#Patricia ysblf

[el-moscorrofio-y-el-mercachifle]

EVEN MORE ADDITIONAL RANDOM CANON DETAILS OMG

Long time since I last made one!

Daniel is seen biting the nail of his pinky finger and then spitting the nail on the floor when he's bored, so I'm guessing he's not as nitpicking about cleanliness as Armando is

We also see him biting a pen when he's nervous ((funnily enough, Armando also has the habit of biting things when he's nervous))

Daniel always ignores people he deems inferior

Roberto has apartments (unknown how many) on London, a house in Miami, and a house in Bogotá

Daniel has no investments or properties other than the apartment where he lives, and his only sources of income are Ecomoda's monthly check and his gov job's monthly check (which barely pays, aparently)

He has a private driver

Basically no one in Ecomoda's board has any additional sources of income lmao

Don Hermes is often seen fixing things at home, be it electrical, mechanical, or plumbing issues, he seems to know how to do all sorts of repairments or at least knows the basics

Ecomoda started as a small tailor shop located on downtown Bogotá

Patricia loves sushi and Russian food

Aura María doesn't really like caviar, but she likes the fancy feeling that comes with it!

Aura Maria has probably been working for longer at Ecomoda than Gutierrez, because she said that Gutierrez has been claiming to to be about to divorce since he stwrted working there

When we see characters that believe themselves to be superior to other character and they have to greet each other with a handshake, the one who feels superior will extend and shake the other's hand from above. I didn't know this but my hubby told me this js incredibly rude and condescending! Which matches perfectly, because the 2 occasions I noticed this was 1) when Patricia greeted anyone, which perfectly matches her character, and 2) when Roberto meets don Hermes, which perfectly fits the situation because it's when tensions are super high and everyone thinks Betty is trying to steal the company

Also, a follow uo to the last point: when they shook hands when saying goodbye after the gentleman talk they had, Roberto no longers extends his hand from above, but rather straight, like it should be. A clear demostration of trust and good intentions from both sides! This apparently meant there is no longer this distrust and feeling of being "above" son Hermes

Don Hermes since the beginning extended his hand straight, btw!

Patricia scratched Marcela's car while Marcela was on Miami, and left it stranded at her apartament because it ran out of gas and had no money to put more

Marcela is older than Patricia but it's unknown by how much

Mario was able to recognize that Michel was a foreigner JUST by looking at his shoes from a far. ((If that isn't being extremely observant and detail oriented, idk what is. That man is a MENACE))

Don Hermes and doña Julia have been together for 30 years. ((God bless that woman's patience because if I were married to Don Hermes I would be a widow by day 2 lmao))

When Sofia and Efrain married they were dirt poor

They love lamb sandwiches and that's basically all they eat during their honeymoon because they couldn't afford anything else

Don Hermes never knew what happened with Miguel, but he always had a feeling that that basterd did something awful to Betty

In some episodes you see Marcela with green contacts and others you see her with her natural eye color, brown

Maria Beatriz likes going out to party with Hugo and his boyfriend, Rolando

By the end of the novela, they break up, tho

When Hugo comes back from his vacation after Betty's first collection, he now has 2 boyfriends

Patricia and Hugo both had a crush kn the same guy

Hugo loves his antique phone. We see him talking about it at different points in the novela, showing it to random people. He's so in love with that phone lmao

Doña Julia and Margarita met during the wedding ceremony of their children

Gutierrez didn't take his wife to the wedding lmao

Don Hermes is still paying for Betty's grad student debt (posgrado)

Betty worked at the Banco Montreal in the area internacional at the same time that she was studying her posgrado

Betty and Nicolas went to the same college

We never see Nicolás in any of Betty's college memories, but tbh idk how Colombian colleges work lmao

Mario smells and kiss Patricia's hair/skin during Armando's public statements about marrying Marcela, during the first collection launch we ever see. At this point, they aren't a thing yet.

Freddy also smells Mariana's hair while they're at Inesita's house, for some weird ass reason that I've never understood

There's another security guard, Javier, I think, who is known for sleeping at the job lol we never meet him but he works night shifts

Mario and Armando keep extra clothes in the presidency's private bathroom.

