#Posting here because I didn’t want to influence our ‘main’ timeline

[deltaruminations]

i didn’t want to keep reblogging that ch.1 game over post over and over so here are some more comments from other users that i thought were really cool and wanted to share/expand on

@determinators

Gaster knowing personally of Chara when they died is something i hadn't really considered in any depth and it's SO interesting and i can't stop thinking about it now

my current (admittedly convoluted) line of thinking is that G originated in the Deltarune universe, and his strong desire to un-doom its timeline is motivated in part because it's his home and he feels a sense of duty (maybe because of past actions) to the people in it -- especially the kids, maybe kris in particular (again, for any number of possible Reasons). i think Egg as a symbol of young, vulnerable life being given out to teenagers represents a gesture of nurturing (even if a very weird/unsettling one from the recipient's POV lol), and when we consider the repeated references to eggs not hatching...

so from there, if we hold that G hopped over to UT at some point (maybe with the "followers"? maybe to flee the Roaring?), and was royal scientist when chara was still alive... holy shit dude.

given just the sheer similarities between kris & chara (and especially if we believe kris & chara to be instances of the same character "model"), the idea that he was able to see kris alive "again" in some form before having to experience their terrible death and the fall of "darkness" a second time... i could see that driving him to a point where he might just feel like he has nothing left to lose, you know?

idk there’s so much i’d like to say but i feel like i’m veering a little too far into speculative fanfic territory whenever i start getting into it. but imo the G/chara parallels definitely seem to be there thematically and i think there’s potential for narrative significance to it as well (is G maybe taking extra interest in Kris in Deltarune the game in part due to what he saw happen to chara in undertale, and/or his particular sympathy for chara because of how his own well-meaning past choices led to harm like theirs did, and/or how his own inaction/indecision in the Undertale universe factored into them making their big mistakes in the first place? is anything about that ethically fraught from kris deltarune’s POV???)

@abandoned-quiche & @torchiiko

one of the things i find so interesting is that he doesn't just say they're wonderful — those statements are among the very few times he ever breaks from his "script." they’re among the only moments of spontaneity we see from him in the whole introduction sequence.

if you pick someone else’s name, even "sans" or "papyrus" or "asgore" or "gerson," he just says HM WHAT A COWINKYDINK. and if you give one of the kids’ names to the vessel alone, he responds similarly neutrally, as if he knows that because you’re giving that name to the "character," you already have some amount of meta knowledge and therefore have already "met" them as a character. he even said on twitter that he knew we were looking for him — he knows we’ve played undertale, and that might be why he’s seeking us out in the first place.

possible masking for personal reasons aside, if we consider that we’re participants in a "survey" or test case, that kind of neutrality is both polite & professional and necessary. whatever biases he personally has, he needs to minimize his betrayal of them, because that could influence the behavior he seems to be attempting to study. and if he’s aware of our (from his POV) tremendous metaphysical power and knowledge, then i think he might be just as skeptical of us as we are of him.

and yet, if you give yourself one of the main lightner kids’ names, he seemingly assumes it really is a coincidence and he just completely breaks. he is so excited for you to meet Kris, Noelle, and Susie for what he thinks is the first time that he can’t stop himself from telling us how very, very wonderful he thinks they are. it’s like he pauses from taking a note, looks up from his clipboard, and says, "NOELLE, YOU SAY. I HAPPEN TO KNOW OF A NOELLE MYSELF." he doesn’t just like these kids, he likes them so much that despite his best efforts he just can’t hide it.

the only other seemingly spontaneous moments occur when we give ourselves his name (discussed below) or when we give the vessel and creator identical names ("OF COURSE OF COURSE. OF COURSE THEY ARE THE SAME.").

@cogentsummoner

YES the name thing is something i’ve been thinking about a lot too.

to explain that more for anyone who’s unfamiliar: in the intro/"GONERMAKER," G ends the survey session as soon as the last letter of his name ("GASTER") is typed. he doesn’t wait for you to submit it, and he doesn’t ask you to change it to something else, he fully just takes the player out of the session. as soon as he sees his full name, he removes you (and, it’s worth noting, himself) from the situation.

this could be taken many ways, but i definitely think "startled" is accurate regardless of anything else. beyond that, it could be skepticism wrt your meta knowledge of him, as discussed before, but we’ve also established that he knows we likely know who he is. he knows we were looking for him. i also don’t think such spontaneity and haste would be expected to follow from skepticism, frustration, or fatigue alone.

PERSONALLY i believe that confronting his own name brings up deep discomfort for him (for, again, whatever Reasons). just seeing it causes him to panic. it causes him to break beyond affection for certain kids and even grief/disappointment after a game over. whatever it stirs in him makes him feel so exposed that he can’t even allow us to be present for it. note that while he doesn’t return us to menu/title after dying, he does that exact thing in response to seeing his name.

maybe interesting to note, "WINGDINGS" and the like don’t cause any particular reaction. it’s just "GASTER" that sets him off.

the survey sequence in general is very very interesting. why does G even give us a character creator in the first place? i know everyone’s already talked about "choices don’t matter" with the discarding from a thematic perspective but could there be narrative/characterization potentials as well? if G’s trying to help the player, his collaborator & participant, feel comfortable, what does the offer of a customized "vessel" say about what he values, what makes him feel comfortable or uneasy?

[doctopher]

@honeycombsandcherries

[samsa19]

is dazai a ghost?

surprise surprise, i'm unfortunately not dead (yet). and before you call me batshit crazy for the title, hear me out. 

because I can tell you I didn’t stop at batshit crazy, I'm probably clinically insane.

((note: if someone had already posted this theory, please let me know. I usually do a quick search before I post my theories, but I didn’t get to do that this time and I’d hate for someone to think I would claim an unoriginal theory to be my own.)) 

anyways, here goes the theory. spoiler break below for the manga >>

These panels were pretty shocking to me. 

To be honest, the first times I’ve seen Dazai appear in Atsushi’s conscious/subconscious, I thought it was just part of his mental shift. As others have probably suggested before, I thought that Dazai was slowly replacing his old headmaster. Like a shift from his past trauma to the inspiring motivation and confidence that Dazai (somehow) instilled within him. I thought that was a nice touch on Asagiri’s part. 

But okay, Dazai has materialized out of nowhere for way too many times to be explained by an Atsushi’s-mini-epiphany and a shrug of the shoulders. And this can be taken storywise as well, because at this point Dazai’s appearance has moved the plot too much. 

So like any other mentally healthy person I think there are two main ways to explain Dazai’s apparent incorporeality. 

1. The Book, which you saw coming from ten miles away 

You can probably piece this together before I explain anything. But being the annoying entitled jackass I am, I will proceed to do so anyway. And generously tell you why I disagree with it. 

Dazai has demonstrated his nullification on the book through BEAST already, and it wouldn’t be strange if another version of himself had that same influence on this very universe. Disregarding whether or not this universe is the “OG” universe, I think there’s valid reason to believe that #our-verse Dazai has contacted other Dazais to make short, somewhat-materialized appearances in this world. 

But, thinking about how this can work, is somewhat difficult. 

Firstly, in order to transcend universes I think we can reasonably assume that we must have a Dazai have ahold of his universe’s Book. So it goes like: you give a Dazai a book -> he contacts his clone -> he teleports -> he headpats Atsushi or whatnot.

However.  

Let’s recall BEAST as an example. It was stated that it took place in a timeline where Dazai somehow got ahold of the Book. I’m not exactly sure how this is, but this would imply he was able to read the future and possible timelines of pretty much every existing universe. 

I include possible, because he says the BEAST world was the only one in which Odasaku could live. But he would have had to go back into the past of that BEAST world, because it starts when Akutagawa meets Dazai- far before Odasaku’s fate. Meaning, the future would not have happened were it not for the interference of alter-Dazai. So there’s a variable, possible timeline for BEAST in which Odasaku would not have lived. 

The definition for the Book, if I recall correctly, is that whatever is written in it becomes true, as long as there is karmic balance. 

...Since when did the Book contain all futures? 

That would mean our timeline is written in as well. If “our” Dazai did contact the others through the Book, he already a) has the book, and b) knows its possible futures. And we’re only seeing the most successful timeline in this world, where every Dazai has decided to cooperate. 

The reason why I’m somewhat reluctant to agree with this, is the incongruity it develops with a), as well as the fact that every appearing Dazai looked the same. 

I did say two main ways, didn’t I? 

2. Dazai is a ghost! 

Oh shit, you saw this coming too.

Jokes aside, I want to reference my old theory in which I stated a possibility that Dazai is competing in existence between his soul and his ability, and the current Dazai we see now is a mixture of the two. (You can check it out in my bsd theory tags.) 

Why did I want to reference this theory? 

Because I’ve been thinking recently: 

An existence has capacity for two entities, a soul and an ability. They establish a mutual relationship by the soul allowing the ability to reside in the existence, and the ability being used freely in its exchange. Additionally, the host soul must be stronger than the ability (as noted by 55 Minutes and Dead Apple). 

What’s happening in Dazai, or at least what I propose, is that the soul and the ability aren’t in this equilibrium. This is what I think disables Dazai from using NLH at his own free will- either the ability is too strong, or the soul is too weak. 

Now, every other ability user can somewhat bring their abilities under control. Kunikida is still Kunikida when he uses Doppo Ginkaku. Kenji returns to Kenji after using ((insert whatever his ability is called in English)). Chuuya is still Chuuya after using Corruption. 

But Dazai, is perpetually both Dazai and NLH.

Here it goes, stay with me. 

Every time we have seen Dazai in Atsushi’s conscience, he was in jail. However, the image is wearing the same clothes as he is when Atsushi interacts with him. 

This clues that whatever is talking to Atsushi, is some essence of Dazai, in the form that Atsushi knows him in. 

So where does this so-called essence come from? 

I have two proposals. 

a. There is an OG Dazai, associated with the Book, that is leading Atsushi to the Book. Thus, fulfilling his title as the “Tiger Beetle” as told by Fitzgerald’s mystery fortune teller. 

Or,

b. There is a fragment of the soul that is not occupying Dazai, due to his conflicted existence, and it is roaming the current world. Whenever it comes in contact with Atsushi, it manifests in the form he knows of. Thus, materializing isn’t actually materializing- it’s Dazai who’s speaking, but Atsushi who’s perceiving the soul in a different way. 

I know the theories this time are pretty weak, but I thought the whole question was worth addressing anyways. Let me know which, if any, of these, are most plausible. Please also tell me if there are any discrepancies with whatever evidence I've brought up. 

Stay safe, and thanks for reading! 

[sailorblossoms-snowbaz]

The Same Old Story – Behind The Scenes

Alright, I’m writing this post because The Same Old Story is a writing experiment and the process might interest some more than the story itself.

This fic has a time-loop written in the third person. When we’re in the time-loop, the characters don’t have an identity or a sense of self – they don’t even talk like themselves for the most part – so the first chapter (which introduces the set-up) is titled “Out of Character.” Inside that house, they are not Simon, Agatha, and Niamh. They are merely roles: the husband, the wife, the housekeeper. It’s never “her husband” or “his wife” either, which would highlight a connection, but the husband, the wife. 

Baz defies all structure, so he doesn’t have a role. He’s “a mysterious man.” He disrupts. Niamh also disrupts. She has the role of housekeeper, but to Agatha, she’s more. 

The choice to refer to them exclusively by their roles in the third person creates a distance. It’s intentional, but the downside is that it will probably be alienating (we usually don’t read fics to feel distant from our favorite blorbos, do we) so I’m not expecting people to actually read this (or if they were curious enough to click on the fic, to not stick around lol) but I want to challenge myself so I’m writing it, anyway.

I don’t have much experience writing horror, and I really struggled with how to write this idea when it came to me, so I decided to keep the time-loop part of the fic very brief. More than horror, my aim was “trapped and unsettled.” I’m also trying not to overthink this, so I’m writing it without even proofreading much – otherwise, I might not write at all. To help me write this easily and quickly, I made this instead of an outline. Having everything where I can easily see it really helped with the time-loop and the repetition elements (as in, things that are repeating in multiple chapters), especially because I write (and I’m writing) out of order. (The IIII is not a mistake.)

But there are cracks. And in the cracks, we get a bit of Simon’s POV and Agatha’s POV. The timeline of the memories are non-linear, and since the theme is “comphet is a cage” I’m only giving these two a POV. I’ll confess the POVs are probably very fucking on the nose! haha. I didn’t exactly aim for subtlety or finesse here, I’m just getting the idea out. 

The main idea with Agatha and Simon is that, if I had to summarize why they dated, it’ll be: they wanted a place in the world. Agatha was trying to get attention and find herself through romantic love, because that’s how beautiful girls are told they have value. Simon was desperately seeking stability, home and family. He was after the idea of having a future in the one way boys like him are told they can have it, all to distract himself from the fact that he absolutely believed he had no future. They’re both baby gays very much running away from the gay.  

They’re also absolutely influenced by media. It’s a constant with Simon. He uses his free time to watch movies and tv. It might be escapism (in line with how he avoids thinking/self-discovery), he might just like it, or both. I’d say it’s both. He has Opinions on action movies (the ones he watched on the airplane were shit!) he would watch older movies (comparing Baz to a silent movie fellow) and he uses media to shape his understanding of the world. We’re told Agatha and Simon watched TV together (said in the most uncomfortable way possible by Agatha, which says a lot about how physical closeness felt for them. A firm yikes, there). So we had two lost teens desperately trying to belong, performing heterosexuality while likely watching media that reaffirms heterosexual romance as the desirable “endgame.”  

This was also the idea behind Agatha’s POV. The obvious would have been going for romantic movies (I do reference The Lady Eve, and the song ‘As time goes by’ is connected with the Casablanca romance) (The window thing comes from a scene reading of Maurice that haunted me for days after I watched it) but I went with my love for film noir and old horror for most of the movie choices. (If you don’t know the movie, you’d never guess the “lonely people” quote comes from an Evil Twin movie) (A Stolen Life) (1946, not the newer one). After all, this part of Gaslight was what inspired the whole fic idea:

Writing Agatha’s POV made me realize she’s a bit challenging for exposition – I rewrote her first POV a few times because I kept pausing like “wait, why the fuck would Agatha care about this?” Her POV also includes a tiny little bit of good old self-projection.  

Simon’s POV was much simpler: Baz is there. Simon is obsessed. After all, this is a crucial aspect of Simon’s essence. I also figure that a Simon raised by Lady Ruth would be more self-aware, so I went ahead with pinning Simon to a clueless Baz, because as smart as Baz can be, he can also be totally clueless to the ways Simon shows love until Simon spells it out for him. Or he can totally overthink it or find ways to hold himself back (like with insecurities) to deny himself of his desires. I gave Simon glasses because having a tangible element to associate with him also made my life easier. 

(Don’t let this convince you I’m organized though, I made that calendar-looking thing after I already had a lot written in a lot of different docs, and didn’t know how the hell to order it haha) 

[lwt28brave]

LT2 masterpost

If it was up to me, we would get an autumn or winter EP. Since it’s not up to me at all, here, enjoy this post with everything we know so far of LT2, which is to say, not much at all. Everything here is hypothetical. I’ll be updating every time I see something relevant. A little disclaimer that while this is a masterpost (kinda), it could be read as discourse (duh, it’s also a theory), AND it’s also by me, and you shouldn’t expect me to be serious at this point.

Due to me restraining myself, there’s no reference to any of the times he’s mentioned his guitar skills and him improving but I hope you know I cried every single time.

I’m also linking my old pinned here. It was written before AFHF and around the free merch thing that didn’t lead to much, but I still think I made some good points.

Possible tracks:

Copy of a Copy of a Copy

Change

Faith in the future??

369??

Possible names:

369

Faith in the future

When is the album coming out?

Your guess is as good as mine

Friday 28th of January 2022. Almost two years after Walls. It’s a Friday. It’s a 28th. What else can I say?

Here you can find @want-to-be-loved timelines for every month.

Here you can find @berlinini’s timeline of what Louis has been up to this year (2021).

The rest is under the cut. And here you can find a PDF version where Tumblr can't tell me how many pictures I can add.

2020

He said back on May 2th 2020 he wasn’t writing anything new yet.

(x)(x)(x)

Interestingly enough, he’s said many times after that that the album’s not ready cause he has no new experiences to drawn from. I won’t call him out because he does it himself.

May 4th. He liked a tweet from DMA’s Johnny Took saying they had to go write together again. Louis has been credited as an influence for them and (kind of) participated in their previous record, so I’m assuming he meant for their music and not his, but you never know.

Nothing(literally nothing??? how did we survive) until 11th of July. We all know what happened that day. We all celebrated it. Nonetheless, that’s not what I’m talking about here.

(x) So, by the beginning of July 2020 he was working on concepts and ideas for the new album. That was fifteen months ago. I know perfection takes time but…

Brief summary of important things that happened from then until the next mention of new music:

Louis left Syco!!!! 10 days later he rescheduled the tour for the first time. He followed Matt Vines on Twitter, probably so we could publicly shame him into doing something. Also, the 10thanniversary. He followed more people I wish he hadn’t.

Then more nothing until September. Not even a single tweet. The first merch drop was on the 28th of August but he just RT’ed the tweet. He first mentioned Free my Meal on the 25th of September. Then on October 1st Walls hit #1 on a lot of countries and Louis was incredibly happy and excited about it ^^

And then, that same day, October 1st, 2020, he dropped this bomb:

(x)

He also said it was too soon to be sharing new lyrics with us (x)

And, obviously, this tweet which is actually what made me start this whole post. I would hope you know mate.

(x)

He also told us he was cooking "banger after banger" and that he was incorporating more social themes into his music (x)(x) (I believe any social issue is a political issue but that’s not the point rn).

COPY OF A COPY OF A COPY?!?!

These next paragraphs are brought to you by my mind not remembering things and me not having any links. I’m assuming COACOAC came from those writing sessions that supposedly happened in October. Or in LA but I have no idea if he actually was in LA at any point other than a Daily Mail article putting him there on December which would have been too late, but I do remember that someone said he was in the studio in LA last autumn???? A rumor. Maybe. IDK. Did I mention already all of this is very hypothetical?? Well, this is it. I can’t even remember if this was October or November or what. So, take this with a grain of salt.

I’m also… taking the liberty to assume, if you must, that Copy wasn’t meant to be a Walls reject because it sounds more mature and darker and it has a vastly different tone that Walls songs. I know he’s said that song probably isn’t getting into the album, but I want to have faith (in the future) that I’m getting a studio version. (But also, Louis, if you’re reading this, first of all GET OUT OF MY BLOG second of all, please don’t ever feel pressured again to add a song to the album because we have already heard it before. It’s your art and it should always be under your own terms).

So yeah, I believe that Copy is either one of those four songs (then imagine the other three??!!) or was written around the 1st of October date.

---End of the Intermission---

Then not much important (other than sharing more about Marcus Rashford fight against food poverty and the 2nd merch drop) until he announced the livestream on the 24th of November. (x)

It wasn’t until a few days before the livestream date we even thought again about new music (jk, I know we’re always thinking about new Louis’ music). So, December 9th/10th, 2020. Nine months ago. We got our first taste of new music!

He made sure we knew Copy of a Copy of a Copy isn't a cover! (x) (x)

(x)

Ok, so that’s it for 2020. (I feel like I’m missing something from September 17th because tweet was deleted but maybe he was still talking about cucumbers. We might never know. Unless I understand how Tumblr tags work). Expected, cause Walls was released in 2020. We needed to let it sit for a while.

2021

Another Summary: Louis third tweet of the year was telling the UK government off. So was the fifth. What a good beginning. On the 26th of January, he said he prefers pancakes over waffles. I hope he meant pancakes other than his own. More importantly, he tweeted the infamous “you lot read into things too much”. Don’t get me started, Tomlinson. Don’t. Then the 31st came around and Walls was one. He tweeted this. How wise. And Project Defenceless happened!!

