#Organization Hierarchy Management

[orangescrumblog]

What's Coming in Orangescrum: Q4 Feature Roadmap for Cloud & Self-Hosted

Explore Orangescrum's Q4 feature release, including Organization Hierarchy, Business Unit Management, Program Portfolio Management, and more. Enhance team collaboration, scalability, and project management efficiency with powerful new tools.

[barra400]

June pt. 5

CW: badly drawn gore

[recsspecs]

A good structure is something you can trust.

It relieves you from the burden of remembering and keeping track of everything. If you can trust the system, you can let go of the attempt to hold everything together in your head and you can start focusing on what is important: The content, the argument and the ideas. By breaking down the amorphous task of “writing a paper” into small and clearly separated tasks, you can focus on one thing at a time, complete each in one go and move on to the next one . A good structure enables flow, the state in which you get so completely immersed in your work that you lose track of time and can just keep on going as the work becomes effortless (Csikszentmihalyi, 1975). Something like that does not happen by chance.

- How to Take Smart Notes (Sönke Ahrens)

[baejax-the-great]

One of the things missing in Veilguard is any sort of meaningful power struggle. By keeping to the poorer parts of the city-settings, we don't really deal with corrupt or powerful nobles. By defanging the Crows, an organization who famously has lethal squabbles between factions, they turned them into some weird, benevolent family organization. Even the assassin trying to make "evil" power plays doesn't actually manage to kill any of his targets, and his ruthless relatives? Also don't kill him in revenge. In the end, the status quo is maintained. Nothing has changed.

In Tevinter, we have the Threads, an organized crime unit who we know runs "protection" rackets on the locals and is involved in some kind of smuggling (it's Tevinter--so presumably this would involve slavery and dangerous artifacts, but it's Veilguard, so I guess not). Instead of them beefing with the Shadow Dragons, who presumably ruin some of their deals with their pesky "freeing the slaves" thing, and instead of their main issue being with any sort of law enforcement, something which doesn't exist in Veilguard beyond one singular templar who does all of jack shit the entire game, their main power struggle is with the Venatori, who are evil just to be evil.

And instead of the Veilguard siding with law enforcement or the threads and enlisting their help to, idk, unseat the corrupt head of the templars or otherwise deal with the venatori shit, the threads are highly favored by the storyline, and in the end the only real choice is to make Neve a thread or to make her... idk, the same Neve? The game calls her an "inspiration", but it's not like she's part of any organization, so we can't call her a figurehead. It's just like, see that random citizen right there? She rules. And I don't really see how that increases the power of the rule of law, because even if one good person is working within rule of law to get things done, she's not part of the system, and everyone already know the system is corrupt in Minrathous. Random citizens in fucking Ferelden know the system is corrupt in Minrathous, or they would if they weren't all dead. Neve is now just playing on hard mode to appear righteous, which, good for her, but I'm sorry, won't inspire all that many people who are still paying "protection" money to the local mafia.

(Putting Neve in charge of the Threads is an absolutely whackadoodle decision by the devs that I don't even know how to respond to. She has a single Thread contact. Presumably the Threads have a hierarchy. She has never demonstrated interest in being a smuggler. Being a detective really has no overlap with being a crime boss. Telling a group of criminals that they are all detective's helpers now is sure to go over like a lead balloon. What the fuck was that. Why did that happen.)

Maevaris and Dorian arguing came out of nowhere and lasted a fairly long time, which was interesting, but after the most recent election in the states, Maevaris's position sounds unbearably naive and trite, and this hardly counts as a power struggle as they both say they will support the other depending on what some random outsider thinks should happen. (That is soooo not a basis for a system of government. Why would Maevaris OR Dorian cede their power to Rook, someone they don't know and who doesn't matter)

The power struggle within the Wardens is also very stupid and easily solved. The First Warden is a moron. He dies (kind of). For some reason the extremely hot and competent couple who we first encounter in the middle of nowhere are next in command, so, phew. Problem solved there. A question of what the Wardens will do now that the Blights are over would have been interesting. Do they keep recruiting lest the Blight somehow reoccur and nobody remembers the Warden secrets? Or do they disband? Do they set themselves to seeking a cure and nothing else?

The closest you get to that is deciding what the griffons will do, which, again, why the fuck is Rook deciding that, but also there are 13 of them, in two or three more generations they will be dead unless a lot of mages bone up on genetics real fast.

Who is left? We have Rivain, which is just pointless in this game. I played as a Lord of Fortune, but you could drop that faction and not a single thing changes in the game. Pirates who don't loot valuable artifacts because they are elvhen? Give me a fucking break.

Same for the Mourn Watch. There is pretty much nothing going on in that region. You could excise it from the game and nothing changes in the slightest. There is not a single excuse for them not using the Eluvians to help the Veilguard earlier in the game, given just how little they have going on.

The Veiljumpers are just missed opportunities all over the place. They could have had factions debating whether to join the god of vengeance in fucking up the human civilizations as payback for, you know, everything. They could have had people joining Cyrion in thinking that a Forgotten One might be the best way to face down the gods, given they'd done it before. There could have been a HUGE cultural impact on "what do we do now that we know our gods are evil fuckfaces--what do we keep and what do we throw away," but Veilguard ain't that deep. They could have had knowledge of a super-weapon or some elvhen bullshit that would help the Veilguard fight the gods... but nah.

In DAO, your decisions not only affected the political futures of the various regions, but they decided who would help you and how. Did the dwarves have golems? Did you have templars or mages? That whole wolf thing with the Dalish that I no longer remember that well? And the Dalish deciding to help changed how they were viewed in Ferelden. The mages helping you meant the monarch would treat them favorably. It fucking mattered.

In Veilguard, the only situation remotely close to that is the dragon decision at the beginning, which was one of the fucking dumbest plot points in a video game I have ever played. It was the first thing that made me set my controller down and go... what? What the fuck? The idea that Rook, a nobody, is the only person singularly capable of driving back a dragon in the entire north is laughable. What the fuck was Dorian up to that day? How is Rook more capable than every single Crow? How is it the two companions you sent to the other city were absolutely useless? If Lucanis/Neve + two companions were unable to drive a dragon away, what makes them think Rook would be the deciding factor? What makes them blame Rook when they themselves couldn't fucking do it? Neve in particular was a big part of fucking up that ritual and releasing the gods, so why is Rook taking all the fire for this?

AND WHY IS THEIR RESPONSE TO A BLIGHT TO FIND A SINGLE DRAGON HUNTER? HEY DIPSHITS, THE DRAGON IS HUNTING YOU. YOU DON'T NEED TO WORRY ABOUT THAT PART. YOU NEED AN ARMY.

But Treviso or Minrathous being spared doesn't change the global political situation at all. It would have been really interesting if it did. Tevinter hobbled? How many kingdoms would be salivating to take a bite out of their territory? With the trade princes of Antiva being absolutely fucked over by the Blight, who is taking over that trade? Who is getting rich?

Nobody, I guess, because why would Rook know or care about that, because, as previously mentioned, they are a nobody who doesn't matter and honestly shouldn't be listened to.

The stakes in this game are nothing because the bad guys are all so obviously bad that you know, as a video game player, that you are going to defeat them. Oh, the Antaam are just mindless, faceless brutes fucking up Treviso? Okay, let's kill them. Venatori again? I'm pretty sure they aren't the heroes of this game. There's no power struggle, and in the end all we've done is revert to the status quo, (except i guess Treviso is no longer occupied).

Except for the south. The south is dead. but we didn't have anything to do with that for some reason. Couldn't even be bothered to house some refugees in our safehouse that was built specifically to house refugees. The Inquisitor, who has access to the eluvians, couldn't figure out how to get other people through them or something so... sorry, every single Orlesian, Fereldan, and Marcher.

[togglesbloggle]

For the Reverse Unpopular Opinion meme, Lamarckism!

(This is an excellent ask.)

Lamarck got done a bit dirty by the textbooks, as one so often is. He's billed as the guy who articulated an evolutionary theory of inherited characteristics, inevitably set up as an opponent made of straw for Darwin to knock down. The example I recall my own teachers using in grade school was the idea that a giraffe would strain to reach the highest branches of a tree, and as a result, its offspring would be born with slightly longer necks. Ha-ha-ha, isn't-that-silly, isn't natural selection so much more sensible?

But the thing is, this wasn't his idea, not even close. People have been running with ideas like that since antiquity at least. What Lamarck did was to systematize that claim, in the context of a wider and much more interesting theory.

Lamarck was born in to an era where natural philosophy was slowly giving way to Baconian science in the modern sense- that strange, eighteenth century, the one caught in an uneasy tension between Newton the alchemist and Darwin the naturalist. This is the century of Ben Franklin and his key and his kite, and the awed discovery that this "electricity" business was somehow involved in living organisms- the discovery that paved the way for Shelley's Frankenstein. This was the era when alchemy was fighting its last desperate battles with chemistry, when the division between 'organic' and 'inorganic' chemistry was fundamental- the first synthesis of organic molecules in the laboratory wouldn't occur until 1828, the year before Lamarck's death. We do not have atoms, not yet. Mendel and genetics are still more than a century away; we won't even have cells for another half-century or more.

Lamarck stepped in to that strange moment. I don't think he was a bold revolutionary, really, or had much interest in being one. He was profoundly interested in the structure and relationships between species, and when we're not using him as a punching bag in grade schools, some people manage to remember that he was a banging good taxonomist, and made real progress in the classification of invertebrates. He started life believing in the total immutability of species, but later was convinced that evolution really was occurring- not because somebody taught him in the classroom, or because it was the accepted wisdom of the time, but through deep, continued exposure to nature itself. He was convinced by the evidence of his senses.

(Mostly snails.)

His problem was complexity. When he'd been working as a botanist, he had this neat little idea to order organisms by complexity, starting with the grubbiest, saddest little seaweed or fern, up through lovely flowering plants. This was not an evolutionary theory, just an organizing structure; essentially, just a sort of museum display. But when he was asked to do the same thing with invertebrates, he realized rather quickly that this task had problems. A linear sorting from simple to complex seemed embarrassingly artificial, because it elided too many different kinds of complexity, and ignored obvious similarities and shared characteristics.

When he went back to the drawing board, he found better organizing schema; you'd recognize them today. There were hierarchies, nested identities. Simple forms with only basic, shared anatomical patterns, each functioning as a sort of superset implying more complex groups within it, defined additively by the addition of new organs or structures in the body. He'd made a taxonomic tree.

