#Painters North London

[jrslinteriors]

Salient Features of the Best Painters in North London

When it comes to renovating the appealing appeal of your home or workplace, there is no denying the power of a fresh coat of paint. However, achieving professional-quality results requires the expertise and skills of top professional painters. These skilled individuals possess a wide range of robust competencies that set them apart from amateur painters. Here, let’s closely examine some of the unique strengths and capabilities that make top professional painters in North London a valuable asset for any painting project.

Here are some of their professional capabilities you must consider at the very beginning:

Skilful Surface Preparation:

Surface preparation or groundwork is crucial to achieving a flawless and hard-wearing paint job; specialized painters in North London excel in this facet. They have the expertise to identify and rectify any surface inadequacies, such as cracks, depressions, or rough surfaces. From thorough cleaning to sanding, filling gaps, and applying primers, professional painters leave no stone unturned to create a smooth and pristine canvas for their artwork.

Extensive Knowledge of Paints:

One of the key strengths of top professional painters lies in their comprehensive understanding of paints and other painting materials they use. They have in-depth knowledge about diverse types of paints, their configurations, and their appropriateness for specific surfaces or surroundings. This knowledge and proficiency enable them to endorse the best paint products that will ensure long-lasting and visually stunning results.

Colour Consultation and Design Expertise:

Choosing asuitable colour scheme for your space can be a daunting task. Professional painters often offer colour consultation services, drawing upon their experience and understanding of colour theory. They can guide you in selecting hues, shades, and combinations that complement your space's architecture, lighting, and ambiance. With their design expertise, they can help you achieve the desired mood and atmosphere through colour.

Attention to Safety and Compliance:

Painting projects involve handling potentially hazardous materials and working at heights or in confined spaces. Top professional painters prioritize safety and adhere to all necessary regulations and safety protocols. They are equipped with the right tools, protective gear, and knowledge to minimize risks and ensure a safe working environment for themselves and their clients.

Knowledge of the Latest Techniques and Trends:

The world of painting is constantly evolving, with new techniques and trends emerging regularly. Top professional painters stay abreast of these developments and continuously update their skills and knowledge. Whether it's faux finishes, textured walls, or intricate patterns, they can incorporate the latest trends into your project, ensuring a contemporary and stylish outcome.

Precise and Efficient Paint Application:

The ability to apply paint with precision and efficiency is another strong capability of top professional painters. They possess the skills to achieve uniform coverage, crisp lines, and smooth finishes, regardless of the painting technique or surface type. Their steady hand and attention to detail ensure a flawless application, leaving no room for visible brushstrokes, drips, or uneven patches.

Time Management and Organization:

Professional painters understand the importance of completing projects within specified timelines while maintaining quality standards. They possess excellent time management and organizational skills, ensuring that the painting project progresses smoothly and efficiently. They create detailed work schedules, coordinate with other professionals if necessary, and minimize disruptions to your daily routine.

Summing up…!

The robust capabilities of top professional painters make them invaluable assets for any painting project. If you are trying to find, reach, and hire the best painters in North London, then follow this post, as it has all the necessary information about the vital characteristics that top painters usually have. Suppose you are in some kind of hurry to streamline your search faster. In that case, you can stop searching with your reach to JRLS Interiors, a well-known company in London that provides impeccable painting services to its bona fide clients everywhere in London and the rest of the United Kingdom!

[eddy25960]

Three Archers (early 1900’s). Erich Wolfsfeld (1884-1956), British. etching.

He was an etcher, painter and teacher, born in Krojanke, Germany. He was brought up in Berlin, where he attended the Academy, 1902–13, although had periods away, studying at Académie Julian, Paris, under Jules Lefèbvre, and he learned etching in the studio of Hans Meyer.

Between the wars Wolfsfeld established a notable reputation, and he built up a substantial output partly based on extensive travels in Europe and North Africa. He died in London in 1956 (aged 71).

(Don Bryson publication)

[reasonsforhope]

Catherine Borowski has always had an active imagination. As a child, she dreamed that the car park on her north London council estate would be transformed into a garden. The reality was quite different. “No one had a car, so it was empty, grey and depressing,” she says. Now a sculptor and event producer, Borowski has made it her mission to fill unloved urban spaces with flowers – albeit virtual ones. 

