#Pink and the Brain is an allegory for having ADD

[thetreetopinn]

My ADD Medication Journey - Mar 12, 2024

Well holy hell I finally got my next prescription filled!

Took long enough! Gah-dam!

The doctor has me on a new formulation--25 mg, half immediate release, half extended release.

I will be very curious to see how this goes--because I'm not stupid enough to try it right now. It's 7pm. I have no intention of staying awake all night.

But finally, at long last, the power to focus is mine once again!

God feared me because he knew I would be too powerful if I could focus. So he nerfed me.

He was right to fear me, and he should again, because I now have CHEAT CODES!!

AND I AM GOING TO IDENTIFY AS A FUCKING PROBLEM FOR HIM!! MWAHAHAHAHAHA!!!

[doomtodivide]

Imagining The Future: Bastille's New Era Analysis

Hello all! The following is taken from the first of my new era update posts on r/Bastillecult. I highly reccomend reading all the posts on there!

Last time I had a few solid guesses with the whole Goosebumps EP transition period, so I figured I would try my luck with this new era. I've broken everything down into a few categories that should hopefully flesh out a sketch of possibilities

Aesthetic: The new logo has a very sleek design. This complete change in aesthetics is very noticable. Bad Blood was filled with literature references, a cozy and nerdy looking dan, and more earthy looking tones. Wild World focused on nihilism, movie references, and an all too realistic dystopian city aesthetic. Doom Days focused on escapism, partying, fucking, and a red and home-y vibes. The lack of color and the clean and sleek look points towards it being a more future oriented era.

Triangle: For a deeper background, I highly recommend reading u/casperwyomingrex 'spost.

The WW era triangle and this new triangle are technically called deltas. While I am by no means a geometry person, I’ve been told by a few math nerds that these triangles are technically not possible in certain plains and spaces, making them impossible. While it is likely that Bastille just needed to explore just slightly outside the normal definition of a triangle to match this aesthetic, the impossible triangle t-shirts hint that there is significance to having “impossible” triangles. This hints that there may be more in common between the WW Era and the Future Era, ie. a dystopian society.

Dystopia: Bastille created an entire dystopian corporation for WW. I remember them saying somewhere they hated the promo and touring process for this album, leading them to switch up the process for DD and the Goosebumps EP. With the record label change and covid shaking up the world, this opens up the opportunity for them to have a redo with this era, especially considering it is a fan favorite era. Many people have pointed out that hint has a vibe similar to black mirror, a sci-fi dystopian show, which would fully support a sci-fi dystopian aesthetic era.

Sound: Though the clip is only 8 seconds long, it gives us some hints about the new era. Bastille once again uses synths for sound, creating a reference to Sci Fi sound effects. The clip mirrors the effect of oscillators to create things like laser sound effects, teleportation, warping, and other “space” noises. I find the juxtaposition of Sci-fi interesting; it was most popular in the early 1900s, meaning Bastille is referencing the past, yet it focuses on the future, which in the lense of Sci-fi, would mean the 2000s and beyond.

In the lens of broadcasting, short interludes are used throughout advertising to the point where many people don’t even think about this. A lot of them are used to hook us in and signify a certain company or thing. In advertisements they are used to signify the company’s presence and to worm the product into our brain. In casinos they are used as a dopamine reward. News stations use them to signify the station. This especially could be relevant in a dystopian society. I’m mentioning this because the clip doesn’t sound full enough to be a song, rather an intro to a news station segment. I find this especially notable considering WW had a news anchor. Looking back, a few videos from wild world could hold significance. This video

has a sci-fi esc clip in the intro.

In Previous Context: In the context of ReOrchestrated, Bastille is no longer letting imposter syndrome or shitty opinions stop them from what they want to do. Meaning they are going full force into the future. There's one specific time during the ReOrch doc where the boys talk about how ReOrch made them realize they could try new shit, even if management thinks it will fail. Dan has spoken in a few interviews now about being excited about collabing (and mentioning relinquishing control to others in the ReOrch doc), a few artists have come forward about working with Dan. While it’s unlikely that every collab we’ve theorized about will go through, Dan Wilson and Ryan Tedder seem to be confirmed in the roster based off of their interviews

When considering the past, a lot of previous songs focus on nostalgia; for example, in Fake it “We can never go back / We can only do our best to recreate.” Post ReOrch and DD, Bastille has worked up enough confidence to push into making their own future, one unlimited by nostalgia and fear.

