#Old sewing machine tables
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oliviawilson7536 · 3 months ago
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Old Sewing Machine Tables: The Timeless Charm of Vintage Craftsmanship
Evoking a sense of nostalgia and admiration for the craftsmanship of past eras, these cherished pieces were once essential household workstations. Old sewing machine tables are celebrated today as beautiful, multifunctional items that blend history, art, and utility. Their intricate design and sturdy build have transformed into prized possessions among vintage furniture enthusiasts.
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A Glimpse into History
The sewing machine table was originally designed as an essential piece of furniture to support sewing machines, which became household staples during the late 19th and early 20th centuries. These tables were often crafted with an impressive combination of durability and aesthetic appeal. Made from sturdy woods like oak, walnut, and mahogany, they often featured decorative elements like carved details, ironwork, and inlaid designs.
The Industrial Revolution significantly influenced the spread of sewing machine tables. Mass production made sewing machines more affordable, and the accompanying tables became ubiquitous in homes and workshops. Brands like Singer, Wheeler & Wilson, and White were synonymous with quality and innovation. The tables they produced were designed to house the sewing machine securely, providing ample workspace for fabric and tools.
The Design Elements
This table stands out due to its unique design features. One of the most distinctive aspects is the iron treadle at the base, which was a practical feature that enabled manual operation before electric sewing machines became mainstream. These treadles often carried intricate ironwork patterns, adding to their visual appeal.
Beyond the mechanical components, many tables also included built-in drawers, compartments, and foldable extensions that catered to the needs of the sewing enthusiast. Such thoughtful designs not only maximized functionality but also contributed to their lasting charm.
Current Uses 
Sewing is no longer the prime activity of the majority of households, but the reuse of this table in homes today has found a different set of applications. Their solid construction and classic look have made them popular to be reused. Following are a few of the many ways one can put these tables into the modern living space:
Vanities/Desks: Sewing machine tables are small and have storage; hence, they function very well as a vanity or desk. Their distinctive look adds a touch of elegance to a bedroom or home office
  Console Tables: The shallow depth of many antique sewing machine tables makes them appropriate console tables in an entryway or living room. They provide a convenient surface to mount or place various personal items with keys hanging or small storage solutions mounted.
Bathroom Vanities: For a creative type, transforming the sewing machine table into a bathroom vanity is a rare union of old with new style and utility. Add a basin to it and plumbing adjustments and one gets a functional and striking centerpiece.
What to Look for When Buying One of These Vintage Pieces
        Here are the most important factors to consider:
Condition of the Wood and Iron Components: Inspect the table for signs of damage, such as deep cracks or warped sections. While some wear can add character, severe structural issues might require significant repairs. The iron base should be checked for rust or broken parts, as it is a crucial part of the table’s structure.
Integrity of Drawers and Compartments: One of the most endearing features of these vintage items is their built-in storage. Ensure that drawers open and close smoothly, and that compartments remain intact and functional. 
Original Machine Presence: Consider whether you prefer a table that still has the original sewing machine attached. 
Authenticity and Brand: Try to identify the manufacturer and history behind the piece. Renowned names like Singer and White were known for producing high-quality and uniquely designed models. A table with a recognized brand and verifiable history can enhance its value and desirability.
A Lasting Impression
The appeal of old sewing machine tables lies in their ability to tell a story. Whether cherished in their original form or transformed into something new, they add a distinctive touch to any space. For those seeking genuine vintage pieces, Bidsquare offers a platform where history meets quality through furniture auctions online. From the detailed craftsmanship of the iron bases to the finely constructed wooden surfaces, these tables continue to captivate with their elegance and durability. Owning one is more than just having a piece of furniture—it’s about preserving a slice of history and embracing the artistry of the past.
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keendaanmaa · 1 year ago
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So i kind of accidentally had a mini star strek movie marathon this evening while sewing
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dummerjan · 10 days ago
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i met my childhood best friend's mother today. she gave me my old friend's number and said i shouldn't be hesitant to reach out. i think of her all the time, she was very very special to me and i am so thankful she put up with me. but we grew apart in our teens and haven't seen each other in almost 12 years.
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industrations · 3 months ago
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Every day i go on my old man walk for my stupid mental health, and i always pass this little house that’s completely covered in vines and leaves, like the only place free of them is the windows and roof. And the inside is like a jungle too, plants, candles, and books everywhere, and a sewing machine on a little table by the window. I’m convinced a witch lives there, and i always secretly hope she’ll invite me in and send me on a quest
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foldingfittedsheets · 9 months ago
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Delighted by my morning errand! My nana has… some hoarding issues. A year or so ago my mom and I tried to go in and help her clear stuff out. I was listing piles of stuff for sale for her, she made a ton of cash off it.