She and her partner Lee Baker are the founders of Graphic Rewilding, a project to install huge nature-inspired artworks into the urban landscape. “Where real rewilding isn’t possible, our goal is to inject the colour and diversity of nature into rundown spaces, urging people to notice – and find joy in – the world around them,” says Baker.   

The pair believe that flowers possess serious powers, even when they’re not real. “We know that spending time in nature is good for us, but studies show that even pictures of plants have a positive effect on the mind,” says Baker. He cites research published in The Journal of Alternative and Complementary Medicine, which found that imagery of plants in hospital waiting rooms can help reduce feelings of stress in patients. 

Baker, a painter and music producer, has long understood the benefits of biophilic design. Having suffered a breakdown 10 years ago, he found that drawing flowers was the only way to soothe his buzzy brain. “I would set out to draw dystopian landscapes, representative of my state of mind, but I’d always end up drawing flowers, which uplifted me,” he says.

It was around this time that Baker met Borowski, joining her production company as creative director. The pair have collaborated ever since, launching Graphic Rewilding in 2021. Since then, they’ve installed floral murals at locations including Earl’s Court station, Lewes Castle and Westfield Shopping Centre in Shepherd’s Bush – all hand drawn by Baker. “We love galleries, but we focus on public art,” he says. “This way, our work is out there for everyone to enjoy.”

This year the pair have grand plans to create a series of stained glass pavilions (think greenhouses with colourful floral-themed panels), which they hope might find homes at Kew Gardens and the Eden Project. “The way light shines through the glass is magical,” says Borowski.  

Even so, they concede that art is no match for Mother Nature. “Some people have suggested that our project detracts from real rewilding efforts. But both can co-exist,” says Borowski. “Of course we want more green spaces.” adds Baker. “But we aren’t gardeners. We’re artists. In the absence of nature, we want to create inspiring spaces through art.”

Overall, the response has been hugely positive. “The joy that these artworks bring is palpable,” says Baker, highlighting an early project in Crawley, West Sussex. “Many people in the town were employed by Gatwick airport and Covid had taken its toll,” he recalls. In a bid to spread some joy, the duo painted brick walls, billboards, benches and even bins with their signature floral flair. “Peoples’ reactions were heartwarming. There were so many smiling faces,” he says.

Elsewhere, in Earl’s Court, the pair transformed “a ratty piece of tarmac” into a modern-day pleasure garden, which is now often filled with children dancing and doing cartwheels on the way home from school. “Putting art into a place that previously felt unloved feels like cultivating joy where there was none,” reflects Borowski. “If something like this had been installed on my estate when I was a kid, it would have been a dream come true.”

-via Positive.News, November 6, 2023

[guinevereblom]

Julius Hare (British painter) 1859 - 1932

Dressing Up, 1885

oil on canvas

Julius Hare RCA (23 January 1859 – 12 March 1932) was a British artist, painter of portraits and landscapes.

Born in Dublin, he was the son of Mathias Hare LLD. He was educated at Loughborough Grammar School in England before Studied under Adolphe Yvon of Paris, and also at the West London School of Art, South Kensington, and the Heatherley School of Fine Art. He was made an associate of the Royal Academy of Art and exhibited there.

He lived in Plas Mawr, Conwy, North Wales.

[mybeingthere]

GEORGE BLACKLOCK (b 1952, British)

George Blacklock was born in County Durham, England and studied at Sunderland Polytechnic for one year before going on to study painting at Stourbridge College of Art in the early seventies. He graduated from his Masters at Reading University in 1976. George has exhibited extensively in Europe and North America throughout his career and has been represented by Flowers since 1996. He has received awards from the Welsh Arts Council, the Greater London Arts Association and was a prize winner at the John Moores contemporary painting competition in the nineties. George Blacklock has work in major public collections including the Arts Council of Great Britain. The British painter was also the Dean of Chelsea College of Art and Design, London 2011-2017..