Don Roberto has a pipe collection and plays golf

The Mendozas have dogs. We see them on the background once when Roberto and Margarita are at their house

Maria Beatriz was about to have surgically removed 2 ribs lol

Carmensita, Roberto's secretary, was with him for 30 years

Mario was going to be Armando's best man at his wedding with Marcela

Margarita was RELIEVED about Armando only using Betty and not actually in love with her🙄🙄

Margarita has a Shi Tzu dog

The Mendozas have several maids, all dressed in very stereotypical maid fashion (ngl I thought that wasn't a real thing lmao)

[getintok]

I actually love Patsy Pats, she's my baby girl 💓

[cosmiiic-bbaby]

Así o más tumblr djdjd

[confundida25]

The point with Patricia and Nicolás is that she Just want a Husband Who give her money and unlimited positive attention and He want a thropy wife Who he can bang werever he want, honestly good for them.

[bonjas]

I'm really proud of this design, I hope the tumblr ysblf fandom likes it cuz I don't really have a place to talk about Betty outside of here lol! If you look around my RedBubble store (linked <-) I also have a BLF collection with some other Betty designs! (san marino universidad is grammatically incorrect but University just looked weird, sorry! 😩)

[armando-triplepapito]

They’re matching 😍🧡

[words-in-silk]

soooo it’s officially my birthday in my country, happy birthday to me, I lived unfortunately

[kimberlyshaws]

[lilcupio]

Masturbanda, I swear that if Patricia and Nicolás don't end up dating in the new series...

I'M GOING TO COMMIT A CRIME.

THEY ARE MY SHIP SINCE I WAS A CHILD. I NEED THEM TO BE TOGETHER.

I'M NOT ASKING FOR THEM TO BE HAPPY, I JUST WANT THEM TOGETHERRRRRRRR

[buddyhollyscurls]

I'm just gonna start live blogging my mom's reactions lmaoooooo she made the most Salvadoran sounds ( hmm! mmmm! vaya carbon!) When Armando broke down Pati and Betty's respective roles lmaooooo

[ladysophiebeckett]

imagine u have a list of traitors ready in ur head and the second name on ur list is ur fiancée. and worse yet, u know his ass wanted to say her name first 😭.

[el-moscorrofio-y-el-mercachifle]

I don't see many people talking about Patricia's character anywhere, so I'll talk a little (give my opinion) here.

I personally feel VERY sorry for her. Okay, many of Patricia's attitudes and actions are not justifiable, but you can't help but feel empathy for her at least at some point throughout the story. She was never a saint because several times she was not strange when it came to manipulating/seducing to get something, she never thought before humiliating people among other things that make her a bad person.

But despite all this, you can see that several times she showed herself to be a naive person, she filled herself with expectations, deluded herself and lied to herself, (like for example the whole story with Mário, which she faithfully believed he was would marry her and keep her), and as you said, she always thought she was in control of everything and all the relationships she was involved in, but she never was.

She tried to use everyone and always ended up being used, she tried to manipulate everyone and they easily manipulated her, situations that show that she was really a vulnerable and naive person. I believe that her being so materialistic and wanting to find a rich husband is not only to solve her economic problems, but also to fill a void, because what she really is, is a very lonely person. She's so empty that she'd rather go to the gym than buy food, she'd rather not give up things she doesn't need than live poorly. These things only show that she is a person who lives by appearances, who tries so hard to be someone she is not, rather than showing the reality: that she is alone and does not have someone who loves her to the point of caring about her.

She was so at the bottom mentally (stopping eating to try to look like a life she can't keep it’s not normal, also other things she did) and economically that she had to humble herself to people, like when she went to Daniel because he had become president (that's all he wanted, and we know that sooner or later he would tell her the worst possible way how shameful this situation was and how much she fell to get to that point), or when she tried to seduce Mario to get a ride home.

Anyway, Patricia could be selfish, materialistic and a lot of other things, but that just reminds us that she is a REAL person like so many others out there.

I know many will definitely disagree with me, but as I already said, I know that she is no saint throughout the entire novel, but she suffered as much as those who were called and considered the “good guys” in the story.

