#Pixar golden age
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vertigoartgore · 3 months ago
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Pixar/Brad Bird's The Incredibles turns 20 today. Feel old yet ?
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theruffiansretrorampage · 1 year ago
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The official Pixar Facebook 
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indy829 · 8 months ago
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My emotions:
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television-overload · 1 year ago
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Mulder and William watching Pixar's short film "Lifted" in 2007 and giggling like fools
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"But dad, aren't aliens gray?"
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yen-sids-tournament · 2 years ago
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Disney Animated Movie Music
Our first tournament (the reason we even created this blog) is about which animated Disney movie has the best music.
Nominate your favorite Disney animated movies based on their music. Whether it be your absolute favorite song, the genius of the composer, the contribution to music, which soundtrack is full of the most bangers, or really anything you want, as long as you include the name, it will be considered.
There is space for you to nominate up to five films if you are super committed to one movie you can always put it multiple times. there is no requirement for you to chose five movies as well. And for clarification; this is for purely animated movies. We will accept Pixar as well as Disney Animated Studios, but not something acquired by Disney (like Anastasia 1997). We also will not accept Mary Poppins, High School Musical, or (while we do call it an animated movie) the 2019 Lion King and the like here.
The votes will be tallied to create the bracket inclusions and placements. Any movie that has won or been nominated for a notable award (like Oscars) will start with one point for each nomination and two points for each win.
The size of the bracket will depend on how many submissions are received. Nominations will remain open until May 20th, unless we are overwhelmed. (in that case we will close it early after announcing the change).
inspired by: @maskedmaniatournament @found-family-tournament @mermaidbracket @princesspoll @latine-showdown @disabled-character-showdown @gentle-giant-swag @the-worst-bracket @eldest-sibling-tournament @disneychanneltournament
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snail-speed · 2 years ago
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Putting the word "dethroned" and all its variations on a high shelf away from the tiny grubby hands of the animation review community
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burningexeter · 11 months ago
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In my mind, all of these are set in the same universe as each other as they're all distinctive, unique and interesting 2000s Disney films that at times share the same aesthetics.
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a34trgv2 · 7 months ago
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Why It Worked: Inside Out
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Introduction: Inside Out is an animated coming-of-age film produced by Pixar Animation Studios and distributed by Walt Disney Pictures. Directed and co-written by Pete Docter, with the screenplay being co written by Meg LaFauve and Josh Cooley, the film stars Amy Poehler, Phyliss Smith, Lewis Black, Mindy Kaling, Bill Hader, Kaitlyn Dias, Diane Lane, Kyle MacLachlan and Richard Kind as Joy, Sadness, Anger, Disgust, Fear, Riley, her parents Bill and Jill, and Bing Bong respectively. Released on June 19, 2015, the film was a major box office success grossing $858.8 million on a budget of $175 million. It also received critical acclaim from critics and audiences alike. According to Rotten Tomatoes, out of the 384 reviews aggregated, 98% gave a positive review with an average rating of 8.9/10. It also received numerous awards, including an Oscar for Best Animated Feature, several Outstanding Achievement Awards at the Annies, a Golden Globe for Best Animated Feature, and a Critic's Choice Movie Award for Best Animated Feature. It is often seen as a culturally significant film for mental health and the importance of expressing one's emotions. I saw this film for my birthday back in 2015 and I loved it right out of the gate. After multiple rewatches over the years, I stand by my personal opinion that this is a masterpiece of animation and visual storytelling. I'm overjoyed to talk about this film now that it finally has a sequel out.
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The Plot: This film has 2 stories that are interconnected to one another, taking place in the mind of an 11 year old girl. On the outside, it's a bout a kid moving to a new city and being overwhelmed by the sudden changes happening all at once. On the inside, it's about Joy and Sadness trekking through Riley's mind, while along the way understanding each other's importance. Together, they create a very unique and engaging plot about growing up and learning to express yourself. The film brilliantly cuts between Riley, Joy and Sadness' journey, and what's happening at HQ to organically show what Riley's feeling and how her actions have psychological consequences. In addition to having powerful gut punching drama, it's also a very funny film with plenty of slapstick, goofy gags, and impressive word play that always gets me to belly laugh. Michael Giacchino also provides an enchanting, dreamlike score with great use of the piano and brass sections. The true highlight of the story is, of course, Pixar's masterfully crafted and innovative animation. The film makes Riley's mind so vibrant and expansive with Dream Productions and Imagination Land being major highlights. The outside world also looks very well done with the people looking very appealing, San Francisco looking grimy yet lived in, and Riley's old home in Minnesota looking very welcoming and colorful. Speaking of color, the use of colors in this film is nothing short of excellent from the radiant colors of Riley's memories, to Riley's clothes reflecting her current state of mind throughout the film. I also love how they use black and gray to represent faded memories and lack of emotion. If there's one word to describe Inside Out's story and animation, it's colorful.