In the Context of the Goosebumps EP, Inception and Vanilla Sky are both referenced. Both of these movies mark the first time* (to my knowledge

) that futuristic sci-fi has been referenced in Bastille. There is significant overlap with dreaming and time travel, something that could definitely be applied to this era. While it could be coincidental, Bastille has been quite purposeful with using references to add to the era’s aesthetic (see Aesthetic section). Referencing them during a transition period points towards both the literal future (new era) and a new aesthetic.

*Cosmos: War of the Planets and twilight zone have both been referenced but fall into a different category of sci-fi than Vanilla Sky and Inception

In Regards to Distraction Tactics Space Week and WW, alot of it holds very similar aesthetics. This video

from WW also holds a similar aesthetic. Considering DT is linked through space and WW is linked through dystopian this might MIGHT be related.

Hints: It wouldn’t be a new Era without Dan “Soon” Smith teasing us a bit, so here are a few highlights. In this interview

, Dan says “I want to tell you but I can’t! We just want to reflect on the future…” The No Bad Days tweet and the #ToTheSky post likely plays a part in the new era, but the 8 second clip does not have any immediate hints. The art installation in the #ToTheSky post originally caught my interest when it was posted. James Turrel, the artist that created the installation, uses light as a medium to create art. The installation, called the Space That Sees, is described as an “allegory of light that we generate from inside and light that comes from outside: the emergence into space where light comes forth as in a dream." While I have no fucking clue how to interprete this allegory, I imagine space, light, and dreaming will become key players in the new era. A few other notable works of his are the Raethro Pink and Alta Pink, both of which are pinkish purplish white triangles light projections surrounded by inky blackness. The use of Bastille’s triangle logo and a flash of light purple light means there are likely deep ties between the new era and James Turrel’s creations; furthermore, he also acquired a dormant cinder cone volcano to turn into an a museum/observatory using light apertures to observe the solar system, adding further ties to the space and light themes.

Meaning: "You Don't Predict The Future. You Imagine It" I have purposely not used predict in this analysis so I don’t jinx this era. I’ve found a few variations of this saying (You Can’t Predict The Future. But You Can Create It), but all of them seem to point towards creating the future instead of guessing. I imagine not many of my predictions of this era will not be accurate because I am not the one imagining it. I feel like this might also point towards being conscious about what you want out of the future instead of merely guessing where the tides will take you. This could also be like that one story of a kid's drawings turning into real creatures because of the kid imagining it. I feel like “future” and “imagine” point deeply towards sci-fi because of the creative inventions that will take us there. This could also connect to the theory that the survivin’ coin is linked to A.A., and this statement being a motto to help someone escape addiction. Personally, I feel like this clip is the beginning of some sci-fi choose your own adventure video game, but that's my own opinion.

My Personal Crazy Conclusion: It wouldn’t be a post from me without me shooting out some crazy theories. A Light Cult Utopia. That's right. It would be the opposite of WW, meaning it would be new territory for Bastille and it would break a mold (ReOrch doc). It would also give Dan the ability to be more positive then he has been in the past, while also allowing for his normal cynical undertones. Bastille is purposeful with their references, meaning the Jonestown reference in DD might have a bit more purpose behind it. The lighter colors used in the clip would point to happiness. Considering utopias are “imagined” it would fit the phrase in the clip. Sci-fi would also fit into this as being imagined. Considering there are a few space references, I imagine that humans have imagined perfect spacecraft, further fitting sci-fi and a utopian society. Also, Dan collabed with Future Utopia on the track “What’s In A Name?” That's right, what’s in a name? The name being Future Utopia? An entire new era being the name? That right cultists, Dan ”Soon” Smith snuck this under our noses the entire time that bastard.

Summary Statement: This new era will likely bring collabs from an entirely new approach. A Sci-fi dystopian (or utopian) world, one focused on dreaming, light, and space will likely be the aesthetic for this era.

Loose ends: I am only one human, meaning I physically could not rewatch Inception and Vanilla Sky while also researching James Turrel, so there might be a few things I missed in my brief look at them. If anyone would like to read 1984 by George Orwell through the whole dystopian thing, there might be a few connections there.