"A lot of my paintings have shapes and gestures that converse, or are compromised, or can be seen to co-exist, or dominate, or retreat, or expand, or to re-iterate, in other words exist in a visual narrative. This narrative is complex both in formal terms and in its associations and metaphors. I often equate my abstract forms to the metaphysical realms of religious art. I value 'touch' as an expressive function of painting as well as a major contribution to non-linguistic, non-linear narrative."

[womblegrinch]

Michael Ancher (1849-1927) - På stranden, Skagen

Oil on panel. Painted in 1896.

18.25 x 14.75 inches, 46.3 x 37.3 cm. Estimate: £80,000-120,000.

Sold Sotheby's, London, 4 July 2024 for £96,000 incl B.P.

Skagen, a fishing port in the north of Jutland, Denmark, (pronounced Skay'en) was a magnet for Danish painters from the 1870s onwards, attracted by the landscapes and the light. You can read up on the Skagen Art Colony online.

If you can access Channel 4's streaming service (free in the UK, you may need a VPN outside), there's a charming Danish drama series set close to Skagen in the late 1920s called Seaside Hotel which will give you a feel for the area. Much better than going to the Med.

[scotianostra]

Happy Birthday Scottish actor Rory McCann born 24th April 1969 in Glasgow.

Six foot six inches tall, with brown eyes and dark hair, Rory McCann began his working life at the top - as a painter on the Forth Bridge. He came to notice in a television commercial for Scotts' Porage Oats, in which he appeared as a scantily-clad hunk in a vest and kilt and little else wandering snowbound streets but warmed by the inner glow of the porage. He claims that as a consequence he was often approached by people demanding that he "lift his kilt", I can quite believe that as who out there among us has never had that asked of us?

In 2002 he was seen in the TV comedy-drama 'The Book Group' playing a wheelchair-bound lifeguard, a part for which he won a Scottish BAFTA award for the best television performance of 2002. Since then he has taken television roles as Peter the Great and a priest in 'Shameless'. He made his Hollywood debut in Oliver Stone's 'Alexander'. Rory has never been in Taggart but did appear in another well known Scottish show, Monarch of the Glen.

Of course the role he is most famous for is, apart from the porage ads,that of Sandor "The Hound" Clegane in the popular Game of Thrones.

Film role have included, Beowulf & Grendel, Hot Fuzz and xXx: Return of Xander Cage

Rory used to be the frontman of a defunct band called Thundersoup in the early 90s. In 2017 he made a musical appearance as the drummer of Texas, a Scottish rock band, in their music video of Tell That Girl. He also plays the piano, banjo, guitar, and Mandolin.

Rory divides his time between homes in London and Glencoe, eh hates technology and loves being cut off and is known for living a solitary, transient lifestyle, he describes himself as such "I'm a man's man. I go out climbing and live outdoors." He used to solo rock climb and broke multiple bones in a near-fatal rock climbing accident in Yorkshire when he was 21. And ladies he is single, he says "I don't have a mortgage, I don't have a wife and I don't have kids, so I'm quite happy bumbling along."

I have found hat he mentioned a wife to someone in a bar in England last year, saying she set up his social media account as he wasn'ttechnically minded. Rory is normally quite a private person and I can find no evidence that he is actualy married, so who knows!

In 2019 Rory was seen in the Jumanji movie with fellow Scot Karen Gillan. In 2022 he became the narrator of the ITV1 series DNA Journey., We last saw him in the film Jackdaw a british action thriller set in North East England. He has a couple of projects ready for release, The Damned set in Iceland, and voice in a new animated mini series Knuckles, based on the video game Sonic the Hedgehog.

