#Photographs

[vodnoebalo]

by Clement Pascal

[amoment1875]

Peace & Moss

Photography by me.

[feral-ballad]

Mosab Abu Toha, from Things You May Find Hidden in My Ear: Poems from Gaza

[uwmspeccoll]

The author, Angela Hovak Johnston.

Johnston and Marjorie Tungwenuk Tahbone, traditional tattoo artist.

Catherine Niptanatiak: "I designed my own, something that represents me and who I am, something that I would be proud to wear and show off, and something that would make me feel confident and beautiful. . . . I have daughters and I would like to teach them what I know. I would like for them to want to practice our traditions and keep our culture alive."

Cecile Nelvana Lyall: "On my hand tattoos, from the top down, the triangles represent the mountains. . . . The Ys are the tools used in seal hunting. . . . The dots are my ancestors. . . . I am so excited to be able to truly call myself and Inuk woman."

Colleen Nivingalok: "The tattoos on my face represent my family and me. The lines on my chin are my four children -- my two older boys on the outside protecting my daughters. The lines on my cheeks represent the two boys and the two girls on either side. The one on my forehead represents their father and me. Together, we live for our children."

Doreen Ayalikyoak Evyagotailak: "I have thought about getting traditional tattoos since I was a teenager. . . . When I asked the elders if I could have my own meaning for my tattoos, they said it wouldn't matter. My tattoos symbolize my kids."

Mary Angele Takletok: "I always wanted traditional tattoos like the women in the old days. I wanted them on my wrists and my fingers so I could show I'm Inuk."

Melissa MacDonald Hinanik: "As a part of celebrating my heritage and revitalizing important traditional customs that form my identity, I believe I have earned my tattoos. I am a beautiful, strong young woman. I am a mother, a wife, a daughter, a friend, and an active community member. I reclaim the traditional customs as mine, I re-own them as a part of who I am."

Star Westwood: "We still have some of our culture, but some things are slowly dying. Having tattoos helps us keep our culture alive. . . . . My tattoos represent my dad and my dad's dad. The ones closest to my wrists represent my sisters."

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National Tattoo Day

July 17 is National Tattoo Day. To celebrate, we present some images from Reawakening Our Ancestors' Lines: Revitalizing Inuit Traditional Tattooing, compiled by Angela Hovak Johnston, co-founder with Marjorie Tahbone of the Inuit Tattoo Revitalization Project, with photographs by Inuit photographer Cora DeVos, and published in Iqaluit, Nunavut by Inhabit Media Inc. in 2017.

For thousands of years, Inuit have practiced the traditional art of tattooing. Created the ancient way, with bone needles and caribou sinew soaked in seal oil, sod, or soot, these tattoos were an important tradition for many Inuit women, symbols etched on their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the old way had died, she set out to tattoo herself in tribute to this ancient custom and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut.

Collected in this book are photos and stories from more than two dozen women who participated in Johnston's project. Together, these women have united to bring to life an ancient tradition, reawakening their ancestors' lines and sharing this knowledge with future generations. Hovak Johnston writes: "Never again will these Inuit traditions be close to extinction, or only a part of history you read about in books. This is my mission."

Reawakening Our Ancestors' Lines forms part of our Indigenous America Literature Collection.

Angela Hovak Johnston (right) with her cousin Janelle Angulalik and her aunt Millie Navalik Angulalik.

View other posts from our Indigenous America Literature Collection.

[dappermouth]

...the patio prince…the lord of lounge...

[yesterdaysprint]

The Sand Mountain Banner, Albertville, Alabama, November 10, 1927

[dragoncuspid]

A skunk was foraging in my yard this morning, I’m so happy he stuck around! (Also had a staring contest with a squirrel)

(Photos taken by me on FujiFilm X-T30)

[herigo]

[retrogamingblog2]

Photographer Bastiaan Ekeler made a modified zoom lens so that he could take photos of distant objects with a Gameboy camera

[iphianasssa]

Masahisa Fukase

[thebonesofhoudini]

Buy physical media. Buy CDs. Buy records. Buy tapes. Buy books. Buy physical artwork or prints. Take photos of yourself and get them developed at a photo processing booth. Write your thoughts down in a journal. Why? Because as this world get more digital, what's physical will slowly but surely disappear. There will be less things you can touch and feel, and more things that you can see and not touch. You can post all the digital pics you want on social media...nothing is assured and those pics and those platforms could be gone in an instant. An album on streaming platforms will never be the same as the original album in your hand with the liner notes, as versions of that album can get removed, and/or replaced with re-recorded material (since the artist doesn't own their masters). Books go out of print. And staring at a jpeg (no matter how much you paid for it *cough cough* NFTs) of an artwork will never be the same as owning the actual artwork or a print of it.

Preserve these things. If not for yourself, then for future generations.

[vodnoebalo]

by Clement Pascal

[illustratus]

[the-night-picture-collector]

/ Children taking Photographs using Kodak Instamatic Cameras, Cincinnati, 1970

[ourstaturestouchtheskies]

Welch Family Portrait – Howard Galleries // Temple Family, Lena Ward, and Fannie Wait in Yard at 811 Madison St., ca 1897 – unknown photographer // Growing Sideways – Noah Kahan