Based on some things I’ve heard from a little birdy, expect some big non-album projects that tie in with this era and other things….

Special thanks to u/0verjoyed and @ ja9zimm on twitter

[healthcol]

Holiday in Tuscany - Florence

Holiday in Tuscany - Florence

  Florence is something other than somewhere else to visit. It is a fire that reignites your internal craftsman or artist. Maybe in every last one of us there is an enthusiasm for magnificence and virtuoso – for more profound associations with individuals – for festivities of the abundance of radiant nourishment splendidly arranged, joined Holiday by incredible wine. It is in Florence, “Support of the Renaissance,” where these inward blessings reappear for an actual existence all around lived and magnificence completely ingested. Your vacation in Florence will guarantee its spot in your brain and memory well after you come all the way back, and you will everlastingly be the better for it.

Get ready to be awed as you fly into Florence, find your lodgings, and head towards the waterway for your first perspective on the Ponte Vecchio. Plan to go through at any rate five days here (additional, if conceivable), dwelling on the left bank of the Holiday Arno River, called the “Oltrarno” (Oltr-Arno-“opposite side of the Arno”), inside a short stroll to the Ponte Vecchio. Here you will wind up 21st-century “neighbors” of the Medici, around the bend from their extravagant Pitti Palace and Boboli Gardens. You will be near cafés and bistros as well, just as to neighborhood supermarkets that offer a wealth of tasty produce, delightful shop things and crisply heated bread, alongside brilliant and truly moderate nearby wines.

By remaining close to the waterway on the “other” side, you will be inside a short stroll to two advantageous extensions, one of which is the Ponte Vecchio, that will take you rapidly to the busier side of the stream where the vault of the Duomo commands the horizon. As you stroll along “your” side of the waterway, or lunch at a window table at the Golden View, you will have before you the full scene of the Ponte Vecchio, with the forcing Uffizi Holiday Gallery circumscribing the stream over the way, and the Duomo arch behind it.

Start Your Florence Visit with the Bridges and Piazzas

There is no better method to become familiar with any city than by searching out its principle spans (in the event that it has a stream), just as its significant squares or piazzas. Florence has the most photogenic extension of all, the Ponte Vecchio (“old scaffold”). All things considered, what roused you to visit Firenze (Florence) in any case was seeing one of the many dazzling pictures of the Ponte Vecchio.

The Ponte Vecchio was the main scaffold Holiday over the Arno until 1218, and it will be your essential course over the waterway during your stay in Florence. Furthermore, what a wonderful pathway this will be, traveling every which way, with its perspectives and its charming shops.

There have been shops on the Ponte Vecchio since the thirteenth century. At first these were shops of different kinds, including butcher and fishmonger shops that made a hostile stench in the zone. In this way, in 1593, Ferdinand I declared that solitary goldsmiths and gem specialists would be permitted to find their shops on the extension. This decision was “so as to improve the prosperity of all as they strolled over the extension.”

Just as learning the scaffolds, you should Holiday ace the Piazzas. Florence is a city of thin, serpentine boulevards, flanked by tall ravines of structures. Thus, at whatever point you approach a Piazza, you will feel like you are blasting forward into an endlessness of all the way open space. These extensive town squares have been utilized for hundreds, now and then thousands, of years as social affair places for the people. It was in the piazzas that significant news was declared, and evangelists conveyed their messages. Also, it was in the piazzas that open executions were held.

Piazza della Signoria will be your place to begin learning the piazzas of Florence, found legitimately outside the Palazzo Vecchio, palatial home to the revoltingly well off Medici family. This square is loaded up with figure and wellsprings, including a duplicate of Michelangelo’s David (the genuine David is presently saved and shown at Galleria dell’Accademia). The Dominican minister, Savonarola, arranged his energetic burnings of books and craftsmanship in Piazza della Signoria. Also, it was here that he himself was scorched after his rule of dread finished.

Piazza della Republica comes straightaway, encompassed by superb arcades, with an impressive triumphal curve as a passageway, and a Merry-go-Round. This square was the Forum during Roman occasions. Presently it is a most loved spot for open air eating at one of its canopied cafés, with ample chances to individuals watch.

