#Oscar Cordoba
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INSANITY (Hellaverse x isekai male reader) Winners (Part 2):
•Adrian Newey (F1/Formuala 1/oscar piastri/Ferrari/Austin gp 2024)
•Black Widow (Florence Pugh)
•Haruka Sakura (Wind Breaker)
•Danny Phantom (Danny Phantom)
•Wonder (autism/neurodivergent)
•Donald Trump (Us politics/Presidential debate/United States/election/American politics/Us elections/Election day/Presidential election/2024 Presidential election)
•Joe Biden (Us politics/Presidential debate/United States/election/American politics/Us elections/Election day/Presidential election/2024 Presidential election)
•Kamala harris (Us politcs/Presidential debate/United States/election/American politics/Us elections/Election day/Presidential election/2024 Presidential election)
•Matthew Domick (nasa/space/astronomy/science/Astrology)
•Elen Musk (Science/physics)
•Beyonce (Beyonce)
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•Aurora (Witchcraft/Witchblr)
•Malefica (Witchcraft/Witchblr/Witch/Wicca/Witchcore)
•Bojan Cvjetićanin (Joker out)
•Kris Guštin (Joker out)
•Jan Peteh (Joker out)
•Nace Jordan (Joker out)
•Jure Maček (Joker out)
•Jannik Sinner (tennis)
•Galadriel (Rings of power/Lord of the rings/Lotr/Tolkien/The rings of power/Gigolas)
•Ranboo (Youtuber)
•The passengers of the AA 11 (9/11)
•Regan (Inside job)
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•Kai (Exo)
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•Alexander Gabriel Claremont-Diaz (Taylor Zakhar Perez)
•Aabria Iyengar (Critical role)
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•Furbys (Furby/r/196)
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•Stede Bonnet (Ofmd/Our Flag means Death)
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•Alan White (Oasis)
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•Kate McKinnon (snl)
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•Vex'ahlia Vessar (Vox Machina/Critical Role/Dimension 20/Misfits and Magic)
•Vax'ildan Vessar (Vox Machina/Critical Role/Dimension 20/Misfits and Magic)
•Percival de Rolo (Vox Machina/Critical Role/Dimension 20/Misfits and Magic)
•Pike Trickfoot (Vox Machina/Critical Role/Dimension 20/Misfits and Magic)
•Keyleth of the Air Ashari (Vox Machina/Critical Role/Dimension 20/Misfits and Magic)
•Scanlan Shorthalt (Vox Machina/Critical Role/Dimension 20/Misfits and Magic)
•Grog Strongjaw (Vox Machina/Critical Role/Dimension 20/Misfits and Magic)
•Alice Oseman (Heartstopper)
•Al Pacino (60s/Cinema)
•King Arthur (Merlin)
•Merlin (Merlin)
•Goodtimeswithscar (Trafficblr/Traffic smp/mineblr/Solidaritygaming/Wild life smp)
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•Tangotek (Trafficblr/Traffic smp/mineblr/Solidaritygaming/Wild life smp)
•Florence Welch (Florence and the Machine)
•Isabella Summers (Florence and the Machine)
•Robert Ackryod (Florence and the Machine)
•Hazel Mills (Florence and the Machine)
•Tom Monger (Florence and the Machine)
•Loren Humphrey (Florence and the Machine)
•Tom Moth (Florence and the Machine)
•Aku Orraca-Tetteh (Florence and the Machine)
•Cyrus Bayandor (Florence and the Machine)
•Dionne Douglas (Florence and the Machine)
•Chris Hayden (Florence and the Machine)
•Mark Saunders (Florence and the Machine)
•Rusty Bradshaw (Florence and the Machine)
•Samantha White (Florence and the Machine)
•Roz (The wild robot)
•Hayley Williams (Paramore)
•Ichigo kurosaki (bleach)
•Bjork (Bjork)
•Sparkle (Honkaistairrail/Hsr/DATENROUTE)
#F1#adrian newey#hazbin hotel#darren criss#wind breaker#danny phantom#autism#Donald Trump#Joe Biden#kamala harris#nasa#beyonce#bb26#The outsiders#Witchcraft#Witchblr#Joker out#Kawaii#Tennis#fall#Romantic academia#ao3#Rings of power#Ranboo#Stray kids#9/11#911 abc#Bojan cvjeticanin#Inside job#Exo
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … October 16
976 – Cordoba, Spain: Al-Hakam II (b.915) dies. He was the Caliph of Cordoba and ruled in Al-Andalus as an open homosexual until his death in 976. He kept a male harem which was a problem since it was essential for the Caliph to produce an heir. A resolution was reached by having the female concubine, sultana Subh, dress in male clothing and use the masculine name of Jafar. They had a son, Hisham II, who succeeded Al-Hakam and who also kept a male harem.
1854 – Oscar (Fingal O'Flahertie Wills) Wilde (d.1900) was an Irish playwright, novelist, poet, short story writer and Freemason. Known for his barbed and clever wit, he was one of the most successful playwrights of late Victorian London, and one of the greatest celebrities of his day. As the result of a famous trial, he suffered a dramatic downfall and was imprisoned after being convicted of 'gross indecency' for homosexual acts.
Though Wilde's sexual orientation has variously been considered bisexual, homosexual, and pederastic, Wilde himself felt he belonged to a culture of male love inspired by the Greek pederastic tradition. His most significant sexual relationships appear to have been (in chronological order) with (perhaps) Frank Miles, Constance Lloyd (Wilde's wife), Robert Baldwin Ross, and Lord Alfred Douglas. Wilde also had numerous sexual encounters with working-class male youths, who were often rent boys.
Biographers generally believe Wilde was introduced to homosexuality in 1885 (the year after his wedding) by the 17-year-old Robert Baldwin "Robbie" Ross. Neil McKenna's biography The Secret Life of Oscar Wilde (2003) theorises that Wilde was aware of his homosexuality much earlier, from the moment of his first kiss with another boy at the age of 16. According to McKenna, after arriving at Oxford in 1874, Wilde tentatively explored his sexuality, discovering that he could feel passionate romantic love for 'fair, slim' choirboys, but was more sexually drawn towards swarthy young rough trade.
Regardless of whether or not Wilde was still naïve when he first met Ross, Ross did play an important role in the development of Wilde's understanding of his own sexuality. Ross was aware of Wilde's poems before they met, and indeed had been beaten for reading them. He was also unmoved by the Victorian prohibition against homosexuality. By Richard Ellmann's account, Ross, "...so young and yet so knowing, was determined to seduce Wilde." Later, Ross boasted to Lord Alfred Douglas that he was "the first boy Oscar ever had" and there seems to have been much jealousy between them.
By the late 1870s, Wilde was already preoccupied with the philosophy of same-sex love, and had befriended a group of Uranian poets and homosexual law reformers. Wilde also met Walt Whitman in America in 1881, writing to a friend that there was 'no doubt' about the great American poet's sexual orientation — 'I have the kiss of Walt Whitman still on my lips,' he boasted. He even lived with the society painter Frank Miles, who was a few years his senior and may have been his lover. However, writes McKenna, he was unhappy with the direction of his sexual and romantic desires, and, hoping that marriage would cure him, he married Constance Lloyd in 1884.
After meeting with Lord Alfred Douglas, 'Bosie', who was 22 years old at the time, in 1891, an intimate friendship immediately sprang up between the two, but it was not initially sexual, nor did the sexuality progress far when it did eventually take place. According to Douglas, speaking in his old age, for the first six months their relations remained on a purely intellectual and emotional level. Despite the fact that
"from the second time he saw me, when he gave me a copy of Dorian Gray which I took with me to Oxford, he made overtures to me. It was not till I had known him for at least six months and after I had seen him over and over again and he had twice stayed with me in Oxford, that I gave in to him. I did with him and allowed him to do just what was done among boys at Winchester and Oxford... Sodomy never took place between us, nor was it attempted or dreamed of. Wilde treated me as an older one does a younger one at school."
After Wilde realized that Douglas only consented in order to please him, as his instincts drew him not to men but to younger boys, Wilde permanently ceased his physical attentions.
However, Wilde and his young lover embraced an hedonistic life style, and for a few years they lived together more or less openly in a number of locations. Wilde and some within his upper-class social group also began to speak about homosexual law reform, and their commitment to 'The Cause' was formalised by the founding of a highly secretive organisation called the Order of Chaeronea, of which Wilde was a member.