Hiiii! Loved that you shared some of your thoughts! Here are some of mine too🥰

Patricia's character was definitely... a topic. It's no secret that to me she became a wasted potential and I dislike the decision to make her purely comedic relief when at first she was honestly pretty much in the same camp as characters like Armando and Marcela: very entitled and blinded by their own gigantic ego, to the point of hurting others for their own benefit even though they didn't realize it. I'm not saying she should have gotten a redemption or anything of the sorts. Characters like Mario never got them but they were still super well worked with. Patricia just became a joke.

I've also mentioned before that I too feel pity for her, or at least, I feel for first-half-of-the-novela Patricia. She was never kind, polite, humble or endearing, sure, but she seemed much more human. She was truly excited to think Mario fell for her, and seemed truly disturbed by that firdt encounter with Daniel. I feel for that Patricia because up until that point, her story felt real. I wouldn't say she was naive, but rather, too egocentric to realize there are bigger fish on the sea. She thought she could do anything to anyone and she'd always triumph. Uo until there, you feel she is a real person clinging to appearences because her life is so empty she literally has nothing else. Eventually it just became comedy and exagerated whining that made you forget that she's actually a person with real suffering, even if she's causing it herself (most of the characters cause their own suffering, too).

I couldn't pinpoint exactly when she became a parody of herself. At some point her role was just to throw venom, be comedic, and complain. That's it. She didn't even cause much trouble like at the beginning, and her extreme poverty was merely the butt of the joke. This last part particularly is where I feel the potential was the most wasted. I would have loved to see more of Patty's real struggles, and, if we had had a but more time with the novela, perhaps we could have even seen this for character development (or character regression, whichever you choose!): for example, how poverty is keeping her from eating, which is leading to headaches and dizziness and lack of energy. How poverty is landing her homeless. How she's forced to rely on, for example, Nicolás. I could totally see their love story having formed from this, like her falling so badly that she has no choice but to rely more on Nicolas now not only for frivolous things like the car and the cellphone, I mean real things like food and shelter and seen in a more real light.

Anyways, Ik why they couldn't develop more their "love story" (I think they probably were meant to be together, as in Gaitan probably had that goal, but we all know all the problems that theproduction went through), so it's just an idea.

I do think Patricia was probably mentally ill, tho. Her obsession with appearences is so bad, like you said, that she's willingly STARVING herself. She's starving and yet she doesn't miss a single day at the gym. She's willing to risk going homeless but doesn't stop buying new clothes or hair dye. She's willing to shower with cold water and go back to a pitch dark apartment where there's no food or entertainment as long as she can still look and act like a rich person in front of everyone. I think we often forget how insane Patty's situation was because we remember more her funny/malicious sides, but honestly, her whole world view was crazy.

Thank you for sharing your thoughts and sorry this took so long!😂❤️

[supercool-here]

I love Nicolas and I know he's not the main character but it's so so sad that he's good and has suffered approximately as much as Betty and yet he had the bad luck of falling for someone as unreachable as Don Armando but not as good as him. He doesn't get his happy ending like Betty does because Patricia started as a cruel deceiving hag and ended exactly the same. That's why he's down and drunk at the wedding ceremony. I can't take it

[postguiltypleasures]

My Peak TV Journey *Betty la Fea La Historia Continua*

I need to say upfront, that I was really excited about this series, and I remain mostly satisfied. I look forward to the second season continuing (and wrapping up?) this story. I also finished watching the edited-for-Peacock version of the original.  I will say that the sequel is for people like me, people who think the original loses steam after the return from Cartagena. While the original series shows Armando in touch with his emotions, it doesn’t show him having any idea how to act on them in a healthy manner. Despite this he and Betty accept that they’re still in love, generally better together so they get together without resolving Betty’s deep trust issues, or how Armando still needs to learn anger management and better communication skills. It’s amazing they lasted as long as they did.