Even more shockingly, he realized something deep and true in what he was looking at: this wasn't just an abstract mapping of invertebrates to a conceptual diagram of their structures. This was a map in time. Complexities in invertebrates- in all organisms!- must have been accumulating in simpler forms, such that the most complicated organisms were also the youngest.

This is the essential revolution of Lamarckian evolution, not the inherited characteristics thing. His theory, in its full accounting, is actually quite elaborate. Summarized slightly less badly than it is in your grade school classroom (though still pretty badly, I'm by no means an expert on this stuff), it looks something like this:

As we all know, animals and plants are sometimes generated ex nihilo in different places, like maggots spontaneously appearing in middens. However, the spontaneous generation of life is much weaker than we have supposed; it can only result in the most basic, simple organisms (e.g. polyps). All the dizzying complexity we see in the world around us must have happened iteratively, in a sequence over time that operated on inheritance between one organism and its descendants.

As we all know, living things are dynamic in relation to inorganic matter, and this vital power includes an occasional tendency to gain in complexity. However, this tendency is not a spiritual or supernatural effect; it's a function of natural, material processes working over time. Probably this has something to do with fluids such as 'heat' and 'electricity' which are known to concentrate in living tissues. When features appear spontaneously in an organism, that should be understood as an intrinsic propensity of the organism itself, rather than being caused by the environment or by a divine entity. There is a specific, definite, and historically contingent pattern in which new features can appear in existing organisms.

As we all know, using different tissue groups more causes them to be expressed more in your descendants, and disuse weakens them in the same way. However, this is not a major feature in the development of new organic complexity, since it could only move 'laterally' on the complexity ladder and will never create new organs or tissue groups. At most, you might see lineages move from ape-like to human-like or vice versa, or between different types of birds or something; it's an adaptive tendency that helps organisms thrive in different environments. In species will less sophisticated neural systems, this will be even less flexible, because they can't supplement it with willpower the way that complex vertebrates can.

Lamarck isn't messing around here; this is a real, genuinely interesting model of the world. And what I think I'm prepared to argue here is that Lamarck's biggest errors aren't his. He has his own blind spots and mistakes, certainly. The focus on complexity is... fraught, at a minimum. But again and again, what really bites him in the ass is just his failure to break with his inherited assumptions enough. The parts of this that are actually Lamarckian, that is, are the ideas of Lamarck, are very clearly groping towards a recognizable kind of proto-evolutionary theory.

What makes Lamarck a punching bag in grade-school classes today is the same thing that made it interesting; it's that it was the best and most scientific explanation of biological complexity available at the time. It was the theory to beat, the one that had edged out all the other competitors and emerged as the most useful framework of the era. And precisely none of that complexity makes it in to our textbooks; they use "Lamarckianism" to refer to arguments made by freaking Aristotle, and which Lamarck himself accepted but de-emphasized as subordinate processes. What's even worse, Darwin didn't reject this mechanism either. Darwin was totally on board with the idea as a possible adaptive tendency; he just didn't particularly need it for his theory.

Lamarck had nothing. Not genetics, not chromosomes, not cells, not atomic theory. Geology was a hot new thing! Heat was a liquid! What Lamarck had was snails. And on the basis of snails, Lamarck deduced a profound theory of complexity emerging over time, of the biosphere as a(n al)chemical process rather than a divine pageant, of gradual adaptation punctuated by rapid innovation. That's incredible.

There's a lot of falsehood in the Lamarckian theory of evolution, and it never managed to entirely throw off the sloppy magical thinking of what came before. But his achievement was to approach biology and taxonomy with a profound scientific curiosity, and to improve and clarify our thinking about those subjects so dramatically that a theory of biology could finally, triumphantly, be proven wrong. Lamarck is falsifiable. That is a victory of the highest order.

[cyberclouddream]

The 6th House and Bad Fortunes

In Hellenistic astrology the 6th house is referred to the “place of bad fortune”, connected to disease and decline in vitality. Here it’s more associated with hardships and illness than daily routines and activities. This is due to it being twelve houses away from the 7th house, which would mean imprisonment to significant commitments, like our health and vitality.

It represents the challenges that arise when our creative and romantic aspirations meet reality. By addressing the issues related to health, routines, and service we can transform the challenges here into opportunities.

Aries Rising

- tedious jobs that demand grinding

- may clean up after others or work beneath your skill level

- burnout because of perfectionism

- overworking with little recognition

- hypochondria; frequent doctor’s visits or checkups

- nitpicky with coworkers

Remedies: balanced diet; prioritize and delegate tasks; activities that promote self-improvement; face issues head-on; eliminate distractions; learn to say no

Taurus Rising

- passive-aggressive co-workers

- people-pleasing overload

- headaches or skin problems

- jobs that lack beauty or creativity

- indecisive career path

- superficial relationship with colleagues

Remedies: make workplace aesthetically pleasing; distinguish supportive relationships from toxic ones; take proactive steps to manage burnout; stay physically active

Gemini Rising

- jobs full of manipulation, power struggles, or drama

- unhealthy or overwhelming intensity at work

- anxiety, digestive issues, or fatigue

- strong desire for control over work environment and tasks clash

- help others with hidden agendas

Remedies: stop avoiding hard tasks; let go of grudges; find a life outside of work; channel rage into work; get regular check ups

Cancer Rising

- dissatisfaction in routines

- overcommitting to responsibilities

- lack of exercise, weight issues, digestive problems

- conflict with traditions or authority

- too much optimism

Remedies: learn to focus on tasks; be wary of escapism; be honest about what you can handle; establish flexible routines

Leo Rising

- rigid rules or strict hierarchies in workplace

- relentless pursuit for success

- issues with bones, joints, or skin

- missing opportunities for joy

- feelings of isolation and loneliness

Remedies: drop guilt about labor and delegate tasks; don’t take work too seriously; reassess goals if feeling stagnant or underappreciated

Virgo Rising

- jobs that feel misaligned with values or ideals

- alienation at work

- inconsistent health practices; issues with circulation, nervous system, or sudden changes in well-being

- rebel against routine tasks or authority figures

- difficulties with structure or traditional methods

Remedies: make decisions instead of overthinking; engage more with colleagues; address and change when there’s discomfort; stop idealizing job or coworkers; embrace structure

Libra Rising

- neglect important tasks and responsibilities

- elusive health issues; frustration when seeking health solutions; often feel tired without clear reason

- sensitivity leads to overwhelming emotional labor

- lack of structure in workplace

- romanticizing hardships, sacrifices, or struggles

Remedies: stop dreaming and start doing; get real about health issues; don’t overindulge in pleasures; don’t let feelings dictate work ethic; confront conversations and conflicts head-on

Scorpio Rising

- rush into tasks without proper planning

- take on too much workload at once

- headaches, high blood pressure, or injuries over overexertion

- struggles with monotonous tasks

- inconsistent motivations

Remedies: think before you speak to not burn bridges; learn to collaborate; own your mistakes; get organized

Sagittarius Rising

- stuck in unfulfilling jobs that lack progress

- overindulge in comforts; overeating or neglecting physical activity

- resistance to new opportunities and changes at work

- jobs that offer little financial security

- neglecting mental health

Remedies: don’t cling to routines or methods; avoid complacency; don’t overindulge in comfort foods or luxuries; don’t expect people to read your mind

Capricorn Rising

- erratic work performance

- overwhelmed by too many projects

- headaches, digestive issues, or anxiety

- resist structured routines

- prioritize mental stimulation over exercise or proper nutrition

Remedies: don’t take on too many tasks at once; confront workplace drama; avoid procrastination; make time for resting well; think before you speak to avoid misunderstandings

Aquarius Rising

- difficulty separating feelings from workplace

- fluctuating health issues, like digestive problems or issues linked to their emotional state

- prioritizing helping others over their own needs

- home dynamics effect work

- lack of professional boundaries

Remedies: don’t play victim; set emotional boundaries at work; don’t beat around the bush; avoid overindulgence; be realistic about your limitations

Pisces Rising

- snuggle with recognition at work

- desires for leadership clash with authority

- neglect health for status and appearance

- difficulties maintaining routine

- dramatic responses to setbacks, like unnecessary stress

Remedies: quit trying to be the center of attention at work; limit drama and theatrics; don’t let your pride blind from constructive criticism; be a team player; avoid overcommitting because of your passion;

[coolcoolcoolbutwtf]

Fentons family's guide Section on being an evil assistant to a supervillain

_________________________________________

Fentons family's guide to being an evil assistant to a supervillain

Guide by Jazmin Fenton in case of employment with a supervillain.

Being an evil assistant or henchmen is surprisingly a very stable source of an income stream all things considered.

You just need to find a boss. A as in singular it's very important, who is pathetic and or stupid enough to constantly have their large scale plan failing even without the hero's Involvement.

And while their large scale plan for taking over the world with a weapon of mass destruction could be feasible if only they didn't think to actually use it. Using it to threaten the world leaders for sway is the correct way. It is the most unused method the one being used most is the method of actually using the weapon of mass destruction for mass destruction.

You as the evil assistant then have the responsibility to make sure that the villain doesn't/ can't use said device to destroy the world. The heroes can help. Later then take the blame for the failure absolving you of involvement.

Being a good evil assistant is babysitting the evil boss.

_________________________________pg 9___

"Oh man never thought I'd actually need to use the 'Fenton guide' Jazz made me." Danny mumbled quietly and heaved a sigh of relief when he had found it among his hastily packed together bag.

Jazz had been the one making both of their emergency bags when she had told him about the guide. He hadn't appreciated it then now he truly did now with everything going on.

God he missed Jazz so much. He wanted to see her so badly he wanted to hold her hand like when they were kids. He really wanted her hand to squeeze his back in reassurance that everything was going to be fine.

Danny tried holding back his sobs at the thought. He couldn't stop the mist in his eyes or his hands shaking holding the little booklet.

But he wanted her safe and far away from everything even more. He wanted his friends to be safe with his sister. It didn't matter if he had to be far away working getting those crystals every way he could think of. His friends and sister needed money to keep them safe, hidden and taken care of. They needed that money and crystals and if Danny had to choose between his morals and fright he would always choose his true family. Morals be damned.