15th of February!! Who cares about Valentine Day when the next day we got this? ♥

(x)

(x)

So…AN EP?? AN EP?? PLEASE RELEASE AN EP.

“I’m sure I will have something out this year but unlikely that will be the album”. Unlikely but not impossible. Also. A single would be good. This is the second time he mentions releasing something in 2021 and he sounds surer about it than the first time around.

He also said that he isn’t sure we will get a studio version of Copy. And that the best bridges from Walls to LT2 are Walls, OTB, KMM and Copy. Can’t wait!

Then we jump to March 6th when he announced he was going to create his own management company. “Sometimes action is needed first to encourage the motivation and belief”. As we can tell he was already manifesting some stuff which will lead us to the numerology stuff/Tesla… kidding. Or not. We might never know.

On the 22nd of March he answered some questions:

He told us music was still his main focus ♥ mwha. (x) I included this tweet to guilt-trip him into giving us music in case he’s reading this even after I told him to leave. ILY.

(x) I’d love to get a visual EP this autumn. Just saying. It sounds like a lovely concept.

(x)

…next (I will get into it, I promise. I’m just mad).

On the 25th he left for Mexico until April 10th. You could assume it was just for the documentary where we got ten seconds of footage or admit the obvious: LT2 its a Mexican baby!!

On the 26th (so, not so far apart from that first 369) we got the first Faith in the Future mention: (x)

Back then we were innocent people who had no idea what was coming upon us. We still have no idea because what the fuck does he mean with these. Please explain. I have one braincell and I don’t use it enough for this. I’m linking some theories.

On the 30th of March he confirmed he was already working on the documentary. So AFHF was already on the works. Will it take this long for us to get the Veeps numbers? We also got this tweet: "Got a decent chorus idea down" (x).

Same person that got the “something out this year” exclusive. If you know something share with the class. Also. Is this Change? I feel like this could be Change but I also assume he wrote Change after hanging out with his friends or being in Doncaster. But who knows.

(x) And the second mention to 369.

(x) 15th of April. The second "Faith in the future".

On the 19th of April he announced that he had something BIG for us later on the year which turned out to be the Away From Home Festival ♥♥ (x) I love him so much.

Then on the 28th he announced the 369 merch drop (which it’s probably the Walls drop? Except that the TOU and KMM ones were “drop 1 and drop 2” and this was drop 369 which, again, makes no sense) but we still don’t know what 369 means.

Into May’ 21 we go.

He rescheduled tour again. And dropped another bomb (x).

He announced he has signed with BMG as an independent artist by RTing this tweet on May 10th. The article also says that he’s already working on writing and recording LT2. The timing… we don’t know. What this deal involves… we don’t know either. Bear with me here because I have a lot to say about this.

I think the deal is only a distribution one, but that BMG are interested in Louis and what he (us) could bring to the table. They were either present at the festival or watching it, but officially they had no involvement at all with it (everything is credited either to Louis own company, 78 Productions, or Charlie Lightening’s company). That’s the case for both giveaways too; the vinyl one and the tickets for the festival.

I think it would be an unbelievably bad move not to test the waters with BMG now or soon-ish. At least a single, to see how it performs. Due to the circumstances, it’s obvious there’re certain limitations on place but I want to see how they push it, whether the radio play exist this time around and if the song is playlisted and promoted and all that… I would also love to know, since it says he signed with BMG UK, but it also states it’s a global deal, how things are going to go on the US and other countries.

Yes, yes. I know those are all questions and no answers. But I know the same as you, sadly. If any of you know more than you’re letting on… again, share with the class.

Where was I? Yes, on the 25th of May Louis had a great day writing (x). Since the first time he had mentioned he was officially writing to this date there’s almost eight months. And I believe he was writing before October’ 20.

He followed Robert Harvey that day and, on the 28th of May (why is it always the 28th???) he was spotted at the studio for the first time.

June was an interesting month for the fandom ♥. Lots of LHL content which I will love and cherish for the rest of times. On June 4th, June 9th, and June 10th he was spotted at the studio, but I believe he was there more days.

(x)

This was posted on June 6th and captioned Studio. Charlie also shared it with “Mega tunes being put down, can’t wait for this @louist91 #louistomlinson #LT2” as the caption. This gives me 2019 (Elton-Joint) vibes. I like it. Feels like we’re getting closer to something.

He added the Milano date on the 9th too which I’m mentioning because I’m going alone. Anyone wanna go with me please? I’m nice and I never eat anything before a concert so you can have my food. On other news. It didn’t come home.

During July he was at the studio at least three days too. Probably more. Feels like more with all the fan pictures we got. Or was that June? Anyway, July 1st and 9th we got some videos from Robert Harvey and wearesuperhi, which is who Louis has been working with the most, that we know of. I don’t know for sure they’re from that day. And on July 5th we got an article and lots of pictures of Louis looking really good outside the studio.

On the 12th of July the first fans started getting the free, 369 bucket hat and print. We still don’t know what the purpose was other than to thanks fans. Maybe that was it. I want answers and I still think it relates to a future project (see theories above), but it could also just be a bridge with the Walls breaking.

He didn’t tweet about anything interesting for a while, mostly because he lost his phone (he either throwed it in the air or smashed it who knows). Then on the 29th of July he announced the festival!

I’m glossing over it because there’s already been a lot of talk about it (rightfully) and while it was a wonderful thing, it doesn’t have much to do with LT2.

Let’s talk Change!

On August 3rd he tweeted this about the setlist.

(x)

And this (x) on the 28th! I can’t stand him.

We didn’t get it, obviously. Because who was going to get that. But we read too much into things. Alright.

On the 16thof August Dave Gibson shared this post tagged #LT2 with the eyes emojis 👀👀👀. I believe this has to do both with Change but also with whatever else came out of that Mexico trip.

(x) Last relevant tweet related to LT2 is this one.

So, on the 30th of August we got Change and we cried, and we know that Change is going in the new album. He said it. With those exact words. He also said he was “getting a feeling for it”. This has to meant he already has a general idea of the vibe of the new album and what’s going in it!!!!!! (Right? RIGHT?).

Anyway, let’s go back a few weeks because some other things happened on August. He was at the studio a few more times. Or it was suggested that he was there. On the 17th and the 18th. (Why was it so time-pressing to be at the studio instead of rehearsing for the festival? There was no studio at all on the documentary. Which makes sense, but again, then why?).

On the day of the festival we got another mention of Faith in The Future that made me feel part of a cult ngl. The words were flashing on the screen for less than a second. Okay.

And then he tweeted those words again after watching the livestream/documentary on the 4th of September (x). This is what makes me suspect it's either the name of the album or of the single.

On the same day, we got some interesting quotes about LT2 on the documentary.

“Soon I’ll have to think about me second album, which in my head I’ll get the tour out of the way and then I’ll address that. So, I hadn’t really given it much thought, to be honest”.

“When every day is the same is hard to feel creative and it’s hard to have any kind of proper inspiration”.

“As season started to come back, I started writing again and it was great and some of these songs turned out alright”.

And I think this is it. I might be overlooking some important details but that’s what we know and what we don’t know.

So. Conclusions. That’s what you missed on Glee. I do believe the album is, if not mostly done, partially there. And yes, this post is pointless and never-ending but it’s all in here if you need to tell Louis “Hey, you said this, mate”.

[thoughts-on-bangtan]

Let’s talk: Serendipity with a side of 4 O’Clock and other guest appearances

by Admin 1 and 2

We’ve been meaning to write a analysis/theory/discussion on Serendipity for the longest time, especially after I once mentioned in a previous post how I think the song can be interpreted in a way that works for both vmin and namjin. So, while I’ll add my thoughts in regard to the latter, the vmin portion is more based on conclusions and thoughts Admin 2 arrived at. I think their idea presents a perspective I haven’t really seen anywhere else before yet, so I think it’ll hopefully be interesting.

As with any song analysis/discussion/theories, this only represents some of our interpretations which don’t have to be right and no one is meant to take this as gospel. Art is subjective and while we all listen to the same song, read the same lyrics, our understanding and thoughts may/will vary, so you might not agree with any of what we say and you are not obliged to do so. This is just meant as a discussion, some pondering, and perhaps we can discover something along the way that we haven’t considered yet.

With that being said, let’s get into it.

Additional preface: this post will work off of the assumption that both vmin and namjin have romantic feelings for each other and/or are together. If this isn’t an angel you’re interested in reading about, this likely isn’t the post for you. Furthermore, if you’d prefer to put on your delulu hat for the duration of this post, please take a moment to put it on now. Enjoy!

All lyric translations are from doolset.

Serendipity is the opening song on Love Yourself: Her, the first album of the Love Yourself trilogy, and was released September 18th 2017. Of all the members, Namjoon is the only one credited as lyricist on it along with four other people (two outsiders, Slow Rabbit and Bang PD). Based on that we can say that Namjoon definitely had a big influence of the content of the lyrics and the story they tell so analyzing the song in the context of Namjoon makes sense. But at the same time the song is Jimin’s solo so I don’t think it is that farfetched to think that he kept Jimin in mind when writing the lyrics, and judging by how attached vmin, and especially Tae, seem to be to this song, thinking that there might be more to it than just the fact that it’s Jimin’s solo, again, seems like a sensible conclusion to arrive at. In 2020 Tae even used a moment where he recommended Serendipity (as part of the digital Map of the Soul ON:E Exhibition which, by the way, opened on Jimin’s birthday) in order to wish Jimin a happy birthday.

Serendipity /ˌsɛr(ə)nˈdɪpɪti/ as: the occurrence and development of events by chance in a happy or beneficial way.

Looking at the meaning of the title and the big focus on the concept of destiny displayed in the lyrics, I think it makes a lot of sense in the context of Bangtan. The members themselves have spoken about how it was meant to be them, these seven men, and just think about how many different factors had to work in their favor for them to end up not only as trainees for BigHit but also as members of BTS. If Seokjin hadn’t gotten on that specific bus and gotten off on that station the BigHit staff might’ve never seen him and approached him, if Tae hadn’t gone with his friend to the audition and hadn’t gotten talked into auditioning himself, he wouldn't even be an idol at all, and if Jimin’s dance teacher hadn’t encouraged him to audition he wouldn’t have come as trainee to Seoul either. And if one of the BigHit producers hadn’t seen Namjoon, hadn’t shown him to Bang PD, BTS wouldn’t have been created at all. As the lyrics themselves say:

이 모든 건 우연이 아냐 All this is not a coincidence

Timeline wise we think Serendipity is about two different moments in time depending if you look at vmin or namjin. For the latter I’d say it’s about the beginning of their relationship which, if namjinists are right in our thoughts and theories, would put this sometime 2013. Meanwhile for vmin, Admin 2 actually thinks it would be 2016, more specifically the time of the dumpling incident, so before FIRE was released. This also leads us to the main idea that Admin 2 arrived at and thought of, being that Serendipity and 4 O’Clock tell two sides to the same story, as in Tae in 4 O’Clock is the one waiting for the other person, who describes the moment in time and the feelings he had when that person came to meet him. Meanwhile Jimin is the one who came to meet him, who asks him to love him, who cried because of his feelings and who’s telling him about those feelings and thoughts (as displayed by the sentiments of Serendipity). Namjoon also wrote both, and he knew as many details of the incident as Tae was willing to share with him which, seeing how filled with emotion and deep the lyrics to 4 O’Clock are, I’m sure were rather extensive. How else would he has been able to write such beautiful lyrics?

Actually, to sidetrack for a moment, Admin 2 thinks that it’s not a coincidence that Namjoon isn’t just on 4 O’Clock was writer but also as artist, that in a way he also verbalizes his own pain/troubles through his verse even though, as far as we know, namjin never had anything that would be like the dumpling incident, but in this sense it’s more about what the incident represents rather that the literal event. As in, for vmin this was the big fight they had, a majorly significant moment that brought about a change in their dynamic and bond, and according to them it was their last big fight in general. Like a moment that was destined to happen in order to allow for them to later down the line grow into what they are today in connection to each other, but we think it was also a moment in which, while they might’ve realized and opened up to each other about their feelings, it was also when they had to realize that despite there being more to their feelings, it wasn’t the time for it.

As the lyrics in Serendipity say:

설레는 만큼 많이 두려워 As much as my heart flutters, I’m afraid

운명이 우릴 자꾸 질투해서 because the destiny keeps getting jealous of us

너만큼 나도 많이 무서워 As much scared as you are, I’m, too, scared

When you see me When you touch me

Destiny in this case represents their career and them being idols, being part of a group destined to become the phenomenon and the superstars they are today, meaning that this destiny stood in the way of their bond in a romantic sense. They had to prioritize this destiny over their feelings, over wanting to be with each other, because they were afraid of the repercussions that could otherwise bring upon them (as well as the other members). Besides, they could also look at namjin who, in a way, came before them. If theories are right and namjin were together sometimes starting in 2013, they had to eventually split romantically for the greater good of the band, so if their relationship had to take the back seat, so to speak, destiny having gotten in their way (gotten jealous of them), how could vmin know it wouldn’t be the same for them? Besides they already had so much going on with Jimin’s feelings of jealousy due to Tae’s Hwarang hyungs, Tae’s work on the drama keeping him away from the band and exhausting him even more, and the sad things still to come which they couldn’t know at that time just yet.

From Sweet Night we know that they had a first chance that Tae didn’t take, that he couldn’t have known that one day he would wake up and feel more for his best friend, as in Jimin, even though, deep down he realized that he’d long reached the shore already. So, in that park that night the conclusion they arrived at was that while they couldn’t move forward with their feelings (because perhaps Tae didn’t even know just yet the extent of his own), he realized that Jimin is an angel after he told him that he at least wants to be his source of strength which subsequently unleashed arrows of pent up emotions from his heart. So while it was a positive event in sense of it bringing clarity, to a certain degree, about their feelings for each other, it was also one of sadness because they knew they couldn’t follow those feelings. Remember how when performing 4 O’Clock Tae cried in the end? If it were a song just reminiscing about two friends making up at the park after a fight over them being stubborn about dumplings, would he really feel saddened enough to cry, to get to that level of emotionality?

Later in the song the lyrics say:

이젠 곁에 와줘 Now, please be by my side

우리가 되어줘 Please be us

I don’t wanna let go no

그냥 맡기면 되는 거야 We can just leave it to fate

말 안 해도 느껴지잖아 We can feel it even if we don’t talk

Here the important part would be the line about how they can leave things up to fate, which can be interpreted as even if things might not be what we want them to be right now or anytime soon, they will happen eventually because that’s how it’s meant to be. The lyrics generally make a lot of mention of how their love is destined, how their happiness together has been destined since the universe was first created. So it shows a sense of trust that regardless of what will happened, or might’ve happened in the past, they will find their way back together eventually (in a romantic sense). Like, again, in Sweet Night where Tae didn’t use his first chance but hopes he’ll get a second one and, judging by the hopeful tone of the song and everything that we know currently, it looks like he got it and it worked out in their favor. The same, I think, can also be said about namjin.

Looking at the lyrics of Serendipity, the idea of them being fated even though their meeting was serendipitous, Namjoon is basically telling us that here, too, he believes that his connection to Seokjin, if we are correct in the interpretation that Seokjin is the lover hinted at throughout different songs on the Love Yourself albums, was also meant to be and that it will remain as such even if they had to step away from each other romantically, that while they used to be scared back in the day to be together, to open up to each other about their feelings, it still was destiny and that it would work out in the end. Looking at how much they’ve influenced each other, how Namjoon even went as far as saying that Seokjin is his muse/inspiration in a way, would such conclusion really be all that farfetched?

The first line of the quoted verse also reminds me of the same sentiment that Jimin wrote about three years later for Friends in which he wrote:

언젠가 이 함성 멎을 때 stay hey Someday, when these cheers die down, stay hey

내 옆에 함께 있어줘 Stay with me by my side

영원히 계속 이곳에 stay hey Forever, keep staying here, hey

We know that forever/eternity is a big thing when it comes to Jimin and Tae which we’ve seen as early as 2014 with the picture of their intertwined hands that Tae posted on twt with the wish of them keeping going together for a long time and then with Jimin’s addition of saying forever. Later during Bon Voyage 4 he also said that again, how he wants to live with his lovely Taehyungie forever, and years before that how he wants them to be together until they’re grandpas.

So, in a way, it isn’t just destiny they trust that will be in their favor, but it’s also their active wish and “work” in that direction, that it’s not just something a higher force has foreseen for them but it’s also something they consciously want for themselves as well. All because of that serendipitous fact that they ended up as trainees and members of BTS.

넌 내 푸른 곰팡이 You’re my blue mold (penicillin)

날 구원해 준 that saved me

나의 천사 나의 세상 My angel, my world

Here is where we can draw two connection directly to Tae and Jimin, one because of something Jimin said about Tae years prior and the other due to the fact that as recently as the second half as 2020 (DICON Magazine) Tae said he had Jimin saved on his phone as Penicillin. We also know that after the song came out, Tae made a phone case for Jimin with the word penicillin on it which Jimin proudly used and showed off. 

Furthermore penicillin itself is something that can save you, and while we might not know from what, exactly, Jimin needed to be saved, he did say that Tae is more than just his close friend, he is also his savior.

As for Namjoon, there was certainly a time where he would’ve needed someone to save him, from himself and his dark, less than life positive, thoughts (as displayed by the lyrics in Always) but also the world around them back in 2015/16 where he was seen as the worst of the worst for things he’d said that had been purposefully misconstrued and misunderstood, as well as lyrics he’d written which, again, where taken to mean things much different from what he actually tried to say. While there is nothing I can use or base any assumptions on that Seokjin would be the one/was the one who saved him, contextually, I don’t think it would be farfetched that he did help him and was there for him during that time, much the way the other members surely were too. Based on what we know about Abyss and the background of that song, we know Namjoon helped Seokjin in some ways with it, so if Seokjin came to him and spoke to him about the hard time he was having in 2020, it isn’t that out there to think that Namjoon might’ve done the same back in 2015/16, and during other times between when they first met until Namjoon wrote these lyrics, right?

난 네 삼색 고양이 I’m your calico cat

널 만나러 온 that came to meet you

Love me now touch me now

Calico cats are very rare, and usually you’ll only find female calico cats, meaning that male ones are even more rare than that. Looking at Namjoon as a person, I’d say he is a very rare type of person as well, I mean, how many teenage underground rappers turned idol group leaders who might also be queer and is also a literal genius do you know off the top of your head? Furthermore calico cats are seen as lucky cats in many cultures and places so in this sense Namjoon/Jimin would represent something lucky/positive that came to their partner which, if we again look at things that were said over the years, Jimin did say that Tae is the happiest when he’s with Jimin.

As for Namjoon and Seokjin, this could be connected to the fact that Seokjin was thankful that Namjoon is on their team, their ally, instead of someone from another group, thus seeing it as luck that they are together (Rolling Paper FESTA 2020), like he is their good luck charm that played a major role in them getting to where they are, so to speak. And yes I’m aware that he said that three years after the song was released but it wasn’t the first or only time he ever voiced such sentiment. Seokjin has underlined how much he admires Namjoon’s abilities as leader and lyricist many, many times over the years.

“Our leader, RM. This guy is amazing. There are 2 more older guys than him, yet he is great as leader. I want to thank our leader personally.” -- Seokjin as a concert which, judging by their hairstyles (and the use of Namjoon’s old artist name) must’ve been some time around Dark & Wild perhaps?

As a side note, the mention of calico cats reminds me of a picture Seokjin posted for Namjoon’s birthday in 2019 (so two years after Serendipity had already come out) in which Namjoon is seen asleep while sitting and hugging a calico cat plushy. You’ll recognize both the plushy and the ARMY B*mb hat as part of the VCRs for 4th Muster in 2018. So I’m mentioning this as more of a cute thing rather than some kind of definitive sign of any sort really. By the way, that same cat plushy can also be seen when Tae lies sleeping and Jimin sits next to him singing the calico cat line and places the plushy on Tae.