I don’t want to fight anyone over the quality of the series, but there are some things I have to defend. Namely the structural differences between the sequel and original. By structural, I mean mostly pacing, cast size, and how information is revealed. The differences between setting up a story that will most likely run through through hundreds of episodes more or less uninterrupted for over a year vs something that the two episode once a week, for a total of ten where continuation will be indefinite is essentially a change of medium. The techniques and rules for storytelling change. The now de-cannonized sequel spinoff Ecomoda is criticized for being too much of a sitcom when figuring out how to deal with similar structural change.  La Hisotria Continua is more like the original telenovela in tone and plot points, but those have to unfold differently than the original. (Also in being more like the original, it’s going to torture its main characters anew. If you can’t accept it, don’t watch and don’t comment.) In the original an early episode is dedicated to Betty and Nicholas reading a magazine covering an event Ecomoda hosted, with flashbacks to said event. Through this we really get to know many of the major characters and what they are trying to do. This season comes with the assumption that we are familiar with most of the characters, but we don’t really know what they’ve been up to, and most importantly, we don’t know how they relate to the new characters. Crucially, it isn’t laid out so we know what kind of danger Betty is walking into this time. In the original the intrigue was “what will happen?” Here it’s more “what has happened?” This comes with mixed results. The first episode especially felt needlessly confusing. And even by the end of the season, there were things, like how and why Majo got involved with Ecomoda, that I wish had been clarified already. However, there was a moment in the second episode made it more clear that they knew what they were doing. This starts with Betty telling Bertha and Sandra that she was not a good president of Ecomoda because she only made the rich richer. I took this as a sign that this was taking on the extreme classism in the original, how it was mostly treated as “that’s the way the world works” kind of way. 

The series opens at Don Roberto’s (Armando’s father) funeral. Armando’s relationship with his father was always  fucked up though the original series seemed to lose interest in the more negative aspects of his character as it went on. One of the messed up things about their relationship was how accommodating Roberto was to Daniel, son of his former business associates and Armando’s rival. The not too subtle subtext is that Roberto thought of Daniel as a more serious minded person for business and wished Armando was more like him, while also showing little to know interest in anything else about who Armando was as a person. He didn’t have much interest in who Daniel was as a person either. This all business approach helped him appear to be out of the fray, when he really very much was in it. In the new series, through  a video of his will, Roberto sets up a plan for Ecomoda that manipulates a reluctant Betty back into the office of the presidency while telling Armando how he once again failed as president.  No wonder after Roberto’s death Armando is haunted by visions of Roberto saying Armando should have spent more time in prison, and that he doesn’t deserve someone as wonderful as Betty. The latter statement is ironic, given that Roberto treated Betty pretty coldly. Everyone ignores the fact that in the original series when they first met he refused to shake her hand. Roberto definitely deserves some of the blame for how Marcela became a lingering presence over Betty and Armando’s marriage, and Betty never feeling entirely welcome in the Mendoza family. And of course as we later learn, her fired Betty to appease Marcela, when that was bad for everyone.

Looking back after the season, I think Marcela might have been the character who most benefited from the changes in structure. The story was put into motion by her worst qualities, her anger, lack of curiosity, the ways she isolates herself. But she didn’t have enough air time to for these traits to become too tiresome and have us give up on her. And she is left in a position where she has to make some life changing decisions. We learn early on Marcela blames Betty for Daniel’s downfall. Betty was aware that something was wrong with the company financially, alerted the police and the investigation led to Daniel being arrested for money laundering and then being murdered in prison. But, for the plot of this series, the real issue is how aggressively Marcela only sees what she wants to see. Marcela seems to have natural blinders towards so much in life. She wants vengeance against Betty and Armando by forcing them out of Ecomoda and then taking over with Ignacio. But she is not paying attention to what Ignacio is doing. When she learns if a lot of it in the last episodes she’s appalled. Her relationship with Ignacio is the inverse of how she treated Armando as a boyfriend. But it is reminiscent of how she never had interest in the running of Ecomoda, never checked in on Armando and Mario’s business schemes and ignored how her brother sexually harassed her best friend. So her not checking in more on Nacho feels in character, if a part of her character that’s always been frustrating. After the reveal that Ignacio is her half brother, instead of her nephew as she believed, I began to wonder if it was a revelation to force her to change this aspect of her character? Does knowing her father had a second family make her aware that this isn’t just keeping her head high out of the muck? (Or whatever she says to herself.) She’s ignoring things that matter. It also made me think are we supposed to reassess her constant monitoring of Armando during their relationship as some kind of subconscious way of making up of all the ways she ignored the poor behavior of the men in her immediate family? For most of the season the relationship between Marcela and Nacho was treated as a mystery, much of the office assuming that he was her boyfriend, while fans knew he was a secret member of the Valencia family and having the full answer include how much Marcela doesn’t look at or explore things involving her familys interesting. I hope the next season follows up on this. Some of the follow up will involve Pascual, Nacho’s secret parter and Marcela’s new love interest. I’m not sure Pascual will actually be good for Marcela in the long run.  She needs to have her single minded desire to hurt Betty and Armando broken by other desires. And I don’t think she’s thought of wanting anything else for a while. But he gives mixed messages all the time. As a secret patter who express interest in becoming part of the high society fashion world. But in his first scene he says the line “Para mi papero y papito son los mismos nombres.”  Indicating he’s not that interested in changing his identity.  He has a couple of ugly divorces and says he wants to be fawned over by models, but he also is instantly smitten with Marcela and pursues her with the most blunt and crass language I can imagine.  He also has as little interest in remaking Ecomoda’s image as he does his own image, to Nacho’s presumed chagrin.

