#Original Mix
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mysongdaily · 3 months ago
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adrianrodriguezdj · 1 month ago
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Hola banda les comparto una lista de reproducción con nuestro nuevo lanzamiento musical "Voices" el cual está disponible en todas las plataformas de streaming, Disfruten escuchando música electrónica, en los próximos días tendremos más música.
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prfm-multiverse · 2 years ago
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Polygon Wave (Perfume Live 2023 "CODE OF PERFUME")
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u-t-o-p-i-a-6-6-6 · 11 months ago
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Helechos ( Original Mix ) - Neurolimit Prod - Tribal Techno Dub 126 bpm - SoundCloud
Escucha Helechos ( Original Mix ) - Neurolimit Prod - Tribal Techno Dub 126 bpm de 6Six6 The Goat en #SoundCloud
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nando161mando · 1 year ago
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DJ Aphrodite - Stalker (Original Mix)
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awarenessaslove · 2 years ago
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onlyhereforangst · 1 year ago
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lmao i attempted mixing for the first time because i'm obsessed with these vault tracks don't @ me i know it's slightly terrible
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jhnmyrfrance · 2 years ago
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Il y a 22 ans sortait la version Aware Records de Room For Squares ! 🥳 Il s’agit de la version originale de l’album « Room For Squares » enregistré et mixé pour Aware Records à la fin de l’année 2000.L’année suivante Columbia Records signe John Mayer et choisi de remixer et de rééditer l’album avec une nouvelle pochette. Ils ajoutent aussi le titre « 3×5 ». On peut noter que la différence la…
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taxi-davis · 2 years ago
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unimatrix-420 · 2 years ago
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fishwithtitz · 6 months ago
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Honestly, this mix is so much better than the one that was inevitably released. It sounds much more like Ghost. The bass line is immediately noticeable, whereas I struggle to hear it in the mix on the album. Other guitars add a more well-rounded sound, too. I sometimes skip this song on the album because the organs sound kind of cheesy, but this mix does a good job of balancing everything and it mostly removes that "carnival spooky clown" feeling.
I wonder if they'll eventually re-release a new mix of the album that is Tobias approved?
You might have noticed that Tobias has mentioned several times (and in the latest interview too) that he’s not satisfied with Infestissumam, namely, the mixing and mastering job.
There were two mixes of Infestissumam - one done by the band themselves, which was rejected by the label, and one done without the band’s involvement which ended up on the official release. All that we regular folk have of that first mix is the Secular Haze single.
Give it a listen right after listening to the album version, preferably with headphones. The original mix is much more fuller and nuanced, I think. The guitars, backing vocals and synths are way more pronounced, whereas on the album they almost disappear and are mashed together to the point where all of it sounds sort of… flat. I imagine the same thing happened to the rest of the songs so, in a way, I totally understand why Tobias doesn’t like the sound of that album much. I’d love to hear a remaster done by him at some point :)
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mysongdaily · 2 months ago
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‘The ship is sinking, she's holding onto me like I'm the king of the world
King of the world
Like I'm the king of the world
Like I'm the king of the world’
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adrianrodriguezdj · 4 months ago
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Hola Banda! desde hace un tiempo que no publicaba nueva música, pero ya estamos de vuelta, espero que disfruten de éste nuevo lanzamiento musical "Time Out" ya está disponible en todas las plataformas de streaming, te recomiendo que lo añadas a tu playlist personal, siempre estaré agradecido por todo el apoyo que le han dado a la música que hacemos, a todos ustedes nuestros fans quiero decirles que los amo mucho, que estén bien donde quiera que estén. Sean Felices...
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nikomusic785 · 1 month ago
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Need For Speed (2019)
A song I made years ago, and that I recently re-uploaded to my channel, there is also a version made in 2022.
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inthewindtunnel · 2 months ago
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Krabberz
Space Whispers
Original Mix
Space Whispers
Sanguine Ambient Mix
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druid-for-hire · 2 years ago
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[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]
a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”
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