But, what I think is, for me at least, the biggest hint toward Serendipity being, to a degree at least, about/inspired by vmin is the fact that early in 2017, February more specifically, Jimin and Tae both called each other their soulmates during one of their fansigns. And what are soulmates if not two people destined to meet and be with each other, two people quite literally meant for each other? And here Jimin is singing a song about how his love for this person and his happiness with them was fated, that destiny had this planned for them regardless how scared they may be and how destiny (outside factors) might be jealous of them (keep getting in their way).

Furthermore, isn’t it curious how this song, specifically, is written as gender neutral instead of with female pronouns like their songs in the past or even Outro: Her off the same album? Yes, Namjoon explained in their interview with Billoard that this decision was one he made because these rare moments and special things in life are something that transcend genders, cultures and barriers between people, and love is also something that doesn’t care about genders, in this case love and destiny don’t care about the fact that they are all the same gender because they are fated anyway, they are soulmates, each others fated person, and their happiness is meant to be in one way or another. Together.

[meirmakesstuff]

1/2 Hi Meir! I saw your answer on WWC, and since you mentioned you're professionals, I figured I'd ask directly: I'm writing a second world fantasy with a jewish coded people. I want to be clear in the coding but avoid the "if there's no egypt, how can there be passover?" so I called them Canaanites. I thought I was being clever by hinting in the naming that the whole region does exist, but I've since read that it might've been a slur in fact? Do you have any advice on this?

2/2 I did consider calling the group in question Jewish, but aside from how deeply Judaism is connected to the history of the Israelites, I haven't used any present-day real-world names for any other group, (I did use some historic names like Nubia). I feel like calling only one group of people by their currently used name would be othering rather than inclusive? Or am I overthinking this?

Okay so I want to start out with some disclaimers, first that although WWC recently reblogged an addition of mine to one of their posts, I am not affiliated with @writingwithcolor​, and second that the nature of trying to answer a question like this is “two Jews, three opinions,” so what I have to say about this is my own opinion(s) only. Last disclaimer: this is a hard question to address, so this answer is going to be long. Buckle up.

First, I would say that you’re right to not label the group in question “Jewish” (I’ll get to the exception eventually), and you’re also right in realizing that you should not call them “Canaanites.” In Jewish scripture, Canaanites are the people we fought against, not ourselves, so that wouldn’t feel like representation but like assigning our identity to someone else, which is a particular kind of historical violence Jews continue to experience today. I’ll get back to the specific question of naming in a moment, but because this is my blog and not WWC, and you asked me to speak to this as an educator, we’re going to take a detour into Jewish history and literary structure before we get back to the question you actually asked.

To my mind there are three main ways to have Jews in second-world fantasy and they are:

People who practice in ways similar to modern real-world Jews, despite having developed in a different universe,

People who practice in ways similar to ancient Hebrews, because the things that changed us to modern Jewish practice didn’t occur, and

People who practice in a way that shows how your world would influence the development of a people who started out practicing like ancient Hebrews and have developed according to the world they’re in. 

The first one is what we see in @shiraglassman​‘s Mangoverse series: there is no Egypt yet her characters hold a seder; the country coded Persian seems to bear no relation to their observance of Purim, and there is no indication of exile or diaspora in the fact that Jews exist in multiple countries and cultures, and speak multiple languages including Yiddish, a language that developed through a mixture of Hebrew and German. Her characters’ observance lines up approximately with contemporary Reform Jewish expectations, without the indication of there ever having been a different practice to branch off from. She ignores the entire question of how Jews in her universe became what they are, and her books are lyrical and sweet and allow us to imagine the confidence that could belong to a Jewish people who weren’t always afraid.

Shira is able to pull this off, frankly, because her books are not lore-heavy. I say this without disrespect--Shira often refers to them as “fluffy”--but because the deeper you get into the background of your world and its development, the trickier this is going to be to justify, unless you’re just going to just parallel every historical development in Jewish History, including exile and diaspora across the various nations of your world, including occasional near-equal treatment and frequent persecution, infused with a longing for a homeland lost, or a homeland recently re-established in the absolutely most disappointing of ways.

Without that loss of homeland or a Mangoverse-style handwaving, we have the second and third options. In the second option, you could show your Jewish-coded culture having never been exiled from its homeland, living divided into tribes each with their own territory, still practicing animal, grain, and oil sacrifice at a single central Temple at the center of their nation, overseen by a tribe that lacks territory of their own and being supported by the sacrifices offered by the populace.

If you’re going to do that, research it very carefully. A lot of information about this period is drawn from scriptural and post-scriptural sources or from archaeological record, but there’s also a lot of Christian nonsense out there assigning weird meanings and motivations to it, because the Christian Bible takes place during this period and they chose to cast our practices from this time as evil and corrupt in order to magnify the goodness of their main character. In any portrayal of a Jewish-coded people it’s important to avoid making them corrupt, greedy, bigoted, bloodthirsty, or stubbornly unwilling to see some kind of greater or kinder truth about the world, but especially if you go with this version. 

The last option, my favorite but possibly the hardest to do, is to imagine how the people in the second option would develop given the influences of the world they’re in. Do you know why Chanukah is referred to as a “minor” holiday? The major holidays are the ones for which the Torah specifies that we “do not work:” Rosh Hashannah, Yom Kippur, and the pilgrimage holidays of Sukkot, Passover, and Shavuot. Chanukah developed as a holiday because the central temple, the one we made those pilgrimages to, was desecrated by the invading Assyrian Greeks and we drove them out and were able to re-establish the temple. That time. Eventually, the Temple was razed and we were scattered across the Roman Empire, developing the distinct Jewish cultures we see today. The Greeks and Romans aren’t a semi-mythologized ancient people, the way the Canaanites have been (though there’s increasing amounts of archaeology shedding light on what they actually might have been like), we have historical records about them, from them. The majority of modern Jewish practice developed from the ruins of our ancient practices later than the first century CE. In the timeline of Jewish identity, that’s modern.

The rabbinic period and the Temple period overlap somewhat, but we’re not getting into a full-scale history lesson here. Suffice it to say that it was following the loss of the sacrificial system at the central Temple that Judaism coalesced an identity around verbal prayer services offered at the times of day when we would previously have offered sacrifices, led each community by its own learned individual who became known as a rabbi. We continued to develop in relationship with the rest of the world, making steps toward gender equality in the 1970s and LGBT equality in the 2000s, shifting the meaning of holidays like Tu Bishvat to address climate change, debating rulings on whether one may drive a car on Shabbat for the sake of being with one’s community, and then pivoting to holding prayer services daily via Zoom.

The history of the Jews is the history of the world.  Our iconic Kol Nidrei prayer, the centerpiece of the holiest day of the year, that reduces us to tears every year at its first words, was composed in response to the Spanish Inquisition. The two commentators who inform our understanding of scripture--the ones we couldn’t discuss Torah without referencing even if we tried--wrote in the 11th and 12th centuries in France and Spain/Egypt. Jewish theology and practice schismed into Orthodox and Reform (and later many others) because that’s the kind of discussion people were into in the 19th century. Sephardim light Chanukah candles in an outdoor lamp while Ashkenazim light Chanukah candles in an indoor candelabrum because Sephardim developed their traditions in the Middle East and North Africa and the Ashkenazim developed our traditions in freezing Europe. There are works currently becoming codified into liturgy whose writers died in 2000 and 2011. 

So what are the historical events that would change how your Jewish-coded culture practices, if they don’t involve loss of homeland and cultural unity? What major events have affected your world? If there was an exile that precipitated an abandonment of the sacrificial system, was there a return to their land, or are they still scattered? Priority one for us historically has been maintaining our identity and priority two maintaining our practices, so what have they had to shift or create in order to keep being a distinct group? Is there a major worldwide event in your world? If so, how did this people cope?

If you do go this route, be careful not to fall into tropes of modern or historical antisemitism: don’t have your culture adopt a worldview that has their deity split into mlutiple identities (especially not three). Don’t have an oppressive government that doesn’t represent its people rise up to oppress outsiders within its borders (this is not the first time this has occurred in reality, but because the outside world reacts differently to this political phenomenon when it’s us than when it’s anyone else, it’s a portrayal that makes real-life Jews more vulnerable). And don’t portray the people as having developed into a dark and mysterious cult of ugly, law-citing men and beautiful tearstreaked women, but it doesn’t sound as if you were planning to go there.

So with all that said, it’s time to get back to the question of names. All the above information builds to this: how you name this culture depends on how you’ve handled their practice and identity. 

Part of why Shira Glassman’s handwaving of the question of how modern Jewish practice ended up in Perach works is that she never gives a name to the religion of her characters. Instead, she names the regions they come from. Perach, in particular, the country where most of the action takes place, translates to “Flower.” In this case, her Jewish-coded characters who come from Perach are Perachis, and characters from other places who are also Jewish are described as “they worship as Perachis do despite their different language” or something along those lines (forgive me, Shira, for half-remembering).

So that’s method one: find an attribute of your country that you’d like to highlight, translate it into actual Hebrew, and use that as your name.

Method two is the opposite: find a name that’s been used to identify our people or places (we’ve had a bunch), find out what it means or might mean in English, and then jiggle that around until it sounds right for your setting. You could end up with the nation of the Godfighters, or Children of Praise, The Wanderers (if they’re not localized in a homeland), The Passed-Over, Those From Across The River, or perhaps the people of the City of Peace.

Last, and possibly easiest, pick a physical attribute of their territory and just call them that in English. Are they from a mountainous region? Now they’re the Mountain People. Does their land have a big magical crater in the middle? Craterfolk. Ethereal floating forests of twinkling lights? It’s your world.

The second option is the only one that uses the name to overtly establish Jewish coding. The first option is something Jews might pick up on, especially if they speak Hebrew, but non-Jews would miss. The third avoids the question and puts the weight of conveying that you’re trying to code them as Jewish on their habits and actions.

There’s one other option that can work in certain types of second-world fantasy, and that’s a world that has developed from real-world individuals who went through some kind of portal. That seems to me the only situation in which using a real-world name like Jews, Hebrews, or Israelites would make sense. Jim Butcher does this with the Romans in the Codex Alera series, and Katharine Kerr does it with Celts in the Deverry cycle. That kind of thing has to be baked into the world-building, though, so it probably doesn’t help with this particular situation. 

This is a roundabout route to what I imagine you were hoping would be an easier answer. The tension you identified about how to incorporate Jewishness into a world that doesn’t have the same history is real, and was the topic of a discussion I recently held with a high school age group around issues of Jewish representation in the media they consume and hope to create. Good luck in your work of adding to the discussion.

[seqka711]

Ranking the six main boy/girl ships in Yu-Gi-Oh from best to worst!

Not all main girl ships are created equally, I'm afraid. Let's take a look at each ship and see what's up! (Except Sevens because as I mentioned in a previous post, I am way too far behind to comment on anything in that show.)

First up is Anzu and Yugi! And YES I do ship them! However, I don't ship Atem and Anzu. Anzu was friends with Yugi, and started to see him in a different light when Atem started showing up. However, those changing feelings also started to influence her feelings about Yugi as well. We saw that in Duelist Kingdom. Then in season 2 when she realizes they're two separate people, she gets really confused! Anzu doesn't know how to feel anymore! Then Atem and Yugi are both playing wingman for each other, so that's not helping matters. I don't really ship Atem and Anzu because Atem just doesn't seem super interested in their date. I know he had other things on his mind, but if they wanted me to ship it, now was the time to show off some chemistry and they didn't.

We saw in GX that Yugi grows up to look just like Atem and he also grows more confident over the course of the series. After the end of Duel Monsters, I think they're both too hurt by Atem's passing to be digging on each other. But, distance makes the heart grow fonder, and I feel like she's gonna come back from the states and have some heart-pounding feelings when she sees him again. And Yugi's feelings didn't change, they were just put on the back burner. So hopefully when they meet back up, sparks are gonna fly! At least, I hope so. <3

~

Next up is Asuka and Judai! When I watched their first duel, I was 100% on board with this ship. They were cute, they had great banter, it was a fair fight. I loved it! But over the course of the series, I started losing interest in their relationship, fast. By the end of season 2 I was pretty convinced they had abandoned Asuka x Judai for Asuka x Manjoume, and honestly, I was 100% on board with that, I love a good romcom couple and those two have dysfunctional romcom energy. Plus they had evil power couple vibes when they were running the Society of Light together, so I thought for sure they were gonna have Manjoume and Asuka be better friends post possession.

Then season 3 came a long and I was like "woah, they DID do that on purpose! I was right!" when we saw the Judai x Johan x Yubel love triangle they spent the entire season on. Asuka and Manjoume were of course relegated to background characters, as was everyone who wasn't a transfer student. And then the series ended with a pretty definitive Judai x Yubel ending and I was like "cool I like it".

But then season 4 made me question everything by making it clear that Asuka was still crushing on Judai?!?! Uhhh.... what? You haven't mentioned this crush in OVER TWO YEARS ASUKA. You've both changed so much! I thought the whole point was "she had a fleeting crush on him in year 1, but people change and so do our feelings"! I thought they had her fall out of love with him on purpose!! You're telling me the writers just wanted us to ASSUME she was still in love with him this whole time?!

I honestly love the whole "had a crush on him, now that I know him better, he's an amazing friend but I don't like him that way anymore" dynamic and they RUINED IT so bad. And for what? To say "well they fought the whole time, but now look! They can tag duel together!" Well, jokes on them, because a few episodes later Judai and Johan will show off some of the tightest teamwork in the show and I'll have to throw Asuka x Judai in the trash. </3`

~

Yusei x Aki!!!!!! AHHHHHH I LOVE THEM. Their first duel is very romantic in my opinion. Yusei lives to help people, and it's actually a flaw of his that he'll help people no matter the cost. Usually that's sort of a "who cares" flaw in a protagonist, but for Yusei, it adds a lot of depth to his character. The reason he helps people even at the cost of himself is because he feels enormously guilty due to his parents' involvement in Zero Reverse, and he feels like he owes the world (but especially Satellite) everything. Yusei tried to go to jail in Kiryu's stead, but failed, and I think that only compounded his guilt even more.

Then, when Yusei sees the chance to help Aki, he does it. He's scared of her, but he rallies his courage to face her so that he can help her. And it's only natural that Aki would fall hopelessly in love with him after he continually put himself at risk over and over again JUST to help her. I love the episode where she rescues him from being kidnapped and then accompanies him on a riding duel. I think it hits me harder because it reminds me of how much I want to drive a motorcycle but can't because of reasons I won't go into. But part of her desire to learn to riding duel is because she wants to feel the same things Yusei feels. And that's so cute!

Unfortunately, I do have a certain headcanon that gets in the way of my shipping desires. I won't get into the whole headcanon, but I think Yusei might have ended up time travelling back in time to fix Zero Reverse and prevent Zone's future. And Aki wouldn't have come with him because we see her in the flashforward. Yusei is still giving her strength though. And I like to think that maybe a much older Yusei was able to help a much younger Aki control her powers and not enter a cult in the new timeline. And if my headcanon isn't true, then GET MARRIED AND HAVE BABIES GUYS. <3

~

On the one hand, I love Kotori x Yuma. They’re so adorable! Not only is Kotori surprisingly self-aware of her crush (usually the YGO girls love to deny it) but Yuma clearly treats her differently from the rest of his friends, even though he doesn’t know why (yet). Kotori’s confession at the end of the show is SO CUTE AND ADORABLE and Yuma accepts and I love it!

But… I can’t love it as much as I WANT to love it. Kotori’s character, especially in Zexal II is kind of boring. I liked her a lot in Zexal I actually. I thought it was fine to have a character not duel as long as she was doing something else. In season 1 she occasionally gets shit done. Or she’s there for comic relief like when she’s riding the duel coaster. Or arguing with Orbital 7. It wasn’t much, but it was something. In season 2, she’s a total non-entity. I thought the duel where she gets possessed was very funny, but I almost wish that her getting possessed by a Barian was played for drama rather than laughs.

I think what could have been cool is either a) after she can hear Astral, her and Astral team up for a duel or b) when watching Yuma she started to memorize his strategies. Or both. Or neither, just get this girl something to do BESIDES watch Yuma! In the end, my love for how adorable these two are is always somewhat soured by Kotori’s squandered potential. <3

~

Speaking of squandered potential, Yuzu and Yuya are next on the list. I love these two A TON! I’ll be perfectly honest and admit my biases here, I am NOT the biggest fan of Arc-V. The show had a lot of problems, and I’m harsher on it than most.

But one thing I really did like about the beginning of the show was Yuzu! She was independent, driven and her dueling was getting better as the show progressed. Just like Kotori, she became a non-entity in the latter seasons. However, I ship Yuya x Yuzu more than I ship Yuma x Kotori because Yuya was always keeping Yuzu in mind during the latter seasons. So it still felt like the ship was in focus, whereas with Kotori x Yuma, the ship kind of disappeared since more important things were going on. For Yuya, nothing was more important than getting Yuzu back, so really I had no choice BUT to ship it. How could I not? It was so sweet! She was his whole world! I wish we got more scenes with the two of them together though. Them never tag dueling is a crime against humanity. Also its total BS that only Yuya and Yuzu got to come back, but whatever, I guess. I was happy that the two of them reunited and even HAPPIER that the show was finally over. <3

~

Last and basically least, Yusaku x Aoi. Or Playmaker x Blue Maiden. I’ll be honest, I don’t ship this at all. The show doesn’t go through any effort to get us invested in their so-called “relationship” and if I had watched this show on its own, unaware of the series’ tropes, I wouldn’t have assumed they were a “ship” at all. With Judai x Asuka, I actually liked the fake out (at least until S4 when I wondered whether or not the fake out was actually on purpose or if the writers are just morons) but with Yusaku x Aoi I get frustrated because it wouldn’t have been that hard to GIVE them some chemistry. They’re both interesting characters, and I think Aoi and Yusaku could have had an interesting dynamic if Aoi had learned Playmaker’s identity a lot sooner.

What I think the show should have done was have Aoi discover Playmaker and Soulburner’s identity at the same time they discovered each other. Then have Aqua come into the fold a lot earlier. Trios are popular in fiction for a reason, and I think Yusaku, Takeru and Aoi would have been an excellent trio. Specifically, with both Yusaku and Aoi being so reserved, their relationship would be very understated. But that’s not a bad thing. It just means that the writers would have to put more focus on the little things. Like, maybe after a while of being friends, Yusaku sits next to her in class. That would be a small thing for other people, but for those two, that’s huge! I could also see there being a fun episode where Ai tries to trick them into going on a date but fails spectacularly. The two of them end up spending time together to foil the plan. That could be really cute! LITERALLY ANYTHING is better than NOTHING.

I guess what I’m trying to say is that I don’t ship this because the writers thought they could get me to ship it just by having boy meets girl and then having them shake hands over a hundred episodes later. And no. I refuse. I need a LITTLE more than that, please and thank you. </3

~

That was a very long post! All in all, 4/6 ain’t bad at all! Or maybe it’s more like a 3.5 since I only gave Kotori and Yuma a small heart? It doesn’t really matter, I’m a multishipper. At my heart and soul, I’ll ship anything. Like I said I don’t ship Judai and Asuka, but I totally have shippy fanart of them on my phone, lol. It’s more like… which of these ships would I defend in court and which ships do I only like because I’m trash that’ll ship anything?

Oh, I guess I did title this as a ranking... Well, I'm sure you can figure out my most and least favourites by how much I used caps lock, so it should be fine.

Give me ANY Yu-Gi-Oh ship (straight, gay or in between) and I’ll dissect it like I did these six.

[boredout305]

Kid Congo Powers Interview

Kid Congo Powers was a founding member of the Gun Club. He also played with The Cramps and Nick Cave and the Bad Seeds. Powers currently fronts Kid Congo and the Pink Monkey Birds and recently completed a memoir, Some New Kind of Kick.

