#Pierre Poiret

[adribosch-fan]

¿Se cae el pecho al no usar regularmente sujetador?

El sujetador es un invento moderno que utilizan las mujeres. Cada vez se deja más de lado, pero ¿ayuda a que se caiga el pecho? ¿O es al revés? lencería, sostén, mujer | Pixabay/CC/Joshgmit El primer sujetador lo inventó Pierre Poiret en 1907, siendo un armazón con alambres y telas que solo buscaba liberar a las mujeres del corsé, tan típico en la época. En cierta medida se logró este objetivo…

[genevieveetguy]

. It takes two to love, as it takes two to hate. And I will keep loving you, in spite of yourself. My heart beats faster when I think of you. Nothing else matters.

The Last Metro (Le dernier métro), François Truffaut (1980)

[lounesdarbois]

Vous ne devez pas souvent manger de pot-au-feu... / Ah ça je ne vous permets pas de dire ça!

[gogmstuff]

More images of 1913 fashion -

1913 Ethel Mary, née Bell-Irving, later 15th Countess of Lauderdale by Samuel Henry William Llewellyn (Thirlestane Castle - Lauder, Berwickshire, UK) From centuriespast.tumblr.com/post/148847411164/ethel-mary-18911970-15th-countess-of 815X1200.

Left 1913 Gazette du Bon Ton "Le Conseiller des Dames Robe et Manteau pour le Theatre" by Barbier 643X844.

Right 1913 Gazette du Bon Ton "Tais-Toi Mon Coeur!… Robe de lingerie de Doeuillet 1913 Gazette du Bon Ton "Le Marriage au Chateau" by Brissaud artophile.com 750X1011.

1913 Gazette du Bon Ton "Le Marriage au Chateau" by Brissaud. From artophile.com 1797X1125.

Left 1913 Journal des Dames et des Modes "Manteau de velours frappe citron. Col velours blance et Renard blanc" by Dammy. From artophile.com 750X1189.

Center 1913 Journal des Dames et des Modes "Mantelet de taffetas a la vieille garni de chenille verte - Manchon brode de perles". From artophile.com 757X1200.

Right 1913 Journal des Dames et des Modes "Parure d'Hermine et Putois". From artophile.com 701X1200.

1913 Lady, traditionally identified as Rosa Lewis by Frank Moss Bennett (auctioned by Christie's). From their Web site 906X1904.

Left 1913 Journal des Dames et des Modes "Robe de charmeuse blance a tunique de mousseline de soie violette brodee de perl et bordee de skunks. Manteau de velours etrusque" by Pichenot artophile.com 750X1197.

Right 1913 Journal des Dames et des Modes "Robe de charmeuse nore avec corsage et panier formes d'un obi drape" by Barbier artophile.com 734X1200.

1913 Madame Jean Maillard-Norbert by Léon François Comerre (location ?). From tumblr.com/eirene; fixed most obvious spots w Pshop 1332X3072.

1913 Lina Bilitis with Two Pekinese by Giovanni Boldini (location ?). From Amber Tree's photostream on flickr 1510X2872.

1913 Madame Michelham by Giovanni Boldini (location ?). From wikiart.org-en-giovanni-boldini-madame-michelham-1913 1589X2356 @72.

1913 María Teresa González del Valle by Nicanor Piñole (Fundación Banco Santander - Madrid, Spain). From artsandculture.google.com; fixed spots w Pshop 2036X2698.

1913 Señora, amiga de Mr. Ryan by Joaquín Sorolla y Bástida (Museo Nacional de Bellas Artes - La Habana, Cuba). From joaquin-sorolla.blogspot.com/search/label/Retrato%20de%20Señora 1191X1600.

1913 Evening dress of Vera Karakhan by House of Paul Poiret (Hermitage). From tumblr.com/antiquebee/731802632464875520?.

Left 1913 (June issue) La Gazette du Bon Ton, "Je Suis Perdue Robe d'été de Chéruit" tumblr.com/mote-historie/729728522325753856/pierre-brissaud-je-suis-perdue-robe-d%C3%A9t%C3%A9-de?source=share&.

