postmodern realism
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need this for pigtails to prevent aggressive fellatio
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Let your love bleed all over those pages; in the end, all it can be is a work of art (- but never a mistake). - Laura Chouette (Profound Reverie, 2023)
#aesthetics#dark academia#postmodernism#modernism#realism#poem#literature#love#light academia#cottage core#poetry#art
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Art by Noah Verrier
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Nicholaas Chiao, Admirers, 2024, oil on canvas, 13 x 20 inches
#art#fineart#painting#museum#contemporaryart#realism#photorealism#figurative#figurativeart#newyork#moma#newyorkart#nicholaaschiao#portrait#contemporaryrealism#postmodern art
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me the second someone says life feels monotonous and devoid of novel cultural significance
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#mark fisher#capitalist hell#capitalist realism#capitalist dystopia#capitalist bullshit#capitalist society#late capitalism#capitalist system#capitalist casualties#postmodernity#fredric jameson#slavoj žižek#gilles deleuze#deleuze and guattari#hauntology
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Scientists estimate that approximate ninety percent of the cells in the human body belong to non-human organisms (bacteria, fungi, and a whole bestiary of other organisms). Why shouldn’t this also be the case for human thought as well? In a sense, this book is an exploration of this idea – that thought is not human.
Eugene Thacker, In the Dust of This Planet: Horror of Philosophy
#eugene thacker#speculative realism#horror#cosmic horror#lovecraft#object oriented ontology#critical theory#media theory#postmodernism#philosophy
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the thinker
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August is the month of last chances, Nigel Van Wieck
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youtube
#Sublation Media with Douglas Lain#video essay#Mark Fisher#Capitalist Realism#Hauntology#Ghosts of my life#the slow cancellation of the future#Sapphire & Steel#Sapphire and Steel#Star Wars#American Graffiti#George Lucas#Frederic Jameson#Moishe Postone#postmodernism#philosophy#YouTube
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Jean-Francois Lyotard - Realism
"But capitalism inherently possesses the power to derealize familiar objects, social roles, and institutions to such a degree that the so-called realistic representations can no longer evoke reality except as nostalgia or mockery, as an occasion for suffering rather than for satisfaction. Classicism seems to be ruled out in a world in which reality is so destabilized that it offers no occasion for experience but one for ratings and experimentation."
From 'Answering the Question: What is Postmodernism?' in The Postmodern Condition, R. Durand tr., (1986), pp. 71-82. Contained in Modern Literary Theory edited by Philip Rice and Patricia Waugh
I found this quote particularly interesting (in fact it was the first that made me reach for my highlighter) not only because of the commentary on the derealization of representations to the point that only the ironic is left, but that nostalgia is one of the remaining two options under realism. In a world where we seem to be increasingly reliant on nostalgia--via reboots, sequels, prequels, re-emerging fashion trends, reactionary political views, and a turn or, in some cases, return to esoteric theories and ideas in already niche communities--it seems to drive late-stage capitalism in such a singly-powerful-yet-consistently-denounced way as to emphasize the position of postmodernism as a theory often used to decry this realism without being aware of its influence.
#Jean-Francois Lyotard#Postmodernism#Realism#Modern Literary Theory#Philip Rice and Patricia Waugh#literary theory
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My love is so fragile; and yet it chooses your hands to bloom.
- Laura Chouette (Profound Reverie, 2023)
#aesthetics#dark academia#postmodernism#modernism#realism#poem#literature#love#light academia#cottage core
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virginia woolf and arnold bennett can rest easy knowing their age-old debate has finally been laid to rest
what makes a novel? characters who feel real
how do you make them feel real? is it heavy handed description of their environments like bennett and the realists? is it bewildering explorations of their inner mind and thought process like woolf and the modernists?
no. its clinical insanity and obsession
hope that helps!
EDIT: ive realised this entire post sounds super sarcastic its not im deadly serious OP is 1000% correct.
i love both realism and modernism but i am in fact currently microwaving all my current wip OCs on high heat
Imo in order to finish your writing project you need to be unhealthily obsessed with your characters to a point where you question your sanity
#writers on tumblr#writeblr#writerscommunity#literature#an english major reports#they genuinely slammed each other over how to make characters feel real#and this is how english literature moved from realism to modernism#and then postmodernism happens#and now tumblr user writing and witching gets the final say#because i say so#obsession wins
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Postmodern Existentialism
The progenitors of existentialism have been the literary and philosophical heavyweights like Heidegger, Sartre and Camus. What I have done here is to revise their contributions and through it I would like to lay down my own interpretations.
