#Petrjanda / Brainwork

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Revitalization of Prague Riverfront Area . Prague . Czech Republic . Petrjanda-Brainwork

www.petrjanda.com

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The loft designed by petrjanda/brainwork is situated on the 8th floor of a former Baťa shoe factory building in Zlín, overlooking the green heart of the town. Its design aims to integrate the town’s image into the space of the apartment. Photography by BoysPlayNice

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The design approach contradicts the usual loft-making procedure, which emphasizes industrial materials in the interior, by transforming the space into an abstract composition with the industrial aspect presented through the view of the surrounding area, framed by the Zlín skyscraper and the valley. The inner space features the gradual opening of the individual epicentres of the apartment. Its open space allows the separation of the social and private parts by using multi-level differentiation, rather than sharp divides. The interior is defined by the main social space, framed by the curved furniture partition wall and the built-in kitchen, which hides two rooms, a bathroom, an entrance hall and a “secret” staircase. The main elevated space can be accessed through this partition, defined by the ramp gently ascending from the kitchen and dining area, past the play area in front of the window and through the space between the two atypical sofas to the bedroom, with its built-in round bathtub. The space is formed by the symbiotic structure composed of triangles that spirals around the centre of the layout and creates a stage that also functions as an auditorium, offering a view of the town. The materials are in fine shades of white – whitened birch plywood, white leatherette upholstery and white PVC flooring – accentuated with glass railing dividers and sliding bedroom partitions, with the kitchen in high gloss and mosaic tiles.

Author: Petr Janda, Anna Podroužková, Maty Donátová, Bára Simajchlová Co-author: Viktor Johanis, Martin Chlanda Project location: Jana Antonína Bati 5648, Zlín, Czech Republic Project year: 2014 Completion year: 2018 Project size: 156 m2 Collaborators: Truhlářství Obdržálek – joiner’s work Martin Škvařil – building structure AZ Glass – glass elements Miroslav Malaník – electrics Evžen Slezák – upholstery

Loft 32 Zlín by petrjandabrainwork The loft designed by petrjanda/brainwork is situated on the 8th floor of a former Baťa shoe factory building in Zlín, overlooking the green heart of the town.

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Lazy House

petrjanda/brainwork

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Lazy House, Zlín, Czech Republic,

Petrjanda / Brainwork,

Image: Courtesy of BoysPlayNice

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Regula Penthouse in #Prague, Czech Republic by petrjanda/brainwork @brainwork_architects. Read more: Link in bio! Photography: BoysPlayNice @boysplaynice. #stairs #czechrepublic #архитектура www.amazingarchitecture.com ✔ A collection of the best contemporary architecture to inspire you. #design #architecture #amazingarchitecture #architect #arquitectura #luxury #realestate #life #cute #architettura #interiordesign #photooftheday #love #travel #construction #furniture #instagood #fashion #beautiful #archilovers #home #house ‎#amazing #picoftheday #architecturephotography ‎#معماری (at Prague, Czech Republic) https://www.instagram.com/p/CTP70mLr2yJ/?utm_medium=tumblr

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Penthouse in Prague by Petrjanda/Brainwork Visit #DesignDaily for more #architecture and #design DesignDaily.net #architect #interiordesign #designer #home #homedecor #landscape #house #decor #building — view on Instagram https://scontent-dfw5-2.cdninstagram.com/v/t51.2885-15/280438077_1217672075669940_897968736355255273_n.jpg?_nc_cat=106&ccb=1-6&_nc_sid=8ae9d6&_nc_ohc=kwNhxQLemFkAX_65KOB&_nc_ht=scontent-dfw5-2.cdninstagram.com&edm=ANo9K5cEAAAA&oh=00_AT8Y3ubyvOVR_EcNXJ75xBLgsDYY2O43mfET054J5PLCTQ&oe=628117C0

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Regula Penthouse Prague apartment design

Regula Penthouse Prague apartment, Contemporary Czech Interior, New Luxury Home Photos

Regula Penthouse Prague apartment

31 Aug 2021

Design: petrjanda/brainwork – Petr Janda as lead architect

Location: Prague, Czech Republic

Photos by BoysPlayNice

Regula Penthouse Prague apartment property

Motto: “city as a living room”

Idea

The main idea is to blur the boundaries of the apartment and emotionally draw the city into its interior. The space of the apartment is not limited within the physical layout, the city surrounding the building becomes part of it and the added facade glazing only maintains the comfort of the indoor climate, connecting the city into an extended peripheral perception. The original apartment was rebuilt into a penthouse: a house on a house.