• • •

He hadn't expected the costume to be so good in quality. That had surprised him the most the second being how easy it would be getting a job with villains. Turns out working as an "meta" henchmen who knew everything from fighting to logistics and machinery was a rarity in this dimension. Who would have guessed it with all the metas and enhanced humans going about? And omg they even have aliens in this dimension!

Getting the money for the crystals had been going surprisingly smoothly. Everything had been going so smoothly that of course it had to be ruined! The villain Danny was working for had gotten noticed and promptly got beat. Which meant he didn't have an employer anymore at least until a breakout was orchestrated. So no more job until then.

And Danny had finally managed his way to the middle hierarchy in that organization! Now he would need to go looking for evil henchmen positions again! It wasn't even a good season to go looking for openings in other organizations.

Damn it that bat furry in Gotham and his flock of birds. Don't they get how hard it is for a henchmen to find descant work!?

Maybe he should go with the duo villain and assistant type next time.

Thank you so much for reading I hope it was enjoyed!

Danny in the lair after having saved his villain boss from Batman after said villain had their scheme blown up in their face. Danny knew the plan would fail miserably but at this point he didn't care. He stopped trying to help when it came to schemes ages ago.

+Some art

Idk if I've posted this idea before but I've had this thing bouncing around in my head for a while.

[otkuhotgirl]

─── 𝐌𝐀𝐓𝐂𝐇𝐈𝐍𝐆

# with vice-admiral smoker.

the point of your lover's weapon has a small piece of sea-prism stone. you, wickedly, happen to find it'd be just as useful on your heels.

⎰ & KINKTOBER, day nine. smut (mdni!) boot worship. tights. teasing. choking. office!sex. afab!reader. no y/n used.

WC: 2k.

the path of a marine officer was complicated; oftentimes disappointing. the naive trust in the justice code had died ages prior, buried underneath piles of bitter dirt, destined to rot alongside the witnessed corruption, lodged within the walls of the organization whose code he once chose to surrender his freedom to follow. smoker grew harsher, more prone to snapping; the character of his career and the never-ending growth in pirate activity all but a fuel. tashigi — meekly — pointed out that perhaps the cause of such annoyance came from a tendency to overwork himself. hina — on her hand, revolted — stated that he needed to get laid.

the latter proved to be correct.

yet, the road that led him to you had done it so in an agonizing pace. as quite a known, high in hierarchy, marine officer, the pursuit of love had to be engulfed in wariness. smoker was one responsible for the capture of an innumerable amount of pirates, most harmless to those with certain skill yet for sure lethal to a common civilian. escapes were more often than not ruled out, but one could never be too sure, meaning that a relationship engaged with an individual unable to fend for themselves was improbable — which left him with either pirates, revolutionaries, or a co-worker. marines, however, either incompetent or insufferable, save for a select group.

smoker had not once envisioned himself in a loving embrace with those of shared values and career, for the thought alone of finding one interesting enough seemed but a wild dream. that was, of course, until he caught a glimpse of you.

rather than losing himself in the reasoning forbidding him from pursuing a long-term partner, smoker had started to weigh the pros and cons of dating a fellow vice-admiral. distance was an obnoxious obstacle, for the pair of you were commanders of marine bases on divergent directions. transponder snail was not quite a viable method of communication either — at least, not when one aimed to share romance-coated sentences — for the call could be wiretapped, and the embarrassing contents of the conversation overheard. and, at last, you were only ever saw in cases of obnoxious, general reunions or unrecommended straying from your patrols.

it happened to be one of the pros — you were far more daring. smoker had no respect for twisted orders, and more often than not decided to act with no regard for the upper heads’ plans whatsoever, yet somehow he had managed to find a partner with a behavior twice as rascal — distance was an obstacle you did not bother to counter. your strength absolved him of worry, for you were far more capable than most. but what had convinced him altogether was the sheer urge to have an ever-current carnal connection with one he nurtured something for — and those tights. he adored tugging at them; vanishing his fingers amidst conjured smoke to tease the bare flesh under the fabric; staining it with the ash of his cigar. smoker had never spared much thought to one’s thighs until he was given the opportunity to leave yours red; figure spasming due to the violent pinch of his large fingers.

he had commanded his subordinates to dock and re-stock, the interval of time required for the log pose to adapt being one above a week. it was but a matter of days until your fleet was seen at shore, having followed the vivre card leading to him. smoker had his legs spread, a sour figure growing restless at your absence, a veil of spiraling nicotine all but staining the walls of his office.

languid, sensual-esque knocking; the echoing of heels against the ground. he opened an eye, failing to contain the pleasure born from your arrival. the marine’s coat hand from your shoulders, usual tights hugging the delicious flesh of your legs as you strutted in his direction, wearing an expression that promised nothing but trouble.

“we have full-on uniforms to use for a reason,” he scolded, though his tone held neither sharpness nor annoyance.

“is that so?” you hummed, sitting on his table, legs crossed. smoker’s hand went to your thigh as though second instinct, gripping it with non-forethought strength. “you first.”

he grinned. whenever the weather warmed up, smoker was one to rest shirtless in his office, and the occasion at hand was far from different. the point of your boot brushed against his bare chest, and he ceased the roaming of his fingers on your ankles upon noticing you have never used that piece — at least, not with him.

“new boots?” smoker inquired, aware that one valued having their partner pointing out appearance shifts — no matter how minor.

your face lit up as though a forest fire, a malicious smile surging on your lips as you leaned forward, playfully kicking his abdomen. “you liked it?”

“it’s black leather,” he stated, not quite able to differentiate it from your previous ones.

“wanna see what it can do?”

the smile offered was mischievous; borderline diabolical. instincts alight due to the unspoken promise of trouble. unpredictable endeavor of sexual character that had his member twitching regardless of the warning goosebumps. smoker retreated from your figure, making use of the comfortable armrests at his sides. aware that he’d regret his decision, smoker spurred you on, nodding his head with a grin.

the sole of your boot applied pressure to his chest, forcing his back to meet the leather surface of his seat. that position was far from distasteful. smoker adored having you on his table, whether splayed or bent, vulnerable to the assault of his cock; perhaps crawling with your ass up, teeth tugging his zipper down. he did not mind the perspective of having you on more comfortable surfaces — a soft mattress, a large couch — yet his office remained his most favored spot. smoker was obsessed with the sight of your juices smearing the wooden table; of pressing you against the wall, shoving himself so deep he had your head hitting the harsh surface. whatever thought you had in mind, so long as it had you in such a position — sitting on his table, biting your lip with hooded eyes —, he was pleased with it.

until he flinched at the touch of your heel. the smoke once conjured had vanished, as though a gust of wind traveled past his power, dismantling the veil that had once covered the lightning of his office. smoker hissed, trapped under your foot; squirming with gritted teeth.

“sea-prism stone heels?” he snarled, gripping the armrest.

“stole the idea from you,” you teased, dragging the heel against his bare chest. “thought we could match.”

smoker’s fingers curled in the hole straps of your tights, tearing through the fabric in an attempt to drag you closer. yet, your grip on the edges of the table was steel-made; unmoving, regardless of his insistence. power and strength were drained without distinction, the man left at your entire mercy with a mind much too hazed to react in equal fervor.

“no spite in storage?” you cooed, tilting his chin up with the point of your boot, aware of that being far from the truth.

smoker was livid. yet not at you; rather at himself. his underwear was but a narrow prison, constricting his aching cock. he trailed his eyes down your bare shoulders, to the enticing inches of flesh of your thighs, wrapped around black, thin straps. when your other foot started to hover above his belt, slim heel threatening to angle itself down on his covered erection, smoker had to convey the urge to moan. it was pathetic; maddening. you were but reducing him to a puddle of meek sensation, condescending tone with lascivious-wrapped orders, and rather than to struggle and regain his dignity, he was willing to fold.

his eyes shone with uncovered rage, and that all but excited you twice as much, the point of your heel moving his chin to the sides, dragging itself far closer to his sealed lips.

“take these heels off me,” he ordered, though the bark lacked its usual fierceness. you dared pretend to ponder it over, a faux expression of concentration; an index tapping on your chin.

“so mean,” you pouted, sighing dramatically. “didn’t you adore it?”

prolonged time spent for the innuendo to be understood; the light drag of your boot on his lower lip. smoker’s expression shifted into one of pure disturbance, yet his treacherous cock twitched under the pressure of your other heel, denying him the right of pretense.

“c’mon,” you edged him, all but threatening to step on his face.

perhaps it had been the numbing effects of the sea-prism stone; perhaps smoker had lost his mind to lust; for his lips met the sole of your boot a second thereafter, pressing a short-lived kiss against it. he shuddered, tongue lolling out as his eyes caught a glimpse of your blown-wide ones, as if you were struggling to believe that he had conceded to your wish. smoker coated the leather of the tip with saliva, roaming his tongue from the covered region of your fingers.

trembling hand settled on your leg, raising and drawing it closer, as a lustful mouth left a trail of wet kisses throughout the entire extension of your boot. he dared use the other one to grip the bare flesh, pinching and squeezing — a promise. you trembled, growing hot with the sight. smoker observed you through his eyelashes, making out with your boot, inching his head forward until his nose brushed against your knee and your heel hovered above his flexed abdomen. you gasped when his teeth nipped at your tights, tearing through the straps; tongue claiming the exposed flesh of your knee. when smoker guided a set of fingers closer to your intimacy — the other ones busying themselves with the grip of your ankle —, and had his thumb pressed against your clothed clit, you trembled. when he closed a fist around the crotch and threatened to rip it, the surprise had your heel pressing itself with regained fervor against his cock.

smoker stiffened, his breath growing labored. his teeth met the leather of your boot, tugging at it as though a wild beast, a muffled grunt of pleasure vibrating through the material. he could sense your own excitement; feel it dampening his hand, for you went to visit him without panties. that made him rut against the heel, yet again trailing desperate kisses through the extension of your boot, licking and witnessing the gradual dripping of saliva.

the prolonged contact with the sea-prism stone had his limbs growing limp, threatening to reach a point of uselessness. the merest act of raising a questioning eyebrow had demanded an insane amount of energy. he felt close to slipping out of consciousness, as though poisoned. your legs trembled — or perhaps, that had been his own hands —, and you parted them as much as your flexibility permitted, the sea-prism stone inching out of touch as a consequence.

without it, the return of his usual strength was but automatic. smoker’s smirk was borderline crooked when he witnessed your anticipating — yet shrinking — behavior; fear and lust overlapping. he tugged down at the material of your shorts, ripping it in two, all but turning it into a minuscule skirt. no longer restricted to the limits of his chair, smoker raised himself to his full height and gripped your neck, pushing your back against the table. you gasped at the sudden lack of air; the strength that would not give.

