#Packing List for France
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packinglistonline2 · 9 months ago
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Essential Packing List for Your Trip to France: What to Bring for a Memorable Journey
With its immense history, splendid scenery, heavenly food, and world-acclaimed tourist sites, France is a haven of dreams for wanderers from all corners of the world.  France packing list appropriately is key to having a memorable trip while wandering through romantic Paris streets, wine tasting in Bordeaux’s vineyards or doing nothing on French Riviera beaches.   We have prepared a list of essential items that will ensure you have a stress free and unforgettable time in France.
Clothing and Accessories:
Comfortable Walking Shoes: France’s paved roads and historical attractions demand robust comfortable shoes ideal for walking tours.
Weather-Appropriate Clothing: It is wise to pack season-appropriate clothes when traveling to certain regions; such as light layers for summer, warm coats during winter or water-proof jackets when it rains.
Modest Attire: Do not forget that some religious places may require one to carry some modest clothing hence its advisable you bring those tops which cover up your shoulders and knees.
Scarves and Accessories: Make sure you are dressed fashionably but comfortably by wearing warm scarves or other accessories with an elegant touch that can keep you cozy whenever the weather changes abruptly.
Swimwear: If you intend going to pools, lakes or even beaches during your tour don’t forget your swimming costumes.
Sun Protection: During the high summer season sunglasses, wide-brimmed hat(s) and sunscreen lotions are recommended because these accessories help protect against ultra-violet radiation emitted by the sun.
Travel Essentials:
Passport and Travel Documents: Take a passport along with one’s travel insurance documents if needed visa (s), any reservations done including tickets where mandatory.
Local Currency: While visiting small shops paying cash or using public means of transport always remember to exchange money into euros; also notify your bank about this journey so as to avoid problems connected with credit cards or visa cards.
Travel Adapter: Since France uses electrical outlets of type C as well as type E, it is significant to carry a universal adapter that can charge your various electronic devices.
Reusable Water Bottle: During sightseeing there are plenty of public fountains or restaurants where you can refill your bottle with water hence carrying a reusable bottle will be essential.
Personal Care Items:
Toiletries: Please pack all the necessary toiletries including toothbrush, paste, soap, shampoo, conditioner among other personal care things.
Medications: Ensure you come with any over-the-counter remedies like pain killers inclusive of prescribed drugs in addition to common ones such as antihistamines and medication for motion sickness.
First Aid Kit: In cases of emergencies or minor injuries don’t forget to bring Band-Aids as well as antiseptic wipes instead of having a headache later on when you really need them.
Hand Sanitizer: While traveling, a small hand sanitizer or disinfectant wipes can be used to keep hands hygienic and germ-free.
Electronics:
Smartphone and Charger: Take a charger and capture memories with your smartphone while keeping in touch with people around the world using this device.
Camera: A digital camera or smartphone having good quality camera are used to take photos of France’s landscapes, tourist sites and food/mealstuffs.
Travel Adapter: You may also have one at hand because it may so happen that electrical outlets in France vary from those existing in different countries worldwide.
Miscellaneous Items:
Daypack or Tote Bag: For ease of movement use light backpacks that hang freely on one shoulder while going for walks and hold your essentials comfortably within their compartmentalized  spaces.
Guidebook or Maps: Find guidebooks, maps or mobile phone applications giving detail about the attractions; eating places; transport means etc. to enable you plan ahead and avoid getting lost en-route.
Reusable Shopping Bag: A shopping bag able that collapses into small luggage compartment should be taken since it is capable of loading groceries without creating plastic waste behind or for souvenir carrying.
French Phrasebook: To increase your cultural experience in France, it would be a great idea to understand some French phrases.
Other things:
Travel Pillow and Blanket: While on transit with a travel pillow and blanket one can have time to rest and relax during long flights or train travels.
Travel Journal: A travel journal comes in handy for one to keep memories of their trip to France by writing down adventures, thoughts and experienced.
Portable Wi-Fi Hotspot: Always stay online while travelling using portable Wi-Fi hotspot device that ensures you have internet access wherever you are.
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yanderespamton78 · 3 months ago
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when you want to do something productive but you have so much to do that you get overwhelmed and instead just sit there like this
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beannary · 1 year ago
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How are you seeing mm on Monday if it only comes out in august?
im going to be seeing a preview on monday!
there's this event that happens every year in france called The Annecy Festival, and its basically this global animation event that last for just about a week. And basically at the annecy festival there are a bunch of previews and screenings for upcoming movies, and on Monday there will be a preview of Mutant Mayhem!
I got pretty lucky actually, I'm not from France and I had no idea about the annecy festival until a month or two ago, and the best coincidence possible happened that my family had been planning on going to France during the exact time that the annecy festival was happening. It's actually such perfect timing, the festival starts on the 11th which is the day I arrive in France, and then the Mutant Mayhem preview is happening on Monday the 12th so I'm actually ditching my family vacation as soon as I get to france so I can go see this preview lol
anyways im super excited! i'll see if im in the mood for posting like my initial thoughts without any spoilers after I see it because i really dont want to spoil anything but by god im pretty sure im going to go insane if i cant talk about this movie with anyone
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mysticalalleycat · 1 year ago
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I'm about to identify as a fucking problem
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darkbluekies · 6 months ago
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GOLDEN TRIAL
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Yandere!mafia x yandere!female!mafia x female!yandere x yandere!king x yandere!doctor x male!detective!reader
Summary: Its 1935 and you've been sent on the Liner Normandie to retrieve a stolen painting. You have six suspects and the clock is ticking — you only have four days before the ship reaches New York to find it. But soon, you find yourself caught up in something even more serious than you could have believed.
Warnings: getting hit in the head with a bottle, kidnapping, mentions of drugging, stalker behavior, light misogyny(?), guns, needles, violence
Word count: 11.7k
DAY 1 — Debark
The ship towers over you like a mad giant. Gray smoke rises from the two forward funnels. It’s the biggest in the world, bigger than any man made object that can float. You shake your head. Focus. You’re not here for pleasure. You continue your way over to the terminal. The agency sent you in hopes of finding the lost painting, no one else. You need to stay focused, they’re counting on you.
Without questioning, you give the fake ID to the man behind the desk. When you had started out as an agent, you were always nervous that your covers would be blown and you would be found out. Nowadays, you’ve noticed that if you look nervous, risk are that you’ll be asked questions. 
You walk over the gangway with your bag in hand. You have just above four days to find the painting — a very famous portrait of a woman with her head slightly turned to the viewer, wearing a big, blank pearl earring. It was stolen from the Mauritshuis in the Netherlands two weeks ago, and details have revealed that it has been taken to France, and will be moved to America on the SS Normandie. The painting itself isn’t insanely big, but the fuss about it’s disappearance is. You have to find it at all cost. 
Before you got here, you had time to take a look at the passenger list. There are six people you recognise, where of five could be your potential smugglers. 
Silas Achilleos, a mob boss wanted by the police, and his second in command. A man like him was probably not interested in paintings, but he could have clients who did. And those could pay him heaps of money. 
Edmund of Vesanus, a young king who likes the bachelor life. He surrounds himself with loads of women and alcohol, partying like nothing matters. He would take the painting because he doesn’t want anyone else to have it. He’s traveling with his doctor, a certain Karl Kry who you don’t know much about. 
Hedwig Carter, a young heiress who’s father is noble, and who's mother is famous in the acting business is traveling with a young woman named Jerry Kim, someone you guess is Hedwig’s chaperone. Hedwig is known for getting whatever she wants with a snap of her fingers, and if she wants a painting … she will get it. Jerry, however, does not have much information out in the open. Everything about her before she started to work for Hedwig is wiped away. You want to know who she is and where she comes from, and what she would want a painting for.
You walk down the stairs to your cabin on A-deck and start to pack up, using the second bed in the room to store your bag. After settling in, you decide to take a look around this magnificent vessel to get familiar with it. You make your way up to the promenade deck and give the open cinema by the stairs a quick look. You guess that they’re going to put on movies once the ship reaches open water. If you’re lucky you’ll see something interesting. And hopefully, you have the time to watch it. 
The promenade is enclosed decorated with a gray floor, comfortable deck chairs and clear windows. A line in the tricolor fashion runs along the floor, as if to show where to walk. You walk on the line, flashing a little childish smile. You’ve left Le Havre and are on your way out towards the Atlantic’s open arms. The clock is ticking. 
Your eyes lock onto someone walking towards you and you immediately realize that it is Hedwig and her chaperone, an east asian girl … wearing pants and a long sleeved shirt. You don’t realize how obvious it is that you’re staring until the woman opens her mouth and you realize that they’ve stopped right in front of you. 
“What are you staring at, sir?” she asks, raising her eyebrows and putting her hands in her pockets. “If you want to say something, do it.”
“No—no, sorry”, you say quickly, feeling your cheeks heat up. “I didn’t mean to stare.”
“Tell me, do you approve of women who wear pants?” 
It sure looks weird, but is it? When you think about it, aren't pants just pieces of the same fabric as skirts, just sewn differently?
“Uh, I … suppose so.”
To that, Jerry nods approvingly.
“I don’t see why only men should wear pants”, she says.
“Well, I don't feel comfortable wearing them”, Hedwig chuckles nervously and smiles softly. “But they fit you, Jerry. They really do.”
“You must be miss Carter”, you say, as if you don't know, and shake her hand. “It’s nice to meet you.”
“Nice to meet you too, please call me Hedwig! Who are you?” 
“I’m Axel Ainsworth, I'm in the art industry.”
Hedwig’s smile widens. “That is very interesting, I love art. Especially portraits. Capturing humanity’s differences and details are magical. Don’t you think so, Jerry?”
“I’m more for that new thing — surrealism, I think it’s called — where everything is here and there and weird to believe”, Jerry says, shrugging. “But portraits can be okay too, depending on what type.” 
Hedwig has turned her eyes to you, glued them onto you as if you are the only thing she could ever see. “Are you traveling alone, mister Ainsworth?” she asks. 
You have remembered your entire forged background and learned it skillfully. Even your fake name rolls off the tongue as smoothly as if it was your real name. You're traveling alone because you're on your way home to your fiancé from a business trip. 
“I see”, Hedwig smiles and turns to the woman next to her. “Let me introduce you to my chaperone, miss Jerry Kim. You're always welcome to sit with us during dinner. We'd be more than happy to accompany you.”
“I'm grateful to know that, miss.”
With that said, the two women walk away. You frown and sigh. Hedwig seems like a very sweet young woman, it’d be a shame if it was her who was the culprit. Her chaperone, on the other hand, gives you weird vibes. Something about the look in her eyes … as if she’s looking right through you, scanning you. 
You continue down the promenade until you turn into the Winter Garden, a half moon-shaped room full of plants and lamps and big, wide windows, overlooking the special shaped bow that has given Normandie the speed it has. Passengers have already started gathering in the Winter Garden to talk to friends and family and watch how Normandie makes her way out onto the Atlantic. None of them resembles the men you’re looking for. You continue your way through the ship, eventually finding yourself in the smoking room on the embarkment deck, where you had stepped onto the ship. You had only glanced at the room before, but now when you’re standing in the smoking room — and very well the lounge since they’re connected — you realize how stupid you must have been to miss it. There must be ten meters up to the ceiling, you think, and bigger than a concert hall. A long, grey staircase leads up to the outside deck. The art deco interior is modern and sleek, but the whip overall has a classic, conservative design that reminds you of the great liners of the old age. You sigh while thinking of the Mauretania and the Olympic, Britain's biggest rivals which now are laid up in Jarrowtown, side by side, ready to be scrapped. There’s something melancholy about it all, and at the same time something beautiful, starting as enemies and now ending it all under the same flag, together. 
You shake your head. Focus. Your eyes catch someone standing by the windows, someone very familiar. Silas and his right hand man. You move closer, trying to hear what they’re talking about.
“I’m not complaining, I just think that it is annoying that it has to take four days to get to America”, Silas mutters and takes a whiff off his cigar. 
“Any other ship would take double the time, sir”, his second in command says apologetically. “I doublechecked.”
“I don’t like being in one place for too long.”
“See it as a vacation. You’re deserving of it. Let’s enjoy some good food, alcohol and some company. It’ll do you good.”
“I don’t like to be in one place too long. Especially when we know that they're on board!”
You furrow your brows. Who?
“Nothing will happen.”
Silas hums and smokes again. You’ve stood by the windows a few meters away, pretending to be interested in the horizon. Silas turns his eyes to you. 
“You, sir”, he says, pointing at you with his cigar. 
You look away from the ocean. Both Silas and his second in command have turned to you, their dark eyes looking right at you. 
“Yes?” you ask. 
“Is it true that the Normandie keeps her speed?” Silas asks. “No matter the weather?”
“I believe so, sir.”
Silas nods in satisfaction. “Good.”
You decide to try to get some information out of him. You know who he is, but he doesn’t know who you are, doesn’t know that you’re out to get him. To him, you’re just another first class passenger. 
“Are you in a hurry?” you wonder. 
“You could say that”, Silas sighs and turns his eyes out the window again. 
You hold out your hand. “I’m Axel Ainsworth.”
Silas second in command gives him a short look before his boss shakes your hand. His grip is hard, firm. 
“You can call me Silas”, he says. “No need for a surname.” He takes another blow on the cigar. “What brings you out on the ocean like this?”
“I’ve been on a business trip, but now I’m going home to my fiancé”, you say, pretending to smile at the thought of your made up fiancé.
“What business are you in?”
“Art.”
Silas lifts one of black his eyebrows. “Art?”
His second in command straightens his back. 
“Yes, sir”, you say. 
“Are you a … painter?” Silas wonders. 
“God no, I can’t handle a brush even if my life depended on it. I’m an art trader, I help people sell their paintings for the right price.”
“I see. Well, one can’t do everything.” He blows a cloud of smoke. “Have you traveled on this ship before, Axel?”
“No, it’s my first time. But I’m not unfamiliar with the ocean, I used to travel a lot on the older ships in my younger days.”
“Then I suppose you have a favorite?”
You think for a second. “I did like that Cunarder, the Lusitania … such a shame Germany sunk it.”
“You never know which ships are safe or not, just look at that Titanic fiasco. They thought it was the safest ship afloat. Yeah, sure it was.” Silas shrugs. “Wouldn’t surprise if this peace of junk also sinks. Why wouldn’t it?”
“Well …”
Silas’s second in command taps him on the shoulder and whispers something in his ear. Silas frowns and nods before turning to you. 
“It was nice speaking with you, but I have some business to deal with”, he says shortly. 
“Have a good day”, you say. 
Silas nods politely and leaves. You follow him and his second in command with your eyes until they’ve left the smoking room. He was nicer than you had anticipated. 
Your next suspect, you find in the dining hall that evening. You’ve met up with Hedwig and Jerry in the reception. Hedwig is wearing a pink evening gown with pink gloves. Her honey blonde hair is curled and put up with hairpins. Jerry is wearing a dark purple, sleeveless dress, showing a couple tattoos. In her short, black hair, there’s a little decoration that reminds you of a flower. She's wearing dark lipstick, in contrast to Hedwig who wears a Hollywood red.
“They wouldn’t let me in unless I dressed ladylike”, she mutters. 
“I think that you look gorgeous, Jerry”, Hedwig smiles and takes her hand. 
“I guess that it isn’t that bad.”
“I like your tattoos”, you say. “Where did you get them from?”
“A tattoo artist, of course.” She then twists her arm to show something on the inner side of her bicep. “Okay, I made this one myself.”
You step closer, seeing a small heart tattooed on her arm. 
“That’s cute”, you smile. 
“Thank you”, Jerry smiles smugly. “Hurts like hell though.”
“I can imagine.”
The stewards allow you into the dining room and — for what feels like the thousand time today — you’re amazed by the interior. Silver walls with golden ceiling and art decor wherever you could see. In the middle of the long dining hall, there’s a gigantic, golden statue of a woman. 
Hedwig and Jerry leads you to a table and sit down. That’s when you see your last suspects. They’re walking through the dining hall, dressed in tuxedos. The king can’t be more than twenty years old. His doctor is a minimum of fifteen years older. 
“You son of a bitch”, he says suddenly and looks at the table you’re sitting at. “Hedwig?”
Hedwig’s eyes widen in shock.
“Edmund, what are you doing here?” she asks with a smile. “Sit with us, please.”
The king and his doctor sit down at your table. 
“Good evening”, the blonde doctor says and shakes yours and Jerry's hand before introducing himself. “I’m Doctor Kry.”
“Nice to meet you, I’m Axel Ainsworth”, you say. 
“This is king Edmund.”
You’re about to shake his hand, but Doctor Kry removes your hand. 
“I’m sorry, but he doesn’t shake people’s hands”, he whispers. 
“Oh, I see”, you say. 
The king gives you a bored look. 
“It’s a pleasure to meet you, your majesty”, you tell him politely. 
“How do you know Hedwig?” he asks shortly. “I haven’t seen you before.”
“We met today”, Hedwig smiles. “Axel, Edmund is my relative. It’s been months since we last saw each other.”
“I’ve told you to visit.”
“I know.”
“Are you that much of a hypochondriac that you need a doctor to accompany you while you’re traveling?” Jerry chuckles. 
“What are you doing here, Jerry?” Edmund mutters coldly. 
“She’s my chaperone”, Hedwig explains.
“Oh fuck me.”
“Your majesty, maybe you should think about your language”, Doctor Kry says. “We are around others.”
Edmund rolls his eyes before looking at you in a bored manner. 
“Tell me”, he says, “where do you come from, mister Ainsworth?”
You ramble your rehearsed background. Edmund nods along with you.
“I’ve always wanted to visit that place”, Doctor Kry says. “I’ve heard that it is a beautiful city.”
“It is”, you say. 
“And now you’re going to America”, Edmund says. “What were you doing in France?”
“I was on a business trip.”
“What type?”
It strikes you as odd. He doesn’t sound interested, but still he asks you curious questions. 
“I’m in the art business”, you say.
“What for?” Edmund wonders.
“Art is beautiful and should be getting what it is worth.”
“I like art”, Doctor Kry. “I would do anything to see the Mona Lisa.”
“Why didn’t you visit it when you were in France?” Hedwig wonders. 
“We didn’t have time … Edmund didn’t want to go there.”
“Why should I squash together with other people to see paintings?” Edmund scoffs. “If I want to see a painting, I get it for myself. That’s that.”
“But do you like art, your majesty?” you ask. 
“Everyone likes art”, Edmund replies nonchalantly. “That’s what gives life meaning.”
“Have you read a certain story, Edmund, called ‘The Picture of Dorian Gray’?” Jerry asks with a teasing smile. “Thought that it’d fit you.”
The story is about a man who wants nothing more than to remain youthful … to the point where he has a painting of himself where all of his sins can be seen. In the end, the picture is as gruesome as can be, but Dorian himself is as youthful as he started.
“Oh, shut up, Jerry”, Edmund mutters angrily. “One day, I’ll teach you manners, believe me.”
Jerry smirks. 
You eat dinner together with the young king and the doctor. Afterward, to soothe your aching stomach, the five of you walk up to the outside promenade deck to get some fresh air. You strut under the lifeboats, under the stars. Above you, a big luminous sign spells out the name 'NORMANDIE’, casting a soft light on you. Doctor Kry has lent his blazer to Hedwig, and you’ve tried to offer yours to Jerry who refused before you had the time to open your mouth.
“Ladies, I think it’s time for you to retreat”, Edmund says, sounding sweeter than before. “It’s starting to get late.”
“The evening is young”, Jerry insists. 
“I’m tired”, Hedwig yawns.  
“Jerry, be a good girl and bring Hedwig to your cabin”, Edmund grits. “Please. I’m not fighting with you again.”
Jerry rolls her eyes, removes the doctor’s blazer and tells you goodnight. Hedwig gives you and Edmund a hug. Her flowery perfume clogs up your nose, dulls your head for a moment. The three of you wish the girls a pleasant evening and continue walking. 
“Hedwig is a stupid girl”, Edmund says, strolling slowly. “One can’t help but want to take care of her.”
“She seems very sweet”, you admit. 
“She is. Just very naive. I’ve promised her father that I’m going to take care of her whenever I meet her.”
“Her chaperone is … interesting”, Doctor Kry remarks. 
“God, yes, I hate her!”
“What is it about her that you don’t like?” you ask curiously. 
“I do not like girls like her. Did you see her tattoos? She often walks around in man’s clothing and I don’t think it’s fitting for a woman — especially someone that is close to my relative. I don’t want her influencing Hedwig.”
“I don’t think you have to worry, your majesty”, Doctor Kry says calmly. “I think Hedwig is going to be okay.”
“If there’s one thing I’m glad for, it is that Hedwig is predictable.” He groans. “I need a cigar. Let’s go to the smoking room.” Edmund turns around to give you a look. “Axel, are you joining?” 
“I don’t know”, you reply. “It’s the first day, I’m still tired from embarking.”
“Don’t tell me that you’re going to bed now.” He looks at his expensive watch. “The clock is ten. Stay one hour.”
You give up and follow them to the smoking room. Maybe it is for the best. If you want to get close to them, you’ll need to spend as much time observing them as you can. 
Sitting with them in the smoking room, you find that Silas and his second in command aren't here among the other men. You frown, thinking that they would be here since they were earlier. 
When you’re allowed to leave, two hours later, your mind is fogged up by smoke and whiskey. You make your way through the empty corridors to your cabin, closing and locking it behind you. Tiredly, you sink down on your bed and sigh out. You have observed them, and talked with them the entire day, and yet you haven’t figured out who could be hiding the painting. They all seem interested in art. They all could have taken it. 
