#Orchestral Score

[musiquariumology]

Ennio morricone The Untouchables

The Strength Of The Righteous. Opening theme song from The Untouchables

[bleachbleachbleach]

[Bleach 094]

ABARAI. ドドドドドドドドドドドド RENJI.

[bluefirewrites]

I'm absolutely in love with how Gwen's universe is portrayed. How during the emotional parts the background seems to fade into these streaks and drips of paint. How sometimes Gwen herself is a stark blue to the otherwise bright and warm cityscape.

It really adds to how Gwen feels living in her own universe. So isolated and begging for connection, especially with her dad.

[haveyoulistenedtothisalbum-poll]

Tracklist:

Overture • The Grid • The Son of Flynn • Recognizer • Armory • Arena • Rinzler • The Game Has Changed • Outlands • Adagio For TRON • Nocturne • End of Line • Derezzed • Fall • Solar Sailer • Rectifier • Disc Wars • C.L.U. • Arrival • Flynn Lives • TRON Legacy (End Titles) • Finale • Sea of Simulation • Encom Part II • Encom Part I • Round One • Castor • Reflections • Sunrise Prelude • Father and Son • Outlands, Part II

Spotify ♪ YouTube

[haveyouheardthisband]

[postpunkindustrial]

Philip Glass, Kronos Quartet – Dracula 2xLP

Halloween Season: Vampire Soundtracks

[ghostowlattic]

morningstar rising

[crimeronan]

i've been making really simple music with garageband lately (nothing polished enough to share) and i must say i'm Really enjoying making nothing but shit that scratches My Specific Brain. musical equivalent of writing nothing but niche fanfic. love imagining an exasperated strawman like "let me guess, harmonic minor orchestral score in the key of F sharp" and me being like >:333

[cormorantcolors]

Finally saw Twisters (2024) today. It was great, I love disaster movies, etc etc but WHY AREN’T WE TALKING ABOUT HOW GOOD THE SCORE IS.

[if-only-angels-could-prevail]

best score nominees could’ve been challengers, the brutalist, nickel boys, nosferatu, and the substance (hard truths, queer, and megalopolis as runner-ups) but the oscars are obviously allergic to things that are interesting

[shredsandpatches]

Yesterday we got to go into the house to watch the first half of the concert and now it is one of my goals to learn Brahms' Four Serious Songs (which I hadn't really been familiar with) because those definitely reached into my chest and grabbed me by the heart. Holy hell those are good.

(it's that thing where it's biblical texts that aren't directly about God but are extremely human -- three passages from Ecclesiastes + the faith/hope/love passage from Corinthians -- and idk, that sort of thing just really gets me)

[musiquariumology]

James Bond Theme 007 - Dr. No // The Danish National Symphony Orchestra ...

[dovebuffy92]

Scoring Florence + The Machine’s Albums Out of 100

Florence Welch’s discography is a wild journey of emotion, grandeur, and vulnerability. Here’s how I would score each album out of 100:

Lungs (2009) – 95/100 Florence + The Machine's debut album that started it all. Lungs is a raw and powerful album that shows the versatility of Florence Welch's voice and songwriting talents. The music has a chaotic energy because Florence was still discovering her voice. She technically wrote the album over five years. Plus, she was working with multiple songwriting partners and producers. The mystical undertones, gothic lyrics, and big drums make this album a storm. Some of my favorite songs were co-written and produced with Florence + The Machine co-founder Isabella Summers, including "Dog Days Are Over" and "Cosmic Love." Standouts: "Rabbit Heart (Raise It Up)," "Cosmic Love", and "Between Two Lungs"

Ceremonials (2011) – 97/100 This album is a true masterpiece because it's "a wall of sound," to quote Florence Welch. Florence leaned fully into the baroque. She and her collaborators (Paul Epworth, Isabella Summers, Francis White, James Ford, etc) created an otherworldly atmosphere with drums & percussion, harps, pianos, guitars, bells, bass, synth, and layers of Florence singing backup vocals. Ceremonials explores themes of water, death, and rebirth. Every elegant song feels like a grand cathedral of sound. Standouts: "Shake It Out," "Breaking Down," and "Only If For a Night"

How Big, How Blue, How Beautiful (2015) – 92/100 Florence reined in some of the grandiosity for a more rock-influenced sound. It's still lush, but the instrumentation focuses on guitars and horns. Florence faces her demons in this album and comes out better on the other side. I love the emotional complexity of this album, but a couple of tracks feel slightly more subdued than expected. This was the last album where Isabella Summers co-wrote or produced any Florence + The Machine songs. She and Florence co-wrote three songs, including one of my favorites, "Delilah." Standouts: "What Kind of Man," "Ship to Wreck," and "Delilah"

High as Hope (2018) – 93/100 This album is more stripped-back and personal than her previous ones. Florence Welch co-produced and wrote the whole album by herself. The vulnerability of High as Hope is palpable throughout the songs. While some might miss the massive production of earlier albums, the intimacy of High as Hope is its strength. All the songs feel delicate and confessional. Standouts: "Hunger," "Sky Full of Song," and "Big God"

Dance Fever (2022) – 99/100 This is my favorite Florence + The Machine album. Dance Fever blends the theatricality of Ceremonials with the emotional introspection of High as Hope. I love how Florence wrote an album that combines the confessional aspects of High as Hope and How Big, How Blue, How Beautiful with the horror movies she watched during the pandemic to produce some genuinely epic lyrics. The instrumentals of every song make you want to dance, even if the lyrics make you want to cry. Florence's vocals are at the next level, showing how much she has grown since Lungs. Standouts: "King," "Free," and "Dream Girl Evil"

[see-arcane]

Okay, last thing (lying)

The MUSIC

I love how inverse it is to the original opening and closing score

The Magnus Archives' sound was a slow and slinking enigma in a dark room. Silk like a noose being spun through shadows.

The Magnus Protocol's sound is a thing with weight. Something lumbering and razing and rending things as it hunts.

I just think it's a good way to play with the soundscape and show we're on the other side of a looking glass

[haveyoulistenedtothisalbum-poll]

Tracklist:

Main Title • Imperial Attack • Princess Leia's Theme • The Desert and the Robot Auction • Ben's Death and TIE Fighter Attack • The Little People Work • Rescue of the Princess • Inner City • Cantina Band • The Land of the Sand People • Mouse Robot and Blasting Off • The Return Home • The Walls Converge • The Princess Appears • The Last Battle • The Throne Room and End Title

Spotify ♪ YouTube

[haveyouheardthisband]