#Playing all kinds of roles

[ravenpureforever]

On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them

But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious

[aroaceleovaldez]

the dynamic of demigods thinking which other demigod is the most powerful is always amusing to me because. like, we know the big 3 kids are all the most powerful. That's just a fact of their universe. And then we know nearly every character views Percy as the strongest demigod, and most people are very rightfully intimidated by him.

and you look at the powers of the Big 3 kids and there's Percy, but then you realize Nico is just kind of objectively more powerful than him but simply chooses to hang out in Percy's shadow like he's Percy's scary dog privileges. Like, the two of them are pretty equally capable of causing multiple different apocalypses. Nico just also has like four different instakill powers and it's not like he doesn't use them. He very much uses them! Not infrequently, even! And they don't seem to take a significant amount of energy from him! And other demigods are pretty intimidated by both of them! But Nico makes a conscious point to keep his cards close to his chest and not let on exactly how dangerous and scary he can be if he wants to. People are already scared enough of him without knowing anything about him and he doesn't like that. Percy doesn't think about that nearly as much, and so usually just goes in guns blazing and that's part of why he's considered a wildcard. And then Nico himself puts Percy on a pedestal, so those who do know more about Nico's abilities then presume Nico knows something they don't about Percy that implies Percy is even stronger than him.

And even on a meta level Nico's narrative role requires him to be functionally more powerful than Percy, because he very often serves the purpose of getting Percy out of situations he can't handle on his own. That's just part of his function as a character! But also narratively he can't overshadow Percy so he just takes a backseat of his own accord and that's very amusing to me.

[finelythreadedsky]

to have this line delivered BY klytemnestra's body and actor!!! we do NOT have klytemnestra's corpse after all because she is walking and talking and addressing the court and arguing for the prosecution!!! her corpse is nOT a cold hard fact!!! it proves nothing.

[gen4grl]

a nap in the sun

[carlyraejepsans]

Sometimes I think I’ve got a good idea of sans character then I remember deep down I consider him kinder then papyrus and I have to come to terms with the fact that I have also fandom-fied him and it hurts, anyway congratulations on staying true to his character your the strongest soldier out there

lol don't beat yourself up. i wouldn't use "kind" as a qualifier, but i do think papyrus can come across as much blunter than sans. he's loud and banging and over the top in a way that exaggerates his other attributes, and one of those is his social awkwardness. he's shameless! both when he's being positive and uplifting AND when he's being a bitch. sans is more... contained. less vocal. but that's something that applies to his character in general.

more than anything i think—as jaded and more pessimistic as sans has become with time and his reset knowledge—both him and papyrus start from the same core personality. papyrus' kindness is obviously important to his character, but people tend to play it up too much in my opinion. he's just as capable of disregarding people's suffering and unhappiness for his own interests (empress undyne ending, king mtt ending, remaining our friend in spite of our actions) as his brother. he's just... very loud about his positivity and caring for other people and DOES want what's best for everyone... when it's not particularly inconvenient to him. lol.

[dailymanners]

Don't make fun of any accents, ever, for any reason.

The person on the receiving end will most likely fall in at least one of three categories:

Second language

Regional accent

Speech impediment

1. Second language

This person is probably speaking in this language to you because either you don't speak their mother tongue or you speak it worse than they speak the language you are speaking. They are making an effort for you. An accent doesn't make you dumb.

Making fun of someone for attempting to communicate in another language is the height of assholery.

2. Regional accent

Half the time you make fun of regional accents, you make fun of historically disenfranchised accents.

Southern accents? Congrats you're making fun of the way rural, usually poor, people speak. Their speech was highly influenced by black people.

Don't even get me started on making fun of AAE.

Again, an accent doesn't make you any less intelligent.

3. Speech impediment

They know they have a speech impediment. They are probably trying very hard not to sound like that. It is literally not their fault. They have had to deal with people making fun of it their whole life.

A speech impediment doesn't make you less intelligent either.