Heidegger
From the ontological point of view, Heidegger defines being as Dasein (meaning being there). He also mentions that being is throwness of meaning. I contradict him by saying that being is the possession of meaning. And being possesses meaning as:
Appropriation
Catharsis
Affirmation
Negation
Celebration
Cognition and Perception
Appropriation
Appropriation means to take hold or to possess and it’s a way of authenticating the presence of meaning. Reality becomes qualitative as lived presence of meaning.
Catharsis
Catharsis is the most beautiful state to experience meaning of being. Catharsis from the Aristotelian meaning of purging or cleansing the soul has also the modern meaning of beatific experience. We are in the state of beatification and beautification.
Negation
Negation as a presence of meaning is to express Sartre’s ‘nothingness’, a technique to annihilate negativity. Negation is the broom with which we sweep the dusty corridors of the human mind.
Celebration
My existential view unlike Sartre and Camus is life is the celebration of meaning meant to live with cheerful optimism. Life is the carnival of heaven and poem of celebration on earth.
Cognition and Perception
Cognition and Perception are the intellectual tools for gaining data from the world of senses. It is a process which I call as transcendental realism. It is a blend of the concrete and the abstract idea. It is the pedagogy of living experiences.
Camus
For Camus existentialism meant that life is chaotic, absurd, meaningless, monotonous and repetitive. He compares absurdity to the myth of Sisyphus and in it Sisyphus is condemned by the Gods to roll a boulder uphill only to find that it rolls down and he is forced to do this meaningless task. For me Camus’ metaphor of the Sisyphus is to be rewritten and as each times he rolls the stone, Sisyphus does it creatively and differently and this way he avoids repetition and monotony. Sisyphus is a hero who celebrates life’s meaning.
Sartre
Sartre in his enigmatic statement said: ‘we are condemned to be free’ as we are sole responsibility for the choices that we make. If we put our responsibility on others or on God we are acting in bad faith. He terms the obstacles that we face as facticity. Revising Sartre, I would like to say we should we wise and prudent when we make choices with the keenness of perception and discernment so that our choices don’t fall to folly and ruin. I say that the choices we make in life makes privileged beings.
#Sartre#Camus#Heidegger#Postmodern existentialism#Ontology#Anand Bose#Transcendental realism#Sisyphus#Being#Possession#Appropriation#Catharsis#Negation#Celebration#Cognition#Perception
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hiii just saw your post about needing distraction and if i can help you even a little bit then i’d be happy to!! so id like a drabble with akaashi, f!reader or gn!reader, fluff, at uni?? if that’s fine?? have a lovely day <33
zeugmas and feelings.
summary | akaashi keiji and you found each other while trying to survive deadlines. or: how to not get anything done because akaashi keiji is just so damn pretty. warnings | none! it's meet-cute and fluff :3; fem!reader word count | 4449. a/n | elie, i love you, you precious!!! thank you for this and i'm sorry that i didn't keep to the idea of a drabble. for the life of me, i could NOT pass up writing several moments of akaashi so there's 4.5k words full of them instead T_T i hope i made it justice, though :3 please let me know what you think! -` ♡ ´-
the library was silent on sunday; eerie yet comforting in a way.
the sun had long since set, the last of the rays that came through the windows bathing everything in a light that felt more nostalgic than it actually was before it dipped everything outside in a dark cloak. among the typing sounds on different kinds of laptops, their engines more than ready to take off after being used for so long, there was only the ticking of the clock, sometimes a soft clearing of throats or the gentle clink of a thermo cup being set down.
looking up from the mock exam you were taking for your cultural studies class, flexing your cramped fingers and rolling your shoulders, your eyes found the only other person sharing your space that late. you didn’t mean to look over at him lest you made anybody feel awkward, but in an entire picture of stillness before you, the movement drew your eyes naturally.
his fingers were swift, flying over the keyboard, gaze trained at his screen, trusting his hands to instinctively and automatically follow the letters. you couldn’t see his eyes properly, though, the glare of the laptop reflecting off his glasses. though you could see the little furrow of concentration in his brows, his teeth worrying his lower lip as he halted for a second, thinking. then nodding to himself, they resumed their display of a gear having turned in his brain.