The site plan concept is based on the character and potential of the “site”; in this case, two roof-top floors in a corner house on the border of a built-up area that opens across the valley into the extensive context of distant views.

The architectural design draws on the unique superposition of the penthouse above all surrounding buildings and takes advantage of the panoramic view. It revises the impact of the compromising reconstruction done by a developer towards the original genius loci of the building, clarifying all the detailed relationships between the exterior elements, especially in the large-area glazing in the upper floor of the tower, allowing a spectacular view from all windows with minimal division of individual glazed areas.

As it is not possible to work with the historical connotation in the part of the building we designed (it is a superstructure, partially re-created corner tower of the original water reservoir with added wings) and it is a reconversion for typologically different use (housing), we do not work with the debatable “industrial” character of the building or with aestheticism with clear loft features. The leitmotif is the free and continuous flow of the interior throughout the space and its endless optical continuation into the surrounding city.

The layout articulates the division of the apartment into private and social zones, balancing the full and empty spaces separated by the steel membrane of the undulating partition orbiting the elevator and the entrance staircase. Behind this membrane, all of the private rooms, with their own perimeter terrace, are hidden.

The tension between the entrance bay surrounded by a steel partition and the endless free space of the tower becomes the basis of the natural dramaturgy of movement in the apartment. Although the penthouse is primarily extroverted, its user comfort can be modulated into an intimate space by drawing the screens and curtains.

The membrane of the main partition, going smoothly through the apartment, creates a private world behind it, hidden from the sight of visitors, and keeps the division intuitively readable only for the inhabitants of the apartment. The private part is divided into individual living sections (master bedroom and children’s rooms), with its own “protected” world and unique view and contact with the city landscape. It maintains a “splendid isolation” section for parents, with a master bedroom, walk-in wardrobe and bathroom, and separates the children’s section.

The adjoining terraces follow this basic logic and are naturally divided by contacting each of the rooms in a different direction, with a different façade. The master bedroom is connected to a bathroom with solitary bath and hidden niches with toilets and showers and is accessible through the hall with a library adjoining the walk-in wardrobe. The children’s section, consisting of two separate children’s rooms, is accessible from the corridor bay through a hall with a bathroom.

The apartment can be entered through either the staircase orbiting the elevator shaft or the barrier-free lift into the corridor bay surrounded by a steel wall containing built-in wardrobes and shoe cabinets and doors to all private parts. The doors are hidden in the steel wall and can be opened by invisible recessed no-handle mechanisms; the wardrobes, by push-to-open mechanisms.

The living space of the tower works with the dramaturgy of gradual discovering and opening the space from the entrance bay towards the panoramic open living space connected through both floors. The structural floor-to-ceiling glazing on the lower floor follows the pattern of the apartment below and is complemented by French windows, while the glazing on the upper floor has no pattern. Each of the five sides of the tower is made of one single 4-glass pane, bonded structurally only in subtle corners of mutual contact; the sixth side is divided into three identical sliding components that connect it with the roof garden. The garden is connected to the interior by a wooden terrace shaded by a retractable awning integrated into the facade.

The garden is designed around a central hill above the elevator shaft, allowing a higher layer of substrate for intense greenery (seemingly “self-seeding” birch trees). Towards the edge, it changes into grass and flowerbeds formed by compositions of ornamental and agricultural vegetation with edible fruits. Around the edge of the roof is a subtle steel railing with a rope string not visible in the tall grasses and perennials. The terraces on the lower level of the apartment are made of wooden decks with the planks following the pattern of the interior floor.

