#Oren Soffer

[genevieveetguy]

. She looks like a little girl now, but she's growing. Whoever has that kid, wins the war.

The Creator, Gareth Edwards (2023)

[lowkeyed1]

amar on the set of the creator, as photographed by orensofferdp on insta

[rickchung]

The Creator (dir. Gareth Edwards).

[The film] is dense blockbuster entertainment that wears its shallow sci-fi influences on its sleeve. It's often big and bold but feels half-baked in its high ambition without enough time to take a breath and simply take in its filmmaking and cinematic surroundings.

[filmforager]

The Creator: Review

Rage against the machine 

7 years have passed since Gareth Edwards last made a film, but it’s been even longer since he’s been able to unleash an original vision on the world. But after years dealing with atomic lizards (Godzilla) and Star Wars rebellions (Rogue One), The Creator finds him on much more, well, creative ground. Free from studio control, his latest sci-fi film is practically bursting with interesting ideas and weighty topics, but just falls short with its execution. 

Exploring themes that feel eerily close to home, The Creator is an ‘AI film’ that was conceived before CHATGPT and creepy AI music covers were even a thing. In a handy newsreel montage, we learn how mankind has created AI replicants to do human jobs, and even take on the likeness of real humans (à la Blade Runner). But when an AI atomic bomb drops on LA, war breaks out between AI and the humans, leading pockets of replicants to hide out in Asia.

Fast forward to 2070, and we follow Joshua (John David Washington), an ex-soldier who lost his wife Maya (Gemma Chan), an AI sympathiser, and his unborn child during an undercover raid on an AI base. After years of grieving, Joshua is reluctantly recruited by the US army to locate and destroy a deadly weapon created by the mysterious AI ‘Creator’. But when the weapon turns out to be a small replicant child (Madeleine Yuna Voyles) who might have info about Maya’s disappearance, things start to get a bit complicated. 

If that sounds like a lot to take in, it is. From a script written by Edwards and Rogue One co-writer Chris Weitz, this is an ambitious film that explores big topics like AI sentience and what it means to be human, while also featuring earth-shattering scraps of an unprecedented scale. That it works is largely down to the human story that holds it all together. 

As Joshua and his unlikely charge ‘Alphie’ elude the pursuit of the androids and the US army (led by a ruthless Alisson Janney), the film settles into a bit of a road trip groove, as Joshua is forced to confront his anti-AI convictions. Despite all of the man on robot carnage on display, some of the best scenes simply bask in the chemistry of this central relationship, While Washington oozes paternal charisma and longing for his lost love, Voyles is unbelievably good in her debut performance as ‘Alphie’, an innocent child already wise to the brutalities of the world.

Just like with Rogue One and his debut film Monsters, this also profits from existing in a world that feels grounded and lived-in. You can completely believe Edwards stowed himself away for 7 years to realize all of the hidden details, from his futuristic vision of real-world locations like LA and Thailand, to the fascinating design of the android craniums. It’s so convincingly done that you won’t even bat an eyelid when you see some androids watching an AI strip show, or a cool scene where a human consciousness is momentarily plugged into a replicant corpse. 

If The Creator excels when it goes small, the opposite is true when it goes big. The action is gorgeously shot by cinematographers Greig Fraser and Oren Soffer, but the big battles feel strangely stilted, lacking the imagination on display elsewhere. The same can also be said for the film’s rushed final act, which doesn’t seem to know what to do with the ideas at its disposal. But thankfully, this won’t do much to hamper your enjoyment. With more imagination and fascinating details than your typical studio film, there’s plenty here to keep you invested throughout. With any luck, the wait for the next Gareth Edwards film won’t be so long.

Though it runs out of steam near the end, The Creator is a smart and frequently dazzling look at a maybe not-too-distant future, with a heart to match the scale of its ambition.