There's so many questions. What kind of doctor is Kry? Where did Jerry come from and why is there no information about her? Why would someone like Hedwig hire her as her chaperone? And who is that person that Silas doesn't want on board? Is there someone you haven't accounted for, someone else that can have stolen the painting?
You hide your face in your hands and groan. Three days left.
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DAY 2 — Sea
You wake up early, get ready and head out into the corridor. You lock the cabin door behind you, feeling the handle to make sure that it is locked and make your way to the Winter Garden to have a cup of coffee. The large windows give you a wide view of the calm ocean. The sun rises up from the blue water in a magical sense that has you hypnotized. It's all so very quiet and relaxing.
After your cup of coffee, you stretch your muscles, and contemplate going down to the swimming pool to take a few laps, to warm up your muscles and clear your head for the day's work. You pay the purser and make your way down to the swimming pool on D deck. The tile walls are covered with art that reminds you of ancient Greece and the new, abstract type of paint. The pool itself was formed as a long rectangle with curved corners, green steel ladders, and a steep and a shallow part. Throughout the shallow part, there were thick, dull spikes, likely to stop children from going out into the deep end. 
Despite being the early hours of the first morning on board, someone is already in the water. Doctor Kry.
“Good morning”, he says. “You’re up early.”
“So are you”, you reply.
“I always need to clear my head before starting the day.”
“What about the king? Is he swimming too?”
“Don't kid around. He doesn’t wake up until nine. I wouldn’t be able to get him out of bed before that anyways. He’s a very deep sleeper and hates getting woken up.”
You feel your heart skip a beat. 
“Where do you have your cabin?” you ask. 
“On the promenade deck, one of the suites. A-54.”
Bingo. 
“Why do you ask?” Doctor Kry wonders.
“I was just thinking that since the king doesn't want to be disturbed, choosing the right cabin place is important.”
“Did we choose a good cabin then?”
You nod, despite not knowing a single thing about cabin placements. The only thing you're aware of is to be as far away from the noisy engine room as possible.
Perhaps if you asked the purser, you could get the number of the other cabins. He, if anyone, should have the passenger list. 
You glance back at Doctor Kry who's still hanging by the side of the pool. This is your time to investigate him. You slowly get into the water.
“Such a shame that you didn't get to visit the Mona Lisa”, you say as you start to swim. “It's a very pretty painting.”
“So I've heard”, Doctor Kry says slowly.
“My favorite painting is ‘the girl with the pearl earrings’, have you had the opportunity to see it?”
He's quiet for a second.
“I haven't”, he says, sounding low. “I guess that, an art trader like you, must be troubled by its disappearance.”
“Of course”, you answer.  
At this point, a detective and an art trader don't seem like different things, especially since both would be looking for the same thing.
“Can I ask you something?” you wonder.
“It depends”, Doctor Kry says. “Go ahead.”
“Forgive me for being nosy, but why doesn't his majesty like Jerry?”
“He is very old fashioned. He doesn't think that women should be dressed in pants or have tattoos. Edmund is very self centered, yes, but he's also very possessive of the ones he holds dear — example being miss Hedwig. As you may know, his parents were murdered by enemies to the monarchy and ever since, the only relatives that have been in his life have been Hedwig and her family. They're very close in age too — Hedwig being eighteen and Edmund nineteen — which has been a very important thing for him. He sees her as a friend, maybe his only friend. So having someone that could potentially blemish his friend and only family is a threat to Edmund.”
“Then why does Hedwig have Jerry?”
“I don't know. It could be because of a teenage revolt. Jerry is different to everything that Hedwig has ever known … and now that she's eighteen she might want to try something new.”
“Do you think that Edmund is worried about her? Because of Jerry?”
“I wouldn't say worried, because the only thing the king worries about is himself, but I think that there's something along those lines. I think that he sees Hedwig as an extended part of himself rather than her own person.”
You nod carefully.
“I wonder where Hedwig found Jerry”  you say. “How someone like her could get the job as Hedwig’s chaperone. Do you know where she comes from?”
Doctors Kry suddenly laughs.
“You ask an awful amount of questions this early in the morning”, he says and gets out of the water. “I'm sorry, I don't have more answers for you, Axel.”
You look up at him, where he stands on the tile floor. He looks down at you with a small smirk.
“You remind me of a little boy”, he says and lowers his eyes onto your physic. “You're awfully trained to be an art trader. One could think that you were an Olympian.”
“Shouldn't a doctor be pleased that I am taking care of myself?”
“I am. You look good, healthy.  Just found it humorous.” He wipes away a few drops of water trying to go into his blue eyes. “I suppose that I will see you later. Goodbye, Axel.”
“Goodbye.”
You decide to do a few more laps around the swimming pool before getting up and drying yourself. Tomorrow morning, you will sneak into Edmund’s and Doctor Kry’s cabin to see if the painting is in there. But for now, you need to go to the purser. 
You change into your suit. In the front pocket, you keep a little commonplace book to take notes. You  make your way back to the pursers office. The man behind the desk gives you a service smile and asks how he can help you. 
“Do you happen to have the passenger list?” you ask. “I would like to know where some people’s cabins are located.”
“What is your name?” the purser wonders. 
“Axel Ainsworth.”
“Who are you wanting to find?”
“Hedwig Carter and Silas Achilleos.”
The purser disappears into his office. You wait impatiently, suddenly feeling watched. Carefully, you glance over your shoulder, but the only ones in eyesight are two men who are conversing. The purser returns. You fish out your notebook, ready to note it down. 
“Miss Carter has cabin B-23 and Mister Achilleos has cabin A-11.”
You write it down. “Thank you.”
With that said, you leave to go to the staircase. You’re not sure where to go, so you decide to take a stroll down the enclosed promenade while thinking. Doctor Kry knows more, you think, but he doesn’t want to tell. 
You sit down on one of the deck chairs to write down what you have gotten to know, so that you won’t forget any important information. You write down the suspects' motives to steal the painting, Silas’s weird enemy, their relation to each other — which only connects Edmund, Kry, Jerry and Hedwig — as well as the answers that you have gotten from Doctor Kry earlier today. Who has the painting? Your first instinct says that Doctor Kry doesn’t have it, because he’s not interested in that painting. Had it been the Mona Lisa, things would have been different, but this painting doesn’t interest him. That doesn’t mean that the painting couldn’t be in his room, though, because Edmund could still want to have it. 
You stand up after a while and continue walking. Your eyes fixate on something in the distance. A woman dressed in pants talking to a man in a suit that seems to be hiding in the corner of the promenade. You frown. 
What does Jerry have to do with Silas's second in command? 
You want to move closer, but you don’t want to expose yourself. You’ll have to change the relations in your notes, because there’s clearly something more than you’ve been led to know. 
What if Jerry’s lack of background has something to do with the mafia? It would explain her tattoos … that or being a sailor. But because of what you've just witnessed you can most likely scratch the latter. A shiver runs down your spine. If Jerry is dangerous, then Hedwig could be too. You stop in your tracks. Hedwig? Really? Edmund said it himself, she's a stupid, naive girl. Could she be dangerous?
You walk up to the open deck in the stern of the first class accommodations where you find a few kids playing something reminding you of curling. You sit down on the zig-zag benches placed out on the deck and watch them. They notice you looking and ask you to join them, so you do. You decide that maybe you can pleasure yourself in a harmless children's game for a few minutes, and continue the mission after.
When lunchtime rolls around, you make your way down to the dining hall. It's emptier than yesterday evening. You find Silas and his second in command sit by a table. Silas notices you and waves you over. Your feet bring you to him.
“Sorry to cut our talk short yesterday, Axel”, he says politely and gesticulates at the chair in front of him. “Sit down. Let me buy you lunch.”
And so, he does. You sit down and try your best not to glance at the second in command who’s black eyes burn through you. Your stomach twists. 
You both get lamb, something you have eaten many times before. Still, it tastes better at sea.
“What did you say that you were here for again?” Silas asks suddenly as he’s cutting his meat.
His voice sounds different from yesterday. You clear your throat to make sure that your voice won’t shiver.
“I’ve been on a business trip”, you say. “And now I’m going home.”
“Yes, yes, I know that. What I mean is that you didn’t tell me why you were in France. What kind of business trip was it? What did you do? I know that you were there for art, but what do one do on an art business trip? You have to forgive me for being curious.”
“I was meeting some people from the Louvre.”
“I see. About what?”
“Art’s future, how to make sure they don’t break or smudge or get tainted by the sun. And how to protect them. You must have heard about ‘the girl with the pearl earrings’ missing?”
“Yes, of course. Isn’t it weird that someone would steal that painting? Why not a Monet painting? Or the Mona lisa?”
“I don’t know. Maybe taking one of them would be too big of a deal. Maybe the one taking the painting thought that since it isn’t one of the most cherished, they’d have an easier time taking it … that the commotion about it would die out sooner or later.”
“Perhaps.” 
You’ve noticed that you haven’t heard the second in command’s voice at all, beside the talk he had with Silas yesterday. He doesn’t speak to anyone else than Silas … and Jerry. You still don’t dare look at him, scared that he will see right through you and know that you’ve seen him talk to her. You wonder what they were talking about.
“Did you have a good time yesterday?” Silas asks.
“Yes, I did”, you reply.
“Did you meet someone?”
“No, I didn’t. I chit-chatted with some people here and there, but kept mostly to myself.”
“You do good in that. You never know who you can trust on a big ship as this. You never know who wants you good or not.”
“Why are you traveling, Silas?” you ask innocently. “You said that you were impatient to get to America. Is there a reason?”
“Of course. Everything has a reason. But I don’t think I can share that with you. At least I shouldn’t.”
“Why not?”
Silas turns his black eyes to you and smiles slightly. His hungry gaze makes you freeze. He had seemed so sweet yesterday, but you finally see a slice of what makes him so terrifying. 
“Because someone like you shouldn’t know that”, he smiles. 
“I understand”, you say and take a piece of food into your mouth, to avoid speaking further.
“You have to excuse my man here”, Silas says and nods at his second in command. “He’s the shy type. He goes wherever I go, so you have to get used to him.”
“Is he your bodyguard?” you wonder. 
“You could say that. But I’m always prepared in case someone wants to attack me.”
He opens his blazer, showing you a revolver tucked into the fabric. You have your own in your suitcase. Walking around with it feels too risky, but maybe you’ll have to go get it. In case anything happens.
After lunch, you’re left with a weird feeling in your stomach. You have talked with him for an hour, about everything between heaven and earth … and yet it feels like you have been having two conversations in one — one on the surface and one real. 
You walk to your cabin and press down the door handle and walk into the room. The first thing that strikes you as odd is that there’s a new smell in the air. A flowery scent. You can swear that you have felt it before. Without a second to waste, you open your bag and pick up your gun, putting it in your suit. Quickly, you turn around, realizing something. Didn’t you lock the door when you went out this morning?
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That evening, you spend dinner with the two girls and stay in the smoking room with Edmund for what feels like an eternity. Edmund wants to play a deck of cards with you. He seems a bit more relaxed than yesterday and even smiles a bit. 
After your games against Edmund, you decide to retreat. You walk down the long, dimly lit corridor. The narrow spaces feel almost ominous at night time, although barely any daylight reaches here at daytime either. You glance over your shoulder every tenth step, hesitating, can't help but feel watched. Your hand reaches for your gun, but before you have time to get it, someone reaches up behind you and smashes something heavy in your head. Everything turns black.
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DAY 3 — SEA
“He's waking up.”
Your eyes feel like lead, and your head is even heavier. It takes a few tries to open your eyes and when you finally manage to, you want nothing more than to close them again. For a few seconds, you wonder if you're dreaming. They're all here, looking down at you. You look around and notice that they've tied your hands and feet, and left you on the floor at the end of the bed, with your back against the footrest.
You catch a glimpse of the clock on the wall. Just a bit past one in the morning. The third day has begun. You have been blacked out for three hours.
Your head is pounding, making it hard to think clearly.
Jerry bends down, grabs your chin and turns your head back and forth to inspect the damage caused on your head.
“He'll live”, she says and gives your cheek a quick, but harsh, tap.
“Well, well, Y/N”, Silas says, smirking. “You're a bit nosy aren't you?”
The mention of your name causes you to twitch and widen your eyes. In your dulled stage, you wonder if you've heard wrong, but the smirk in their faces confirm that you have, indeed, not lost your hearing.
“So, you were the agent”, Silas continues and shrugs. “I gotta admit, I was hoping that it wasn't you.”
“You were smart-”, Doctor Kry starts. 
“But not smart enough”, Edmund cuts him off sharply with his arms crossed over his chest. “‘Art dealer’, yeah, sure. A detective dealing with art. That's not the same, Y/N, if you didn't know that.”
Silas picks up something from his pocket, a small commonplace book. 
“‘Suspects are all interested in art, could be any of them’”, he reads out loud. “‘J involved with S? Talked with SIC.’ Jerry? Involved with me? Talked with my second in command? You seem to have it all written down.”
“I was involved with Silas”, Jerry says. “I know his second in command very well.”
“How—How did you … know?” you ask, baffled. “Were you all in on it?”
“Not from the start, no”, Doctor Kry says. “I only knew Edmund and had met Hedwig before. I didn’t even know Jerry, Silas or his second in command.”
You quickly realize that Jerry is the linking chain between them. She linked Hedwig, Edmund and Kry to Silas and his second in command. 
“I had already been informed and knew that there would be someone on this ship out to get me”, Silas says. “I heard that Jerry was on board and caught up with her. She told me that she and Hedwig had met you. It was her that thought it was weird that you asked all of us about art. My men dug, and found out your real identity. My men saw you speaking with the purser, hearing you ask for our cabins and decided to tell it all to me and my second in command, who told Jerry … who told the others.”
“You have more men?” you ask and can’t hide how shocked you get.
“Of course. You don’t think I would go on board with only one man? Do you think I'm stupid, darling? You, on the other hand, probably should have had someone, at least.” 
“Awfully inconsiderate of your bosses, don't you think, to send you all alone?” Jerry says.
“You were looking for this, weren’t you?” Edmund asks and pulls out something from a wooden box behind him. 
You stare at it with wide eyes. The painting.
“Who—Who had it?” you can’t help but question, gulping between the first word. 
“Me, of course”, Edmund says with an offended, yet proud scoff. “It will do nicely in my castle.”
“Now, little Y/N, you know”, Silas says. “Are you happy now? Your mystery is solved.”
Your head hurts too much to answer. You’re not sure if you’re happy. You have learned where the painting disappeared, but you’re tied and hurt, and in the enemies’ grasp. A mixed bag, so to say. 
“I can’t watch the blood”, Hedwig suddenly says and stands up from the armchair she's sitting on. 
She has been the only one that hasn’t smirked at you and seems genuinely apologetic that you're here, but you don't trust that damsel in distress look anymore. She pushes through the others to reach you with a wet handkerchief in her hands. Carefully, she kneels down in front of you and wipes the wet cloth against your forehead. She wipes away the dried blood gently.
“What are you going to do now?” you spit, coming your head to the side. “Throw me overboard?”
“Not exactly”, Silas says, smiling menacingly. 
“Not yet, at least”, Jerry says, grinning.
“If I don't meet my contact in New York, people will know that something has happened to me”, you say coldly. “They'll hunt you down.”
“Oh, will they now? I didn't realize that we had stolen their golden boy.” Silas's cruel smile widens. “Well, Golden Boy, plans seem to have changed.”
You glare at him in confusion. Silas pets your head twice and you hiss at the painful touch. Whatever they hit you with, it must have caused a gigantic bruise.
“Seems like we have to keep you for a while”, he says. “But you will have to stay in here, I’m afraid. You probably understand that we cannot let someone like you wander around the ship.”
You glare at him.
“Do you really think ropes will stop me?” you ask. “I'll be out of here in no time.”
“I would very much like for you to see what we do to you if you decide to break free.” He gives you a testing look before turning to his new companions. “Oh, and one more thing …” He picks up a familiar revolver, spinning it around his hand. “... thank you for the free gun.”
You want to curse at him, but keep quiet for your own sake.
“It's late, the ladies should head to bed”, he says, gesturing for Hedwig and Jerry to leave. “We need to keep someone here to make sure that our little Golden Boy won't free himself and run around, causing trouble.”
“I can take the first shift”, Doctor Kry says and golds up a syringe filled with a translucent liquid.
“Do not harm him, you hear me?” Silas tells him warningly. “I want him alive, coherent and unharmed.”
“Where am I supposed to sleep?” Edmund questions angrily. “In this cabin? Now that I'll have people staring at me?”
“You and Doctor Kry will take Y/N’s cabin”, Silas says.
“Are you fucking kidding me?”
“Stop being so spoiled, your majesty.”
“Won't that be suspicious?” Silas’s second in command questions. “If they see the young king exit and enter someone else's cabin instead of his own?”
“No one knows his cabin”, Silas says as if things were obvious. “Besides, we're in New York tomorrow anyways. It won't be a problem.” He turns to the others. “Scatter.”
The five of them walk out, leaving you and Doctor Kry alone. The doctor sits down in one of the two armchairs in front of you with a long, tired sigh. In his hand, he twirls the syringe.
“What is that?” you mutter.
“Something that will make you go to sleep if you're trying to escape”, Doctor Kry says simply, as if he was talking about watering flowers.
“Why did you hit me in the head if you had that instead?” you ask bitterly.
“Because it wasn't me, it was the second in command and Jerry.”
“Did you lie down in the swimming pool? About not knowing where Jerry came from?”
“No, Y/N, why would I? I told you that I didn't know anything. I didn't get to know until this afternoon.”
“And yet you're quick to jump the wagon to get me killed. I thought doctors were supposed to be nice.”
“I’ve never said that I was nice.”
“What do you gain from this? Why do you want to engage in collusion with people like this? What kind of doctor even are you?”
“Still, with all these questions … look, Y/N, it’s late. You’d do good in trying to get some sleep.”
“On the floor? With my head pounding in pain? With my hands and feet tied?”
“Suit yourself.”
There’s a deadly silence after that. You listen to the sounds the Normandie creates, and somehow wishes that she could save you, but you’re trapped within her, there’s nothing to be done. You rest your head back onto the edge of the footrest and sigh heavily. Doctor Kry looks at his syringe as if it is the most interesting thing he has ever witnessed.
“I'm thirsty”, you say after a while. 
Doctor Kry stands up, walks over to the dressing table where a crystal carafe is waiting and pours you a glass. He returns to you and holds the glass to your lips, making you drink. You gulp it down and breathe heavily. Doctor Kry returns to his armchair. 
You don't know how long you've been sitting on the floor before you start to fall asleep. You thought that you wouldn't, not in this position (figuratively and literally) but you somehow fall asleep. 
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“Wakey wakey, Golden Boy.”
You feel someone poke your head to the side multiple times and open your eyes to see Jerry hold a stick in her hand which she's using to poke your head.
“It's morning”, she says.
You groan groggily. She imitates you and chuckles.
“Did you have a pleasant night?” she teases.
You decide not to answer, not to humor her further. Your eyes draft onto a silver tray on the table.
“Yes, that's your breakfast”, Jerry says and lifts the tray, putting it on the floor in front of you before sitting down. 
She picks up a piece of toast and holds it to your mouth. You take a bite, feeling more humiliated than ever. If only you knew that this was where you'd end up when you stepped on board in France.
“We will be in New York tomorrow”, Jerry says, holding the toast to your lips. “And we'll sneak both you and the painting past your contact.”
“It's just a painting”, you say cluelessly. “Why do you all want it so much?”
“I’m not particularly interested in the painting, but I know that Edmund and Hedwig are.”
“Why?”
“Art nerds.”
“Is it even selling for much?”
“It is — if you give it to the right consumer.”
“And you? What do you gain from this?”
“The thing isn’t about what I gain, it is what I lose … in case I let you roam freely. I don’t trust what you will do with the painting or it’s contents. Plus, you know who I am. If you wouldn’t have stuck your nosy head in everything, you wouldn’t have any problem with me.”
You suddenly realize something. 
“Jerry, I need to go to the bathroom”, you say. “I haven’t been to the bathroom since before you knocked me in the head.”
She sighs heavily. “Alright, come here.”
Before pulling you up on your feet, she unties them. You stumble, almost falling on Jerry. 
“Watch it, big boy”, she warns you. “If you knock me down I’m kicking you between your legs until you can’t have children.”
“If you hadn’t tied my feet, I would actually have blood in them. I can’t feel them.”
She unties your hands bitterly. You make your way into the bathroom and catch a glimpse of yourself in the mirror. Hedwig had wiped away some of the blood, but there were still traces of it in your scalp. You sigh heavily. What should you do? Finally, your hands and feet are free, but you aren’t yet. And — after a quick look around — there’s no way out. The only way out is through the door which Jerry is guarding. 
You could perhaps get out by defeating Jerry, but you have something against fighting women. But, then again, she had knocked you with — what you guess was — a glass bottle. You look around for something that can help you and lay your eyes on a metal bar over the bathtub, used to pull one up. Without a second thought and will all your might, you rip it off. You give it a few squeezes, feeling if it could be strong enough to be used as a weapon and trying to find a comfortable, yet strong, grip. 
You open the door quickly and swing the metal bar towards Jerry. She tries to grab it out of your hands but you push her off and knock her to the ground with the bar. You're not sure how hard you are hitting her, but it's enough force to keep her down. Quickly, you make your way past her and storm out of the cabin, almost crashing into the opposite wall in the corridor. You look around quickly, trying to think of where to go. After what Silas said, that he has more men than just his second in command lurking around, you're not sure who you can be seen by. You need to find an officer. You need to get higher.