           The following interview focuses on Some New Kind of Kick. In the book Powers recounts growing up in La Puente—a working-class, largely Latino city in Los Angeles County—in the 1960s, as well as his familial, professional and personal relationships. He describes the LA glam-rock scene (Powers was a frequenter of Rodney Bingenheimer’s English Disco), the interim period between glam and punk embodied by the Capitol Records swap meet, as well as LA’s first-wave, late-1970s punk scene.

           Well written, edited and awash with amazing photos, Some New Kind of Kick will appeal to fans of underground music as well as those interested in 1960-1980s Los Angeles (think Claude Bessy and Mike Davis). The book will be available from In the Red Records, their first venture into book publishing, soon.

Interview by Ryan Leach   

Kid Congo with the Pink Monkey Birds.

Ryan: Some New Kind of Kick reminded me of the New York Night Train oral histories you had compiled about 15 years ago. Was that the genesis of your book?

Kid: That was the genesis. You pinpointed it. Those pieces were done with Jonathan Toubin. It was a very early podcast. Jonathan wanted to do an audio version of my story for his website, New York Night Train. We did that back in the early 2000s. After we had completed those I left New York and moved to Washington D.C. I thought, “I have the outline for a book here.” Jonathan had created a discography and a timeline. I figured, “It’ll be great and really easy. We’ll just fill in some of the blanks and it’ll be done.” Here we are 15 years later.

Ryan: It was well worth it. It reads well. And I love the photographs. The photo of you as a kid with Frankenstein is amazing.

Kid: I’m glad you liked it. You’re the first person not involved in it that I’ve spoken with.  

Ryan: As someone from Los Angeles I enjoyed reading about your father’s life and work as a union welder in the 1960s. My grandfather was a union truck driver and my father is a cabinetmaker. My dad’s cousins worked at the General Motors Van Nuys Assembly plant. In a way you captured an old industrial blue-collar working class that’s nowhere near as robust as it once was in Los Angeles. It reminded of Mike Davis’ writings on the subject.

Kid: I haven’t lived in LA for so long that I didn’t realize it doesn’t exist anymore. I felt the times. It was a reflection on my experiences and my family’s experiences. It was very working class. My dad was proud to be a union member. It served him very well. He and my mother were set up for the rest of their lives. I grew up with a sense that he earned an honest living. My parents always told me not to be embarrassed by what you did for work. People would ask me, “What’s your book about? What’s the thrust of it?” As I was writing it, I was like, “I don’t know. I’ll find out when it’s done.” What you mentioned was an aspect of that.

           When I started the book and all throughout the writing I had gone to different writers’ workshops. We’d review each other’s work. It was a bunch of people who didn’t know me, didn’t know about music—at least the music I make. I just wanted to see if there was a story there. People were relating to what I was writing, which gave me the confidence to keep going.

Ryan: Some New Kind of Kick is different from Jeffrey Lee Pierce’s autobiography, Go Tell the Mountain. Nevertheless, I couldn’t help but think of Pierce’s work as I read yours. Was Go Tell the Mountain on your mind as you were writing?

Kid: When I was writing about Jeffrey—it was my version of the story. It was about my relationship with him. I wasn’t thinking about his autobiography much at all. His autobiography is very different than mine. Nevertheless, there are some similarities. But his book flew off into flights of prose and fantasy. I tried to stay away from the stories that were already out there. The thing that’s interesting about Jeffrey is that everyone has a completely different story to tell about him. Everyone’s relationship with him was different.

Ryan: It’s a spectrum that’s completely filled in.

Kid: Exactly. One of the most significant relationships I’ve had in my life was with Jeffrey. Meeting him changed my life. It was an enduring relationship. It was important for me to tell my story of Jeffrey.

Ryan: The early part of your book covers growing up in La Puente and having older sisters who caught the El Monte Legion Stadium scene—groups like Thee Midniters. You told me years ago that you and Jeffrey were thinking about those days during the writing and recording of Mother Juno (1987).

Kid: That’s definitely true. Growing up in that area is another thing Jeffrey and I bonded over. We were music hounds at a young age. We talked a lot about La Puente, El Monte and San Gabriel Valley’s culture. We were able to pinpoint sounds we heard growing up there—music playing out of cars and oldies mixed in with Jimi Hendrix and Santana. That was the sound of San Gabriel Valley. It wasn’t all lowrider music. We were drawn to that mix of things. I remember “Yellow Eyes” off Mother Juno was our tribute to the San Gabriel Valley sound.

Ryan: You describe the Capitol Records Swap Meet in Some New Kind of Kick. In the pre-punk/Back Door Man days that was an important meet-up spot whose significance remains underappreciated.

Kid: The Capitol Records Swap Meet was a once-a-month event and hangout. It was a congregation of record collectors and music fans. You’d see the same people there over and over again. It was a community. Somehow everyone who was a diehard music fan knew about it. You could find bootlegs there. It went from glam to more of a Back Door Man-influenced vibe which was the harder-edged Detroit stuff—The Stooges and the MC5. You went there looking for oddities and rare records. I was barely a record collector back then. It’s where I discovered a lot of music. You had to be a pretty dedicated music fan to get up at 6 AM to go there, especially if you were a teenager.

Ryan: I enjoyed reading about your experiences as a young gay man in the 1970s. You’d frequent Rodney’s English Disco; I didn’t know you were so close to The Screamers. While not downplaying the prejudices gay men faced in the 1970s, it seemed fortuitous that these places and people existed for you in that post-Stonewall period.

Kid: Yeah. I was obviously drawn to The Screamers for a variety of reasons. It was a funny time. People didn’t really discuss being gay. People knew we were gay. I knew you were gay; you knew I was gay. But the fact that we never openly discussed it was very strange. Part of that was protection. It also had to do with the punk ethos of labels being taboo. I don’t think that The Screamers were very politicized back then and neither was I. We were just going wild. I was super young and still discovering things. I had that glam-rock door to go through. It was much more of a fantasy world than anything based in reality. But it allowed queerness. It struck a chord with me and it was a tribe. However, I did discover later on that glam rock was more of a pose than a sexual revolution.

           With some people in the punk scene like The Screamers and Gorilla Rose—they came from a background in drag and cabaret. I didn’t even know that when I met them. I found it out later on. They were already very experienced. They had an amazing camp aesthetic. I learned a lot about films and music through them. They were so advanced. It was all very serendipitous. I think my whole life has been serendipitous, floating from one thing to another.  

Ryan: You were in West Berlin when the Berlin Wall was breached in November 1989. “Here’s another historical event. I’m sure Kid Congo is on the scene.”

Kid: I know! The FBI must have a dossier on me. I was in New York on 9/11 too.

Ryan: A person who appears frequently in your book is your cousin Theresa who was tragically murdered. I take it her death remains a cold case.

Kid: Cold case. Her death changed my entire life. It was all very innocent before she died. That stopped everything. It was a real source of trauma. All progress up until that point went on hold until I got jolted out of it. I eventually decided to experience everything I could because life is short. That trauma fueled a lot of bad things, a lot of self-destructive impulses. It was my main demon that chased me throughout my early adult life. It was good to write about it. It’s still there and that’s probably because her murder remains unsolved. I have no resolution with it. I was hoping the book would give me some closure. We’ll see if it does.

Ryan: Theresa was an important person in your life that you wanted people to know about. You champion her.

Kid: I wanted to pay tribute to her. She changed my life. I had her confidence. I was at a crossroads at that point in my life, dealing with my sexuality. I wanted people to know about Theresa beyond my family. My editor Chris Campion really pulled that one out of me. It was a story that I told, but he said, “There’s so much more to this.” I replied, “No! Don’t make me do it.” I had a lot of stories, but it was great having Chris there to pull them together to create one big story. My original concept for the book was a coming-of-age story. Although it still is, I was originally going to stop before I even joined the Gun Club (in 1979). It was probably because I didn’t want to look at some of the things that happened afterwards. It was very good for my music. Every time I got uncomfortable, I’d go, “Oh, I’ve got to make a record and go on tour for a year and not think about this.” A lot of it was too scary to even think about. But the more I did it, the less scary it became and the more a story emerged. I had a very different book in mind than the one I completed. I’m glad I was pushed in that direction and that I was willing to be pushed. I wanted to tell these stories, but it was difficult.

Ryan: Of course, there are lighter parts in your book. There are wonderful, infamous characters like Bradly Field who make appearances.

Kid: Bradly Field was also a queer punker. He was the partner of Kristian Hoffman of The Mumps. I met Kristian in Los Angeles. We all knew Lance Loud of The Mumps because he had starred in An American Life (1973) which was the first reality TV show. It aired on PBS. I was a fan of The Mumps. Bradly came out to LA with Kristian for an elongated stay during a Mumps recording session. Of course, Bradly and I hit it off when we met. Bradly was a drummer—he played a single drum and a cracked symbol—in Teenage Jesus and the Jerks. Bradly was a real character. He was kind of a Peter Lorre, misanthropic miscreant. Bradly was charming while abrasively horrible at the same time. We were friends and I always remained on Bradly’s good side so there was never a problem.

           Bradly had invited me and some punkers to New York. He said that if we ever made it out there that we could stay with him. He probably had no idea we’d show up a month later. Bradly Field was an important person for me to know—an unashamedly gay, crazy person. He was a madman. I had very little interest in living a typical life. That includes a typical gay life. Bradly was just a great gay artist I met in New York when I was super young. He was also the tour manager of The Cramps at one point. You can imagine what that was like. Out of Lux and Ivy’s perverse nature they unleashed him on people.

Ryan: He was the right guy to have in your corner if the club didn’t pay you.  

Kid: Exactly. Who was going to say “no” to Bradly?

Ryan: You mention an early Gun Club track called “Body and Soul” that I’m unfamiliar with. I know you have a rehearsal tape of the original Creeping Ritual/Gun Club lineup (Kid Congo Powers, Don Snowden, Brad Dunning and Jeffrey Lee Pierce). Are any of these unreleased tracks on that tape?

Kid: No. Although I do have tapes, there’s no Creeping Ritual material on them. I spoke with Brad (Dunning) and he has tapes too. We both agreed that they’re unlistenable. They’re so terrible. Nevertheless, I’m going to have them digitized and I’ll take another listen to them. “Body and Soul” is an early Creeping Ritual song. At the time we thought, “Oh, this sounds like a Mink DeVille song.” At least in our minds it did. To the best of my ability I did record an approximation of “Body and Soul” on the Congo Norvell record Abnormals Anonymous (1997). I sort of reimagined it. That song was the beginning of things for me with Jeffrey. It wasn’t a clear path when we started The Gun Club. We didn’t say, “Oh, we’re going to be a blues-mixed-with-punk band.” It was a lot of toying around. It had to do with finding a style. Jeffrey had a lot of ideas. We also had musical limitations to consider. We were trying to turn it into something cohesive. There was a lot of reggae influence at the beginning. Jeffrey was a visionary who wanted to make the Gun Club work. Of course, to us he was a really advanced musician. We thought (bassist) Don Snowden was the greatest too. What’s funny is that I saw Don in Valencia, Spain, where he lives now. He came to one of our (Kid Congo and the Pink Monkey Birds) shows a few years ago. He said, “Oh, I didn’t know how to play!”

Ryan: “I knew scales.”

Kid: Exactly. It was all perception. But we were ambitious and tenacious. We were certain we could make something really good out of what we had. That was it. We knew we had good taste in music. That was enough for us to continue on.

Ryan: I knew about The Cramps’ struggles with IRS Records and Miles Copeland. However, it took on a new meaning reading your book. Joining The Cramps started with a real high for you, recording Psychedelic Jungle (1981), and then stagnation occurred due to contractual conflicts.

Kid: There was excitement, success and activity for about a year or two. And then absolutely nothing. As I discuss in my book—and you can ask anyone who was in The Cramps—communication was not a big priority for Lux and Ivy. I was left to my own devices for a while. We were building, building, building and then it stopped. I wasn’t privy to what was going on. I knew they were depressed about it. The mood shifted. It was great recording Psychedelic Jungle and touring the world. The crowds were great everywhere we went. It was at that point that I started getting heavy into drugs. The time off left me with a lot of time to get into trouble. It was my first taste of any kind of success or notoriety. I’m not embarrassed to say that I fell into that trip: “Oh, you know who I am and I have all these musician friends now.” It was the gilded ‘80s. Things were quite decadent then. There was a lot of hard drug use. It wasn’t highly frowned upon to abuse those types of drugs in our circle. What was the reputation of The Gun Club? The drunkest, drug-addled band around. So there was a lot of support to go in that direction. Who knew it was going to go so downhill? We weren’t paying attention to consequences. Consequences be damned. So the drugs sapped a lot of energy out of it too.

           I recorded the one studio album (Psychedelic Jungle) with The Cramps and a live album (Smell of Female). The live record was good and fun, but it was a means to an end. It was recorded to get out of a contract. The Cramps were always going to do it their way. Lux and Ivy weren’t going to follow anyone’s rules. I don’t know why people expected them to. To this day, I wonder why people want more. I mean, they gave you everything. People ask me, “When is Ivy going to play again?” I tell them, “She’s done enough. She paid her dues. The music was great.”

Ryan: I think after 30-something years of touring, she’s earned her union card.

Kid: Exactly. She’s done her union work.

Ryan: In your book you discuss West Berlin in the late 1980s. That was a strange period of extreme highs and lows. During that time you were playing with the Bad Seeds, working with people like Wim Wenders (in Wings of Desire) and witnessed the collapse of the Berlin Wall and the GDR. Nevertheless, it was a very dark period marred by substance abuse. Luckily, you came out of it unscathed. As you recount, some people didn’t.

Kid: It was a period of extremes. In my mind, for years, I rewrote that scene. I would say, “Berlin was great”—and it was, that part was true—and then I’d read interviews with Nick Cave and Mick Harvey and they’d say, “Oh, the Tender Prey (1988) period was just the worst. It’s hard to even talk about it.” And I was like, “It was great! What are you talking about?” Then when I started writing about it, I was like, “Oh, fuck! It really wasn’t the best time.” I had been so focused on the good things and not the bad things. Prior to writing my book, I really hadn’t thought about how incredibly dark it was. That was a good thing for me to work out. Some very bad things happened to people around me. But while that was happening, it was a real peak for me as a musician. Some of the greatest work I was involved with was being done then. And yet I still chose to self-destruct. It was a case of right place, right time. But it was not necessarily what I thought it was.  

Ryan: Digressing back a bit, when we would chat years back I would ask you where you were at with this project. You seemed to be warming up to it as time went on. And I finally found a copy of the group’s album in Sydney, Australia, a year ago. I’m talking about Fur Bible (1985).

Kid: Oh, you got it?

Ryan: I did.

Kid: In Australia?

Ryan: Yes. It was part of my carry-on luggage.

Kid: I’m sure I can pinpoint the person who sold it to you.

Ryan: Are you coming around to that material now? I like the record.

Kid: Oh, yeah. I hated it for so long. People would say to me, “Oh, the Fur Bible record is great.” I’d respond, “No. It can’t possibly be great. I’m not going to listen to it again, so don’t even try me.” Eventually, I did listen to it and I thought, “Oh, this is pretty good.” I came around to it. I like it.

Ryan: You’ve made the transition!

Kid: I feel warmly about it. I like all of the people involved with it. That was kind of a bad time too. It was that post-Gun Club period. I felt like I had tried something unsuccessful with Fur Bible. I had a little bit of shame about that. Everything else I had been involved with had been successful, in my eyes. People liked everything else and people didn’t really like Fur Bible. It was a sleeper.

Ryan: It is.  

Kid: There’s nothing wrong with it. It was the first time I had put my voice on a record and it just irritated the hell out of me. It was a first step for me.

Ryan: You close your book with a heartfelt tribute to Jeffrey Lee Pierce. You wonder how your life would’ve turned out had you not met Jeffrey outside of that Pere Ubu show in 1979. Excluding family, I don’t know if I’ve ever met anyone who’s had that sort of impact on my life.

Kid: As I was getting near the end of the book I was trying to figure out what it was about. A lot of it was about Jeffrey. Everything that moved me into becoming a musician and the life I lived after that was because of him. It was all because he said, “Here’s a guitar. You’re going to learn how to play it.” He had that confidence that I could do it. It was a mentorship. He would say, “You’re going to do this and you’re going to be great at it.” I was like, “Okay.” Jeffrey was the closest thing I had to a brother. We could have our arguments and disagreements, but in the end it didn’t matter. What mattered was our bond. Writing it down made it all clearer to me. His death sent me into a tailspin. I was entering the unknown. Jeffrey was like a cord that I had been hanging onto for so long and it was gone. I was more interested in writing about my relationship with him than about the music of the Gun Club. A lot of people loved Jeffrey. But there were others who said they loved him with disclaimers. I wanted to write something about Jeffrey without the disclaimers. That seemed like an important task—to honor him in a truthful manner.

Ryan: I’m glad that you did that. Jeffrey has his detractors, but they all seem to say something along the lines of “the guy still had the most indefatigable spirit and drive of any person I’ve ever known.”

Kid: That’s what drove everyone crazy!

Ryan: This book took you 15 years to finish. Completing it has to feel cathartic.  

Kid: I don’t know. Maybe it will when I see the printed book. When I was living in New York there was no time for reflection. I started it after I left New York, but it was at such a slow pace. It was done piecemeal. I wanted to give up at times. I had a lot of self-doubt. And like I said, I’d just go on tour for a year and take a long break. The pandemic made me finally put it to bed. I couldn’t jump up and go away on tour anymore. It feels great to have it done. When I read it through after the final edit I was actually shocked. I was moved by it. It was a feeling of accomplishment. It’s a different feeling than what you get with music. Looking at it as one story has been an eye-opener for me. I thought to myself, “How did I do all of that?”

           I see the book as the story of a music fan. I think most musicians start out as fans. Why would you do it otherwise? I never stopped being a fan. All of the opportunities that came my way were because I was a fan.

[yostresswritinggirl]

100 Followers Special

(And how to participate) you don't need to be a follower to vote ack

~yostresswritinggirl

Hello AGAIN, with your back to back followers special! Exiled here, very tired, as I just closed the requests box for our 50 followers special. I asked for some recommendations and no one helped me so this is what I came up with!

Granted, it's nothing that special, I literally just dumped my notes into this so—

Please make sure to follow the guidelines and read this thoroughly to properly participate!

1. You will be given a long list of fic prompts specific to a character that I've come up with for weeks on end, please don't steal, as I will remove them after this event is done!

2. Voting! You now have the power to influence my writing schedule haha- what you need to do: is to pick three prompts from the list and send it to me; either through reblog tag, a reply, or in my ask box (not anon so we can count fairly, will not publish these answers tho so worry not)! Not in messages tho! It should be in this format:

1. Character - prompt or prompt title

2. Character - prompt or prompt title

3. Character - prompt or prompt title

example:

1. Albedo - Citrinitas

2. Zhongli - Braid

3. Xingqui - Author!Reader

The top three most voted prompt and character will be the next fics I'll publish after I'm done with the current reqs. Speaking of: Voting ends when I finish the current reqs. You'll know it's done once the counter in my blog desc reaches 12/12.

3. In addition to the three prompts, you also get to add your own prompt to it! My prompts list does not include ALL the characters that's why I wanted to give you this option too! Add a fourth number and specify a character, a prompt/idea, and the format of the fic! Format it this way:

4. Character - Prompt/Idea (Format)

4. Kaeya - What's under that eyepatch? (Scenario)

After I pooled the answers, I'll randomly pick between the bonus answers and write them last! So give it your best shot!

4. Tags-list! I thought this would be necessary for this kind of a whim special, so if you wanna be tagged, just put Tag Me! at the end of your vote. Please make sure that you're actually able to be tagged because I just tried and some users are not in my orbit huhu, look here

5. If a pocket watch/series prompt gets chosen, I will only post the first chapter, not the whole damn fic pls. Have mercy,,,

I will post a counter of the top three in my blog description and will be updated as frequently as possible. Any questions, please direct to this post or my dms <3

Without further ado, here is your choice list!