★★★

[ausnapfilmideas]

Why THE CREATOR looks so beautiful (with DP Oren Soffer)

[scientificinquirer-blog]

Conversations with Oren Soffer: On the challenges and charms of shooting "The Creator".

Oren Soffer is the co-Director of Photography on the new film, The Creator. He grew up between the United States and Israel nurturing hobbies in painting and photography, building LEGOs, and voraciously watching movies. These activities laid the groundwork for what would eventually become a love of cinematography and a passion for crafting bold, cinematic imagery. Oren recently shot the feature…

[thejacksmit]

First Take: The Creator - and they thought there was no demand for intelligent sci-fi...

SYNOPSIS: Against the backdrop of a war between humans and robots with artificial intelligence, a former soldier finds the secret weapon, a robot in the form of a young child.

$80 million budget. Those three words on their own for an original science fiction film are genuinely mind boggling to utter. But with Gareth Edwards, you kind of expect this. This is the man who took a road trip around Mexico and turned it into 2010’s low budget smash Monsters after all. So following his adventures in a galaxy far far away to make Rogue One, it is so good to see him back making original stuff again.

And what Edwards does in a relatively well paced 2 hours 13 minutes is pretty damn bold - having co-written a script with Chris Weitz, he tells a bold story with AI at its core, which is quite prophetic as the film opened on the day after the WGA strike was brought to an end. Sure, this is a heavy, difficult plot to follow, even if it felt a bit predictable in its final act, but on a visual level, this is quite the film to take in, something aided by the efforts of Oren Soffer as the on-set DOP (with Greig Fraser also getting the cinematography credit too) and some of the best use of CG for a while on a major Hollywood project like this. Add some Hans Zimmer spice to proceedings on the score, and you have a mighty fine technical team behind this film- but what of the cast?

That cast is mighty. John David Washington is a fantastic lead, Gemma Chan is on fine form, Allison Janney is great, and with Ken Watanabe, Sturgill Simpson, and Ralph Ineson rounding out the big name talent, it is safe to say that this is a proper ensemble effort- but the real standout talent is the introduction of Madeleine Yuna Voyles as Alphie (the AI robot who has been all over the posters for the film, one of which only went up at the local cinema last night). Young talent of her nature is not easy to find, and for a role like that, she absolutely nailed it and arguably carries this film on her back. It isn't to everyone's taste, but my god is it good to see original stories playing in cinemas.

THE VERDICT

The Creator is one of those films which will gain a cult following amongst the die hard cineastes- sure, the situation with the strike has hit it's marketing to mainstream audiences, but for those after some original sci-fi on the big screen, look no further.

RATING: 4/5

[sledujte-stvoritel-online-cz]

Sledujte ― Stvořitel Film Online CZ A Zdarma

Sledujte Stvořitel (The Creator) Filmové Online (2023) Stáhnout Celý Film Online Zdarma Titulky, Cz Dabing v HD.

Kde Sledovat Stvořitel (The Creator) Filmy Online Zdarma:

► Klikněte zde pro shlédnutí filmu Stvořitel (The Creator) - Online zdarma v HD

Kde sledovat Stvořitel (The Creator)a?

několik způsobů, jak sledovat film Stvořitel (The Creator) online v USA Můžete použít streamovací službu, jako je Netflix, Hulu nebo Amazon Prime Video. Film si také můžete vypůjčit nebo zakoupit na iTunes nebo Google Play. sledujte jej na vyžádání nebo ve streamovací aplikaci dostupné na vašem televizoru nebo streamovacím zařízení, pokud máte kabel.

Co je to film Stvořitel (The Creator)?

The Creator je připravovaný americký sci-fi akční thriller režiséra Garetha Edwardse podle scénáře Edwardse a Chrise Weitze a příběh od Edwardse. Ve filmu hrají John David Washington , Gemma Chan , Ken Watanabe , Sturgill Simpson , Madeleine Yuna Voyles a Allison Janney .

Kdy vyjde film Stvořitel (The Creator)?