They are lined with flower boxes with grasses and herbs. A suspended steel staircase sculpturally inserted into an elliptical cut-out in the ceiling creates the dominant element of the two-storey living space. The staircase hides a library in the space created by the plastic shaping of the ceiling. The kitchen follows the continuous shaping of the entrance partition and is designed as a solid back and a “floating” island, creating an integral composition flowing to the lower part of the living space with dining table and seating furniture.

The kitchen is connected to the rear kitchen room and pantry, accessible from both the kitchen area and the hallway. This module is connected to the laundry and utility room, accessible through a steel partition via a hidden door. In the opposite part of the kitchen bay, there is a guest bathroom hidden behind the round wall, accessible directly from the social part of the apartment. The toilet and the shower are placed in niches using the same method as in the other bathrooms.

Structure and materials

Structurally, it is a client reconstruction of the rough structure by means of major reconstruction, including significant interventions in the layers handed over in the shell-and-core state. As part of the intervention, the perimeter cladding done by the developer was completely removed and replaced with atypical large-format glazing using structural four-pane glazing with corresponding shading by large screen blinds, optimizing heat gains and losses and ensuring maximum user comfort, together with the indoor climate control system.

All partitions were removed to create a continuous layout. As it was taken over during the building process, the design respects the existing load-bearing structures (with the exception of one column, which was replaced) and integrates them into the layout, simplifying the installation cores by merging and leading them in the floor and ceiling using the residual spaces (below the entrance staircase) as a technical base.

The materials used correspond to the light and mostly white space and its division into two “worlds” by a dominant dark steel partition. Its surface is treated from both sides using etching, sanding and polishing on a hot-rolled black steel sheet sandwiched on a wood-fibre board. All of the doors and openings are frameless, cut into the continuous surface of this partition.

The floor is made of wide planks running perpendicular to the main facade through the entire apartment and continuing to the planks on the terraces. The ceilings are finished with a fine texture, including the recessed parts of the lights and air conditioning and integrated covers for hanging swings and other elements on the upper floor. The railing of the interior staircase creates a rising and descending curve so as to interrupt the panoramic view as little as possible and equipped with a hammock with access to the place where the handrail touches the floor. The space is lit using diffused reflected light and hidden lines lining the curves of the partitions.

Technological design

The project works with a high-end technological solution corresponding to the most progressive standard currently achievable. The technologies are intentionally concealed, and therefore, practically invisible, and remain a hidden force in the apartment’s background. The indoor temperature control is based on low-temperature transmission; the temperature changes are not perceivable. The system creates an ambient climate and maintains a comfortable temperature without the obvious flow of air during its exchange.

The hidden heating and cooling distribution is integrated into the floors and ceilings, and the air-conditioning distributed through the slits lining the windows is also almost invisible and does not distract from the visual design of the apartment. The primary energy source is an air-to-air heat pump hidden in an acoustically separated shaft on the terrace. The maximally open façade is complemented with large exterior screens in white that shade sunlight and remain transparent from the inside, even when closed, to maintain contact with the city.

Regula Penthouse (“city as a living room “)

The main idea is to blur the boundaries of the apartment and emotionally draw the city into its interior. The space of the apartment is not limited within the physical layout; the city surrounding the building becomes part of it and the added facade glazing only maintains the comfort of the inside. The superposition of the penthouse – a house on a house – uses a panoramic view through large frameless insulating quadruple-pane glass.

The layout is clearly divided into private and social zones, balancing the full and empty spaces separated by the steel membrane of the undulating partition orbiting the elevator and the entrance staircase. Behind this membrane, all of the private rooms, with their own perimeter terrace, are hidden. The tension between the entrance bay and the endless free space becomes the basis of the natural dramaturgy of movement in the apartment.

Although the entire penthouse is primarily extroverted, its user comfort can be modulated into an intimate introverted space by drawing the screens and curtains. The roof garden is designed around a central hill covering the elevator shaft with grassy areas and flower beds formed by an ornamental and commercial vegetation with edible fruits.

The project works with a high-end technological solution corresponding to the most progressive standard currently achievable. At the same time, the technologies are intentionally concealed, and therefore, practically invisible, and remain a hidden force in the apartment’s background. The heating and cooling are imperceptibly transmitted through ceilings and floors, the exchange of air through the gaps between the floor and the perimeter glass.