Shit, the painting!
Your heart is beating loudly in your chest as you scurry back into the cabin. Jerry is lying on the floor, unconscious, and you almost feel bad for knocking her, but you know that it had to be done. It was her or you. Quickly, you open the wooden box and fish out the painting, tucking it under your arm. You can't hide it in your cabin, not when they know about it. You have to dispose of it somewhere safe.
Every step you take is careful, planned and mortified. You clutch the painting tightly, as if it is life itself.
Moving through the long corridor, you're certain that someone will jump out behind a corner and knock you out, like yesterday. Adrenaline is pumping through your veins, almost making you nauseous. You continue through the corridor, over to the hall with the staircases. Your suit has dried blood on it, you look (and feel) manic, will anyone take you seriously?
You freeze as you see a pair of eyes on you. Kry. His blue eyes seem to darken as he notices you, and the painting.
Quickly, you throw yourself into the elevator, and press a random button, wanting the doors to close before Doctor Kry reaches you. And they do, but when you look at the display beside you, you're going the opposite to where you need to go. New plan, you think, I have to sneak into tourist class — or third class, whatever gets you furthest away.
While standing in the elevator, you take a look at the painting to make sure that it hasn’t been damaged in this mess. You turn it around to inspect the canvas and notice something stuck in the corner of the wooden brackets. Carefully, you reach your fingers in and pull out a folded paper. Tucking the painting between your arm and your waist, you unfold the paper to find a list of names and locations … some of which you recognize. They’re all wanted criminals and you guess that the ones you don’t recognize are criminals as well. And the locations …
Your body goes cold and stiff. For a few moments, it feels like the entire world has stopped spinning. This is suddenly more serious than you could ever expect. Quickly, you put the paper in the pocket of your black pants.
You make your way through corridors you haven’t been in before, through doors you’re sure you’re not allowed through. You can’t help but look around at the new environment. Despite being one of Normandie’s lower classes, the attention to detail had been given to every centimeter of the ship. 
Focus!
You’re not sure where you’re going, but you need to find someone that can help you. You consider giving it to a random passenger and ask them to give them to an officer, but in your entire training, you have been told not to pull innocent civilians into your job. They could get seriously hurt and it would be completely your own fault. 
You make your way through tourist class, making sure not to be seen by anyone. If Silas have more people than you thought, why wouldn’t they be in multiple classes? You’re not even sure why the painting have caused this big of a commotion, but there’s no way you can give up the painting now — not after everything you’ve gone through. Your head is still pounding from the glass bottle and your heart beating out of your chest by the sight of Doctor Kry. He knows that you’re roaming freely, and soon, they all will know … and they will look for you. Silas’s words still ring in your ear; “I would very much like for you to see what we do to you if you decide to break free” — well you surely don’t. But where can one run where the space is limited? It’s not like you can grab a lifeboat and sail your way to safety. The sea can be just as dangerous as the people you’re dealing with. 
You look around for someone in black uniform, desperately wanting to find someone to help you before you get a bullet through your head. Finally, you find a steward carrying a metal tray. Like lightning had struck through you, you barge forward and grab his arm. 
“Sir, you have to help me!” you hiss and pull him into an empty corridor. 
“What are you doing-?” he gasps. 
“Please listen and listen quickly”, you whisper in pure panic. The words fall out of your mouth incoherently, but you somehow manage to create the sentences you need for the steward to listen to you. “I have to get to the Captain! Like … now! It’s really, really urgent! Please, just trust me!”
You look around with wide eyes, heart now pounding in your throat. The steward nods in confusion and signals for you to come with him. You’re not sure why he decides to trust you, but you’re ever so grateful for it. He takes you through hidden passages used for staff so that none of the paying passengers will have to see them, up a couple of steep stairs and through some more doors. You hug the painting tightly against your roaring chest. Every corner makes your heart stop, terrified that someone will stand on the other side and knock you out the second you turn. 
The steward points at a door with a golden sign on it — ‘Officers’ quarters’. You pound on the door until you’re sure your knuckles bleed. A stern looking man in neat uniform opens, giving you a dark look. 
“Who are you?” he questions. “What do you want?”
“I’m Y/N L/N, I’m an agent of the crown and this is the missing painting that has been all over the news … you have to keep it secure until we reach New York.”
The officer looks confused as he takes the painting in his hands and lets you into the quarters. 
“You’re bloody, what happened to you, sir?”
“There’s six passengers — Mr Achilleos and his man, His Majesty Edmund of Vesanus, Doctor Karl Kry, Miss Hedwig Carter and Miss Jerry Kim. They knocked me out and kept me in a cabin the entire night. They’re working together. They want this painting …”
… and probably my life by now.
“ … keep it safe”, you beg the officer and feel your voice quiver. “Please. If i can’t meet you at the harbor when we dock tomorrow, please give it to my contact — I will write down his name —  and tell him that he can find further information on board the ship.”
“I will tell the captain about the passengers, they will be taken care of and kept in arrest until we reach land where the police will deal with them”, the officer says.
“Thank you. A lot. Really.”
“You can stay here if you want.”
You feel for the note in your pocket and shake your head. “I have to do something first.”
The officer nodded. On shaky legs, you open the door and walk out into the corridor again. The steward is long gone and you’re alone in an unfamiliar corridor. You suddenly feel exhausted and decide to stay close to the door for a few moments to catch your breath, as if the officers’ quarter was a safe place. 
The note has to be hidden somewhere across the ship so that your contact can find it in case you don’t make it out alive. The note is more important than the painting and can, under no circumstances, go in the wrong hands. These names have to reach your contact. The group will look for the painting in belief that the note is still there, so the note has to be hidden separately so that they won’t find it. 
You make your way through the corridors slowly, making sure not to be caught with the list of names on you. In a weird, panic filled daze, you make your way through corridors, through lounges and dining halls where you hide the note. Underneath a chair, stuck to the corner. You deice to find your way back to the officers’ quarters and somehow find yourself out on deck. The wind is grabbing at you, pulling you left and right. You have a hard time keeping yourself on your feet. No one else is outside and you suspect it has to do with the fact that it’s early in the morning and the dark gray sky above you threat of rain.
“Y/N, don’t move.”
You turn to see the second in command with a gun in his hand.
“If you shoot me you'll ruin your life”, you say to him as confidentially as you can muster, but you can't help but worry if he's going to pull the trigger. 
“Do you think I care?” the second in command questions with a scoff. “I serve my boss until my last breath, I couldn't care less about other trivial matters. Where's the painting?”
“You don't care for the painting. Ask me instead where the note is.”
His eyebrow twitches.
“You know about the note, huh?” he says, eyes narrowing. “Seems like I'll have to get that out of you.”
“Why don't you have your boss do it? Or is he in arrest?”
“Don't worry about him, he always comes out on top. Come with me now or I will shoot you-”
“Shoot me then. The note is hidden and the painting is with trusted people.”
“Idiot. Do you think I was born yesterday? If I shoot you, I can't get the note. You may be stupid, but i dont think youre careless enough To sacrifice yourself for such a trivial thing. Get over here. Now.”
You're unarmed and alone, but if there's one thing you've been taught, it is to not give up without a fight. Your eyes catch onto an officer patrolling the upper deck and whistle. As the second in command takes his eyes off of you, you dive head first into the swimming pool. From his perspective, you don't think — wish — that he sees the man above him. The water wraps around you like a cold blanket and for a few seconds you can't even feel the wetness, only biting cold that almost makes you gasp under the surface. Somewhere, you think that you can hear a gunshot and see something whooshing past you in the water. And then another, and another. And then nothing.
You don't return to the surface until you're sure that the bullet rain has stopped. Your burning lungs gasp for air and you grip the ladder to your left. The second in command has been wrestled down on the deck by the same officer you saw. A smile tugs at your lips as the second in command glares at you from the floor, smashed against the planks.
“Sir, are you alright?” the officer asks, panting.
“I'm okay”, you reply, panting heavier.
An ice cold wind cuts right through you.
“Go inside”, the officer tells you.
“Y/N!” the second in command shouts as you've started to walk. “Don't forget that there are more. You barely know half of the people we have on board. Don't think for a second that you are safe!”
You pretend not to hear him and make your way inside for warmth. Unsure of where to go because of the second in command’s words, you return to the officers’ quarters.
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That evening, you make your way down to the arrest. There are still two questions you haven’t gotten an answer to. You've gotten your gun back from a steward and have tucked it in your blazer. Nausea is eating you up from the inside as you walk into the room, watching the cell and its habitants.
“Look who it is”, you hear Jerry snicker. “Change your mind, Golden Boy? Do you want us out?”
You don't even bother to answer.
“The painting is in a safe place, and so are the note”, you say. “I suppose that Jerry, Silas and your second in command wanted the note and not the painting … and Edmund and Hedwig wanted the painting … but what did the Doctor want?”
“Me?” Kry asks coldly and walks over to the bars with his arms crossed. “What I wanted?”
“Yes”, you reply.
“You, of course. Imagine, my own little lab rat that I could do whatever I wanted with … no one would even bat an eye if both you and the painting disappeared.”
“You won't get any of it.” You let your eyes wander over the six people. “Not the painting, not the note, and absolutely not me. Jail is what you will get.”
You can hear Hedwig start to sob in the corner of the cell. She has sunken down along the wall with her head hanging between her knees, body shaking with sobs. Edmund sighs and walks over to her side, grabbing her shoulders and trying to pull her up on her feet.
“Don't cry”, he says quietly. “We won't go to jail, I will make sure of that. I won't allow it.”
“Did you just come down here to revel in our misery?” Silas asks you. 
You're not sure why you came down here. Did you want to make sure to yourself that they were behind bars? Or make you feel more powerful? Or even just get to see them?
“You do know that we will have our revenge, don’t you?” Edmund says and looks at you. “This is not the end.”
“I hope that you like being a dog, because that's what you're going to be, leash and all”, Silas scoffs.
“Tattooed”, Jerry adds on with a tilted smile. “Marked. Would Golden boy like that?”
You ignore her, and walk over to the cells bars, eyes glued onto Hedwig. 
“What were you doing in my cabin?” you ask. 
She freezes, looking cluelessly at you through her teary eyes.
“What?” she asks in shock. 
“Your perfume was all over my cabin”, you say coldly. “Why were you in my cabin?”
“I-I’m sorry, Y/N!” she cries and runs over to the bars, reaching out for you. 
You back away.
“I’m sorry, I-I �� I looked through your things. I couldn’t help it, I just … I really, really wanted to hold you. I didn’t take anything, I promise! Please believe me, Y/N, I just wanted to- … it doesn’t matter. Forgive me.”
You don’t answer. Maybe Hedwig isn’t as sweet and innocent as you thought. 
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DAY 4 — End of voyage
After your hell night last night you couldn't be more grateful for the somewhat pleasant night you had. Every single sound and movement woke you up, preparing you to see one of the six criminals or their acquaintances. And since a ship is in constant movement and makes sounds only God knows about, you barely slept for an hour straight. But at least you were in a warm bed.
You can't eat anything during breakfast. You stare at the sandwich and steaming coffee in front of you with a twisted stomach. The room is filled with passengers, like normal, but the bright room can’t be more dark and sinister. It is as if someone has drained it of color. Any of the smiling guests can be one that want to put a bullet through your skull, and is waiting for you to rise from your chair and follow you outside.
When a waiter comes over to your table, the coffee has stopped steaming. 
“Good morning, sir”, he says politely and places a silver tray with a silver cloche on your table. 
“What is this?” you ask in confusion. 
“A gentleman told me to give this to you. He has paid for it and everything.”
With that said, he smiles and walks away to continue his job. You glance down at the dome looking metal and feel your heart sink. Although you don’t want to, your heart reaches out to pull it away and reveal whatever is lying on the silver tray underneath. You’re not sure what you are expecting but a small, folded paper is certainly not it. As if on autopilot, you open the paper to see only a line. 
“We will be waiting for you when we dock, you won’t get past us. We are watching you.”
You were right. A knot appears in your throat. Your legs go numb. You will be killed. 
The air is hard to breathe in and you have to get out before you suffocate. You get out on the deck with the lifeboats hanging above your head and lean against the railing. In a few hours, Normandie would dock and you would be caught. You’re not sure that the steward who had helped you before would be able to save you, and you don’t want to put him in more danger … but you can’t step off the ship in New York’s harbor. The lifeboat above your head gives you an idea. A stupid, right out ridiculous idea … 
You look around you before your shaking hands release the lifeboat from its holds. You have been taught the most outrageous things to rescue yourself — including lowering an ocean liner’s lifeboat. The davits slowly bring the lifeboat downwards and you climb in, lying down to avoid being seen. Your body trembles with fear, unsure of what this will bring you … or where it will bring you. 
There's nothing on the ship that you should bring with you. There's no guarantee that the lifeboat will reach the harbor safely, but its a try. The painting will be more secure with the steward. 
You feel a ‘thump’ from when the lifeboat hits the waves underneath you. You see how Normandie towers above you, the black steel never seeming to end. A pair of heads stick out from the side and something hits the water beside you. Quickly, you cover your body with your arms and legs, curling up until all vital organs are covered. Hitting you with bullets on this distance are harder than one can think, but not impossible. The second you’re sure that they can’t reach you, you get up and start to paddle. If the men tell a steward about the missing lifeboat, they’ll steer their ship over here to get you. 
Your arms quickly grow sore. From now on, you’re entirely alone. There’s no one to save you in case anything happens and you will have to find your way to land by yourself. But it's better than being on board the ship.
The sea around you feels abnormally calm. There’s no distinctive sounds apart from the waves hitting the side of the lifeboat. 
You sit for a moment, taking the time to think. This case has been different from all the others you have done. More personal than you could ever have anticipated. You’re not sure why, but something with this case told you that things wouldn’t be over if they got their way. It was more than just materia, they want you too … to use as they please. Doctor Kry was right. Who would bat an eye if you disappeared along with the painting? They wouldn’t call it a kidnapping, it would be a disappearance that could be explained by the painting. And now they have none of it. Not the painting, not the list of criminals and not you. Pretty successful, you think. Maybe you succeeded this mission after all? 
You hiss as you touch your sensitive head. You’ll have to find a doctor in New York.
Hours go by. You row, you rest, row, rest, row, rest. Throw up. Damn if you have gotten a concussion, you think, but it’s probably just the sea air making you nauseous. 
How things had turned out. You thought that you would have had to deal with one or two criminals … not six. Ad how Silas had seen right through you … 
It’s over now. It will be over soon. Is it over?
You continue to row. 
in the distance, you see a fishing ship pulling up their net and you wave with your arms in hope for them to see you, which they inevitably do. Your exhausted, cold body is picked up and wrapped in an old blanket. 
“What were you doing out in a lifeboat like that?” one of the old sailors asks. “Which ship has sunk?”
“It’s the Normandie!” another one says as he reads the name on the wooden planks. “Has the Normandie sunk?!”
You tell them that it hasn’t suck — in fact, it’s steaming on better ad stronger than ever — but that an accident had happened, which resulted in you all alone in a lifeboat in the middle of the ocean. 
They give you a yellow rain coat that you use to hide in and join the sailors to New York’s harbor that evening. In the distance, you see the different ocean liner piers. Cunard-White Star Line, United States Lines, HAPAG, Italian Lines, Swedish-American Lines … and finally, Compagnie Générale Transatlantique. Normandie was towering above all the other liners and you stood there on the pier, looking at it. Four days ago, you had been standing in the harbor at Le Havre and been excited to step on board. But now, that you are looking at it from afar, in the dim lights, there’s something unsettling about the her. It looks like she’s apologizing to you for everything that she allowed to happen between her walls. You almost start to cry. 
You turn around and walk without giving the ship one more glance, hoping that it will be the last time you get to see the Normandie. 
You meet up with your contact in a small warehouse that following morning and tell him what you have hidden on the ship. He promises to retrieve it. He already has the painting and has secured it, had gotten it from the very steward you had left it with. 
“I have something else too”, he says and gives you an apologetic look. 
“What?” you ask and watch him closely as he takes out a paper from his pocket. 
“I’m sorry, Y/N.”
You open the paper and feel your blood go icy cold. The handwriting is unfamiliar, but the nickname you see written in black …
“Thought you could lock us in? Think twice, Golden boy, we’re already out. We’ll find you, be so sure of that. Don’t think that we will let you slip away. You will look good in a leash.
S.A”
You fold the paper just as quick and breathe out a shaky breath. 
“Don’t worry, Y/N, you will be protected”, your contact promises. “It will not be any problem, I assure you.”
With the six people’s contacts and power, you doubt that your protection will do much, but you nod. The painting is safe and the note is safe. They may have escaped jail and are looking for you, but you succeeded with your mission. And that is all that matters.
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lvnleah · 6 months ago
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Secret Transfers | Lia Wälti
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Based on this request :)
Summary: you and Lia have been dating for five years and Arsenal put in an offer for you. You accept it but keep it all a secret from Lia.
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You were sitting on your balcony in Barcelona, a thin blanket was draped over your legs as you read your emails from your agent. Your contract with Barcelona was soon up and as much as you loved the club, you felt it was time for a new challenge.
You’d been with Barca for two seasons now and you’d won the league with them twice as well as the champions league.
Being from England, you wanted to go back to the WSL for many reasons, one being so you could be closer to your family but also your Girlfriend, Lia. Another was that the WSL was where you’d started off and you wanted to return there.
You’d been with Lia for five years and for all of them five years you’d been long distance. When you began dating you were with Lyon, living in France, and Lia had just moved to Arsenal.
For the first two years you’d take quick and cheap flights back and forth from France to England and Lia would do the same.
Then, Lyon let you go and Barcelona soon snapped you up. They offered you a two year deal and you were quick to accept it, Barca was a club you’d longed to play for and you finally were given your chance.
So in January 2022, you packed your bags and moved to Barcelona. Ever since then, you’d been living on cloud nine. Lia was at every game she could be at, even with the long distance and packed schedules, you and Lia always seemed to make things work.
Now, your contract with Barca was coming up for renewal and you didn’t want to stay. As you scrolled through your agent's long email, you read all of the different clubs that had put in an offer for you and what they were offering.
Man City had offered you a three year deal for £95k a year, Man United had offered you a year contract for £91k a year, Chelsea had offered you a two year contract for £94k a year. A few other WSL clubs, as well as some clubs in Europe, were listed but none stuck out except from the very last one.
Arsenal. £400k over three years, £133k a year. It was more than what you were earning at Barca.
The offer echoed in your mind. The club where Lia, your girlfriend of four years, played. The club that would bring you together, finally bridging the gap that had stretched across Europe for far too long.
You knew you’d be dumb to turn it down.
You instantly reached for your phone and dialled your agent’s number. It rang a few times before your agent, Sarah, picked up.
“Y/N!” She said cheerfully, “have you looked over my email yet? Some of the offers are good ones and—”
You cut her off. “I’ll take it, the Arsenal contract, I’ll take it.”
“You don’t want to think about it? Discuss it with anyone?” She questioned, “Chelsea and Man City are good ones too.”
“No,” you said firmly. “I’ve thought about it enough. This is my chance to be with Lia, to play alongside her, and be with my family in London. I can’t let it slip away.”
“Alright, then. I’ll finalise the paperwork.” She agreed, “I’ll get in contact with Arsenal and arrange flights for you to fly over and get a medical. I’ll start looking into houses for you too, any preferences?”
You shook your head, “it’s okay, Sarah. I’ll probably move in with Lia.”
You ended your call with Sarah before climbing into your bed. Excitement filled you like a child, you were finally going to be closer to Lia and your family. And maybe, just maybe, for the first time in five years you could finally live with Lia.
Whilst you were scrolling through TikTok, your phone rang and Lia’s contact filled your phone screen. You instantly picked up, last minute deciding to keep your transfer a secret from Lia.
“Hi my love!” She greeted as she laid in her own bed, “I miss you so much, how’s your day been?”
“I miss you too, it’s been great,” you smiled, “I looked through a few offers from WSL clubs.”
Lia’s face lit up, “and? How did it go? Any you’re interested in?”
You shook your head and sighed, “not really, love. I’m sorry.”
“I’m sure you’ll find something soon,” Lia reassured you, “if not we’ll make things work with you staying in Barca, we always do.”
The next few weeks were a whirlwind. You had many video calls with Jonas and his team at Arsenal, all of them promising not to utter a word to Lia. You needed a medical done so one day you flew into London and headed to the Arsenal training ground, luckily it was the day before Lia was playing Liverpool so she was travelling to her hotel with the team.
You passed your medical and officially signed the paperwork, you also managed to fit in some photos that would be used when your transfer was officially announced. A start date that was set for in two weeks was agreed meaning you had two weeks to pack up your life in Barcelona without Lia finding out.
That evening you got home late, your phone call with Lia was quick and short and you hoped that she didn’t suspect anything. The next week, you said goodbye to your teammates and had your last training session. All though you were excited to join Arsenal, you were sad to leave Barca behind.
One evening, as you packed up your flat in Barca, you phoned one of your best friends from Arsenal. You and Leah had always been close from a young age, you’d both met at an England camp when you were eighteen and had been inseparable ever since.
The phone rang for a few seconds before Leah’s face fitted the scream, “Please tell me you’ve got some news about your contract?”
“Well hello to you too, miss impatient,” you laughed. As well as Lia, Leah had been pestering you as well about your contract. “Maybe I have, maybe I don’t.”
“You’re such an annoying rat, you know that right?” Leah joked, pulling her hoodie’s hood up as she laid in her bed.
You sarcastically laughed, “Haha, do you want to know or not?”