But my mom was so rude and judgemental during the process that my nana called it off and told us to stop coming. Most of the stuff we excavated from her garage is still sitting out in her carport.
One of the pieces that didn’t sell was this absolutely stunning old Singer sewing machine. It came in its own table and was in absolutely pristine condition. The machine itself is black with gold accents, really sleek and beautiful.
I mentioned it offhandedly during a one shot to a friend and he asked if I had pictures. I did, and when I showed him he asked what I listed it for.
I shrugged, “I asked 200 for it. It’s in great condition and besides being an antique those things never break. All the same machines on eBay were going for $400-500. But it was too pricey I guess.”
There was a little break in conversation and I saw the wheels turning in his head. “Do you want it?”
“200?”
“My nana will be thrilled, let me set up a pickup.”
So today we met there and he looked it over. It’s just as pretty as I remembered and when we plugged it in it hummed happily along. He was glowing with delight and my nana was thrilled to be making some cash.
I hope he adores it, but I’m mostly just happy it’s going on to be used rather than sitting unloved in her mountains of tchotchkes.
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glowingmember · 2 years ago
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this shit is fascinating
I have my mom's old Brother sewing machine.
Photos and rambling under the jump because I am amateur at best but it's fun to look at old things.
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The receipt is even still taped inside the warranty card - this machine was purchased about a month and a half before my older brother was born. I sometimes wonder if Mom bought it herself or if it was a baby shower gift or something. (I could ask her, but wondering is more fun)
I don't know if Mom ever actually did any sewing on it. At any rate sometime after I moved out I expressed an interest in sewing things, so she said I was welcome to it if it still worked.
It made some angry humming noises, so Dad and I got some oil and read the manual and spent an hour pulling the thing apart. Worked perfectly after that, and now I know how to clean it myself, which is useful.
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Set to how I normally use it. The bit with the ruler on it swings out (and does completely detach) and it has a little cubby where you can store oil and extra needles and things.
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It's been a pretty good machine - I've gotten it to punch through fabric it maybe wasn't meant to (I was sewing a canvas strap to a canvas bag and both were doubled over at the time) and pretty sure I only broke one needle doing it.
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Also I like that it still has its original vinyl cover, so you can pack the whole thing into one box shape, pedal and all, and just stuff it in a closet.
Which, let's be honest, is where it spends most of its time. Still, though.
How cheap can they make a sewing machine?
My job is to sell sewing machines. We basically sell two lines ("brands", though the same company runs both names). One is the $150-$400 range, and one is the $600-$18,000 range. There's a little bit of overlap with one low-range machine being almost $500 and two high-range machines being just under $550, but mostly there's the low line and the premier line.
People often come in with an expectation of what a sewing machine should do, and how much it should cost. It is not uncommon for those expectations to be incongruous with reality. Low-priced machines usually don't have the features that people who sew want their machine to have. The people who control stocking in my company have decided to largely have our budget line be machines that will meet people's expectations of features, even if that means all out models are out of the expected price range. We don't have a machine that's as cheap as you want, but we do have a machine that's as good as you expect it to be.
People are often surprised that our least-expensive machines are still over $150. However, I happen to have a sewing machine collection that includes several machines under $150, so I thought for funsies sake we could take a dive into my collection, as I talk about exactly how stripped-down the features can get on a sewing machine. There will be pictures so there is also a jump.
First, a little background:
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This is the 4411. It's my favorite of the under $200 models my store carries. It's a very good balance of build quality and features. We're using stock pictures for this one and the next one, since I don't own them, but I have used them.
There's not a lot of features, but you get a fully adjustable stitch length and stitch width. If you're doing a zigzag, you can make it as wide or as narrow as you want. You can make it as long or as short as you want. The zigzag stitch can be simultaneously any length and any width.
A fully-variable control is expensive, because it could at any given time occupy a million different positions, and it has to work in all of them.
Two fully-variable controls are even more expensive, because a million times a million equals some precise machining parts and a lot of little spots in the variety that could go wrong.
So, let's take away that most expensive feature.
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Singer Simple has no stitch width adjustment. This means that there's a million different length adjustments, but only 4 different width adjustments to test. A million times four is a lot less than a million times a million.
Many people are fine with this trade-off. In fact, the Simple has more stitches than the 4411. Those widths fill the basic needs of the basic sewist, and many people buying machines at this level don't actually feel that they're missing anything. There's more stitches, but at fixed widths. Much less to test, much less to go wrong. This makes the interior of the Simple much more simple.