Marcela also had surprisingly little interaction Patricia, which did affect a lot of the show. It’s an interesting way showing of how people have changed and stayed the same. During the first episode I hated Bertha and Sandra’s jokes about Patricia’s husband. They were gross and agist.  (Later meeting him at the quinceñera flash back made Patricia’s relationship  seem like elder abuse. But, I kind of like that Patricia’s in a relationship that she wants to be known, but doesn’t want to bring attention to. It’s a change of pace from the original where she was single, desperate and frequently saying how she could have a boyfriend whenever she wanted. The change seems like an appropriate response to Daniel regularly offering to pimp her out to his friends. I also like that she was promoted to Gutierrez’s position as a way to show everything being different but similar. Patricia was always about bossing around el cuartel. Gutierrez also seemed to think of his job as chiding people back into looking busy whenever. The change in position a good reason for Bertha and Sandra’s renewed hatred for Patricia a fits with the ways Gutierrez was awful. Bertha’s obsession with “chisme” might actually make her good at the job, She can make people feel seen and heard and communicate between workers and executives. People could feel more motivated to work when they understand more of what is going on in the company. But it doesn’t fit with the intense classism that rules Ecomoda. It would be a view of the position completely alien to Gutierrez.  

As I was saying earlier, whatever is going on with Majo, Mario and Armando seems more needlessly confusing than intriguing. Why is Armando friendly with Majo again after her kiss at the end of the first episode causes such disruption? Those scenes with the them at the club were weird. I don’t for a second believe she’s an alternate love interest, but why should I care? As the season went on I find myself more intrigued by the lack of scenes between Majo and Mario. He talks her up whenever he’s alone with Armando and even expected her to have a conjugal visit with him in prison. Yet she never talks about Mario, and they never talk directly to each other. I’ve come to think of her as not so much wanting Armando, as wanting Armando to want a divorce because that what Mario, her secret real employer, wants. But this is based on absence, rather than what’s on screen. For what does Mario want control over Armando? And why is he still so bad at vetting potential business alliances? I hate the character of Mario, but the season could have improved by filling in some gaps about what he’s up to.

Betty’s alternate love interest, Esteban, isn’t a better defined character than Majo, but at least he’s not supposed to have created some kind of bond with the main characters off screen in the time between series’s.  He’s a better alternative love interest than Michel in that he’s a better listener and has more in common with Betty. But he’s still too boring to compete with Armando.

As someone who always thought Armando didn’t show enough what he learned, os that he necessarily knew how to be, I kind of loved events on the third and fourth episodes as revisiting things in the original series. This included punch Esteban like he punched Nicolas in the original for being a perceived romantic rival. While that was a new low originally, it didn’t motivate Armando to change his behavior. If anything, the original series suggests that violently lashing out is fine when you’re lashing out at the right people as demonstrated by him later punching Mario. His attempt to change includes joining a group therapy with Freddy. This leads to revisiting Armando in drag, only this time to better understand Betty’s point of view, not simply be emasculated for the failures of his toxic masculinity and homophobia as in the original. In some ways I felt for him more in this series than I did in the original. He just seemed so lost, but also not putting himself at the center of everything as he did in the original.  Betty briefly made him VP of Finances, a role to which he is not suited, but doing so gives him the time to confess to his misdeeds on his own time. I found myself wishing that they made Armando majoring in something more mechanical a bigger part of his character. Then I could say “that’s what he’s good at.” But he seems otherwise most interested in maintaining vendor and supplier relations which seems closer to Marcela’s specialty. Being at Ecomoda is bad for him as a person. During the flashback to the fight while Betty left him he says he sacrificed his social circle for their relationship. There is a truth to this. Mario’s ability to slip back into his life is a sight of how real it feels. But the bigger truth is that between the hours he spent at Ecomoda, and the class rigidity of the institution, he never had the opportunity to make new friendships. This is poignantly present in his scenes with Freddy, where we see how hard it is to accept Freddy as a friend. 