Center 1913 La Mode cover art La Mode par Boué Soeurs by George Barbier. From tumblr.com/mote-historie/731263453639196672/george-barbier-la-mode-par-bou%C3%A9-soeurs-french?source=share&.

Right 1913 Les Modes Dinner Dresses by Gustave Beer. From tumblr.com/mote-historie/731172312816254976/dinner-dresses-by-beer-1913?source=share& 1975X2861

Left 1913 Tanzerin by Julie Wolfthorn (location ?). From tumblr.com/random-brushstrokes 727X1024.

Right 1913 Anastasia Mikhailovna de Torby, Philip de László (location ?). From tumblr.com/la-belle-histoire/745161897381445633/portrait-of-anastasia-mikhailovna-de-torby-philip? 608X960.

Left ca. 1913 Dame in een zwarte strompeljapon met kant by anonymous (Rijksmuseum). From their Web site; fixed flaws & spots w Pshop 3542X5395.

Right ca. 1913 Dame in een geel/groen geruite strompeljapon by anonymous (Rijksmuseum). From their Web site; fixed flaws & spots Pshop 3476X5328; fixed flaws & spots w Pshop 3645X5328

[kino51]

La gueule de l'autre 1979

[milksockets]

pierre cardin in vintage fashion + couture: from poiret to mcqueen - kerry taylor (2013)

[shewhoworshipscarlin]

Evening dress in the style of Paul Poiret by Pierre Cardin, 1960s.

[fashionbooksmilano]

Man Ray 1890-1976 Genius of Light

Robert Rocca, Pierre-Yves Butzbach

SilvanaEditoriale, Cinisello Balsamo 2023, 232 pagine, 220 ill., 24,5x30cm, Brossura, Inglese, ISBN 978883665656

euro 34,00

email if you want to buy booksinprogressmilano@yahoo.it

Man Ray occupies a prominent place in the history of 20th-century art. A versatile artist, who lived mainly in Paris, he is best known as a photographer. Indeed, he was one of the first to use photography, not as a simple means of reproduction, but as a genuine creative medium, turning the technique into an art form. Some of his photographs, such as Le Violon d’Ingres (1924) and Noire et blanche (1926), have achieved iconic status.

Born in Philadelphia (Pennsylvania) on 27 August 1890, Emmanuel Radnitsky, known as Man Ray (as in a ray of light), actively participated in the intellectual and artistic circles of New York. He discovered the European avant-gardes and befriended Marcel Duchamp who opened the doors of Dadaism to him and welcomed him to Paris in July 1921.

At the heart of Parisian artistic life, he participated in the innovative experiments of the Dadaists and Surrealists, met with painters, poets and intellectuals, and became famous for his portraits. He developed a career as a fashion photographer, notably for designers Paul Poiret and Elsa Schiaparelli. A tireless experimenter, he rediscovered the technique of “photograms” (abstract silhouettes of objects) that Tristan Tzara named “rayographs” and in 1929, with his new partner Lee Miller, developed the “solarization” technique. In 1940, after the fall of France, Man Ray left for the United States and met Juliet Browner, who became his wife and muse. He returned to Paris in 1951 and lived there until his death in 1976.

Man Ray is renowned for having revolutionized the art of photography, but he was also a painter, draughtsman, assembler of objects, sculptor, writer and filmmaker. It is this protean artist that we seek to discover or re-discover, through a true panorama of his works, which will enable us to comprehend Man Ray’s creative process and the importance of his art.