John David Washington jako Joshua Gemma Chan jako Maya Ken Watanabe jako Harun Sturgill Simpson jako Shipley Madeleine Yuna Voyles jako Alfie Allison Janney jako Howell Ralph Ineson jako Andrews Marc Menchaca Veronica Ngo jako my

Kdo je obsazením filmu Stvořitel (The Creator)?

The Creator má vyjít ve Spojených státech 29. září 2023 od 20th Century Studios .

Kompletní údaje o filmu Stvořitel (The Creator)

Stvořitel USA The Creator (více) Akční / Drama / Sci-Fi / Thriller USA, 2023 Režie: Gareth Edwards Scénář: Gareth Edwards Kamera: Greig Fraser, Oren Soffer Hrají: Gemma Chan, John David Washington, Allison Janney, Ralph Ineson, Ken Watanabe, Marc Menchaca, Sturgill Simpson, Amer Chadha-Patel (více) (další profese)

Stvořitel (The Creator) na Disney Plus?

Na Disney+ nejsou žádné stopy po Stvořitel (The Creator) Trail, důkaz, že House of Mouse nemá žádnou kontrolu nad celou franšízou! Disney+, domov pro tituly jako 'Star Wars', 'Marvel', 'Pixar', National GStvořitel (The Creator) graphic', ESPN, STAR a další, je k dispozici za roční předplatné 79,99 $ nebo měsíční poplatek 0,99 $. Pokud jste jen fanouškem některé z těchto značek, stojí za to se přihlásit do Disney+ a nemá ani reklamy.

Stvořitel (The Creator) na HBO Max?

Je nám líto, ale Stvořitel (The Creator) Way není na HBO Max k dispozici. Je tu spousta obsahu HBO Max za 14,99 $ měsíčně, toto předplatné je bez reklam a umožňuje vám přístup ke každému titulu v knihovně HBO Max. Streamovací platforma oznámila verzi podporovanou reklamou, která stojí mnohem méně za 9,99 $ měsíčně.

Stvořitel (The Creator) na Amazon VidStvořitel (The Creator)?

Bohužel, Stvořitel (The Creator) Path by Water není k dispozici ke streamování zdarma na Amazon Prime VidStvořitel (The Creator). Můžete si však vybrat i jiné pořady a filmy, které budete odtud sledovat, protože má širokou škálu pořadů a filmů, ze kterých si můžete vybrat za 14,99 $ měsíčně.

Stvořitel (The Creator) na Peacockovi?

Stvořitel (The Creator) Way nelze na Peacock v době psaní tohoto článku sledovat. Peacock nabízí předplatné, které stojí 4,99 $ měsíčně nebo 49,99 $ ročně u prémiového účtu. Stejně jako její jmenovec si streamovací platforma může hrát s venkovním obsahem zdarma, i když omezeně.

Stvořitel (The Creator) na Paramount Plus?

Stvořitel (The Creator) The Road to Water není na Paramount Plus. Paramount Plus nabízí správnou možnost předplatného: základní verze služby Paramount + Essential podporuje reklamu za 4,99 $ měsíčně a prémiový plán bez reklam za 9,99 $ měsíčně.

Kde mohu sledovat film Stvořitel (The Creator) zdarma?

Cinemov je webová stránka, která nabízí zdarma více než 20 000 streamovaných filmů všech žánrů zdarma. Když se přihlásíte, najdete neomezené množství HD filmů, obrovský katalog k procházení a vyhledávací panel, který vám umožní vyhledat všechny filmy, které chcete vidět.

Zajímá vás, jak legálně sledovat bezplatný streaming filmu Stvořitel (The Creator)? Pokud ano, budete rádi, že je to skutečně možné, protože v současnosti existuje v Itálii několik webových stránek, kde můžete zdarma sledovat filmy všech žánrů a dob. V některých případech se možná budete muset zaregistrovat prostřednictvím e-mailu nebo použít svůj online účet k přihlášení.