But what if you could simplify it more? Any fully-variable control is going to be complicated. A million times four is still a big number.
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So, take away the variability of it. The Janome Derby (also sold under numerous other names and brands, including the Singer M1000 Mending Machine, the Janome Mini, the New Home Derby, New Home FastLane, and a ton of other names. It's not manufactured by any of the brands that have their name on it) has ten stitches. You don't control the length. You don't control the width. You don't control the needle position. Your needs will either be met by one of these ten stitches or you will change your needs until one of these stitches can meet them.
We've gone from four million stitch positions to ten stitch positions. That is why the Janome Derby is under $100. Well, that and that the whole thing is plastic and it's not going to last more than a couple of months of regular use, even if you never stress the motor at all.
Side note, due to a bad inventory system, people often come into my store expecting a Singer Start ($120ish) to be in stock. Green Store's website will say it is, but the ones Green Store has "in stock" are damaged returns that can't be sold as per their contract with Norse Store where I work. It's a mess. I couldn't fix this problem when I worked at Green Store and I definitely can't fix it now. The Singer Start has nine fixed stitches. While it's marginally more powerful than the $70 Janome Derby, and does have some metal parts, the Derby actually has more stitches. Doing returns in my store gets pretty complicated due to commission, and most people who get the Singer Start want to return it after they try using it, so I hate selling it because it's exactly the same as not selling it except that there's more work involved.
So. $70 is cheap, but
so how do we make it cheaper?
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Don't worry! We have a machine for that, too! I give you the Singer Tiny Tailor TT700 (As Seen On TV!) (Or, was seen on tv, circa about 1995)
Quick fun (not so fun) background story here: The 90's and early 2000's were a time where Singer was going through Some Shit. They were not making the money they needed to stay functioning, and someone up there in their company said, oH, hey, we've been putting our name on really high-quality machines since 1860, so people think everything we sell is high-quality! if we sell shitty stuff for cheap, people will buy it because they trust the Singer name. They weren't even subtle about it, as this 1991 commercial shows. The Singer Handystitch is still sold at Green Store and gets returned after it's sold probably 70% of the time because it just doesn't work very well. This was also around the time that the Singer Nostalgia line came out, which were just some really crappy reproductions of treadle Singer machines. I've got opinions on this time in history and now that I sell Singer machines, it's actually also a time period that has made my current job notably harder. Didn't save them from bankruptcy either. Rant over.
So, as far as I can tell, the Singer Tiny Tailor was Singer's first "Mending machine". That is their terminology for a machine that's not powerful or useful enough to be called a sewing machine. Their version of the Janome Derby is also a "mending machine".
The Tiny Tailor also has a high-quality television commercial. That woman makes some lovely facial expressions.
Tiny Tailor goes forward with long stitches. Tiny Tailor goes forward with shorter stitches. Tiny Tailor goes backwards. Tiny Tailor doesn't do very much else at all. It does have a retractable bobbin winder, which I think is a little adorable touch.
BUT. HOW DO WE MAKE IT...CHEAPER?
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Let's meet the Euro Pro Dressmaker (also the Shark Dressmaker, the Sewing Genie, often sold without a brand as "Mini Sewing Machine". Again, the brands that are putting their name on these things are not the people manufacturing them).
It goes forward with one stitch length! It goes forward with that same stitch length, but SLOWER! That's what it does!! That's EVERYTHING it does!
To its credit, it does sew an actual lockstitch. If you sew a seam with this, and you tie off your ends, that seam isn't going to fall apart.
Executive voice: Okay. I get where you're going. But I need you to hear me out on this: Can you make it cheaper?
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You know what's cheaper than a motor that goes at two speeds? NO MOTOR AT ALL. Just use your hand!
This is Sun Portable Hand Sewing Machine, in all its avocado green glory. It's a chainstitch machine, which has its own quirks. Most notably, you need to 100% resist the temptation to click this thing if the needle is threaded but there's no fabric under the foot. It will jam. If you need to use it as a clicky fidget toy, unthread the needle, and then click away.
If you use this in the way that it is supposed to be used, it will function in the way that was. If it skips on one stitch, because you didn't staple your hand down far enough for the hook to catch the thread, it will cause your entire seam to come apart! Yay chainstitches!!
Every time that I've used this, I've found myself wishing that I was just gluing the seam together instead. But you can make it work.
BUT.
CAN. WE GO. CHEAPER???