02/03/24

[alexlacquemanne]

Avril MMXXIV

Films

La Course à l'échalote (1975) de Claude Zidi avec Pierre Richard, Jane Birkin, Michel Aumont, Marc Doelsnitz, Amadeus August, Henri Déus, Luis Rego et Catherine Allégret

La Septième Cible (1984) de Claude Pinoteau avec Lino Ventura, Lea Massari, Jean Poiret, Elizabeth Bourgine, Béatrice Agenin, Robert Hoffmann, Jean-Pierre Bacri, Roger Planchon et Francis Lemaire

Pierrot le Fou (1965) de Jean-Luc Godard avec Jean-Paul Belmondo, Anna Karina, Graziella Galvani, Dirk Sanders, Jimmy Karoubi, Roger Dutoit, Hans Meyer, Samuel Fuller et Raymond Devos

Downton Abbey II : Une nouvelle ère (Downton Abbey: A New Era) (2022) de Simon Curtis avec Hugh Bonneville, Maggie Smith, Elizabeth McGovern, Michelle Dockery, Nathalie Baye, Allen Leech et Tuppence Middleton

Orgueil et Préjugés (Pride & Prejudice) (2005) de Joe Wright avec Keira Knightley, Matthew Macfadyen, Simon Woods, Kelly Reilly, Rosamund Pike, Carey Mulligan, Talulah Riley, Donald Sutherland et Brenda Blethyn

Les Pleins Pouvoirs (Absolute Power) (1997) de et avec Clint Eastwood et Gene Hackman, Ed Harris, Laura Linney, Scott Glenn, Dennis Haysbert, Judy Davis et Penny Johnson Jerald

Prêt-à-porter (1994) de Robert Altman avec Marcello Mastroianni, Sophia Loren, Jean-Pierre Cassel, Kim Basinger, Chiara Mastroianni, Stephen Rea, Anouk Aimée, Forest Whitaker, Julia Roberts et Tim Robbins

Un jour (One Day) (2011) de Lone Scherfig avec Anne Hathaway, Jim Sturgess, Tom Mison, Rafe Spall, Jodie Whittaker, Romola Garai, Joséphine de La Baume et Patricia Clarkson

Adaline (The Age of Adaline) (2015) de Lee Toland Krieger avec Blake Lively, Michiel Huisman, Kathy Baker, Harrison Ford, Anthony Ingruber, Ellen Burstyn, Amanda Crew et Richard Harmon

Séries

Coffre à Catch

#161 : La DX à la ECW ?? - #162 : Summerslam 2009 en approche! - #163 : William Regal nous régale ! - #164 : Les chevaliers des 1000 likes ! - #165 : Qui se cache derrière le masque du Hurricane ??

Castle Saison 5

Pour le meilleur et pour le pire - Une soirée qui tue - Le Vice et la Vertu - Un choix cornélien - Faux-Semblants - La Cible - La Chasse - Morts de peur - Un passé insoupçonné - La Vie des autres - À la recherche de l'homme-singe - Protection rapprochée - Toute une histoire

Maguy Saison 3

Mal de maire - Chambre accouchée - Jument comme tu respires - Téléphone qui croyait prendre - Impair et deux belle-mères - L'éminence grippe - Sauve qui pneu ! - Voir un petit coup - Message californien - Le coffre effort - Kilt ou double - Rumeur au cerveau - Décibel et tais-toi - Le magicien d'hypnose - Cosmétiques en toc - Des plaies et des noces - Pub, pub, pub… hourrah ! - Un chiffon, fon, fon… - La layette, nous voilà - Gare au gourou ! - Noces à ronger - Talisman comme un arracheur de dents - La rosière arrosée - La strip-teaseuse de bonne aventure - La clé des mensonges - Surprise patrie - Le sponsor en est jeté - Ovni soit qui mal y pense - Adam et chèvre - Jerôme sweet Jerôme - Isabelle et la bête - Tel Pierre, tel fils - Apocalypse mômes - Les dons de la mère - La ruée vers l'art - La SICAV se rebiffe - Mort aux rafles - Bretteville au trésor - De briques et de brocs - Olé concentré - Dégâts des os - L'émoi d’août