Xingqui - "My liege, would you care to accompany me on my reading break? I've picked up a romance novel and it reminded me of us."

-> Author!Reader: You met Xingqui at Wanwen Bookhouse when delivering a batch of your newly-published book. But as a ghost writer, no one knew it was you that authored such books. Safe to say it was cute watching the noble bookworm fanboy about you in front of you. [FLUFF] [FIC]

-> Headcanons with a reader older than Xingqui who's a close family friend of the Feiyun Commerce Guild. Fascinated after meeting you in a party, the noble boy aspires to become the best man for you despite the difference, promising to be the best suitable partner for you in the future. [FLUFF] [HEADCANON SCENARIO]

Childe - "Hey there, comrade! What a coincidence that we had a break at the same time, care to accompany me for a walk? I promise I won’t lead you to a fight haha... hey, don’t look at me like that!”

-> Antinomy -  The 10th Harbinger (You) and the little shit they had to mentor (Childe), this fic enumerates the trials of the 11th before he became a Harbinger under your care. From strangers to mentor to friends to love- Childe made a grave mistake, now you’re once again strangers. [FLANGST] [ONESHOT]

Albedo - "Ah, it's you. I've heard of fleeting rumors that you've been pestering a certain someone just to see me. Next time, just come directly to me, I wouldn't mind the assertiveness."

-> Refer to these three as well: Albedo Fic Ideas [FLUFF/FLANGST/FLANGST] [ONESHOT/ONESHOT/SERIES]

-> “You’re Enough”: A year into being the new Chief Alchemist of Mond, Albedo finds himself holed up in his room in the dead of night, haunted as he continuously comes out empty on his research to bring his master back, feeling inadequate. So you reminded him of what he’s capable of. [FLUFF?] [ONESHOT INSPIRED BY You Are Enough - Sleeping At Last]

-> Under the Artificial Sky: Michaelangelo Scenario focused on Albedo’s sketching aspect. Grand Master Varka and Acting Grand Master Jean figured Albedo needed a break and a change of scenery, and sent him off under the guise of a commission in Liyue. What he didn’t expect was another artist from Fontaine accompanying him in this big project.(Albedo and Reader are tasked to paint the new Jade Chamber within 7 days) [FLUFF] [SERIES - 7 CHAPTERS]

-> Albedo SMUT: I had this idea while laying wide awake at 3 AM. The alchemist had been trying all remedies to shake off the stress and fatigue in his system and they all seemed to fail, no amount of sketching or discoveries can pull him away from it. So when you offered a solution he hasn’t heard, he’d jump at it immediately. “You know, some people say having intercourse with someone is a good stress-reliever.” “Intercourse? If it’s true, then please, I wish to have intercourse with you.” “Wha- wait Albedo, do you not know what that is? It’s only done between lovers!” “Convenient, I love you, anything else?” (Two virgin dumbasses do the thing to relieve stress) [SMUT] [ONESHOT]

Xiao - “I’ve taken care of every threat around this area, you can relax now, I made sure of that.”

-> What is it with you and Qingxin flowers? The Traveler had once heard of Xiao’s affinity for Qingxin flowers, and they’re flying companion boldly asked this lingering question to the adepti himself. His pupils dilate and sharpen before Paimon could finish her sentence. (An origin story about his favorite flower, and his favorite person) [SLIGHT FLANGST] [ONESHOT]

-> Just how harmful is adeptal energy to normal humans? You both found out in the worst way possible: silently, deadly. (Slight spoiler: you fucking die) [ANGST] [ONESHOT]

-> Nightmares Taste Horrible: He’s seen that look in your eyes and the ancient soul within it; you’ve lived long ago, and the only thing your soul carried now was the nightmares of a macabre timeline. Was it him or was it demons that brought you that fear? No matter, he’ll protect you even from yourself. (eating the nightmare of a dead soul reincarnated to you) [FLANGST?] [ONESHOT]

-> Go for the throat: The seal that marked you had made it all too late for him to remedy. Bleeding eyes, growing fangs, it’s just another demon to vanquish just like he’s done for centuries. What makes it different was it was sealed in you. (Inspired from Melanie Martinez’s song uhu) [ANGST] [ONESHOT]

Zhongli - “Mortals are capable creatures that evolve and adapt for means of survival, but they advance in ways that changes the world around them. This retirement, may be harder to me than it is to them.”

 -> “In human history, there’s a certain noble and powerful connotation to rulers who braid their hair.” Convince to braid his hair using some historical braid trivia; that long hair behind his back should not be ignored for any longer. [PURE FLUFF] [DRABBLE]

-> History has its eyes on you: A traveling theatre hailing from the land of entertainment finds its way to Liyue for their last caravan. A certain Geo Vision man seems to resonate with your newest script: fighting and protecting your land, building up its nation, before being forced to let go of it. He resonates maybe a little too much. (Musical!Reader with heavy references to Hamilton hehe) [FLUFF] [ONESHOT]

Venti - "Can you hear the symphonies of the wind as it sings to you? That's me, guiding you and protecting you! Whenever you hear it, know that you're safe and sound under my protection!"

-> the one the bard once loved: like actual bard, you are the archer or smth, loved by Venti and Barbatos. Yandere!Barbatos undertones, very unhealthy relationship. This hurts the kokoro. [PURE ANGST] [ONESHOT]

-> The Caravan: (related to the Zhongli and Musical!Reader up there) Your caravan stops at Mondstadt for a whole week before it reaches its final destination. This new fanfare pulled in a peculiar bard who now wants to tag along for the fun of it. "I have no more responsibilities in this free land!" Just what kind of responsibilities does a broke bard have in the first place? [FLUFF] [ONESHOT/HEADCANON]

Diluc - "You look weary, and you still managed to pull yourself here. Here, a fresh and cold glass, on the house. A relieved smile should be enough payment."

-> Abandoned by The Altar: A timeline oriented story focused on your once perfect childhood relationship as Diluc's bride to be, soon becoming estranged after the death of his father and his neglect. You only wish now that he looks at you the same way he did when you heard you were supposed to be together forever when you were young. [FLANFF] (The ending gets better pls; Inspired by Still Into You - Paramore) [ONESHOT]

-> There are No Laws Against Homelessness in Mondstadt: My favorite title out of all of this ahahhaa- who says adventurers can't be broke? You're the living embodiment of that. (Good boi Diluc with a broke ass reader) [FLUFF] (Warning: homelessness) [ONESHOT]

Scaramouche - "Let's go already, the sun is setting and we're nowhere near our destination. If you wanted to linger just to spend more time with me, I would have indulged you behind closed doors anyways."

-> Scaramouche Finally Does the Fandango: Have you ever wondered how Scaramouche is like working with other people? His first assignment was to accompany you in your main region and he sees you in your natural habitat, entranced. [I dunno how to tag this, NORMAL?] [ONESHOT/SHORT]

-> Skincare bitch, how I headcanon Scaramouche as someone actually conscious and always tending to their skin. Look at that smooth skin, cute cheeks, let me pinch, eyeliner glory— In which case, that hat has more purpose than being a frisbee. (May or may not include reader. (based from a reblog convo with chels-void) [GOOD VIBES] [HEADCANONS]

-> Once Supreme: Before Scaramouche, there was someone else higher than him. Before Balladeer there was just a young man fighting for his beliefs and her Majesty. Before Mondstadt, his smile wasn't just for deception. "Someday, someone would take advantage of that smile, Scaramouche. It's not appropriate in this work environment." The day you break a man. (Harbinger!Reader again, and lots of HCs for Scaramouche, same format as Antinomy) [I also do not know how to call this, eventual ANGST] [ONESHOT]

Kaeya - "What are you doing out here in the dead of night? Citizens like you should be cozied up in bed and leaving the patrols to us Knights. Come, I'll accompany you back home."

-> Honey Whiskey: A mysterious band of dancers from Sumeru visits Mondstadt and its taverns to offer a night of alluring dances. What was supposed to be a night of drinking for Kaeya and his troops ended up becoming a tipsy surprise mission when the main dancer steps down from the stage— and ignores him?! How scandalous! (Slightly suggestive themes/You're a bad guy) [COOL?] [ONESHOT] [slightly inspired by song with the same name]

General:

-> A Musical!Reader but with a scenario with every other character, most probably headcanons master post.

-> Genshin Food prompts: From that one post, I ended up making a whole storyline of oneshots related to their special dishes. Oneshots connected to a bigger picture. By impulse you've ended up leaving your normal life behind to pursue your cooking career, starting from Mondstadt, to learn all the cuisines to establish the first ever international restaurant. With the implications of magic and peculiar customers, your simple dream turns into a harder goal. [GOOD SHIT] [SERIES] [CANON-COMPLIANT]

-> God of Time!Reader that hails from Fontaine. Do you wish to know more about their origins and their purpose in this world? [CANON-COMPLIANT] [HEADCANONS] (General since it deals with all the characters/interactions)

▰▱▰▱▰▱▰▱▰▱▰▱▰▱

Tagslist-for-my-thirsty-homies:

[valkyriecain]

hi, I noticed in your recent post you mentioned about the skulduggery pleasant books being written autonomously. I used to read the books years ago but I am not up to date. if I may ask you, did the author do something bad?

ok so listen there's so much to this and i have what is commonly known as Sieve Brain but im gonna recall the "highlights" in bullet points because if not we will Die Here. important factors, before new stans be calling me bitter and unjustified: i had been a fan since 2008, first met derek irl in 2010 and from that point became really close to him. i considered him a friend, and i believe he considered me the same. i worshipped him unapologetically, which he loved.

and none of this should put you off loving SP! i still hold this series very dear and still buy any new releases, though it pains me knowing derek gets the money. I just really have to distance the books from him.

here you go:

things were "fine" until the release of desolation, the second book in the demon road series (for reference, i ADORED DR. didn't just hate it out of spite because it wasn't SP). myself and other fans took issue with this book because the main character, who was a sheltered 16 year old girl, was presented in an INCREDIBLY painful scene to read where a 20 year old woman who is tending to her after she's been in a brawl and coerces Amber (protag) into kissing her. they then date. it's messy as fuck, but honestly I'd level with the age gap if it wasn't so Male Porn Fantasy and vaguely rapey. myself and another Mega Fan moonie ended up sharing private emails with derek about how we felt discomforted by this and let down by him, and after honestly emotionally draining ourselves and digging deep to be honest with a man we've never wanted to fault, his eventual conclusion was an eloquently phased "you're being over sensitive and I'm sorry you've made yourself feel like this," and refused to acknowledge any fault. that's a VERY shortened version. for myself and moonie it was really long and messy and tiresome and incredibly heartbreaking tbh.

now, i said things were "fine" but they weren't, we were just deluded as fuck. so heres a vaguely timelined bullet pointing of what happened BEFORE Creepy Lesbian and after1811. I'm sure anything I miss moonie will RB with lol her brain works a lot better than mine

•  valcain is based on dereks Ex Best Friend (much open to speculation), who was his 12 year old krav maga student when he was in his 30s, this is how they met. get on ur monocles my friends. she now seems to have nothing to do with him and no input on the books where she was previously heavily involved. in old blog posts he sexualised the IRL val when she attended an event with him, she was in her teens.

• in KOTW derek name dropped my OC (harmony blake, fact check me), at the time I was OVERJOYED. looking back, she was fucking serpine. i believe i was 17 at this time.

• myself and my own Ex BF had our chosen names dropped in LSODM (for memory). they had BOTH fucked saracen. if you missed it, derek confirmed that saracen is his self insert :^) me being a silly prick was having a jolly old time

honestly I don't remember my irl meetings with derek being overly creepy, but back then I adored him, so? idk. the one thing I remember which made me uncomfortable at the time, was myself and a couple of other mega fans who were all in a friend group got invited to his house. he had a cap shield from the first avenger and we all took turns holding it. I was wearing a t shirt and shorts, so when I held it, I said "it looks like I'm nekked behind here" because it did. and he did a little "heh" and sort of looked like he was imagining it. it was bleh. anyway

• LAURAGATE. dereks gf. she's 26. he's 40something now, whatever, who cares, right? oh wait yeah she was a 17 year old fan when they first met at a signing, that's right. he referred to her in his blog as "the blond with the legs".  they started emailing. 2013 was their First Date, I believe she'd just turned 18, or was just off being 19. I was at this signing so I can tell you how skeevy it looked. she actually queued up to see him and have her photo taken mid signing which is weird as FUCK and paints a clear picture of how fucked this situation was. there's more to this day but it's just shit garnish on diarrhea soup tbh

• derek totally distances from the Big Fan base. be this because we criticised him, because we know the gross ins and outs of his and lauras relationship or because she was feeding his greedy ego and he didn't need us any more? who knows. the fandom has taken a fucking blow without us though. i know we were cringe and terrible but we were the life of the party and honestly we added to the skulduggery brand.

that's a brief summary of lowlights. him and laura continue to be terrible people, feeding into each others worst attributes and refusing to grow as people. laura just wants to coast on his "fame" and "fortune" and keeps trying (and failing, miserably) to exploit both of these to become an influencer. derek seems fucking miserable from what I can tell but he's got a "leggy blonde" so he'll not budge, will he

ANYWAY. if you want me to expand on anything, just uh, lemme know. I will if I can

[demenior]

Dem’s Big Post About The Spn Fics Part 1/2

aka The Wrap Up to celebrate To Exist Again and To Become a Man now being finished!

(This will be a long post. This is your only warning.)

Admittedly this is a bit of a weird thing to be doing, but I wanted to try it out for 3 reasons: 

I love talking about my own work and 

It functions really well as a self-reflective tool for me to improve on, and 

I can answer some big questions people might have because there was a LOT of worldbuilding in these stories. 

We’ll start off with reflective stuff, and move into the juicier world-building focused stuff later into the post. There will be major spoilers for both fics to come!

To begin with a funny anecdote, Why Did I Write These Stories?

I was beginning to write and work out the story that I wanted to write for Spn (what will now be To Destroy a Man. As I was writing the scene, I realized I had a LOT of ideas and while I was trying to avoid as much exposition as I could, it became quickly apparent that I was needing to create my own au (this scene eventually became chapter 34 of To Become a Man). A short prequel seemed like a good idea, to quickly hash out the ‘prior’ events that I needed to go through so all the readers could be on the same page. While plotting out prequel points, I realized Sam and Dean were going to have drastically different experiences during the same time period, and I was trying to figure out who’s pov would be better for which scenes, and how to keep momentum when they’re going through such radically different types of changes. Ultimately I decided to split their povs, which I also thought would be a fun project! And I naively assumed each pov would take about 2 chapters each, rounding out to maybe 15k total.

I had my ending points: Dean n Cas soul-merged and (basically) married, Cas on the lam from heaven and a complete anomaly, and Sam juiced up full of powers and a weird mix of archangel and antichrist but still 100% human and ready to fight God. 

Now I needed to add weight to these changes, so I wrote 200k of build-up.

Am I proud of these fics?

OF COURSE I AM!!! These are the longest fics I’ve ever written AND finished AND in the fastest freakin turnaround ever (both were finished writing, barring edits, in like 6 months holy shit)

I didn’t write a single scene that I “didn’t” want to write. If I had trouble writing it, as in it was fighting me, I scrapped it. Most obviously was the scene in Dean’s pov where he and Sam were intended to meet some other hunters and Dean declines working with them because he’s nervous about being outed as queer. It was meant to be a good scene! I wanted to introduce some new characters! But it just wasn’t working so I said ‘thank you, next!’. 

But it means this story was an absolute joy to write. Because for a while all I was doing was ‘if I wanted to write one scene into supernatural, what would I write?’ and then just DID that!! It’s why there’s a lot of ‘Salmondean do dumb shit or have really dumb heartfelt conversations’ scenes.

Would I change anything?

If I’d been less eager to start sharing, I might have planned out the story beats a little tighter so there were less ‘soft’ chapters and a draw/pull for people to come back and keep reading. I felt Dean’s story specifically lagged at points and could have used some tighter editing (there was a noticeable lull in directed movement between Dean n Cas getting together, until Sam corrupts Amy).

I also probably would have held Sam’s story until I’d finished Dean’s so I could make the two line up better! Probably could have inserted more scenes into Sam’s fic that way, and made sure things were a little more consistent. In an ideal world one concept I had was to release 1 chapter from each pov every week that would correspond to the same time frame so we’d be getting real-time SalmonDean pov narrative. Unfortunately that didn’t work!

The biggest takeaway overall is for me to focus more on what moves the plot, and to make my scenes do more than 1 thing so I can cut down on wordcount and increase my efficiency. 

Of course every writer will find things they want to fix in anything they’ve ever written, so these are minor “mistakes” at best. I’m so dang proud of these fics. 

Onto more interesting things!

How Did I Put These Fics Together (because it’s different than anything I’ve ever done before)

Normally when I write a story, I plan out the beats I need to hit, see where I need to insert any kind of foreshadowing/buildup, and then write from A to B to C and so on and so forth. Hence, this is why I can normally post things as I complete chapters, because it’s all a linear progression. 

For these two stories, rather than linear plot/a normal story structure, I just sat and free-wrote any and every scene that came to mind and then pieced them into a kinda-linear form like putting a quilt together. You’ll note that this is why there’s not a lot of internal callback or a feeling of sense of time flowing within the fic (save for points where I went back and specifically edited it in). How long does the story take place over? Hard to say! Your author has the barest grasp on linear time even on a good day (how many times did I say ‘see you on [wrong day]’ at the end of chapters lmaaoooo)

This also meant EXTENSIVE editing on the back end once I decided in what order I wanted my ‘quilt pieces’ to be. Hard to say if this is a bonus or a negative!

But I did want to try and capture the vibe of the lives they lead, as a bit of a ‘slice of life’-style story, when the slice of life is the profound weirdness of the Winchester roaming life, and how things are status quo- until everyone almost dies oh shit!! And then they have to keep living because no therapy we die/undie like Winchesters. Do I think I captured this effectively? Hmm. Good question. 

Dem where the FUCK did the inspiration for a lot of the magic and creature weirdness even come from?

Honestly? Music, primarily. And completely mishearing lyrics!

Nightwish ‘Ever Dream’: the line is ‘my song can but borrow you grace’ and because my brain is scrambled eggs on a good day, I heard ‘grace’ ‘song’ and ‘borrow’ in that order and have had, for YEARS, the mental image of Cas borrowing Dean’s soul to power himself up for battle.

From there I’ve always been enamored with the ‘wavelength of celestial intent’ descriptor that Cas drops in s6 for “what he is”. 

I also really like ocean metaphors mostly because I’ve been obsessed with the ocean and things in it since I was like… 5??? So really this was me just rolling with what I know lmao. I love using (somewhat) accurate scientific metaphors for very intangible things!

I was also finishing my degree in biology/ecology while writing these fics and I think it shows

Stars ‘The Night Starts Here’ gives us the series title and the fic titles. Except for ‘To Exist Again’. TEA was almost titled ‘The Upwards Fall’ because I wanted all 3 of the Main Stories to have titles from this song, but I couldn’t make anything else work in tandem with the series name ‘The Love It Takes’ while also working for Sam’s personal story. So Sam, as always, is the rebel <3

Stars ‘Up In Our Bedroom, After The War’ is basically the vibes of the whole story. TFW has been, literally, to hell and back!!! There’s a bit of melancholy and sadness, a lingering dark, but the chance of a bright new tomorrow and a soft start.

Let’s Talk About Themes in The Story! What were you looking to accomplish? 

My earliest notes for TFW are, as follows:

Dean’s journey of self-discovery (who am I when I’m not trying to be Dad?)

Dean wants to settle down! He wants a big family! He wants to be domestic!

Basically: Dean doesn’t want to have a short life of hunting. He wants to live!