Regula Penthouse Prague apartment – Building Information

Project name: Regula Penthouse Motto: “city as a living room”

Studio: petrjanda/brainwork Author: Petr Janda, lead architect Contact E-mail: petrjanda.brainwork@gmail.com Website: www.petrjanda.com Social media: https://ift.tt/3lApPZ9 + https://ift.tt/3ii5RjH Studio address: Na Švihance 8, 120 00 Prague, Czech Republic Design team: Anna Podroužková, Maty Donátová

Project location: Prague Project country: Czech Republic

Project year: 2016-2019 Completion year: 2020 Gross Floor Area: 358 m² Usable Floor Area: 275 m²

Photographer: BoysPlayNice, info@boysplaynice.com, www.boysplaynice.com

Products and Brands

Suppliers: Interior — GIGA LINE, EFF Glazing — OBSIDIAN Steel staircases and railings — Kurel Floors — EMPIRI Wood Design Surfaces — Domus Aurea Exterior surfaces — SALKOMA HVAC — Active Elements Lights — ATEH Shading — DIAMOND DESIGN Construction work — SVP STAVEBNÍ

Products: lights — Occhio, Nowodvorski, One Light switches — Berker handles — M&T taps — Grohe floor boxes — Stakohome sanitary equipment — Kolo, Polysan kitchen equipment — Bora, Siemens

About studio

We look for authenticity hidden in every task. We always start from scratch, trying to avoid usual architectural cliché and reinvent the core basics in slightly different shades and moods. Our approach is based on interconnecting physical and metaphysical layers of the project, resonating of form and content and engaging sculptural methods with the conceptual tendencies.

We consider initiation of projects to be part of our work, reflecting not only architectural, but also programme, content and social aspects. We do not work with usual inspiration or archetypes. For a long time, we have been using the subliminal method of nomadic thinking, which G. Deleuze and F. Guattari defined with this impressive metaphor:

The nomad “sets out to the desert. He leaves the camp and starts a journey through the lands, watching the movements on sky. In the morning he leaves the territory towards a new land and in the evening, he re-settles each time he unfolds his carpet on it… These movements and processes are expressed by the rhythm of walking, which imprints the landscape in the pilgrim and vice versa. The nomad and the philosopher (and the architect), like all people, keep inside the lands in which they grew up, wandered and dreamed of.”

Our projects are the result of such work; and our interpretations as authors stays mostly hidden giving space to every visitor for their own reading.

We have a wide range of projects, from art (memorials) to a non-traditional exhibition in the National Museum in Prague, underwater observatory in Norway and individual housing projects. We have just finished a significant project of Prague riverfront revitalisation.

Petr Janda architect and artist

Petr Janda is an architect and an artist. He graduated from the Faculty of architecture at Czech Technical University in Prague (School of prof. Jan Bočan) and the Academy of Fine Arts in Prague (School of Monumental Art of prof. Aleš Veselý).

In 2008 he founded his own studio petrjanda/brainwork. He frequently participates in architectural competitions and exhibitions (also as a jury member), he has won several awards (Grand Prix of Architects 2007, BigMat 13‘– Memorial to victims of communism in Liberec etc.). Between 2011 and 2014 he was a member of the board of Czech Chamber of Architects and a chairman of the Promotion of architecture working group. He has been engaged in revitalization of the Prague riverfront since 2009 and in 2017 he became the main architect of this area.

Avast Prague Offices images / information received 230821 from CAPEXUS

Location: Prague, Czech Republic, central eastern Europe

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J&T Finance Group Headquarters, Sokolovská 700/113a, Prague 8 – Karlín Design: CMC architects photograph : BoysPlayNice J&T Finance Group Headquarters

Elementary School Amos, Pražská 1000, Dolní Jircany, 252 44 Psáry, Czech Republic Architects: SOA architekti photos : Jakub Skokan and Martin Tuma Elementary School Amos for Psáry & Dolní Jircany

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Comments / photos for the Avast Prague Offices property design by CAPEXUS page welcome

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ArchDaily - Revitalization of Prague's Riverfront / petrjanda/brainwork

© BoysPlayNice

architects: petrjanda/brainwork

Location: Prague, Czech Republic

Project Year: 2019

Photographs: BoysPlayNice

Read more »

from ArchDaily https://www.archdaily.com/942192/revitalization-of-pragues-riverfront-petrjanda-brainwork Originally published on ARCHDAILY RSS Feed: https://www.archdaily.com/

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© Mykhaylo Slyusar | SDAR.