“Go on then,” Leah sighed, “wait! Don’t tell me if you’re moving to Chelsea or even worse fucking Spurs because I’ve seen the rumours and if you–”
You cut her off, “Well good thing Arsenal put in an offer and I accepted it then.”
“Fuck off!” Leah smiled, “No fucking way! Are you serious?”
Flipping your camera round, you showed Leah your boxed up flat, “Well unless these boxes are for no reason then yeah, I am serious.”
“Does Lia know?”
You shook your head, biting your lip as you turned the camera back round, “no actually. I wanted it to be a surprise for her and I need you to help me.”
Leah's eyes widened, her excitement palpable through the screen. "This is incredible!" she exclaimed. "Arsenal, huh? You've always been wanted to be a Gunner. Lia's going to lose her mind when she finds out!"
You leaned back against the half-empty bookshelf, a mix of nerves and anticipation bubbling inside you. "Yeah, I thought it was time for a new challenge."
Leah's grin widened. "Alright, spill the plan. How do we surprise her?"
You glanced around your sparsely furnished flat. "I was thinking of flying back to London. You know, just show up unannounced. Maybe at training and I can catch her off guard."
Leah nodded. "Solid plan. We need some confetti and banners, maybe even balloons.”
You chuckled. "Confetti, banners and balloons? Leah, I’m not proposing!"
"Fine, fine," she relented. "But seriously, Lia's going to be over the moon."
You smiled, “Thanks, Le."
You and Leah spent the next few hours on FaceTime, you searched for flights before booking on for a few days' time. She also kept you company as you packed up your house and shared your excitement about how you couldn’t wait to be with Lia again.
A few days later, you boarded the plane to England after letting Arsenal know you’d be arriving. The anticipation bubbled inside you as you boarded the plane bound for London. You couldn’t wait to see Lia’s face when she realised you were actually there but a part of you was scared that she was going to be mad about you not telling her.
The airport terminal buzzed with travellers, and you clutched your boarding pass tightly. Your phone vibrated in your pocket, and when you glanced at the screen, Lia’s name lit up. You answered, heart racing.
“Hi my love,” Lia greeted, despite not being able to see her face you knew she was smiling, “What’re you up to?”
You quickly made up an excuse, “Oh I’m just doing a grocery shop!” You nervously laughed, praying the background noise wouldn’t give it away, “What’re you up to?”
“Just getting ready for training,” Lia said, “It’s a recovery training so it shouldn't be too tough.”
“That’s nice, darling,” You smiled, “Look, I’m going to have to go, I need to pay. Speak to you later, yeah?”
“Oh, okay,” you could hear the sadness in Lia’s voice, “I’ll talk to you later, love you.”
You smiled, “I love you too.”
The flight was uneventful, but your heart raced as the plane touched down at Heathrow. You collected your suitcases, weaving through the bustling airport. Leah had promised to meet you outside the arrivals gate, and you scanned the crowd eagerly.
You eyes soon found Leah, she was in a grey tracksuit with a baseball cap on. She jokingly held a sign that read ‘Welcome home rat!”
“Leah!” you exclaimed, hugging her tightly. “I missed you.”
“Missed you too, superstar,” she teased. “Now spill! How’s it feel to be an official Gunner?”
You laughed. “Surreal but I can’t wait to surprise Lia. Is she training?”
Leah nodded. “Yep, she’s already there. Let’s go!”
You and Leah drove to the Arsenal training centre, it wasn’t a long drive but it gave you and Leah a chance to catch up before the chaos of moving in with Lia began.
As you pull up Leah turned to you, “So the girls know, I told them this morning. Is that okay?”
You nodded, “Yep, as long as no one told Lia that that’s fine!”
As you and Leah made your way inside, you bumped into Beth and Viv in the hallway who were just making their way in.
“Oh my gosh!” Beth squealed, pulling you into a hug, “I can’t believe you’re here! Lia is going to freak!”
You laughed, hugging Beth tightly, “I missed you so much!” You let go of Beth before hugging Viv, “You both okay?”
Viv nodded, “We’re doing good, it’ll be nice to have you around. How’re you feeling about being close to Lia?”
“It’s honestly amazing,” you sighed, “I can’t wait to be close again.”
You, Leah, Beth and Viv made your way down to the changing rooms. The team had just had their lunch so were getting ready to go back out on the pitch, Beth was in charge of capturing the moment.
“You alright?” Leah said to Lia, distracting her as she walked into the room.
Before Lia had the chance to reply, you followed in behind Leah and stood beside her.
Lia quickly glanced at you before talking to Leah, “I’m good,” she looked back at you again, registering that you were there, “Holy fuck! What the fuck? Oh my god!”
“Y/N?” she breathed, dropping her left boot. “What are you doing here?”
You grinned, pulling her into a hug. “Surprise!”
Lia’s arms wrapped around you, and you held her close. “You’re really here,” she murmured. “I thought you were still in Barcelona.”
“I was,” you said, pulling back to look into her eyes. “But Arsenal made an offer, and I accepted. I’m officially a Gunner.”
“Wait, seriously?” she stammered. “Arsenal? You’re joining the Gunners?”
You nodded, unable to contain your own excitement. “Yeah, Lia. It’s official.”
She squealed, then tackled you in a bear hug. “This is insane! You’ve worked so hard, and now this!” Her laughter echoed across the training rooming, contagious and full of genuine happiness.
You leaned down and kissed her lips. Her lips were soft, familiar, and everything you’d been craving. It was a kiss that was filled with love and passion. Her hand cupped your cheek, anchoring you in the present. The kiss deepened, a silent confession of all the words you hadn’t yet said.
“Alright, lovebirds!” Leah said, fake gagging, “pack it in, save it for later!”
As the days went by, you settled into your new life as an Arsenal player. The training sessions were intense, but exhilarating. You pushed yourself harder than ever, determined to prove your worth on the pitch. Lia was your constant support, cheering you on all the time.
One evening, after a tough session, you collapsed onto the couch in your shared apartment. Lia joined you, her eyes filled with pride. "You're incredible," she said, brushing a strand of hair away from your forehead. "I've never seen anyone adapt so quickly."
You grinned, leaning into her touch. "It's all thanks to you," you replied. "Having you beside me makes everything better."
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zablife · 9 months ago
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Now You Know the Truth (Part 5)
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Summary: You don't understand why you're unsettled by your seemingly perfect life with Tommy until the family gathers together at Christmas.
Author's Note: There's one more part to come!
Warnings: pregnancy, flashbacks
Part 4
Tommy wrapped his strong arms around your waist and hips protectively, placing a kiss to your midsection. "You're perfect," he praised against the slight swell of your stomach, voice muffled in the plush velvet of your gown.
You stroked the shorn sides of his head and down his neck in slow, soothing strokes. However, the gesture was mostly to calm yourself. Unsure if it were the hormones or the house full of relatives waiting downstairs for Christmas dinner, your body hummed with nervous energy.
Sensing the slight tremor in your hands, Tommy placed his palm over your fingertips to still you as he murmured. "It's going to be different this time."
Pulling back from him, you stared intently into his crystal blue eyes. "What do you mean, Tom?"
Growing serious, he stood to meet your eyes, cupping your face in his palm as he instructed, "You're to look after yourself. Follow the doctor's orders to stay home and avoid exertion." He stressed the last part and you bit your lip as you nodded slowly in understanding.
“Yes, I know. The dizzy spells..." Looking away from him shamefully you added, "I know I shouldn’t have been on the stairs when I was unwell.” You recited the words you’d been told repeatedly since your hospital stay to prove you'd listened to the advice, even when it left a bitter taste on your tongue.
"That's my girl," Tommy beamed, offering his arm to escort you downstairs. "Now shall we announce the good news?" he asked jovially.
-------------------------
The shouts of congratulations had barely died down when Frances appeared with a message. "Sir Mosley is on the line, Mr. Shelby," she informed your husband quietly.
A look of bewilderment crossing your face, you objected, "But it's Christmas!"
"I won't be long. Open the champagne," Tommy said placing a kiss to your temple. Watching him stride away to his office, Ada distracted you by asking, "Are you hoping for a boy or a girl?"
"I hadn't thought about it," you admitted, fidgeting with your wedding rings.
"If Polly were here we wouldn't be having this discussion at all, would we?" Ada joked with a wistful laugh.
An inebriated John threw his hand up in protest. "Pol didn't always know best," he interjected. "Remember when we had the twins, Es? Two boys she said!" As he turned to his wife, you found yourself drifting from their conversation, eyes wandering across the hall toward your husband.
Watching him absently swirling the whisky in his glass, a sense of deja vu struck you like a bolt of lightning and your limbs suddenly froze. Your eyes slowly swept from his hand to his face as a distant voice echoed in your head like a faded record. "Pol didn't always know best. She wanted me to make an honest woman of ya... I wish I'd just gone on paying you for it."
You inhaled a sharp breath as a rush of memory came over you all at once. You felt your pulse quicken, heart knocking against your ribs as you recalled Tommy's humiliation of you in the parlor followed by a frantic rush to pack and then the confrontation on the stairs. Doubling over, you clutched the back of the sofa to conceal your unsteadiness. However, you couldn’t hide the look of horror in your eyes as you relived every hateful word, stomach lurching with the final memory of crashing down the stairs. "Even if you die, you die mine."
"Y/n? Are you alright?" Ada asked, touching your forearm gently.
"Just a bit dizzy," you mumbled the half truth.
"Oh, that's right. Your condition. Have you found anything that helps?" she asked, viewing you with sisterly concern.
"I think I know what to do about it now," you said, cutting your eyes back at Tommy and feeling the spite grow within you.
Part 6
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Tag List:
@peakyswritings
@evita-shelby
@shelbydelrey
@lovemissyhoneybee
@red-riding-wood
@polishcrazyone
@elenavampire21
@little-diable
@look-at-the-soul
@kpopgirlbtssvt
@watercolorskyy
@cillmequick
@moonshooter
@mrs-bellingham
@allie131313
@runnning-outof-time
@babayaga67
@kmhappybunny240
@babaohhhriley
@garrison-girl-08
@embystarr-blog
@brummiereader
@call-sign-shark
@ladespedidas
@mysticalbouquetwolf-posts
@skydisneylover
@aesthetic0cherryblossom
@cece45450
@julesandro
@stevie75
@mrsnbradshaw2023
@scarlet-sunflowers
@galactict3a
@sagecodm
@pono-pura-vida
@lets-pringless
@ladyzee27
@jaymcdowell
@thegreatdragonfruta
@peaky-as-a-peach
@multifandomwriter56
@reader-hes
@wisteriaandwafers
@cycbaby
@trixie23
@thenattitude
@happyadventurer77
@emmanuelle19
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giuliabuilds · 1 year ago
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Hello everyone, Giuliabuilds here!
Here's a build inspired by the Provence region in France, a lavender chateau, built with no CC!
It’s built in Henford on Bagley on a 64x64 lot, with also everything you’d need for a couple of horses and 4 bedrooms and 3 bathrooms 💜
I’ve used no CC gallery art by: Katrindekleine, Cribea9, Cicosims, AliasLTS, DeanXeL, KatrindeKleine.
It’s CC free and all the packs I’ve used are listed down below + all the instructions to download it. I hope you’ll like it!
CHECK OUT THE SPEEDBUILD VIDEO AND TOUR ON MY CHANNEL!
Use the moveobjects cheat before placing the lot!
You can find this one on the gallery by searching my ID giuliabuilds ✨ (or by clicking here)
or:
DOWNLOAD GOOGLE DRIVE DOWNLOAD SFS
How to download:
Choose the mirror you prefer between SimFileShare and Google Drive (both ad-free).
Download the file and unzip it.
Place all the files in your Tray folder (…Documents\Electronic Arts\The Sims 4\Tray).
That’s it! Load your game and this lot will be in your library✨
It contains objects from:
Horse Ranch.
Growing Together.
High School Years.
Cottage Living.
Snowy Escape.
Eco Lifestyle.
Discover University.
Island Living.
Get Famous.
Seasons.
Cats&Dogs.
City Living.
Get Together.
Get to Work.
Werewolves.
My Wedding Stories.
Dream Home Decorator.
Jungle Avdenture.
Dine Out.
Spa Day.
Outdoor Retreat.
Paranormal Stuff.
Tiny Living.
Romantic Garden.
Cool Kitchen.
Perfect Patio.
Booknook Kit.
Greenhouse Haven Kit.
Bathroom Clutter Kit.
Everyday Clutter Kit.
Desert Luxe Kit.
Little Campers Kit.
Blooming Rooms Kit.
@maxismatchccworld ❤
youtube
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simspaghetti · 9 months ago
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I always get asks about what mods I use, and as I've been playing World Adventures recently for the Completionist LEPacy challenge, I've been trying to compile some mods specific to that expansion - I thought I'd share all the ones I've found here so anyone else who is new to WA can have some recommendations!
If this ends up being useful to anyone, I'm happy to make one of these mod pack lists for each EP - let me know if that's something you'd like!
Also, if anyone has any more suggestions on mods I should add to this list, please let me know and I'll include them!
Nraas Traveller
This mod overhauls the travel system and allows all types & ages of sims to travel, and also allows travel to any EA or custom world you have installed, not just the 3 standard vacation ones - so your sims could take a vacation in Sunlit Tides or Monte Vista if they want to!
PotatoBalladSims distant terrain fix for France & Qahne's Smaller Eiffel Tower
These mods are both just small aesthetic changes for France, the first one fixes blocky trees in the distance and the second one makes the Eiffel Tower a way more realistic size
TheBleedingWoodland's Shang Simla Icon Fix
This changes Shang Simla's icon to the Forbidden City which is actually located in China
Twinsimming's Take Practice Shots Mod
The photography skill can be so tedious to level up as you have to take photographs manually, this mod makes it much easier as you can leave your sims to idlly practice photography like they can do with any other skill
OutOfIdeas' More Unique Adventures Per Day
I was having a big problem where I would go to a country in search of a specific adventure to unlock a tomb & have to return home 8 days later, having nothing come up on the adventure board during my sims stay - this mod fixes that annoying problem as it allows for more adventures to appear each day, there are several flavours to choose from so it's totally customisable with how 'cheaty' you want to go!
NanaBx3's fishing box chest fix
There used to be a small chance that sims would reel in a treasure box when going fishing, but the feature got borked in one of the patches years ago and was never fixed - this mod makes it more likely you will come across this cool feature, it features additional items to be discovered in treasure boxes if WA is installed
LowMotivesWarning's Not-So-Weak Mummies
This ups the athletic ability of mummies & likelihood of your sim getting cursed to make them much more dangerous & threatening
StrexSims More Townies for Vacation Worlds
This is not technically a mod as it's a pack of sims, but it basically allows for more of the sims walking around town to fit in with the aesthetics of that neighbourhood - if you like this pack I strongly recommend checking out this creator's other townie packs, as they've released them for most EA worlds!
Nectar Combinatorics
Minor improvement to the nectar-making skill that makes it more user-friendly, adds the option to experiment with random fruit until your sim works out some good combinations - then they can just add garuanteed 'good' fruit combinations to the machine rather than endlessly experimenting with fruit to find out what combos work
[Requires Late Night] Default Replacement Nectar Glass
Replaces the nectar tumbler glass with a much nicer looking wine glass, this does require LN to work otherwise the glass will be invisible!
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generational-atrophy · 11 months ago
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hetalia axis & allies (+ canada) xmas headcanons
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1.6k words ~ gender neutral headcanons
tw: uhhh christmas obviously. mention of religion and underwear?? uh... i think that's it
a/n: this is my first christmas as a jewish convert so that's been weird. anyway I just wanted something quick, so its mostly a list of gift ideas (:
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America
Alfred is SUCH a huge Christmas fan. I mean, canonically he dresses up as Santa, so he goes all out for the entire month of December. He's been working on a huge holiday home display for decades, and it shows.
He plays Santa at his local mall during the weeks leading up to Christmas; and on the night of, he hands out hot cocoa outside his house. It's fun, but it also means he's a little distracted when it comes to you.
What he would get you: Posters of your favourite movies, super comfy pyjamas, expensive figures of characters you like, candy you like but never get for yourself, model planes or Legos for you two to build together, novelty pens, a stupid cowboy costume so you can match <3, those handmade coupons because he 1. Loves you and 2. Forgot about Christmas until yesterday
What he would want: Any video games, Funko Pops, vinyls of music he likes, those big packs of shirts (he is constantly running out of shirts because he rips or irreparably stains them,) Marvel comics, anything with an eagle on it, those mini wacky waving inflatable tube men things, bulk pens and pencils because he also breaks those constantly-
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England
Arthur is not big into Christmas and never has been. He'll celebrate with you, but he's not going out when it comes to any aspect. If anything, he finds it a little exhausting getting gifts for everyone
But, he does adore walking around and looking at all the lights. He'll do that a couple times with you in December.
What he would get you: Any novel you’ve mentioned even once, tickets to a concert both of you will enjoy, classy jackets that fit you perfectly, cute keychains, fancy art supplies, fragrances that remind him of you, bags/purses that fit your style, CDs
What he would want: Sewing supplies (thread, new needles, new fabric scissors,) framed photos of the two of you, Doctor Who merch, foreign tea, a book on how to take care of your eyebrows properly (he will not learn otherwise,) slippers, those sarcastic magnets that all millennial women have at least one of, any ridiculous piece of merch with the union jack on it
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France
Francis has very mixed feelings about Christmas. On one hand, he hates how consumerist it has become, but on the other hand, nothing makes him happier than seeing the joy the season brings to others.
Plus, he does enjoy giving and receiving presents. The music too? Wonderful. As long as you don't get too stressed out, the holiday should be perfect.
What he would get you: Tons of clothes; stuff that's already your style, and completely new stuff, room decorations (NOT posters,) a reservation at a nice restaurant, bracelets that he made for you, makeup (if you like that kind of thing,) candles that smell like his cologne, CHEESE
What he would want: Fancy fabric, any clothes (he doesn’t care what they are as long as you think they’d look good on him…) paintings or photography, literally ANYTHING creative you’ve made, hair ties (he loses at least 5 a day,) bird stuffed animals, (Basically anything! Francis is not picky)
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China
Christmas is a new occurrence for Yao, and he isn't the biggest fan. He'll buy you stuff for it, but he would do that normally. The lights and the music aren't anything special to him either. Basically, he won't celebrate unless you want to.
What he would get you: Elaborate, very expensive jewellery, huge stuff like a car, Chinese cookbooks, traditional clothes that he made specifically to represent you (: luxury handbags (that he got at SUCH a good discount,) tons of weird off-brand merch of your favourite show, probably a nice meal too!
What he would want: Yao is hard to buy for. Soft robes, stuff to help with back pain, face masks, Hello Kitty keychains… reading glasses maybe?
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Russia
Although he isn't as excited about Christmas as he is about the New Year, he still loves the holiday. It's a nice excuse to see family, and everyone is just so happy around the season! He's especially excited to celebrate it with you.
He's not the best at giving gifts, but he could be worse. Regardless of whether you like all of it, you're gonna get a lot of stuff.
(Also, he plays Santa for the kids sometimes. It's so cute-)
What he would get you: Random knick-knacks he probably found at a local market, knitted hats and gloves in your favourite colour, a scarf to match his, tickets to go somewhere warm on vacation, stuffed animals! books that made him think of you (usually philosophical or religious novels,) pretty rocks (:
What he would want: SUNFLOWERS! (This works for every occasion,) baked goods, clothes that aren’t 250 years old- new doilies and paintings to decorate his house, pictures of yourself, friendship bracelets, stuffed animals, if you can make a scarf somehow, DO THAT
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North Italy
Feliciano cares about Christmas in a more religious way, but he's never mad about getting presents. So, he'll probably spend most of the day in church, but he still did put a lot of effort into getting you stuff you love.
What he would get you: Pajamas & bath robes, shitty romance novels that he wants you to read, weird hand-made knick-knacks, makeup, strange mugs that he found at a thrift store, a painting of you (: probably a pair of his boxers-
What he would want: New paint brushes, novelty pasta shapes, fancy jackets, any art that you’ve made (regardless of quality,) cat stuffed animals, The Ability To Get A Grip, skincare products, shiny garbage (For art purposes, duh,) those handmade coupon things
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Germany
Ludwig does not enjoy Christmas particularly. He's terrible at giving gifts but he wants to so desperately that he spends all of winter stressing out about it. Yes, he's excited to see your reaction to his gifts, but at what cost?!
Although he does still like all the decorations at least. Maybe he just likes re-decorating though.
What he would get you: Puzzles you can complete together, soft sweaters, practical stuff you need (like book bags, lens cloths, that kind of thing,) stationery, reservations for private tours at museums you would find interesting, a subscription to whatever silly service you want (:
What he would want: Books about city planning, nerdy card games, a fun lanyard, a new coffee machine, those aroma-therapy diffuser things, household tools like vacuums and stuff (Get him an air fryer. He’s going to be fascinated.) stress balls, pens (He is boring.)
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Japan
Kiku really has no particular feelings towards Christmas. If you weren't there, the most he would do was put up a mini tree. He's stressed out by both giving and receiving presents and is only willing to do that kind of thing if you want to.
What he would get you: Electronics, merch of your favourite Sanrio character, books that he thinks you’ll like, stickers, a bento box, comfy sweatpants, cute hairpins, plushies from your favourite media, a bunch of pillows, some obscure Japanese snacks too!