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Cast and Characters: This is an outstanding cast they brought on board for this film. Shout outs to the film's casting directors Natalie Lyon and Kevin Reher for picking out some excellent actors. Amy Poehler was phenomenal as Joy, perfectly capturing her bubbly and eccentric personality while also naturally showing her vulnerability and frustrations. Phyliss Smith sound perfectly dower and soft spoken as Sadness, yet at the same time making her sound so innocent and relatable. Lewis Black was the best match for Anger, making him sound crusty, cynical, and having a short fuse. Mindy Kaling brought in the right amount of sass and pettiness as Disgust and her comradery with the other emotions was brilliant. Bill Hader did a great job making Fear funny and relatable as a character. Kaitlyn Dias also deserve major props for her vocal performance as Riley, making her sound like a soft spoken but fun kid who goes through a great character arc in the film. Lastly, Richard Kind was the absolute surprise standout of the cast as Bing Bong as not only did he do a great job making him funny, but also made him relatable, selfless, a bit of an airhead, but also really resourceful. The cast did such a great job bringing these characters to life, with all of them being iconic and memorable in their own way.
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Where It Falters: Outside of maybe adding another scene or 2 with Riley's life in Minnesota, I wouldn't change a thing with this film. It's one of those films where the only nitpick I have is I wanted more. Fortunately, that's remedied with the existence of the 2024 sequel. Coming out a couple years sooner wouldn't have been so bad either, but like I always say, quality>quantity.
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Conclusion: There are a select few movies I consider to be a masterpiece. Inside Out is most certainly one of those movies. With outstanding writing, iconic characters, wonderful voice acting, masterfully crafted animation, and an enchanting score, it has more than earned its cultural significance. I cannot recommend this film enough, especially for those who struggle with expressing themselves such as yours truly. I promise this film will speak to you as it has for me after all these years. Thanks so much for reading and I'll see you soon ;)
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dallasgallant · 3 months ago
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Time period post: car culture
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Getting a license is more than a right of passage, it’s integral. Getting a car is big- both for one’s reputation and social life, back in the day kids couldn’t wait to get their license…
In the 60s cars were becoming the dominant mode of transportation, it was getting more common for families to have more than one (if they could afford it) and so on. Though public transportation was still prevalent and reliable like bus and trolly systems… cars were a status/clout symbol for teenagers. You wanted the cool car, the nice car, the muscle car.
Automatic transmission, a variety of colors, bench seats, bigger, better, sleek. An interesting note is that people have been racing cars since they were invented, but particularly it started to ramp up professionally besides just troublesome teens, hobbiest and bootleggers.
I cannot emphasize enough how much the “car culture” began to be cemented in this period, the 60s is sometimes even referred to as the golden age of motoring. Movies and pop culture of nice slick cars helped cement that, growing trends of customization -> car centered architecture! Not only mid century modern and space age but Googie, meant to capture motorists eyes! Started in the 50s and carried on here.
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Route 66!!! “Golden age of motoring” also means the golden age of road trips and tourist attractions, this route is still renown today though it’s mostly the remains of it (which did go through Tulsa!) it was one of the first national highways and later popularized in pop culture for its later touristy nature.
traffic on the highway increased, a growing share of it long-distance, and the need for food, fuel, repairs, and shelter transformed the economies of the towns through which the route passed. The development of novel methods of merchandising to the transient customer that became commonplace in mid-20th-century America—drive-in and drive-up businesses, fast food, motor inns, and roadside advertising—can to a great degree be traced to the influence of Route 66 in those towns.
It was decommissioned formally and completely by 1985, due to high speed highways— often decimating the small towns that came to rely on the traffic (think of Pixar’s cars lmao) it’s not the point of this post but it’s interesting I want to look into more and drive it someday.
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Teen specific-
Back on track! The ideas of cars = freedom is about as old as cars themselves, they meant transportation and movement and independence. All things the American teenager craves, all the more if it looks cool and is both a place to hang out and one to take you to hang outs.