All this talk about how social hierarchies having ruinous effect on personal it’s time to do a brief, segue about the uses of “usted” and “tú” in both series, with the caveat that I am neither a native Spanish speaker nor a Colombian nor someone who’s ever been to Colombia. I know I’m missing a lot of cultural context. I have heard that Colombia uses “usted” more than other Spanish speaking countries. Still, the use in the original seemed extreme. It helped illustrate the ingrained classicism of the original. Betty and Armando reverting to “usted”  even en a flashback to happier times, after beginning to use “tú” near the end of the original is a bad sign. It adds opportunity to misunderstand one another and hints that they haven’t quite gotten over the class divide after years of marriage. In the original it sometimes seems like one has to be upper class to deign tutear. The Cuartel, Betty’s parents within their relationship and with Betty, as well as Betty with Nicolás all use “usted” with each other despite being personally close. In contrast to this Patricia’s use of "tú" comes off as impudent, and Nicolás only uses "tú" when trying to impress Patricia by pretending to have more money than he’s worth. This language barrier, in the original Betty sees herself as an extension of Armando who always had to prove herself. (This is common amongst Ecomoda employees, see Berta’s reluctance to share Gutierrez’s home phone number while he was sexually harassing Aura Maria and Sandra’s self-flagellation after lying to Mario.) By the new series Betty strongly associates more with the employees of Ecomoda than any of its owners. Which explains her return to “usted,” and Mila’s regular use of “tú” as a sign of how hard it is for them to get each other. The continuation seems pretty aware that this emphasis on formality was a not great set up for life.

Mila starts the season very angry with her mother and ends angry with her father. While taking notes I surmised that all the hurtful things Mila said to Betty early on showed a fear of understanding what happened between her parents. She knew it was too potentially painful. She chose to support Armando because she thought he wanted to reconnect in a way Betty didn’t. This fear is completely founded, and when she does find out about her parents history, the reason her mother quickly abandoned trust in her father, she switches allegiance. Though this happens right around the time Betty is starting to consciously realize that her reaction 

Early in the season Betty says something about needing to break vicious cycles. She’s right about that need, but her technique of just cutting off all contact is by now her own contribution vicious cycle, and therefore counter productive. She would have known more about what she was walking into returning to Ecomoda if she opened those emails. Also, while she definitely had the right to be angry with Armando about how his failed negotiations with Roberto and Marcela affected her, and the way she was cut out of them, it would have been better for all if after a couple of days of cooling down they decided to meet for counseling. The extended radio silence was just bad for everyone. Also I would like more detail on what Betty and Nicolas were up to in their time away from Ecomoda. I am under the impression that Doña Julia was ill and died during that time period, so Betty spent a lot of time with her mother during her last days and shut off any contact Armando tried to make simultaneously. But what else? What was she thinking about as possible futures? Nicolas is even more of a blank slate. All I know is that Mila has apparently t been telling I’m for yeas that the amount of hair gel he uses makes him look older than necessary. She is right, see any picture of Mario Duarte out of character. 

While I wish more detail was given to Betty’s life away from Ecomoda, I like pretty much everything about how she acts after she returns. As I said before, I like how explicitly she relates to non share holding staff instead of favoring the actionistas. This includes her room ring Freddy and demoting Mario. I hope there is more follow up on that next season. More concerning this season’s plot, I like that Betty got the heads up about financial shenanigans from Hugo. It was unexpected, but in character for both. Also it reflects poorly on Marcela, who could have gotten answers to what Armando was doing if she just talked to Hugo like an equal. 