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Well, back in 2017, we already did.
This is a crappy stapler machine, based on the original 1980's stapler machines, but made with zero care whatsoever. I got this one for $3 with free shipping!
It's exactly like the Sun stapler machine, except for, get this, it doesn't actually work. So yes, we can go cheaper, but not really without making a product that doesn't work.
CHEAPER!?!?!??!?!??!?!?!?!
Okay.
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lethalchiralium · 4 months ago
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Seasons Change ⋆⭒ Part One
Retired!Cowboy!John Price x F!Reader, “arranged” marriage AU - Series Masterlist
summary: You’ve responded to the ad, traveling for days to a secluded farm in Montana to marry a man who would free you from the loneliness that infested your life back home - at the cost of your freedom. Or so you think.
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Are you truly sure about this?
Your coach wasn’t extravagant by any means, wood splintered off of its wall and the cushions almost as old as you. You were sure that if you placed your Mama’s suitcase onto the floor, it would fall through. Your nicest shoes were on your feet, tied tightly and uncomfortable as they ghosted the top of the rotting wood floorboards.
Your hands were settled in a pair of your finest gloves, which shielded away the nicks you got from farming at your parent’s small ranch; lima beans, beets, sugar peas, radishes and tomatoes. The ground was tough in Illinois, trying to learn how to farm behind your mother’s back was essential - for you to be able to have freedom when you leave for the West, you had to have a source of income. Unless, God gives you a little ad from Montana on a Sunday afternoon.
Your nails hurt every time you scraped off the top soil from your radishes, the hot sun boiled your back through your stifling dress. You wiped your forehead with the back of your hand before you pulled out the last one, a sore hand wiped away dirt to show a deep violet color. There was a smirk on your face, the vegetable settled in your small basket. Your Pa was to be back by noon, taking his horse to town for some supplies and a new sewing kit for Mama. Her time was spent inside, usually under the watchful eye of a needle and feeder as her brand new sewing machine droned on. Pa spent the better part of the money from last year’s harvest for that, she took it with a soft smile.
Mama’s clothes were good, she can sew four shirts by noon and sell them by two o’clock, her blankets still have a waitlist from last winter. You were lucky to have her sew you a new dress with how busy she’s gotten - it’s good for you, it means you can learn how to tend a farm from Pa. Independent living always intrigued you, wanting to live off the land in a quiet house with a shepherd dog. People weren’t interesting enough for you - you got that from Mama - but romance was. Wanting to be loved without the hassle of courting was a dream of yours, but it wasn’t feasible. No good man would want a woman with cuts on her hands, your Mama always said, a lady doing a man’s work insults God. That and you didn’t go to town much, never going without your Pa for fear of being harassed by men like you had been before. You were always escorted through town by your Pa, he always had a smile and a swift draw with his revolver.
You twisted a tomato from the vine, a decent size yet still not big enough - it seemed the soil was beginning to lose its strength of growing your crops bigger than the palm of your hand. Every year they kept growing smaller, every year it seemed that Mama’s sewing hobby was looking more profitable than the cornfields Pa tended to alone. Even your contribution of an array of vegetables wouldn’t bring four dollars to the table; when it used to bring seven.
There were footsteps along the side of the house, heavy and with a gentle huff as he walked on the solid Earth. It wasn’t hard to recognize your Pa by sound, your hands kept twisting off undersized tomatoes as he approached from the side.
“I’ve got something for you, Sugar Pea.”
You shook your head. “If it’s one of those Seed boys’ letters, I don’t want it.”
“It’s somethin’ you oughta consider.”
The trail began to grow bumpy, your hands held onto your small suitcase as you gazed out the window. The fields expanded as far as your eye could see, mountains clustered in the distance made you excited. You had never seen mountains before - Illinois was flatter than most states. It had taken you a day by coach then three days by train from busy Chicago to reach the calm Montana landscape, excitement bubbled in your skin. This is where you would be living the rest of your life, you hoped. You prayed this ad your father had given you wasn’t a trick for the man you had been corresponding with for the past two months.
The coach was stuffy, you already tried to open the windows in the doors but they were sealed shut, your hand waved your fan to try and keep cool in the brand new dress you sewed just for this occasion.
“No daughter of mine is leaving to go to Montana by herself!”
“Ellen, she wants to go! I won’t stop her.”
“And how did she get this ad? She certainly doesn’t have the penny to pay the damn clerk for the newspaper.”
“If she wants to go to Montana to marry a farmhand, let her. None of these boys here are worth the scum on my shoe.”
