#Paul Hansen Kim

[marleneoftheopera]

Portraits from the original Toronto production! Photos by Laird Mackintosh.

Paul Stanley

Kim Stengel

Glenda Balkan

Melissa Dye

Brent Weber

Peter Barnes

Catherine Duff

Tania Parrish

Jill Filion

Donna Kelly

Harriet Chung

Philippa Hayball

Anita Bostok

Samantha Adamson

Mimi Pineau

Deanna Pidwerbeski

Lisa Gaasenbeek

Janet Coates

Gary Krawford

Gerald Isaac

Tim Stiff

Terry Hodges

Paul Mulloy

Brian Duyn

Bob Meilleur

David Playfair

Devin Dalton

Kirk Hansen

John Dodington

Kelly Robertson

[mariocki]

The Texas Chain Saw Massacre (1974)

"Things happen here about... they don't tell about. I see things. You see, they say it's just an old man talking. You laugh at an old man. There's them that laughs and knows better."

[spookytuesdaypod]

spooky tuesday is a (now not so new!) podcast where we’re breaking down all of our favorite slashers, thrillers, monster movies and black comedies on the new scariest day of the week.

how has it taken us this long to cover one of the most influential films in horror history? on our latest episode of spooky tuesday, we're throwing it back to one of the very first final girls with the texas chain saw massacre (1974). the film that both introduced Leatherface to the world and invented the power tool as an instrument of psychological damage, this scary '70s story made a lasting impact on both the culture and hitchhiking crime statistics. but there's more to talk about than just that. despite the torture porn connotations of the franchise at large, the original flick is pretty subtle — and it's absolutely stunning, too.

give spooky tuesday a listen on apple podcasts, spotify, iheart radio, or stitcher

[1whimsicalgal]

Shooting Daniel Pearl’s Infamous Dolly Shot (From Pam’s POV) Or How I Got Lucky In Spite Of Myself.

When I came on the set that morning in Quick Hill, Texas, our make-up artist Dottie was repairing my make-up. I looked out of the corner of my left eye, over at the swing where I knew I was supposed to sit for our next scene of Pam approaching the house. Perplexed, I noticed Daniel Pearl, our cinematographer, lying down on his stomach, hunched over his camera, UNDER the swing, and exactly where I was soon to park my posterior. I noticed Danny wasn’t moving. He was settled in. I asked Dottie as she was powdering my face, “Hey, Dottie, what’s Daniel doing under the swing?” She mumbled something similar to “Idunno…”, and quickly walked away.

They told me they were ready and where I was to sit. Huh?? No way. Yes, the stories are true. I freaked out, 😱 Pam and Tobe began to argue, me refusing to do the shot. Meanwhile, and totally Unbeknownst to me, this was immediately following a giant argument he’d just had with the money dudes, the investors, who didn’t want him to do this new shot that Daniel had come up with the night before, at all. They were ranting at him, telling him that they HAD to stick to the storyboard. .. or else (btw, dpearldp tells that delicious story on his IG - link below). Well, I had No Clue what it was either. I was protecting my cheeks… if you read me. Chewing on his cigar stub, and none too happy with his troublesome actress playing ‘Pam’, Tobe had had enough and said, “Aw, goddamnit, Teri, we’re gonna shoot all around it!!!” Hmmmm, I’m thinkin’, ‘shoot-all-around-it’? Just what the hell does that mean? Anyway, I shut up and sat down, however, remaining highly, highly suspicious. I later learned that everyone, except me, was in on the tracking shot.

All I could think of was my mother 😲 O.M.G. (who was unsupportive at best of my chosen career) and my Aunt Gerry, who were both super-duper religious. I could literally picture them coming unglued when they saw it. Before it was released a year later, I dreaded watching myself on screen and THAT scene, having never seen dailies, I was haunted by the thought of watching it.

When it was released in October ’74, I was living in Dallas and drove with a friend to see it at a Saturday matinee in Tomball, TX, along with 300 screaming kids. When the scene started, my eyes were covered 🫣 I watched through my fingers, scared to death, and NOT of Leatherface. There, up on the screen, in CinemaScope and vivid Technicolor, were my cheeks in those red shorts… O.M.G. 🥶🥵

They certainly did "shoot all around it"!!! The irony of all my worry, neither one of them ever saw it. 😂

That scene has been taught in directing classes across the world for decades, and the 1974 film is held in the film archives of MoMA, The Smithsonian, and The Academy /Oscars.org.