Dean’s journey of realizing he’s bi, and him accepting that

Dean’s relationship to Sam is both older brother/parent 

And continuing Dean balancing these roles while also letting Sam be an adult 

Dean’s Big Issues/Fears about never being good enough for people to want to stay with him (these are effectively highlighted in that Cas thinks he’s not useful enough to be wanted)

Sub Plot:

Castiel’s autonomy

Cas’ fall from grace, to trying to restore Heaven, to wrecking it further

He’s majorly depressed by the end of s7 (before purgatory)

Wants to stay in Purgatory but doesn’t tell Dean

Remains depressed after leaving, but resolved to keep living on because he’s clearly meant for something

After the seraphim reveal: does he have free will?! How does he grapple with this? How does he live in a way he can be proud of?

And lastly

Sam gets his powers back CAUSE THATS HOT

where tf did they go????

he got them from Lucifer?????

sleeper agent??????

Sam is The Chosen One

Accepts that he is More Than Human and to celebrate all parts of him

Lucifer and Sam friends?? Work together????

Sam needs autonomy in his choices/his life

If you compare these to the overall arc of TFW within the two stories, I think I got a lot of them! But you’ll also note a lot of these things aren’t concrete goals that are easily measurable (ex: Dean wants to learn to bake pie. In chapter 1 he starts a fire in the kitchen. By the end of the story he finally makes A Good Pie.) part of the lack of concrete milestones was why I felt it was important to tell Dean (and Cas’) story by going back to the point they meet, in s4! Dean’s gradual change towards his feelings for Cas, his relationship to Sam (heavily influenced by the s7 events of this fic) and then his own relationship with himself were such slow burns that I felt it would be a disservice to try and cram a change like that into a timeline like “1 year”.

I felt like these subtle changes and adjustments actually felt a lot truer to life-- people often change in very small, gradual ways over time, even without realizing it and often times not consistently! If only we could all gain skills like the sims, where we can easily level up and remain at that high level of performance! 

So the Guy Who Ate Satan, A Celestial Nuke that Developed Sentience, and Dean walk into a bar…

Sam’s story in Spn The Show has always been a ‘chosen one’ kind of narrative. Sam is living with one foot in the realm of the monsters, and I wanted to bring that back full force! It really makes sense for him that he should only continue to grow in power, might, and magic!! As the story progresses.

Cas also got a power up! I do desperately love in the show that he was kind of a grunt/nothing angel, and so even when he defected to TFW he was a huge help for them, but in the scale of things he was an annoying fly to most other angels. It really worked for the underdog story of s4/5. In this I wanted to give him a power up, and originally it was actually going to be close contact with Sam that eventually changed Cas into something unknown (you can still see traces of this in ch34 of TBAM, where Death remarks ‘Castiel could be [Sam’s] first creation’. But for a combo of reasons: how Sam’s magic needed to have intent, the entire concept of free will and consent, and how much I wanted Dean and Cas to have their effect on each other, I decided to go with the route that Cas has actually always been something angel-adjacent rather than becoming something new. TFW/Supernatural has always been about free will and making your own story, so I amplified that with Cas.

Dean has always been A Normal Guy, which is part of the appeal of him and Sam (2 normal dudes!) taking on the Very Not Normal. As explained above, Sam’s story is ‘normal guy finds out he’s the chosen one’ and so, in a story about very large concepts and huge monsters and acts of magic, I felt it was very important to keep Dean as normal as possible. To the point it became a running gag to me, personally, in that ‘no matter what cool shit happens around him, Dean has to stay as Just A Guy’. And it’s a very humanizing role that allows the story to have the scale it does!

What were the most important themes in your story?

Sam’s Autonomy

I wasn’t even going to include the plot about Lucifer’s death in this story— that was going to come up in a later story, actually! And rather than Sam having ate Lucifer, the original idea was that they’d become a SamandLucifer entity (this harkens back to a concept I wanted to write when Swan Song first aired). 

That storyline would have involved a lot of mental ‘Sam and Lucifer discuss what it means to live, which one of them is more worthy of life and if they do deserve to destroy the world for the pain they’ve been forced to go through, just to create the dichotomy of good and evil for everyone else’ discussions. There would be a lot of talk about how Sam hates and fears Lucifer for the pain Lucifer put on Sam, how Lucifer hates Sam because he and Sam are the same but Sam’s brother loves him anyways, etc. 

Ultimately that was scrapped because Sam’s entire story in the show is always about how the world and everyone around him manipulates him and that he never actually gets to make choices about his own life or body that aren’t influenced or part of someone elses’ design. And that always bothered me that Sam was never allowed to be himself without having to be ashamed of it, and I wanted to make sure that Sam’s triumph of being proud of himself/proudly choosing to exist (again) was evident in his story

In the end I needed Sam to have this visceral win over his tormentor. As the story shows, in this case Lucifer was abused and put into a position where he was incapable of empathy and could only express himself in violence. Sam even understands this! But it doesn’t change the fact that Lucifer tortured Sam in unimaginable ways for thousands of years. 

With that in mind I didn’t like the idea of Lucifer and Sam having “co-ownership” of their new identity, so I made the choice that Sam had to be the survivor. This tied in well with Sam’s new crusade to restore free will to the universe, because he’s breaking the narrative of his own story!

While Castiel wasn’t a pov character, his own autonomy and free will was equally as important. You’ll note that many, many paragraphs and conversations revolved around that theme and that in the end Cas followed himself (and love!) which ensured his freedom of self <3

The Brothers are WEIRD PEOPLE!!!! And Codependent to a Worrying Degree, but It’s Also How They Survive

It’s very hard to show “unusual” relationships when you’re writing from the pov of the two people who don’t think there’s anything weird about their relationship. Sure, they say ‘yeah it’s probably weird that we still share a bed’ but that’s kinda more in line with ‘I had a nightmare and I want to be close to the person who makes me feel safe’. Hashtag normalize co-sleeping when you need it!!!

From there I did try to point out how the boys have a weird perception of lifestyle in the little things they did. 

From thrifting everything from clothes to appliances to books (thrifting is a valid lifestyle! It’s incredibly handy when you’re on a budget.) 

To never actually having condiments or knowing how to use a dishwasher cause they’ve lived in a car, a motel room, or squatted in old houses their whole life.

I tried to have them wear each others’ clothes or casually swap things as much as possible. They live out of each others’ pockets!

Also the brothers are just weird people!! It’s hard to show from their pov, cause they don’t know how far off from normal they are, but like…

Everything about Sam and Amelia was NOT right like holy shit those two were wilding in their grief. They are very lucky things worked out for them and that they got to be hashtag Weird Girls together

Dean explicitly, in the story, gets horny after killing stuff!! Violence has done a number on his psyche and he’s gotten some wires crossed that maybe shouldn’t have been, or maybe could be worked out in a safe space but… uh… how likely do we think Dean is gonna go find a safe space to deal with any of his shit???

LOVE!!! Love is truly what this whole story is all about

If you’ve read the stories, you know how much emphasis I put on love. Love is the strongest force in the Spn Universe! It’s what averted the apocalypse and saved the world (Swan Song), it’s what created free will (Cas’ entire arc!) I love love!!!!

I went out of my way to not put any definitions on platonic love vs romantic love because I think love is love is love and how you express that is the difference. Neither is more powerful than the other because LOVE is powerful!! Sam and Cas are the most important people in Dean’s life and he loves them equally! He shows this by giving Cas kisses and stealing Sam’s socks.

It’s a personal pet peeve of mine when I have to hear explanations like ‘I love you, like a brother’ or ‘I love you, but like, as a friend because I’m a lesbian and you’re a man’ etc etc in media. If you have to continuously define how your characters love each other, then I don’t think you’re doing a good job of portraying their relationship. So you’ll see that I never put those parameters in any conversation. Dean DOES muse that he loves Cas differently than he loves Sam or Bobby, specifically because there is a romantic and sexual tone that his feelings for Cas takes, but not because he loves Cas more or less than he loves Sam or Bobby.

Which means, if you haven’t realized it yet, the Series + Fic Titles are meant to be a complete sentence because the power of love IS the thesis of this series:

The Love It Takes To Exist Again (Sam’s journey!)

The Love It Takes To Become a Man (Dean’s journey!)

The Love It Takes To Destroy a Man (TBA)

And now for fun stuff. Behind the scenes!!

What’s Something People Probably Don’t Know?

The demonic fungal/hydrothermal vent growth on Sam’s arm was thrown in literally as I was posting the chapter because I had just finished a 48 hour cram session of writing a report on tube worms for an ecology class (I was chanting my tube worm song as I wrote it) and it ended up being a HUGE hit with both readers and myself. But it was so last minute I had trouble fitting it in more throughout the rest of Sam’s story!

Cas’ orders? That may or may not have bound him to Dean and removed his free will? Were written into Sam’s story and I went ‘oh SHIT that’s compelling’ and then left them there as a ‘guess I’ll figure that out when I get to Dean’s story lol’

Originally Dean and Cas were supposed to get together after having their souls bonded, and have been in a UST limbo the entire time before that. Mostly because I think the entire concept of ‘we just got married of the soul I guess we should try dating?’ is very funny. CLEARLY the two of them were way more eager to fall in love than I anticipated (thank you Cas for your honesty) but you can still see shades of this original idea here and there (especially in ch35 of TBAM)

I never intended Dean and Benny to connect so well!! Benny was going to reunite with Andrea, she was going to live, and they were going to go off into the world and leave the story. And, uh, here we are. I’m still debating if I need to adjust the relationship tag or not haha. Polyamory is fun, especially when I was planning for Sam to be the polyamorous brother...

Speaking of, I can’t believe I forgot about Sam and his sexuality! If I rewrote TEA I would have had Sam contemplate more on his lack of sexual appetite due to trauma, up until he meets Benny and he gets to rediscover how he wants to be a sexual person

Many of Sam and Dean’s absolutely stupid sibling conversations were lifted near-verbatim from conversations I’ve had with my siblings

And lastly...

Dem where’s Kevin????????????? Where is our sweet baby boy????????

He’s SAFE!! He’s in the Hunter pipeline somewhere cause Sam handed him off to Bobby’s people. He and his mom are safe and at some point they probably got rib sigils like SalmonDean did against angels, but for demons. I didn’t have room in this story for him!!! But my baby boy is SAFE and I want to get him back to university because it’s WHAT HE DESERVES!!!!

To that point: god there were/are SO many characters that I just didn’t include in the story so far because I didn’t feel comfortable including them without stalling the story for them. To that point: pretty much everyone who is alive/dead in s8 is that way in this story, except Bobby who gets to live.

[Check Out Part 2 for reader questions!]

[taglegend]

Tag Fact #3 -  I’ve come to realize I’ve always been a fan artist more than I thought. so here is a timeline of influences that shaped my childhood to now. from nostalgic times, to sad changes, to great loss, to strange rises to fame and phases, to stepping stones and finally a laughing place. all the things that make up your favorite fan artist Tag.

1. Rayman (bumped into this in the year of 1999) was actually the first fandom (with crossovers) I bumped into when I was 9. although the internet wasn’t available at the time it was still fun to dwell in home amusements. I remember the storylines and the OC’s I made but they’re kind of embarrassing and it’s probably a good thing there was no internet. I’ve done fanart and comic crossovers of Rayman with Calvin and Hobbs and Nights Into Dreams, spinoffs of Sonic the Hedgehog OC’s, Yoshi with Pikachu, and the Pokemon/Digimon craze with OC’s and other Nintendo comic shorts. but the drawings and comics are long gone and disappeared in the garage in a backpack due to suspecting my sister’s dad accidentally throwing them away. years later towards the year 2018 (now 28), we decided to move to North Carolina and it was my chance to find them again. unfortunately the backpack was gone just like I suspected (my main stuff), but for some reason I found my Pokemon/Digimon fanart, a good batch of Super Mario drawings (vaguely remember doing these), my sister’s drawings and some other neighborhood kids’ drawings in a dirty box. I was partially happy I found something at least but it was the backpack I wanted the most. sometimes I regret not looking for the backpack (’cause I was too busy being a kid) but it’s alright, noone needs to see that shit anyway, ha ha. anyways, I recall being a fan of Rayman from 1999 ‘til 2002.

2. Sonic Adventure 2 Battle (bumped into this in the year of 2003) my second fandom I bumped into when I was 12 going on 13. at the time, my sister and I both liked the Sonic The Hedgehog Franchise based on the Battle remake and ended up making our own secret fanart club that consisted of only us two members. she liked Sonic (and that was her boyfriend, ha ha) and I liked Knuckles (and he was my boyfriend, ha ha) and we were crazy in love about Shadow’s backstory. we listened to the game’s soundtracks as we drew fanart and comics after school and man, those were good times. however, as we grew older towards the year of 2005, we ended up having separate rooms and I believe it played a part in disconnecting on the same interest. then one day, I asked her why she wasn’t into Sonic anymore and she replied, “Because I grew up.” I was sad after that and slowly observed that she was influenced by the emo culture and the new friends she’s made. I was the only member of our little club for a little longer...but eventually I moved on too. I still have some surviving fanart we did together but it doesn’t mean shit anymore since she turned out to be an abusive mother from the last I’ve heard of her. 

3. Gorillaz (bumped into this in the year of 2006). as the Sonic years were at its end, I first heard the song “Feel Good Inc” on Music Choice and seeing the first image of them as displayed on this post (except the fan-made background doesn’t count since I can’t find the original artwork). this was my third fandom and later had proper access to the internet to the website I still currently use called DeviantArt. at first I liked 2D but eventually fell for Murdoc and developed a spiritual connection towards the character as obviously seen in my old fanart and rare photos of my devotion shrines on Valentine’s Day and his birthday every year. for the longest time since being a permanent fan from 2006-2017 (11 1/2 years) I had no knowledge that it was a political propaganda band and other realizations I don’t want to talk about. I only followed them because it was a cartoon and not the bullshit behind the musical project. the world I’ve built and support for them for all those 11 1/2 years shattered the fuck out of me and I just wanted to be left alone to find myself again, somehow. activity stopped on all my profiles, the flow of fanart stopped since I now cringe from the fan service and felt I was used for my talent. I didn’t want to be reminded of it all so I took down all my Gorillaz fanart and archived them for old followers’ nostalgia but also in the hopes they’ll be forgotten in my timeline. I ceased to exist in the fandom for huge personal reasons but it’s best to not say why. I know for sure that the fandom wonders what happened but it’s none of their business. THE END.

4. Waluigi (although I knew he’s been around since 2000 during childhood, I took deep interest once I revisited the character again in the year of December 2013). as silly as this sounds, when I revisited him again, the character was so bizarre that I ended up staying up 3 nights and 3 days in a row just looking all over the internet on everything about him and the questionable “hush-hush” absence of a backstory. despite there being no backstory he slowly gained a cult following and in many ways it’s a good thing. however, since the early 2010′s tension has been building up between Nintendo and its fans about him starring in a main game but everyone hasn’t fully gotten it in their heads that it’s not gonna happen. as long as Nintendo is in control of that, the fandom will not win, I’m sorry to say. on the other hand, if it’s going to be this way, then that’s what fanart and comic projects are for. as for me, I am doing my very best to get my comic project “Waluigi Land” going. again, I apologize if it’s taking very long to get Chapter 2 going if you’ve been keeping track but aha moments need to develop before I start permanent drawing (since concepts, character design and storyline needed improvement badly). as of right now I am still a Waluigi fan and I will not quit on him.

5. Turbo from Wreck-It-Ralph (although it debuted in 2012, I watched the movie two years later into the year 2014). for some bizarro reason, I had an unhealthy obsession with this character to the point where I dressed up as him for Halloween 2014. only 2 fanarts of him and the Turbo Twins exist on my profiles, mainly because my mind was more focused on just ‘thinking about him’ or ‘being him’ rather than drawing physical drawings. luckily, this supposed alleged fandom didn’t last long a little after Halloween so I chalk it up as a very short phase. to this day I don’t know what has gotten over me about him. the only thing I can think of now is that I think it’s because the character had yellow eyes and teeth but I don’t know. now that I think of it, that little fucker was ugly as hell and I STILL don’t know what had gotten over me. one day, my brother mentioned what that was about, and I said to him, “I don’t wanna talk about it.”

6. Undertale (although it debuted in 2015, I later took interest in it in 2016). It was all about Sans and Papyrus. I couldn’t get enough of the skeleton bros. eventually Toriel and Mettaton EX became my favorites but it took a long time to draw more of all 4 of them because I had other important things to do in my life plus I was still waiting for the next Gorillaz album to revive my imaginative juices (or so I thought). I really want to have this as one of my frequent fandoms but I just don’t have time for it anymore. it’s still in the back of my head to want to draw them but at this point I still have other better interests to be in. and besides, I’m lazy just like Sans.

7. Cuphead (June 28th, 2017 was the official day I called quits on the British-based band Gorillaz due to the bullshit behind it. since that date I was lost, had no inspiration to look forward to and no cartoon guy to make me smile...but lo and behold of the same year, I took an interest in playing the game Cuphead and man...that shit was a frightening exaggerated metaphor for being on that one drug (forgot the name though) and having sex at the same time but man that was the best fun I’ve had in years. I mean, it’s like, enemies are just so happy to murder you and that scared the shit outta me. and the facial exaggeration?....I think I should stop, ha ha. anyways, the Moldenhauers saved my ass from spiraling down, they have no clue. anyways, eventually I became a permanent fan of their work so to ease the hurt and erase my past from the G-fandom I had to re-wire my brain into a different cartoon category that’s a rather more American, so anything Toon related like Roger Rabbit, Felix the Cat or another favorite that’s a western-based cartoon makes me feel better, especially my new man .......King Dice <3 <3<3<3. however, there was something about this new fandom category I still didn’t quite understand until the date March 14th, 2020. I finally understood what it was but I feel I shouldn’t bring it up. anyways, Cuphead and anything western or rubber hose is my last stop in inspiration for the remaining years of my life. many say never say never but I believe I’ve found my laughing place and that’s all that matters.

[lady-of-disdain]

If you're so bothered by a cartoon ship (which... no words) still don't understand why you take it out on shippers, not like you could do much about the studio anyway, they don't care, as they should, but then being on our ass is entirely pointless... maybe that's the problem at the same time, maybe to some extent you do realise no one cares so you've decided persecuting a bunch of fan creators and consumers would be the next best thing. That said I feel it's imperative to point out, we're not Sunrise, we're not the ones with the power to shape this story, so you bullying us is frankly just devoid of any meaning other than raw intent for violence. At the very least admit that and drop the pretences, it's the only thing you've done after all, one would have to be blind not to see it.

If you're afraid a puny ship might be canon, and whatever you've twisted it to mean for you, take it up with the studio, alternatively with god since you're so into fictive characters over real life. Come to think of it didn't you guys have a friend that has a friend working at the studio? How come you're still so insecure? Why don't you tell the friend of the friend to influence the plot? Why hasn't this friend of a friend provided any other inside scoops to make themselves credible? Questions, questions.

Either way, hurting shippers will achieve nothing, we were gonna ship no matter the canon status of the ship, and I pity you people who think that shipping something has to be done because you want something canon, as opposed to just... for fun... but maybe that comes naturally with being pathetic, anyway, the possibility of it becoming canon now has nothing to do with us. Even less so as Westerners, if audience even has any sort of influence in all this, it would be the Japanese one way before it would be any Western one. Appreciate you giving us so much importance, but we don't need it, and we're just not really as important as you attribute, we'd just love it if you stopped hurting people over cartoons. You made something gruesome out of a fairy tale, that's on you, that's your problem, and we'd all be better off if you found a way to deal with that didn't rely on abusing others.

Honey, are you lost? I think there was maybe a different blog this rant was supposed to be sent to but I got it by mistake. Because I have no worldly idea what you are talking about in about half of this ask.

The first thing that confuses me: that I’m apparently “taking it out on shippers”, “ persecuting”, and “bullying” them? Please show me your receipts. I’ve literally never directly initiated contact with a sessrin blog. Hell, the one time I considered answering a post made by a pro blog, it was going to be in direct response to a question they posed in the anti tag, directed towards antis, and it turns out I couldn’t even answer the post because the user had most of the anti community blocked. (Silly, I know, but this is what we’ve been dealing with so what can I say.) Any time I want to respond to a sessrin argument that wasn’t directed to me anyways, I would usually screenshot it and blackout the names.