What he would want: Miku figures, posters, video games, manga, general nerdy stuff, history novels (he likes to correct them,) blackout curtains, cute face masks, a Polaroid camera, a guide on socialization (Seriously.) a knit scarf, if you can knit (:
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South Italy
Romano desperately wants to care about Jesus more than getting gifts. He's a devout catholic, g*ddamnit! But... he does just really love eating baked goods and getting gifts more than anything. Getting together with family, the music, the lights, he just ADORES the holiday.
What he would get you: Blankets and pillows, your favourite snacks, clothes that are a little more revealing- cruise tickets (if going on wouldn’t be hell for you,) a journal where he wrote down all of the things he loves about you (completely honestly,) religious items, fancy perfumes
What he would want: Paintings from local artists, post-its (so he can finally remember SOMETHING,) anything with the Italian flag on it, stupid bumper stickers, pictures of the other nations that you’ve written insults on, fancy patterned scarves and fabric
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Prussia
Like Alfred, Gilbert loves Christmas in a very childish way. He embraces that side of himself during the holidays and he'd love it if you joined him in that. He constantly insists on going out to see the lights, and he just can't get enough of Christmas movies. Even the bad ones (He's a Hallmark girlie.)
What he would get you: A vintage music box, hair dye, DVDs of your favourite movies (just to have,) stationery, random snacks he picked up from a gas station an hour ago, weirdly sentimental jewellery? Vintage journals, pictures of himself
What he would want: Coupons (???) goofy temporary tattoos, metal CDs, tea (he’s weirdly embarrassed about liking tea and doesn’t buy it for himself?) vintage maps that he can frame and hang up, probably like, WD40? DC comics, novelty trophies, Pokemon cards, video games
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Canada
More than anything, Matthew loves winter. So, therefore, he loves Christmas! Seeing you smile when you open your gifts, he looks forward to it all season. It seems like the only time of year when everyone else is either as miserable or as happy as he is, so it's his favourite holiday.
Cuddling up in front of the fireplace with hot cocoa, watching some old Christmas movie, its all he wants.
What he would get you: Comfy hoodies, comfy slippers too, hot cocoa packs, big stuff like a new PC or fridge or smth- decorations for your room, face masks, fidget toys, novelty Canadian keychains, figures of your favourite characters, festive sweets (like candy-canes and stuff.)
What he would want: Anything with a maple leaf (yes, he wants MORE of that,) boring stuff like socks, wood-working tools or like a new snow shovel, fairy lights, DVDs (because he still uses them? Why.) a new phone case, gift cards (HES BORING,) pre-packaged crafts, lotion and cologne that smells like pine
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merry christmas if you celebrate! this'll probably be the last full thing I post until 2024, so thanks to all you readers for sticking around this year (: you have no idea how much it means to me. i love yall. and to all a good night or whatever santa said
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bon2bonn · 7 months ago
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Change of winds
22!F1!grid X female!driver!reader
Words count : 3.2k .
* I'm so sorry for the long delay 🙏🏻 💔 . 💀🤦🏻‍♀️Life is shit in general and I can't finish any of my WIP list , so this might be the last update for a while until I could make/find the time to breathe and get some proper writing done .
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2.october
Stretching after a long dreadful meeting was the first thing she did once everyone dismissed themselves out of the room , suppressing a yawn by covering her mouth as she leaned back in her chair in exhaustion . Today was a full schedule and that means back to back meetings along with legal and audit reviews of months worth of work , not to mention the preparations for upcoming events and gala's due to end of year celebrations back in headquarters .
To say her schedule was packed would be an understatement, but she made sure to not overwhelm herself and made time to check on the guys . she hated how they all got distracted by their busy schedules and lives in general, now they barely got a chance to meet eachother at their Spare time, and that was hard on all of them , the transition of going from spending most of their time working together even spending their off time close by to separate across the globe with them traveling constantly and her tucked away from one meeting to another not to mention the different timezones far away from their reach .
They still made the effort to call and leave voice messages daily, keeping her up with what's happening on the grid, and she in return left them all with voice messages and calls before every race , wishing them luck and a safe drive , religiously tuning in to every quali and race despite the time gaps and the work load , even indulging her now employees to enjoy the sport too , unknown to them how she herself used to race not long ago , some even recognized her but kept quiet out of respect to not get her unwanted attention, so she made most of the time to distract herself from the pit of uneasiness growing in her chest , and her almost overflowing schedule helped in that aspect.
A light knock snapped her out, followed by her assistant Lauren who peeked her head in , giving her an apologetic look making her sigh deeply before ushering her in " what now? " Lauren winced as she briefed her on the situation " you remember Mr Solly ? , head of the Australian branch is outside waiting on for an urgent meeting, something to do with the recent changes regarding the finance and marketing department " she tilted her head at the name " he came all the way to France to complain?" Lauren just nod not knowing what to say, making her huff a laugh " that's dedication, I'll give him that " taking a quick glance at her watch she then decided "Alright, I have 20 minutes before the next meeting so send him in , and please make sure to send out the Japanese deadline notice before we head to Montreal " Lauren nods as she typed on her pad then handed her the next meeting files " this will be our final meeting for the French branch , tomorrow will be field day and you have an appearance at Paris d'or gala , then you're free till Wednesday night , we'll be heading to Spain for the launch then we'll fly to Montreal form there before heading to New York on the 13th " she slumped over the desk dramatically , Groaning as she grumbled " and I thought my media duties were torturous " making Lauren remember " by the way the new Media team are going to attend the event tomorrow evening and will accompany us through the rest of the way back to UK " she snapped her head at the news " what!? , no no no " Lauren nod at her miserable face " yes, be grateful they're not following you everyday" , she straightened her posture and nods " if they try to get on my nerves I'm ditching them for good " Lauren nods in agreement " fair enough " then she made way to the door , letting Mr Solly in before closing it behind her .
The man walked in confidently with a certain look in his eyes, one she saw too many times to recognise with ease, he was sizing her and at the same time giving off the illusion of power , of having the upper hand over the situation, and she wanted to see the show he was trying to put up to it's end so she held her tongue as she greeted him " Mr Solly, you're a long way from Australia" he nods stoically " Ms L/N, I apologize for the inconvenience , I know how demanding your schedule is these days " she gave him a bored look " good to see we both think of it the same way " , her statement made him clench his hands but he kept his cool and proceeded " well , it's about the financial arrangements you installed previously and we see that they're a bit , extreme " she leveled him with a raised eyebrow " and may I ask who is we? " He cleared his throat " well the .... The directors and ..." She didn't waste time listening to his lame excuses " if my memory serves me right , and it does. The 'arrangements' as you called them were approved by the board members along with the department manager himself and the shareholders " his breath hitched and she didn't stop there " these arrangements came in time with various complaints from within the department about missing numbers from the accounts and they're not just small undetected numbers, they're big Mr Solly, too big to get swiped aside as human error or collateral casualty, so I'm asking you directly Mr Solly, do you have something to say? " , he clenched his jaw before he gritted out " what are you insinuating? " She leaned back on her chair with a wide grin " I'm not insinuating anything Mr Solly, I'm just asking obvious questions? But you seems to already know the answers " , He straightened his back and dropped his fake smile " you have no idea how things work, this is bigger than you , you think you can just come in and run around as you please just cause you're sitting on that chair? It's only a matter of time before everything crumbles because of your ignorance , you won't be smiling then " , she feigned surprise " are you threatening me Mr Solly? " He seemed satisfied with her reaction as he smugly answered " no , I'm simply enlightening you " she shook her head in boredom, staking her files and intertwined her hands on top of the stak giving him a wide smile unfazed by his falling apart façade " then let me enlight you in return , in two weeks time will be the next evaluation, I'll expect one of two things when I turn up by then , either your full report along with the missing accounts and data or your resignation letter, it's up to you to choose which one I'll be receiving first " .
She stood with a silent huff , not giving him space to react or answer back to the accusations and collected her files " now if you'll excuse me, I have somewhere to be , I'm sure you know your way out " she made her way to the door and left like nothing happened.
The man was at the point beyond seething, he screamed at the empty chair, slamming his hands on the desk and proceeded to kick at chair before him . She stood by Lauren's desk, not bothering to glance at the closed door where the shouts of anger radiates off " charge him if he damaged anything and be sure to have at least one of the security to..... help him out if needed , and let me know if Martin call back or send the files I asked about " with a final nod she made her way to the next meeting .
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Posted Tuesday , 4.oct .2022
The L/N official
📍Paris, France 🇫🇷
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Liked by Lewishamilton , Pierregasly, Redbullracing , and 2,274,119 others
TheL/Nofficial . light mode ☀️, night mode 🌑✨ , First official post with our lovely boss @Y/nsworld, we kicked off our journey with Paris 🗼 enchanting glamour, thank you France for the hospitality and we can't wait to return for more 🇫🇷♥️ .
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4.october 2022
Letting a chuckled at her frowning face , then shared an amused grin over her head with Sergio who extended his arm out for her to hold into " I thought you'd be more hungover than this " , she gave him a hard glare reaching blindly to smack him as she replied emphasizing with each smack " and I thought you'd be nicer " he dodged the last one groaning as he held his wounded shoulder from her assault " you ditched me for months!! and when you show up you hit me !? " She shrugged " I'm suffering and you're the one responsible for it so you have to suffer too " she turned to Sergio who was now laughing at their fight while kylian scoffed at her "it's not my fault you drink like a bottomless pit ! I told you to slow down !" She turned her head back to scowl at him " I was nervous!! and you dared me to drink half of what we had!" He looked away at her accusations finding interest in the ceiling , away from her glaring eyes .
She rolled her eyes and asked " where's Leo ? He's my favourite anyway, and he's for sure nicer than you " he pouted and made his way behind her to wrap his arms around in a tight hug, swaying them from side to side as he whined " I thought I was your favourite?! " She held his arms with one of her hands while she used the other to reach back to give him a hard pinch on his side " not when you're amplifying my headache " making him yelp in pain and flinch away holding his side " fuck! " , she ignored him and turned to Sergio who was holding back his laugh and raised an eyebrow at him with her eyes narrowed " you want one ? " He backed away raising his hands in fear " no thank you" she nods and made her way towards the rest of the team waiting for the tour guide to lead them further into the newly built facility .
Her father's company has been one of the main investors which made the responsibility to attend on a short notice to attend the tour either along with the other investors from other companies or with the team itself, and since she was barely conscious that morning when Lauren flooded her phone with SOS messages to drag her not even 15 minutes later to attend with the team their first tour on the newly built facility .
So here she is , willing her tired self to push through the day in favour of sleeping her killer hangover away , not to mention her little shit of a best friend who is making hard for her to not throw him in one of the construction containers to serve him for poking fun at her .
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5.october
Tom made his way to the stairs, avoiding the crowded lift in order to clear his mind a bit , a little exercise with some music won't do him any harm , so with his headphones on loud he took the first two floors before contemplating his choice as his legs started to shake , and it didn't take long for him to deem his choice a shitty one and used the exit door to find the lift in the third floor .
He leaning on the wall to support his weight as he waited to catch his lost breaths , and when it finally arrived it was way less crowded than he expected, with only one lady standing on the side with her hands clapped before her in an elegant way , he adjusted his hoodie and greeted her in a polite " hello " receiving a nod back before taking the other side further from her after pressing the top floor, focusing his eyes on his phone to pass the time , after a moment she asked after noticing where he's heading " you're going for a meeting too ? " He looked at her then shrugged " you can say that " she hummed in thought then pointed at what he was wearing , a hoodie along with jeans and his hair a mess , and gave a disapproving face " I don't think you have an appropriate attire for such place " even shaking her head with disdain " kids these days " he gave her a side glance , huffing a laugh under his breath before speaking aloud " well , it's a good thing i didn't ask for your opinion nor approval on that , seeing it's none of your business " leaving her with her mouth shut and hands clenched into fists , and made his exit when they reached the floor , rolling his eyes at her then turned round the corner and out of her sight.
He came face to face with Eddie who looked ready to head to a meeting, giving him a glare as he stood his ground with his arms crossed making Eddie clap his hands in a pleading manner " it's a last minute meeting, I wouldn't go if it wasn't urgent, it's only half hour consultation " when he didn't receive any answer he went for bribery " I'll get you a brand new set " Tommy gave him an unimpressed look " Bibi already did send me one from France " Eddie rolled his eyes with a mumble of " of course she did " before huffing at his youngest brother and asked " what do you want ? " Tommy extended his hand with his palm up " I'm driving back , and for the next week " he glared back at him and Searched his pockets before throwing his key at Tommy's waiting hand pointing at him in warning " just this time " and hurried down the hall to the meeting room , he swung the keys around his finger as he made his way to Carlton , his brother's longtime assistant who sat behind his desk as usual , making the later look up when he made his way over , smiling up at him as he leaned on the desk " look what Van Gogh dragged in " Tommy's smile widened , with his dimples on full display as he peeked his head over the screen that Carlton was working on minutes ago , " oh , no need for insults , you could just say you missed me " Carlton raised an eyebrow at him and scoffed " yeah sure , I do miss you missing up my files and distracting me half of the time you're here , and the other half you spend whining up and down about being board " Tommy kept his grin and teased with his eyes squinted " so you do miss me ! " Carlton rolled his eyes and sighed going back to his work " sit your ass down, I got work to do " he saluted and made his way over to set of plush chair across from the desk and made himself comfortable then started working on one of his sketches , moments later he heard his name being called, and when he looked up he was greeted by a slightly medium sized bag aimed at his face but he caught it before any damage could happen, and before jumping to send it back at Carlton he looked at the bag and his smile returned at the sight of his favourite candy , and called out in a sweet voice " ooooh , so you did, did missed me !? " making the other mumble under his breath " sometimes I regret doing so " making Tommy ask loudly " what was that ? " , " nothing! , if you don't want it give it back ! " The call made Tommy hug the bag and lean away "ok! I want it ! And thank you for thinking of me ! " making Carlton groan and burry his blushing face on his hands almost regretting his action , almost , but the sound of Tommy's loud humming made him take it back , " huummmn , sweet , but not as sweet as you~ " , yup he definitely regrets it now .
Back to Edward who was making his way to his urgent consultation after handing over his car keys, taking a breath before unlocking the door and stepping in , about to greet the Clint who turned out to be a woman standing by the window overlooking the skyline of London with her back facing him , but his words died in his throat when she turned around to face him , a smile made it's way upon her lips and she didn't hesitate to greet him , taking notice of his stunned face and stiff shoulders " hello Edward , it's been a long time " , he couldn't grasp if it's real or if he was having a cruel dream , no a nightmare . but it took him a moment to find his voice again and ask in disbelief " Mom ? " .
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142 notes · View notes
scribbleseas · 4 months ago
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Straight Laced, Chapter VIII: To Be A Keen Observer…
Description: After the London’s Royal Ballet company’s prima ballerina goes missing within a string of mysterious disappearances among the ballet’s young ballerinas, you finally get your chance to debut in the leading role, taking on the position’s physical toil and immense social pressure. Although this role was supposed to be your grand jeté into the spotlight, it is quickly complicated when these disappearances catch the eye of Ciel Phantomhive — the Queen’s Guard Dog. He is a captious and shrewd man who also happens to be one of London’s most eligible bachelors.
For enough profit for you to secure your freedom for the first time, Lord Phantomhive double casts you as both his accomplice to solving these dancer disappearances and… his pretend lover. While debuting as London’s new prima ballerina, you must perfect a brand new routine: deceiving all of the nation’s polite society while actively searching for a serial killer — all while being an immigrant from France with a dancer’s reputation.
What could go wrong when you realize this off-stage performance of yours may not be an act at all?
Story Warnings: detailed description of gore, pain, and violence, detailed death, smut & explicit sexual scenes, allusions to non-consensual sex, objectification, prostitution, allusions to under-aged prostitution, smoking, drinking, eating disorder tendencies (food restriction, frequent references to wanting to maintain a certain weight, over-practicing & exercising), infidelity, fake courtship, swearing
Author’s Note: I have nothing to say for myself, besides thank you so much for reading! And thank you so much for sticking with me. I’m sorry about that last cliffhanger. (Kind of.)
Dan
⇐ PREVIOUS CHAPTER | NEXT CHAPTER ⇒
MASTERLIST
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November 10, 1895
The British Museum
The Yard. The press. Throngs of pedestrians fleeing from the museum to catch a glimpse of the chaos. Flashing lenses immortalizing Maisie Stannard’s bleeding body, craning necks, overlapping questions.
“Lord Phantomhive, Lord Phantomhive, who’dunnit?” someone demanded, sick comedy in their voice.
Now the public knew. They no longer had the benefit of a quiet investigation.
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The Same Night, Hours Later
Ciel’s Estate
The evening’s fiasco was practically the worst-case scenario for any crime scene, Ciel thought, staring into the lively orange licks of flames in his fireplace. The contained inferno crackled, demolishing the kindling Finny packed inside moments before their return.
The fall night was brisk, the draft blowing against his window, causing balding tree branches to scream.
Finally left alone, the Earl of Phantomhive loosened his tie, slouched behind his desk, and allowed his fingers to knit in his dark hair. He released a frustrated groan he’d long been holding, spat out a curse he’d long bit down in the face of the curious public. They wanted to construct a story that would attempt to broadcast Ciel’s shock, but he would never give them the satisfaction of witnesssing a Phantomhive plan go awry.
Still, the predicament was an embarrassment. He wanted the killer to be William, but the suspect never truly felt proper—even as he watched the Yard escorted the man in handcuffs. He’d merely convinced himself William was completely guilty because it was the most convenient solution, and that was worse than a confident response being wrong.
Ciel’s eye strained from analyzing the list of guests from the gala. The names and titles were forged into his brain, and yet, how could he stop? Another person was dead because of his shortsightedness. It was a smear on his name and reputation, one far worse than courting a prima ballerina.
At the end of the day, he should have known better. It was too convenient for the killer to be William. Ciel doubted he had much of a capacity to kill—not the intellect, not the bravado, and not the motive.
Was he a violent criminal who took what he felt he deserved no matter who he hurt? Certainly. But was he intelligent enough to poison a young woman slowly using dimethylmercury? To lure a young woman to a bridge and dispose of her in the river beneath? Not to Ciel. He had to be missing a significant part of this investigation. What could he be missing? Who could he be ignoring?
Someone had to have known William’s crimes against members of his company, and plotted to frame him. The death had to be connected to the rest of them—too convenient to be a coincidence. Y/n knew her. They were both part of the same company— rivals, even. All of the dancers were a part of this company, at one point in their short-lived careers. Even the victims who were working somewhere new during their time of death or the last day they were seen, worked under William at one point in time.
Y/n said that the incidents all seem to take place on Thursdays, Fridays, and Sundays. Days where the full company rehearsed The Nutcracker in full, and Natasha was occupied with costume fittings. The company was in its last two weeks of playing Swan Lake and now it was preparing to welcome the holiday season with the festive ballet. It always had a popular run, causing it to start at the end of November until the weekend after Christmas.
That couldn’t be a coincidence, either. Ciel thought it incriminated William because it ensured that his company— including his wife — would be at their most distracted. Perhaps, the real killer assumed Ciel would draw that conclusion. They would have needed to break into William’s South Hampton home to plant the weapon used to kill Janet Fischer, as well. It seemed that estate was the only property William left unkept.
“I’ve brought your tea, my Lord,” Sebastian said, his habit of breaking Ciel’s focus entirely too common. The Earl knew better than to be startled by his demon butler. After all, the being was at the mercy of his orders. They both knew the terms of their contract intimately well: Sebastian obeyed all of Ciel’s commands and once they apprehend those responsible for the deaths of the previous Phantomhive heads, Sebastian could consume his soul.
“How damned am I, Sebastian?” Ciel asked, half pressing for what the butler made of tonight’s accident and half assessing the damage dealt between him and Y/n, given that the butler had just delivered her a night snack. She was never one to hide her feelings, surely giving Sebastian an earful about how Ciel managed to offend her. Uncovering just what had sent Y/n into her tirade beckoned at Ciel more than he liked, distracting him even more than the investigation was. The prima ballerina was so nonchalant about her promiscuity; could their relations have truly meant that much to her?
Did she feel an inescapable sense of dread and thrill around him, too? A spark so addicting that all she could do was be near him? Just like a good sip of that sweet wine she adored.
“What are you referring to?” While the butler poured a cup of tea, he lifted an eyebrow at the Earl, questioning him. A knowing smile pulled at his lips.
“Don’t you play dumb. You know whom I speak of.” The irritation in Ciel’s voice filled the room.
Sebastian merely chuckled at him. “How do you think making an enemy out of the Norfolk duchy by refusing his only daughter would end for you, sir?” His question was anything but accusatory— amused at most. Curious to get an idea of Ciel’s honest priorities: the wise match, Caroline and her presumptuous mother, or the correct match. The prima ballerina. His prima ballerina, as they worked so hard to make the public believe.
Except, they didn’t understand how much Ciel was just as much her Earl of Phantomhive.
All there was in polite society was Gwen, insisting she and Caroline come to his estate for tea. A meeting he was far from in the position to reject, out of respect to the current Duke of Norfolk. Ciel should have put a formal end to the slow beginnings of courtship he’d hinted to Caroline. At the time, he felt there was nothing to end, since nothing had really begun.
Had the Norfolk line not been in jeopardy, Ciel doubted Gwen would have continued to pursue him for Caroline with such insistence, especially after he announced his courtship of Y/n. Without a male heir, the duchy needed to secure its new duke by marrying Caroline to a suitable noble. The position had been attractive at the time, but now, Ciel hardly felt the appeal. Instead, he intended to tell Y/n that Gwen invited herself to the estate for tea after she forced him to share a cordial dance with her daughter, but Y/n fled the ballroom before he could.