Wilde & 'Bosie"
Bosie's father, the Marquess of Queensberry, became increasingly enraged at his son's involvement with Wilde. He confronted the two publicly several times, and each time Wilde was able to mollify the Marquess. Eventually, the Marquess planned to interrupt the opening night of The Importance of Being Earnest with an insulting delivery of vegetables, but somebody tipped Wilde off and he was barred from entering the theatre.
On February 18, 1895, the Marquess left a calling card at one of Wilde's clubs, the Albemarle. On the back of the card he wrote 'For Oscar Wilde posing as a Somdomite' (a misspelling of 'Sodomite').
Although Wilde's friends advised him to ignore the insult, Lord Alfred later admitted that he egged Wilde on to charge Queensberry with criminal libel. Queensberry was arrested, and in April 1895, the Crown took over the prosecution of the libel case against him. The trial lasted three days. The prosecuting counsel, Edward Clarke, was unaware that Wilde had had liaisons and romantic relationships with other males. Clarke asked Wilde directly whether there was any substance to Queensberry's accusations and Wilde denied that there was. Edward Carson, the barrister who defended Queensberry, hired investigators who were able to locate a number of youths with whom Wilde had been involved, either socially or sexually, such as the 16-year-old Walter Grainger and other newsboys and valets. Most damaging of all, among them were a number of young men who had earned money through prostitution, including one of the main witnesses, Charles Parker.
Wilde put on a tremendous display of drama in the first day of the trial, parrying Carson's cross-examination on the morals of his published works with witticisms and sarcasm, often breaking the courtroom up with laughter. However, on the second day, Carson's cross-examination was much more damaging: Wilde later admitted to perjuring himself with some of his answers. On the third day, Clarke recommended that Wilde withdraw the prosecution, and the case was dismissed. The authorities were unwilling to let matters rest.
Based on the evidence acquired by Queensberry and Carson, Wilde was arrested on April 6, 1895, at the Cadogan Hotel, London, and charged with 'committing acts of gross indecency with other male persons' under Section 11 of the 1885 Criminal Law Amendment Act. Despite pleas by friends to flee the country, Wilde chose to stay and martyr himself for his cause.
Two trials followed. The first trial ended with the jury unable to reach a verdict. The next, and last, trial was presided over by Chief Justice Sir Alfred Wills. On May 25, 1895 Wilde was convicted of gross indecency and sentenced to two years' hard labour. He was imprisoned first in Pentonville and then in Wandsworth prison in London, and finally transferred in November to Reading Prison.
Prison was harsh on Wilde's health and after he was released on May 19, 1897 he spent his last three years penniless, in self-imposed exile from society and artistic circles. After his release, he wrote the famous poem The Ballad of Reading Gaol.
Wilde spent his last days in the Hôtel d'Alsace, now known as L'Hôtel, in Paris.
Oscar Wilde died of cerebral meningitis on November 30, 1900.
Wilde is an iconic figure in modern popular culture, both as a wit and as an archetype of gay identity. His trial, imprisonment and death have made him a gay martyr and come to symbolise the inhumane attitudes and treatment with which society has confronted gay people - although it could be argued that his foolish decision to sue the Marquess of Queensberry and his own resulting trial drove an entire generation of increasingly confident homosexual men underground and set the course of gay liberation back by untold decades - but that we shall never know.
1960 – Bob Mould is an American musician, principally known for his work as guitarist, vocalist and songwriter for alternative rock bands Hüsker Dü in the 1980s and Sugar in the 1990s.
Born in Malone, New York, Mould lived in several places, including the Minneapolis-St. Paul area where he attended college. There, he formed Hüsker Dü in the late 1970s, with drummer/singer Grant Hart and bass guitarist Greg Norton
In the late 1980s, Hüsker Dü broke up acrimoniously amid members' drug abuse, personal problems, disputes over songwriting credits, musical direction, and the suicide of the band's manager, David Savoy. Mould and Grant Hart, the band's other songwriter and vocalist, still take occasional jabs at each other in the press, though the two briefly revisited their Hüsker Dü back catalog together at a 2004 benefit concert for an ailing friend, the late Karl Mueller of Soul Asylum.
Mould then formed the group Sugar, with bassist David Barbe and drummer Malcolm Travis. While in the band Sugar, in 1993 he contributed the track "Can't Fight It" as a solo artist to the AIDS Benefit Album No Alternative produced by the Red Hot Organization.
Though Mould's sexual orientation had previously been something of an open secret, he was outed in the early 1990s in an interview in the music magazine Spin; he came to terms with being openly gay, even appearing in the movie Bear Nation, self-identifying as a bear.
In April 2004, Mould was a co-organizer of the WEDRock benefit concert for Freedom to Marry. "WedRock" was a play on the word "wedlock". The event raised an estimated US$30,000. Mould also contributed the song "See a Little Light" to the 2006 album Wed-Rock: A Benefit for Freedom to Marry, an album to support in the legalization of same-sex marriage.
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Por cierto..PARA AQUELLOS QUE AMAN EL TIEMPO ES LA ETERNIDAD pone en la TUMBA de DI STEFANO que murió 7_7_14 o día del 71 cumpleaños de mi padre con el que se fotografio en el BERNABEU junto a RODRIGO ARIAS hermano de OSCAR ARIAS [ premio Nobel de la PAZ por intermediar entre la CONTRA y el SANDINISTA=LP de THE CLASH que incluye IVAN MEETS GI JOE=representación del gobierno USA en sus SOLDADOS.. y 2 veces presidente de COSTA RICA ..entonces Rodrigo Arias ADJUNTO A LA PRESIDENCIA DE COSTA RICA y también sale en la foto FRANCISCO PACHECO presidente de la ASAMBLEA DE COSTA RICA]..al que homenajeaban en el BERNABEU por su 68 cumpleaños [sep'08] ..y A DI STEFANO le dio el INFARTO que lo mató el día de su 88 cumpleaños 4 julio de 2014 [día después de la GRANIZADA QUE ASOLO MADRID]..tumba en PERPENFICULAR A LA DE JESUS GIL y de CARLOS MARIN de IL DIVO
Y su hija enterrada con él murió 12_12_12 [que hizo MESSI su gol 88 de 2012 en el ESTADIO ARCANGEL de CORDOBA]
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LAPD Officer Oscar M. Cordoba https://copblaster.com/blast/57698/lapd-officer-oscar-m-cordoba?utm_source=dlvr.it&utm_medium=tumblr
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Touring Cars news: https://www.touringcars.net/2023/03/raphael-reis-claims-first-pole-position-of-the-season-in-cordoba
Raphael Reis claims first pole position of the season in Córdoba
W2 Pro GP’s Raphael Reis comfortably claimed the opening pole position of the TCR South America season at the Autódromo Oscar Cabalén in Córdoba, topping both parts of the session by over half a second.
https://www.touringcars.net/2023/03/raphael-reis-claims-first-pole-position-of-the-season-in-cordoba
#TCRSouthAmerica
See more at TouringCars.Net
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Estoy pensando meter algún SUBMARINO AMARILLO [mas q x la cancion de the BEATLES x el cd AMOR AMARILLO de CERATI xq hay mucho AMOR SUMERGIDO O REPRIMIDO jaja ]..como atractivo TURISTICO por el RIO MANZANA+eRES cuando lo haga NAVEGABLE hasta LISBOA al unirlo con el TAJO y pueda ir GONZAVENTURAS en su CANOA como intento midiendo su CAUCE pero no llegaba más de 50 cmts x alguna zona en MADRID ..
También quiero EMPALMAR el MANZANA+eRES con el GUADALQUIVIR al volverlo hacer NAVEGABLE hasta CORDOBA..y si que hay que hacer un TUNEL en DESPEÑA_PERROS [ donde casi se mata OSCAR DE LAS HERAS LICERAS con el BMW M3 BLANCO de su novia y mujer al hacer PEYAS EN LA UNIVERSIDAD con 20 años y amigo q comparto con iker CASILLAS al q regalo su camiseta con la q ganó el MUNDIAL según publicó diario AS con titular TIERRA SANTA]..se HACE..seguro no me faltan CHINOS o AMARILLOS jaja
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Beşiktaşım 116 yaşında 🦅🏁
#beşiktaş#süleymanseba#rızaçalımbay#danielamokachi#pascalnouma#andersontalisca#ilhanmansız#adem ljajic#oscar cordoba#ibrahim üzülmez#zago#marcelo#fabian ernst#sergen yalçın#mario gomez#şifo mehmet#mehmet özdilek
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Superclásico en los noventas.