Piazza Santa Croce was at one time a social occasion place where open gatherings were held, and Franciscan priests lectured the groups. This square is presently home to neighborhood craftsmen, appearing and selling their manifestations, and many beguiling nearby shops. Gatherings and priests currently have been supplanted by road performers.

Piazzale Michelangelo, with its bronzed imitation of Michelangelo’s David mold, is roosted high up on a slope in the Oltrarno, offering one of the most all encompassing perspectives on the city. As you sit on this ridge, high over the Oltrarno neighborhood, you will be at eye-level with the notorious red top of the Duomo over the stream. Return here late in the day to see one of the most dazzling dusks in Florence.

See Some of the “Must See” Sights

Set aside plentiful effort to take care of the “must see” sights of Florence. Start with these five:

The Duomo and Baptistery: The thirteenth century Duomo had no vault until two centuries after it was assembled, when development of such an engineering wonder wound up conceivable. Stroll inside to take in the heavenly immensity of its inside space, and Holiday to wonder about the rug of mosaics covering the tile floor. This structure was intended to sudden stunning exhibition. Sit at an open air table for lunch, in full perspective on the complex white, green and pink marble mosaic of the outside. You will require at any rate an entire hour to take this in.

Make time to think about the three arrangements of plated bronze entryways on the dazzling octagonal Baptistery. The main arrangement of entryways, confronting south, were structured by Pisano and took 6 years to finish. Ghiberti’s north entryways required 21 years of work, at that point an additional 27 years to finish the east entryways, for an aggregate of 54 years of work by the bosses to make the entryways that currently remain before you. For the east entryways, Ghiberti utilized the as of late found standards of point of view to offer profundity to his sytheses. Michelangelo announced these ways to be the “Entryways of Paradise.”

Palazzo Vecchio, Pitti Palace and Boboli Gardens: Imagine the way of life of the well off and ground-breaking Medici family as you visit their place of business around the local area focus, Palazzo Vecchio, and their extravagant living arrangement over the waterway, Pitti Palace, encompassed by the lavish Boboli Gardens.

Cosimo de’ Medici charged these two areas, work and home, to be connected together by a private way, the Vasari Corridor, situated over the city avenues and intersection the highest point of the Ponte Vecchio. This way spread over a full kilometer, from the seat of government in Palazzo Vecchio to the Medici home in Pitti Palace, leaving close to the well known Grotto of Buontalenti in Boboli Gardens. This private passage enabled the family and their visitors to move unreservedly and securely to and fro, watching the individuals beneath while they themselves stayed unnoticed. A little carriage for two took the Medici and visitors to and fro along the path when Holiday they favored not to walk.

Medici Chapels: Add one extra Medici landmark to your “must see” list-the Medici Chapels. Visit the luxurious octagonal Chapel of the Princes, another

extravagant demonstration of the significance of the Medici. The sepulcher underneath this house of prayer turned into the catacomb for this eminent family. Michelangelo himself dealt with the figures of the stone caskets, finishing the statues of siblings and co-rulers Duke Giuliano and Duke Lorenzo. The ace stone carver additionally made exceptional figurative statues of Dawn and Dusk, Night and Day, just as the Madonna and Child.

Michaelangelo’s David at Galleria dell’Accademia: Your visit to the Galleria will concentrate on the sublime figure of David. Remain Holiday underneath this transcending marble masterwork, flawless and aglow under a roundabout lookout window. It will blow your mind. Invest some energy just to take this in. Yet in addition investigate the other fascinating works by Michelangelo, including the Hall of the Prisoners that paves the way to the David statue. The pieces in plain view here are ones that Michelangelo never finished. His incomplete work makes the impact that every one of these figures is caught forever inside his very own square of marble.

Uffizi Galleries: Enter the Uffizi (orchestrate ahead of time for a relegated time!), at that point climb the fabulous staircase to the exhibition, with its frescoed roofs and maze of rooms packed brimming with masterworks. Pursue the U-state Holiday of the structure, veering off into the side rooms to see the presentations. Cosimo de’ Medici charged Vasari to make this vainglorious structure adjacent to Palazzo Vecchio to house the workplaces of government. A mystery access to the Vasari Corridor lies behind a plain entryway on the principal floor.