MoMA recently announced a weeklong celebration the 50th anniversary of The Texas Chainsaw Massacre August 8-14, when members of the film’s creative team will join to discuss The Texas Chainsaw Massacre’s production and legacy.

How fortunate we are.

As many of you know, I didn’t come out of anonymity as 'Pam for ’35 years, till March 2008, when, Bill ‘Kirk’ Vail and I both first appeared at a humongous Cherryhill, NJ, Monster-Mania Convention.

Cut to 2008 when my sweet Aunt Gerry was in her 90's, I went to visit her in Arkansas at her apartment in Peachtree Village for a few days, and I told her, "Aunt Gerry, did you know I'm famous?" She said, "You are??" I said, "I certainly am." 😎 I got out my Mac, opened it to FB and showed her the shot above. She giggled and smiled. She loved it! We enjoyed a really good laugh together.💞😂

Tobe and Kim had apparently seen my picture in the Austin American Statesman for a play I was doing with Frank Sutton (Gomer Pyle's Sargent) at @Mary Moody Northern Theater. My eyes were closed in the picture.😂 They had called the theater and our director, Ed Mangum, gave me the message when I came in for rehearsals. I was to return their call.

WHO KNEW??? Certainly, none of us!

🎥 Follow our amazing cinematographer, Daniel Pearl, for his post & POV on filming this scene, at dpearldp's Instagram: https://www.instagram.com/p/CvtejukgJIP/ as well as many more great stories from his 50-year career. Daniel's website: danielpearldp.com/

[adamwatchesmovies]

The Texas Chain Saw Massacre (1974)

I know these words get tossed around often but I mean it when I say The Texas Chain Saw Massacre is one of the scariest films ever made. Even if you don’t agree, its influence on the horror genre is undeniable.

Sally Hardesty (Marilyn Burns), her paraplegic brother Franklin (Paul A. Partain) and their friends Jerry (Allen Danziger), Kirk (William Vail), and Pam (Teri McMinn) are travelling by van through the countryside to visit an old family home. After encountering a disturbed hitchhicker (Edwin Neal), they cross paths with a family of cannibals.

Immediately striking is the picture’s knack for feeling more documentary than fiction. The conversations between the young adults are innane and they speak over each other like normal friends do. Aside from the news-like voice over (by John Larroquette) at the beginning, little about what you see foreshadows what’s coming. When characters die, the violence is brief, almost as if the cameraman is eager to leave the scene of a real-life crime. When the film’s most memorable character, Leatherface (Gunnar Hansen), appears, it’s out of nowhere and shocking. At any point, you’re never quite sure who the main character is and therefore, you never know quite when the picture will end. Similarly, there are no character arcs or typical “film-y” conventions. Many of the most frightening and shocking scenes happen during the day, adding extra credibility to this tale of horror.

These elements combined make this a living nightmare. The violence is often left to your imagination. You see just enough to know you don't want to see more. It’s a nearly overwhelmingly bleak film, particularly when the cannibals overwhelm the heroes and laugh about the fact that they’ve done this before and plan on doing this again. While many horror films play up the morbid humor inherent to a killer picking people off one by one in increasingly gruesome ways, The Texas Chain Saw Massacre piles on the dread relentlessly. A prolonged scene has Sally running from the chainsaw-wielding maniac, screaming at the top of her lungs. It just keeps going and going. You wonder when it’s going to stop because it makes you uncomfortable. But that’s the thing. You’re uncomfortable because you can’t do anything about it and you know, deep down, that no one is coming to save her from those dark woods. It’s traumatizing and gives a double-meaning to the picture’s tagline “Who will survive, and what will be left of them”?

By the time your mind comes to grips with what’s just happened, The Texas Chain Saw Massacre has already moved on. You’re never given the footing necessary to recover from what you see. Just thinking about the film's final scene gives me chills. The use of music, the camera work, the lightning, the simple but effective scares and the realistic presentation make this 1974 film still terrifying today. (On Blu-ray, October 26, 2018)

[thisisyourdriverspeaking]

In honour of Le Mans today, here's a little soundtrack for you. This is motorsport number twos, the edition for all the drivers. Enjoy 😊

Sebastien Loeb (26th February 1974) - Alvin Stardust - Jealous Mind

Tony Kanaan (31st December 1974) - Wombles - Wombling Merry Christmas

Juan Pablo Montoya (20th September 1975) - Leo Sayer - Moonlighting

Mark Webber (27th August 1976) - Wings - Let 'Em In

Kimi Raikkonen (17th October 1979) - The Police - Message In A Bottle

Jenson Button (19th January 1980) - Billy Preston & Syreeta - With You I'm Born Again