#boca juniors#river plate#superclasico#maradona#marcelo gallardo#90s#anni 90#nostalgia#oscar cordoba#nelson vivas#jorge bermudez#nestor fabbri#rodolfo arruabarrena#julio cesar toresani#diego cagna#nolberto solano#diego latorre#martin palermo#german burgos#hernan diaz#celso ayala#eduardo berizzo#diego placente#roberto carlos monserrat#leonardo astrada#sergio berti#pasqual rambert#marcelo salas#gif#formazioni
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Colombian goalkeeper Vanessa Córdoba ends her adventure in Mexico
Colombian goalkeeper Vanessa Córdoba ends her adventure in Mexico
The Colombian goalkeeper vanessa cordobadaughter of the national team exporter and Boca Juniors Oscar Cordobatoday announced his divorce from Queretaro of the Mexican women’s soccer leaguenot to mention the next step in his career. “After a wonderful year on and off the track, I am closing a cycle with cocks. It was a pleasure to write history with you,” wrote the player, who was signed to the…
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#Article#Colombia selection#Oscar Cordoba#Queretaro#sport-#the herald#vanessa cordova#women&039;s football
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Reportaje de boda en Córdoba | Rafael & Olatz
Reportaje de boda en Córdoba | Rafael & Olatz
¡Hola! hoy os traigo un reportaje preboda-boda en Córdoba. Sigue leyendo y te cuento todos los detalles de este reportaje de boda que seguro que te gustará.
Conocí a Rafael y a Olatz en la boda de unos amigos a los que también hice el reportaje y contactaron conmigo. La comunicación fué muy facil y nos entendimos a la primera. Quedamos en hacer una sesión preboda y al día siguiente el reportaje…
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#alejandro de moya#boda#conti ferrati#cordoba#el trebol novios#fotografo en cordoba#krack core#los jardines del cardador#oscar style custom fit#preboda#reportaje de boda#restaurante de boda#traje de novio#vestido de novia#zapatos de novia#zapatos de novio
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Biografia di Paolo Scirpa
http://www.paoloscirpa.it/index.php?disp=home
Paolo Scirpa nasce a Siracusa nel l934; dopo gli studi artistici in Sicilia, frequenta l’Accademia di belle arti di Salzburg, animata culturalmente da Oscar Kokoschka e lo studio di J. Friedlaender a Parigi. Nel 1965 e, successivamente, nel 2000 partecipa alle edizioni IX e XIII (Proiezioni 2000) della Quadriennale Nazionale di Roma. Nel 1968 si trasferisce a Milano, dove collaborerà con Luciano Fabro all’Accademia di Belle Arti di Brera e dove sarà, più tardi, titolare di una Cattedra di Pittura; nel 1969 tiene la sua prima personale alla galleria L’Agrifoglio, presentato da Vittorio Fagone; nel 1972 espone, alla Galleria S. Fedele, Megalopoli consumistica, un’opera di denuncia sociale. Negli anni ’70 avvia la realizzazione di opere che vengono definite Ludoscopi: attraverso un sistema di specchi e tubi fluorescenti e il gioco combinatorio di elementi minimali, essi propongono la percezione di profondità infinite, in cui “si pratica l’abolizione del limite tra il reale e l’illusorio” (Maltese, 1976). In alcuni ludoscopi egli realizza raccordi illusori che creano uno spazio plastico curvo; in altri il raccordo seminterrato è praticabile; altri ancora sono di struttura cubica. Scirpa trae spunto anche dal Manifesto tecnico della Scultura Futurista di Boccioni, che aveva teorizzato la possibilità di impiego della luce elettrica nell’opera d’arte e si proietta a sperimentazioni in cui il colore non è più dipinto, i volumi non sono più scolpiti e la luce diventa opera essa stessa. Conosce esponenti del MAC, tra cui Bruno Munari ed entra in contatto con i gruppi dell’Arte cinetica, come il GRAV a Parigi o il Gruppo T a Milano. Sollecita l’attenzione anche di studiosi come il cibernetico Silvio Ceccato. Dal 1977 opere di Scirpa sono presenti annualmente fino al 1991 nella sezione cinetica del Salon “Grands et Jeunes d’aujourd’hui” al Grand Palais des Champs-Elysées di Parigi. Negli anni ’80 sviluppa i suoi primi interventi progettuali sul territorio che saranno presentati nel 2004 alla mostra Utopie della città presso la biblioteca dell’Accademia di Brera. Nel 1982 il Symposium de Sculture di Caen (Francia) sceglie il progetto di un suo ludoscopio per la Bibliothèque Municipale. Tiene diverse mostre personali, tra le quali, alle gallerie Arte Struktura, Vismara Arte di Milano, al Palazzo dei Diamanti di Ferrara, alla Galleria Civica d’Arte Moderna di Gallarate ed allo Studio d’Arte Valmore di Vicenza. Nel 1985 è presente a Roma alla mostra di Palazzo Venezia Artisti oggi tra scienza e tecnologia e ad altre manifestazioni sullo stesso tema in Italia ed all’estero, tra le quali, nel 1990, al Politecnico di Milano, nel 1995 al Futur Show di Bologna, nel 1996 all’Accademia di Brera a Milano Convegno Arte, Scienza e Tecnologia; inoltre partecipa a rassegne sulla Patafisica, alla Triennale di Pittura di Osaka e nel 2003 al Museo Bargellini a Pieve di Cento (Bo) Luce vero sole dell’arte, nel 2006 alla galleria del Credito Siciliano di Acireale Sicilia!, nel 2008 allo ZKM di Karlsruhe (Germania) You ser: Das Jahrhundert des Kosumenten ed al Landesmuseum Joanneum di Graz (Austria) Viaggio in Italia, nel 2009 a Berlino presso la Rappresentanza del Baden-Württemberg alla mostra del Museum Ritter ed a Cordoba (Argentina) presso il Museo Jenero Perez alla mostra Echi futuristi ed allo ZKM di Karlsruhe, mostra Collectors’ Choice II. Nel 2012 è presente alla mostra Arte programmata e cinetica presso la Galleria d’Arte Moderna di Roma dove è installata in permanenza una sua opera luminosa. Dal 2013 sue opere pittoriche fanno parte della Collezione Farnesina, raccolta d’arte contemporanea del Ministero degli Affari Esteri. (Roma). Nello stesso anno partecipa alla mostra Percezione e illusione presso il MACBA di Buenos Aires. Nel 2014 completa due nuove opere La porta stretta, la cui prima versione risale al 1999, l’una con fondo oro, l’altra su un tabellone consumistico, ambedue con l’inserzione di una struttura di luce triangolare a profondità ascensionale. Nel 2015 partecipa alla mostra Moderna Magna Graecia a cura di Francesco Tedeschi e Giorgio Bonomi presso FerrarinArte di Legnago. L’INDA Istituto Nazionale del Dramma Antico di Siracusa gli affida la realizzazione del nuovo manifesto degli spettacoli classici del 2015. È presente a Missoni - L’Arte - Il Colore al MAGA di Gallarate.Nel 2016 partecipa alla mostra itinerante The moving eye presso il Muo Musej di Zagabria, e Centri e Istituti Culturali di San Paolo, Brasilia e Panama. In occasione del 25° Festival della Musica di Milano, dedicato a Gérad Grisey Intonare la luce, immagini di sue opere luminose vengono utilizzate per illustrare il libro di sala e per lo spot pubblicitario su SKY classica. Il Museo del Novecento espone un Ludoscopio – Pozzo, 1979 facente parte della sua collezione. Partecipa alla mostra itinerante The moving eye presso il Muo Musej di