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“Make out point” is a trope for a reason, the ability for teens to go off and have sex semi secluded was another huge factor for cars importance to teenagers. (Also a time when it is generally becoming less stigmatized/uptight culture)
Car dates generally. It’s private. Intimate and well a lot of ones social life was centered around them so why not your love life? -> there’s also something to be said here about the influence of consumerism too like how it’s why the ‘teenager’ came to be in the first place etc
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jisreal64 · 8 months ago
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Hey I have a question, is it wrong that I hate the Disney short film Once Upon a Studio and prefer Wish over it as the superior centennial celebration of Disney? I think it’s one of the shorts that Disney has ever made, not only because of the Wish hatedom and its popularity, I also despise it because it I find the premise of the film generic and stupid; it’s literally just generic Disney crossover number 1,000 and people over praise it (even though they’ve made similar crossovers like House of Mouse). The reason I think that Wish is better is because I’m one of the very few people who unironically thinks that the movie is a masterpiece, it has beautiful animation, a great soundtrack, and unforgettable characters. It’s also a rare case in which employees were protesting through their work. The movie is meant to be a metaphor for Disney itself, with the kingdom of Rosas representing Disney, Asha is meant to be someone who grew up with Disney and now works at the company as an animator as either an intern or a low ranking animator at either the main studio or PIXAR, and Magnifico is meant to be the company higher ups who went mad with power as a result of their money and greed who uses others as an excuse to make themselves more powerful (like the Onceler in the Lorax). The only other time I can think of artists biting the hand of the people who were feeding them was in the video game Super Smash Bros Ultimate, where the devs vilified both Nintendo and its fan base in the form of Galeem and Dharkhan respectively. And what’s worse is that apparently the people who were working on the movie were treating it like it was a passion project, and if you don’t believe me, here’s a Reddit post from one of the animators who worked on the movie (courtesy of @/starsha-stardust ):
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This is genuinely depressing, a bunch of people work on a passion project, only for it to get viciously torn to shreds by film critics, Disney Haters, Toxic Disney Fans, and the internet. I feel like if the movie was made by a different studio than Disney then it would be universally praised (especially if it was an indie animated web series), but since the 2020s are basically the golden age of the Disney Hatedom, they’re treating it and every other movie made by Disney and PIXAR as films that are on the same level of quality as the movie Food Fight. I refuse to watch Once Upon a Studio because of these people (and in case you’re wondering, the theater I saw Wish at didn’t show the short before the movie) and I probably never will unless these people change their minds and say they’re sorry. Don’t get me wrong, if you don’t like it and have a valid reason for not liking it, then that’s fine, but if you don’t like it because it wasn’t an incestuous love story between the ghost of a recently deceased 100 year old man and his 17 year old granddaughter, then you should go seek therapy. But at the end of the day, do you think I’m being too harsh on OuaS?
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gothicprep · 1 year ago
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analysts spend a lot of time thinking about disney and what it & bob iger are up to, given that the company has its fingers in so many pies. there's the theatrical business, which just had a soft summer after indiana jones, the little mermaid, and elemental all underperformed. there's the streaming business, which is stagnating in the us and shedding users in low-revenue markets like india, so it's hard to say how that's going. there's the theme parks and the cruises, which are making more money but attracting less visitors, which is troubling for them (as well as the disney adult types who have loved the parks for decades and are eating the expense). then there's linear tv – sports and gambling deals specifically – which is a weird asset. everyone agrees that it's in near-terminal decline, but everyone also agrees that it generates tons of cash and you can't really offload it without upsetting up your balance sheets.
all of this gets to a broader problem underlying the disney products right now, and it's a problem that's shared with a lot of the industry right now. let's be blunt – there's a real problem on the creative side. the two biggest properties disney owns are star wars and marvel, which are both in a very clear rut. interest is declining and audiences are tuning out. the live action remakes are doing okay, but where does the next generation of remakes come from when they aren't making new animated classics? this is where the company has a real problem. it's lack of originality. encanto was probably the only thing to really move the needle for them since frozen came out a decade ago. one original hit every ten years is not a sustainable model.
pete docter has taken over at pixar and the movies they're currently making sort of reflect his cerebral, abstract interests. this doesn't necessarily make for bad movies, but not ones that are positioned to be total, world-conquering hits in the same way toy story or the incredibles were. kathleen kennedy's tenure at lucasfilm clearly has not worked, at least on the feature film side. the mandalorian has been a hit, but they're really overdone it with the "you have to watch this show to see this important thing happen". we watched andor and we liked it a lot, but i'm about as hardcore a star wars fan as you can get, and i haven't touched the book of boba fett and i probably won't with ahsoka either. i think kevin feige's reign at marvel was considered to be a guarantee of quality for a while, but the homogeneity has really hurt them there, especially with the decline of the visual effects.
i think it's hard to look at the disney creative and say that there's any part of it that's working great and that's kind of depressing! most of us were kids of the disney golden age, to an extent. we were kid moviegoers at the time when pixar kept knocking it out of the park! so to be alive at a time where disney just seems to be befuddled by making mass entertainment is very strange.