You laid in your bed, you watched as your curtain billowed from the night time breeze - moonlight dancing along with the thin fabric as the only sound you heard was your parents arguing.
“What if we need her? What if the soil runs dry?”
“I’ll learn to sew.”
“It’s a woman’s job.”
“It’s also her job to be married by now. She’s 20 for God’s sake, Ellen, she needs to have her own freedom.”
“And it’s a world’s away from us?”
Your fingers tapped your nightgown, tears running down the side of your face. You hated that you would be so far from them, but this was your chance. Romance without courting, hopefully. You were naive enough to not understand that romance is nothing without courting.
“She’s not a child anymore. She just wants to be wed.”
“And not have her husband love her?! Courting is how she should be doing it, that Joseph is a fine boy-“
“Not again with that preacher’s son-“
“-that would treat her right!”
“She doesn’t want to be here! She just wants to be wed and to be left alone, this man promised us a cash amount if she replies. All she would need to do is wed him, give him a child-“
“Gerald-“
“-then shoot him if she likes, just like I taught ‘er.”
Pa’s silver revolver was smothered by an old scarf in the deepest part of your suitcase, just in case this man in the ad turned out to have lied about his identity. A 35 year old man in need of a wife to start a family with. Payment to family if wed. You had written to him four times during the winter, spring had come in full bloom to welcome you to your new home. He had promised a warm house and a dog in his lengthy letters, detailing where he lived and where his family came from. Said he was a farmhand, tending to horses and a farm he partially owned. You didn’t have much to say back, only that you lived on flat farm land your whole life, you know how to garden, cook, and sew. And to your surprise, he found that knowing how to garden was great. You always had the idea that men hated women doing any of the dirty work, but that always came from Mama’s mouth. He wrote in detail that he found your hobbies interesting and would be more than happy to let them continue, if you agreed to marry him.
“You’re set on meeting this man. Are ya sure you want to go?”
“I am.”
“Get up. Pack quickly before your Mama hears ya.”
“Pa-“
“Hurry. The train leaves soon and the carriage can only go so fast.”
And here you were, in a coach this mysterious John Price had rented to bring you from the center of Missoula to his farm an hour away. You had enough money to get you to him, but he insisted on paying the train ticket and for you to be promptly delivered to him. Perhaps you should have considered if he was truly lying and was a one-eyed bald man named Bob. That or it was that crazy preacher’s son trying to get you to marry him again. You silently prayed that this seemingly sweet man you had been writing to all winter was actually kind and respectful.
The coach stopped abruptly, it jerked you forwards and forced you to press your shoes into the withered floorboards - yet nothing happened; you were surprised. Your gaze fell to the window, gazing out to see beautiful fields and dozens of trees. Even in the early spring with the remaining spray of snow on the ground, it was gorgeous. You could hear talking, the horse neighed at the front and all you could do was gaze out the window to the massive farm.
There was talking, a deep voice who initiated the conversation with the coach driver - your heart rose into your throat. Was this where you were going to live the rest of your life? Sprawling countryside with whinnying horses, barking dogs, lush trees and dark mountains as far as the eye could see? If it was, you were content - it was better than the flat farmland you lived on your entire life. You spotted a dark brown horse, coming into your view - a nice saddle sat on its back, deep brown hair combed and black spots dotted its belly. You would have spent the next hour admiring the gorgeous horse if it wasn’t for the coach door opening. Your eyes settled on the man who held open the door, covered by a long brown coat and brown shirt. He then held his hand out, you handed him your suitcase.
The man held out his free hand to you with a smile, eyes blue like a stormy sky. It shocked you just how gentle his gaze was, every man who ever looked at you always seemed like they would rip you apart at the seams.
Not this one.
He set your suitcase down, still holding your hand in his calloused one.
Oh. He is pretty.
Dark brown beard with mutton chops somewhat kept neat, teeth a light yellow - better than most men you’ve seen.
“What if he’s mean, Papa?”
“Then you leave.”
“If I can’t?”
“Shoot him in the head. You know how.”
His hold was gentle, better than any man who had grabbed at you when you were a teenager. Disgusting men laying hands on a young girl in the streets, but scrambling back like cats when Pa snapped at them.
“You’re prettier than what I imagined.”
Your jaw almost went slack with shock - he was British? He never disclaimed that to you in his letters, but his subtle drawl of his accent made your stomach quiver. Your lips pulled a smile.
“You have a beautiful voice.”
“She speaks.” He chuckled a little. “Thank you, Miss.”