Zagabria, e Centri e Istituti Culturali di San Paolo, Brasilia e Panama . E’ presente alla mostra Interrogare lo spazio a cura di Luigi Meneghelli presso Ferrarin Arte a Legnago (Vr). Tiene mostre personali allo Studio Arena di Verona La luce nel pozzo, a cura di Marco Meneguzzo per cui, nel pozzo che noi vediamo creato dagli specchi e dai neon, Scirpa “…mette in scena la finzione nello stato più puro” ; a Rosso Vermiglio di Padova, Labirinti di luce a cura di Vittoria Coen che vede nel Ludoscopio “…un invito alla riflessione, … un lasciarsi andare per pensare, …”, ed a ArteAGallery di Milano, L’infinito possibile a cura di Francesco Tedeschi che afferma: “…Gli elementi portanti della sua opera, nelle diverse forme che essa assume, sono la luce e lo spazio,.. la luce come strumento di colore e di forma è ad essi essenziale: una luce che concretizza le geometrie, genera figure formali in grado di attrarci e condurci in una profondità,…in uno spazio senza dimensioni..” Nel 2017 RossoVermiglioArte di Padova presenta una sua personale alla ArteFiera di Bologna. Alle Fabbriche Chiaramontane di Agrigento si inaugura una sua personale “La forma della luce–La luce della forma” a cura di Marco Meneguzzo che sottolinea come “la forma della luce…trascende questa fisicità e diventa sostanza immateriale, diventa la luce della forma….,” Successivamente al MACA di Acri partecipa alla mostra “Arte interattiva” a cura di Monica Bonollo e nel 2018 a Torino, Museo Ettore Fico, “100% ITALIA”, Cent’Anni di Capolavori. Nel 2019 realizza una mostra personale a Milano, Gaggenau hub, “Sconfinamento” a cura di Sabino M. Frassà che sottolinea come “l’artista ha indagato, sperimentato e simulato l'assenza di limiti, lo “sconfinamento” appunto”. Partecipa a Senigallia alla mostra “Materie Prime – Dalla terra alla luce”, a Waldenbuch, Museum Ritter “1919-2019” e a Pontedera “Arcadia e Apocalisse”. Nel 2020 è presente alla Biennale Light di Mantova, Elogio della luce. Negli ultimi anni Scirpa realizza, con rigore geometrico e spirito innovativo, due opere scultoree in marmo bianco di Carrara ed in legno laccato bianco che evocano il Teatro greco di Siracusa: in esse le gradinate della cavea si raddoppiano, diventando circolari e sono rivolte anche all’esterno. Recentemente ha realizzato una struttura al neon che ricorda il Teatro greco, il cui progetto risale all’anno 2000. In un momento storico come il nostro in cui si manifesta la convivenza di vari linguaggi e l’artista può rivisitare esperienze passate, egli recupera il suo linguaggio delle prime denunce consumistische o quello sperimentale del mezzo elettronico e, nel proporre i suoi percorsi prospettici di spazi-luce, offre oggi nuove possibilità espressive su cui riflettere.
Sue opere sono in collezioni e musei tra i quali MAGA (Gallarate), Museo del Novecento (Milano), Civiche Raccolte Bertarelli - Castello Sforzesco (Milano), Biblioteca di Brera (Milano), MACTE Museo d’Arte Contemporanea (Termoli), MART- VAF-Stiftung (Trento e Rovereto), Museo MAGI ‘900 (Pieve di Cento), MAPP Museo d’Arte Paolo Pini (Milano), Musée des Beaux-Arts (Caen), Museum Ritter (Waldenbuch), Museo Civico d'Arte Contemporanea (Gibellina), Museum (Bagheria), Fabbriche Chiaramontane (Agrigento), Galleria Nazionale d’Arte Moderna (Roma), Gallerie d’Italia (Milano).
Ha realizzato opere per spazi pubblici e chiese: nel 1965, un grande mosaico al Centro Internazionale del Movimento dei Focolari a Rocca di Papa (Roma) e uno all’Auditorium del Centro Internazionale di Loppiano (Fi) e dei dipinti nella Chiesa del D. P. a Cernusco sul Naviglio (Milano) dove sono stati installati anche suoi Ludoscopi sopra l’altare e il Battistero.
Al suo lavoro hanno dedicato saggi ed annotazioni critiche:
Riccardo Barletta, Pietro Baj, Carlo Belloli, Luigi Bianco Guglielmo Boselli, Giorgio Bonomi, Rossana Bossaglia, Ginevra Bria, Domenico Cara, Luciano Caramel, Silvio Ceccato, Jacqueline Ceresoli, Claudio Cerritelli, Cesare Chirici, Vittoria Coen, Andrea Del Guercio, Mario De Micheli, Marina De Stasio, Giorgio Di Genova, Gillo Dorfles, Vittorio Fagone, Ornella Fazzina, Pedro Fiori, Carlo Franza, Sabino Frassà, Carmelo Genovese, Flaminio Gualdoni, Sara Liuzzi, Annette Malochet, Corrado Maltese, Gabriel Mandel, Giorgio Mascherpa, Luigi Meneghelli, Marco Meneguzzo, Marta Michelacci, Bruno Munari, Carlo Munari, Antonio Musiari, Daniela Palazzoli, Demetrio Paparoni, Francesco Poli, Pierre Restany, Roberto Sanesi, Giorgio Segato, Carmelo Strano, Luigi Tallarico, Francesco Tedeschi, Carlo Terrosi, Maria Torrente, Antonino Uccello, Miklos N. Varga, Alberto Veca, Francesco Vincitorio, Maurizio Vitta, Emanuele Zucchini.
É stato docente all’Accademia di Belle Arti di Brera. Vive ed opera a Milano.
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🔵BLAUGRANETS🔴
11 January 2021
Ansu: Y'ALL I GOT IT!!!!
Ansu: All this time it was in front of us and it just blew by us like that!!!
Ansu: IT WAS LITERALLY RIGHT THERE!
Ansu: So simple!
Ansu: SO DUMB OF US!
Sergiño: SPIT IT OUT ALREADY!!!!
Ansu: Woah..
Ansu: Where is all this hostility coming from!
Ansu: Very caught off guard bro
Sergiño: You were rambling!!
Sergiño: Get to the point please.
Ansu: well since you said please, sure
Ansu: It was actually directed towards the dumbasses under threat but sure.
Pedri: Get to it faster.
Arnau: Ansumane please just say it
Ansu: Full name.....
Pedri: ANSU!!!
Ansu: Right.. shit sorry
........
Oscar: Bro really???
........
Ansu: Shit! Sorry I was distracted by my little bro playing FIFA 😂😅
Pedri: 🤦🏻♂️
Ansu: Anyways.. @Riqui @Carlitos @JC @Dembz Has anyone of you considered gathering and going as a group to apologize to him face to face?
Ansu: Idk for what.. let's just say for existing. Maybe as a collective he would have mercy on your heart and just spare you.
Riqui: That?... That's your idea?!
Ansu: ya
Riqui: Go back to playing FIFA with your bro.
Pedri: Hate to tell you dude, this idea is bad
Carlitos: It sucks.
JC: I've had better ideas
Dembz: And that is saying something
JC: 😒
Riqui: Basically you are sending me and Ous to apologize to the big tree
Ronald: 😂😂😂😂
Dembz: Hey now
Oscar: I cannot wait to see that
Ansu: How would that be a problem?
Carlitos: You realize Ricard is 3 feet tall and Ous would snap like a twig?
Carlitos: No offense
Riqui: Gee.. thanks
Dembz: 🖕🏿
Carlitos: Nonetheless @Ansu It is a horrible idea.
Ansu: Well excuse me again for trying to help you losers out of this mess.
Ansu: Good luck with surviving the shit. Especally you @Carlitos
Ansu: Especally*
Ansu: ESPECUAKLY*
Ansu: oh fuck this shit particularly you Curly
Oscar: but that worked
Riqui: Anyways, gonna continue packing.
Francisco: You tried my guy @Ansu
Ansu: Ah forget it. They are on their own.
Francisco: 🤷🏻♂️
12 January 2021
Arnau: Is it true?
Iñaki: What is?
Arnau: Leo has some problems
Iñaki: kinda we don't know yet
Arnau: *STRESS*
Iñaki: 😐 @Ronald and @Sergiño as well
Arnau: *STRESS INTENSIFIES*
Arnau: Oh! How does it feel to be free?
Iñaki: Unreal.