I can count on one hand the times I’ve even posted in the same thread as pro sessrin blogs, and in those cases, I either A) didn’t directly call out the other blog/blogs that were posting in the same thread as me, or @ them, or B) was only even interacting in said post because pro shippers were piling on and harassing people in the thread, and I was simply pointing out that there were shippers in said thread acting fools. The only time I ever even pointed out a particular blog I did it via screenshot and did it to keep a record of a blog that was admitting to flagging our posts as spam. 

If you would like to see proof of my interactions, all you have to do is check the #receipts tags on my blog, you’ll find all of my interactions conveniently tagged. (Oh and don’t worry, I’ll get back to that receipts tag shorty.)

The second thing you said that confuses me, that I have a “friend that has a friend working at the studio”? What (and I can’t stress this enough) the FUCK, are you talking about? 

I.....have never made this claim? Where have I ever said this, where have I ever reblogged this? I’ve never even read this? I need some clarification here, because either you are from an alternate timeline where I’m living a much cooler life, or like I said, you have the wrong blog.

~

Anyways, regardless of the fact that I’m pretty sure you sent this to the wrong person, I guess I can render a response to the base question you seem to be asking here: Why argue with shippers?

Really, at the end of the day, I’m not arguing with your average shipper. Hell, there are a few blogs I even follow and interact with that have said they like sessrin content, but they understand this is not an appropriate thing for a kid's show. And I can respect that because I’ve been in the problematic ship boat in other fandoms. (Here’s a hint, in one of the fandoms that I followed content for a problematic ship in, a content creator was given cookies with sewing needles baked into them, yikes right?!)

The main message of mine and many other blogs I follow is that this ship isn’t appropriate for children’s media, and what happens is a lot of salty people come out of the woodwork who feel the need to argue and say there is nothing wrong with it, which causes us to have to list the reasons why there is indeed something wrong with it (thus why it shouldn't be in said children’s media), then what happens is people like you come at us and act like all we’ve been doing is bullying shippers, and “why don’t you just let us ship in peace!?!?!?!!!??”

In fact, I shouldn’t even be surprised that I got this ask eventually, because as I’ve pointed out in the past, the shipper argument seems to be a cyclical one.

A blogger will make a statement something along the lines that they really don’t care if people ship sessrin, but the shippers really shouldn’t be making a lot of noise to the studio that they want to see this ship in the show because kids watch it, and it’s not a great message to send to kids.

A shipper will then message the blog (usually anonymously if possible) something along the lines of you’re wrong about the ship sending a bad message to kids because of xyz, or it’s a totally normal and healthy relationship, and you’re wrong, or Yashahime isn’t for kids, etc.

The Blogger will then respond with actual evidence, a well-worded response, or even just fucking common sense (like come on, some of the mental gymnastics I’ve seen people employ to try to validate this fucking ship to us is hilarious).

The blogger will then get another message something along the lines of  “why don’t you just let us ship in peace!?!?!?!!!??”

The blogger responds with JESUS CHRIST I SAID FROM THE VERY START THAT I DON’T CARE WHAT YOU SHIP I JUST DON’T WANT TO SEE IT IN A GODDAMN KIDS CARTOON”

At which point the whole process is rinsed and repeated. Congratulations you’ve just witnessed a new grey hair grow out of my fucking scalp.

However, there is a new facet to this shit gem that I’ve noticed during this whole annoying cycle, and that is the fact that a lot of pro shippers are making claims that they are being harassed by anti blogs, but I’m not seeing a lot of proof of this. And make no mistake, if I see an established anti blog being terrible, or making a false claim, I have no problem calling them out, or correcting false information. Please, feel free to screenshot proof and post it in the anti tag, and see how many other blogs won't put up with this either.

And to be clear, I don’t really count anonymous asks as harassment, because people can be sending that shit to themselves. Just like I don’t mind asks I get like this one because I naively respond to them in the hopes that maybe someone will actually understand what the argument has been about this whole time. And if I didn’t like it, turning off anon magically gets rid of it, so *shrug*.

No, I’m talking about actual, out in the open harassment, or shitty behavior. 

Like oh say, Patreon art being reposted in a discord server, then when a good samaritan reports the art theft they are harassed by their fellow discord members. 

Or maybe the ongoing flagging and harassment campaigns that are going on over almost all online social media platforms. 

Or how about the time some people tried to start a Twitter smear campaign against a voice actor who has some opinions about their ship they don’t like.

Yeah, remember how I said I’ve got a receipts tag. I see ya’ll.

[soranort-headcanons]

About the new Dark Road characters

Before we get into each individual character, here is some random thoughts

Disappointed that Yen Sid didn’t make it, but part of me admits that that had a low chance of happening due to him being a Disney character and all.

Part of me is also sad that they added more characters into the mix, because we lose the whole Eraqus and Xehanort growing as the only apprentices (with maybe Yen Sid added in) dynamic. At the same time, the idea that these two spent so much time with each other that no one wanted to be in their general vicinity while they were in a chess match and generally only cared about each other to the point that Xehanort only talks about Eraqus in his reports, is a hilarious idea that really adds fuel to the shipping fire for fans. Fun. 

There is six apprentices in total, just like in UX (Unions plus Luxu). If we add whatever master they have in, its seven. Just like the guardians. Since Eraqus (And maybe the new characters) are part of the “blueblood” line of Keyblade Wielders, this makes a lot of sense, since Keyblade Wielders are defenders of the light and all.

This also adds credibility of why Xehanort was allowed to go on a world tour but Eraqus wasn’t- It’s hard to keep track of so many children, plus while Eraqus wasn’t allowed to go at the moment, their master could simply tell Eraqus to go with someone else in a later date

I swear, if MoM is their master (extremely doubtful, please don’t do this)

Or maybe even Luxu, since we saw No Name hanging in the wall in kh3

I severely expect everyone to give up their keyblade and go into hiding or die. 

If everyone else minus Xehanort is part of a Keyblade lineage minus him, it would add a lot of depth to how he acted the way he did. Just like I brought up in some previous posts, it makes sense that an outsider would break so many rules or use questionable methods/use said methods to try to stand out. If he is the only one out, this makes it worse than if it was just Eraqus, Yen Sid and him. 

To add to my previous bullet point, he is standing on a throne, just like Sora in promotional material. He is the only one sitting and the center of the shot. Just like Sora, Xehanort obtained his Keyblade (If my memory is correct, its been a year since I touched kh after all) due to outside influence, just like Sora did. This would be an excellent time for Sora parallels, Nomura

Ok, now I’ll get to the actual new characters

My first reaction (Posted in my discord) was “Urd reminds me of Aqua. Please do not make her a love interest”

She looks like she is making an OwO face

She does remind of Aqua, but a little bit more mischievous.

I’ve seen people say Bragi could be Luxu but honestly I also have suspicions Urd is up to something. Merely because she has silver hair and yellow eyes.

I always think silver haired people are more important that they turn out to be due to Riku having silver hair. We also don’t know Riku’s parents, unlike Sora and Kairi. We know Sora has a mom and a dad with a boat, and we know who adopted Kairi. But Riku? nothing. I’m curious exactly who introduced the silver hair gene in destiny islands. Is it a common trait? Xehanort has it. Riku has it. I need to see the family trees, please Nomura. How tf do they get their hair color im dying please-

She stands between Eraqus and Xehanort but behind them. Im sure this will be important later on. Until then though, i cannot say much.

She does have the Recusant’s sigil though, which once again reminds me of the fact that Keyblade Wielders have inbuilt trackers in their clothes. Im sure thats very useful for when they get lost in a random world.

My first reaction to Vor: She looks innocent but she would totally stab me in the back in an alleyway if given the opportunity.

Look at her. She looks like a tiny evil gremlin.

As a short people I can attest that short people will not hesitate to set your house on fire in Minecraft if given the chance. The world is too tall for us so we shall burn it until it is at eye level

Look im approximately 5ft tall, im short

I like her color scheme, very eye pleasing

People have pointed out her name is one letter away from Vore. Thanks guys, I so did not need that

People theorize this is Kairi’s grandma. I can see why, but I shall remain neutral on the subject

Probably the youngest

kinda reminds me of Ava

She is in the front, along with our main duo, maybe this will mean something

Will probably be a mix between Aqua and Ventus in term of gameplay. Speedy or magic main.

My first reaction to Bragi was: he looks so smug. He gives me a bastard vibe but that has to be seen. Or he is a troll.

People theorize he is Luxu because his name can be rearranged to Braig. Considering Nomura’s love for anagrams, it makes sense. 

I wanna punch him in the face, he looks like he knows more than me

Reminds me of Axel. Hahahaha the idea of Axel and him having a connexion of some kind would be. Hilarious. Honestly the idea of anyone in this group having a relation to anyone in the present era would be hilarious because Xehanort grew up with these people so it would be like “Oh shit my coworkers had kids?!?!”

Could they be old enough to have kids? I mean, bbs Xehanort was like, 80 years old so it could be a possibility. 

Fire user. I take no criticism.

Or he is a status user. He would spam like, 50 status spells and just kick your ass without having to move. Look, someone in these series has to see the potential of status spells, I can’t be the only one

Imagine that instead of him being luxu, its the master. I would laugh so much at y’all’s reactions.

My first reaction to Hermod: he looks like the oldest and older brother vibes but that might be because he’s tall.

He gives me vibes of trying to be responsible like Aqua but rolls his eyes fondly at everyone else’s shenanigans.

Has a sense of humor

In terms of placement, he stands more or less on the center, which might reflect on his personality. Peacekeeper? Probably tries to be neutral.

Tries to keep Bragi in line.

Tries not to pick favorites.

The idea of him trying to talk to Vor is hilarious. What is he gonna do, stand in his knees? He is just too tall.

Maybe Xehanort is taller than him, and thats the only thing I shall accept

Senior apprentice

In terms of gameplay, he might be like Terra, a heavy hitter.

Gives good hugs

TLDR; at some point I went from analysis to simply listing off random thought, just as all my posts turn out at some point. We do not know enough about them. The fact that the last kh themed new character we had was Strelizia is insane. New blood! I’m excited for yet another mobile game I can lord over my siblings because I know the timeline and they don’t. Posible candidate for the Disney Plus series? doubtful but still a strong possibility. It is 9:08 PM and I have not beta read this. 

[irwinkitten]

men of mayhem | a.i

notes: so the majority of this is written already. but i probably won’t post the next part too soon. however, this is a sons of anarchy!au and i’ve been so excited about. you do NOT need to have watched the show to know what’s going on, but if you have seen the show, you may spot some familiar names and places. to give you a rough timeline, the oc (Michelle) and Ashton are born in 1978 and this part has various stages. She attends university in 1996 and the ending is taking place in the summer of 1998. We don’t see all of the guys in this part, but they will be making more appearances as the story goes on! A big thank you to @sexgodashton​ for going over this with a fine tooth comb and to @spicycal​ and @softbabiestan​ for being my cheerleaders. Love you guys.  warnings: mentions of violence, hints of smut, mentions of guns word count: 5.7k

donate to my ko-fi here 

-

               When Michelle Morgan left the small town of Charming at the age of eighteen to pursue her dream career, she knew she was leaving behind more than her parents and baby brother, Matty. She was leaving behind a group who she’d grown up with. Many said that her childhood sweetheart would leave her in the dust, break her heart whilst she was in the big city, studying her chosen profession. But those many knew nothing about her hometown life.

Growing up with the Irwin’s had been something of a blessing for her. The Morgan’s took it as the sign that it was, because nobody in Charming messed with the Irwin’s. Although her father had never joined SAMCRO—the known biker gang who ran many things off the books as well as their mechanics business—he fully supported them, helping out with transport when they needed it. 

Her friendship with Ashton—the only son of Anne-Marie and Bert Irwin—only formed because she’d been cornered by the playground bullies at the age of five, and her vicious kicks to their shins followed by Ashton pulling them away from her had the two kids as thick as thieves since.

They’d been childhood sweethearts from the get go, and with the rest of SAMCRO being an influence in her life, her father knew that she was going to be involved somehow. Her mother  first mentioned being Ashton’s “Old Lady” when they were sixteen—celebrating her sixteenth birthday no less—causing both teens to blush furiously at her words. The other club members had laughed, and despite her bright red face, she scoffed.

“Don’t like the idea of that, lil’ lady?” Bert teased her, the nickname filled with nothing but the affection that he and Anne both had for Michelle.

“Someone is gonna have to pull your sorry asses outta the fire when your plans go to shit. That’s gonna be me. I’m gonna study and get into those bigshot firms. And I’m gonna come back and keep the lotta you out of trouble.” She missed Ashton’s look of awe, but the other club members hadn’t. 

But her words had hit home for them, and so they toasted her luck on her sixteenth birthday.

That night, when the two were hidden away in their den—despite what their parents assumed when Ashton pulled her away—they were lay on the various throws and pillows that lived on the floor, cuddled up as he played with her fingers, gently bringing her knuckles up to his lips.

“Did you mean that Micha? You really gonna go away for however long it takes to be a big shot lawyer?” When it was just the two of them, he never hid from her. The fear was laid out for her to see.

“It’s gonna be seven years of school at least. Maybe a couple more to work with the big firms and get cases under my belt.” 

The silence that followed wasn’t uncomfortable. Silence for them never had been since he’d confessed that he loved her when they were fourteen and had loved her since they were six. 

“Ten years is a long time, sweetheart.” She turned in his arms to face him, her eyes searching his face. She could see the fear sitting there, plain as day for her. 

“It is. But I’m not letting you go, Irwin. We’ve got ten years of love on our side, with another two before I’d have to go to University. Surely we can make it through another ten? I know your dad won’t put you on any of the runs, not till you turn twenty one. Which means we got four years of unfiltered time for you coming to visit, right?” 

“Of course.” He whispered, his lips brushing against hers softly. “Reckon you’ll let me into your pants before you leave?” And she giggled, his own face lighting up in joy.

“Reckon you can wait till I’ve gotta leave. I know you’re not gonna complain when my lips can be put to better use for the next two years.” He rolled over with a playful growl, pinning her down which earned a small giggle as he playfully nipped at her neck. 

“I reckon I can do that. But, I’ve gotta treat my birthday girl tonight.” His lips met hers and she didn’t argue. 

When she was accepted into University, the club had celebrated with her, watching in anticipation for her acceptance. She’d studied so hard for her entrance exams and had already imparted some knowledge to Bert to keep him out of trouble.

Her first year had been daunting. Ashton visited her once a month at most thanks to the cost of gas, but it was enough for them.

That was when people began to tell her that they’d never last. 

Men in her class would tell her that she’d be better off with them, but Michelle held her own. They didn’t like that. They tried to get vicious with her in the mock court sessions and various debates, but she had a secret weapon.

She’d grown up with SAMCRO, and in the words of Chibs, “she’s got balls of diamond that one”. Ashton had laughed at his words, and she’d thrown the drinks mat at his face, making the other club members laugh.

When she’d come home for the holidays, Bert had heard enough from Ashton to track her down and ask her if she wanted a second layer of protection. 

“I can’t give you Ashton, I need him here unfortunately. Him and Hood get into enough trouble.” This made her grin. 

“Throw in Hemmings and Clifford, and that’s going to be a disaster when they start doing runs.” Bert had snorted at her words.

“Either it’ll be crazy enough that it’ll work or a disaster.” He muttered before pulling the two of them back on track. “Instead of Ash, I figured it was about time that Chibs and I taught you how to shoot a gun, don’t you think?” 

“I know how to shoot a gun,” came back the retort, and Bert smiled.

“Ah, but from a moving vehicle? And what about awareness of your surroundings, lil’ lady?” Michelle paused before reluctantly shaking her head at his questions.

“I guess not.” She finally muttered and he grinned.

“Chibs and I will start you tomorrow. Ash can come as well. Maybe get him to rope Hood, Hemmings and Clifford into it. The four of them are gonna be a force to reckon with when he takes over.” 

“Oh no bet on that one. Cal will be his VP. You need to make sure that Bobby doesn’t murder them when they prank him because you know he’s gonna be their easy target.” 

The two of them made their way back into the Irwin household. Michelle laughed as her little brother rushed to greet her. It had definitely been strange being away from Matty for so long.“You’re not wrong. C’mon lil’ lady. You’ve been missed by a lot of people.” 

He’d guided her into the main dining and sitting room to find nearly all of the club there along with what was considered the next generation of club members. All of the younger members kept away from the free flowing alcohol, knowing that the following day was going to be daunting as it was. Michelle was happy enough to stay sober to talk to her parents and sit with Matty on her lap, listening to him going on about all the things he’d done in the months that she’d been away. 

Ashton barely left her side. 

The following morning felt like it was straight out of the movies. But she knew that this was the reality for the club members who did the various runs. 

Unsurprisingly, Ashton helped both Bert and Chibs. Michelle hadn’t expected anything less from her boyfriend, but even then, it still stunned her the trust that he had in her not to hit him with a bullet when it came to being aware of club members versus rivals. 

“Am I gonna really need to know this kinda stuff?” The complaint had been good natured, but the elder Irwin understood her hesitation. He hadn’t risen to her complaint, making her go through their course again. It was late afternoon before Chibs finally called to a halt, and they began to pack down, making sure nothing was left behind.

Once they were ready to go, Bert motioned for the other two to head off. Ashton scowled for a moment before his dad sighed.

“I just need to talk with your girl. I’ve got intel on her uni, and you need to go meet with Hood. the Harris’ have payments due.” With a quick kiss to his girlfriend, Ashton handed Michelle her helmet and then he was gone with Chibs.

“C’mon lil’ lady.” She didn’t hesitate to climb on the back of Bert’s bike. It was a level of freedom that she understood and part of her wanted her own to travel back to uni with, to show those men who thought she was easy that no one messed with her. 

The drive wasn’t too far out of Charming. It was mostly desert, but there was a little spot that gave a nice view of the town.

When the bike was parked up, Michelle was off first, heading to a small bench that had been left there by a previous resident.

“Ashton’s gonna be Club Prez one day. You and I both know this.” Michelle did know this. Both her and Ashton had known since they were kids. Ashton had always so desperately wanted to follow in his dad’s footsteps.

“What time frame?” She finally asked, turning her head to the man who had turned into a second father for her.

“Maybe by the time he’s twenty five. I’ve been CP for nearly forty years, and it’s time to retire for me.” This shocked Michelle, her eyes going wide. 

“But, Ash thought he wouldn’t be Prez til he was in his late thirties at least?” The surprise that coloured Michelle’s tone made Bert laugh as he threw his arm around her shoulders, squeezing her gently as he kissed her temple. 

“I’m glad that you both have faith in this old man. But unlike the others, I wanna be able to spoil my grandchildren when they come. I’m surprised that my boy hasn’t made an honest woman outta you.” 

Michelle blushed, making him laugh. “Shove off old man.” She groaned, pushing away from him, making him laugh even more.

“I just wanna know, what’s gonna happen. That’s all.” He raised his hands in surrender, and she sighed.

“We talked about it before I left in September. I want to finish school. He knows I’m already planning to spend maybe a couple of years in the big city in a firm so I have a few cases under my belt. He also knows that I want him. I never really wanted anyone else.” 

“And I know that, lil’ lady. That’s why I want to help you protect yourself. When Ashton becomes Club Prez, you know we’ve got problems that he’ll inherit. The second they find out you’re a lawyer? That’s a pretty lookin’ red target painted on your forehead.” 

Michelle nodded. “That’s why you had me take out the opposition vs our own.” 

Bert nodded. “I don’t anticipate you being part of the club like that. But if you get into a situation, I’ll be relieved to know that one of my girls can get away safely. You know we’d be devastated if we lost you, Anne-Marie especially.” Michelle felt her heart swell for this man and his wife. 