[creepywrites]

Nationalities

Jeff the Killer- Swedish, Italian, Västergötland

Liu- Swedish, Chinese, Västergötland

Ben- American, Alaska

Sally Dawn- Canadian, Ontario

Sam Williams- Canadian, American, Ontario

Milo the Electrocuted- Italian, Lombardy

Lulu- Vietnamese, Vĩnh Phúc

Clockwork- French, Normandy

Zero- British, American, New Jersey

Jane the killer- American, California

Jane Arkensaw- British, Lincolnshire

Vailly Evans- Chilean, Los Lagos

Nathan the nobody- Filipino, British, Berkshire

Crystal- Filipino, British, Berkshire

Eyeless Jack- Uganda, Kampala

Kate the chaser- Australian, Perth

Rouge- Canadian, Alberta

Wilson the basher- welsh, Conwy

X-virus- American, New Jersey

Lazari- Ukrainian, Kharkiv Oblast

Kaidy- French, Corsica

Stripes- American, Alabama

Senora- Spanish, Girona

Nina the killer- Mexican, American, Louisiana

Puppeteer- American, Mexican, California

Zachary- American, Colorado

Rosemary- American, Maine

Emra- Italian, American, sicilia

Bloody painter- Japanese, Chinese, Guangdong

Suicide Sadie- British, London

Judge angel- Chinese, Filipino, Guangdong

Nurse Ann- Taiwanese, taipei

Randy- Spanish, Álava

Sully- Indian, Tamil Nadu

Keith- Australian, Queensland

Troy- American, Louisiana

Dollmaker- Russian, Moscow

Svetlana- Russian, Siberia

Vicky genocidal- Canadian, Ontario

Hannah the killer- German, American, East Berlin

Lily Kennett- Ireland, Connacht

Hung iris- American, Illinois

Lifeless Lucy- British, Yorkshire

Legless Eliza- Portuguese, Évora

Mucky Child- American, Colorado

Lacy Morgan- British, American, Arizona

Asylum Nancy- American, Maine

Chris the revenant- German, American, Hessen

Monday child- Ukrainian, poltava

Laughing Jill- British, London

Laughing Jack- British, London

Toby- German, Bavaria

Lurking Lyra- German, Bavaria

Killing Kate- Costa Rican, Alajuela

Lost Silver- Japanese, Hokkaido

Cata the Killer- Polish, Lodz

Rotten Abigail- American, North Carolina

The Hare- American, Arizona

The Doll- Mexican, Hidalgo

Raven- French, Île-de

Anna schurks- Romanian, Bucharest

Weeping forest- Puerto Rico, Adjuntas

Nightmare Ally- German, East Berlin

Red Death- German, Greek, Saxony

Gas mask maid- El Salvador, Cuscatlan

Tim- American, Georgia

Jessica- American, polish, Arizona

Taylor- Native American, Maine

Ellie- Japanese, Canadian, Chubu

Labrador- Romanian, Arad

Moth boy- American, Louisiana

Starved angel- Irish, American, Texas

Sketcher- Indonesian, Russian, Ural

Sarah Erickson- Chinese, Canadian, Nova Scotia

Hannya- Japanese, Tokyo

Rosie- British. Coventry

Hunter the proxy- American, Texas

Doctor Irina- British, Devon

Deborah- American, California

Lucy the cannibal- American, Ohio

Andie Rosslyn- American, Iowa

[saganscestmavie]

Paul S. Brown is a leading classical realist oil painter from North Carolina, USA. Having trained and worked in the USA, Italy and London, he now lives in Dorset, England. Paul works exclusively from life, under natural light, and makes his own paint by hand in the tradition of the Old Masters. He has exhibited at a wide array of galleries and museums, including the Groucho Club, The National Portrait Gallery, The Forbes Galleries, The Royal Society of Portrait Painters, The Salmagundi Club and the University Club of Washington D.C

[haveyoureadthispoll]

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

[the-busy-ghost]

There are many felicitous echoes and counterpoints along the way. Silent fog on still deep water at the outset; a boat outlined against dark grey and against clouded grey; an explosion of gulls in sea mist and spray. Echoes and chains follow from this: reddened waves under a white sky are transformed into a photograph of the white Mer de Glace with a climber in red, echoing across to memories of Ravilious as painter of the northern waters whose fascination with ice and the shores of the north began with the eighteenth-century painter Francis Towne's renderings of the Mer de Glace in the Alps. Writing this I remember a chance meeting with Ravilious's daughter at the house of friends in London. A handsome and kindly woman in her sixties, with her father's eyes. All the years I have been writing about Ravilious I have occasionally dreamed about him: that he will come into the cold hall of a house that does not exist, a house smelling of coal fires; that he will begin to talk at once, shaking the Arctic Ocean off his dark hair as if it were only rainwater after all, as if he had been caught in the storm on a headland, benighted, laughing, painting out of doors.