your eyes wandered away from him to your own screen, the words staring at you, and you wondered once again whether you should have chosen a different topic to cover in this assignment. would american history work better? did you have enough characteristics to explain the relevance in the corresponding text? or did you perhaps want to stay focusing on orientalism?
after all, american history was your current topic discussed in class, its myths and ideologies, transformation of gender roles, the age of realism and science. it would be easier to just focus on any of those: the harlem renaissance, counterculture and postmodernism, the gilded age—
you rubbed your eyes, and a sigh escaped your mouth, strong and carrying a lot of exhaustion; your lungs pushed the air out forcefully. you were too far in to scrap everything and start anew with a whole nother topic, so there was only one plausible and logical conclusion to draw:
get more coffee and force your brain cells to work.
standing up from your spot, senses tuned into the stillness of the library, you noticed something. or lack thereof. no typing noise anymore that had accompanied you for hours on end; the seat in front of the man’s laptop empty, his notebooks still open on the table, though no cup on the empty coaster.
as you walked by with your empty mug and passed the little area that his pens and his dispersed papers claimed as his for the time being, you let your eyes flit over his screen. walls of paragraphs comparing two different works of literature on one half of his desktop, another document open with several similarities and differences listed on the other half.
“japanese lit, huh?” you mumbled to yourself, tired eyes straying away from his possessions and your feet automatically carried you to the coffee machine at the entrance of the library that the students of various classes had invested in to aid them during their emotional breakdowns…uh, quest to finish their essays and assignments in time.
zoning out, gripping your mug in one hand, you barely recognised the familiar movement of a person occupying the space in front of you out of the periphery of your eyes as you neared the coffee machine, so you only came back to reality when your nose was suddenly squished against a warm barrier that smelled like cappuccino and old books.
“easy,” a deeper voice than yours called out close to your head, one hand having already come up to steady you when you lost your balance. his hand was warm against your back, the heat seeping through the layers of your woolen turtleneck, and for a second you both occupied the same space, the only sound the ticking of the clock.
“oh, sorry,” your response was automatic, sheepish and you stepped back, “i probably saw you but my brain didn’t work quick enough to actually see you.”
your gaze found the missing person whose laptop you snooped through (did it count as snooping if you only quickly looked at the screen enough to see what he was working on? you didn’t even touch anything, promise), and this time you could see his eyes, unhindered by any light reflection.
pretty, you thought off-handedly, really pretty eyes.
“no stress,” one shoulder heaved up, and when his fingers stopped supporting you once he saw you didn’t need his help anymore, your back felt weirdly cool. it was nice having felt the heat of his arm around your body in the absence of any human contact in the face of studying.
he filled water into the reservoir of the coffee machine, a cup of beans already measured from before you walked into him. you cleared your throat and nodded in thanks; he bowed his head quickly, waving off your thank you, his hand nudging up his glasses perched on his nose when they threatened to slide down.
they were a bit big, but the earnest look of the dark blue eyes accompanying them made them all the more alluring; like they caged a ton of unsaid thoughts behind them, like there was so much those eyes wanted to tell but they had to get through the barrier of the glasses first.
a transparent mask to hide behind.
“sooo, how’s the coffee?” you asked to fill the silence when your eyes met again, looking away just as quickly, because you hadn’t expected that his sharp pupils found you the same way your eyes found his. stupid question, to be honest, when the coffee machine whirred in answer, and there was a slight smile playing on his lips.
“i don’t know yet,” he held up his opened thermos cup to show you the lack of liquid that he could not judge on yet, and your cheeks flared up at the obvious demonstration, mumbling quietly to yourself, thinking that the coffee machine was too loud for him to understand: “sorry, that was…an incredibly stupid question.”
“you’re okay,” his quiet and steady voice came back to meet your ears, held back amusement lingering in the folds of his tenor. he heard you just fine, “though probably just like bitter water.”
leaning back against the wall, he joined you in waiting, and then there was comfortable silence between you both. he was close enough to feel the air warm up, close that if you glanced up again, you could see his lashes brush his cheek as he closed his eyes for a quick reprieve, the curls of his hair, messy and falling over his ears, his lips sitting together calmly, sometimes twisting when he chewed on the inside of his cheek.
you looked away again, to the coffee machine that went from grinding the coffee beans to finally pouring the hot water through it and dripping into the pot. you thought you recognised him from somewhere, this boy with the gentle, kind eyes and the charming glasses. you couldn’t help but steal another glance at him, trying to gauge where from, whether you had met him on campus before.