Her parents were good to her, and she knew that. And so were the Irwin’s. But knowing that they valued her like a daughter already made her appreciate just what she had in her life.

“At least by the time I’m finished with school, I’ll be there to haul his ass out of the fire coals.” Her murmured words made Bert laugh before patting her knee.

“And he’d be lucky to have you hauling his ass from the fires. C’mon lil’ lady. Let's get back before he goes off at me. I know you’re only here for a few more weeks, and he wants to spend as much time with you as possible.” 

When the two of them returned, Ashton didn’t hesitate to almost drag Michelle out to the den that they’d built as teenagers, making Bert laugh at her exasperated eye roll. But once the two of them were secluded away from the world, she happily nestled against him, their clothes long gone as she traced his tattoos.

“What was dad after?” His fingers ran up and down her spine, her body melting against him as she fought to keep her eyes open.

“Told me why he was doing that today, why he wanted me to know how to at least fight back.” She murmured and his lips pressed against the top of her head.

“And why would that be, sweetheart?” Her head tilted up so that her chin could rest on his chest, her eyes catching his. 

“You’re gonna be Prez eventually, Ash. Everyone and their mother know about us. He’s worried that when you take over, you’ll be inheriting problems he’s been dealing with for years. Just being associated with you paints a target on my back. When they find out that we’re together? That target moves to my forehead.” There was no way to paint it nicely, but Ashton understood, even if there was crease between his brows at her words.

“Hopefully being in the big city takes it away, you’re out of town for too long.” She smiled sadly at him before letting the subject drop. 

“He also asked why you haven’t made an honest woman out of me. I think he forgets we’re only eighteen, and I’ve barely been away for six months.” Ashton laughed, and the mood changed drastically as she shifted, straddling his hips. 

“Trust me sweetheart, when I’ve saved up, I’ll be making an honest woman outta you. Those big shots can get fucked when they see a nice, shiny diamond on your finger.” 

“Oh there better be a shiny diamond eventually, Irwin.” He laughed as she leaned down to kiss him. 

Time passed by for them. Whilst he was saving up the money he earned from helping the club and working with Bobby in the garage, Michelle worked her ass off. 

Despite repeatedly telling men that she was taken, none really believed it. However, when she landed a few punches after one of them got too handsy with her, they quickly realised that it didn’t matter what they believed.

She could fight back, and she could put them down quicker than they’d ever be able to step away from. 

When Ashton had found out, he’d taken a month away, despite Bert half-heartedly arguing, he realised that if anything, it would keep her safer if they saw what kind of boyfriend she had.

She was surprised when he turned up after her lecture to pick her up. The roar of the bike engine was so familiar that it sounded out of place in the big city.

Michelle had been chatting with Jennifer, as they’d left, deliberately ignoring the few guys that seemed to invite themselves along. When Jen had spotted her ride, she hesitated, unwilling to leave Michelle with the guys from their course, circling around her like vultures.

“I can see if Jack could drop you off, save you from these creeps?” They shared a giggle.

 “Thanks but I need to head to the bar. Old Jerry wants me to stop by soon to try his new cocktails...” The roar of the engine made her pause, her eyes immediately searching out the sound.

“Chelle?” Jen had prodded her to get her attention, but once Michelle spotted the bike, her face lit up in undisguised glee.

“I don’t need to worry about getting a ride, mine just arrived.” The guys that had been lingering, scoffed. 

“Really Morgan? You’re going after a lowlife, probably with no stable job and an arrest record?” She wasn’t sure of his name, Mike or Marc, but his words triggered her anger. As the bike pulled up, she spun around, ready to punch him before remembering where she was.

“If I wasn’t so determined to become a lawyer, I’d have decked you with no hesitation. However, that apparent lowlife has been my best friend since we were kids. Add in the fact he’s literally the love of my life, and you get the picture. No arrest record, his dad runs and owns a garage that he’s set to inherit one day and not to mention, I like my men a little rough around the edges. How about you go fuck the blow up doll your buddies got you for Christmas and get off my fucking ass.” She snapped and she watched as he glanced behind her.

“He gonna come in and save you then?” This time, she smirked.

“When you run around with men that look like they could kill you, you get taught how to defend yourself from creepy assholes. Try it and see where this will get you. Not to mention that I’m a scholarship student. Why would I jeopardize this chance for a career?” Her voice had turned innocent, sweet. But the dare was laid for all to hear.

“You’re an ugly bitch anyway.” He finally muttered before turning on his heel and leaving. She shared a look with Jen before they both started laughing. Michelle hugged her friend goodbye before running to where Ashton was standing, leaning against his bike. 

The hindrance of her skirt meant that he could only pick her up and swing her around, but she was finally in the safest place.

“It’s been a minute.” She finally breathed when their lips pulled away, his smile only having grown wider.

“I know, but there are reasons. However, you’ve got me for a good chunk of time, doll.” This made her light up in excitement.

“How much time?” His smile was impossibly wide at this point as he dipped his head to kiss her once more.

“At least a month.” His voice was low, setting the fire off in her belly, but even that couldn’t squelch the joy that surged through her as she kissed him.

“Lets head back to mine then, handsome. I’ve got some new things for you to enjoy.” He had to swallow his reply as she got herself sat on the bike, a laugh escaping at the put-out look on her face.

“Sorry doll, but it looks so strange to see you dressed like that on my bike.” 

“Yeah, yeah. Laugh it up. I haven’t got much of a choice. Dumb dress codes.” Ashton ignored her dar mutter as he placed her helmet on for her before climbing on and kicking the bike into life.

She’d missed the feeling of the bike underneath her. The way the engine rumbled was a reassurance, something that had come with years of riding around with Ashton and being taught to ride by Bert. It was a level of freedom that she never felt in the city, so enclosed and overrun with either pedestrians or cas. Bikes were around, but not ones like these, they were more what Bobby would call flashy toys, built for speed but would never survive one of the runs they did. 

When Ashton pulled up to Michelle’s place, there were nosey neighbours who peered from their windows to see what the noise was about. She outright ignored them as she took Ashton’s hand and led him up the stone steps to the house she was renting, the door barely closed before he had her pressed against the wall with his lips on hers.

 This was another thing she missed as she sighed into the kiss, the soft moan escaping as hands pushed up her skirt, and he began to tease.

“Do you think you’ll get complaints about any noise?” He murmured as his lips moved to her neck and she moaned at the sensations.

“Don’t care.” 

She didn’t hold back and neither did he.

When they were nestled up in her bed, having gotten their welcome home out of their systems, Michelle was dozing off against his chest when he leaned over to the floor, rummaging through his jacket pockets.

“What are you doing? I had a comfy pillow.” She muttered indignantly. He chuckled.

“I had a whole thing planned out, but being with you like this? Honestly it's the best moment I think.” 

This had her confused as he resumed his previous position but this time, she tilted her head so that it was resting on his chest, staring at him.

“And what moment would that be, Irwin?” He gave her the softest smile, one which she knew was reserved just for her.

“The moment to tell you that I’ve loved you for nearly my entire life, and I don’t want a life without you in it. Michelle Morgan, will you marry me?” he had the ring in his hands, and she couldn’t stop the gasp as she sat up, staring at him in shock.

“Ashton, this better not be a joke.” The tears threatened to fall and there was the soft smile again as he leaned forward to kiss her.

“I would never joke about this. You’re too important to me, Micha.” 

The first tear fell as she moved her trembling left hand, offering it to Ashton.

“Yes. Yes I will marry you.” The joy on his face in that moment sealed it for Michelle. As he slid the ring on her finger, he kissed it before his lips found hers once more.

“My sun, my moon, my stars.” He whispered.

When she went into her class on Monday, Jen was the first to notice the very shiny diamond ring on her finger.

“Oh my god, really?” Her friend gasped excitedly before pulling her into a hug. Michelle laughed.

“Really! He had this whole elaborate plan set out but ditched it because it didn’t feel like us. He wants to celebrate, but since he’s staying for the month, his brothers are going to travel up for celebrations next week. Ash wants to meet you and Jack and have a quiet double date before his brothers show up.” 

There were a few mutters from the men around them, but the two girls paid them no attention like they’d done from day one when the two realised they were the only females in the class.

“The only reason she’s getting married is because he probably knocked her up.” Mike-she was certain now after hearing his name called out on the register-muttered.

This time, she wasn’t going to let him slander her name like that. Those kinds of rumours not only fuelled fire but could potentially cost Michelle her career, and she wasn’t about to have any of it. 

Turning in her seat whilst they waited for the lecturer to start, she scowled at him. 

“Kindly refrain from making assumptions and starting rumours that you can’t back up with facts, O’Riley.” She kept her voice levelled, albeit slightly condescending. He scowled at her in return.

“What, scared that I’m right?” The taunt was a clear bait, determined to show she shouldn't be there. Both her and Jen had suffered from them.

The class had fallen silent at this, and Michelle smirked.

“How about I give you the facts first since you’ve spent the entirety of first year trying to make a point that neither Jennifer or I belong. I’ve known my fiance since we were children. Five years old to be precise. Whilst I’m at school, he works for the garage that his dad owns and will one day take over. He tries his hardest to visit once a month but sometimes he can’t because of obligations to the company means that sometimes the garage comes first.” She could see a few of the guys take on board her words.

Jen was smirking.

“If he were to have knocked me up, the last time I saw him was two and a half months ago. Notice how I haven’t swapped to any kinds of baggy clothing? Had I actually been pregnant, I’d have taken a leave of absence for a week so that I could go home and tell him as well as our families. Getting the picture yet?” His cheeks were burning as she so easily put him in his place.

“You have a go at the two of us, saying we don’t belong because we can’t be doing our studies right, we can’t be learning the same things as men. But if I look objectively at the situation, you’ve repeatedly tried to bait Chelle into an argument and lost every time. Most facts she’s been quite open about, and the others seemed to have put two and two together, but you can’t let go of the fact that she rejected you. So you hound her for anything. I hope that if you actually get into Law School after the undergrad program that you have to face her in the courts, because she’s clearly better than you.” Jennifer had spoken up in defence of her friend, and it had fallen silent before the lecturer began to clap.

Michelle hadn’t even realised that they’d eaten into the class time.

“Miss Morgan is correct, Mr O’Riley. Report to my office after class.” 

Unsurprisingly, O’Riley left her alone, and before Michelle knew it, the end of the year was upon them and she was back home with her family. 

She hadn’t had a chance to really pass the news and had forced Calum, Luke and Michael to stay quiet about it. Ashton knew better than to ruin this surprise for her, even though her family had been waiting for the day to happen ever since he’d asked her father’s permission the day after she’d left.

To say they were excited was understatement of the century. Both of them had winced at the high pitched squeal from her mother and her father was laughing at the scene before him.

They welcomed Ashton into their family when he was a child, but this was a different kind of welcome, one that really made him feel lucky to have the parents he had.

Unlike some of the weddings they’d seen from the club members, Ashton had been adamant. The wedding would be how Michelle wanted it, and if anyone had a problem then they could work at the garage instead. 

Bert had surprisingly backed his son up.

“She’s practically been my daughter since he brought her home with a skinned knee and tear tracks down her face. This is her day just as much as his, and if Ash wants it to be how she wants it, then no one will say a fucking word.” 

The prospects had eyed the father/son duo warily before nodding in acceptance. Ashton had already made it clear to them that they’d be around for security rather than the ceremony. 

They’d watched one of their previous comrades learn the hard way not to insult Michelle Morgan around any of them. The last prospect who did that not only lost his chance to be in the club but also ended up in the hospital with broken arms and a bullet to the knee. 

The warning rang loud and clear for them so they weren’t bothered by the fact they’d been relegated to security.

Despite the endless ribbing that Ashton had received from his best friends, he helped Michelle with ideas for what she wanted. They’d decided to plan and book it for the following summer, to let her get through her second year of university without worrying. 

“I’m going to defer a year after we get married.” Ashton stared at her in shock. She’d told him that the career was important to her, and he couldn’t wrap his head around why she would do that. 

He’d pulled her so that she was straddling his lap, the two of them sat on the sofa at his parents’. They were out for the weekend. He knew his dad was preparing for a patchover and his mom wanted as much time as possible with him without the two of them underfoot.

“And why are you deferring a year, doll?” 

“So that I can steal you away for a year. Our honeymoon is going to be much longer than two weeks.” The grin on her lips was almost predatory, and he felt the corner of his own twitch up in response. 

“Oh is it, Miss Morgan?” Her arms were resting on his shoulders as she leaned forwards, nibbling at the skin of his neck, her hips slowly rocking into his. 

He was struggling to stay focused. 

“A full year of us travelling. Motels, fancy hotels or hostels. Travel America and then maybe fly out and travel Europe. A whole year. I’m sure you wouldn’t be adverse to having sex in every state and then as much of Europe as possible.” Her teeth tugged at his earlobe, and he had her pinned on the couch, the look of shock amusing as his lips met hers.

“What my lady wants, my lady gets.” 

Later when they’d redressed themselves and were looking at various places, Ashton let out a sigh. “You realise that it means I’ll definitely be doing more runs. And maybe a few hits?” 

She squeezed his hand gently. “That’s why pops is planning on offering to pay for half of the trip. He knows what your dad does, they’re best friends. He knows what you do. He also knows that you’d protect me and move heaven and earth if you could. I wasn’t supposed to tell you this, so act surprised when he offers it.” This made him laugh as he kissed her temple.

“Secret is safe with me, doll. So July or August for the wedding date?” 

True to his word, Ashton did act surprised when her dad made the offer, however, he didn’t have to fake his shock at the amount that he was offering.

“That’s, surely that would cover the entire trip?” Ashton barely breathed. Marcus Morgan laughed as he slapped Ashton on the shoulder. 

“Son, I’ve been saving for this ever since she brought you home to us to introduce us to her newest best friend. At first it was small amounts which I was prepared to make her college fund, and then you two got together and her mother told me to start saving properly.” Ashton stared at his soon to be father-in-law, stunned.

He could do nothing but hug Marcus tightly in gratitude, in amazement, in awe. He wasn’t entirely sure. But he loved this man just as much as he loved his own dad.

Marcus understood the unspoken words and held onto Ashton just as tightly, giving him a moment to take in the significance of the offer. 

“You realise that the second Michelle finds out, she’ll flip?” Ashton finally asked as he pulled back, and Marcus laughed loudly.

“Like I’d expect anything else from that girl. She’s her mother’s daughter through and through. I can only count my blessings that she found you early on to temper her impulses.” Ashton tried and failed to hide his smirk as his soon-to-be in-law rolled his eyes before they were drawn into a discussion about the newest modifications he’d made to his bike. 

They still continued to plan, even when Michelle was back at University. Mercifully, after her verbal slapdown of O’Riley, both her and Jen had earned the grudging respect from their classmates. 

That respect was a big help when it came to the appointments for her dress fittings and bridesmaid dresses. If Jen hadn’t been one of her bridesmaids, she knew her friend would’ve handed her any and all the notes she needed for missed classes however, both of them relied on the notes from their classmates and the occasional meeting with their tutors.

It was a much quieter year for both her and Ashton, despite all the appointments and meetings for the venues and vendors. It dawned on them how much work it took to pull off the wedding that they were planning, on top of their respective school work and jobs. 

It was exhausting, but they pulled it off, she’d finished top of the class, with Jen close behind her and the business side for the Irwin’s had been thriving. 

Before she really knew it, she was standing in the foyer of the church, gripping her dad’s arm to stop the butterflies causing havoc through her entire body, let alone her stomach.

“You nervous sweet girl?” Her dad's tone was reassurance of all these new exciting feelings. She let out a small breath of air as she finally let it sink in that it was just Ashton waiting for her.

She was marrying her best friend.

“Excited. I still can’t believe he agreed to let you practically pay for our entire trip.” It had been a constant disagreement until her mother had sat her down and told her why her dad was doing this.

“Call it payback for you actually telling him before I could.” And she felt her jaw drop. She knew that Ashton hadn’t told him, or at least they’d suspected she’d gotten away with her slip up. 

Marcus chuckled as he gently tapped under her chin, her jaw shutting with an audible snap. 

“Why didn’t you say anything?” She hissed dangerously, and he grinned in return, his eyes suspiciously bright as his hand lifted, the backs of his fingers tracing down her face. She relaxed into the comforting touch almost immediately.

“You’re my child. I’ve raised you and I know you. Ashton is also mine, even though your mother didn’t bring him into the world. The two of you grew up with your mom and I as well as his parents. You might be able to fool the world sweetheart, but you can never fool your parents.”

It was another sigh before she let out a snort of laughter.

“Figures.” The key changed in the music, and the butterflies were back with reckless abandon. 

“Time to get the show on the road, sweet girl. I love you and I’m proud of you.” His lips touched her forehead, and it was almost like magic that her entire body relaxed. The butterflies finally settled as they began the walk down to her future husband.

-

if you wanna be added to the taglist just let me know!! 

@sexgodashton​​, @goth5sos​​, @calumsmermaid​​, @empathycth​​, @wildflowergrae​​, @calpops​​, @rosecolouredash​​, @cal-puddies​​, @clockwork124​​, @loveroflrh​​, @stellar5sosrecs​​, @ashtoniwir​​, @cthla​​, @liketheydidwithyou​​, @sc0ttish-wildfl0wer​​, @bluehairedtracii​​, @drummerboy794​​, @feliznavidaddycal​​, @ukulelecal​​, @thecurlsofgod​​, @converse-luke​​, @madbomb​​, @ccnicole02​​ @youngblood199456​​, @megz1985​​, @lukesidentitycrisis​​, @snapback-irwie​​, @neonweeknds​​, @666yourwitchyfriend666​​, @peachycliffo​​, @cashtonasfuck​​, @ashtaway​​, @conquerwhatliesahead92​​, @itjustkindahappenedreally​​, @kchillout​​, @damselindistressanu​​, @colormekaykay​​, @findingliam-o​​, @sublimehood​​, @sugarcoated-pain​​, @singt0mecalum​​, @singledadharrington​​, @calumspeachy​​, @colourfulcalum​​, @lostincalum​​, @burncrashbromance​​, @asht0ns-world​​, @flusteredcliffo​​, @ixcantxdecidexwhosxmyxfave​​, @fangirl-everythang​​, @lashtondaddies​​, @calumssunshine​​, @ambskiwi​​, @abundant-stars​​, @myescapefromthislife​​, @lmao5sosimagines​​, @beyoncesdragon​​, @jae-writes-fanfiction​​, @cxddlyash​​, @tresfandom​​, @utterly-u-n-p-e-r-f-e-c-t​​, @niallisworld​​, @lietomevalntyn​​, @babylon-corgis​​, @monochrome44​​, @behind-my-hazeleyes27​​, @ghost0fy0u​​, @lyllibug​​, @bloodmoonashton​​, @ghostofmashton​​, @summerellaz​​, @a-little-less-sixteen​​, @cashworthy​​, @smokeinherlungs​​, @longlastingdaydream​​, @h0tsos​​, @sweetcherrymike​​, @5sosnsfw​​, @sugar-nico​​, @sunnysidesblog​​ @angel-cal​​​, @samros95​​​, @maluminspace​​​, @lukeinblue​​​, @cakesunflower​​​, @allamerican-betch​​​, @britnicole11​​​, @gigglyirwin​​​, @everyscarisahealingplace​​​, @loverofcashton​​​, @iovehemmings​​​, @g-l-pierce​​​, @jannimoeller3​​​, @wildmichaelflower​​​, @lukeskisses​​​, @5sossstan​​​, @youngbloodchild​​​, @abb-lan-5sos​​​, @calumsbub​​​, @flameraine​​​, @here-for-the-uproars​​​, @mateisit-balsamic​​​, @ilovelukey​​​, @goldenmndes​​​, @musiclover1263​​​, @alloutofcashton​​​, @tobefalling​​​, @sarahshepherdblog​​​, @cassie-sos​​​, @banditocth​​​, @cthwldflwr​​​, @possesedperson​​​, @treatallwithkindness​​, @spicycal​, @softbabiestan​,