The studio petrjanda/brainwork won an international architecture competition for the Abu Dhabi Flamingo Visitor Center in the protected area of the Al Wathba Wetland Reserve. The main idea is to connect the visitor center with the environment of the reserve. Using material and shape mimicry, the building organically connects its appearance with the environment of the reserve. 

Abu Dhabi Flamingo Visitor Center Technical Information

Architects: petrjanda/brainwork

Location: The Al Wathba Wetland Reserve, Abu Dhabi, United Arab Emirates

Team: Petr Janda, Anna Podroužková, Kateřina Tšponová, Tomáš Pevný

Client: The Abu Dhabi Environment Agency (EAD)

Topics: Concrete, Visitor Center, Competition

Area: 500 m2

Project Year: 2020

Visualization: © Mykhaylo Slyusar | SDAR

To see and not to be seen

… to feel, perceive, remember and protect …

Abu Dhabi Flamingo Visitor Center Photographs

© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

Text by the Architects

The Abu Dhabi Flamingo Visitor Center works with the natural connection between the organic and inorganic components of nature, which permeates not only the technical part of the building (cooling and condensation system) but also all exhibition and didactic strategies (living parts of the facades, water elements, and indoor life organisms). The smooth connection of individual operation sections into an intertwined continuous floor plan creates a large number of surprising situations achieving a complex impression and spontaneous transfer of information to visitors in a small area. The building is designed as a visitor center containing elements of a small museum with an emphasis on flamingo nesting, allowing exhibition and program expansion (specifics of live forms influenced by carotenoid, partially live displays forming small biotopes).

Architectural design, spatial configuration

The spatial arrangement of the building is based on an O and S-shape intertwined composition with a circular floor plan, which naturally leads visitors through its folds and gradually opens the individual highlights of the building’s program and its interaction with the reserve. The building deliberately does not work with two-dimensional floor plans. It is more of a celebration of a three-dimensional natural world and its natural elegance. The dynamic curve arrangement and continuous shaping enable barrier-free movement around the building and infinitely diverse modulation of visitors’ perception. Blending of the exterior into a shaded forecourt and interior almost without a structurally articulated interface gives the object its timelessness.

View from a distance while arriving at the building initiates visitors into exploring the object, which, despite its iconic character, seems to merge with the terrain. The facility works with the observer’s imagination using hints of natural phenomena that we have been used to reading since childhood (such as images in the clouds). The building thus refers to its connotations indirectly and subliminally through shape, material, and fragmentary indications. The resulting form is, therefore, not unequivocally geomorphic or zoomorphic. It can be seen as references to the morphology of a sleeping flamingo as well as to rock formations in the Arabian desert with their significant stratification revealed by erosion. The design uses an emphasis on bird’s eye view with regard to the topic associated with flamingos and their migration and flying. The building belongs to a few objects where the view from the air is part of their reading (during the design process, we consulted ornithologists and bird photographers on birds behavior and the possible reaction of birds to the appearance of the building and environmental change, and a landmark with organic shape seems to be beneficial for their orientation).

The building deliberately does not work with two-dimensional floor plans. In fact, it is more of a celebration of a three-dimensional natural world and its natural elegance.

– petrjanda/brainwork architects

Dramaturgy and program content

The strategy of the visitor’s movement is based on the gradual exploration and revealing of the building and its contents (similarly to the entire reserve exploration). The building is not divided into individual rooms, and visitors move through several interconnected sectors that contain all the required functions, and are supplemented by technical and organizational spaces and complements inaccessible to visitors.