The coachman closed the door behind you, John then began to lead you towards the horse you were admiring earlier - now noticing the cart attached to it. It wasn’t anything fancy, just something to pull heavy items around. Your trunk already sat on it, he led you towards the seats.
You gazed at his face, the jawline that faded into his neat beard - the way his brown hair seemed to glitter in the sunshine. He was perfect - like the daydreams you had for years.
“It’s a small ride to the house,” John turned to you, holding up your hand to help you into the seat. You stepped up onto the cart, settling down and letting go of his gentle hand so he could set your suitcase beside your trunk. You looked down at your powder blue dress, one you spent all winter making by hand - Mama wasn’t fond of you using her machine. You were proud of this dress, even if it was meant to wear for one day, you’d always be so proud of how nicely it came together, how your first meeting with the man you were to spend the rest of your life with was perfect. Being optimistic is a good trait, Papa always said.
You spent your time watching the landscape as if it moved with you, the short journey felt centuries long as your heart beat faster than a race horse. Life here would certainly be harder than home, seeing that neither of your parents allowed you to help them most days - you were left on your own. Always alone, always doing what was needed without overstepping. This was a whole new challenge; learning where to push and where to pull boundaries with one John Price.
“Have you eaten?”
You glanced to John, noting his one hand on the reigns and the other resting on his leg. Your eyes flickered up to his face, his eyes kept on the trail in front of the horse.
“I have not.”
“I will make you dinner when we arrive. Won’t be long.”
You nodded to yourself, your own hands settling in your lap, squeezing tightly together. You gazed down at your hands, the blue of your dress meant to calm you. What you missed was a soft smile from your betrothed, his gaze memorizing your face for a few seconds before looking ahead.
This is a good choice. New scenery. New people. Far, far away from that damned pastor’s son and Mama’s snide remarks.
I have faith in John. But I hold no trust yet.
Use the gun if you’re ever scared.
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Dinner was quiet. He was a good cook, much better than what you were used to and you were secretly delighted. Just a simple pork and potato dinner was better than the porridge your mother barely made edible. You stood like an awkward stranger in the small living room of the one bedroom home, unsure of what to do as John had not asked anything of you yet after dinner. In fact, he was silent the moment you stepped foot into his home.
Were you doing this wrong? What had you done to make him suddenly grow quiet?
There was a dusty couch, a dirt covered rug and a barely used fireplace in the room, your hands clasped together as a way to ease your nerves. He hasn’t opened the door to the bedroom yet, that was the most nerve wracking part. You haven’t shared a bed with a man, not since you were a toddler in your Mama’s bed. It was a terrifying prospect - especially to a quiet and reserved lady, having been chased by many men back home.
At least you won’t have to worry about those leeches anymore. You have a… husband now. You will be a wife. He can protect you. Right?
“I’m sure you’re exhausted.”
You jumped a little, turning to look at John as he stood a few feet away - hands settled in his pockets. The awkwardness clung to your clothes, worry brewing deep in your belly. Does he not like you now?
John settled back on his heels, to your eye he seemed calm - what you couldn’t see was the tensing of his muscles, trying to not be as nervous as you were. The way he forced his jaw open to speak wouldn’t be noticed by you either. “I wanted to uh… thank you. For agreeing.”
You curtly nodded, you fought the urge to pick at your nail beds - a nervous habit. Silence befell the room again, your gaze didn’t disconnect from John for more than a few moments, where he held his hand towards the closed door - what you assumed was the bedroom. Your stomach dropped unexpectedly, your blood grew cold and you could only watch him with a nervous glare. He gazed back at you for just a moment before he spoke to himself, seeming to chastise his previous gesture, before he opened the door. He nodded towards it again.
“I’ll bring your chest in if you want to have a look around.”
Your legs felt like they could give way at any moment, but you still walked silently towards the room - John moved out of your way, making sure there was no chance to accidentally touch you. Acting as if you were made of thin porcelain, one wrong move and you would shatter on the floor. He turned away as soon as you passed, you didn’t miss the near-silent wince he made as soon as he started walking. You looked to him, a fleeting moment, just to memorize his figure before ducking into the quaint bedroom.
A large bed was pushed into the corner, only able to crawl onto the bed on one side. A fireplace across from there, connected to the one in the living room. The floor was bare hardwood, your shoes most likely shielded you from miniature splinters. There was a mirror in the corner, reflecting the entire room from where you stood. Only a few pictures adorned cleaned spaces, photographs of places that you’ve never seen before. A bay, with ships sailing in and out. One with snow covered trees. Another with a decrepit looking house.