“lost your big words?” he taunted, spreading your legs further. “you were enjoying yourself then, weren’t you?”

you attempted to nod, eyes rolling due to the pressure. your voice came out rough, strained, even, for you knew that smoker demanded vocal replies. “i– i was.”

his smile was all teeth and malice. “i will be enjoying this.”

smoker grabbed your spit-coated ankle, holding it high above his shoulder, careful not to allow the heel to touch his hand. he kept the other leg spread, forcing his own knee against it while his fingers undid the button of his pants, allowing it to slip off. smoker struggled to grow accustomed to his own strength due to the previous extended restriction, and his underwear, too, fell prey to his vicious grip, the waistband snapping in two alongside the rest of the fabric. the man scoffed before releasing the pressure on your throat for the briefest instance, enough to have you draw-in a desperate breath before he tightened the grip yet again.

withdrawing with his shaft free of its previous cuffs, he positioned at your entrance, grinning at your alarmed reaction. smoker slammed himself inside, not minding the fact that your tights were still on. his tip tore through the straps, the length invading your cunt without further ado. smoker hissed when your walls enveloped him, the wetness added to the material of your tights creating an odd, yet welcoming texture. you clenched around his cock, and would have screamed at the sudden invasion if you happened to have enough air in your lungs.

the first thrust had him deep, balls hitting your ass. he released the pressure on your throat in order to set a ruthless pace, the table underneath cringing at the used strength. for your own pleasure — and for the perspective of witnessing the roll of those teary eyes — smoker licked the sole of your boot yet again, biting down on the tip; scraping his teeth down against the leather. you mewled when he brushed your g-spot — again and again, without mercy —, arching your back and gripping the edges of the table.

“that’s it,” he rasped out, leaving a bite mark on your boot, aiming for his teeth to reach your flesh. “that’s—shit, where you belong.”

the jerk of his hips was coated in brute force, a repeated pattern, base-to-tip; in-and-out. he hammered through your walls without an ounce of mercy, the cacophony of your pleasure the most ethereal music he had ever heard. the regained clenching had him know you were close, and smoker deprived you of air yet again, aware that the choking sensation would lead you to the edge. no warning was ensued on his part, and as soon as your high coated the sensible skin of his cock, smoker shot his load inside, chasing the ends of his orgasm regardless of the shared stimulation, grunting at the sight of your mixed essences dripping out of your cunt.

he was careful not to collapse into you, elbows pressed on the table in order to support his weight. smoker pressed a kiss on your sweat-coated temple, raising himself ever-so-slightly, eyes scanning the room.

“what are you searching for?” you inquired tiredly, your voice rough due to the strength of his grip.

“my weapon,” he replied, grinning down at you. “after all, you wanted us to match.”

[lintwriting]

I was here when mouthwashing was just a demo. here are some things I noticed.

I caught on to the fact that Curly was likely innocent and that Jimmy was an unreliable narrator based on the "Take Responsibility" word scramble and Jimmy's asshole behavior. Because of this, I also did not think there would be supernatural horror, I thought it’d be man-made and psychological, which I was right about.

What I did not expect was the subtle depiction of how workplaces fail victims of rape and misogyny.

What I did not expect was how backgrounded the late stage capitalism critique ended up being.

late stage capitalism: a red herring

From the Demo, you focus a lot on the corporation as the main antagonist, probably because Wrong Organ devs were hiding the villain protagonists.

Ominous posters, a Polle monster chasing you, those ominous TV commercials glorifying working for a corporation, the fact that all this horror was over fucking tooth-rotting mouthwash. Really paints the picture of a corporate horror or conspiracy a la “Time to Orbit: Unknown,” where every chapter unveils a new corporate conspiracy for money and power.

but instead, in mouthwashing, the capitalist aspects are merely plot devices to explore the horror surrounding mismanagement and its consequences.

A power tripping coworker and an enabling manager who got him the job. An eager-to-please kid and an established supervisor willing to take advantage. Flaws in how the hierarchy is decided, leading to the one person who shouldn’t have had power getting the power. Lack of sensitivity training (or whatever that’s called) surrounding things like Title IX concerns, such as the uneven gender dynamics or what to do in the event of a crime or the fact that the person doing the psych evals isn’t getting any evals.

Notice that none of these things are unique to capitalism, they’re issues you’d have to plan for in any workplace/organization, whether that be socialist or capitalist or whatever. The capitalism exacerbates the issues or catalyzes the consequences of them like a plot device, but the issues don’t originate from there.

For example: the lack of any woman other than Anya.

Yes, this was most likely exacerbated by late stage capitalism understaffing to cut corners, leading to skeleton crews, but that the crew we DO have is mostly male is more related to misogyny or gender roles.

Perhaps women don't want to work on these freighters because of the danger of being trapped in a confined space with men. Maybe the jobs required for these freighters, like mechanic or pilot, are male-dominated. Or maybe the hiring manager had a bias where they viewed men as more competent, etc. The fact of the matter is that the cause is the same when you dig down deep into it: misogyny.

Or the layoff. The laying off of the crew is its own form of evil, but its consequences aren’t the ones being explored within this story. Most of the crew die of the horrors within the ship before they ever have to face it. In fact, the horrors within the ship don't really even have anything to do with the layoff at all. It’s a bit of a red herring.

Rather, the actual cause of this game’s horror is the mismanaged fallout of Jimmy’s assault. Most obviously in that scene where we see Curly for the first time, wherein Curly doesn’t take Anya’s safety concerns seriously, even when Jimmy is actively threatening to make everyone disappear so neither of them have to face the consequences of the assault.

I initially misread that scene as Curly evilly conspiring to let Jimmy crash the ship so neither of them would take the fall, hence us finally seeing Curly's “true face.” Because I read what Jimmy said as inherently threatening and serious, I thought Curly had agreed to that awful plan and only got cold feet at the last minute.

It’s only from reading other comments that I realized Curly had most likely assumed Jimmy was blowing hot air and needed to cool down in that scene. Or that he was making an inappropriate joke akin to his 'sexually attracted to cartoon horses' thing and wasn't being serious. Curly didn’t realize Jimmy was actually talking about a real plan until it was too late stop it (makes me wonder if Jimmy was actually attracted to the horse, too).

Thus, it goes from a story about corner-cutting late stage capitalist megacorps to a story about cartoonishly evil, power-tripping men to a story about how we enable these men with failures in our system.

Much like how the beginning of the game, when Jimmy crashes the ship, a failure in the safety systems is what allows the crash to happen (Seriously? One pilfered key is all you need to send your ship into a crash?), a series of social safety nets had to have failed to let him into the cockpit in the first place. The true face is not Curly conspiring to crash the ship out of cowardice and greed, but his inability to face what his friend has done.

[cassatine]

my conclave review i guess! i was going to gush in chat but then. too many words.

so literally all i knew about it going in was (1) a cardinal vapes in it (2) probably it's about a conclave?? (3) good vibes according to dashboard osmosis. the cinematography was a+, which i always appreciate. i liked that on one level it's a perfect comedy, really fucking funny in a sort of understated way. the beginning kinda reminded me of the death of stalin, what with the inciting event being the guy at the top of the hierarchy dying… somehow excellent comedy setup. at the very beginning, when lawrence & co struggle a bit to take the ring off the pope's corpse and it's all so ritualized, that's when i knew it was going to be Funny.

but beyond the fact that it was funnier than i expected... i liked the layers. most of all i think i liked the earnestness. ralph fiennes mid-crisis of faith, hating his job, trying to be a moral man in a system that is broken?? chef's kiss. the other cardinals of note were also nicely layered, like adeyemi? it would have been so easy to just stop at his being homophobic and treat his having had a kid being revealed as comeuppance but the way he cries and asks lawrence to pray with him… he sucks and it's a good thing he's taken off the race but it also happens for the wrong reason. bellini who's lying to himself and everyone else over not wanting to be the pope when he so clearly does and still letting himself be bought by the promise of a nice post… and yet he is not just an hypocrite. he sees he failed. he apologizes. he is only human. tedesco could have been a one note villain but he's the coolest dude around, and on a fundamental level that's part of what makes him dangerous: he's a reactionary and a bigot but he makes it kinda sexy. you want to like him; he's fun to watch and he has style, something the other cardinals probably wouldn't recognize if it hit them in the face. benitez. well. benitez is jesus. sister agnes was neat, it's a bit sad we don't really get to know her but she's indispensable and i love that for her. like. here's a bunch of dudes with all the decisional power who expect her to just exist in the background doing the menial work and then her printer expertise ends up being vital, and in general lawrence wouldn't have managed as well without her support… noice.

the end feels a bit easy, like lbr benitez being elected pope because he made a nice speech is ludicrous, but also… it works for me?

(1) on some level the film is about the difficulties of trying to be a moral person in a system that does not reward being moral. sure it's about faith and doubt and the limitations of organized religion. it's about catty bitches vying for power in a ritualized way that, on some level, speaks of an institution that ossified, that resists change (and on that note: benitez, obviously-the-best candidate only gets elected because people skirt the isolation rules, because the outside world intrudes. also because he is jesus.) it's stated near the beginning that the pope hadn't lost faith in god but in the church, and through the movie we can see why, all the machinations and the thirst for power and the fallibility of the men within the institution. through lawrence we see how much easier it would be to just… stop trying, to do the convenient thing, the easy thing, rather than the right thing, and to find justifications for that: better not make waves and better not make a scandal, for the sake of electing a blandly liberal pope rather than tedesco. and who would disagree? sure, better a bland liberal than reactionary tedesco. but then comes the ethical quandary: should the goal of avoiding one evil mean closing your eyes to another? should you forsake your sense of right and wrong for the greater good? too often i think we are told to prioritize the greater good, and maybe sometimes we should. but maybe sometimes we shouldn't. maybe sometimes we should hold to our principles. in the end, benitez being elected pope isn't going to miraculously make the catholic church and its agents unproblematic. but it is a win, and it happens because lawrence kept choosing to do (what he believes is) the right thing, the moral thing, even when it's not easy, even when it's inconvenient, even when he's told he's being naive and hurting the greater cause. and i appreciate that message.