This structure was at one time the locus of Florentine government, is currently home to a tremendous money box of workmanship. Locate the enormous works by Botticelli first (Halls 10-14)- Allegory of Spring and Birth of Venus. Find the representations of Michelangelo and Raphael (Halls 35 and 66), and furthermore Leonardo da Vinci’s unparalleled board painting. From the furthest finish of the passageways, interruption to watch out the windows to spot San Miniato, high on the slope over the Arno, simply above Piazza Michelangelo. Look all the more carefully at the Ponte Vecchio to see the windows of the Vasari Corridor that keeps running along its highest point.

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5 Reasons Why Mario Is So Popular

-#Holiday, #Holiday2019, #HolidayInTuscany, #HolidayInTuscanyCool, #HolidayInTuscanySpecial, #HolidayInTuscanyTravel, #HolidayInTuscany2019

[ba2a-harrison-ashe]

BA2a: Strategies/Story Adaptation - Story Analysis Draft 3 - 12.02.2018

Introduction “The two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both” (Stevenson, 1886) Duality being a key theme in Jekyll & Hyde, I decided to explore it further through my story, as well as explaining my thought process behind it. Strange Case of Dr Jekyll & Mr Hyde is a gothic mystery novella written by Scottish writer Robert Louis Stevenson in “Bournemouth, England” and published by “Longmans, Green and Co” in the “January 1886”( Robert Louis Stevenson, n.d). With my essay, I aim to analysis my adaptation, which will cover duality, Victorian society, and the Stevenson’s novella and Jack the Ripper’s similarities. As well as covering animation, inspiration, art direction, symbolism, and more.

Inspiration What inspired me to write about the notorious killer Jack the Ripper was the fascination of his persona.  This was due to his inherent violence toward women, the duality of his character, and the location of both stories and the mystery surrounding his identity. With violence, both Mr. Hyde and Jack the Ripper committed crimes with an utter disregard for remorse. Within the novel, Hyde’s violence is an “ape-like fury” beating Sir Danvers so brutally that “bones were audibly shattered” (Stevenson, 1886). In contrast, Jack’s crimes left bodies “mutilated…with organs missing” (Casebook.org, 2018), depicting the man’s horrific nature, linking the two due to their inherent violent nature. In the novella, duality is a key theme that explores the personalities of the flawed cast of characters. In Dr Jekyll’s case, his desire to act freely without fear of being reprimanding for his actions, “no longer exposed to disgrace and penitence by the hands of this extraneous evil.” (c.10, Stevenson, 1886) Evil being a catalyst of Victorian’s domineering society and the inherent good and evil within man. In finding a way, he transforms into Edward Hyde. For the Ripper, the duality concerning his identity is him being Jack the Ripper and an anonymous Londoner; “a normal man at day time and a serial killer at night” (Blazeski, 2016), causing people to fear his mysterious identity as his gruesome crimes continued.

Onto the subject of women, Victorian psychology depicted a woman below a man psychologically, as Hysteria was “a common medical diagnosis… exclusively in women”, a relied upon Victorian Psychology that depicts “a disease caused by deprivation in particularly passionate women”, painting the Victorian women’s brain as inferior to their male counterparts, as it is solely susceptible to this “disease” (Victorian-era.org, 2018). Comparing both characters, their murders are targeted towards the minorities of Victorian society. In reports, Jack is believed to have “a great hatred of women” (Dearden, 2014) and used his murders to mutilate their bodies is an act to humiliate, while Mr. Hyde clubs “an elderly gentleman to death”, and tramples a “little girl” (Stevenson, 1886) because the two crossed his path. In addition to their violent natures, they tend to be narcissistic. Hyde seeing everyone as below him. During chapter 10, Hyde’s inflated ego is shown when a women speaks to Hyde, while his response is to “smote her in the face” (pp.24c.10, Stevenson, 1886), highlighting Mr Hyde’s violence to civil people because their discomfort is fine as long as it doesn’t affect his well-being. Contrasting, Jack was confident in his killings; confident enough to boast about murders before occurring. Where during the “double murder of Stride and Eddowes”, an ���earlobe was found cut” (Casebook.org, 2018), as specified in a letter sent beforehand. This displays Jack’s confidence over the investigators, since they had yet to apprehend him. 