“i can feel you staring.”
whirling your head away from his still closed eyes and the fingers messing with his hair, you felt embarrassment brewing within your chest alongside the coffee in front of you. stupid, stupid.
“sorry.”
“don’t be. i don’t mind,” he said, still the same reserved amusement hiding behind his words, and then he did open his eyes to turn to you, and you returned the favour of looking over him again. your gazes met for a split second, dead-on, before they parted again to look at other features, “you’re in professor yoshida’s class, right?”
“right! that’s where i know you from,” recognition finally bloomed, and you tested out the name that was continuously popping up in your mind during the short wait, wondering whether it was him, “akaashi keiji, right? you looked familiar.”
akaashi opened his mouth to respond, but halted for a split second; his cheeks and ears using this one moment to turn into a soft pink. when he caught himself and talked, you had an inkling that he meant to say something completely different: “yeah, exactly. what are you working on?”
“cultural studies. incredibly boring.”
“japanese lit,” he nodded in sympathy, then moved to pour coffee into both of your cups. you wanted to thank him, take the cup yourself and move, but he beat you to it. reflexes sharp and swift movement, he maneuvered around you easily to carry both of your coffee mugs back to the table you both shared.
“thank you,” you said at last, seated away from him at your own laptop with the steaming cup warming your hands, the same old words on the screen staring back at you, and he responded in likes; his voice comfortable and easy, deep and as warm as the drink in your hand, “of course.”
both of you continued working, though amongst the clicking of keyboard keys and the silent breathing were the little glances both of you threw at the other now that there was some common ground found. when you got stuck with how to phrase a certain sentence, chin supported on your hand, your eyes wandered to him out of their own volition and instinctually, and you watched him focus on his work.
the way his teeth would not stay still, constantly picking on his lips, his fingers rubbing his chin when he thought; the light warming up his face and making it seem like his hair was draped over him like a dark curtain.
then you’d attend to your work again, and it was akaashi’s turn to let his eyes and mind wander over to you to watch you get stuck with another paragraph, biting your nail while the other hand was tapping on the keys lightly without pressing too hard, eyes intently focused on the words.
you had an intense look in your eyes, and everytime, there were little butterflies erupting behind his ribcage when he felt you dedicate it to him.
those moments in between, when both of your eyes passed the others, belonged to nobody but the empty library. moments, in which you allowed yourselves to bask in the heat of fading instances, of arcane glances, interrupted by little sighs here and there or random occurrences, in which you both just couldn’t help but talk to each other:
“i’m jealous of your concentration,” you groaned at some point, allowing your forehead to thump onto your arm to bury your face away from the screen and its cruel, glaring light, “you look like you’re about to solve all the problems in this world.”
akaashi had stilled in his work, startled, eyes glancing up over the rim of his glasses up to you, and his teeth finally let go of his poor, swollen lower lip; mouth curling into a small embarrassed smile, “not quite. but i may be able to help you with yours, if that’s a start.”
you laughed at yourself for the strange thump your heart produced, hand waving him off, “sweet of you, but i just need some of that laser focus you’ve got.”
“sending you some.”
pretending to catch the energy he threw your way, you perked up in your seat and flashed him a grin, “you’re a lifesaver.”
“oh fu— shit.”
he was already beside you with napkins, big hands dabbing up the spilled lukewarm coffee as you worked to put away your electronics and books lest they’d get ruined by the deep brown liquid. he was close, leaning over you, hands working fast and precise, feeling his chest bump against your shoulders ever so slightly. your body warmed up at the contact, and you had to try not to lose your mind over that.
“ugh, i swear this is not my usual.”
“i’ll believe you when i see you prove the opposite to me,” he said quietly, a certain openness in his voice, a silent offer to spend many more moments together like this.
you looked up at him, a smile stealing itself on your lips, “i suppose if you’re asking to be humiliated and be proven wrong, then i won’t say no.”
the skin underneath akaashi’s glasses had warmed up, and as he went back to his seat, he had stuttered back, “that’s— i didn’t— nobody said anything about humiliation! also, you’re the one who barely escaped electronic and academic death. gotta tone down the murderous intent a little.”