"Distance and Memory", by Peter Davidson

[books-to-add-to-your-tbr]

Title: The Silent Patient

Author: Alex Michaelides

Series or standalone: standalone

Publication year: 2019

Genres: fiction, thriller, mystery, suspense, crime, contemporary

Blurb: Alicia Berenson's life is seemingly perfect; a famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London's most desirable areas. One evening, her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face...and then never speaks another word. Alicia's refusal to talk or give any kind of explanation turns a domestic tragedy into something far grander - a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at The Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations: a search for the truth that threatens to consume him.

[mtlibrary]

On 2nd September 1666, a fire broke out in a bakery on Pudding Lane in London. It was brought under control 4 days later, but not before it destroyed over 13,000 homes, 87 churches and left 70,000 homeless.

The fire reached the Inns of Court, burning through Kings Bench Walk, stopping short of Middle Temple, though it did destroy Lamb Building. In the fire’s aftermath, an Act for rebuilding the City of London imposed better building regulations- homes were constructed of brick and stone, and to improve overcrowding upper levels were no longer permitted to jut out over the lower floors.

It has also been suggested the fire helped “cleanse” the city of the plague, killing the rats and fleas carrying the disease; although, records show deaths continued to be recorded following the fire, and while devastating, a large portion of the city still remained untouched by fire.

The two artists’ depictions of London featured can be found currently on display as part of the library's 'From Squalor to Sanitation' exhibition. They illustrate the area of the city affected by the fire. The top panorama of London, dated 1616, is an engraving by Claes Visscher (1586-1652) a Dutch painter and draughtsman. St. Paul��s Cathedral and the Globe Theatre are visible either side of the River Thames.

In contrast, the Czech artist Wenceslaus Hollar's (1607-1677) illustration at the bottom depicts the Great Fire raging across the north bank of the Thames).

Read about the exhibition here.

[kestarren]

"Ullswater from Seldom Seen" (in the Lake District, England), by Nicholas Stephen Phillips. British artist & Blues singer/guitarist, born 1948. About the artist (via E. Stacy-Marks Fine Art Dealers, NS Phillips): "Nicholas Stephen Phillips was born on 18th February 1948 in London, England.  He was the fourth child of Harry Raines Phillips, a Sculptor, and Kathleen Phillips, a Painter. Also descended from the 18-19th Century Landscape Painter Giles Firman Phillips. He became particularly interested in Landscape painting whilst working in the Conservation Department at Leeds City Art Gallery and Temple Newsam House in the early 1970’s.

He learnt how to paint by studying the works of J.M.W. Turner, John Atkinson Grimshaw, James McNeil Whistler, and the German Painter Casper Friedrich. All of these Artists have greatly influenced him. His early work is mainly in oils, from the 1970’s to the mid 1990’s. Most of these pictures are of the Leeds vicinity in West Yorkshire, where Phillips lived from 1951 - 1990.

In the mid 1980’s, Phillips’ other career as a “Blues” singer and guitarist took off, with him turning professional in 1986 as a solo artist under the name “Steve Phillips”. This period culminated with him forming a band with Mark Knopfler of “Dire Straits” fame, titled “The Notting Hillbillies”. This band is still in existence but only performing on special occasions.

Since 1990, Phillips has resided in the Robin Hood’s Bay area of North Yorkshire, where he has developed his pastel painting technique and still performs in the UK and Europe on his guitar singing the blues."