(2) as i said: benitez is jesus. the film is a parable… it's a story about how jesus showed up, completedly unexpected, in the middle of the church his disciples built, and because the church is made up of people and people are flawed and faillible and too busy with things like power, they did not notice jesus walking among them. at least not until god (metaphorically) shone a light on him. like yes sure the way benitez ends up the one elected is ludicrous but!! it took an act of god. not the bombs per se. but the tragedy of it intruding into the isolated conclave? the windows exploding, the light coming in, this is what allows the true stakes to become clear again, and for benitez's love thy neighbour speech to take place at all - a speech contrasted with tedesco's own, all the style stripped from him, making it clear he is a man who reaches for hate and not compassion. it's a parable!! it takes a tragedy. it takes an act of god.

[probablyasocialecologist]

A system of ancient ceramic water pipes, the oldest ever unearthed in China, shows that neolithic people were capable of complex engineering feats without the need for a centralized state authority, finds a new study by University College London researchers. In a study published in Nature Water, the archaeological team describe a network of ceramic water pipes and drainage ditches at the Chinese walled site of Pingliangtai dating back 4,000 years to a time known as the Longshan period. The network shows cooperation among the community to build and maintain the drainage system, though no evidence of a centralized power or authority. Dr. Yijie Zhuang (UCL Institute of Archaeology), senior and corresponding author on the paper, said, "The discovery of this ceramic water pipe network is remarkable because the people of Pingliangtai were able to build and maintain this advanced water management system with stone age tools and without the organization of a central power structure. This system would have required a significant level of community-wide planning and coordination, and it was all done communally." The ceramic water pipes make up a drainage system which is the oldest complete system ever discovered in China. Made by interconnecting individual segments, the water pipes run along roads and walls to divert rainwater and show an advanced level of central planning at the neolithic site. What's surprising to researchers is that the settlement of Pingliangtai shows little evidence of social hierarchy. Its houses were uniformly small and show no signs of social stratification or significant inequality among the population. Excavations at the town's cemetery likewise found no evidence of a social hierarchy in burials, a marked difference from excavations at other nearby towns of the same era. But, despite the apparent lack of a centralized authority, the town's population came together and undertook the careful coordination needed to produce the ceramic pipes, plan their layout, install and maintain them, a project which likely took a great deal of effort from much of the community. The level of complexity associated with these pipes refutes an earlier understanding in archaeological fields that holds that only a centralized state power with governing elites would be able to muster the organization and resources to build a complex water management system. While other ancient societies with advanced water systems tended to have a stronger, more centralized governance, or even despotism, Pingliangtai demonstrates that was not always needed, and more egalitarian and communal societies were capable of these kinds of engineering feats as well.

[tanadrin]

The impression I get from Revolutions is that in the 19th century there was a real uncertainty about the empirical question of how to achieve socialist aims in politics. On the one side you had forces like the Russian Narodists, who eschewed engagement with the system (and "the system" was, in the Russian context, Tsarist autocracy), fearing that to do so would be to legitimize the system and allow the desire for reform to be coopted, and thus allow it to be stalled out. This was framed in somewhat Romantic terms, with language about, like, the "vitality" of the "revolutionary spirit," but I think the underlying concern is one I'm sympathetic to, even if I would use different language to describe it. And, after all, the system you want to build is pretty politically and socially divorced from the circumstances around you, and it's hard to envision how you get from the current system to that one, in any kind of reasonable timeframe, by purely incremental reform.

On the other hand, you had agitators like Martov and also social democrats willing to work within the (limited, and definitely undemocratic) parliamentary systems that European states were grudgingly establishing, or even the pretty powerless zemstvas in Russia, but whose engagement of the system also came in the form of, like, strikes and demanding concessions from bosses and capitalists, which is something that a lot of anarchists and Narodist and others on the "anti-engagement" side thought was a waste of time, and tended to grant the legitimacy of the position of these bosses at the top of the hierarchy. Equality and freedom and the like wasn't something you should be granted, it was something you should take. At its most extreme, this dichotomy expressed itself in political terrorism: 19th century anarchists really thought that killing a king or a tsar (or even a president) might spark a national revolution and cause the whole system to come crumbling down.

But the course of the 19th century, especially the latter 19th century, pretty much answered these questions. For one, assassinations just provoked brutal crackdowns that tended to destroy radical organizations. For two, the labor movement proved effective. Wildly effective, in fact. For three, the fears of arch-conservatives proved correct: a little bit of parliamentarism was a foot in the door for genuine democracy, and once your foot was in the door you could keep pushing, and revolution was still an option on the table if progress stalled out too hard or for too long.

And yet I also have the suspicion that the long 19th century was a period where revolution was an unusually effective tactic, and that in the centuries before and the century-and-change since, it has proved to be a much dicier proposition. Revolutions are of course hard to kick off even under ideal circumstances--you can miss your chance one day because it rains and people stay home, or a protest over one pastor getting evicted can bring down your whole regime. But autocracy is brittle, the 19th century (and early 20th) was a period of extremely rapid social change and an extremely entrenched reactionary ruling class, and the alternative a lot of revolutionaries had in mind--liberal parliamentary democracy--can actually be surprisingly stable once it gets entrenched.

Revolutions that switch out one strongman for another, or install more oligarchic republican forms, or otherwise create governments with weak legitimacy can instead devolve into a generation of political chaos. But by the 19th century, Europe was starting to converge on a pretty durable model of governance, one pioneered in Britain (which managed to avoid revolution entirely throughout the period!). And I think in this framework participation in the system is both easier to justify and is inarguably more effective than abstention. Abstention, in both its more peacefully separatist and its aggressive kill-the-king-and-hope-everything-collapses forms, proved too utopian; building a parallel drop-in replacement for the state is simply too vast a coordination problem, and the whole reason states exist in the first place is that they solve big coordination problems (even if in deeply suboptimal ways). You can secede to form your own little community in the wilderness, if that's the flavor you want your anarchism or agrarian socialism to have, and if it is, more power to you--but if you want to remake society, rather than just remove yourself from it, ultimately you have to confront and engage with the channels of power that already exist.

[muffinsin]

So it’s obvious that the girls had lives and families before the Cadou, so it got me wondering. What if the girls had a biological older or younger sibling that comes to work in the castle? It would probably feel weird to the girls to see what is basically a clone of you, that remembers a different version of you but you can’t remember them.

Tbh I love to occasionally think of setting Elena up as this (due to her obvious resemblance to Cassandra due to their models)👀 that’s a very interesting thought, hon!👀 this one’s got a bit angsty🙃

This one’s a little off my usual HCs for them since I HC that all 3 take a good 80 years tops to get to the point where they are in the game. Maturity and growth wise XD

Masterlists

Bela

Contrary to popular belief, not all are forced into the castle, forced to work there, to cook and clean and serve

Many come for the safety it can provide, the three meals a day, the roof above one’s head, the protection against Lycans

You, have come for a different reason

Bela Dimitrescu

The eldest of Alcina Dimitrescu, countess of Castle Dimitrescu, the head of the house

Her eldest. Her successor. Her heiress. One of three daughters, sisters

But also, your sister

She carries a different name now, looks a little different, acts different. But it’s her, undeniably so

You begin by working at the castle, and you work hard

Hard, quickly, every day. More and more. No task is too hard for you, no goal unreachable, for you have a single goal in mind;

To get to Bela

You know, you need to see her

You need to see your sister

You didn’t think you would again, that she would be lost forever after being taken by Mother Miranda

To see her in the distance, dragging something back to the castle…alive

Different, but alive

You need to know if your sister is still there

And so, as you continue to work hard and pick up more and more tasks, you eventually work your way up in the castle

Past ordinary tasks, ranking above the average maid

Until, at last, you’re assigned to clean and organize Bela’s spaces when she wants for it

You’re incredibly nervous on the first day, well aware that you will see her up close for the first time

While you’ve seen Cassandra around plenty times and managed to dodge her and had Daniela throw herself at you a few times, Bela has been distant, far too busy to spare the staff a glance or even interact with it

And when you are summoned to her office and finally see her, you feel like your heart is stopping

Her eyes are different, she sports a tattoo on her forehead. Her clothing is much richer and darker and while she barely wore make up in the village, she wears some now

But, beyond all this, she’s your sister still

Of course, she notices your racing heart

But, unlike her sisters, her reaction is different

She doesn’t grin, doesn’t approach you with a predatory smile and shine to her eyes as Cassandra would

She doesn’t move towards you with a sultry smile and seductive eyes as Daniela likes to do

Instead, she rolls her eyes subtly, as though a little annoyed

You immediately straighten up. You’re not sure how much she’s changed, but you know well enough to not anger her. Especially on your first day. You’ve heard rumors she is particularly unforgiving as it comes to a lack of competence

This, though, has you smile a little

This, at least, is a little like your sister, even if she was far, far more soft spoken in the village, unable to speak out as she can now due to the harsh, outdated hierarchy

Still, you remember her subtly rolling her eyes and glancing to you whenever something or someone annoyed her

Sensing your shift in behavior, she at last turns again, her hand raising, her gloved fingers gesturing to the room

As she talks, you can’t help but feel your heart ache. Her voice, though far more confident, is still the same

Your sister…

So close, yet so far

You so desperately want to reach out, to wrap your arms around her

You’re certain it wouldn’t be a very good idea judged by the dried blood around her lips

And still, you force yourself to stay quiet, to stay professional, to avoid staring at your long-lost sister overly long

As she works, you notice she checks in on you occasionally, critical as always, checking if you’re doing your work correctly

You can���t help a small smile

Even after all those years, you know how she likes to organize things. You know what ticks her off, what makes her smile, satisfied

You perform every task she gives you far better than all others, and she quickly decides she’s pleased with you. Pleased enough to have you work for her more and more

Every day, you see her

No. Every day, you see a shadow of who she was

She’s not quite your sister, and you’re not quite part of her family

She’s none the wiser, and you don’t dare tell her

You notice, though, she’s growing suspicious

Sometimes, you catch her staring, unashamed when she continues looking at you even when you turn to her

Like she’s trying to figure something out

Like she’a trying to figure out why you look so similar and familiar to her, but she has no recollection of you at all

At first, she thinks; could you be related to a former lover?