“never. every essay is my arch-nemesis, so they got what was coming for them.”
akaashi had shook his head, and laughed quietly to himself; the sound as honeyed as your favourite dessert.
when he returned from his bathroom break later on, he brought you back a new cup of coffee, anyway, despite his fear of you murdering your hard effort of having added only three extra paragraphs to your text in all the time (you were a little busy staring at akaashi keiji’s pretty eyes; nobody was allowed to judge your slow pace).
you fell back with a big oohmpf and a yelp.
dazed, you looked up at the ceiling, the low warm light of the library in the midst of the dark outside looking enticing enough to fall asleep right there. you stayed on the ground for a second, most of your fall cushioned by the chair, though your butt still throbbed with the impact.
“hey,” a couple steps resonated before a messy head of curls peeked over you, one hand holding the glasses in place, while the other was reaching towards you to help you up, “you alright?”
“y-yeah,” you sat up, shaking your head a bit to clear it from the zoning out you were doing before gravity decided to take you down, “i suppose that’s why teachers always say not to rock your chair back and forth.”
suppressed laughter, mild concern, and a warm hand engulfing you, “what a delinquent. i bet the teachers loved you.”
“hey! what’s that supposed to mean? they loved me! incredibly so!”
“okay. i think i need help.”
“of course, what do you need?”
“do you understand what i’m trying to convey when i phrase it like that? ugh, i’m scared it’s too convoluted.”
“give me a second,” he finished up his sentence, then came over, “let me see.”
his chest pressed against the back of your (now upright) chair as he leaned over you to read your run-on sentence was distracting you. he wasn’t touching you per se, but the placement of his hands on the arms of the chair could cage you in, make you feel like he was embracing you from behind, so much taller than you. the warmth emitting from behind you made you want to fall asleep and let your head land in the crook of his neck.
he was breathing softly, the air caressing your hair, and when he reached out to point at your words, your eyes followed the red knuckles, his clean nails and the size of his hands.
“you mean that the west created orientalism as a cultural and intellectual framework, right?” — a quick nod of yours — “alright, then i think if you cut this in two sentences, for one to showcase the interpretation of the east and then dive deeper into the colonisation in the next sentence — that would make it more understandable. say, am i making you nervous?”
blinking, “w—what? where did that come from?”
he leaned down slightly, face hovering next to yours, his voice slightly raw and close to your earshell, “don’t forget to breathe. also, you have a typo — row three, the fourteenth word.”
“evil,” your breathing was clipped from the insinuation that he may have had an effect on you, heart pumping blood through your body like crazy as if it was held at gunpoint, “i bet the teachers really disliked you.”
despite that, you brought him a cup of coffee when you returned from your bathroom break, too.
“you alright, akaashi?” you asked.
akaashi keiji looked up, his hand rubbing his neck, kneading the knots out of his tense shoulders. his eyes, until just short of when you called him, had been glazing over, a little bit of a vacant look entering the blue of his eyes, but when you called his name, he had snapped out of it, and his features relaxed slightly, away from his troublesome thoughts. his dark brows furrowed deeply above his eyes.
“yeah, just thinking about all the deadlines coming up. it’s…” he sighed, allowing his shoulders to sink, and he leaned back in the uncomfortable library chairs; another big sigh escaping him, “...a lot.”
“yeah,” you agreed and stood up, walking over to him. his surprised gaze followed you, and when you stood right next to him with his head tilted back, the wavy strands of hair following gravity, looking up at you with those eyes, you felt a tug in your chest that told you to kiss him. you didn’t.
instead, you nodded to the window, “let’s take a walk and a breather,” and then, because you couldn’t help yourself, “a zeugma. get it, mr. japanese literature?”
his shoulders stayed relaxed, and he laughed again; a brilliant smile on his lips and you thought of how you wanted to kiss him even more. his eyes felt lighter, too, when he pushed back his chair and stood up, body entirely too close for what probably should have been appropriate for two students who had only properly met today for the first time. or was it already the next day?
but neither of you moved for a second, drinking in the presence of each other, before he grabbed his jacket off his backrest, “i think you can do better.”