Iñaki: like I truly don't believe for a second I am
Arnau: you are
Iñaki: Then why do I feel like a brick is gonna hit me in the head out of the blue
Arnau: Cause your brain needs to relax.. meditate, listen to some self-soothing tapes, hell sleep
Iñaki: I can't.. we have training in a bit.
Arnau: Ah well.. have fun
Iñaki: yeah.. thanks
........
Oscar: HEY GUYS! JUST A HEADSUP.. A few people are gonna join us in a tad.
Oscar: Since we have our match tomorrow and the ladies have theirs as well.. I thought we'd send them some supportive messages.
Oscar: You know with them being stuck in Madrid like that and then getting back home and then off to Almeria again in such a short amount of time.
Arnau: cool idea!!
Francisco: 👏🏻👏🏻
Ansu: That is actually so sweet
Ansu: And so well deserved
Oscar: Yeah so Riqui is going to add them in a bit.
Riqui: SO NO SHITHOUSERY!!
Riqui: I MEAN IT!
JC: Yes dad.
Riqui:🖕🏻
Dembz:
Riqui added Alexia, Aitana, Melanie, Asisat, Jenni, Sandra, Caroline, Mapi, Leila, Lieke, Mariona, Marta, Kheira, Ana, Andrea, Andrea, Gemma, Gio, Meri
Riqui: WELCOME LADIES!
Riqui: I know you are wondering what you are doing in this thing we have. We know this week has been very unusual and honestly unnecessary for you all but we just wanted to tell you we wish you the best of luck tomorrow.
Oscar: Molta Sort cracks!!
Oscar: And sorry for you have been through this week.
Arnau: 🙌🏻🙌🏻🙌🏻 kick ass as you always do tomorrow!
Pedri: Best of Luck out there ladies. 🙌🏻👏🏻💪🏻💙❤ Força Barça!
Francisco: Good luck to all of you! 💙❤
Ronald: 👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽 All the best!!
Carlitos: Molta Sort Cracks!! 💙❤ Som-Hi!!
Alexia: Oh my God.. You weren't kidding @Riqui
Asisat: 🤙🏿🤙🏿🤙🏿🤙🏿🤙🏿🤙🏿🤙🏿 Thanks my dudes!!
Asisat: Appreciate it! 💙❤
Ansu: Best of luck tomorrow cracks!!! 💪🏿💪🏿💪🏿💪🏿💙❤
Asisat: Thanks my boy! 💙❤💪🏿 Get better soon we miss you out there!
Ansu: 🙏🏿💙❤ Thank you!!
Ana: Thank you so much guys!!
Aitana: You were right @Alexia ... I owe you dinner
Alexia: 😏😏
Jenni: All I know is I am getting a free dinner eitherway🙌🏻😏
Patri: 😂😂😂
Sergiño: Best of Luck tomorrow ladies👏🏼💪🏽👏🏼💙❤
Dembz: Bonne chance à toutes!!! 💙❤
JC: 👏🏽👏🏽👏🏽👏🏽👏🏽 Bonne chance!!💪🏽💪🏽💪🏽💪🏽
Jenni: And thank you so much guys!!
Leila: 🤘🏻🤘🏻🤘🏻🤘🏻 Thanks guys💙❤
Iñaki: All the best cracks!! You got this! 💪🏻🙌🏻👏🏻
Sandra: Thank you guys! This was a lovely surprise! I thought we were being pranked😅
Melanie: Força Barça!! 💙❤🙏🏻🙏🏻 thank you for this!
Frenkie: All the best ladies!! 💪🏻❤💙💪🏻
Marta: This means a lot guys thank you! Good luck to you guys as well!!!💙❤
Asisat: Okay.. I'm gonna split! Thanks again guys but my phone is blowing up😂😂 Best of luck to you guys as well! 💙❤ Força Barça!
Dembz: 💙❤
Asisat Left
Kheira: Merci les gars!!! C'est très gentil de votre part!! 💙❤
JC: 🙌🏽🙌🏽🙌🏽💙❤
Melanie: Thank you guys again 💙❤ Good luck to all of you.✌🏻✌🏻
Melanie Left
Lieke: ❤💙❤💙❤💙 Thank you! This truly was a very lovely gesture. Good luck to you guys as well. See you guys! @Frenkie say hi to Mikky for me 🧡
Frenkie: Will do 🧡
Lieke Left
Marta: I'm gonna go too.. Thanks again you guys
Marta Left
Riqui: How was playing at the Camp Nou.
Carlitos: You girls certainly did it justice!
Riqui: I'll say!
Caroline: It was a dream!!
Caroline: Hey!!! Thank you for the messages guys! They mean a lot.
Alexia: I still can't believe we did it.
Arnau: And you should do it again
Mapi: That is what I keep saying!
Oscar: You definitely deserve it.
Riqui: Imo you should have played there way before. Especially with an audience.
Ronald: Veeeery true.
Pedri: sighs.. hopefully it happens
Mariona: 💙❤ Thank you guys!! This is truly wonderful. 🙏🏻
Gio: ❤ how delightful you guys! Thank you
Meri: Oscar! Ari told me that you were planning on doing this😅 thought she was pulling my leg
Gio: Same!!🤣
Oscar: 😂
Meri: But thank you guys!!💙❤ I gotta go though. ✌🏻✌🏻
Meri left
Patri: I think we all should. I don't trust you guys to stay quiet😂
Leila: 🤣 We should yeah.. training!
Patri Left
Leila Left
Gio Left
Andrea: Hey!! Sorry guys! I gotta run. Thank you so much for this gesture! It is truly sweet of you! 💙❤ Good luck! 🙋🏻♀️
Andrea Left
Mariona: What a lovely surprise! Thank you boys!💙❤
Mariona: Best of luck to you as well!
Mariona: I would have liked to stay but I can't. Sorry to leave in a hurry..💙❤🙏🏻
Mariona Left
Carlitos: So what do you think of our season so far ladies? 🙄
Aitana: You guys are doing great!!
Riqui: I can sense the sarcasm all the way over to Cordoba.
Alexia: This is not it guys not it.
Jenni: So bad..
Ronald: Ouch
Jenni: He asked!
Carlitos: Could have at least let it slide easily.
Sandra: No she is right. Y'all need to get your shit together.
Oscar: We do
Caroline: And you need to figure out a way to get back to the team we all love
Pedri: We do
Andrea: Hi guys!! THANK YOU! ❤💙❤💙
Andrea: Bye guys! Good luck!!
Andrea Left
Mapi: And what is that defending!
Sergiño: 🙄🙄🙄
Oscar: I mean
Mapi: Be better
Ronald: We are trying!
Mapi: You guys are... What about the rest
Frenkie: We will be.
Alexia: Good.
Jenni: I would like to enjoy a match every once in a while
Sandra: And poor Marc! Have mercy on him!
Riqui: We would voice your concerns to the guys.. but they don't know this exists
Aitana: 😂😂😂
Mapi: Oh brother🤣
Arnau: Adult free space
Arnau: Or so I was told
Ansu: 😂 it is
Aitana: Right...
Sandra: On that note ✌🏻💙❤
Mapi: Yep.. me too. Thanks guys💙❤
Sandra Left
Mapi Left
Alexia: Well this has been fun. And someone owes me dinner now😏 so thanks guys ✌🏻 Ciao
Aitana: 🙄 yeah yeah. Bye guys!! This was lovely 💙❤
Jenni: BE BETTER PLEASE!!
Iñaki: We hope
Alexia: PLEASE
Aitana Left
Alexia: Okay bye.
Alexia Left
............
Ana: ❤💙✌🏻 Ciao friends
Ana Left
Caroline: Good luck tomorrow! I hope you have a good match 💙❤
Riqui: 💙❤
Jenni: ✌🏻✌🏻✌🏻✌🏻✌🏻✌🏻
Jenni Left
Dembz: We won't let you down. Hopefully
Caroline Left
............
Gemma: Uhh.. Hi.
Gemma: Thank you!! 💙❤ Best of luck to you too
Arnau: 💙❤
Gemma: Okay.. See you guys ✌🏻
Gemma Left
Pedri: Well this was fun
JC: They way they roasted y'all's asses though!!!😂🔥
Francisco: We deserved it. I know I do. 😕
Frenkie: We need to do better
Riqui: We do
Carlitos: You do.