Felipe Massa (25th April 1981) - Ennio Morricone - Chi Mai

Heikki Kovalainen (19th October 1981) - Laurie Anderson - O Superman

Andre Lotteter (19th November 1981) - The Police - Every Little Thing She Does Is Magic

Pippa Mann (11th August 1983) - Paul Young - Wherever I Lay My Hat (That's My Home)

Simon Pagenaud (18th May 1984) - The Pointer Sisters - Automatic

Robert Kubica (7th December 1984) - Jim Diamond - I Should Have Known Better

Nico Rosberg (27th June 1985) - Madonna - Crazy For You

Jerome D'Ambrosio (27th December 1985) - Whitney Houston - Saving All My Love For You

Rahel Frey (23rd February 1986) - Diana Ross - Chain Reaction

Kamui Kobayashi (13th September 1986) - Boris Gardiner - I Want To Wake Up With You

Rene Rast (26th October 1986) - Status Quo - In The Army Now

James Hinchcliffe (5th December 1986) - Berlin - Take My Breath Away

Oliver Turvey (1st April 1987) - Mel and Kim - Respectable

Sebastian Vettel (3rd July 1987) - The Firm - Star Trekkin'

Alexander Sims (15th March 1988) - Rick Astley - Together Forever

Molly Taylor (6th May 1988) - Fairground Attraction - Perfect

Simona De Silvestro (1st September 1988) - Brother Beyond - The Harder I Try

Sarah Bovy (15th May 1989) - Kylie Minogue - Hand On Your Heart

James Calado (13th June 1989) - Cliff Richard - The Best Of Me

Brendon Hartley (10th November 1989) - Milli Vanilli - Girl I'm Gonna Miss You

Earl Bamber (9th July 1990) - Luciano Pavarotti - Nessun Dorma

Cristina Gutierrez (24th July 1991) - Heavy D & The Boyz - Now That We've Found Love

Abbie Eaton (2nd January 1992) - Michael Jackson - Heal The World

Timmy Hansen (21st May 1992) - Guns 'N' Roses - Knockin' On Heaven's Door

Daniel Abt (3rd December 1992) - Charles & Eddie - Would I Lie To You?

Alice Powell (26th January 1993) - Exterminate ft Niki Harris - Snap!

Tatiana Calderon (10th March 1993) - Shaggy - Oh Carolina

Christine GZ (22nd July 1993) - 4 Non Blondes - What's Up?

Alex Lynn (17th September 1993) - Pet Shop Boys - Go West

Bubba Wallace (8th October 1993) - DJ Jazzy Jeff & The Fresh Prince - Boom! Shake The Room

Michelle Gatting (31st December 1993) - Take That - babe

Naomi Schiff (18th May 1994) - Stiltskin - Inside

Jessica Hawkins (16th February 1995) & Luca Ghiotto (24th February 1995) - Annie Lennox - No More I Love Yous

Beitske Visser (10th March 1995) - Alex Party - Don't Give Me Your Life

Nicholas Latifi (29th June 1995) - Outhere Brothers - Boom Boom Boom

Jack Aitken (23rd September 1995) - Michael Jackson - You Are Not Alone

Oliver Askew (12th December 1996) - The Prodigy - Breathe

Louis Deletraz (22nd April 1997) - Robbie Williams - Old Before I Die

Catie Munnings (15th November 1997) - Natalie Imbruglia - Torn

Cem Bolukbasi (9th February 1998) - Backstreet Boys - All I Have To Give

Jamie Chadwick (20th May 1998) - Aqua - Turn Back Time

Kevin Hansen (28th May 1998) - All Saints - Under The Bridge

Mick Schumacher (22nd March 1999) - Boyzone - When The Going Gets Tough

Toni Breidinger (14th July 1999) - ATB - 9pm (Till I Come)

Max Fewtrell (29th July 1999) - Five - If Ya Gettin' Down

Robert Shwartzman (16th September 1999) & Bent Viscaal (18th September 1999) - Lou Bega - Mambo No. 5 (A Little Bit Of...)