From the car park, access to the building leads through the roof, on which there is a lake (pink lake biotope) illuminating through the transparent bottom the main hall of the building below. Using a gradual ramp, visitors descend through a fold between the rotating tubes of the building’s volume to an observation terrace shaded from the sun by a levitating overhang – a tube containing the display area and the main viewpoint of the reserve. The terrace is separated from the reserve by a bay formed by a water element with a saltwater biotope containing microorganisms specific to the reserve. Our proposal sees the exhibition content as more complex and uses the specific reserve environment to outline the methodology in a bigger picture, showing the principles of color changes affected by carotenoid (flamingos, water, crustacean, plants, algae) and other possible topics. The exhibition is conceived as partially live with the plants and aquariums that help to maintain a pleasant climate with different humidity. Proceeding in the exhibition, visitors get to the culminating height point of the exhibition tube, which allows a maximum view of the reserve through a wide panoramic window. Another principle used to separate movement of visitors is a division into a sheltered area of the visitor center (interior and shaded terraces) and move around the reserve and parking area in the open air.

Description of preliminary structural concept and construction method

The building’s structure is an insulated sandwich made of cast and torched colored concrete finished with sandblasting. The used material itself offers a didactic layer regarding the material, its color, texture, and structure, and the live organisms layer, which complements it and participates in cooling.

The technological process of pouring the concrete mixture will be carried out in layers with the resulting effect of a characteristic appearance reminiscent of rock formations in the Arabian desert, emphasizing the layers of the colored pink-red concrete referring to carotenoid color changes in flamingos. The individual layers will be cast up to the height of 40 cm so that the “geological” graining is highlighted. The individual layers will be colored during concreting.

Technology

The design uses an innovative solution for the entire building based on the active use of heat distribution using two layers of coolant distribution (liquid) integrated into the shell of the inner and outer shell of the building, which uses the temperature difference during the day and night. During the day, the indoor circuit is supplied with cooling water, which cools the entire inner shell of the concrete shell of the building and ensures pleasant cooling of the whole interior by indirect evaporative cooling with the effect of natural humidity suitable for the inner plant layer of the exhibition. During the night, the water heated during the day from the internal system is pumped into the outer circuit below the surface of the building shell, where the warmer water is cooled by night cooling air. The condensation on the building’s surface also waters lichens growing on the building surface. Using the smart circulation it significantly reduces the operational costs while keeping a pleasant full surface cooling effect. Combined with controlled air circulation with maximum recovery, it creates a pleasant and environmentally sustainable climate in the building with a significant saving of energy (fully electrified system) with minimal carbon footprint in the environment.

Concept | © petrjanda/brainwork

Life organisms concept

The concept of a live building uses plants connected to biotopes that are created directly by individual parts of the building. The surface of the building will be covered with lichens Xanthoria elegant nourished by the night surface condensation on the warm building’s shell. Lichens will visually transform the building over time in color shades the same way the color of flamingo changes depending on the food intake and the carotenoids it contains. The originally pinkish layered concrete will get light red accents highlighting the organic form of the building. The entire indoor exhibition uses a live plant system combining the layers of grasses (Carex buchananii, Miscanthus Sinensis’ FLAMINGO’, etc.), higher reed and climbers, supplemented with lichen layers and local small aquarium biotopes in crater showcases grown into the floor using the method similar to building nests by flamingos. The third layer includes water biotopes located in two different versions of saltwater lakes with high salinity containing Dunaliella salina, Halobacterium cutirubrum in combination with high concentrations of crustaceans, Artemia brine prawn, and other organic cultures. These are located in the visitor’s entrance area, separating it from the nature reserve and on the roof of the building with the transparent bottom, ensuring the distribution of light into the main hall.

Abu Dhabi Flamingo Visitor Center Plans

Site Plan | © petrjanda/brainwork

Floor Plan | © petrjanda/brainwork

Floor Plan | © petrjanda/brainwork

Basement | © petrjanda/brainwork

Abu Dhabi Flamingo Visitor Center Image Gallery

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© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

© Mykhaylo Slyusar | SDAR.