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theruffiansretrorampage · 2 years ago
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art by Spiffi Giffi Jacob
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thecryptkeeper · 1 year ago
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rewatching ratatouille and not only was this really pixars golden age but anton ego is the greatest character ever made
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decaffeinatedgalaxyprince · 2 years ago
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ground rules: default safeword is 'safeword' or stoplight colors for check ins. i'll use parentheses to (talk like this) to clarify tone or intention as well
(updated jan 2025) i'm a switch, age early 30s, central time zone. nonbinary tme bisexual trans. gender neutral terms usually preferred, or androgynous-masc, or ask.
i love interaction; anons, asks, reblogs, and replies are all good! the dm system doesn't like me, and i prefer keeping things semi-public here until i know someone better. communicate your limits too, especially titles and pet names. i love pet names
i have an omo server on discord called the cuddle puddle. main rules: 18+ obviously, no age regre/ssion kinks, no ince/st kinks, no abuse kinks, no 'momm/y' or 'dadd/y' titles or roleplay, no sexualizing littles or fictional kids, no 'bab/yfur'. introduce yourself to get access to the main channels. invite here: https://discord.gg/9pZXvB2N2A
rough kink tier list:
S: omorashi, bondage, punishment/discipline, begging, voice, praise, wholesome, erotic humiliation, d/s
A: clothed sex, DP, roleplay, anal, oral, frottage, dry humping, sounding, boots, masks, exhibitionism, leather, terato, science/medical/lab roleplay, wetlook
B: watersports, uniforms, object insertion, body worship, lingerie, dacryphilia, light intox, jeans, s&m, temperature play
C: petplay, feet, wax play, body writing
top tier fantasies: being denied permission to pee, especially if it's until i beg/admit that i'm going to have an accident if i don't get permission. being told what to drink. being told to hold it all 'or else'. being told to leak a little. having to ask permission to cross my legs or hold my crotch. being told if i can't hold it/obey whatever holding rule, i'll be punished: i love funishment oh my god. i love being threatened with no toilet breaks or with lots more drinks and nowhere to relieve myself. praise! praise + humiliation! bondage predicaments!
also great: sexual omo. sharing fantasies. someone describing accidents or their own relief to make my desperation more urgent. talking about how full i must be and how much i'd love to pee. multiple doms giving me attention. multiple subs holding with me, competing for attention. sensory play. pressing or massaging my full bladder. mild intox. being told what to wear.
good: teasing about waterfalls, water sounds, etc. fantasies about consensual public stuff. golden showers. light s&m. sounding. holding contests. peeing somewhere besides a toilet. holding a long time. rapid desp. making me admit/explain what i want in detail. some watersports.
ok: 'you only want to pee, you don't need to.' measuring capacity (it's a lot. and therefore kind of a pain to measure)
ask first (but often yes!): 'you don't need to pee, you're not desperate, you just think you are' gaslight type teasing. unrealistic hold goals. holding indefinitely without a goal. short term no touch. pleasure denial / joi. piss drinking. overstim. hard s/m.
no: diap. actual oppression or abuse dressed as kink, including under/age inc/est & non/con. orgasm denial.
i'm a fat trans person with a fat trans dick, a sopping wet cunt, and a pixar mom ass. gender neutral, masc, or androgynous language prefered. you can switch it up, i'll let you know if i like/dislike something. i love talking to people, even if you don't want to talk about sex or bdsm explicitly. i live in an apartment so i can't really do jumping jacks at 3am.
i have a wand vibe, several other vibes, several dildos, other toys and plugs, a stand to pee funnel, and a decent amount of bondage supplies that you should also feel free to ask me about
now go forth and tell me to hold my pee 🥰
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Disney VHS Minutiae: 1992 Stuff
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If you're my age, and are American, you likely saw these warnings before Disney films when popping in the VHS of a movie, show, cartoon compilation or some kind of half-hour program...