Felipe Drugovich (23rd May 2000) - Madison Avenue - Don't Call Me Baby

Marta Garcia (9th August 2000) - Craig David - 7 Days

Arthur Leclerc (14th October 2000) - Mariah Carey ft Westlife - Against All Odds

Sophia Florsch (1st December 2000) - Leann Rimes - Can't Fight The Moonlight

Clement Novalak (23rd December 2000) - Eminem - Stan

Frederik Vesti (13th January 2002) - Puretone - Addicted To Bass

Luke Browning (31st January 2002) - A1 - Caught In The Middle

Liam Lawson (11th February 2002) - No Doubt - Hey Baby

Olli Caldwell (11th June 2002) - Eminem - Without Me

Jack Doohan (20th January 2003) - Busted - Year 3000

All added to this playlist 😊😊

[brokehorrorfan]

The Texas Chain Saw Massacre will be released on 4K Ultra HD in both Steelbook and standard packaging on February 28 via Dark Sky Films. 

The influential 1974 horror classic is directed by Tobe Hooper (Poltergeist) from a script he co-wrote with Kim Henkel. Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow, and Gunnar Hansen star.

The two-disc set features over 400 minutes of extras, including a new, feature-length documentary, The Legacy of The Texas Chain Saw Massacre. Details are below.

Disc 1:

Audio commentary by writer-director Tobe Hooper, actor Gunnar Hansen. and cinematographer Daniel Pearl

Audio commentary by actors Marilyn Burns, Allen Danziger, and Paul A. Partain and production designer Robert Burns

Audio commentary by writer-director Tobe Hooper

Audio commentary by cinematographer Daniel Pearl, editor J. Larry Carroll, and sound recordist Ted Nicolaou.

Disc 2:

The Legacy of The Texas Chain Saw Massacre - 87-minute documentary featuring filmmakers Fede Alvarez, Mick Garris, Marcus Nispel, Jamie Blanks, Alexandre Bustillo, Julien Maury, Adam Marcus, Rob Savage, and more (new)

Friedkin/Hooper - A conversation between director Tobe Hooper and The Exorcist filmmaker William Friedkin

The Texas Chainsaw Massacre: The Shocking Truth - 75-minute documentary (2000)

Flesh Wounds: Seven Stories of the Saw - 72-minute documentary (2006)

Texas Chain Saw Massacre house tour with actor Gunnar Hansen

Interview with actress Teri McMin

Interview with actor John Dugan

Interview with production manager Ron Bozman

Interview with editor J. Larry Carroll

Deleted scenes & outtakes

Blooper reel

Trailers

TV

Radio spots

And more!

A group of young friends road-tripping by van through Texas fall victim to a bizarre family of cannibals – including a huge masked madman known as Leatherface (Gunnar Hansen) who always has a gas-powered chain saw at the ready.

Pre-order The Texas Chain Saw Massacre.

[awardseason]

21st Annual Visual Effects Society Awards — Film Winners

Outstanding Visual Effects in a Photoreal Feature Avatar: The Way of Water – Richard Baneham, Walter Garcia, Joe Letteri, Eric Saindon, JD Schwalm — WINNER Fantastic Beasts: The Secrets of Dumbledore – Christian Mänz, Olly Young, Benjamin Loch, Stephane Naze, Alistair Williams Jurassic World: Dominion – David Vickery, Ann Podlozny, Jance Rubinchik, Dan Snape, Paul Corbould The Batman – Dan Lemmon, Bryan Searing, Russell Earl, Anders Langlands, Dominic Tuohy Top Gun: Maverick – Ryan Tudhope, Paul Molles, Seth Hill, Bryan Litson, Scott Fisher

Outstanding Supporting Visual Effects in a Photoreal Feature Death on the Nile – George Murphy, Claudia Dehmel, Mathieu Raynault, Jonathan Bowen, David Watkins I Wanna Dance With Somebody – Paul Norris, Tim Field, Don Libby, Andrew Simmonds The Fabelmans – Pablo Helman, Jennifer Mizener, Cernogorods Aleksei, Jeff Kalmus, Mark Hawker The Gray Man – Swen Gilberg, Viet Luu, Bryan Grill, Cliff Welsh, Michael Meinardus The Pale Blue Eye – Jake Braver, Catherine Farrell, Tim Van Horn, Scott Pritchard, Jeremy Hays Thirteen Lives – Jason Billington, Thomas Horton, Denis Baudin, Michael Harrison, Brian Cox — WINNER

Outstanding Visual Effects in an Animated Feature Guillermo del Toro’s Pinocchio – Aaron Weintraub, Jeffrey Schaper, Cameron Carson, Emma Gorbey, Mad God, Chris Morley, Phil Tippett, Ken Rogerson, Tom Gibbons — WINNER Strange World – Steve Goldberg, Laurie Au, Mark Hammel, Mehrdad Isvandi The Bad Guys– Pierre Perifel, Damon Ross, Matt Baer, JP Sans The Sea Beast – Joshua Beveridge, Christian Hejnal, Stirling Duguid, Spencer Lueders Turning Red – Domee Shi, Lindsey Collins, Danielle Feinberg, Dave Hale