You were quick to change. Your eyes watched John through the mirror, his back completely to you. You threw off your nice dress as soon as you untied it - not without a little struggle - before you pulled on a long nightgown, sleeves down to your wrists and hem grazing the top of your feet. You pulled the pins from your hair,
You pulled your quilt from your trunk, your hands gripped it tightly as you turned to face your… fiancé. His back was to you, showing many light pink scars. Some were the size of your pinky, others the size of your palm. If you were brave, you would walk up to him and trace the edges of them - but you weren’t. You waited for John to finish the bed, nerves swirled in your belly. You hadn’t shared a bed with someone since your Mama stopped letting you in hers when you were six. You’re a lady, she said, ladies don’t sleep in beds with men if they’re not wed.
“We’re not married yet.” Your voice was soft, John’s hands halted as they set a pillow on the far side of the bed.
“We are not.”
“We can’t sleep in the same bed.”
The man chuckled a little before he took the pillow closest to him, tossing it onto the floor beside the bed. “I forgot you wrote about that.”
Your grip tightened on the quilt. “About what?”
He yanked off the blanket from the bed, leaving the brown sheets before he dropped the blanket onto the floor next to the pillow. He turned around, it was hard not to try and gaze at his bare chest but you still kept his gaze. “Not sleeping beside each other until we were married. I meant to make my sleeping arrangements earlier but a man’s work is never done.” He shrugged, his smile softened as he nodded towards the bed. “Go on.”
You stood there for a moment, contemplating if you should sleep in his bed when he was to work the farm in the morning, but he held out his hand, the smile never fading.
“You’ll sleep alone just for the week, love.” He nodded again towards the bed. “I promise I’ll be fine on the floor.”
You silently made your way to the bed, hoisting yourself onto it before you spread your quilt over your body and the bed. It was cold, comfortable but not inviting. You supposed it wouldn’t be - you had been in this house for less than a day and the only thing comforting you was your belongings from home.
Home, you chuckled in your head. I suppose home is here now.
John fluffed his pillow on the floor, you didn’t hear an ounce of complaint as he pulled the worn blanket over himself. Your fingers traced the stitching of Mama’s sewing machine, your quilt sheltered you from the scratchy sheets on John’s bed. You could hear your mother droning on about marrying a farmhand, that you needed to go for someone with more money like a politician or a Christian - you didn’t like any man she chose, you shook your thoughts of that away. The first man you had chosen for yourself was far better than any lowlife scoundrel your Mama could find, and she would find ones that couldn’t have kindness anywhere near their greedy hides.
You slightly jumped when John spoke your name.
“Yes, John?”
He cleared his throat. “We’ll marry by the end of the week. I’ll sleep on the floor ‘til you decide you want me up there.”
“Okay.”
The stitching reminded you of home, of your cozy room with as many blankets as your Mama could make. It reminded you of quiet nights sitting with Pa on the porch, letting your mother stew inside after she made a comment that made Pa defend you. It reminded you of being little and standing outside Mama’s sewing room, hands holding your stuffed toy while you watched her sew by hand - one footstep into her room was ten minutes worth of scolding.
As you closed your eyes, you pressed your hands into your sternum. John was to be your husband, which meant children sooner or later. You promised yourself you would never scold your children for wanting to love you.
You hoped John would hold the same value.
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handweavers · 1 month ago
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me at 6 years old learning how to use my first sewing machine gifted to me by my grandparents, seated at our kitchen table, sometime in early 2004. i think i'm trying to thread a needle in this photo.
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fuckyeahdindjarin · 2 years ago
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II ║ Threads
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Joel Miller x F!Reader
{ Part I: Seams | Series Masterlist | Main Masterlist }
Rating: M
Summary: When Joel revisits Main Street Outfitters two weeks later, he finds you on your knees. Again.
Warnings: Very spicy thoughts but not explicit, sexual tension, sexual innuendos, some language, shy!reader, reader has a nickname related to her job, soft!Joel, no use of Y/N
Word count: 4.3k
Notes: This crept up on me and happened just as I was finishing up edits. I am so grateful, and I hope Threads is a fitting thank you gift to you all 😘 I’m thinking about doing a sleepover celebration, we shall see!
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Joel and Pin are back ❤️ They're back because you guys have been so generous with your love, sending me so many ideas and hyping me up - I can't thank you all enough! This chapter is all thanks to Singer machine anon who bravely (affectionate 😉) shared their story of getting stuck under a sewing machine table. I hope you enjoy this one!
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A treadle sewing machine is powered mechanically by a foot pedal that is pushed back and forth by the operator's foot. 