Where and when did they first debut?
There's been some light debate around that within Disney VHS collecting circles, and deeper depths than that...
The conventional wisdom in those circles has held that these warning screens first appeared sometime in fall 1991.
Specifically, on later pressings of ROBIN HOOD's July 1991 VHS release...
However, over the years, I haven't seen one of those tapes containing the green warnings (as opposed to the equally iconic red-orange warnings that Disney had been using prior to that, for a good 7 years) that was printed any earlier than spring 1992...
So, for now, I rule that those ROBIN HOOD pressings with the green warnings started popping up around early 1992. Around the time 101 DALMATIANS came to VHS. And I'm specifically talking about the prints that have the green warnings and the cut-short 1989 Walt Disney Classics logo. Not the more common set of pressings that use the gradient 1988 Walt Disney Classics logo. I've got that one, mine's printed in September 1993.
So... Not ROBIN HOOD... Where else?
The Walt Disney Studio Film Collection...
A showcase collection of the studio's most-known live-action classics that came in cardboard slipcover cases, it's often been suggested that this collection first hit stores in September 1991... So that means the green warnings came out in fall 1991, right?
The montage of films that appears the beginning of each VHS ieven copyrighted "1991", so that's proof, eh?
But upon digging, the line of videocassettes hit the store shelves on January 24, 1992...
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Funny thing is, sometimes the copyright dates on things don't refer to release years. It's merely the year the thing is copyrighted.
For some Disney examples, the '80s VHS releases of CINDERELLA and SLEEPING BEAUTY carry - in Roman numerals - the copyright years. CINDERELLA is copyrighted 1949, and SLEEPING BEAUTY 1958. CINDERELLA was theatrically released in February 1950, BEAUTY in January 1959. So, they were copyrighted at the end of their respective completion years. The Pixar film ONWARD, a March 2020 release, carries a 2019 copyright at the end of the credits.
And so on and so forth, there's plenty of examples elsewhere. Off the top of my head, video games' copyright dates don't always align w/ release year. MS. PAC-MAN in pretty much every iteration is copyrighted 1981, but the game actually hit arcades in February 1982.
So yeah... It appears that those green warning screens appeared on January 24, 1992... They may have been created in late 1991, printed onto VHS and Betamax tapes in late 1991, but they first appeared on television screens in late January of 1992.
1992 was like this aesthetic reset for Walt Disney Home Video.
The tapes now had all-new FBI/anti-piracy warnings, we went from red-orange with a Golden Age of Hollywood-looking font to green and more basic sans-serif fonts. We now had an all-new Feature Presentation logo:
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There's also a weird bit of history concerning when that one first appeared... There's been an anecdote going around for what seems to be two decades, that has long claimed that this self-writing bumper actually first appeared in late 1991 on specific pressings of RESCUERS DOWN UNDER... But I have yet to find any evidence of those existing. For my non-existent money, it first appeared on 101 DALMATIANS' debut VHS in April 1992. Second set of pressings, to be exact. The 1st pressings of DALMATIANS had no previews whatsoever.
Even some title cards using the same lilac background and Laser font to match, as seen on the VHS releases of 101 DALMATIANS and BEAUTY AND THE BEAST.
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Even the Walt Disney Classics logo - ya know, the one with Sorcerer's Apprentice Mickey - saw a minor update, in that it looked a lot more saturated and blue than before.
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Subtle differences, but they're there!
Those who made the title cards/bumpers really liked the Laser font, too.
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Even the French-Canadians got one:
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An all-new Walt Disney Home Video logo appears to have debuted in early 1992 as well... Sometimes in black, sometimes in blue:
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It actually first appeared in late 1991... But on commercials only. Not the full 5-second logo, but just the second-long shine with an announcer speaking, and the music corresponding with the movie trailer:
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That ad for RESCUERS DOWN UNDER above might just be the first-ever appearance, at that...
It seems the full logo debuted on the 1992 VHS release of NEWSIES, and - in bumper form with additional text - 2nd pressings of THE ROCKETEER that same year. Otherwise, it was elsewhere throughout 1992: Commercials, promo tapes, etc.
And that was, to date, their biggest year anyways due to the success of both 101 DALMATIANS (which moved over 11-14m units) and BEAUTY AND THE BEAST (which broke the record back then, with over 20m units sold).
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black-diamond1329 · 1 year ago
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⭐ Name: Sandra, but you can tell me Sandy 😉.