Through these comparisons from women, brutality and dual identities, the two killers are illustrated in extremely similar ways which influenced me to write about the fictional possibility of them both sharing a similar backstory. Or identity? Richard Mansfield: “a Victorian American actor” (Jones, 2012) and manager born in Helgoland, Germany on 24 May 1857 (Blazeski, 2016) who starred in the play version of Dr Jekyll and Mr Hyde. He began playing Jekyll & Hyde upon the plays released in “1987” (Blazeski, 2016), where Mansfield played the role of Dr Jekyll and Mr Hyde, occurring a year before “the first murder of Mary Ann Nicholls” that occurred on “31 August 1988” (BBC, 2014). Referencing back to the two killers being one in the same, Mansfield’s portrayal of Edward Hyde was extremely convincing, and he became a suspect of the Ripper murders. The on stage transformation from a gentleman into a mad killer “to be so realistic that women in the audience fainted”  (Blazeski, 2016), highlighting how through Victorian’s being judgemental and suspicious ultimately drove me to write my adaptation in such a way that insinuates that the fictional formula in Stevenson’s novella influenced the real-life events of Jack the Ripper. Back to the topic on period, the convenience of using this subject due to both Jekyll & Hyde (1886) and the murders of Jack the Ripper (1888) both occurred within a short amount of time. Theories surrounding Jack and why he was never apprehended suggests a wealthy background. It’s reported that perhaps a “long sharp knife…used by surgeons” (pp.51-117, Rumbelow. D, 1990), which suggests a chance of him having a medical background.  Moreover, this may even begin to hint toward him never being apprehended, possibly due to his high standing within society. On the other hand, Russell Edwards, a self-proclaimed “armchair detective” is convinced that “23-year-old Polish immigrant… Aaron Kosminski” (Dearden, 2014) is the serial killer’s true identity. Despite Kosminski being a low-class Jewish Polish barber, Edwards assures he is the killer. In one case, a message was written on a wall in Goulston Street, near two recent victim’s location claiming the “killer identifying himself as Jewish.” (Dearden, 2014)  Strengthening the argument of Jack being Kosminski. Moreover, when reported for being suspected for being the Ripper, Kosminski was said to have “strong homicidal tendencies” (Sir Melville Macnaghten), which makes the suspect more likely to be Jack. From all my previous made arguments, the link between Dr Jekyll and Mr Hyde to Jack the Ripper, to Aaron Kosminski flows coherently, so I felt I wanted to play with the dynamic in order to merge the two stories. I wrote my adaptation’s first draft but began to struggle with finishing the story. What I was trying for was allegory – trying to layer a deeper meaning into my story but decided to redraft. Revisiting combinatory play from our lectures, I felt that my first draft was just a retelling of Jack’s murder, so changed the idea to Jack being made by Dr Jekyll’s formula.

2D Animation For the style of animation, 2D was chosen for the story to emulate the likeness of a newspaper. The use of black in the story would be akin to print undergoing a “massive expansion” (Taunton, 2014), a subtle nod to the period and industrialisation. As mentioned previously, I wanted the theme of Duality to be a big contributor in my story. After researching, I became inspired by Frank Miller’s Sin City and its heavy contrast as seen in the comics, a “noir hero is a knight in blood caked armour” (F. Miller, 1997), symbolling the duality of the society and Jack, showing everyone with the same capacity for good and evil. With colour, the idea was to highlight Jack’s emotions using colour spotting to represent his emotions, controlling “how meaning is communicated” (Robinson, 2017) to the reader to show Jack as human to make him more relatable to the readers.  However, I physically wanted his appearance to border on the uncanny.

What inspired his appearance was the album “Wish You Were Here” (Pink Floyd, 1975) and its cover art, photographed by Storm Thorgerson. The piece below depicts a faceless agent selling Pink Floyd’s “Wish You Were Here” album in the desert, a depiction of “thoughts and dreams” (S.Thorgerson, 1978) existing within the real world. With him being faceless, this adds to the mystery of his identity since he was never apprehended for his brutal murders.