But…no, it doesn’t seem right

She can’t even begin to think she might be your sister

And you..you aren’t sure telling her is the best course of action

You can’t help but worry, fearing she might take you for a fool if you told her the truth

You know, in her eyes, she has a family

A new family

A stronger family

Not you…

She’s happy, you can’t help but notice. Or seems it, at least. She’s safe. And while she is occasionally heard complaining about “her sisters”, it isn’t hard to tell she loves them dearly nonetheless

Unsurprisingly, this stings

But…you can’t help but wonder whether it’s for the best

You’re about to tell her, once. About to spill your heart out and tell her everything. About to plead with her to come home

Home…

To the village, where it isn’t safe

A village, whose inhabitants have come to hate who your sister has turned into

How can you possibly ask her to do that? How could she possibly accept that?

You tell yourself, you won’t bother her. That after she’s looked after you all her life, you will look after her and grant her this life, now

But…you can’t bring yourself to stay away

You work eagerly, show up on time, every single day

You never fail to complete a task to her upmost satisfaction, and work for as long as you can, desperate to be with her and see her

You too notice yourself grow clingier, while she grows more and more curious

You seem so familiar, at ease. She can’t understand you, can’t figure you out at all

She wants to

She suspects, you must be keeping something from her

And when one day she confronts you, you almost forget who she is, now. That she no longer is the meek villager, the woman trying hard to protect you even if it meant being punished for it

The woman who would never resort to violence

You refuse to tell her what’s going on, originally, mistaking your relationship with Bela for one far more familiar than it is, now

You find yourself pressed against the window with a sickle to your throat, the not-so subtle threat of falling or being sliced imminent

You panic, suddenly struck with the realization again that despite her looks and certain similarities, this is not quite your sister

And you certainly are not family to her in her eyes

Terrified, you’re forced to realize; she will kill you, should you not speak up

And when you do, sobbing that she’s your sister, it’s like time stands still

She doesn’t believe it, at first

And for a moment, you’re certain she will kill you

But, the killing blow doesn’t come, and you’re left alone in her study instead

In the next couple of days, you don’t see her at all

You can’t even catch as much as a glimpse of her, really

Unbeknownst to you, your words have caused a small panic within her

She spends the majority of her days with Alcina, asking questions here and there, curious whether you could be telling the truth

She’s never quite cared for her former life

Of course, Alcina has once told her that she did exist as someone else before she was reborn

But, with her wonderful family surrounding her, she never found it within her to care

Now, she feels almost like she’s forced to

She panics easily at the thought of you, pacing as thoughts swirl about in her head

Often, it takes Alcina to calm her

It takes days for Bela to sort out her thoughts, to come to a point where she’s at least capable of making a choice

A choice, that comes a little easier to her than she likes to admit

The next day, you find your belongings packed and a carriage awaiting you, along with a handsome amount of gold

Some of the maidens congratulate you, others glance at you filthily, their jealousy clear as day

You feel only dread, only hurt

It’s clear to you in an instant; this is her doing

As much as she feels this odd feeling of familiarity with you, Bela can’t- no, does not want to- turn her back on her new family

She’s a Dimitrescu, and, to her, her family is Alcina, Cassandra and Daniela

She feels no sense of love towards you, no sense of affection she so dearly holds for her younger sisters

But, she does not want to see you hurt

She sends you off, away from the castle

You can’t be a part of her life. She makes this much clear

But, she sees to it that you’re cared for, financially, at least enough to afford a safe home

She can’t bring herself to do more than that

She’s a Dimitrescu, now, proudly so

And you are not

Cassandra

Cassandra Dimitrescu

A terror from the castle

A monster to many villagers. A devil, some even call her. A sadist, certainly. A predator, yes

Your sister

Can I be?

Could it really be her?

You remember her well, remember her strong face and stubbornness, her fierce protectiveness over you, which often led to her getting hurt

She never complained, never stopped protecting you

She’d always shield you from the dangers in the village

Gone, now

Given to Mother Miranda long ago

You remember she fought

You remember being unable to help her, staring into her brown eyes, wide and angry, as she was dragged away

The next time you look into her eyes, they’re golden, but unmistakably hers, still

It’s during a raid of the village, when you find yourself panting on the floor, watching a mysterious brunette rip apart the villager in front of you

Cassandra Dimitrescu

Then, when she turned, your sister…

Her face, her voice…but…not quite her

The woman in front of you is bloodied, and bloodthirsty. She holds your sister’s anger still, shows it openly, but it’s directed at everyone, and it feels like any wrong move could have it direct towards you, too

You aren’t sure why your instincts-unlike your wish- tell you not to run into her arms. But looking back, you’re certain it saved your life

Rooted in place, you can only stare and shiver, shake helplessly as the woman you’re so sure could be your sister tears apart the villager in front of you

By some miracle you aren’t next, left on the ground as she laughs and turns into what looks like a swarm of flies

Maybe, you should have dropped things

Maybe, you should have accepted your sister’s death

Maybe, you shouldn’t have gone chasing Cassandra

But, you do

You set out to work at the castle despite the rumors surrounding it

You know, after all, that is when you will find her

And, sure enough, you find out plenty

You find out, she’s the middle child, sister to Bela and Daniela Dimitrescu

A different family

A different woman?

But…you can’t help but see her, even as you’re confronted with the scary stories the staff likes telling about her in the dark

Maybe, you should have dropped it indeed

Finding Cassandra proves to be an easy task. Avoiding her sickle, a more difficult one

She’s loud, as your sister used to be, unfiltered

You remember, back then, this used to be a problem

You can’t help but notice, she seems happier, now

More confident

Free

Unburdened

Excited

Selfishly, perhaps, you can’t help but hope she isn’t loved. That maybe, she will come back to you

You’d hide her, make sure no resentful villager can find and hurt her. Or, by now, be hurt by her

Perhaps, this should be alarming

Still, you so desperately want to get your sister back

You try working your way up in the castle, try to work in areas you heard she regularly visits

The armory, she cellars, the wing containing her chambers

But, soon you realise; working hard has Bela Dimitrescu turn to you, not Cassandra

Bela, who seems to value order and your hard work

Daniela, who makes it a point to fluster you and all other staff members she comes across. So far, you have been lucky. You find; sticking to a group is important with the redhead, lest her seemingly random mood changes are directed at you

You begin to pull back a little, to take more risks, hoping it might catch Cassandra’s eye

Then, one day, it happens naturally

You’re caught up in a fight, screaming and scratching at the woman attacking you

You aren’t sure how it happened, how the maiden’s hurtful remarks could turn into a full blown fight

Nails scrape against skin, dig against it, hair is pulled

An unnecessary fight, foolish, in an already dangerous workplace

But, it’s enough to capture the sadist’s attention

You both flinch back when she’s suddenly there, and you gasp when her sickle easily slices forth through the air

It catches both of you, still, forming a bleeding cut at your cheek and a deep slash at the maiden’s one

She immediately begs for mercy, falls to her knees and sobs. You stand frozen in place

This close to her, you can’t help but look up again, your eyes finding her golden ones

Gold…not brown.. but the same lazy eye, the same frustration held in them

She’d always get so annoyed and frustrated at useless sobbing, would always scold you when you cried and apologized when she was hurt because of you

You know, this is your sister, deep down

You can’t bring yourself to look away. You want nothing more than to lunge forward, to wrap your arms around her and never let go

You’ve missed your sister so much. Now, she’s so close, yet so far

You flinch when the bloodied sickle is raised to your throat next, flinch and shiver uncomfortably when her tongue drags against the bleeding cut at your cheek

You don’t dare pull away, try to think about how embarrassed she will be once you tell her everything and she remembers you

The thought keeps you going despite your racing heart

And for a moment, she draws back, as if almost familiar with the scent and taste of the blood, as if it was far too similar to her own, far down beneath the scent and taste of her rotten one

For a second, you think she might understand, that she might suspect who you are

That she might remember

But, she doesn’t, and only pulls away again, eying you suspiciously

Of course, the huntress notices your odd taste and scent, so utterly familiar and out of place at the same time

She’s…curious, she decides

And while she snatches the other maid and leaves you that day, you’re summoned to the armory the very next one

From then on, you are to work for her

A deadly position

You still feel her eyes on you, always. You’re certain she’s around even when you can’t see her. Your sister always looked out for you. You hope, it can be like that again

As you work, you feel her around you, hear her flies buzzing while she stays in the shadows

She doesn’t speak, doesn’t come near you

Instead, she watches you, studies your mannerisms. Sometimes, she snarls, and you notice it’s usually triggered by you doing something your sister used to do

In the back of your mind, you wonder whether she still does those things, even as her life seems to be so different

In time, this stays the exact same

It’s always tense with her. Often, you’re around when she drags a new victim with her

At other times, she slices at you, always taking a taste for herself as if tying to study your taste and blood. Her injuries- to you at least- are never lethal. You can’t help but wonder, perhaps naively, that this is done on purpose. You’re sure someone like Cassandra is capable of differentiating

Working for her, you learn more and more about her

With a heavy heart, you notice her anger is much more prominent, now

And while it was often her cut and beat at the village by stronger, bigger villagers, it is now her who cuts and beats, slices and bites, taunts and tortures for hours to no be

Prey, turned to a predator

How could you possibly bring her back home?

How could you possibly get her to stop consuming blood?

At times, you like to daydream, perhaps she can change. Perhaps, you can feed her. Perhaps, she can come live with you. Maybe it will work out

But, she is loved, here

It’s not often you see a glimpse of this, but it’s there

She’s an older sister, here. A younger sister. A daughter. They are each others’ everything

You grow more and more depressed with each day at the castle, less and less convinced that you can ever be with your sister again

Each passing day you notice how much she has changed, how she could never live at the village with you again

Each passing day you notice how bloodthirsty she is, how unique, now

And each passing day you grow less convinced to tell her the truth

Then, one day, it’s as though she has it figured out

You gasp when you’re awoken in the middle of the night. She’s in the staff’s quarters, the beds around you bloodied, all others now forced into an endless sleep, their heads turned, limbs broken, throats sliced

Clearly, she wants to be alone with you

The Realisation that murder comes so naturally to your sister now is horrifying. You know, there is no scenario in which she can return to how she used to be, no amount of love and talking from you. Cassandra is different, now

She claims, she knows who you are

You can’t talk. Can’t hug her as you want, knowing if you do the stench of blood and guts that clings to her will bleed into your scent, too

You can’t speak, can only cry as she sits at your bed

You missed your sister so much

You never thought about how even now that she’s here, she isn’t quite your sister

Not anymore

She asks you what she was like

You can’t answer

She asks you what your parents were like

You can’t answer

You can only stare ahead blankly, knowing that despite her apparent calmness and curiosity, she cares little for you

Her eyes hold no love, only curiosity. She knows, you’re too different. She knows, you don’t accept her, can’t accept her, like this, your head far too full of fake hopes and dreams of a sweet family reunion

She has a family already

She asks you what her name was

You can’t answer

She’s growing annoyed, and you can only sit in silence, the stench of the bodies in the room filling your nose

She raises from the bed, her sickle raised. She demands answers from you, answers her mother could not give her

Who was she?!