[gingermintpepper]

I continue to be in the foulest of moods so here are some Zeus + Apollo headcanons because they make me happy :)

(Important note: this is largely specific to my original work and is not me making inferences from mythical or historical texts)

Zeus and Apollo spar. Like a lot. Like a lot. A big reason why Apollo gets so good at boxing is because he usually sparred with his father as a young god and getting hit with one of Zeus' punches is!! Not advisable. He focused on becoming fleet-footed to combat Zeus' more solid fighting style which was definitely helped by his dancing. Conversely, Hermes would later develop wrestling partially as a response to Apollo's annoying fleet-footedness in combat.

Zeus decides to tie his mind to Apollo's when the strain of Apollo's visions become too intense for him to handle alone. When Apollo first returns from his exile after slaying Python, his visions are so severe that he suffered from 'time-blindness' where he could only percieve the future and was completely unable to see the present. Zeus shoulders some of that strain until Apollo becomes strong enough to handle prophecy on his own - though Zeus is careful not to give Apollo absolute prophecy lest he get overwhelmed again.

Despite their closeness, or maybe because of it, Zeus and Apollo argue quite a lot. Usually it's banal things like administrative work or squabbling over which of them should get the larger portion of a hecatomb, but they do argue about how prophecies should be carried out quite frequently too. There's a general agreement for Zeus not to bring up Apollo's children after how messy Aristaeus' anointing was (and how angry Apollo was at Zeus' disagreement with his decision to make his firstborn son a god) but the odd occasion where it cannot be avoided is usually when they have their most grave spats.

One of Zeus' greatest regrets is his relationship with Ares, partially because Ares grows up seeing him dote and teach Apollo with his full attention. There is... a lot of himself that he sees in Ares. A lot of Kronos too and the part of Zeus that is a warrior before he is a king has done his best to keep the boy at arms length entirely because of that familiarity with the face staring back at him. It's another of the things he and Apollo have argued ceaselessly about. Naturally, Apollo has attempted to bridge that gap many times and while Ares is still quite close with Artemis, when it comes to Apollo, he is particularly sensitive.

Zeus is the one that ultimately decided that Apollo should never marry. Due to Apollo's love-curse and his already concerning tendency to be overly attached and committed to his mortal affairs and offspring, Zeus decided that marriage would be doom to Apollo's spirit and proclaimed him unfit for the ceremony and its status. Instead of the expected argument, everyone was quite surprised when Apollo merely bowed his head and accepted such an outrageous decision.

[girl-drink-drunk]

the inevitability of obsessing over character actors is that they will all at some point play priests and force you to examine why that's the hottest. and it's totally not my religious trauma-

[veryintricaterituals]

Okay, I'm putting on my tinfoil hat and my clown makeup. I'm officially jumping on the insane bandwagon: "Alice", Daniel's wife or girlfriend or something is Armand. She was Armand all along. That's gonna be the twist.

As much as I want old!Daniel devil's minion (and oh how I want it) I feel that it's already happened. I mean they are laying the clues pretty heavily.

"You felt free holding her hand in Paris, I wonder why that was"... And taking into account Louis' comment about his sexuality liberation in 1940's Paris in the last episode, I mean it's foreshadowing for sure. And then, the other thing we know is that Daniel proposed and she said no, immediately Armand says: "She wanted to say yes, but she didn't trust you".

I mean It's all a little too convenient. Also how funny would it be for the twist to be some character being Armand all along... Twice

[cream-and-tea]

oh pallas and agnes power dynamic you really are SO unbelievably fucked,,,,,

[daily-hanamura]

[mueritos]

a small moment of kindness that touched me today. speaking about our struggles as grad students in class with classmates. our small group is all BIPOC; another latine and two arabs, one who is palestinian. we are speaking very honestly about our fears and frustrations. feeling useless. feeling scared. upset at the world and its horrors. angry at other peoples' silence. but at the same time so so full of joy and hope. i talked about being scared of being forgotten, and we continued on with our group task of creating a liberation health triangle.

professor transitioned us back to the full class and while our professor began speaking again, my Palestinian classmate--so beautiful and with the most wonderful curls--leaned close to me and whispered "I'll never forgot you." I almost didn't hear her so i whispered back, "what?", and as sweetly as the first time she said, "I'll never forget you. And I'll never forget what you said last semester. You were the first person in this entire program who spoke of your frustrations. I felt less alone."

the walk home from class was very cold, but i could not help but let myself repeat the moment in my head over and over again.