La croisière s'amuse Saison 4, 5

Chapeau bas - La Voisine - Le Professeur - Jalousie - Bon Voyage - Une belle amitié - Qui perd gagne - Les Sirènes - Personnalité, vous avez dit personnalité ? - Les Jardins - L'habit ne fait pas la fille - Ne jouez pas avec les inconnus - Quelle classe - Nous étions deux - Incroyable Isaac - La Fille à papa - La Toque - Vicky s'amuse - Les trois font la paire : première partie - Isaac radioactif - Zeke et Zelda

Meurtres au paradis Saison 13

Carton plein - Un plat qui se mange froid - Court-circuit - Question d'avenir - La liste de souhaits

L'autre côté du ring Saison 3

Le procès des stéroïdes - Brutal : le FMW d'Onita - Extrême et obscène : l'XPW de Rob Black

Inspecteur Barnaby Saison 23

Qui sème le vent - Effet domino

Biographies WWE Saison 2

Wrestlemania I

Alfred Hitchcock présente Saison 6,7

Le voleur plein de bonnes intentions - Instinct de survie

Kaamelott Livre V

Le Dernier Jour - Le Royaume Sans Tête - Jizô

Commissaire Moulin Saison 1

Ricochets - La surprise du chef - La Peur des autres

Top Gear France Saison 9

Ceux qui font du rallye - Ceux qui sauvent la planète - Ceux qui deviennent gangsters - Ceux qui ont fait n'importe quoi

Les Brigades du Tigre Saison 3

Bonnot et Compagnie - L'Homme à la casquette - Don de Scotland Yard - Le Cas Valentin - Le Crime du Sultan - L'Ère de la calomnie

Messieurs les jurés

L'Affaire Varney

Spectacles

Mademoiselle (1982) de Jacques Deval avec Jean Meyer, Rosy Varte, Jacqueline Jehanneuf, Anne Rondeleux, Bruno Constantin, Maurice Risch, Nicole Chollet, Dominique Blanche, Florence Fors, Jacques Maury et Bertrand Gohaud

The Morricone Duel (2020) du Danish National Symphony Orchestra

Live by Request: Earth Wind & Fire (1999)

Une femme trop honnête (1978) de Georges Vitaly avec Judith Magre, Bernard Lavalette, Francis Lax, Danièle Deray, Madeleine Barbulée, Jacques Verlier, Maurice Teynac et Christiane Muller

Daho Pleyel Paris (2008)

Livres

La commode aux tiroirs de couleurs d'Olivia Ruiz

Détective Conan, tome 21 de Gôshô Aoyama

Le privé d'Hollywood de François Rivière, José-Louis Bocquet et Philippe Berthet

Kaamelott, tome 4 : Perceval Et le Dragon d'Airain d'Alexandre Astier, Steven Dupré et Benoît Bekaert

[byneddiedingo]

Gérard Depardieu and Catherine Deneuve in The Last Métro (François Truffaut, 1980)

Cast: Catherine Deneuve, Gérard Depardieu, Jean Poiret, Andréa Ferréol, Paulette Dubost, Jean-Louis Richard, Maurice Risch, Sabine Haudepin, Heinz Bennent. Screenplay: François Truffaut, Suzanne Schiffman, Jean-Claude Grumberg. Cinematography: Néstor Almendros. Production design: Jean-Pierre Kohut-Svelko. Film editing: Martine Barraqué. Music: Georges Delerue. François Truffaut said in interviews that The Last Métro is a kind of companion film to Day for Night (1973), his behind-the-camera account of making a movie. Truffaut, who was born in 1932, was only a boy during the war but he recalls the theater -- both the movie theater and the legitimate stage -- as a kind of refuge from hardship, the hunger and cold brought about by wartime rationing. People gathered in theaters for communal warmth. The story is principally about an actress, Marion Steiner (Catherine Deneuve), who is trying to keep the theater that was run before the war by her husband, Lucas (Heinz Bennent), open. Lucas, who is Jewish, is rumored to have fled to America, but in fact he is hiding in the cellar of the theater while Marion, with the help of the rest of the regular company, stages a play. The director, Jean-Loup Cottins (Jean Poiret), is working from the notes Lucas made on the play before his disappearance. Cottins has his own dangerous secret: He's gay, and hence subject to persecution by the occupying Nazis. A new leading man, Bernard Granger (Gérard Depardieu), joins the company, and inevitably a tension develops between him and Marion. Meanwhile, Lucas has figured out ways to listen in on rehearsals and make suggestions to Marion that she passes along to Cottins, who is unaware of Lucas's hiding place. Marion also has the difficulty of dealing with the authorities, who could close the theater at any moment, especially when the influential critic Daxiat (Jean-Louis Richard), a collaborator with the Nazis, takes an interest in her and the play. What takes place on stage, namely the sexual tension between the characters played by Marion and Bernard, often mirrors what's happening backstage. The Last Métro is a well-crafted movie -- Truffaut wrote the screenplay with Suzanne Schiffman -- that was France's entry for the best foreign-film Oscar and won a raft of the French César Awards, including one for cinematographer Nestor Almendros.