Řeknu vám podrobně, jak můžete pomocí nejpopulárnějších internetových stránek, online služeb a aplikací pro chytré telefony/tablety streamovat filmy zdarma. Cinemov je jedna z nejlepších stránek. Nabídka filmů sahá od nejnovějších filmů po klasiky z historie kinematografie, od amerických filmů po italské filmy, od hororů po komedie… zkrátka svoboda výběru, počet filmů je působivý. Samozřejmě to nenajdete, když půjdete do kina.

[literarysiren]

Not quite adaptation, A Nightmare Wakes examines what the process of creating Frankenstein (might have been) like that, while fictional, weaves elements of Shelley's life in so beautifully it transcends the film into vital viewing territory for any Shelley fan.

[picotludique]

See You Soon from Tyler Rabinowitz on Vimeo.

A gay man travels across the country to spend the weekend with someone he's been talking to for months on a dating app, hoping to find the kind of romance that he grew up thinking he'd never get to experience.

Starring 2020 Tony Award nominee James Cusati-Moyer and Jonny Beauchamp.

'See You Soon' premiered online on Short of the Week. Read their review here: shortoftheweek.com/2020/06/27/see-you-soon/

tylerrabinowitz.com

2020 Short of the Week — Official Premiere 2020 NewFest –– Special Jury Mention for Acting 2020 Palm Springs International ShortFest — Audience Pick 2020 NoBudge –– Films of the Year 2020 FilmShortage –– "Top 10 Short Films of 2020" (#9) 2020 Outfest 2020 New Orleans Film Festival 2020 BFI Flare: London LGBTIQ+ Film Festival 2020 Inside Out LGBTQ Film Festival and more

Written and Directed by: Tyler Rabinowitz

Produced by: Natalie Harris, Julia Kennelly, Jeremy Truong, Stefaniya Vey

Executive Produced by: Jason Michael Berman, Levi Chambers, Alex Mitow, James Miille, Alan Klessig, Paul Rabinowitz, Evan Rabinowitz, and Ami Rabinowitz

Cinematography by: Oren Soffer

Casting by: Freya Krasnow

Edited by: Will Mayo

Production Design by: Griffin Stoddard

Original Score by: Logan Nelson

Made in association with Rubbertape and Equilateral Pictures.

[destinyc1020]

Oren Soffer is the moderator’s name!

Thank you Anon! 😃

[suzarteissue]

See You Soon from Tyler Rabinowitz on Vimeo.

A gay man travels across the country to spend the weekend with someone he's been talking to for months on a dating app, hoping to find the kind of romance that he grew up thinking he'd never get to experience.

Starring James Cusati-Moyer and Jonny Beauchamp.

'See You Soon' premiered online on Short of the Week. Read their review here: shortoftheweek.com/2020/06/27/see-you-soon/

tylerrabinowitz.com

2020 Short of the Week — Official Premiere 2020 Palm Springs International ShortFest — Audience Pick 2020 BFI Flare: London LGBTIQ+ Film Festival and more

Written and Directed by: Tyler Rabinowitz

Produced by: Natalie Harris, Julia Kennelly, Jeremy Truong, Stefaniya Vey

Executive Produced by: Jason Michael Berman, Levi Chambers, Alex Mitow, James Miille, Alan Klessig, Paul Rabinowitz, Evan Rabinowitz, and Ami Rabinowitz

Cinematography by: Oren Soffer

Casting by: Freya Krasnow

Edited by: Will Mayo

Production Design by: Griffin Stoddard

Original Score by: Logan Nelson

Made in association with Rubbertape and Equilateral Pictures.

[lowkeyed1]

set photo from the creator of amar, by @orensofferdp on insta

[glenngaylord]

OUTFEST 2020 FILM REVIEW: BOYS SHORTS 3 1/2 Stars (Average Score)

For many years, most LGBTQ+ festivals reserved their best short films for the Boys and Girls Shorts programs.  Usually deemed the sexiest, funniest, or most cinematic of the bunch, they typically play to sold out audiences.  Fortunately, shorts submissions have diversified and have showcased such incredible talent that festivals like Outfest offer a whole host of solid programs to enjoy.  