Outstanding Animated Character in a Photoreal Feature  Avatar: The Way of Water: Kiri – Anneka Fris, Rebecca Louise Leybourne, Guillaume Francois, Jung-Rock Hwang — WINNER Beast: Lion – Alvise Avati, Bora Şahin, Chris McGaw, Krzysztof Boyoko Disney’s Pinocchio: Honest John – Christophe Paradis, Valentina Rosselli, Armita Khanlarpour, Kyoungmin Kim Slumberland: Pig – Fernando Lopes Herrera, Victor Dinis, Martine Chartrand, Lucie Martinetto

Outstanding Animated Character in an Animated Feature Guillermo del Toro’s Pinocchio: Geppetto – Charles Greenfield, Peter Saunders, Shami Lang-Rinderspacher, Noel Estevez-Baker Guillermo del Toro’s Pinocchio: Pinocchio – Oliver Beale, Richard Pickersgill, Brian Leif Hansen, Kim Slate — WINNER Strange World: Splat – Leticia Gillett, Cameron Black, Dan Lipson, Louis Jones Turning Red: Panda Mei – Christopher Bolwyn, Ethan Dean, Bill Sheffler, Kureha Yokoo

Outstanding Created Environment in a Photoreal Feature Avatar: The Way of Water: Metkayina Village – Ryan Arcus, Lisa Hardisty, Paul Harris TaeHyoung David Kim Avatar: The Way of Water: The Reef – Jessica Cowley, Joe W. Churchill, Justin Stockton, Alex Nowotny — WINNER Jurassic World Dominion: Biosyn Valley – Steve Ellis, Steve Hardy, Thomas Dohlen, John Seru Slumberland: The Wondrous Cuban Hotel Dream – Daniël Dimitri Veder, Marc Austin, Pavan Rajesh Uppu, Casey Gorton

Outstanding Created Environment in an Animated Feature Guillermo del Toro’s Pinocchio: In the Stomach of a Sea Monster – Warren Lawtey, Anjum Sakharkar, Javier Gonzalez Alonso, Quinn Carvalho — WINNER Lightyear: T’Kani Prime Forest – Lenora Acidera, Amy Allen, Alyssa Minko, Jose L. Ramos Serrano Strange World: The Windy Jungle – Ki Jong Hong, Ryan Smith, Jesse Erickson, Benjamin Fiske The Sea Beast: The Hunting Ship – Yohan Bang, Enoch Ihde, Denil George Chundangal, John Wallace Wendell & Wild: The Scream Fair – Tom Proost, Nicholas Blake, Colin Babcock, Matthew Paul Albertus Cross

Outstanding Virtual Cinematography in a CG Project ABBA: Voyage – Pär M. Ekberg, John Galloway, Paolo Acri, Jose Burgos Avatar: The Way of Water – Richard Baneham, Dan Cox, Eric Reynolds, A.J Briones — WINNER Prehistoric Planet – Daniel Fotheringham, Krzysztof Szczepanski, Wei-Chuan Hsu, Claire Hill The Batman: Rain Soaked Car Chase – Dennis Yoo, Michael J. Hall, Jason Desjarlais, Ben Bigiel

Outstanding Model in a Photoreal or Animated Project Avatar: The Way of Water: The Sea Dragon – Sam Sharplin, Stephan Skorepa, Ian Baker, Guillaume Francois — WINNER The Sea Beast – Maxx Okazaki, Susan Kornfeld, Edward Lee, Doug Smith Top Gun: Maverick: F-14 Tomcat – Christian Peck, Klaudio Ladavac, Aram Jung, Peter Dominik Wendell & Wild: Dream Faire – Peter Dahmen, Paul Harrod, Nicholas Blake

Outstanding Effects Simulation in a Photoreal Feature Avatar: The Way of Water: Fire and Destruction – Miguel Perez Senent, Xavier Martin Ramirez, David Kirchner, Ole Geir Eidsheim Avatar: The Way of Water: Water Simulations – Johnathan M. Nixon, David Moraton, Nicolas Illingworth, David Caeiro Cebrian — WINNER Black Panther: Wakanda Forever: City Street Flooding – Matthew Hanger, Alexis Hall, Hang Yang, Mikel Zuloaga Fantastic Beasts: The Secrets of Dumbledore – Jesse Parker Holmes, Grayden Solman, Toyokazu Hirai, Rob Richardson