Ronald: We gotta
Riqui: Yep
Oscar: 🤷🏼♂️
Arnau: Get your shit together tomorrow
Iñaki: Especially since Leo is doubtful
Arnau: *STRESS*
Iñaki: Relax your brain! Meditate, listen to some self-soothing tapes, hell Sleep!
Arnau: Haha ha very funny
Dembz: 😂😂😂😂😂😂
Oscar: it really is
..........
Pedri: So um.. @JC I have a message for you
JC: Oh no
Carlitos: So you are our spokesperson now?
Pedri: I did not ask for this Carles
JC: What's the message
Pedri: ⏩"Basket received. Hope you like mine.. it shall be at your door steps in a few days. PS: Congrats on coming back and playing again after 8 months! Regards, G"
Pedri: That was it.
Riqui: Not ominous at all
Dembz: He knows.. I can feel it.
Carlitos: Leo said he doesn't
Carlitos: I will go with what Leo said.
Riqui: I'm having doubts.
Dembz: HE KNOWS I TELL YOU
Arnau: STOP SCREAMING!!!
#Well this was kinda stressful and idk how it will look#blaugranets gc#babies gc#special appearance by the queens#they will have some features here and there#blaugranets gc request#riqui#carlitos#ansu#arnau#ronald#oscar#sergiño#dembz#jc#frenkie#pedri#francisco#iñaki#featuring Alexia Aitana Melanie Asisat Jenni Sandra Caroline Mapi Leila Lieke Mariona Marta Kheira Ana Andrea Andrea Gemma Gio Meri#fcbfemení#coming to school them#episode 16
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Por cierto..hablando de TRASPLANTADO de ORGANOS..el jugador Argentino GALLETI que le dio con un gol la COPA DEL REY de 2004 al ZARAGOZA contra REAL MADRID y fichando a continuación por AT MADRID tuvo que ser TRASPLANTADO DE UN RIÑON [donado por su padre y dolencia que achacan a un virus que tuvo hacia 13 años] para poder seguir jugando al fútbol tras ser vecino en LAS ROZAS de mi "amigo y ex_vecino" José Manuel ALMARCHA ALCOLEA según me contó y el cual me dijo con 23 años que en 10 años viviría en un CHALET como hizo junto a GALLETTI que dejó una deuda al AYUNTA_MIENTO de LAS ROZAS
Por cierto..en la retransmisión del gol empieza el HIJO DEL MANZANA [que se retiro del fútbol cuando había fichado por el CORDOBA=ESTADIO ARCANGEL en calle INFIERNO] O MICHEL de REAL MADRID [Que le tocó los HUEVOS a COLOMBIANO VALDERRAMA haciendo publicidad de HELIOS=PERSONIFICACION DEL SOL..con el VALLADOLID=Estadio ZORRILLA=PUTILLA]..empieza diciendo VAYA LIO
Foto de fiestas de COLMENAR'95 donde Juanma LOBATO PALOMERO [que se fue a ALEMANIA con beca ORGASMUS digo ERASMUS que impulso el malogrado MANUEL MARIN que murió al dejar la POLITICA para luchar contra CAMBIO CLIMATICO] apunta en la cabeza a JOSE MANUEL ALMARCHA ALCOLEA [un día vino a mi casa porque se despertó de la siesta en el chalet de sus padres junto al de los míos y vio que habían entrado ladrones..y volví yo con un bate de BASEBALL y no vi nada de que hubieran robado o roto algo..así como en AÑO NUEVO'93 que me lie a una tal GEMA a la que fi la botella de cerveza mexicana CORONA que me dio HUTCHENCE de INXS al encontrarmela a la salida de Sala DIVINO AQUALUNG junto a DAVID DE PABLOS que se liaba con todas las que me dejaban en mi barrio..vino a mi casa para contarme que se había FOLLADO en el BILLAR de su Casa a su ex_novia MARISA cuando ya era novia de OSCAR LOBATO PALOMERO para preguntarme si se lo tenia que contar pues era muy amigo de JUANMA..y le dije que se lo contará la PUTA DE MARISA si queria y eso hizo perdonandola a ella y se divorcio de él al año por lo que se queria suicidar tras 7 años de hacerla de TAXISTA con su BMW jaja] y los cuales se liaron con DEBORAH de la azotada isla de la PALMA y BELEN de BARBATE [CADIZ] que eran casualmente amigas de un tal EDU que conoci 5 años antes o 1990 en el UPSALA COLLEGE [=Lema LA VERDAD LO CONQUISTA TODO] de NEW JERSEY.
Por cierto..el ENGLISH o José Maria González Plant se apoya sobre mi que llevo un Cigarrillo cosa que hacía de PASCUAS A RAMOS como FOLLAR ..pues en este MALDITO PAIS o te esclavizas con una novia o es muy dificil
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LAPD Officer Oscar M. Cordoba https://copblaster.com/blast/57698/lapd-officer-oscar-m-cordoba?utm_source=dlvr.it&utm_medium=tumblr
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THE BIG STREET
August 13, 1942
Producer: Damon Runyon
Director: Irving Reis
Screenplay: Leonard Spigelgass, based on the short story “Little Pinks” by Damon Runyon, first published in Collier’s magazine.
Dance Staging: Chester Hale
Gowns: Renie
Miss Ball’s Dancing Costume: Freddy Wittop
Miss Ball’s Make-Up: Perc Westmore
The film is sometimes referred to as Damon Runyon’s The Big Street.
The film premiered in New York City at the RKO Palace on August 13, 1942. That same day Disney’s long-awaited Bambi opened at Radio City Music Hall. At the Capitol, Orson Welles’ The Magnificent Ambersons, also starring Agnes Moorehead and Gil Perkins, continued its run. Nearby, at the Albee, a second-run cinema, Top Hat (1935) starring Ginger Rogers and Lucille Ball was playing. The Big Street opened nationally September 4, 1942.
“Love is something that gets you one room, two chins, and three kids.” ~ Gloria Lyons (Lucille Ball)
PRINCIPAL CAST
Lucille Ball (Gloria Lyons aka ‘Her Highness’) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.
Gloria’s singing voice was provided by Martha Mears, who also did Ball’s singing in DuBarry Was a Lady (1944).
Henry Fonda (Augustus Pinkerton II aka ‘Little Pinks’) first worked with Lucille Ball in the 1935 film I Dream Too Much. When Lucille Ball first got to Hollywood, the two actually briefly dated. They collaborated on the TV special “The Good Years” (1962) and the film Yours, Mine and Ours (1968). During the 1970s, Fonda and Ball often turned up on the same awards and tribute shows. Fonda was nominated for three Oscars, winning in 1982 for On Golden Pond. He also won an honorary Oscar in 1981. Fonda died in 1982 at age 77.
Barton MacLane (Case Ables) was seen in the film The Maltese Falcon (1941) but is probably best remembered for his final role, the blustery General Peterson on “I Dream of Jeannie” (1965-69).
“A fat man’s always listening to love stories, but he’s never go any to tell.” ~ Nicely Nicely Johnson
Eugene Pallette (Nicely Nicely Johnson, The Greatest Eater Alive) was seen as Friar Tuck in Robin Hood (1938) and in Mr. Smith Goes To Washington (1939).
The character of Nicely Nicely Johnson was played by Stubby Kaye, who reprised the role he played on Broadway, in the film version of Runyon’s Guys and Dolls (1955). He was so named because his usual reply to the question “How are you doing?” was typically “Nicely nicely, thank you!”
Agnes Moorehead (Violette Shumberg) was a classically trained performer who collaborated with Orson Welles on Citizen Kane (1941) and The Magnificent Ambersons (1942). She is best remembered as Samantha’s exotic mother Endora on the TV series “Bewitched” (1964-72).
Violette weighs 100 pounds, four ounces.
“She has a very large capacity for groceries.” ~ Pinks (about Violette)
Sam Levene (Horsethief) originated the role of Nathan Detroit in the Broadway stage musical of Runyon’s Guys and Dolls. Singing great Frank Sinatra played Nathan Detroit in the movie version in 1955.
Ray Collins (Professor B) also collaborated with Orson Welles on Citizen Kane (1941) and The Magnificent Ambersons (1942), along with Agnes Moorehead. He is best remembered for playing Lieutenant Tragg on “Perry Mason” from 1957 to 1965.