“I could withstand it. And if I could not, you would see me through,” Ciel insisted, turning his gaze back down to the names on his newest list of names— a compilation of suspects with motivation to either kill company ballerina Maise Stannard or the wife of a plagiarizing artist with a legion of enemies. “Unless something changed in our contract within the last seven-some years?” Ciel prompted, scowling at the supernatural being.
The side of Sebastian’s mouth twitched. “Of course not,” he confirmed, “though I may not be able to shield you from the wrath of a woman scorned. Those dangers are entirely different from one another, you’ll come to understand.”
Such reflecting over his personal life was a painful waste of effort. He needed to prioritize his thoughts. Another person died, dammit.
The distinction between company ballerina Maisie and wife of conman Maisie was critical because it decided whether the serial killer was bold enough to kill in front of a high-end gala lined with security or if one of Stannard’s enemies was sending him a message.
Ciel’s eyebrows knit together, unsure if Sebastian was referring to Y/n or Caroline. He cared significantly more about the former. Though, it was only fair to note that Y/n never made her intentions clear enough to be shunned in the first place. She was enigmatic, and beautiful with a puzzling charm— Ciel would’ve had to be daft to ignore that about her. But that didn’t translate to wanting him beyond physical companionship… at least it hadn’t until she confronted him.
Though he couldn’t help but wonder: didn’t Y/n know better? Didn’t she understand that she was deserving of someone who could love unconditionally. In what world could he? Ciel couldn’t even promise never to lie to her.
All relationships and promises in Ciel’s life were conditional. He was a self-serving man—the remnants of the disturbed boy who returned to the land of the living seven years ago with a ravenous demon counting the days to the end of their contract. If Ciel couldn’t even promise to never lie to Y/n—how could she expect him to love her? Did she love him?
There was no loving him. Not without letting it destroy her life. They both knew that. And yet… he had already given into his passionate whims with her. He’d already decided to throw his reservations to the wind, the last of his resilience shattering like glass when she broke into sobs caused by him.
“I thought I was protecting her,” Ciel replied simply, taking a drink out of his hot tea. He welcomed the scorching burn as it traveled down his tongue. The warmth filled in his empty chest. ”I did not scorn her.”
It didn’t matter if she loved him, nor did it matter how he felt about her. The consequences of anything more than a partnership between them would be immeasurable no matter what, but he was more than equipped to handle them.
Could Ciel justify trapping a ballerina in a life where the rest of society would remind her that she was an outsider every day? Gwen and Caroline were the least destructive instance of the social persecution Y/n would face for climbing the social ladder so ambitiously as the rest of the world would see it.
When the world looked at Y/n, they didn’t see her natural aptitude for investigation, her intelligence. Her humor. They saw the misdeeds put upon her by forces much greater than herself. They saw the reckless apathy that was placed on all ballerinas, and assumed that it was their own fault.
No one would see the regard in Y/n that Ciel took so long to notice. They misread her. And they would never care to read her properly until it was too late.
Until she condemned them in a tearful diatribe across the street from the British Museum. That spirit was what convinced Ciel that she had the potential to feasibly manage. If such was the life she truly desired for herself.
“Go get another history on Maisie Stannard,” Ciel ordered Sebastian, wanting to be left alone again. He felt the demon attempting to dissect him, and it was suffocating. Sebastian hadn’t even deigned to reply, merely looking at him with unconcealed amusement. He liked watching Ciel wrestle with such foreign conflict, provoking him for sport to further insult the injury— there was nothing insightful he wished to add.
“Yes, my Lord.” After a disingenuous bow, the demon was gone.
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November 11, 1895, The Next Morning
Y/n’s Rehearsal Studio
“No,” Y/n’s irritated voice snapped the moment Ciel opened the door of his own estate’s practice room and let himself inside.
Rehearsal studio, rather.
He released a sigh that he’d been holding from the moment Mey-Rin told him that Y/n would be absent from their breakfast table. He knew she would make a childish effort to avoid him, but in all honesty, he lacked the time and the patience to entertain it.
Y/n sat in the middle of the room in a nude leotard, her legs fanned open on either side of her. Her back was straight and elongated, forming a perfect line with her neck. It looked effortless. All of her movements looked light and easy, despite the rage that her pursed lips and creased forehead displayed.
She didn’t need to turn around to look at him. Instead, she ignored his image in the floor-to-ceiling mirror’s reflection in front of them. Ciel had to read her expression from the glass, since she purposely kept her back to him.
Ciel caught the variety of materials sitting between her spread legs, several pairs of newly broken in pointe shoes in a row, scissors, adhesive, and a needle and yarn for sewing. They were the same items Y/n used to break in and darn new pairs of pointe shoes for balance and comfort. Ciel knew this routine well— it cost him hundreds of pounds a week to purchase Y/n five or six new pairs weekly.
“Y/n, we have much to discuss. Skipping meals with me will not put an end to the investigation… nor our personal differences,” Ciel told her, carefully stepping closer with the caution a soldier would in a minefield. He supposed a rehearsal studio was just that for Y/n: a battleground.
“All I wanted was a few hours away from you and your investigation. You cannot even give me that?” Y/n corrected coldly, giving the shoe in her hand a hearty smack against the expensive flooring to further break it in. Apparently, all ballerinas had to make their own custom alteration rituals to break in their shoes the exact way they needed it. Y/n liked to eviscerate her shoes’ insoles and shave down the bottoms, stretch the shoe, repair it with adhesive, and darn the flat bit of it.
His investigation? So now it was only his?
“It is not a crime for a ballerina to break in her shoes—I hardly have time as it is, and Nutcracker opens next week,” she continued, still refusing to look at him. She seemed satisfied with the amount of pressure she put on the shoe and squeezed adhesive into its stretched interior.
Of course she wouldn’t look at him. Ciel embarrassed her because he let his preconceived notions about her professions blind him to the extent of her feelings. Ballerinas like Y/n were not inherently promiscuous, and he, despite having one functioning eye, missed that she felt more for him than lust. In what world does a principal dancer fall for a jaded Earl, anyhow?
And he was somehow even more blindsided by his own intricate feelings for her. It was most likely too late. And that was for the best, wasn’t it? It was supposed to be, but the guilty discomfort that sat in his stomach insisted otherwise. It was simply too late.
“The last time I checked, a certain prima ballerina always insisted it was our investigation,” Ciel replied, watching Y/n’s eyes roll in response.
“Clearly, she did not know what she was talking about,” Y/n put her sewing materials and pointe shoes to the side once she was satisfied with the layers of adhesive applied. She continued facing the mirror, spreading into a center split and pushing her torso to the floor in a deep stretch. “Being wrong about so many things makes a person a true lavette, no?” Her stretching position muffled her voice somewhat, but the vitriol was clear to him.
She was comparing her intellect to a dish towel? Honestly? Ciel fought the urge to reflect the prima ballerina’s scornful eye roll to her.
After all, she purposefully referencing both their investigation and their personal matters— enough to show Ciel that there was little to be achieved with the stubborn ballerina at that time. The blows were too fresh.
“What is there for us to discuss, anyhow? That guest list will take ages to sift through, and Sebastian’s interview notes…” Y/n rolled her shoulders back and sat back up only to inhale and bring her torso back to the floor. Her arms stretched in front of her, showing off the sculpted muscle she forged through dance.
Her leotard clung to the trained muscles down her back and arms, causing Ciel’s mouth to run dry as he adjusted his trousers. (Unintentionally recalling her body’s warmth and strength under his fingertips did little to help.)
That realization caused Ciel to moisten his lips, quietly thankful that Y/n was pointedly averting her gaze from him. She would’ve caught and translated that pensive— scandalous — look in seconds, and rightfully called him out for it.
“I want to visit William today,” Ciel managed, barely maintaining his stable tone in the face of his straying thoughts. “The Yard said the bullet found in Maisie was consistent with his Winchester collection. And I still dislike that the Southampton house is William’s only unstaffed possession.” It was all too convenient. Too connected— down to the murders matching the company’s rehearsal schedule.
Even the gala was on a Nutcracker rehearsal evening: a night where it was guaranteed Natasha Wood had her hands full and the company was half alive after such a rigorous day.
“That sounds like the perfect plan, Lord Phantomhive,” Y/n answered bitterly, extending an arm over her head while she leaned to the side. She still had her legs parted in a center split.
Lord Phantomhive was a gut punch. It took all of his composure to hide his crawling discomfort. That had to be the first time he recoiled from the weight of his surname.
To her, he was Ciel. She had seen to it— demanded it, even.
“You can handle that on your own. He will not talk with me there, surely,” she added, her bored tone causing his fingers to curl into a frustrated fist at his side. Finally catching her stare, he noticed that her eyes were bleary as if she had been crying. Even her lips seemed bitten.
Ciel had to ignore the striking urge in his body that begged him to kiss her. Now that he knew her prowess, the way she moved her lips with the same elegance she did the rest of her body, it made her allure all the more intense. So much so that they forced Ciel to skip several heavy seconds before replying to her poor excuse for not wanting to be in the same room with him. He had been occupied with admiring her.
“I would prefer—” he started to object, only for Y/n to interrupt.
“Please see yourself out. I must rehearse, I am running on borrowed time as it is. The last Swan Lake showing is tonight,” Y/n said expectantly, assuming Ciel didn’t know her performance schedule. He merely happened to have committed it to memory.
Y/n rose to her feet. She was already wearing an older pair of pointe shoes, suggesting that she had been practicing before deciding to break in new shoes.
Having risen from the center of the floor, she took graceful steps closer to the mirror, fully turning her back to him as she put herself in the starting position for the Sugar Plum Fairy Variation. After putting in hours of labor as her unpaid pianist, Ciel could recognize those soft, exaggerated steps anywhere.
His stomach only twisted into a tighter knot, offended that Y/n would prefer to rehearse in complete silence than in his piano playing. After all, she once told him that she couldn’t keep time without it.
In unexpected surrender, Ciel closed the door behind him, softly letting the knob click back into place.
It was simply too late.
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The Same Day, Hours Later
Scotland Yard’s London Headquarters
Even for a man living in a holding cell, William Wood did not look well. His facial hair, what was formerly a tasteful goatee, was now untamed and slightly overgrown. Deep exhaustion carved bags under his eyes. His sudden fall from grace seemed to age him years, even though it was only a week or two since Ciel made the arrest.
“They told me you’d be coming to see me today,” William grunted, dressed in plain clothes. He wasn’t formally charged yet, but Ciel and the Yard agreed that the threat of allowing an arrested serial killer to remain free before his sentencing was too great to risk. Ciel also needed easy access to William in the event they were wrong.
The criminal’s gray eyes attempted to bore into Ciel’s soul, but really, they were tired. Unfocused. Desperate. He reminded him of a cornered tiger— too proud to submit, but too exhausted to finish the fight.
“Yes… I have questions that demand answers. From you.” Ciel answered carefully. He exchanged a look with the officers guarding the door, silently urging them to clear their throats and seeing themselves out, guarding from the outside of the room. William’s holding cell sat in an isolated room from the rest of the headquarters. The basement was fortified with cement, making the area drafty and dark.
He wouldn’t reveal the news that there was another murdered ballerina, but there were other means to extract the information the situation required.
A condescending smirk twitched at William’s lips, unsurprised. “And you expect me to talk? To you?” He asked, his jubilant tone dripping with malice. “You’ve ruined my life, my wife’s…our livelihood.”
“No one forced you to cheat on your wife. Or assault defenseless young women. Or murder them in cold blood,” Ciel snapped, raising his tone. Natasha, from what Y/n said, was running the entirety of the company without William in the first place. She didn’t need him— he was a pathetic excuse for an heir to a business. That had to be clearer to her than anyone.
Only now, he made her work infinitely more complicated. Especially since the body of Maisie Stannard was plastered all over the front pages of most newspapers that morning, each depicting the mysterious murder that occurred near one of the side entrances of The British Museum.
“You don’t talk about my wife to me,” William’s fingers curled into fists at his sides as he took a step closer to the cell’s bars that separated them. His complexion was shades lighter. “I never killed anyone, either,” he was sure to remind Ciel.
“You will answer my questions, one way or another. How much of your blood gets spilled depends entirely on you, William,” Ciel replied, appreciating the cell wall that separated them. One of them was vulnerable, and it was certainly not him. It would never be.
The Earl pressed the nose of his Nanget Revolver into William’s hip, sliding the nose of the weapon between the bars. He smiled at the defeat that fought the stubborn ferocity in William’s colorless irises, placidly putting the weapon back into his jacket pocket just as smoothly as he’d taken it out.
“Do we have an understanding here?” Ciel asked impatiently. “I am only interested in the truth.”
It was exhilarating to watch the desperate fire extinguish in William’s face, the fighting militance in his shoulders dissipate. His fists unfurled as he sighed, coming to terms with his defeat. He was just smart enough to understand that concept— a lesson Ciel and Y/n fought hard to teach him.
“It’s not like I have a choice,” the former businessman crossed his arms, ignoring the weapon that Ciel threatened him with.
“Your Southampton house,” Ciel started, “why is it unstaffed? When was the last time you were there, before you instructed Y/n Y/l/n to meet you there?”
“I told Natasha I sold it, but it’s been my family’s for generations. I used the place for… meetings I didn’t want her to know about,” William sighed, choosing his words cautiously. “That time with…Y/n… was the first time I’ve been there since my trip to France. So I haven’t been since the end of September. Do I get to know why you’re asking?” He asked sarcastically.
The last time Janet was seen was September 27th.
“When did you leave, William?” Ciel asked with a newfound sense of urgency overriding his frustrations with the man. His mouth was dry, his heartbeat picking up. “Do you know the exact day you departed?”
William shrugged, either not noticing Ciel’s pique or not caring. “September 28th, probably? Early morning.”
Is that enough time to murder a woman— she was projected to have died late that night — hide the murder weapon in Southampton, and return to the London ports by dawn to leave the country? It wasn’t.
”Did anyone have access to your property? Anyone?”
“No one should have. I only… asked my wife to dispose of hers, after I told her I sold the property,” William frowned. It seemed it was only dawning on the careless man that his wife might have lied to him, curious as to the lack of official documentation from the sale, any shift in finances, given the major role in managing their company, according to Y/n.
“She wouldn’t… think I still use the property…” he mumbled the afterthought slowly with disbelief.
The more Ciel asked of William, the more of him and Natasha he understood. They fell in love because she transferred from a ballet school in Russia and starred in a company production of Sleeping Beauty. William was still learning how to run the company, one of the investments out of a larger corporation, but he fell in love with Natasha, the prima ballerina, at the time.
Natasha overworked herself in the role, causing a hip injury to end her professional career only a year into it. And that was two years ago. Now she was the company’s director—nothing like the inspired dancer she once was, William insisted.
He lost sight of his love for the young ingenue because the injury killed her. What was left was a completely different woman. Tired, bitter, frustrated from what she lost...only for her marriage to slowly decline the more she lost herself.
Opportunity, motive…was there a means? It was now of the utmost importance that Ciel found the answer to that question. No matter how Y/n would feel about his investigating Natasha, her mentor. Ciel trusted his instinct—the tugging in the pit of his stomach. The alarm that he felt.
How could he not have seen it sooner? He needed to leave. He needed to stop her before she left for her performance.
It took a frenzied carriage ride through the crowded London streets, but Sebastian’s demonic carriage driving managed to put Ciel in front of his manor just as Y/n was leaving for the opera house. He was always chasing after her, it seemed, but he didn’t care.
For her, he would. She would, for him. Or before he broke her heart, she might have. He was too late, in that regard, but he could stop her here and now.
“Y/n, stop, this is important!” Ciel stumbled out of his carriage, having stepped out of it before Sebastian could stop entirely. He had to intercept her.
The ballerina scoffed at the nerve of him, begging her to stop in her tracks and hear him out for the second instance in a row. At the same time, Ciel demanded that Finny keep Y/n’s carriage stationery for the moment through a brief look, causing his gardener’s superhuman grip to tighten on the horses’ reins. He gave Ciel a resolute nod, his jaw firm.
“What? Is this chasing a daily occurrence?” Y/n quipped bitterly, just as Ciel expected her to. “You have never cared to attend one of my performances before,” she accused, adjusting the strap of her bag on her shoulder. Her hand fell still on the carriage door’s handle, frowning at him.
“I have reason to suspect that Natasha is—“ he started gravely, pronouncing his words carefully. He knew what Y/n would say, but he could only prove this theory with her help. If Ciel was right, one misstep could make them the adversaries of one incredibly violent, envious, and dangerous criminal who played the role of a wistful, wise mentor. And played it well.
Immediately, Y/n’s face reddened, defensive. “Stop,” she insisted, her voice hoarse. She turned the handle on the carriage door, causing Ciel to reach out and grab it himself, his hand engulfing hers.
He needed her to approach this logically.
Y/n’s face jerked to look at him, her hand attempting to move with the same speed, but Ciel’s grip kept hers stagnant. She gave their hands a long, hard look.
“You have no idea what Natasha has done for so many of us, how little I would have without her. She would never do this to any of us,” Y/n’s voice wavered.
And what has she done for you? She allows men to abuse you. She encourages you to skip nourishment to maintain some shallow aesthetic. She hasn’t reported any of these missing cases to any of you—
“—She does not know about them!” Y/n interrupted, wide eyed, tears threatening to fall. He had said that out loud. “I would not have this opportunity without her. I have known her for years. You, I have known for? A month? You care about me as much as she does? At all?”
“I care about you more than you know, Y/n,” Ciel replied, trying to keep his voice measured, in spite of his pounding heart. He could feel his pulse racing.
“You do not.”
“I do.”
“Then you show it by dancing with another woman in front of me? By inviting her to your home where I live as a guest the night after we were intimate?” Y/n asked, tears rolling down her cheeks. Ciel’s stomach sank. That was what had caused her outburst at the party: Gwen had lied to her. He didn’t invite the duchess; the duchess had invited herself.
His crime was failing to properly refuse her at the gala. Ciel intended to send his regrets the following day by insisting he had an overseas meeting.
“I did not invite the duchess and her daughter. Gwen seems to have lied to you,” he said, the force behind his words extinguishing. “I realized… that… I don’t want my marriage to be a business venture. I don’t want Caroline to be my Countess—I’ve hardly ever spoken to her! I would want…” he let his next word hang in the air. It filled the few centimeters that separated them.
You.
“I need to leave now or I will be late,” Y/n’s free hand wiped away another tear that escaped her tired eyes. “This is my last Swan Lake performance, Ciel. Please.”
She didn’t believe him. And he didn’t blame her. He had warned her about himself a long time ago.
Every instinct in Ciel refused, but he released the hand that he held stagnant on the carriage door handle. “Fine. You may,” he sighed, exchanging the same look with Finny. Y/n opened the carriage and sat inside, closing the door in his face. Again.
“Sebastian, this is an order. You will protect her as you would myself. Now go. Stay out of sight unless the situation demands it.”
In the meantime, Ciel could escort himself to the performance. He had a chance. No way in hell would he let himself squander it.
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The Same Evening
The Royal Opera House
For the entirety of his life, Ciel was a keen observer. He could see through a liar’s carefully constructed facade by a glance, the bravado and charismatic grace that Y/n enlisted to maintain her confidence. The Phantomhive empire was as prosperous as it was because of his ability to read and interpret those around him… and manipulate them accordingly.
Now, all of his expert focus fell on the prima ballerina, just as blazing and intense as the spotlight that illuminated her.
Until this point, Ciel avoided attending Y/n’s performances because they knew they were spellbinding. He was more than aware of her talents—even watching her mumble through her moves as she rehearsed was enchanting. He had pointedly refused to allow himself the indulgence necessary to freely watch the woman act in front of an audience, encapsulating a character through mood and movement when he had grown so accustomed to admiring her individualism.
Rather than tell her so, he’d only insinuated that he was too occupied to attend these performances, despite her frequent invitations. Selfishly, he used to prefer her subdued look of disappointment than run the risk of her noticing the way he fell for her. Without meaning to. In fact, while actively trying not to.
Her raw pain was clear as she depicted Odette grieving the prince’s betrayal, having fallen for Odile’s impersonation of her. It wasn’t unlike her face moments before she stepped in the carriage in order to fulfill this very performance, or even her expression in the studio, or in front of the museum the night before. She channeled her hurt into her work—just as he did. She evolved with each step, every twist, in spite of him. Because of everything he put her through.
The bouquet in his tightening grip crinkled, the decorative paper around it crumbling from the frustration he let out on it. Ciel could hardly hear it over the orchestra in the pit, the assortment of musicians and their quality instruments masterfully recreating Tchaikovsky. But that wasn’t the most impressive aspect of the show— that recognition belonged to Y/n entirely.
He had to correct this gnawing worry in his stomach. The feeling that he was, once again, on the brink of being too late.
The moment the curtain drew after the company’s final bows, Ciel sprang from his seat.
He wouldn’t be too late. At the very least, he owed Y/n that.