[noheteroexplanation]

Kind of wild to think about how House of the Dragon could have turned out so differently if the casting director had made different choices. Because from interviews with the cast, we know Olivia auditioned for the role of Rhaenyra, Sonoya auditioned for Alicent and Phia auditioned for young Rhaenyra. Just interesting to think about really <3

[koetjingwarrd]

You're my baby, say it to me...

[hadesknockedupintheunderworld]

My favorite funny thing on occasion is to imagine sugar baby/daddy dynamics with Tails ships

Something so comical about the fact that Sonic the hedgehog (hedgehog without a home) would be sugar baby to Tails (fox who has so many labs. Like who needs to worry about money when your little buddy pays for stuff heroing doesn't and keeps his bases fully stocked with ingredients for your favorite food

Or like, Tails, who basically ended up being Sonic's sugar daddy, accidentally gaining more sugar babies by virtue of making sure certain characters don't inconvenience people (basically playing damage control)

While I think it's Rouge mainly who would probably suppliment the money for Omega and Shadow (if need be) and play this sort of role for them, it's still funny to imagine Tails insisting on setting them up in hotel rooms because Shadow was just about to sleep outside and saw no problem with that (and because Tails can't very well just let Shadow do that)

A friend of mine also moved that, under this framework, after the idw issues where the Chaotix took a job helping Knuckles get an artifact back, Tails would just silently patch them rent money as an apology for the whole thing.

Rich inventor Tails accidentally gaining bfs out of the main cast as his sugar babies because he's assumed responsibility for their antics and cares about them too much to just let them live life the way they have been. Do you see my vision?

[youssefguedira]

It's definitely gonna be flashier than "Le otto montagne", I think it will be probably even better than "Non essere cattivo" which is, to my humble opinion, his best acting so far.

For non-native speakers, it's very difficult to understand how difficult (pardon the repetition) it is to cancel the accent (as a non-native English speaker, I know it's difficult to me to fully appreciate when an Irish actor pulls a perfectly good australian accent).

Marinelli has quite the thick roman accent (not as think as, idk, Mastandrea's, but still pretty thick), yet in "M" we fully get the Mussolini talking: the different pronounciation is most of the letters, the completely different speech and pause pattern between roman and emilian, the voice itself sounding nothing like it did in his previous movies...

And that's just me not mentionin the "body" part of acting.

M was a short, pudgy man who carried himself like he was the biggest man in the world (think of the Russian guy nowadays), and Marinelli completely nailed this self-importance travesty in his portrait.

I can't wait to see it, even though I'm gonna be suffering through the whole thing.

i haven't seen non essere cattivo yet but yeah!!! marinelli is one of those actors that absolutely disappears into whatever character he's playing to a really incredible degree. i can point at a still screenshot of like, martin eden or le otto montagne or even the old guard or diabolik (which i think are definitely less Obviously Impressive roles until you compare them w/ the rest of his work: both are characters that involve a lot of microexpressions + i think it's not until you watch something like, idk, lo chiamavano jeeg robot when you really appreciate just how much skill goes into both of those but i digress) and go like yeah those are all the same guy. but once you actually see them in action they're really remarkably distinct!! as is his work in trust which is also an incredible performance.

trust is a good example too when it comes to voice/accent work im not quite familiar with accent differences yet (half of my teachers are roman and so is ninety percent of my immersion. ahem.) but even i can tell the difference sometimes!! and from what ive seen of the mussolini show there IS a lot of voice work going on there where it's again recognisably marinelli's voice but the quality of it is so so different (also as a tangent i rewatched le otto montagne and the narration is so nice. can he do an audio book or something). super impressive work. adapting yourself for a fictional character is one thing but mimicking the mannerisms of an actual person is another!! which is why biopics get so much oscar buzz!! + the physical aspects of that too is like. Wow.

anyway tldr luca marinelli's super good at his job and one of these days on god he'll get the oscar i have foreseen it