Marion Martin (Mimi Venus) would also be seen with Lucille Ball in Abbott and Costello in Hollywood (1945). Although she was often cast as a brassy stripper, showgirl or tough gun moll, off screen she was known to be extremely shy and retiring.
“That dame is a lump of mud!” ~Gloria (about Mimi)
William Orr (Decatur Reed) was an actor turned executive. As the head of WB Television for nine years, he was executive producer of the studio's early forays into the medium, helping to put ABC on the prime-time map with a steady staple of westerns and detective shows. In 1959 he received a Golden Globe for his contributions to television.
Vera Gordon (Mrs. Lefkowitz) emigrated with her family from Russia when she was seven years old. She became involved in the theatre and was active in silent films and early talkies. She had previously appeared with Lucille Ball in 1938′s Having Wonderful Time.
George Cleveland (Col. Venus) makes his fourth film appearance with Lucille Ball. In 1949 they also did Miss Grant Takes Richmond. He is best remembered for playing Gramps on “Lassie” (1954-57).
Ozzie Nelson (Himself) was considered the pre-eminent TV dad of the 1950s thanks to his successful family sitcom “The Adventures of Ozzie and Harriet” (1952-66). Before TV fame, he was a bandleader with his wife Harriet the lead singer. Nelson later appeared on several talk shows with Lucille Ball.
UNCREDITED CAST (with connections to Lucille Ball)
Baby (Gloria’s Pekingese Dog)
Louise Beavers (Ruby, Gloria’s Maid) went on to appear in three more films with Lucille Ball: DuBarry Was a Lady (1943), Lover Come Back (1946), and The Facts of Life (1960).
Charles Cane (McCarty, Holland Tunnel Policeman) also appeared with Lucille Ball in The Dark Corner (1946) and as one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, James Conaty, Sam Harris, and Harold Miller.
Jack Chefe was seen as a Paris waiter in “Lucy Meets Charles Boyer” (ILL S5;E19) and played a bellhop in “Lucy and John Wayne” (ILL S5;E2) and had also appeared in five films with Lucille Ball, including playing a waiter in Forever, Darling. Of Chefe’s 358 film roles, 165 were waiters!
James Conaty (Nightclub Patron) was also seen with Lucille in I Dreamed Too Much (1935), Lured (1947), and The Long Long Trailer (1953). He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, Sam Harris, and Harold Miller.
Hans Conried (Waiter) played Harry Martin in “Redecorating” (ILL S2;E8) and Percy Livermore in “Lucy Hires an English Tutor” (ILL S2;E13), both in 1952. He also did two episodes of “The Lucy Show,” both as her music tutor Dr. Gitterman in 1963.
Pedro de Cordoba (Doctor) was also seen with Lucille Ball in Five Came Back (1939).
Helen Dickson (Florida Club Patron) had appeared with Lucille Ball in Carnival (1935) and Two Smart People (1946). She was one of the aging flapper showgirls in “Ricky Loses His Voice” (ILL S2;E9) in 1952.
Jimmy Dime (Truck Driver / Stunts) was seen with Lucille Ball in 1951′s The Magic Carpet. He did a half dozen episodes as a background players on Desilu’s “The Untouchables” (1959-61).
Eddie Dunn (Mulvaney) was also part of Ziegfeld Follies (1945) featuring Lucille Ball.
Jay Eaton (Late Night New York Nightclub Patron) did a total of nine films with Lucille Ball between 1934 and 1949, including her other Damon Runyon film Sorrowful Jones (1949).
Bess Flowers (Florida Nightclub Patron) aka 'Queen of the Extras’ made numerous uncredited background appearances on both “I Love Lucy” and “The Lucy Show.” She holds the record of the most film collaborations with Lucille Ball: 17.
Karen X. Gaylord (Florida Club Patron) was also part of Ziegfeld Follies (1945) featuring Lucille Ball.
Charlie Hall (Caviar Waiter) also did Kid Millions with Lucille Ball and went on to do four more films with her until 1942.
William Halligan (Detective) was also with Lucille Ball in 1940′s You Can’t Fool Your Wife.
Art Hamburger (Joe Duffle, Eating Contest Opponent) makes his final of three screen appearances. He became an associate director. This is his only time working with Lucille Ball.
Joe Duffle is from Boston and weighs 337 and a half pounds. There is some irony that Nicely Nicely (then Violette’s) eating contest opponent is actually named Hamburger.
Mary Halsey (Showgirl) also did Seven Days Leave with Lucille Ball in 1942.
Sam Harris (Passerby on Florida Boardwalk) was in the background of a dozen Lucille Ball films, as well as being seen on “I Love Lucy,” “The Lucy-Desi Comedy Hour” and “The Lucy Show.” He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, James Conaty, and Harold Miller.
Jack Herrick (Mindy’s Customer) was also seen with Lucille Ball in The Bowery (1933).
John Indrisano (Mug at Mindy's) was also seen with Lucille Ball in The Facts of Life (1960).
Tiny Jones (Small Friendly Neighbor) was seen with Lucille Ball in A Girl, A Guy, and a Gob (1934) and Five Came Back (1939).
Donald Kerr (Pete the Passer) appeared in eight films with Lucille Ball between 1936 and 1954.
Wilbur Mack (Florida Club Patron) appeared in three more films with Lucille Ball: Thousands Cheer (1943), Ziegfeld Follies (1945), and Lured (1947).
George Magrill (Mug at Mindy's / Stunts) appeared with Lucille Ball in ten films between 1933 and 1949.
Richard Martin also did Seven Days Leave with Lucille Ball in 1942
Tony Merlo (Mug at Mindy's) was also seen with Lucille Ball in Dance, Girl, Dance (1940) and Broadway Bill (1934).
John ‘Skins’ Miller (Truck Driver) was also with Lucille Ball in Fancy Pants (1950) and Sorrowful Jones (1949).
Harold Miller (Florida Club Patron) shares 13 film credits with Lucille Ball. He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, James Conaty, and Harold Miller. Harris would return for “Lucy and the Loving Cup” (S6;E12) as a subway strap hanger. He appeared in six episodes of “The Lucy Show,” the last one being as a party guest on “My Fair Lucy” (1965).
Bert Moorhouse (Florida Club Waiter) did nine films with Lucille Ball from 1933 to 1954.
Frank Moran (Mug at Mindy’s) makes his final of five film appearances with Lucille Ball.
George Noisome (Newsboy) also appeared with Lucille Ball in That’s Right, You’re Wrong (1939).
Barry Norton (Florida Club Patron) was also seen with Lucille Ball in Nana (1934) and Dance, Girl, Dance (1940).
Frank O’Connor (Police Captain at Holland Tunnel) did nine films with Lucille Ball from 1933 to 1946.
Gil Perkins (Mug / Stunts) was aboard the train when Lucy and Ricky headed home from California in “The Great Train Robbery” (ILL S5;E5). He was seen in The Fuller Brush Girl (1950) with Lucille Ball. He made one appearance on “Here’s Lucy” (above right) in 1970.
Bob Perry (Toupee, Associate of Ables / Stunts) was also seen with Lucille Ball in Stage Door (1937) and Joy of Living (1938).
Ralph Peters (Florist) was also with Lucille Ball in Sorrowful Jones (1949).
Addison Richards (Dr. Mitchell) played the American Consul in “Lucy Goes To Mexico” (LDCH 1959) as well as three other films with Lucille Ball.
Dewey Robinson (Truck Driver) did five other films with Lucille Ball.
Shimen Ruskin (Waiter Captain at Florida Club) was previously seen with Lucille Ball in Having Wonderful Time (1938) but is best remembered as Mordcha in the film Fiddler on the Roof (1971).
Hector V. Sarno (Friendly Neighbor) was also with Lucille Ball in Muss ‘em Up (1936).
Harry Shannon (Florida Doctor) was seen with Lucille Ball and Desi Arnaz in Too Many Girls (1940). He played Jim White (above center), photographer in “Men Are Messy” (ILL S1;E8) in 1951. He is probably best remembered as the father of Rose (Rosalind Russell) in Gypsy (1962).
Walter Soderling (Doctor at Mindy’s) was with Lucille Ball in Easy To Wed (1946).
Mary Stuart (Showgirl) was also seen with Lucille Ball in Seven Days Leave (1942). She is best remembered for her four decade run as Mary on “Search for Tomorrow”.