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brf-rumortrackinganon · 6 months ago
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The Palace has said that the King’s diary in the coming months “will not be a full summer programme”, with the expectation of “a few engagements a week” while he continues with treatment, instead of several a day as he was accustomed to. But the royal calendar between now and the monarch’s summer holiday in Scotland looks packed, and there are set-piece moments that Charles is determined to attend, health permitting. Top of that list is his hope to travel to Normandy on June 6 to commemorate the 80th anniversary of the D-Day landings, with the Prince of Wales also expected to join his father in France that day to honour the fallen. Those close to the king acknowledge it is a hectic schedule for any septuagenarian, let alone one undergoing cancer treatment, and Prince William is understood to fret about his “workaholic” father’s pace. A source close to the prince says: “He wants to make sure his father is balancing his recovery. He knows his dad loves work, but he does worry about him.”
and
Those close to William say that despite the strain of recent months, his “humour is always there” and “he’s been on good form”, more so since the speculative storm around Kate largely subsided after her public announcement in March that she was receiving cancer treatment. A source close to the Waleses says: “There is a huge sense of relief that the family have been given the privacy and peace they asked for. He continues to do his best to try to balance supporting his wife, family and father with his public duty as the Prince of Wales. But of course from the start of the year, the focus of his family has been at the forefront of his mind.” A friend of William reflects on the weeks before Kate revealed she was undergoing cancer treatment, when William, still also processing his father’s illness, attended several public engagements while wild rumours and speculation whirled on social media about his wife. “I don’t know how he managed to keep doing all of that, knowing what he was going through, while the world was ridiculing and throwing shit at his wife while she was having chemotherapy. That speaks to his character, grit and determination to go out there and do the job that is expected of him. He has taken most of it on the chin and got on with it.”
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the-cypress-grove · 1 year ago
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Hi hi I saw ur "So, you want to write ..." post for vamps and zombs would it be possible a werewolf one be made?
Love ur blog by the way makes my brain happy
So, You Want To Write Werewolves....
I had been planning to do werewolves next so I had already been making a list. As always, take the bits you want/need, don't feel you have to answer every question I write, and always always do what works for you and your story.
Werewolves Through History
Lots of myths around the world feature some form of werewolf, or at least people in possession of the ability to turn into animals. Sometimes they're helpful like the Wulver of Scotland who leave fish for people in front of their houses. Sometimes they're malevolent forces like the Skinwalkers of Native American legend.
In Europe, France especially, there was a fear of these creatures and many were killed because they were believed to be one. In some cases, these people were at least partially skinned as it was believed that a werewolf had fur on the inside.
If you want to research a particularly notable case of werewolves, then you should look into La Bête du Gévaudan, France. It was believed a werewolf perpetrated 210 attacks resulting in 113 deaths and 49 injuries. 98 of the attacked were partially eaten. Eye witnesses and survivors of these attacks claimed that it was a wolf the size of a donkey and then came the belief about werewolves for which some people were executed. All these attacks took place within about fifty miles of each other. These attacks were so bad it was brought to the attention of the king at the time, Louis XV, who sent people to deal with the creature.
You might want to make a note of the beliefs about werewolves i.e. their strengths, their abilities, their weaknesses, as these will be useful when you come to design your werewolves.
The Complete Book of Werewolves by Leonard R.N. might be worth reading if you find this interesting.
2. Genre Decisions
Before even beginning to design your werewolf you're going to want to decide what genre you're writing in. A werewolf in a horror story will have different qualities and weaknesses compared to, say, a werewolf of in a romance novel. There are usually fewer werewolves in a horror story and larger packs of werewolves in stories where the werewolves are more friendly.
3. Origins
In almost all stories the origins of werewolves as a species are entirely unimportant. This might be something you want to include / explore in your story so I'll touch on it briefly.
Was it a gift or a curse? Was it simply evolution? Have werewolves changed from the time of the first werewolf to the time your story is set? Were they created by a higher power? Was it magic?
4. Wolf Behaviour
Something you might want to look into is the behaviour of real wolves. If your werewolves lose their human mind / have wolf instincts do these follow the patterns of real wolves?
This will help you know how big a territory they might have, what leadership structure they might follow, what techniques they might use to hunt their prey.
Bare in mind, different types of wolves have different behaviours. Does this affect your wolves? Do different wolves of different regions behave in different ways?
5. Werewolf Design
So, now the fun bit. You get to make your werewolf.
Are they affected by the moon? When they turn, do they keep their human mind? How much like a wolf do they look? Are they wolflike or do they have wolf qualities but walk upright? Does shifting forms hurt? How long does it take?
Do you have to be born a wolf or can you be tuned? Does silver affect them? How can they be killed? Do they age? Is their aging process slowed? In some stories werewolves have soulmates, is that the case for yours? Do they live in packs?
How quickly do they heal? Are they strong and fast even in human form? What are there sense like compared to a human? If their abilities are better than that of a human, is it the same in both forms or are their abilities weaker when in human form?
Pick the qualities the suit your story / selected genre the best.
6. Themes
The beast is among us.
Themes of werewolf stories often depends on the genre. In a horror story the themes centre around the struggle between man and beast, humanity and the natural world, secrets, deception, and the illusion that we are in control.
7. Pack Dynamics
If your werewolf knows others amongst their kind then they will most likely be at least one pack in your story. You need to decide the size of the pack, how they function on a full moon vs when they are humans, how are they funded, their leadership structure. Are their packs strictly werewolf only, or can others be found amongst them?
8. Threats
What threats are there to your werewolves? Is it others of their kind Another species? Are there werewolf hunters? Who knows that they exist? Is it common knowledge or do they keep themselves hidden? How far are they willing to go in order to protect themselves?
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elderwisp · 7 months ago
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The Creative Process ‧₊˚✩彡 
Because I love to be distracted
Hi! Ok, I wanted to share wif everyone my process in which I create a story post from conception to the final post. I would say I'm a very structured person when it comes to projects like these however, I've learned a lot and maybe someone could find something useful! We'll be referencing this scene. Oke, let's start!
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✩ Rough Drafts
So, of course everything starts off with a vision. While I always say, write what feels authentic to you, I also know it makes things much more difficult if you don't have a solid ground to build from. I think I've scrapped this particular story about twice already and even reshot the first chunk of Tessellate so there was a better foundation. I like to start off with understanding a character before moving onto creating a plot, otherwise people start bleed into another. Greta Gerwig makes a really awesome statement about how characters come first to her before plot. OKE with that in mind, this particular scene, I wrote it well over a year ago, however there wasn't much flow in the initial draft. In fact, the two look nothing alike. This conversation was supposed to occur during France's concert, but I moved it to to this particular scene and I'm so glad. I felt like their current relationship was strong enough to have this conversation but also it allowed me to really focus in on the two. I am a huge advocate for jotting down dialogue even if things change because you can always expand on an idea. And if things don't work, scrapping is okay, but at least you gave it a shot! After that change, I didn't revisit that scene up until about a month and a half ago. I like to let things sit for a good while. In the initial draft, Taryn was reserved throughout a majority of the conversation. There was limitations in which how I wanted her to express things but things change in a year. When I looked at her as a character and how she's progressed throughout the story, the draft no longer aligned with her lack of response. And then that created the question of what the heck does one say? Because people aren't typically very graceful or eloquent when it comes to confrontation but also we're telling a story so how do I balance the two out? Since, I've followed these little blorbos for a while, knowing their characters and motives allowed me to flesh everything out. Atlas is much more cunning than he lets on and is excellent at painting a pretty picture for those around him if it means getting what he wants. Taryn on the other hand is perceptive and unwavering so being around someone like him, someone that she finds herself slowly falling for, is a complete, well, mind fuck. We can also see from this interaction that there's a hint of feeling inadequate and the lack of confidence to know that maybe he does like her. We also see that Atlas maybe isn't the most mature when it comes to developing something real so the two have plenty to work on just from this scene alone. Like Greta Gerwig says, writing is listening.
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I also wanted to mention LocalScriptMan and this video all the time because it just about changed how I viewed dialogue in general. I think it's such a great tool! I've probably shared it a billion times.
✩ Blender & Posemaking
So I would like to preface this by saying, you do not need to use blender to achieve a vision. There are still scenes that I still use poses/animations from other creators! I wanted to list a few references! Rebouks, Rascgal and Simmireen have an amazing variety of poses to use! I literally use Becca's bumper packs RELIGOUSLY! However, if you need any suggestions, SurelySim's has an excellent breakdown on getting started with posemaking from tiny details, to SimRipper and using accessories! She also talks about Vyxated's Pose Helper which is a god send! For this scene I wanted to fully pose it. In my script, I italicize anything I want to pose, I'm such a sucker for the mannerisms that people have. When words fail, body language speaks. Are they fidget-y, or do I imagine them to be more composed? Taryn's stance is grounded, she doesn't move at all in the scene except for when she leaves and I think it's a great representation of her stubbornness. Whereas Atlas is watching every single move, up until he makes his incredibly bold (ridiculous!) statement. As for emotion when he made that statement, I wanted to go with shame but then I felt like his expression radiated ruthlessness. I personally enjoyed that 10x more because it represented two things for me, his character and that he felt comfortable enough to show that part of himself. When posing a scene from start to finish, it takes me about 1-3 days depending on how complex it is. I'm a huge advocate for using references! I love referencing hands, posture, how to grab a book ANYTHING! Because this was a conversation and not much action happened, it took me about a day.
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✩ Taking Screenshots and Composition
I began taking photos for this scene on March 6th. I use to use this reshade preset by growfruit however, after tinkering with some settings I use like a mish-mash blorbo of a preset. Amobae and Sforz have some cool LUT's for download (I think of it like a filter? That's probably not what it is but MEH) and I love the qUINT's lightroom shader as well. Huge advocate of relight, I was today years old when I learn that you should load it at the top of your shaders order so you don't get like a weird whitecast. These spotlights though are super fun too if you don't use reshade! There are some photographers on instagram that even go over how to use lightroom and it can translate to game as well! For the most part, I try to keep screenshots pretty simple, editing-wise but there are moments when I doodle in little hairs, add in some texture and include shadows for, uh, DRAMAAA. Lately, I've been incorporating intricate fonts because idk sometimes my brain enjoys a little graphic design moment. Sometimes shooting conversation heavy scenes can get so repetitive so I like to look at film stills on pinterest or pay close attention to a film and how they present the camera work in a conversation. Rule of thirds is a great reference tool to use, I believe GShade has a shader for that. However it's okay to experiment, it's not an end all be all. I love looking at animators and how each frame is incredibly intentional, whether it's a shot from above or a really close frame. The beginning of this scene, I honestly didn't have a clue as to how I wanted to open it up since they were walking down a hall. Then I noticed the detail in the fencing and how the tiles were opposite. Using the TOOL mod, I was able to get them both in the center and it created a strong opening shot of how different these two are.
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✩ Editing
My god, I love editing but also this is usually the moment where I get so freaking distracted. This process takes me a day if I am focused.... But realistically it takes three days.... That's why I try to keep things to a minimum. I do use Photoshop. I like to use this sharpening action (the other actions are awesome too!) for story posts, I crop each photo (I use a 9:5 ratio and a 16:6 ratio if I need to focus on something specific idk why i picked those numbers yo), and add in text. Dafont has a lot of different free fonts. I like to use these little guidelines if sentences needs to be centered.
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For adding umph to text, I like to use two things: The warped text option when using the type tool or just going to the distort panel and using the wave option!
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Also bottom right of your layers channel is an fx layer. I like to use stroke and drop shadow on all text so it doesn't get lost within a photo!
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✩ Finalization and My Schedule
That story post was uploaded on March 29th. As of right now, I like to stay three weeks ahead so I have three weeks worth of story posts marinating in my queue LMAO. I always reread things like a bajillion times, sometimes I'll go back and tweak conversations if they feel a bit stiff. Having that three week buffer also gives me time to really dedicate myself to details and focus on being present with a future scene. Another perk is, it allows me to work on cleaning up the script, plotting for future arcs, and having fun with edits. When I used to upload story videos on youtube, I didn't really plan ahead and it was so chaotic for me. Sometimes I didn't have enough time to actually create a solid episode so things felt rushed because on top of that I had a schedule I committed to. This isn't necessary but structure and patterns is something my little brain needs.
I hope this maybe provided some tips for people wanting to start out or it was just a fun little thing to read! One final OP tip is to write about something that you enjoy, something that matters to you. I'm one mf that loves a fleshed out character arc, that doesn't like linear plots and for fucks sake I love a good slow burn and I think all of that reflects a lot which helps me be engaged.
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suddencolds · 10 months ago
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The Worst Timing | [3/?]
part 3 (6k words)!! you can read [part 1] here! (it gets worse before it gets better). this chapter is more character-centric (sorry again 🙇‍♀️). i wanted to post this before work eats me alive this week T.T
this is an OC fic - here is a list of everything I've written w these two!
Summary: Yves invites Vincent to a wedding, in France, where the rest of his family will be in attendance. It's a very important wedding, so he's definitely not going to let anything—much less the flu—ruin it. (ft. fake dating, an international trip, downplaying illness, sharing a hotel room)
It’s fine, until it isn’t.
Yves gets home, showers first (only after Vincent insists that he shower first), heads out into the living room, and shuts off the lights. The lights in the bedroom are still on, bleeding in from the doorframe. 
His head hurts. Every part of him feels cold. He burrows deep into the covers on the pullout bed, rearranges himself until he finds a sufficiently comfortable position, and shuts his eyes. 
Tomorrow, he’ll be away for most of the afternoon—with the wedding rehearsal, and then the rehearsal dinner with the rest of his family—and Vincent will grab dinner and drinks with some of Genevieve’s friends in the meantime. Yves will probably be home late. They won’t see each other for the entire day—at least, until he gets back from dinner some time in the late evening. 
Everything for the wedding is ready. His suit jacket is ironed, his shoes polished; his speech has been written for weeks and rehearsed first alone, and then in front of Leon and Victoire, who’d told him how to make it funnier (Leon) and more concise (Victoire). Two days from today, Aimee and Genevieve will be married.
All he has to do, now, is just see it through.
Yves wakes up coughing.
He feels distinctly wrong. His head is throbbing. His limbs feel strangely leaden, like they’re weighing him down, like it’d be a considerable inconvenience to move them—he isn’t sure if he’d be able to sit up properly.
He presses a hand to his forehead, in an attempt to gauge whether he’s running a fever. It’s no use—his hand is warm and clammy. He can’t tell.
Fuck. This is not good. 
One wrong breath leaves him coughing, harshly enough that the coughs seem to reverberate through his frame. His throat burns. He reaches blindly through the dark in an attempt to find one of the waters he’d bought yesterday night, at the convenience store. Had he left a bottle on the nightstand? Or had he gotten rid of the one he’d drunk from last night? His breath hitches, so sharply that he has practically no hope of holding back.
“Hhehh’YISHh-CHHiew! hhHEHH’iIDTSSHh-iiEW!”
The sneezes tear through him with little warning, leaving him flushed and shivering. It’s not warm enough in the living room. He doesn’t know if it’s the air conditioning in the room, or the relative thinness of the blanket he’s under, or if perhaps the window is open just a crack, or if perhaps he just hasn’t been moving enough to get warm. He’s not sure he could pinpoint the cause if he tried.
The only thing that seems evident to him, now, is that he feels immediately, uncomfortably cold. He could get out of bed and look for something to wear—he hadn’t packed any thick jackets, because Provence in March isn’t especially cold, but even one of the dress jackets would be better than nothing, so long as it’s one of the ones which can withstand getting a little wrinkled.
But when he sits up—or, rather, when he attempts to sit up—he feels the world tilt, uncomfortably. He braces himself on the frame of the couch, propping himself up with one arm up on the armrest. 
He definitely has a fever, even if there’s no way for him to verify that right now. Otherwise, it would be strange for him to feel so cold. Even now, only half-vertical, he finds himself shivering so hard he can barely move the blanket back up to sit comfortably around his shoulders.
One wrong breath sends a painful twinge down his throat, and he finds himself coughing, gripping the armrest tightly to keep himself upright. He should get out of bed. He should find water, put on a jacket, make an attempt to get back to sleep.
For now, all he can do is muffle the coughs as best he can into a cupped hand. His chest aches with every cough. Every breath he takes in feels like it only manages to irritate his lungs further.
Through the haze of his exhaustion, he thinks he hears footsteps. The knowledge that he’s keeping Vincent up is the last thing he needs, right now. 
Through the crack under the doorframe, he can see the line of light from the hallway, which is lit even at night. Maybe if he’s going to be up anyways, he should spend the night out in the hallway—at the very least, he’ll be a little quieter out there.
Someone presses a bottle of water into his hands.
“Drink,” Vincent says. “It’s uncapped.”
Yves brings the water to his lips and takes a short, tentative sip, and then another. His throat is sorer than it had been yesterday—the water burns against the back of his throat as he swallows.
Vincent steps past him, past the edge of the couch, to do—something. Yves doesn’t know what. He hears a click, and the lamp on the cabinet by the sofa flickers on, floods the living room with dim yellow light. Vincent regards him carefully, his expression unreadable.
“Sorry,” Yves says. The next breath he takes in exacerbates the tickle at the back of his throat, and he twists away, muffling cough after cough into a tightly cupped hand. “I didn’t mbean to wake you.”
Vincent’s eyebrows furrow. He looks… upset, somehow, though the light is dim enough that his expression is hard to make out. Yves tries to think of what else he should say, but his head feels heavy.
He tries to re-cap the bottle of water, though his hands are shaky enough to make it a little difficult. Vincent takes the bottle from him and screws the cap tight in one fluid motion. Yves tries and fails to think of something to joke about.
Vincent presses a hand to his forehead. His hand is comfortingly warm, and a little calloused. It’s strange, how good it feels to be touched—he knows and knows well that it means nothing, but the gentle press of Vincent’s fingers to his skin—when he’s spent the past few days trying to keep his distance from everyone—is strangely comforting. Yves leans into the contact, despite all logic.
Vincent pulls away, too soon. “You’re—”
“Warm?” Yves finishes for him.
“Feverish,” Vincent clarifies, with a frown. “Did you already know that?”
“I had a hunch,” Yves answers, honestly.
Vincent just stares at him, for a moment, frustration evident in the set of his jaw. Yves repositions the blankets over his shoulders, a little self-conscious. “It’s fide. I’ll take something for it,” Yves says. “You should go back to sleep.”
“We slept early,” Vincent says. “I’m not tired.”
“What time is it?”
Vincent glances at his watch. “5:34.”
“That’s still early enough that you should be asleep.” Yves sighs, scrubbing a hand over his face. His head hurts, and there’s a prickle in his nose again. “Sorry. I can be quieter.”
His breath hitches. In a frantic attempt to keep his promise, he lifts the blanket to his face and stifles—or, rather, attempts to stifle—the sneeze into the fabric.
“hh—! hhEHH’NGKTSHCH-iiew!”
It’s still not very quiet, despite his best efforts, and the attempt to stifle leaves him coughing a little. It’s a good thing they’re not sharing a bed, he thinks. He hasn’t exactly been careful about keeping this illness to himself.
“Bless you,” Vincent says, rising to his feet. He ducks into the bedroom, only to be back a moment later with a box of tissues, which he tucks into the crook between the pullout bed and the sofa armrests, conveniently in reach. “Was it like this last night?”
“What?”
“Were you unable to sleep last night?”
It’s not an accusation, but Yves freezes at the question, nonetheless. For a moment, he worries—that Vincent knows precisely how little sleep he’s gotten since they landed in France. That Vincent was awake last night—or worse, that Yves was the one who kept him up—which is why he’s asking this question now.
But if he knew, wouldn’t he have said something about it yesterday? 
“I slept fine,” Yves says. 
There’s a cold breeze coming in from somewhere—from the hallway, or from one of the air conditioning vents, he can’t say. Yves tries his best to suppress a shiver. He can tell, by the change to Vincent’s expression—the way Vincent’s eyes linger on him a little too long—that he doesn’t do it well enough.
“You should really have taken the bed,” Vincent says, with a sigh. “It’s warmer.”
“It’s warm here too,” Yves says. There probably wouldn’t even be a problem if he weren’t feverish—it’s just the relative temperature difference that’s making him shiver. “Are you goidg to stop interrogating me ndow?”
“If you stop giving me reasons to be worried,” Vincent says plainly, “Then I will.”
Yves sighs. He’s cold, and exhausted, and he wants this argument to be over. He doesn’t want to have to justify all of this to Vincent, who should be enjoying this vacation instead of worrying about Yves and whatever cold-slash-flu he’s managed to pick up this time. “This is not the first time I’ve been under the weather,” he says. “I—” he veers away to face the opposite direction from Vincent, pulls the blanket up to cover his face. “hHeh-!-hHEHh‘nGKTTSHH-iiIEw!”
“Bless you.”
“—I kdow what I’m doing, snf. I don't even feel that—hh… hHheh'iiDDZZCHH-iIIEW!” The sneeze comes on too quickly for him to stifle. “—that udwell,” he finishes, sniffling, though that’s not entirely truthful. He lifts an elbow to muffle a few coughs into it, blinking through the tears that are surfacing, irritatingly, in his vision.
“So you’ve said,” Vincent says.
“Yes,” Yves says. “You can trust me on this.”
Vincent looks at him for a moment. For a moment, Yves waits for him to refute this, waits for him to point out just how unprepared he is, just how little of a plan he has aside from sticking this out until he has the chance to crash and burn.
“What do you need?” he says, instead.
Yves blinks at him. It’s not the question he expects Vincent to ask.
“Nothidg,” he says, honestly. “Seriously. It’s just a cold. I’ll take somethidg for it when I wake up.”
“Cold medicine?” To Yves’s nod, Vincent says, “I can get it for you, if you want.”
“No need. I’ll probably just — hhEhh-! HhEHh’IITShh-iiEW! Ugh… I’ll pick somethidg up from the codvenience store on the way to breakfast.”
Vincent turns aside to muffle a yawn into a cupped hand. Yves is unpleasantly reminded that he’s probably the sole reason why Vincent is awake right now.
“You should sleep, seriously,” Yves says, insistent. “Maybe you’ll be able to squeeze in a few more hours of sleep before sunrise. I’ll be okay.”
Vincent blinks at him. “Are you sure?”