About petrjanda/brainwork

Petr Janda is an architect and an artist. He graduated from the Faculty of Architecture at Czech Technical University in Prague (School of prof. Jan Bočan) and the Academy of Fine Arts in Prague (School of Monumental Art of prof. Aleš Veselý). In 2008 he founded his own studio petrjanda/brainwork. He frequently participates in architectural competitions and exhibitions (also as a jury member). He has won several awards (Grand Prix of Architects 2007, BigMat 13 ‘– Memorial to victims of communism in Liberec, etc.). Between 2011 and 2014, he was a member of the board of the Czech Chamber of Architects and a chairman of the Promotion of architecture working group. He has been engaged in the revitalization of the Prague riverfront since 2009, and in 2017, he became the leading architect of this area. Other works from petrjanda/brainwork

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Abu Dhabi Flamingo Visitor Center / petrjanda/brainwork #Flamingo #petrjandabrainwork #architecture The studio petrjanda/brainwork won an international architecture competition for the Abu Dhabi Flamingo Visitor Center in the protected area of the Al Wathba Wetland Reserve. 

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ABU DHABI FLAMINGO VISITOR CENTER

ABU DHABI FLAMINGO VISITOR CENTER

Petrjanda/brainwork won an international architecture competition for the Abu Dhabi Flamingo Visitor Center in the protected area of the Al Wathba Wetland Reserve. The main idea was to connect the center with the reserve’s nature at all levels of the project, blending the building into the landscape. Petrjanda/brainwork‘s approach is based on interconnecting physical and metaphysical layers of…

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https://noithatviendong.com 0937626295 Nội thất gỗ Viễn Đông https://www.archdaily.com/942192/revitalization-of-pragues-riverfront-petrjanda-brainwork

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Lazy House

petrjanda/brainwork

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Revitalization of Prague's Riverfront / petrjanda/brainwork

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architects: petrjanda/brainwork

Location: Prague, Czech Republic

Project Year: 2019

Photographs: BoysPlayNice

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Petrjanda/Brainwork won an international architecture competition for the #AbuDhabi Flamingo Visitor Center in the protected area of the Al Wathba Wetland Reserve. Read more: Link in bio! Project name: Abu Dhabi Flamingo Visitor Center Architecture firm: @brainwork_architects. Author: Petr Janda Team members: Anna Podroužková, Kateřina Tšponová, Tomáš Pevný Location: The Al Wathba Wetland Reserve, Abu Dhabi, United Arab Emirates Design year: 2020 Client: The Abu Dhabi Environment Agency (EAD) Visualization: Mykhaylo Slyusar | SDAR Parametric model: Jiří Šmejkal | Parametr Studio Statics: Jan Tomšů | Agile Consulting Engineers HVAC: František Arnošt | Active Elements Technology: Leo Lappy | AVE Servis Vegetation: Jitka Tomsová | Atelier Rouge Ornithology: Libor Veicenbacher #uae #render #архитектура www.amazingarchitecture.com ✔ A collection of the best contemporary architecture to inspire you. #design #architecture #amazingarchitecture #architect #arquitectura #luxury #realestate #life #cute #architettura #interiordesign #photooftheday #love #travel #construction #furniture #instagood #fashion #beautiful #archilovers #home #house ‎#amazing #picoftheday #architecturephotography ‎#معماری (Abu Dhabi, United Arab Emirates) https://www.instagram.com/p/CErX7U5F2VI/?igshid=1eyajydja7e1w

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Regula Penthouse⠀ Designer: petrjanda/brainwork⠀ Photo Credits: BoysPlayNice⠀ Location: Prague, Czech Republic⠀ The main idea is to blur the boundaries of the apartment and emotionally draw the city into its interior. ⠀ ⠀ #DesignDaily #architecture #design⠀ https://www.designdaily.net/project/regula-penthouse/ — view on Instagram https://scontent-bos3-1.cdninstagram.com/v/t51.2885-15/241018958_1237790586739282_2116124600234574796_n.jpg?_nc_cat=103&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=hlhc9ApgK5IAX99JLxu&_nc_ht=scontent-bos3-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=cb57fd0c43c54b8eda38939991e22578&oe=613507B8