Still, there’s nothing like packing into the Directors Guild of America’s main theatre on a Saturday morning to collectively enjoy some carefully vetted films.  Unfortunately, this year, it’s just me and my admittedly cute-as-hell doggy sitting in my living room. No gaggles of gays to ogle. No over-the-top hugs, air kisses, or overhearing the constant refrain of, “What are you working on?” My sliding A/C unit makes a valiant but futile effort to cool us down as this endless Los Angeles heatwave threatens to kill our buzz.  Outfest may feel a little less communal this year, but the quality of the filmmaking remains high. I also applaud the programmers and filmmakers for helping to redefine and expand what has made this particular program so meaningful and enjoyable time and time again. Here are my quick tales on the Boys Shorts program:

QUERY (Dir: Sophie Kargman - USA- 7 mins)  3 Stars

Two straight identifying lifelong best friends, Jay and Alex, played by Justice Smith and Graham Graham Patrick Martin respectively, spend a day challenging heteronormative concepts until Jay makes the suggestion that they kiss.  What starts out as a bromantic, mumblecore trifle turns fascinating in its final moments, helped tremendously by some beautifully wordless acting by our two leads.  I can’t say I loved the tired idea that one of the guys justifies the kissing by saying he’s wasted, but it’s handled in a fairly dignified way missing  from so many gross-out comedies from the past.  Shot and framed with a nice sense of classical style, the film, a mere 7 minutes, doesn’t outstay its welcome and leaves you with a provocative final line.  Extra points for Armie Hammer’s blink-and-you’ll-miss-it jog-on role.  

S.A.M (Dir: Eyre and Ely - United Kingdom - 16 mins) 4 Stars

Two outcast Manchester teens (Sam Retford and George Webster) meet on a swing set and discover they’re both named Sam.  One appears to have a learning disability and the other smokes and seems to have an angry, rebellious streak.  Over the course of several weeks at the playground , their friendship deepens, slyly revealing their attraction to each other.  Both actors do a wonderful job dispelling common misconceptions of their challenges as they drink, swear brazenly at others, and develop a real bond.  Its handling of sexuality couldn’t be more lovely and instructive.  You wish more people would react to coming out the way we’re shown here.  Although shot entirely at the swing set, this film covers a lot of ground as we witness the beginnings of a ride-or-die friendship. I hope the directing team of Eyre and Ely develop this into a feature.  I could watch Sam and Sam all day.  

KIND OF (Dir: Noel Schamus - USA - 9 mins) 3 Stars

With friends imminently arriving for brunch, a trans masculine couple hash out their differences over their recently established open relationship.  Garcia (Tales Of The City) arrives home after a night out with a cis man to find Avi Roque preparing the meal.  Noel Schamus and co-writer Arno Mokros mine the tension between the two expertly, allowing us to see the genial but uncomfortable hugs and the passive-aggressive dialogue.  Things take an astonishing turn when they get brutally honest with each other, revealing a frank discussion many people have not had the opportunity to hear before.  The filmmaking itself may feel functional at best, but its honesty manages to stun.  

SEE YOU SOON (Dir: Tyler Rabinowitz - USA - 16 mins) 4 1/2 Stars

This gorgeously directed and acted film by Tyler Rabinowitz has a simple premise, aligned most closely with Boys Shorts of years past.  Vincent (James Cusati-Moyer) and Anthony (Jonny Beauchamp) live in Los Angeles and Manhattan respectively, yet have met online, FaceTiming in anticipation of Vincent’s upcoming weekend trip east. Both actors have that glow and eagerness between them which gets awkwardly dispelled when they first meet in person.  Still, they slowly gravitate towards each other as they traverse the city.  Anyone who has ever been in a long distance relationship will recognize the hesitation, the fumbling, and the painful moment when they realize they’re rushing into things.  With beautiful cinematography by Oren Soffer and a gentle, believable chemistry between the two leads, I felt immersed  in their struggle to figure out their path.  We may have seen this before with the seminal feature, Weekend, but it doesn’t take away from how well done it is here.  Also, Cusati-Moyer is a star in the making with his expressive face and ability to break your heart.  