Outstanding Effects Simulation in an Animated Feature Lightyear – Alexis Angelidis, Chris Chapman, Jung-Hyun Kim, Keith Klohn Puss in Boots: The Last Wish – Derek Cheung, Michael Losure, Kiem Ching Ong, Jinguang Huang — WINNER Strange World – Deborah Carlson, Scott Townsend, Stuart Griese, Yasser Hamed The Sea Beast – Spencer Lueders, Dmitriy Kolesnik, Brian D. Casper, Joe Eckroat

Outstanding Compositing & Lighting in Feature Avatar: The Way of Water: Landing Rockets Forest Destruction – Miguel Santana Da Silva, Hongfei Geng, Jonathan Moulin, Maria Corcho Avatar: The Way of Water: Water Integration – Sam Cole, Francois Sugny, Florian Schroeder, Jean Matthews — WINNER The Batman: Rainy Freeway Chase – Beck Veitch, Stephen Tong, Eva Snyder, Rachel E. Herbert Top Gun: Maverick – Saul Davide Galbiati, Jean-Frederic Veilleux, Felix B. Lafontaine, Cynthia Rodriguez del Castillo

Outstanding Special (Practical) Effects in a Photoreal Project Avatar: The Way of Water: Current Machine and Wave Pool – JD Schwalm, Richie Schwalm, Nick Rand, Robert Spurlock — WINNER Black Adam: Robotic Flight – JD Schwalm, Nick Rand, Andrew Hyde, Andy Robot, Mad God, Phil Tippett, Chris Morley, Webster Colcord, Johnny McLeod The Lord of the Rings: The Rings of Power “Adrift” Middle Earth Storm – Dean Clarke, Oliver Gee, Eliot Naimie, Mark Robson

Emerging Technology Award Avatar: The Way of Water: Depth Comp – Dejan Momcilovic, Tobias B. Schmidt, Benny Edlund, Joshua Hardgrave Avatar: The Way of Water: Facial System – Byungkuk Choi, Stephen Cullingford, Stuart Adcock, Marco Revelant Avatar: The Way of Water: Water Toolset – Alexey Dmitrievich Stomakhin, Steve Lesser, Sven Joel Wretborn, Douglas McHale — WINNER Guillermo del Toro’s Pinocchio: 3D Printed Metal Armature – Richard Pickersgill, Glen Southern, Peter Saunders, Brian Leif Hansen Turning Red: Profile Mover and CurveNets – Kurt Fleischer, Fernando de Goes, Bill Sheffler

[kicksaddictny]

Stella Mccartney Hosts Legendary L.A Party to Honour Adidas Collaboration and Present Its Spring / Summer 23 Collection

According to Adidas

Stella McCartney hosted a legendary party in L.A in celebration of her 18 year partnership with adidas and to present its new Spring/Summer 23 collection. Kicking off the biggest weekend in music, the unique collaboration took over LA’s famous Henson Recording Studios for an iconic evening that brought together music and fashion. ​

Paying homage to Stella’s love of and deep heritage in music, the party, a first of its kind for adidas by Stella McCartney , featured a DJ performance by Zuri Marley and live performances from Koffee, Minke, MUNA, and Beth Ditto alongside a celebration of movement through an immersive roller-skating piece by L.A Roller Girls – presenting the vibrant Spring Summer 23 adidas by Stella McCartney  drop in beautiful motion. 

A line-up of next-generation trailblazers and friends of the Stella McCartney  house attended, including Anya Taylor-Joy, Kate Hudson, Pauline Chalamet, Alicia Keys, Emma Chamberlain, Karlie Kloss, Tinashe, Paris Jackson , Madelyn Cline, Noah Cyrus, Cara Delevingne, Nicole Richie, Nia Dennis, Demi Lovato, Miguel, Phoebe Gates, Liv Tyler, Sabrina Carpenter, Kim Gordon, Dave Grohl, Beck Hansen, Ringo Starr, Paul McCartney, Dree Hemingway, Ivy Getty, Alessandra Ambrosio Charlotte Lawrence, Julian Lennon, Leslie Mann, Måneskin, James Marsden, Matt Bellamy, Orlando Bloom, Clara McGregor, Esther McGregor, Norah Jones, Orville Peck, Evan Ross, Benito Skinner, Tinx, Sofi Tukker, Scout Willis, Tallulah Willis, Shailene Woodley, Jaime Xie, and Truly Young. 