I don’t know anything about the Colombian’ legal system. So I can’t say anything about how realistically or not Armando turning himself and Gutierrez in between the episodes. The important thing is how it plays in comparison to his downward spiral after Betty exposed the Terramoda scheme in the original. Which is that he’s more willing to take responsibility for his actions, go public and not pick fights. Betty also has changed since then, demonstrated by going to visit him in jail and talk. Then they have sex in a scene reminiscent of their first time in the original, only with some roll reversal. This is emotionally confusing for Betty. In someways exactly the situation that she thought of to justify cutting him off with no contact. On the other hand she gets to speak to someone who cares about the real emotional turmoil affecting her and learns more about Ecomoda’s quagmire. 

Another aspect recently revealed aspect of Betty I would like to see more of is the things that led Betty to tell her father that he wasn’t a great husband. He wasn’t, but it was something that couldn’t be articulated outside of some face making Doña Julia did, and the way Betty and her mother hid things from him. It fits with a theme of the series of saying things they couldn’t say in the original. Hermes’ dogmatism is in conflict with Betty’s journey of becoming more of a humanist. 

I’m now going to wrap this up by writing about the new generation followed by some thoughts on finish the original series in a more complete way than ever before.

Other than Mila, Ignacio is the best defined of the new characters. Viewers were quick to say he has the Daniel Valencia role of the original. After all he is someone aligned with Marcela acting antagonistically towards Betty and Armando. And while this series played with that assumption, the two characters are most interesting in their differences. Ignacio is charming while Daniel was aggressively not. To the extent Daniel had charm, it’s based on the idea that he’s saying to your face what other people say behind your back. As a guy setting up a mass surveillance program through Ecomoda, Ignacio not going to pretend that he’s the one person telling the truth to your face. But he sincerely does like Mila, even though the circumstance means he’s betrayed her before anything started between them. At the end of this season I found myself wishing that there was more time spent on Jeff and Carmen so that the love quadrangle that Mila and Ignacio are with them felt juicier. It’s got long running soap potential. 

Finishing the original while watching this has brought back some of the dread that I had going into the last section of the novela. Much of the post Cartagena plot feels like the show is spinning its wheels before deciding how to hastily rush to the finish line. Contributing to this feeling is the over reliance on flashbacks. The scenes involving Betty’s return to Ecomoda are particularly bad with this, and they didn’t even cut them from the Peacock edits. (These would have been some of the first edits if I were supervising it.) This section drops  various subplots, including Inesita’s estranged husband coming home to die, which real does make the way the series doesn’t know what to do stand out. Theresa are some high points likeel desfile del Cuartel. But that is also supposedly the resolution of the Sofia/Jenny plot, and it’s not satisfying as such. I get that the cast and crew were exhausted, and some of them had signed contracts to work with other tv networks lessening their availability. But on a level of pure drama, these plots points are simply inexcusable. Also dropping the cuartel’s pilots makes them worse friends. They suddenly only have gossiping about Betty going and no respect for boundaries or treating her like an actual person, instead of the lead in a telenovela. Equally inexcusable is how because Armando now is conscious of his feelings for Betty, the fact that so much of the way it’s shown involves violating her boundaries by stalking her on meetings he wasn’t invited to and secretly steeling and reading her diary, is why I can’t be too angry at Betty for dropping him the way she did.

This time around I was aware of how often real life designer Bettina Spitz had her name dropped and showed up on screen. Didn’t even realize I was missing that before. 

[getintok]

I just have such a soft spot for Patricia. I believe she just did 6 semesters of Finance in San Marino because she met her first husband, he must've promise her a wealthy life without any kind of trouble or hardship, I'm sure he told her it was pointless to keep studying and graduate college because she won't need it anyway so she did. Sadly, because she has always been pretty (and because of the ysblf universe) I'm sure everything was always given to her on a silver platter without any effort on her part so it must have been a shock for her to understand that she needed more than beauty for a marriage to function :/ and for her to suddenly be practically a homeless person with a Mercedes if not because of her father and Marcela.

[blossom-fox]

That make me SO emocional

I'm miss then SO MUCH OMG I just look angry Armando approaching to Mario and i break