⭐Age: I feel like I'm 15 years old, I stopped counting at 19 and my friends say that I act like I'm 5 years old XD hahaha ... Nah! I just turned 23 years old this August n_n.
💔 Occupation: Being a universitary girl XD ... Yes! It's so fun! (sarcasm).
🩷 Some things that I love it: Read (I read all kinds of books and about my favorite ships on Ao3! 🤭), cook desserts, listen to music while I do other activities like my homework or when I read, Greek mythology (The love between us will never die! 💗).
⭐Saint Seiya (or Knights of the Zodiac). I found this beautiful serie when I was 7 years old. My favorite is the original serie, although I also like the Lost Canvas a lot and Episode G (because Aioria is the protagonist). Soul of Gold gives me mixed feelings. From Omega and Next Dimension, better don't ask me; my mind lives in denial. My favorite characters are the Golden Saints, especially Aioros and Aioria, being Aioria my super favorite.
Thanks to Saint Seiya I developed a great love for the stars 💫 and I have many scientific books on the subject, as well as books of myths and legends about the constellations ✨.
💥 I'm a Marvel Girl. I love those tormented superheroes and antiheroes. I basically grew up watching Marvel since Iron Man came out in 2008 and I immersed myself fully in the world of the comics, I have a lot of comics and books on my bookshelf 🤭. My favorites are: Iron Man ♥️, Captain America, Spider-Man, Loki, the X-Men, Black Widow and Scarlet Witch, in all their presentations and with all their charms and defects!.
🍿Series: Friends, Full House, The big bang theory, How I met your mother and How I met your father, Modern Family, Mom, Buffy the Vampire Slayer, Angel... I love it K-Dramas like Goblin: The lonely and great God, Crash landing on you, Tale of the Nine Tailed 😋, I have also watched many animes like Sailor Moon, Ouran High School Host Club, Toradora, Code Geass, Inuyasha, Kaleido Star, Shaman King, Attack on Titan... it's a long list and I don't remember everything at this moment 🤔. Miraculous Ladybug (I know it's for kids, but ... there is Chat Noir 🖤).
🐉In my House of the Dragon era 🖤: Like many people, I was also terribly disappointed with the horrible ending of Game of Thrones, but I really loved Fire and Blood when I read it in 2020... so I decided to give the serie a chance when I saw the first trailer... and I don't regret it! 🥳. I liked Daemon and Rhaenyra so much in the book and absolutely loved them in the TV Show! (Matt and Emma are incredible! ❣️). Another character that I loved in the book and the one I always wanted to know more about was Jacaerys Velaryon and I must say that I am very pleased with the choice of Harry Collett 😍 (oh yeah baby! 🔥).
I really hope that the directors and writers do justice to this wonderful crown prince! 🥰, because for me he is already one of my favorite characters of all time! ❣️.
🎥 Favorite Movies: Troy 2004 (did I mention I'm a Greek mythology lover?), the Star Wars saga 💫 (1-6 only), The Great Gatsby, A Walk to Remember, Harry Potter 🪄 (books and movies), The Lord of the Rings trilogy and the Hobbit trilogy, The Hunger Games saga ❣️(books and movies), The Twilight saga 😊 (books and movies).
I love Studio Ghibli movies with all my heart 💗 since my dad bought me the movie of Kiki Delivery Service when I was a 6-year-old little girl.
I love everything Disney and Pixar does 💗😘. (think of the happiest things, It's the same as having wings! 🎶)
🎧 Music: I have a very varied taste in music, some would say strange 😅, but if I like the rhythm and lyrics of the song I will surely add it to my playlist (mainly I like rock), AC / DC, Queen, Guns N' Roses, Bon Jovi, Linkin Park, Evanescence, Within Temptation, Imagine Dragons, Beyoncé, Ed Sheeran, Lana del Rey, Taylor Swift and Katy Perry. I enjoy classical music too 🩷.
⭐ Something more about me: I am an inveterate dreamer and extremely perfectionist. I express myself better by writing than talking 😚.
I haven't drawn anything in almost 5 years and when I did I used to draw with traditional media (watercolor, charcoal, colored pencils, gouche and acrylic paints 🖌️).
But since October (from last year), when I saw Harry Collett as Prince Jacaerys, I felt a desire to draw that I hadn't felt in a long time ❣️.
This is my first time trying to draw in digital media, I hope you like what you see! 😘 (YouTube tutorials don't fail me now! 😭). I spent the whole summer practicing🥺.
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P.S: Sorry if exist some error, the english is not my firts lenguage.
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