[edith1962]

La Cage aux folles

1H05 — 1973

Cette création de 1973 est un objet rare ! Poiret et Serrault jouent Georges et Albin, un couple haut-en-couleur. Pour plaire aux futurs beaux-parents du fils de Georges, les deux hommes vont devoir faire bonne impression... Bien que mythique, cette pièce originale n'a jamais été captée en intégralité. Oubliez les petits défauts techniques.

C’est vraiment culte! A consommer sans modération !!!

#michelserrault #jeanpoiret #pierre mendy #theatredeboulevard

[dd20century]

Jeanne Lanvin: Design, Mother Love and the Longest Running Fashion House in the World

“I act on impulse and believe in instinct. My dresses are not premeditated. I am carried away by feeling, and technical knowledge helps me make it a reality.” –Jeanne Lanvin

The House of Lanvin in Paris, France is the oldest continuously running fashion house in the world. Founded in 1889 by designer Jeanne Lanvin, the House of Lanvin was the first to create a line of haute couture children’s clothing, men’s clothing, and a fragrance that could be worn by either women or men. Jeanne Lanvin was a remarkable fashion designer and businesswoman, hard-working, “reserved, and meticulous”(1). She preferred the company of her daughter to those of Parisian elites and rarely attended society events.

Mademoiselle Jeanne Lanvin Begins her Career Fashion designer Jeanne-Marie Lanvin was born in Paris, France on New Year’s Day 1867. (1) She was the oldest of eleven children in a family of modest means. Her father, Bernard-Constant Lanvin, was a “struggling journalist”(2). Like most young girls of her day, she began working at age thirteen to help support the family; her first job was delivering hats “for a milliner on Rue du Faubourg Saint-Honoré”(1). Her creativity and drive got her noticed. A few years later she became an apprentice for The House of Felix. (2) Hats designed by “Mademoiselle Jeanne” became highly sought after.

The House of Lanvin is Established At age twenty-two, with her apprenticeship over, Mademoiselle Jeanne “opened her first hat shop in 1889 on the upper level of a store located at 16 Rue Boissy d’Anglas”(3). The enterprise was so successful that four years later Lanvin established her own fashion house in a building she leased “on the prestigious Rue du Faubourg Saint-Honoré”(3). Her designs, however, “never be considered cutting edge. She was about clothes that were pretty rather than fashionable, but she was successful because [her clothes] gave women confidence”(4). 

Valentine Gross, Illustration of Rainwear by Jeanne Lavin (1915). Image source.