LAST SUMMER WITH UNCLE IRA (Dir: Gary Jaffe, Katie Ennis - USA - 13 mins) 3 Stars

As Daniel (Igby Rigney, a potentially closeted teen, packs his bags for summer camp, his beloved gay uncle Ira (Wayne Wilcox), faces his pending death from AIDS complications.  Daniel’s mother (Tony winner Stephanie J. Block) relieves her son of his duties so that he can go outside and have what will likely be one final chat with Ira.  Set in the early 90s, the bulk of the short comprises of their conversation, with Ira trying to gently coax Daniel to come out, but the young man resists.  While heartfelt and well-performed by all three, the production suffers from a somewhat maudlin tone and style.  It harkens back to such films as An Early Frost, yet adds something fresh with the dynamic between the two leads.  Although I can’t say I was wowed by it, the final moments did make me cry with its lovely expression of intimacy.  Any film which can awaken my cold dead heart is worth something!

WHO CAN PREDICT WHAT WILL MOVE YOU? (Dir: Livia Huang - USA - 9 mins) 2 1/2 Stars

On the surface, this very aptly titled short appears to be about nothing as we watch two young Asian American gay men share a final night together on a basketball court and then in an apartment.  With limited dialogue and scenes consisting of dribbling a ball, hugging, and staring into each others’ eyes as their hands intertwine, the film leans more toward the experimental side of things. Despite a nearly non-existent story, what Huang and her actors excel at is creating and sustaining a mood, a feeling.  It’s simple and yet somehow conveys a sense of intimacy.  I won’t remember having seen it tomorrow, but it sure did make me want to lie on the floor with someone.  

THE CYPHER (Dir: Leia Solomon - USA - 15 mins) 4 1/2 Stars

Khalil (Nigel Cox), a closeted young Philadelphia man, may just win an upcoming rap battle, but when word gets out he has a boyfriend (Juan Gil), his plans may go up in smoke.  Think 8 Mile meets Moonlight in this colorful, vibrant, story of a guy who learns what summoning courage and using it to hone his creative talents really means.  With nonstop energy and a wonderful supporting turn by Kerrice Brooks as his sister Kiki, who unintentionally outs him, The Cypher hits all the right notes.  Although still laden with homophobia, out artists such as Lil Nas X and Frank Ocean have made inroads in hip hop and rap culture.  In this spirit, this sexy, thrilling short brings power, strength and fearlessness to queer black voices staking their claim to a previously forbidding genre.  Nigel Cox, a relative newcomer, deserves attention for his loud and proud performance.  

[mellowyknox]

TD Bank ”Beach to Beacon"

Agency: TBWA

Production: Neghborhood Films Philadelphia Director: Steve Perrong Cinematographer: Oren Soffer Colorist: Jenny Montgomery

Year: 2018

[krystalstuff]

Bloomberg Philanthropies // "Climate of Hope" from Oren Soffer on Vimeo.

Bloomberg Philanthropies "Climate of Hope" by PROM CREATIVE - promcreative.nyc

Directed and Produced by GRAHAM RAUBVOGEL Associate Produced by SANDRA TAN

Director of Photography OREN SOFFER 1st AC MASA JANKOVIC Telepromter Operator SANDY BOHL Gaffer SETH MARGOLIES Key Grip PIERSON ANDREAS

Editor and Colorist JARED ROSENTHAL Sound Mixer NICK CHIRUMBOLO