“well, i think it was pretty good.”
akaashi shrugged, a teasing glint in his eyes, competing with the sparkle of the glasses when he turned and the light hit him just right, “and i think i have you beat there.”
you grumbled but caught up to him nonetheless.
it was cold outside.
the kind that slithered through between the folds of your clothing to nestle deep in the crevices of your soul. the kind that had you shuddering and sending remnants of cannons into the air with every breath, the moisture immediately misting up.
akaashi keiji was walking next to you, his hands stuffed deep in his pockets, though his exhales were shaky too, chest trembling with compressed and suppressed shivers. you were already as close to him for warmth as possible without being weird or too straight-forward, though you wish you could just cling to his arm — it was that icy.
“i feel like i can’t even think,” you mumbled, already feeling your lips starting to numb, the tip of your nose burning.
“me neither, but maybe that’s a good thing,” he breathed out, the warm air blowing past your temple, and his cheeks were so pink, it was cute, “sometimes it’s all too stressful, and i wish i could turn off my brain.”
“does that happen a lot?”
you referred to the way his face looked like there was a headache incoming, how his fingers froze and his shoulders locked in; the way he seemed to absolutely crumble under the prospect of the things he needed to do and that awaited him.
akaashi had an embarrassed smile on his face, shoulders drawn up for some warmth, the fuzziness of his jacket’s hood surrounding his reddening cheeks, “sometimes. there’s a lot of expectations riding on passing my classes. not just passing them, but passing them well.”
“by whom?” you leaned forward; curious eyes trying to catch his, “expectations set by the profs or by yourself?”
he stared at you, and his lips were slightly open; with every exhale, condensation snaked up the air like smoke, dissolving in the cold atmosphere all around you, though the air between you was slightly warm. his eyes looked kind and vulnerable for a second, “what a callout. guess i can’t even pretend that it’s not me, huh? you caught me.”
“not yet, i didn’t,” you dared say, and he stopped walking, even though it was colder to stay still than to move. you stopped, too. a snowflake floated between you, landing on his pink nose, melting at the warmth.
the entire evening long — ever since you had bumped into him making coffee and you both went from studying alone to studying together, little jokes and jibes passing between you, curiosity and interest swapping between you with every glance, solitary and shared, you felt there was maybe a chance for something more. not necessarily all the way if it didn’t work out, but more to explore, more of him and you to meet.
“what does that mean, miss cultural studies?”
you blinked up at him, “i don’t know, mr. japanese literature. you’re the one who reads between the lines of books and analyses everything.”
“i’m not that far into my course,” he told you, seriously, and for a second you almost believed him, but then his eyes crinkled as he hid his smile behind the fluff of his jacket, and you pulled out one of your hands from the pockets of your coat to lightly pull his ear, not enough to cause pain but enough to chide him.
“you liar,” you said with no malice, voice soft and as your hand trailed down to hide your fingers in warmth again, his hand, fast as ever, pulled out of his own jacket, grabbed yours and stuffed both your hands in his pocket instead.
incredibly warm, fingers locked between each other, soft skin kissing yours, “let’s go, it’s too cold.”
sometime around 2 am in the morning, you decided that you were going to fall asleep right then and there. sadly, coffee barely had an effect on your body anymore after having put your body through caffeine abuse for so long.
during the hours of studying together, one of you moved closer to the other, so both of your books and notes were strewn together, sharing a space. his thermos cup stood next to a bunch of other cups both of you had drunk out of, because you kept forgetting to take the mug you were using with you and were forced to bring new ones.
scrutinising a well-read book in the dim light, you ask, “is this mine?”
“unless you want to take home a copy of the setting sun with you and dissect the theme of youth in crisis, then i’m sorry to disappoint you.”
“ugh, i can’t even read anything anymore,” a beat of sly silence, “or you know, maybe i do want to. then i’ll have an excuse to see you again.”
“or,” akaashi butted in and gently offered you his phone, his smile straightforward yet a shy edge sweetening it up, “you can give me your number and we’ll meet up for another study session when you’re available. how’s that sound?”
in lieu of an answer, you saved your contact in his phone; your fingers caressing his under pretense of giving it back to him, and his movement was delayed, allowing the contact between you two to linger for a moment more.
“i’ll walk you back.”
“it’s not that far, so you don’t have to. it’s cold, too.”
akaashi sent you a look that very much told you he did not care how cold it was, there was no way he would let you walk alone at night. and when he did, your hands were buried in his pocket again.
the world was quiet and still, as if you were caught up in another plane of existence for the past hours. a limbo of sleepy nature, perpetually falling snowflakes, the constant of the warmth akaashi offered, the bumping of arms as you walked in silence, subtly pulling him either to the left or the right when you needed to change the path.