The Arrival of Baby Marguerite “In 1895, Lanvin married Count Emilio di Pietro, an Italian nobleman. Two years later she gave birth to a daughter, Marguerite (also known as Marie-Blanche)”(5). Baby Marguerite became Lanvin’s whole world. “A tightly-bound relationship formed between Jeanne and her daughter. Marguerite became her muse”(3). Marguerite spent much of her time at her mother’s side in the shop. (1) It was for Marguerite that Jeanne began designing dresses using the most “luxurious fabrics to create the wardrobe of every little girl’s dreams”(3). Little Marguerite’s exquisite clothes got noticed by her friends’ mothers many of whom “became customers of the Lanvin fashion house”(3). In 1908 Lanvin dedicated a whole section of her store to children’s clothing, one of the few designers of her status at the time to design for children. Mothers and daughters came together to the House of Lanvin to buy their outfits. (3)

Pierre Brissaud, Illustration of Jeanne Lanvin Mother and Daughter Dresses, (1922). Image source.

Sadly, Jeanne Lanvin’s relationship with Marguerite’s father was not a happy one. The couple divorced in 1903. In 1907 Lanvin would remarry newspaper journalist and later the French consul Xavier Melet. (5) Jeanne Lavin led a quiet personal life, “refusing to participate in most social events, the designer evolved within restricted and intimate circles of artists, writers, and musicians” (1). When she did go out into society, she was there primarily to observe the current Parisian fashion trends.

Jeanne Lavin Becomes a Force in Parisian Fashion 1909 was a pivotal year for Mademoiselle Lanvin. For the first time orders for clothing outnumbered hat orders. Lanvin joined the Syndicat de la Couture, which marked her formal status as a couturière (5), and she officially changed her business status from milliner to designer (3). Like her contemporary Paul Poiret, Lanvin was not satisfied with being one of Paris’s top designers, she desired international success. In 1915, her fashions were featured at the San Francisco International Exposition, and after the World War the House of Lanvin participated in the 1925 Paris International Exhibition of Decorative Arts where the Art Deco style emerged. (3)

While Lavin’s contemporaries like Gabrielle “Coco” Chanel were doing away with overly decorated fashions, Lavin’s designs incorporated “Ribbons, embroideries, pearls, and precious details” (1) along with bold colors. The embellishments, however, were always elegant and never took away from the exquisite structure of her clothes. (1) Her most important contribution to fashion came in the 1920s Robe de Style, “a soft, erotic garment, mainly loose to the body and frequently fringed or incorporating narrow scarves to accentuate femininity” (4). Unlike Coco Chanel’s approach to fashion for the modern woman, Jeanne Lavin’s fashions retained a very romantic feel. In the 1930s her “Robe de Style was gradually superseded by a new style, more formal and statuesque”(4), however, the new style retained the romance of the previous era.

Jeanne Lavin, Robe de Style, (1925). Image source.

The Lanvin Blue Jeanne Lanvin had a passion for color and art. She was an avid art collector, who owned works by “Renoir, Degas, Fantin-Latour, Fragonard, and many others…[and] was highly influenced by the use of light in Impressionist paintings”(1). She was also very interested in ancient Egyptian, Medieval, and Renaissance art. (4). In 1923 Lavin opened “a dye factory in Nanterre” (5) and later “created a soft but vibrant blue, guaranteed to flatter most skin and hair types”(4) inspired from colors she found in the artworks she so admired. The color was originally called Fra Angelico blue and became such a signature color for the House of Lanvin that it is now referred to as Lanvin Blue. (1)

Lavin’s Fragrances So far we’ve discussed Jeanne Lavin’s fashion designs, but what House of Lanvin is best known for are its fragrances. During the 1920s designers “Coco” Chanel and Paul Poiret had success developing and marketing fragrances, so Lanvin “took the plunge into perfume”(2). Working with “the mysterious Russian emigree, Madame Zed” (2) Lavin developed several fragrances, but none were successful, until 1926 when the pair created “My Sin.” (2,4)

Jeanne Lavin established a “laboratory near her workshop in Nanterre”(2), and hired perfumer André Fraysse to run it. “In collaboration with fellow perfumer, Paul Vacher, Fraysse gave Lanvin Arpege,” Lavin’s most successful and well-known fragrance, which is still sold around the world today. (4) Lanvin commissioned architect Armand Albert Rateau to design the black glass bottle for the perfume, and illustrator Paul Iribe designed the Mother and Daughter motif that decorates the bottle. This motif later became the logo for the House of Lanvin. (4)

Armand Albert Rateau, Several Versions of the Lanvin Arpege Perfume Bottle (c. 1927). Image source.