Elliott Sullivan (Tramp) was also in That’s Right, You’re Wrong (1939) and Next Time I Marry (1938) with Lucille Ball.
Harry Wilson (Fethington) did four other films with Lucille Ball between 1934 and 1950. He was also an extra on Desilu’s “Untouchables” (1959-62).
Marie Windsor (Florida Club Patron) was also in Critic’s Choice (1963) with Lucille Ball.
BIG STREET OPENING
"Loser's Lane - the sidewalk in front of Mindy's Restaurant on Broadway - is not as high-toned a trading center as Wall Street, but the brokers are a lot more colorful. Generally they prefer to put their money on a prizefight or horse race, but when the action slows, anything can happen and it usually does. Tonight, for example, the citizens of the Lane are discussing the latest contest in their usual quiet way..."
BIG STREET TRIVIA
The Big Street was a nickname for Broadway, where this movie's plot starts, and where all Runyon's stories take place. The film opens at West 50th and Broadway in New York City, with the marquee of the Capitol Theatre in the background.
Damon Runyon originally wanted to cast Charles Laughton and Carole Lombard in the lead roles, but neither one was interested in the project. The two had previously paired on White Women (1933) and They Knew What They Wanted (1940), Lombard suggested the producer consider her friend Lucille Ball and, despite pressure by RKO to hire a better-known actress, Runyon offered her the role. Unaccustomed to playing series roles, Lucille asked advice from Laughton on how to approach such a difficult part. Laughton told her not to hold back: “If you are going to play a bitch, play a bitch!”
Ball later recalled that at the time she was cast, "nothing much seemed to be happening for me at the studio. My $1000 weekly paycheck came regularly, but I was still a regular among the Bs."
Philadelphia Daily News ~ June 6, 1942
Reports that Lucille Ball sent a $25 War Bond to each of the ten girls that were fired from backing her up on “The Big Street”.
During filming, Lucy’s new husband Desi Arnaz felt so insecure about leaving Lucy and Fonda alone together that he’d often pop by the set to keep an eye on them. His paranoia so exasperated director Irving Reis that he finally banned him from the set.
This was Lucille Ball’s favorite of her nearly 80 films. She felt her performance was unjustly ignored by the Academy.
The vocals for "Who Knows?" by Harry Revel and Mort Greene, performed by Gloria in Case's Manhattan club, were provided by Martha Mears. The character later reprises the song with Ozzie Nelson and his orchestra in the Miami nightspot.
The film was re-released in 1955, at the height of Lucille Ball’s television success. Although Fonda remains first billed, Ball’s photo clearly indicates that she is the drawing card.
Damon Runyon also created the source material for the hit Broadway musical Guys and Dolls (1950), which starred Robert Alda, who went on to make several appearances on “The Lucy Show.” The two stories share the character of Nicely Nicely Johnson. When the film version was made by MGM in 1955, Lucy and Desi were also under contract to the studio. A brief clip of the film was inserted into the middle of an episode of “I Love Lucy” called “Lucy and the Dummy” (S5;E3), although the clip was removed after its initial airing. Further, when Lucille Ball first came to Hollywood, before becoming a contract player at RKO, she worked for Sam Goldwyn as one of the Goldwyn Girls. In Guys and Dolls, the Hot Box Girls are played by the Goldwyn Girls.
In 1949, Lucille Ball starred in another film based on a Damon Runyon story, Sorrowful Jones, a remake of the 1934 Shirley Temple film, Little Miss Marker.
Damon Runyon was a big fan of Lindy’s, a Manhattan restaurant famous for their cheesecake, and wrote the eatery into his books as Mindy's. The musical Guys and Dolls, based on Runyon's writings, immortalizes Lindy's in one of its songs. In “Ricky’s Contract” (ILL S4;E10), Lucy tells Fred and Ethel that Ricky took his entire band to Lindy’s to celebrate learning that he had been offered a movie contract.
In The Big Street, a sympathetic Pinks decides to take Gloria to Florida to recuperate - by pushing her wheelchair the entire way - starting with the Holland Tunnel! Although Lucy and Fonda never left Hollywood, the locations are achieved by rear projection and establishing footage.
The Holland Tunnel figures into “I Love Lucy,” not once - but twice. In “The Marriage License” (ILL S ), after finding out that her marriage license may be invalid, Lucy goes on a twelve hour walk to East Orange, New Jersey. “How I ever got through the Holland Tunnel, I don’t know.”
The Holland Tunnel will be mentioned again three years later in “Lucy Learns to Drive” (ILL S4;E11). Reportedly, she tried to make a u-turn in the Holland Tunnel resulting in traffic being tied up to East Orange, New Jersey.
Action is also set in Miami Beach, Florida. Pinks and Gloria hitchhike there to visit with Nicely Nicely and Violette who are operating a night spot there.
In “Off To Florida” (ILL S6;E6), Lucy and Ethel also hitchhike to Miami Beach Florida after being left on the side of the road by their ride share, a suspected hatchet murderess. They arrive at the North Miami train station covered in chicken feathers from riding in the back of a poultry truck.
Doting Pinks has a pet name for haughty Gloria: 'Your Highness'. In Florida, her friends conspire to get people to come and hear her sing by fibbing that she is the Princess of Corolia, a fictional place.
In “The Publicity Agent” (ILL S1;E31), Lucy conspires to get Ricky more publicity by pretending to be a fawning fan of royal blood: ‘The Maharincess of Franistan’!
FAST FORWARD!
On a 1971 episode of “The Dick Cavett Show" with guests Lucille Ball, Carol Burnett, and Lucie Arnaz, Lucie compliments her mother's dramatic performance in the film.
The film is referenced in the television film Lucy & Desi: Before the Laughter (1991)
A poster for the film is on Lucy’s dressing room wall in Lucy, a 2003 TV movie.
The Big Street turns up in the TV listings in the low budget film Hollywood Mouth (2008) starring Joe Bologna.
A clip from the film is featured in a montage during “AFI Life Achievement Award: A Tribute to Henry Fonda” a 1978 special attended by Lucille Ball.
Henry Fonda: The Man and His Movies (1982) contains dressing room and dance floor scenes with Lucille Ball.
The Emmy-winning documentary Lucy and Desi: A Home Movie (1993) features a brief clip from the movie.
When Cher is TCM Guest Programmer in 2011, she selects The Big Street as one of her films to be aired.
In December 1948, Lucille Ball reprised her role on radio with John Garfield taking the role of Pinks.
The Big Street on VHS.
The Big Street is available on DVD from Warner Home Video. It is also part of the Lucille Ball Collection DVD, which also includes Dance, Girl, Dance, DuBarry Was A Lady, Critic’s Choice, and Mame.
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..x cierto..un TRASPLANTE DE PELO se hizo ALFONSO PEREZ [q como su hermano IVAN jugo en REAL MADRID y BETIS aunque no en FC BARCELONA como dijo q soñó de Pequeño aunque se crío en la Cantera de REAL MADRID]..único Jugador en tener un Estadio a su nombre en LA LIGA como es el COLISEUM del GETA_FE [CARADURA_CREENCIA] donde me fotografié con OSCAR GARCIA JUNYENT como entrenador del Brighton [viniendo y volviendo de entrenar en ISRAEL]..al q se le acaba de morir de CANCER su hija de 21 años..
..y ALFONSO PEREZ me animo en mi 1era MARATON en SEVILLA en FEB'00 al estar fuera de Hotel AL_ANDALUS [=PENINSULA IBERICA BAJO DOMINIO ARABE CON CAPITAL EN CORDOBA hasta donde era NAVEGABLE el río GUADALQUIVIR] en el BARRIO DE HELIO_POLIS [CIUDAD DEL SOL] en SEVILLA..pues estaba concentrado con BETIS para jugar contra SEVILLA empatando a UNO [ambos de PENALTY]..lo q les encaminó a AMBOS de FORMA CONJUNTA x 1era vez Y UNICA a 2DA DIVISION
X cierto..lo q no entiendo del TRASPLANTE de ALFONSO es xq se lo hizo estando CASADO hace más de 20 años y con casi 50 años..yo creo xq BUSCA ALGO FUERA DE CASA..XQ COMER SIEMPRE LO MISMO TANTO TIEMPO CREO Q CANSA Y PIERDE CALIDAD
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