“I’m sure.”
“Okay,” Vincent says, softly. 
Then he stands, sets the bottle of water on the cabinet by the sofa, switches off the lamp, and heads back into the bedroom. Yves listens as his footsteps recede. His sinuses are starting to feel like they’re slightly waterlogged, and the pressure from behind his eyelids is back, throbbing.
The tickle in his nose heightens, momentarily, and he finds himself muffling another set of sneezes into the bedsheets. He desperately hopes it’s quiet enough to not be disruptive. It’s hard to be fully quiet when whatever he has leaves him sneezing so forcefully, but he’s determined to try. 
The coughing fit that follows leaves his throat feeling like it’s been nearly scraped raw. He clears his throat quietly, though that hurts, too. He takes another small sip of the water, though it goes down his throat with such difficulty he finds himself coughing again.
Two more days. He just has to make it through. He’ll grab a pack of cold and flu medication from the convenience store downstairs—the kind that’s supposed to smother all the symptoms—and then he’ll be good as new, he’s sure.
Yves shuts his eyes, turns to the side, and tries his best to get comfortable. He’ll be less disruptive if he’s asleep. It’s just getting there that’s the problem. He’s exhausted—that fact only seems to become more evident the longer he stays awake—but every time he finds himself drifting off, he’s jolted awake by another untimely sneeze which wrenches him back into consciousness.
In college, whenever he was up unreasonably late for some reason, Erika used to tell him to Stop worrying, Yves, I can hear you overthinking from the other side of the room. Ask anyone else and they’d say that Yves has his life reasonably put together—being the eldest of three does that to you. He’d spent his formative years growing up trying to be the sort of person Leon and Victoire could lean on—the kind of person impervious to the sorts of stressful situations he’d gotten regularly thrown into—and for the most part, it’d worked.
He’d learned, early on, that it is not really that difficult to keep things from people. He likes to think of himself as reliable, even if that means that whenever something does come up—something that feels frustrating and insurmountable—it doesn’t really hurt any less when he goes through it privately.
Erika had always been good at seeing through his bullshit. It was one of the things he liked about her—that he could lean on her if he needed to, without worrying that it’d take its toll on her. That she’d take a look at his problems, which always felt so all-consuming in the moment, and make them seem simple and solvable and almost trivial.
It’s hard not to miss her, now, when he’s alone in the dark, devoid of any and all distractions. Or maybe it wasn’t her. Maybe it was just having someone he didn’t have to hide from.
Yves wonders, faintly, what Vincent would’ve said if he were more honest with him. He and Vincent aren’t actually dating, but he thinks maybe Vincent would understand. He thinks that they’ve been getting along well, as of late—he might even consider them friends.
But then again, hasn’t Vincent agreed to do all of this—lying to Yves’s friends and family, falsifying their relationship, letting Yves drag him from one celebration to the next—because it’s easy? Because he is willing to tolerate going to a party, or a housewarming, or a wedding, where there are no strings attached, when after the night is over he can drop the act cleanly?
It’s a lie that they’re telling, but it’s a self contained one. The moment they step foot out of whatever event they’re attending, there’s nothing left to pretend. Yves can go back to living his own life, and Vincent can go back to living his. Would Vincent really have agreed to do any of this if that weren’t the case? 
It’s going to be fine, Erika would have said. Just breathe. She’s not around to tell him this, now, but he still tries.
The medicine will be enough to get him through today, and the day after. It has to be.
When Yves falls asleep, it’s the kind of restless sleep that sits somewhere in between unconsciousness and wakefulness. He dreams in fragments of scenes—him at Aimee and Genevieve’s wedding, the details hazy and illogical and unusually bright, the weddings he’d been to in the past all superimposed into one.
When he wakes up to the sound of his alarm, it’s to a pounding headache and what he’s certain must be a fever. He can’t seem to stop shivering. It’s already bright out—the curtains in the bedroom are pulled shut, but light streams in from the sliver of space between them.
He feels too cold and somehow entirely devoid of energy, though he doesn’t remember doing anything particularly tiring. Sitting up makes the throbbing pain in his head sharpen, so painfully that he has to grip the side of the couch to steady himself, blinking against the dizziness. If Aimee saw him right now, he thinks, she’d send him straight home—he’s in no state to attend a wedding, and he’s not sure if he’s in any state to pretend that’s not the case.
He breath hitches. He raises an arm to shield his face, habitually, even though there’s no one here to witness—
“hhEhh-’iZZSSHH’Iew!” The singular sneeze is, unfortunately, far from relieving. The tickle in his nose is irritatingly persistent, even when he reaches up to rub his nose, which is starting to run. “Hh-! hhEH-!! HEHh-’IDDZSCHh-yYew! hHEHH’iDDSCHh-iEWW!hhEhH-! H‘IIDzZCH-YIIIEEew! Ugh…” The sneezes scrape unpleasant against his already-sore throat, leaving him hunched over as he muffles cough after cough into his arm.
There’s a small packet of cold medicine on his bedside, along with an uncapped bottle of water, and Vincent is nowhere to be found. The medication is a relief. It’s strangely thoughtful—a part of him is a little worried that Vincent’s only gotten this for him out of a sense of obligation—but he’s grateful for it, nonetheless. 
It’s exactly what he needs. Surely if he takes something for this, his symptoms will be, at the very least, tolerable enough for him to function as usual.
He picks up the packet, squints down at the instructions. The text is inconveniently small, and he’s always been better at speaking French than he is at reading it, but he gets it eventually. It’s supposed to last six hours. If he times this right, he can take a dose that will last him until the end of the rehearsal dinner tonight, and then—if he’s not feeling better by tomorrow—take another before the wedding starts. 
It will be fine. He uncaps the bottle by the cabinet, downs two pills, squeezes his eyes shut, and sits there for a minute, forces himself to breathe, waits for the uncomfortable pressure in his temples to subside.
Then he shoots off a quick text—
Y: thanks for the cold meds :)
Y: sorry i essentially left you with some strangers (again)
Y: this seems to be a theme for me huh
Vincent texts him back just a few minutes later:
V: No problem. I hope you feel better soon
V: Leon and Victoire invited me out for lunch
Yves blinks. That’s a little surprising. But come to think about it, Vincent’s plans with Genevieve’s friends aren’t until dinner time, so it makes sense that he’s out doing something else.
His second thought is: he is definitely in for an earful from both Leon and Victoire.
Y: jealous! have fun! 
His phone buzzes not long later with Vincent’s response.
V: I considered waking you, but I figured you could use the sleep
V: Do you want me to bring anything back?
Sure enough, when he checks his unread texts, Leon has texted him, are u alive????? And then, a few minutes later, ur sick? dude worst fucking timing ever 😦, to which Yves types back, thanks for your glowing reassurance
Victoire has sent him, vincent told me you’re sick :((( and, feel better soon (preferably before 3pm tomorrow!!), to which Yves says, thanks, fwding this to my body. hope it gets the message ✌️
Then he sends back to Vincent:
Y: i’m good, but thanks for asking! enjoy lunch 
Vincent doesn’t say anything, to that, which means that he’s probably busy. Yves makes a note to thank him in person later. And again, much later—when all of this is over.
He just has to get the next day and a half to go according to plan.
The wedding rehearsal is mercifully uneventful. They walk twice through the processional, and then twice through the recessional. Yves picks a seat near one of the back rows, shivers through thirty minutes of run throughs, and tries to cough as discreetly as he can. He stifles every sneeze into a vague approximation of silence—he’s never been good at stifling—and does his best to ignore the mounting congestion in his sinuses, the persistent ache behind his temples.
It's easy enough to ignore all of those things in his excitement. He’s happy to be back—here, in France, surrounded by his whole extended family A part of this still feels unreal to him. He’s really here, in a place that feels familiar and simultaneously so novel, to watch someone who’s influenced him so fundamentally get married. 
They’re all dressed for the spring weather. For the wedding rehearsal, Yves picked out a gray blazer over a dress shirt, chinos, and dress shoes. It’s not quite as formal as what he’s planning to wear tomorrow—the shoes are the only item he’s planning to rewear—but he finds himself distinctly grateful for the blazer jacket when the wind threads through the trees, knocking his tie slightly out of alignment.
It’s not unusually cold out—this would probably be considered temperate weather here, in March—but the wind is cold enough to offset the otherwise agreeable temperature.
The cold medicine helps, too—it keeps him feeling well enough to stay upright, which is already an accomplishment. He’s congested—his sinuses hurt a little, like everything’s a little waterlogged—but at least he isn’t sneezing as much as he was last night. His head still feels heavy, but the pain is a little duller, a little more muted; he’s tired, but he thinks right now he could stay awake on pure adrenaline alone.
“Dude, you sound awful,” Leon says, after the rehearsal ends.
“Thadks,” Yves says, muffling a fit of coughs into his elbow. “You always kdow just how to flatter me.”
Leon looks him over with a frown. “Are you sure you’re good for tomorrow?”
Yves doesn’t know. “Let’s hope so,” he says. “I don’t have any contingedcy plans for if I’m not.”
“I’m sure Aimee would understand if you told her.”
“I’m sure she would.” Yves looks over to where Aimee’s standing—she’s in the middle of a conversation with Yves’s parents and some of the adults on Genevieve’s side of the family. He’s too far to make out what she’s talking about, but she looks happy—she’s gesturing animatedly, her eyes bright. Every so often, he sees her flash a smile at Genevieve, as if to make sure Genevieve is following along.
Leon seems to understand that Yves has no intention of telling either of them, because he sighs. Yves changes the subject before he can say anything. “How was ludch with Vincent?”
“I like him,” Leon says, brightening at the question. “He’s surprisingly pretty funny. I hope you guys stay together.”
“Just because he’s funny?”
“That certainly doesn’t hurt,” Leon says, grinning. “But you work with him, right? If he’s a nice person while he’s looking at like, tax forms, or whatever, he’s probably a great person when he’s doing anything else.”
“Yves! Leon!” someone waves them over. When Yves turns, he sees it’s Roy, one of his younger cousins from his dad’s side of the family. “Pictures!”
“Coming,” Leon shouts back. 
Yves has no idea why there are pictures happening today when the wedding is tomorrow, but he fixes his tie hastily and heads over to join them both.
When dinner rolls around, Yves finds he has no appetite, but he eats what he can and spends the rest of the time making conversation with some of his aunts and uncles. He’s always found this kind of small talk to be more enjoyable than it is tedious. They ask about his job, about his workload, about life in the states, about his parents, about Vincent—all things that he knows intimately, and has no problem speaking on. He thinks that speaking in French makes him a little more deliberate with his answers, partially because he has to spend some time formulating the sentences when they get more complicated, and he likes that, too. It has all the camaraderie of a family gathering—warm and crowded, welcoming, a little chaotic.
He finds Genevieve after dinner, sitting out on the steps.
“Hey,” he says, in French. She looks up, and he motions to the steps beside her. “Do you want some time alone before you get swamped with codgratulations tomorrow, or can I crash your alone time early?”
She smiles up at him. “You can sit here,” she says.
He takes a seat on the steps—a few feet away from her, because he doesn’t want to risk passing whatever he has onto her. He doesn’t know Genevieve very well. He knows her best through Aimee—through the stories Aimee has told about her, through the way Aimee’s entire disposition seems to change around her—but he’s exchanged very few words with her outside of that, all over the summer during their yearly family reunions in France. His extended family is large enough and the family reunions hectic enough that he can probably count the number of conversations he’s had with her in person on one hand.
“So,” he says. “How are you feelidg before the big day?”
“Do you want the good answer, or the honest answer?”
“The honest one,” Yves says. “hit me with it.”
For a moment, Genevieve doesn’t say anything. Yves zips his jacket up a little higher, just to have something to do. Genevieve pulls her legs in towards her chest.
“I’m terrified,” she says.
“You think somethidg might go wrong?” Yves asks, surprised. “You guys have planned this all out so thoroughly.”
“It’s not that,” she says. “It’s more like—this is probably going to be one of the most important things I’ve ever done,” she says. “You know, when something is really important to you, so it’s just that much more crucial that you don’t mess it up?”
“You’re the bride,” Yves says, clearing his throat. “I don’t think you can mess up. Unless you like, hheh-! hHheh… HEH’IIDZschH-YIEEW! snf-! Unless you get cold feet and say no when you’re supposed to be saying your vows. I wod’t forgive you if you do that, by the way.”
She laughs. “God, no. I’d never do that. It’s just—there’s all this perceived… I don’t know. Like, fragility around the moment. Like you’re just waiting for the moment to crystallize, and once it sets, it will be like that forever, so you have to make sure that it crystallizes right.”
“I’m guessing you’re ndot a fan of, like, pottery,” Yves says. He tries thinking about what other kinds of art carry the same lack of tolerance for backwards revision. “Or sculpting.”
“I haven’t tried either of those things,” she says. “Though I would probably be bad at them.”
Yves looks off into the distance, towards the countryside, the rows of verdant green hills which unfurl before them, the white cobblestone paths, the houses lining the winding roads all the way to the horizon.
“I think you don’t have to be so concerned about what it’s supposed to be,” he says. “You can give yourself permission to just—live it. Enjoy it, free of expectations. Who cares what you think about it after, right,” he says. “You’ll have a ring on your left hand. That’s good enough to offset any—well, awkwardness, or clumsiness, or anything, because as the bride, you are sort of incapable of doing anything wrong, by default.”
“I guess,” Genevieve says.
“It’d be a disservice to Aimee if you spent the wedding worrying about how to get things right idstead of like, just living,” Yves says, turning to face her. “What’s the worst that could happen? Like, you spill your drink during the wedding toast, or your mascara smears a little, or you trip on your wedding gown and you have to be helped up by the woman you love most? I think that almost makes it more romantic,” he says. “Because however the moment crystallizes, it’ll be you.”
“Did you learn all of this through pottery and sculpting?” Genevieve asks, wiping at her eyes. She looks a little better than before—she’s sitting up straighter, and the tension in her shoulders is less pronounced.
Yves grins at her. “I have a younger brother and a younger sister,” he says. He clears his throat again, though it doesn’t really do a good job at making his voice sound less hoarse. “It’s exactly as bad as you think it is. I have to be the one to talk them out of their stage fright like, all the time.”
Genevieve laughs. “It must be lively,” she says. “Your whole family is very accommodating.”
“They’re certaidly a handful,” Yves says, with a laugh that tapers off into a short cough. “I love them to death. And I’ll be happy to have you as part of them.”
She smiles at him. The evening light strikes the windblown strands of her hair gold. “Thanks for this.”
“Yeah,” he says. “No problem.”
They sit for awhile in silence. Yves crosses his arms in an attempt to conserve warmth and tries his best not to shiver too visibly.
“How did you kdow it was her?” he asks—a sudden, impulsive question.
As soon as he says it, he feels the urge to take it back. Genevieve is already stressed out enough about the wedding without him asking her difficult, abstract questions the day before the ceremony. He opens his mouth to apologize.
“There was never any doubt,” she says.
When he looks over at her, her expression looks a little wistful.
“Like, one day I woke up and I realized that whatever future I imagined for myself—in Marseille, or elsewhere; as a copywriter, or a journalist, or a director, or something entirely different—she would always be there.” Yves understands that—back when he’d been dating Erika, he’d felt like that too. That she was going to be the last person he’d ever date. That there was no conceivable future for him that didn’t involve her.
“Those kinds of revelations would come at the most insignificant of times,” Genevieve says. “I’d look over her halfway through morning coffee, or I’d watch her pick groceries from the aisle, or I’d watch her fiddle with the radio as she drove, and then it would strike me.”
“That you wanted to be with her?”
“That I was happy.” Genevieve tilts her head back to face the setting sun. “I’m really happy. It sounds like such a simple thing, and it is, but even a few years ago I’m not sure if I could’ve told you that that was true. And I think that finding someone who makes you feel that way—like they’d guard your happiness under any circumstance—is really something special.”
“You were the one who proposed to her,” he says. He remembers Aimee texting him about it, the night after it’d happened, remembers how he’d excused himself from dinner somewhere or other, ducked out of the room to get on call with her. She’d sobbed recounting it, the engagement ring on her finger.
“I was,” Genevieve says. She smiles. “I knew that if I gave up this chance I’d be kicking myself for it for the rest of my life.”
When he gets back from dinner at last, it’s late.
The cold/flu medicine he took from earlier is starting to wear off. His whole body aches—spending the evening outside in the cold probably didn’t help with that—and even in the relative warmth of the hotel room, he finds that he can’t stop himself from shivering.
He takes a hot shower, which feels pleasantly indulgent in the moment, but not long after he shuts off the water, he finds himself shivering again. The absence of the hot water makes him a little dizzy—he finds himself gripping the tiled wall, pausing for a moment behind the shower curtain to catch his balance.
His head really hurts. It’s the kind of sharp, throbbing pain that makes him all too aware of his heartbeat. He gets changed, towels his hair dry, and steps out of the bathroom.
Vincent is sitting on the bed, reading something. He must’ve gotten back at some point while Yves was showering. At the sound of the door, he puts the book down and looks up.
“How was the wedding rehearsal?” he asks.
“Great,” Yves says. He clears his throat, but clearing his throat irritates his throat enough that he has to muffle a few coughs into his elbow. “How was dinner with Genevieve’s friends?”
“They were very nice,” Vincent says.
“Ndicer than my friends in New York?”
“I felt less like I was being evaluated,” Vincent says, with a smile. “But if they were to express their disapproval of me in French, I would be none the wiser.”
Yves laughs. “I’mb sure that even if you learned the ladguage in full, you wouldn’t hear any disapproval from them.” He takes a seat on the couch, if only because he can’t quite trust his legs to keep him upright for the entire course of the conversation. “What did you guys talk about?”
“Lots of things. Life in France,” he says. “Life in the states. Individual freedom and the formal institution of marriage.”
“Do you believe in mbarriage?”
Vincent looks at him. “I think I believe in it just as much as everyone else does,” he says. Then, after a moment: “It worked out for my parents.”
“The busidess competition proved to be a good edough reason?”
Vincent traces a finger down the spine of the book, over the gold lettering. His shoulders settle. “They weren’t in love when they got married,” he says. Hearing him state it so plainly comes as a surprise to Yves. “Strictly speaking, I’m not sure if they ever were in love. But I think they came to love each other eventually.”
“What about you?” Yves asks. “Do you think you’ll fall in love someday?”
“Is that really something I’d choose?” Vincent says. “It either happens or it doesn’t.”
“Sure, but there are plenty of ways you can seek out love actively.” 
“If I found something worth pursuing, I’d go after it,” Vincent says.
Yves laughs. “That’s very like you.” he wonders what kind of person Vincent might be drawn to enough to see as worth pursuing. Wonders if, after all of this is over, he’ll even be in Vincent’s life for long enough to know.
His head hurts. The slight prickle of irritation in his sinuses is already tiringly familiar.
“hHEh… HeHh’IIDZSCH-yyiEW!” The sneeze snaps him forward at the waist, messy and spraying. He reaches for the tissue box Vincent left him this morning, still nestled into the crook of the couch, and grabs a generous handful of tissues. “Hh… hehh-HEh-HhehHh’IIzSSCH-iEEw! Hh…. HEHh’DJSCCHh-IEew!”
The sneezes leave him coughing, afterwards. His throat feels raw and tender—he raises the tissues back up to his face to blow his nose.
“You sound worse than you did last night,” Vincent says, with a frown.
Yves opens his mouth to speak, but he finds himself coughing again. He can feel Vincent’s eyes on him. It’s embarrassing, he thinks, to be seen when he’s like this by someone who’s usually so well put together. “I’b a little prone to losidg my voice when I’m sick,” he admits. “It’s pretty incodvedient.”
“I’m probably not making it any better by talking to you,” Vincent says. That might be true—Yves is half sure that any time he does lose his voice, it’s because he typically makes no effort to converse any less than usual—but Yves likes talking to Vincent. Besides, they haven’t talked all day. 
He opens his mouth to say as much, but then Vincent asks: “How are you feeling?”
“Good as new,” Yves says. When Vincent raises an eyebrow, at that, he amends: “Good enough for tomorrow, at least. The ceremony doesn’t start until three, but I’ll probably be up earlier to see if there’s anything else Aimee and Genevieve ndeed help with.”
Vincent’s eyebrows furrow. “If anything comes up, I can help.”
“It’s fine,” Yves says. “I couldn’t ask you to do that.”
“You don’t have to ask. I’m offering.”
“I can handle it on my own. Even if it doesn’t seem like it, I— hHHEh’IDJZSCHh-yyEW! snf-! I’mb really fine. I swear.”
“Yves—”
“I’ve done this before,” he insists, which is true, too—he’s certainly been through worse. It would be wrong to put himself first, to take things easy when he might be needed still. “It doesn’t have to be your problem.”
For a moment, there’s something there, to Vincent’s expression—a flash of something that looks suspiciously close to hurt. Then it’s gone. When he blinks, Vincent’s expression is carefully neutral, as usual. He wonders if he’d imagined it.
“Okay,” he says. He sets the book gingerly on the bedside counter, and pulls the cord on the lamp. Darkness engulfs the bedroom. “You should sleep soon, if you’re able to.” A pause. The rustling of sheets. “Goodnight.” Yves wants to say something. He has a feeling that he’s messed things up, somehow, though he’s not entirely sure how. 
But what can he say? He just—he just wants, desperately, for all of this to be okay. He wants the wedding to go just as planned, wants to be as present and as reliable as Aimee deserves for him to be. All of that responsibility falls on him and him alone, doesn’t it? 
“Goodnight,” Yves says, instead.
[ Part 4 ]
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