Marketing Additional Lines In addition to fragrances, Lanvin launched lines of interior decor and menswear. In 1920 Lanvin met the designer and architect Armand-Albert Rateau at an event thrown by Paul Poiret. She was so impressed with Rateau that they collaborated “to create a pavilion dedicated to the art of living” (3) in Lavin’s main rue du Faubourg Saint-Honoré store (3) which offered “furniture, rugs, curtains, stained glass, wallpaper”(3). Rateau also designed interiors for Lanvin’s apartment. In 1923 the pair decorated The Théâtre Daunou in Paris. (3) “In 1926, Lanvin became the first Parisian designer to launch a made-to-measure clothing line for men….[House of Lanvin] was the only place in Paris that offered both Men’s and Women’s collections”(3).

Jeanne Lanvin’s Legacy In 1926 the French government awarded Jeanne Lanvin with the Chevalier de l'Ordre de la Légion d'Honneur. During the 1930s, Lanvin was so honored with “an order for party dresses from Queen Elizabeth, for the Princesses Elizabeth and Margaret [that she] sent with them a doll dressed identically”(4).

Clémentine-Hélène Dufau, Portrait of Jeanne Lavin, (1925). Image source.

While Jeanne Lanvin’s fashions may not have been as groundbreaking as some of her contemporaries, she excelled as a businesswoman and was one of the pioneers in extending haute couture into new markets, a trend that would continue later into the Twentieth Century with designers like Yves Saint Laurent and Georgio Armani. Many of Lanvin’s fragrances continue to be marketed today; she was very aware that the packaging the fragrance comes in must be as beautiful and unique as the perfume itself.

Jeanne Lanvin died on July 6, 1946, at the age of 79. The fashion house that Lanvin established over a century ago continues to operate today. The daughter who once served as Lanvin’s muse and inspiration, “Marie-Blanche became president of the company and continued to design collections until 1950” (3). Maryll Lanvin, the wife of Jeanne Lanvin’s nephew served as the company’s artistic director during the 1980s. Lanvin’s most recent artistic director Bruno Sialelli served from 2019 until April 2023. (3) Jeanne Lanvin’s “original office is preserved in [the] corporate offices at 16 Rue Boissy d’Anglas in Paris” (5).

Edward Steichen, Jeanne Lavin's Bow-backed Evening Dress, (1927). Image source.

References

Jeanne Lavin SA, (2022). Jeanne Lavin. https://us.lanvin.com/pages/jeanne-lanvin

Goutell, P. (2021). Jeanne Lavin (1867-1946). http://www.perfumeprojects.com/museum/marketers/Lanvin.php

Jeanne Lavin SA, (2022). History of House Lanvin. https://www.lanvin.com/ca/history

McDowell, C., (30 August 2015). Jeanne Lavin (1867-1946). https://www.businessoffashion.com/articles/news-analysis/jeanne-lanvin-1867-1946/

Wikipedia, (5 May 2023). Jeanne Lavin. https://en.wikipedia.org/wiki/Jeanne_Lanvin

[detournementsmineurs]

"La Cité de l'Indicible Peur" ou "La Grande Frousse" de Jean-Pierre Mocky (1964) - d'après le roman éponyme de Jean Ray (1943) - avec Bourvil, Véronique Nordey, Jean Poiret, Jacques Dufilho, Francis Blanche, Roger Legris, Jean-Louis Barrault, Raymond Rouleau, René-Louis Lafforgue, Virginie Valois et Marcel Pérès, mars 2023.

[lucdesportes]

En regardant “La cité de l’indicible peur” de Jean Pierre Mocky, hier soir.

[fidjiefidjie]

Hommage à Jean-Pierre Mocky R.I.P 🌹🕊🎈🎬

La BA de son film Le Miraculé

[boireuncoup]