​A collaboration that has always pushed the limits, from innovation and sport style to working with pioneers across fashion, music and art, the party celebrated a partnership that continues to champion individual expression and inspires the new wave of trailblazers. ​Together, adidas and Stella McCartney are relentlessly committed to finding new ways to create and support a better future through the fusion of recycled materials and key performance technologies.

The key collections showcased at the party include:​

ICONS: Blending sport and style through contemporary cuts, the capsule sees iconic adidas by Stella McCartney designs reimagined in staple shades of black, grey and white – providing next-gen athletes with a timeless blank canvas to move with purpose. Featured for the first time is the Sportswear Run Shoe, an all-new gender-neutral silhouette made in part from natural and renewable materials.​

The ICONS collection is available now on adidas by Stella McCartney and via the adidas app.

TRUENATURE: Designed for exploring the world outside, the collection captures a contemporary take on Earth and weather satellite images alongside conceptual contours and ley lines of maps. With leading technologies such as Parley Ocean Plastic and WIND.RDY, the collection has been crafted to protect the next generation of active activists.

The TRUENATURE collection is available from 16th Feb on adidas by Stella McCartney and via the adidas app.

[mawr-gorshin]

Analysis of 'The Texas Chain Saw Massacre'

I: Introduction The Texas Chain Saw Massacre is a 1974 slasher film produced and directed by Tobe Hooper, written by him and Kim Henkel. It stars Marilyn Burns, Paul A Partain, Edwin Neal, Jim Siedow, and Gunnar Hansen, all relatively unknown actors, since it was filmed on a low budget. The film was marketed and hyped as if based on a true story, and while it, like Psycho and Silence of the…

[byneddiedingo]

Gunnar Hansen in The Texas Chain Saw Massacre (Tobe Hooper, 1974)

Cast: Marilyn Burns, Allen Danziger, Paul A. Partain, William Vail, Terri McMinn, Edwin Neal, Jim Siedow, Gunnar Hansen. Screenplay: Kim Henkel, Tobe Hooper. Cinematography: Daniel Pearl. Art direction: Robert A. Burns. Film editing: J. Larry Carroll, Sallye Richardson. Music: Wayne Bell, Tobe Hooper.

Though The Texas Chain Saw Massacre* is brilliant in its own way, it's also one of the most unpleasant movies I've ever forced myself to watch. I'm surprised, nonetheless, that Tobe Hooper turned out to be pretty much a one-hit wonder -- that is, if you believe the rumors that Poltergeist (1982) was mostly directed by Steven Spielberg. And even the stunning effect of Chain Saw on the course of the horror movie depends in large measure on the cinematography of Daniel Pearl, the editing of J. Larry Carroll and Sallye Richardson, and especially the art direction of Robert A. Burns, which has been the source of creepy old house settings ever since, viz. the ones in The Silence of the Lambs (Jonathan Demme, 1991) and the first season of True Detective (Cary Joji Fukunaga, 2014). Chain Saw is full of tremendously effective and even hilarious moments -- I still find the hen in the bird cage one of the movie's most inspired bizarre devices, and Hooper perfectly stages the scene in which Sally (Marilyn Burns) thinks she has escaped from Leatherface (Gunnar Hansen) and found refuge at the gas station. As she waits for the proprietor (Jim Siedow) to take her to safety, we concentrate on the open door, fully expecting Leatherface to burst through it at any moment, and we share her relief when the proprietor's truck appears outside, only to realize that the worst is yet to come. The film is surprisingly bloodless by contemporary standards, but we don't really need to see heads and limbs lopped off for it to make its effects. I'm just glad I never have to watch it again.

*The on-screen title spells "chainsaw" as two words, even though the posters spelled it as one, as do the sequels, including Hooper's own The Texas Chainsaw Massacre 2 (1986). For consistency's sake, IMDb sticks to the on-screen spelling.

[solatgif]

TGIF: Roundup for February 24, 2023

Have you considered Bible memorization during Lent? This week, Kenneth Berding shared The Easiest Way to Memorize the Bible. Stephen Ko answered Must Pastors Report Abuse? and we reshared Grace Lung’s Helping Women Lament In The Church. I also wrote a new book review – Share What God is Saying: A Book Review of “The Big Idea Companion for Preaching and Teaching”

In case you missed it, Hannah Chao and I released a podcast episode to take you behind-the-scenes of the new edition of our SOLA Network Magazine! Find the video and transcript on our website. Subscribe to our podcast for our interviews, messages, and article reads — Available for free on Apple Podcasts, Spotify, and YouTube.