“when is your assignment due?” you asked, lips barely moving from the cold, so you had to hiss out the words, barely understandable.
“four days ‘til friday. yours?”
“monday.”
another shaky exhale, the tremble evident in your shoulders, and you opted to walk a bit faster, even though you didn’t want to part with him yet. but cold was cold, and you would like to keep your toes still alive and kicking. so, it was no wonder that you arrived at your dormitory relatively fast, though even then, both of you stood in front of the entrance, not ready to say goodbye yet, not ready to leave the world of the dead and wake up the next day to greet the same usual bullshit.
“meet me tomorrow,” he said with blue lips and red cheeks.
“okay,” you responded, heart fluttering when he didn’t let go of your hand. instead he took a step back and you were forced to follow, because you didn’t let go of his hand, either.
one step, another, a third one, then the tentative meeting of cold mouths. his breath was warm, his tongue warmer, and gradually your lips returned to their soft, mellow state. kissing him felt gentle, it felt safe and it felt like you could sink into him, like awaiting and catching you was a giant cloud that kept you floating up.
he kissed like he was a romantic. like he lived and breathed words meant for you, with the dedication and attention to detail only a writer or an artist could have, every stroke, every painted image on paper. he kissed like he had known you for a long time and intended to know you for even longer.
when you both parted, your lashes were brushing the rim of his glasses and your nose caressing his cheek, lips only inches away so it was only natural to kiss him again.
“see you,” he let go of your hand at last.
later, an unknown number texted you, and you thought yourself corny, but you couldn’t help the smile that overtook your features at the cheesy line akaashi keiji thought he had you beat with:
from: +81 3 1762-3468 i left my other book and also my heart with you
and then:
from: +81 3 1762-3468 i really do need the book though, bring it tomorrow please :( goodnight x
#haikyuu#haikyuu imagines#haikyuu x reader#haikyuu x you#akaashi keiji#akaashi x reader#akaashi x you#akaashi keiji x reader#akaashi keiji x you#akaashi fluff#akaashi keiji fluff#haikyuu fluff#hq#hq imagines#hq scenarios#hq x reader#hq x you#haikyuu scenarios#haikyuu requests#request
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aka Nicholaas Chiao
![Tumblr media](https://64.media.tumblr.com/e8f38638c135758c8c891374fa193916/tumblr_pz24xsmIUp1trkvxko1_540.jpg)
Nicholas Chistiakov — The Burial of Count Orgaz with Meat (oil on canvas, 2012)
#Nicholas Chistiakov#american art#the burial of the count of orgaz#El Greco#postmodern art#color#figurativeart#realism#figurative art#oilpainting#painting
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Since my slightly batshit last few days of posting have attracted a new influx of followers, I thought I’d post this question (as I do once or twice a year).
I’m looking for Holocaust fiction recommendations (books) which are heavy on such elements as: magical realism, maybe magic maybe mundane, surrealism, postmodernism, eternalism, and general ethereal vibes. As a Holocaust Historian, I’m turned off by fiction which does the most to capture realism in setting and context. Realism is my job. I want artistic interpretations of the Holocaust which embrace the shocking, unrealistic nature of the events, and use that “how is this real” vibe to create the rest of the world of the piece.
Some pieces which capture the ~vibes~ I’m attracted to/looking for in books include:
Pan’s Labyrinth (2006)
Jerusalem by Alan Moore
Inglorious Basterds (2009)
Jojo Rabbit (2019)
Big Fish (2003)
Philip Pullman’s HDM and Book of Dust trilogies
Oh Brother, where art thou? (2000)
NOT
Benjamin Button (2008)
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Magical realism's most basic concern [is]--the nature and limits of the knowable. Magical realist texts ask us to look beyond the limits of the knowable. Magical realism is truly postmodern in its rejection of the binarisms, rationalisms, and reductive materialisms of Western modernity.
Lois Parkinson Zamora, Magical Romance/Magical Realism: Ghosts in U.S. And Latin American Fiction. Magical Realism. Ed. Zamora and Faris, 498 (https://www.public.asu.edu/~aarios/resourcebank/definitions/)
#quote#Lois Parkinson Zamora#magical realism#literature#writing#knowledge#imagination#creativity#possibilities
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