You can’t answer

Who she was, is not who she is

Cassandra Dimitrescu

Bitter, you grit your teeth

Not your sister, not anymore. A different name, a different family, a different set of ideals, no longer yours alone. It was meant to be the two of you against the world

Bitter, you turn your head from her

Her patience runs out, and you draw your last breath

Daniela

Your sister…

Not a day passes you don’t think of her

At times, your heart aches when you think of her and feel anger and bitterness at her for leaving you. For being foolish. For being delusional. For being taken away from your family

You still see her eyes when you close yours, so wide and fearful, full of tears

You remember running and hiding away when she was taken, her screams loud, her cheeks wet with salty tears

You never thought you’d see her again, thought your precious sister was gone forever

Or, maybe even worse, a mindless lycan roaming the forest

You didn’t think she still existed, haven’t heard a thing from her

Until the day you too were sent away

Not to Mother Miranda, no, but to work at the castle

A cruel fate, certainly. You’re sure, your “parents” do not fully intend for you to return, money prioritized over you being home

You’re terrified on your first day, your mind full of stories the scared staff has whispered to you already

Whispers of three sisters- Bela, Cassandra, Daniela, and their mother

Bela, the cruel one

Cassandra, the sadistic one

Daniela, the unpredictable one

Alcina, the noble one, nearly impossible to please

You’re walking with a small group of women- soon to be staff members too- when you turn your head at a noise in the distance

A giggle, light, a little manic, but so painfully familiar

Your eyes are wide as you search for the source of it, your breathing ragged already

Could it be?

Could your sister be here?

A staff member, too?

A prisoner?!

You can’t see her clearly, but your eyes are fixated on two women in the distance

One, short, in a maiden’s uniform. You can’t see her face, but recognise the auburn-ginger hair, still

You think, she’s a little shorter than your sister was, but refuse to let go of the string of hope you’re clutching to you, now

In front of her stands a tall woman, dressed in black. You can’t see her face, can’t make out anything but her height, the black dress and coat and the few flies surrounding her and connecting to her skin

You shiver, not trusting the sight. Surely, it didn’t really connect with the woman

But, you’re sure: she must be one of the three sisters, one of the supposed monsters roaming the castle

Briefly, you want to fight, thinking your sister could be in danger

Has the tall woman taken a shine to her? Has she gotten herself in trouble because of her heart, again?

The thought it almost too much to bear

You didn’t help her, couldn’t help her, back then

You want to, now

But as you take a single step towards the pair a hand grabs your arm already, holding you back firmly

“Don’t stray”, the unknown woman, a maid, warns

You’re led back to the group, your eyes lingering on the two women for as long as they stay in your sight

You can only pray, your sister is safe

You only pray, you will see her again, will get to hug her again, talk to her again

Ah, and your wish does come true, in the end

When, just the day after, you’re assigned to the library

An easy task, really. Stacking books, reorganizing them, sweeping dust here and there

You clean idly, your head turning often in hopes of seeing your sister

But, the library is empty

You turn often, keep imagining the sound of her voice until you’re worried you didn’t hear her the day before at all

Then, out of nowhere, you feel a body press up against your back, a sickle held against your cheek

Immediately, you go completely tense, already picking up the scent of blood and flowery perfume behind you

“Oooo, you must be new!”

Instantly, you turn, even as the sharp blade grazes your skin

Your eyes are wide when you do so

First, hopeful

Then, almost horrified

You stare up at the woman in black clothing, her golden eyes set on you, her gaze curious and almost dreamy

You study her features, so familiar to you that you could paint them from memory easily

Your sister

Uncaring of the circumstances, you can’t help but throw your arms around her, your head pressing against her neck, tears already forming at your eyes

You hear her gasp above you, then hear her coo, as though you were nothing but a puppy clinging to her

When you look up at her hopefully, you see no recognition in her eyes at all, though find the faintest flicker of curiosity in the seemingly endless pools of gold

Gold, that you remember being green. Your heart aches as you find a glimpse of it in her eyes still, like a faint reminder of who she once was

You call her name, and she frowns. You try to search your mind, hoping to find her name in the countless scary stories that have been told to you

Daniela

Daniela Dimitrescu

A new name. A new life. A new reality, for her

Briefly, you think bitterly; she’s left you behind again

But you won’t be letting go of her this time. Won’t let her heart carry her away, won’t let her naivety take her from you again. Maybe, if you bring her home, your family could be once more

You’ve missed her so much

You frown when she coos again, her black painted lips spreading into a smile. She smiles, like a predator finding its prey

You shiver, but don’t let go

You won’t let go of your sister, this time

You call her name again, and just briefly there’s a flicker of anger in her eyes, as though growing annoyed with the idea you might mistake her for someone else

Tears begin to form in your eyes

“Don’t you remember me?”

Daniela is, overall, relatively easy to convince of who she uses to be

She hears you out, even as you get the feeling she’s barely taking anything in, as though your- her- story was nothing but that; a story to her, a fairytale

Still, she takes care of you, brings you along a lot

Daniela does not allow you to call her by the name she once went by, but she’s- kind, even as her sisters and mother send more than just one deadly glance your way

You understand fast: she is loved here. She has made a new family, has found one

She’s changed

But maybe, you can change too

You try hard to understand, try not to let it bother you when she kills and taunts and drinks from the staff

You try especially hard to avoid letting her see your terror whenever she randomly turns into a swarm of insects

After all, she could still be your sister, too

And while her sisters seem out for blood, Daniela seems almost excited to have you with her

She spends every day with you, chatting, playing games she has invented or heard of, telling you about her day

Only can you not get rid of that…feeling

Like she doesn’t view you as family, no

She has her family, after all…

No, you are- a friend, perhaps

A friend, she spends every single day with

Until, eventually, she becomes busier

When she hunts all day long and only has time for you in the evenings

When she prefers her new family over you, eventually

When, at last, she grows tired of playing with the little human that just can’t seem to keep up with her

You’re allowed to live at the castle, growing older while she stays forever young, energetic and happy, quickly bored when she visits and, in time, you can neither keep up with her speed nor understand her when she speaks far too fast and a little too low

In the years you spend together, she finds; she does find comfort in you

She likes you, too

But- she is a Dimitrescu

[the-meat-machine]

An examination of Jane's Crockercorp brainwashing

You put on your highly fashionable UNREAL HEIRESS THOUGHTWAVE TIARATOP and flip it on. It immediately hums to life as its blazing fast processes mingle with your thoughts. It is the most efficient computing technology in the world by far, as long as you don't wear it for too long. But aside from a few migraines, you can't possibly imagine any OBEY drawbacks that CEASE REPRODUCTION could come with SUBMIT merging CONSUME your thoughts with EMBRACE YOUR CULLING experimental technology CONFORM TO SOCIAL ORDER from an STAY ASLEEP extremely powerful DIE corporation, wait what?

So, here's a fact: Jane has been brainwashed with Crockercorp propaganda from childhood.

Here's another fact: Jane is the heiress to Crockercorp and is being groomed to take over the company once she comes of age.

With that in mind, I'd like to take a look at the subliminal messages Jane gets brainwashed with. I want to consider what these messages mean both on a literal level and a broader societal level, as well as what they mean to Jane, specifically, as the heiress to Crockercorp. Because when Jane takes in these messages coming from Crockercorp, they don't just apply to her. They also represent the ideology she'll one day be expected to enforce once she takes over the company.

I'll organize this into sections based on the commands, grouping a few similar commands together.

SUBMIT / OBEY

The literal meaning of these commands is straightforward: submission and obedience to a higher authority; specifically, Crockercorp.

More generally, these commands are about the importance of hierarchy. They tell the listener that there are those in this world who must be obeyed without question.

These commands teach Jane to submit her will both to the Condesce and to the advancement of the company as a whole. Being bombarded with endless messages of SUBMIT and OBEY is presumably part of what made her susceptible to having her brain hijacked by the tiaratop entirely.

However, since Jane is the heiress to Crockercorp, these messages are also subconsciously teaching her that one day, she'll be the one people submit to and obey. She's being primed to be a leader, and an autocratic one at that. After all, a corporation isn't a democracy, least of all Crockercorp. The CEO gives the orders, and everyone else has no choice but to OBEY. The only thing the leader serves is the brand itself.

CONFORM TO SOCIAL ORDER

Self-explanatory. Jane is very, very good at this one. She will bury all of her desires deep within the darkest recesses of her brain in the pursuit of conforming to social order. In fact, she's so good at conforming to social order that she has managed to convince herself, her friends, and the entire fandom that she's "the normal one." Incredible.

She also tends to urge her friends to conform to social order, for example by pedantically correcting their grammar. As the future leader of Crockercorp, she'll one day be the one enforcing social norms, and I think she's a natural at it.

One other thing to consider with this command is whether the "social order" that the Condesce wants humans to conform to is actually the social order that humans will be picturing when brainwashed with this command. The Condesce wants humans to be more like trolls. But I highly doubt many humans would hear "conform to social order" and interpret it to mean that they should organize society by blood color and leave their children to be raised by wild animals!

CONSUME

The literal meaning of this one is to buy and consume Crockercorp products. And we see throughout the story that Jane is all-in on the Betty Crocker brand, even in cases where she knows that Betty Crocker products are inferior. She even directly acknowledges it at one point, admitting that BettyBother is significantly worse than Pesterchum, but that "brand loyalty is a powerful thing". I bet it is, Jane!