[mybeingthere]

Peter Coker, RA (British, 1926-2004)

‘One of the foremost realist painters in England … Coker will be remembered for the refreshing nature of his astringent vision, for his consummate mastery as a draughtsman, painter and etcher, and as a proud and vigorous inheritor of a great artistic tradition.’ (Frances Spalding, Independent, 20 December 2004)

Peter Coker was born in London on 27 July 1926. He first studied at St Martin’s School of Art (1941-43; 1947-50), and began to exhibit regularly at the Royal Academy from 1950. Though he was a contemporary of John Bratby and Edward Middleditch at the Royal College of Art (1950-54), his work related only briefly to the raw figuration of the Kitchen Sink School. This was signalled by his paintings of a Leytonstone butcher’s shop which were included in his highly successful first solo show (Zwemmer Gallery 1956). His development as a landscape painter originated in his first encounter with the canvases of Gustave Courbet on a trip to Paris (1950). By the mid 1950s, he was an established landscapist in the French manner, working from the motif on the coasts of Normandy (1955) and Brittany (1957), and drawing inspiration from such contemporaries as Nicholas de Stäel. Later in the decade, he revived the spirit of Barbizon in his paintings of Epping.

Coker moved with his family to Manningtree in Essex (1962), and added occasional appearances at Colchester School of Art to teaching at St Martin’s. Nevertheless, he concentrated on his work, and made time for painting trips to France, the North of England and Scotland. He held solo shows at the Zwemmer Gallery (1960s), the Thackeray Gallery (1970s) and Gallery 10 (1980s), and continued to exhibit regularly at the Royal Academy. He was elected an Academician (ARA 1965, RA 1972), and had his early images of the butcher’s shop presented at the RA in one of an increasing number of public retrospectives (1979).

From 1972, Coker made several visits to Bargemon, Provence, during which he gradually accepted the character of the South of France, and integrated its startling light and colour into his established palette and handling. Late in the decade, he applied this approach to an ideal motif, in beginning a series of paintings of the garden of the Clos du Peyronnet, Menton. Following the death of his son Nicholas in 1985, he stayed at Badenscallie, Ross-shire, Scotland. There he began an impassioned series of landscapes, extended on subsequent visits, which focussed on salmon nets drying at Achiltibuie. These reaffirmed his essential identity as ‘a northern painter’, which had actually become more strongly emphasised by his contrasting achievement of painting the south. The many studies and paintings inspired by both Mediterranean France and the West of Scotland comprised important elements of such recent retrospectives as that of drawings and sketchbooks at the Fitzwilliam Museum (1989) and that of paintings and drawings at Abbot Hall Art Gallery (1992).

In October 2002, Chris Beetles mounted a major retrospective of the work of Peter Coker and, at the same time, launched the artist’s authorised biography. The beautifully produced hardback book, with over 250 illustrations, contains contributions from Richard Humphreys (Tate Gallery), John Russell Taylor (The Times), and David Wootton (Chris Beetles Ltd). The book includes a comprehensive biography and chronology, essays, appraisals of his work, a catalogue raisonné and lists of his exhibitions and sketchbooks.

While the monograph and retrospective were being planned, it seemed that the artist’s career might have been drawing to a close. However, the joint project revived his energies significantly. This was manifested by a range of new work, which was shown at Chris Beetles Ltd during spring 2004. The motifs are mostly familiar, being drawn from existing sketchbooks, and range across France and encompass Britain. Yet the handling was freer than ever, and the palette more vibrant – accomplishments of which Peter was justifiably proud. This display was complemented by an exhibition of recent Parisian subjects, touring to Gainsborough’s House, Sudbury, the Royal Academy of Arts, and the Graves Art Gallery, Sheffield.

Peter Coker died in Colchester, Essex, on 16 December 2004.

[uwmspeccoll]

Wood Engraving Wednesday

ERIC RAVILIOUS

Here are a couple of small wood engravings by the noted English designer, painter, and wood engraver Eric Ravilious (1903-1942) illustrating English poet Harold Monro’s (1879-1932) poem Elm Angel, published in London by Faber and Faber as No. 26 in The Ariel Poems series in 1930. The edition was limited to 250 numbered copies on English handmade paper, and our copy is signed by the poet. Ravilious was one of the most significant wood engravers of his generation, despite dying at the age of 39 when his plane vanished over the north Atlantic during WWII.

View other posts with wood engravings by Eric Ravilious.

View more posts with wood engravings!