This newsletter is one of the many ways you can keep in touch with us. Find us on Facebook, Twitter, and Instagram. For more, check out my Asian American Worship Leaders Facebook group and TGIF Playlist on Spotify. You can reach me on Twitter and Instagram.

Enter to win this outstanding book! Read my review. Thanks to Baker Academic for providing this book for our giveaway, in partnership with my newsletters for @diveindigdeep and FCBC Walnut.

Articles From Around The Web

Daniel K. Eng: Disappointment with God: When God Doesn’t Do What You Expect

“When we see that God is greater than us and has his own plan, we stop running away from God when we’re disappointed.”

Geoff Chang: Spurgeon’s Preaching Prep Process

“Give yourself to prayer, the study of God’s Word, and the preparation of faithful, excellent, gospel-rich sermons. And may the Lord use those labors for the blessing of his people.”

Wong Ka Ying: ‘Honoring’ Your Father and Mother Isn’t Always Biblical

“Filial piety has damaged many parent-child relationships. But Christian families can learn where Confucian culture ends and Paul’s parenting practices begin.”

Check out the new edition of our SOLA Network Magazine! Download it for free and share it with your friends as a great way to be introduced to the work we do at SOLA Network.

Books, Podcasts, Music, And More

Collin Hansen: Keller’s Formation: James Eglinton on Herman Bavinck

James Eglinton on neo-Calvinism, whether he disagrees with Bavinck about anything, a beginner’s reading list, and Eglinton’s upcoming projects.

Michael Lee: The #1 Lesson Learned from Pastor Steve Chang

“If you are not willing to lose, you are not ready to lead.”

Aaron Lee: Related Works

Book Reviews: Our Sovereign God edited by James Montgomery Boice, Seasons of Sorrow by Tim Challies, The Big Idea Companion for Preaching and Teaching by Matthew D. Kim and Scott M. Gibson. Listen to our TGIF playlist on Spotify. Join my Asian American Worship Leaders Facebook group.

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Featured This Week On SOLA Network

Kenneth Berding: The Easiest Way to Memorize the Bible

“I found out that the process of reading a passage over and over again in-and-of-itself became a wonderful means of God working his grace in my life.”

Aaron Lee: Share What God is Saying: A Book Review of “The Big Idea Companion for Preaching and Teaching”

Have you ever heard a sermon that seemed to have no point? In The Big Idea Companion for Preaching and Teaching, Matthew D. Kim and Scott M. Gibson guide you through the big ideas from Genesis to Revelation.

Grace Lung: Helping Women Lament In The Church

“Getting to the bottom of our honest feelings with the one in whom there is no more condemnation is the first step to healing for ourselves and our communities.”

Stephen Ko: Must Pastors Report Abuse? Some States Aren’t Clear, But the Bible Is

“As a pediatrician-turned-pastor, I believe reporting suspected child harm is our civic and Christian duty.”

TGIF: Roundup for February 17, 2023

A Portal to Another World / The Call of the Piet-my-Vrou: Remembering South Korea while on Safari / My Last Supper with the Family of God / TGC Bible Commentary: Revelation / FCBC Walnut Women Podcast: Trusting God with Loss and Pain

General disclaimer: Our link roundups are not endorsements of the positions or lives of the authors.

[badmovieihave]

Bad movie I have Dorm Daze 2 (2006)

[esperwatchesfilms]

The Texas Chain Saw Massacre (1974)

Unusual Payment Fact: According to John Larroquette, his payment for doing the opening narration was a marijuana joint.

Prologue

The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American history, The Texas Chain Saw Massacre. AUGUST 18, 1973

ESE: 95/100

50 +5 for unsettling sounds -10 for not putting the brakes on that wheelchair -10 for picking up a hitchhiker +5 for dumping the crazy hitchhiker +10 for Leatherface +10 for that bone couch/bench thing +5 for the meat hooks +5 for the one chainsaw kill in the entire movie +10 for not relying on music or jump scares to be scary +10 for Sally making her getaway +5 for the Leatherface tantrum at the end

[michaelmyrs]

[gbhbl]

Horror Movie Review: The Texas Chainsaw Massacre (1974)

A classic for all the right reasons, there might be better movies in the franchise and better slasher horrors overall but The Texas Chainsaw Massacre was pushing boundaries in 1974.

The Texas Chainsaw Massacre. It’s a classic slasher horror that turned the character of Leatherface into an icon. Successful even back in 1974, its popularity has seen it become a franchise with sequels, remakes, prequels and reboots. It’s a classic, there’s no denying that but the question has to be asked… is it actually a good movie? Directed by Tobe Hooper and written and co-produced by Hooper…