But beyond that… what this command teaches more generally is that unchecked capitalism is the highest virtue. And, look, I think there's a lot of evidence that Jane buys into that philosophy wholeheartedly.

Now, I wouldn't presume to know where exactly Jane stands politically. But it's hard to deny that she is, at the very least, fiscally conservative. She has no problem with the idea of society being under the control of a powerful corporation, as long as said corporation is her company. Crockercorp has wormed its way into all aspects of life in her world, and that's just peachy as far as Jane is concerned.

In fact, Jane wants Crockercorp to seize more power! Within a few days of her introduction, we see both that she wants to privatize the post office and that she's a believer in millionaire philanthropy. Obviously these pages are both presented as jokes, but I think they speak to her mindset. Jane is a wealthy girl who has never had any reason to question the privileges her wealth gives her or the power she's set to inherit.

And this mindset is reaffirmed in the credits, where Jane decides to reestablish her beloved Betty Crocker brand in the post-scarcity paradise she and the other kids created. It seems that she believes the only problem with Crockercorp was that there was a bad person running it, and now with her in charge instead everything will be hunky-dory! She doesn't appear to consider that there could be any systemic issues in having a god-run monopolistic corporation set up shop in utopia.

STAY ASLEEP

Metaphorically: stay ignorant. Don't pay attention to what's going on around you. Don't notice what Crockercorp is doing to you and to the world.

Jane does tend to reject facts that seem outlandish or improbable to her, and specifically spends a long time rejecting the notion that there could be anything sinister going on behind the scenes at Crockercorp.

Literally, this command could be a message directed at Jane specifically: stay asleep on Prospit. Don't wake up and see the portents in the clouds of Skaia, portents that may reveal things the Condesce doesn't want her to know.

EMBRACE YOUR CULLING / DIE

Literally, these two are directed more at the human populace of Earth: humanity is done for. Don't resist when the drones come to kill you.

Applied to Jane specifically, there are two possible literal interpretations. One is that she's being encouraged not to resist the Condesce, in case one day they end up fighting and the Condesce has to kill her. The other is that she's being encouraged to embrace death so that she can go god tier, which helps Jane herself level up while also being instrumental to the Condesce's plans.

Being constantly bombarded with messages telling her that she should die probably didn't do great for Jane's self-esteem! The Maid of Life's drive to survive can't be eliminated that easily, though.

On a broader level, these commands teach Jane that Crockercorp decides who is permitted to live and who deserves to die. Corporate control over life and death as the natural endgame of the corporate state. And of course, this means that as the head of Crockercorp, Jane will one day be in a position to decide whose lives are worth living.

CEASE REPRODUCTION

This is an interesting one when you look at the literal meaning. Because no matter how you think this command affected Jane, one thing it decidedly did not do is rid her of the desire to reproduce. Deep down—as revealed both in Trickster Mode and Crockertier—Jane really, really wants to have Jake's babies.

Personally, my headcanon is that this command left Jane with a massive breeding kink. For nebulous reasons she can't explain, she feels that reproductive sex is horribly taboo, more so even than sex in general. Meanwhile, she's desperately in love with Jake, and wants both to have sex with him, and also to have a nice heterosexual nuclear family with him (conform to social order!). And she's too repressed to express any of this to anybody, so it all builds up into this big impossible taboo fantasy of BABIES BABIES BABIES.

I also happen to think that the Condesce explicitly considers Jane an exception to this command. I've argued before that the Condesce is sincere in wanting Jane to be her heiress. She even goes so far as to allow Crockertier Jane to kidnap Jake with the intention of using him to sire children. And why not? Her heiress has gotta be able to have heiresses of her own. The royal line must go on. As is implicit in a lot of these messages, those who are in charge have the privilege of being exempt from restrictions that apply to everyone else.

There's also a broader implication to the CEASE REPRODUCTION command, and it's this: there are people out there whose uncontrolled breeding is a threat to social order. In this sense, it's a blatantly fascist message.

And… look, I've been avoiding referencing anything from the post-canon in this post so far, but if you'll allow me to dip into the Epilogues for just a moment: this, perhaps more than anything, is where the Condesce's attempted brainwashing of Jane really backfired for her. Because I would assume that one of the Condesce's goals is to perpetuate the troll race. And yet she allowed her human heiress to internalize the message that there are other people whose unnatural and disgusting methods of reproduction should be banned. Filtered through Jane's human mindset… well, from her perspective, it's probably trolls who have a bizarre and repellent way of reproducing. Seems like that might not work out so well for the trolls if Jane ends up in charge! Certainly it doesn't in Candy.

Conclusion

So there's the overview of what I believe are all the commands we see Jane get brainwashed with in Homestuck. If I forgot any, feel free to let me know.

Now, a lot of these messages are things Jane would have been internalizing regardless in her upbringing as a corporate scion. Hell, some of them are things that everybody in 21st century American capitalist society is going to be marinating in to some degree or other. And for some of the commands, like CONFORM TO SOCIAL ORDER, it's hard to tell how much is the brainwashing and how much is just Jane's natural personality.

But I do think all of these subliminal messages are very revealing in what they say about Jane's mindset, ideology, and unexamined biases. Because frankly, Jane never really reckons with any of this in canon. She never questions whether there was anything wrong with her upbringing. She continues to embrace the role she was raised to fill. Even after coming out of Crockertier, she's ashamed of how she behaved but never seems to examine why she acted that way. Instead she just goes right back to repressing everything.

After all, CONFORMING TO SOCIAL ORDER is what Jane is best at.

[anghraine]

Speaking of the social context of P&P and Austen in general, and also just literature of that era, I'm always interested in how things like precisely formulated hierarchies of precedence and tables of ranked social classes interact with the more complex and nuanced details of class-based status and consequence on a pragmatic day-to-day level. I remembered reading a social historian discussing the pragmatics of class wrt eighteenth-century English life many years ago and finally tracked down the source:

"In spite of the number of people who got their living from manufacture or trade, fundamentally it was a society in which the ownership of land alone conveyed social prestige and full political rights. ... The apex of this society was the nobility. In the eyes of the Law only members of the House of Lords, the peerage in the strictest use of the word, were a class apart, enjoying special privileges and composing one of the estates of the realm. Their families were commoners: even the eldest sons of peers could sit in the House of Commons. It was therefore in the social rather than in the legal sense of the word that English society was a class society. Before the law all English people except the peers were in theory equal. Legal concept and social practice were, however, very different. When men spoke of the nobility, they meant the sons and daughters, the brothers and sisters, the uncles and aunts and cousins of the peers. They were an extremely influential and wealthy group.

"The peers and their near relations almost monopolized high political office. From these great families came the wealthiest Church dignitaries, the higher ranks in the army and navy. Many of them found a career in law; some even did not disdain the money to be made in trade. What gave this class its particular importance in the political life of the day was the way in which it was organized on a basis of family and connection ... in eighteenth-century politics men rarely acted as isolated individuals. A man came into Parliament supported by his friends and relations who expected, in return for this support, that he would further their interests to the extent of his parliamentary influence.

"Next in both political and social importance came the gentry. Again it is not easy to define exactly who were covered by this term. The Law knew nothing of gentle birth but Society recognized it. Like the nobility this group too was as a class closely connected with land. Indeed, the border line between the two classes is at times almost impossible to define ... Often these men are described as the squirearchy, this term being used to cover the major landowning families in every county who were not connected by birth with the aristocracy. Between them and the local nobility there was often considerable jealousy. The country gentleman considered himself well qualified to manage the affairs of his county without aristocratic interference.

"...The next great layer in society is perhaps best described the contemporary term 'the Middling Sort'. As with all eighteenth-century groups it is difficult to draw a clear line of demarcation between them and their social superiors and inferiors. No economic line is possible, for a man with no pretensions to gentility might well be more prosperous than many a small squire. There was even on the fringe between the two classes some overlapping of activities ... The ambitious upstart who bought an estate and spent his income as a gentleman, might be either cold-shouldered by his better-born neighbours or treated by them with a certain contemptuous politeness. If however his daughters were presentable and well dowered, and if his sons received the education considered suitable for gentlemen, the next generation would see the obliteration of whatever distinction still remained. The solid mass of the middling sort had however no such aspirations, or considered them beyond their reach.

"...This term [the poor] was widely used to designate the great mass of the manual workers. Within their ranks differences of income and of outlook were as varied as those that characterized the middle class. Once again the line of demarcation is hard to draw..."

—Dorothy Marshall, Eighteenth Century England (29-34)

(There's plenty more interesting information in the full chapter, especially regarding "the poor," and the chapter itself is contracted from a lengthier version published earlier.)

[regular-gnome]

More on social systems, what is the Archivist hierarchy like? I suppose with this specific group a family unit but would it be like that amongst a different group?

Do they HAVE to listen to the oldest? What happens if they don't? Is it just an honor system, not to be rude but the Archivist don't seem like the most honorable bunch-

Oh, theyyy certainly aren't honorable, but they are very focused on their goals and it takes precedence over personal grudges. The organization within the groups varies a lot depending on how the group originally formed. In general, collectors try to establish and maintain an archive to further the goal of preserving life within the galaxy. Someting started after extinction event of an early world where the starchildren once lived when the universe was still young and mostly empty

After a while—through bit of trial and error—a single large archive where best way to descibe the leadership is "overpowered gremlin induced chaos" became impractical as the universe expanded. The collectors eventually split to cover more ground and prevent a scenario where life might vanish completly. That’s when smaller groups started to form. Some paired up, creating their own archives, older collectors taking in younger ones who weren’t yet ready to manage an archive on their own. Others formed groups with those they got along with, though that was rare, as there was a lot of ground to cover and few of them. Most though went alone

As time passed, new starchildren came into existence and were brought into these groups, figuring out organisation as they grew up within them. In case of this group after being split off from other collectors the Anatomist established archive before eventually finding other siblings who helped expand it. But as the universe continues to grow, it’s only a matter of time before this archive will have to split as well, which will change group dynamics all over again

With if they do have to listen to the oldest - not really? It all depends on how the dynamics between them play out and how their personalities fit together. Anyone with siblings knows that if one starts bossing the others around, they’re likely to be ignored. But they all care about their work so learned to cooperate. Oldest makes most of the decisions mostly due of their expertise in handling archive (....and having essentially had raised the younger ones), but for everything else, it’s handled on a case-by-case basis or fought about