Conclusion

Bibliography

Bbc.co.uk. (2017). BBC - History - British History in depth: The Rise of the Victorian Middle Class. [online] Available at: http://www.bbc.co.uk/history/british/victorians/middle_classes_01.shtml [Accessed 10 Dec. 2017]. Blazeski, G. (2016). Richard Mansfield was so good at playing Jekyll & Hyde, people thought he could be Jack the Ripper. [online] The Vintage News. Available at: https://www.thevintagenews.com/2016/10/16/richard-mansfield-was-so-good-at-playing-jekyll-hyde-people-thought-he-could-be-jack-the-ripper/ [Accessed 12 Dec. 2017]. Buzzword. (2018). Colour semiotics and what they mean in other cultures. [online] Available at: http://www.buzzwordcreative.co.uk/blog/colour-semiotics-and-what-they-mean-in-other-cultures/ [Accessed 10 Dec. 2017]. Casebook.org. (n.d.). Casebook: Jack the Ripper - Main. [online] Available at: http://www.casebook.org/ [Accessed 15 Dec. 2017]. Dearden, L. (2014). Jack the Ripper was Polish 23-year-old barber Aaron Kosminski, new. [online] The Independent. Available at: http://www.independent.co.uk/news/uk/home-news/jack-the-ripper-was-polish-immigrant-called-aaron-kosminski-new-book-claims-9716805.html [Accessed 9 Dec. 2017]. Evileyestore.com. (2018). The Evil Eye Meaning. What does the evil eye jewelry symbolize? Evil Eye Color Meaning, Real Story Behind The Evil Eye Beads.. [online] Available at: https://www.evileyestore.com/evil-eye-meaning.html [Accessed 11 Dec. 2017]. Harris, J. (2013). Storm Thorgerson, Pink Floyd and the final secret of the world's greatest record sleeve designer. [online] the Guardian. Available at: https://www.theguardian.com/music/2013/apr/19/storm-thorgerson-pink-floyd-final-secret [Accessed 8 Dec. 2017]. Jones, R. (2018). Jack the Ripper - History, Victims, Letters, Suspects.. [online] Jack-the-ripper.org. Available at: https://www.jack-the-ripper.org/ [Accessed 15 Jan. 2018]. Junghandel, C., Hunter, S., Webster, M., Jones, R. and Hunter, D. (n.d.). Was Jack the Ripper a Polish Barber Named Aaron Kosminski?. [online] Whitechapel Jack. Available at: https://whitechapeljack.com/jack-the-ripper-identity-revealed/ [Accessed 7 Dec. 2017]. NME. (2008). Pink Floyd's album sleeves explained - NME. [online] Available at: http://www.nme.com/photos/pink-floyd-s-album-sleeves-explained-1406656 [Accessed 9 Dec. 2017]. Oxfordscholarship.com. (2018). Victorian Poetry and the Culture of the Heart - Oxford Scholarship. [online] Available at: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199273942.001.0001/acprof-9780199273942 [Accessed 9 Jan. 2018]. prezi.com. (2013). The Use of Colour to Create a Emotional Impact in Sin City. [online] Available at: https://prezi.com/xombeji1gez9/the-use-of-colour-to-create-a-emotional-impact-in-sin-city/ [Accessed 10 Dec. 2017]. Psychology Today. (2017). Dissociative Identity Disorder (Multiple Personality Disorder) | Psychology Today. [online] Available at: https://www.psychologytoday.com/conditions/dissociative-identity-disorder-multiple-personality-disorder [Accessed 8 Dec. 2017]. Ripper, J. (2017). Jack the Ripper. [online] Biography. Available at: https://www.biography.com/people/jack-the-ripper-9351486 [Accessed 6 Jan. 2018]. Robert Louis Stevenson. (1996). Works - Robert Louis Stevenson. [online] Available at: http://robert-louis-stevenson.org/rlsworks/ [Accessed 9 Jan. 2018]. Stevenson, R. (1886). Strange Case of Dr Jekyll and Mr Hyde. Bournemouth, England: Longmans, Green & Co. Study.com. (n.d.). Gothic Fiction: Definition, Characteristics & Authors - Video & Lesson Transcript | Study.com. [online] Available at: https://study.com/academy/lesson/gothic-fiction-definition-characteristics-authors.html [Accessed 8 Jan. 2018]. The British Library. (2014). Prostitution. [online] Available at: https://www.bl.uk/romantics-and-victorians/articles/prostitution [Accessed 12 Dec. 2017]. Victorian Values and the Upper Class. (n.d.). [ebook] Mark Girouard. Available at: https://www.britac.ac.uk/pubs/proc/files/78p049.pdf [Accessed 10 Dec. 2017].