If you're not familiar, here is a classic Singer treadle cabinet, which is no way big enough for the purposes of this story, so please exercise your imagination 😉
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Joel hovers outside the Jackson Grocer’s, arms crossed, trying to make himself look as inconspicuous as possible in front of the leafy display of butter lettuce heads.
It’s been a few months since he’s settled in, but sometimes he can’t get over how fucking nuts this place is. Looking at the shelves brimming with fresh fruits and vegetables outside, canned food and home goods inside, he could easily be standing outside the 24/7 mart in his old neighbourhood. There are even shopping baskets, for crying out loud - stacked neatly one on top of the other by the door.
A voice pipes up from his left. ‘Didn’t know you ate greens.’
Joel scowls. ‘I don’t.’
‘Why are you loiterin’, then?’ asks Tommy, picking up a couple of apples and examining them with exaggerated care.
‘I’m not loiterin’,’ he spits out the last word as if he’s above it, turning his gaze to the high street. 
Tommy tosses him a cocky grin, head tilted at a knowing angle. ‘Yeah, you are. And now you’re makin’ eyes at Bob. It’s disturbin’.’
Glancing across the main thoroughfare at the welder’s shop, where the said proprietor is cutting up wooden planks on the porch, Joel grumbles sarcastically, ‘That’s right. Bob is just my type.’
At that very moment, right next to Bob's, the door of Main Street Outfitters creaks open, and Joel recognises Lucy instantly as she sneaks out on tiptoes. She skips down the stairs and wanders up the street in what appears to be another impromptu work break.
Joel’s already taken two steps towards the shop before he remembers that he’s not alone. Braking abruptly and bringing up one hand to scratch the back of his neck, he feels Tommy’s eyes on him.
He half-turns, and snaps, ‘What?’
The younger Miller brother shrugs, pursing his lips thoughtfully. ‘Why are you going to the Outfitters again? Didn’t you just get those new jeans a couple of weeks ago?’
‘Thought I’d get a new shirt for your stupid baby shower.’
‘Joel -’
‘Sorry, sorry.’ He throws his hands up in capitulation. ‘Baby showers are not stupid. Especially in the middle of an apocalypse.’
Taking another two steps forward, a thought stops him dead in his tracks again. He can practically feel Tommy smiling smugly at his back.
For fuck’s sake.
He doesn’t turn around this time, jamming his hands into his pockets and asks, ‘Can I bring someone? To the party?’
‘We know Ellie’s comin’.’
Whipping around, he growls, ‘Tommy -’
He laughs. ‘Well, I’ll be damned. Joel Miller makin’ friends in town? Maria’s right - you’re fittin’ right in, big brother.’
Rolling his eyes, Joel flips him off and stomps his way across the street.
Tommy calls out at his retreating back. ‘Say hello to Pin and tell her we’d love to have her come over on Sunday!’
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When he steps inside, the shop is as empty as it was a fortnight ago. Joel shuts the door firmly, making sure the bell jingles, so his entry doesn’t go unnoticed.
Your voice, though muffled, comes promptly. ‘Lucy! Is that you?’
He heads towards the doorway that leads to the workshop. ‘It’s Joel, actually.’
‘Oh, shit!’
His eyebrows reach for his hairline - you don’t seem to be the type to curse. Concerned, he asks, ‘You alright back there?’
There’s a touch of panic in your reply, ‘Don’t come back here. Did Lucy sneak out again?’
On your instruction, Joel hesitates in the middle of the room, talking to air. ‘Yeah, saw her leave a couple of minutes ago.’
‘Goddamnit, Lucy!’
He shuffles his feet awkwardly. ‘Uh, you sure you’re ok? Should I come back later?’
There’s a resigned sigh, then a pause. ‘Promise you won’t laugh.’
One end of his lips tugs upwards in a smile. ‘Why would I?’
‘Promise.’
At your insistence, he humours you, ‘Alright, I promise, sweetheart.’
‘Come on back.’
When he steps into the workshop, he doesn’t spot you immediately. The space is seemingly empty, everything standing still and in order. He sweeps his eyes across the room, starting with the shelving unit and the desk along the near wall, then trailing over the large timber work table in the middle, where a stack of folded shirts stands neatly.
His throat isn’t the only thing that tightens when he glances at the rug under the skylight -
‘Joel?’
Your voice draws his attention to the far corner of the room, where a sewing station is tucked into a little alcove.
Joel doesn’t know much about sewing machines, but he can recognise a vintage Singer anywhere even without the name blazoned across its elegant body. His grandmother had one in her drawing room by a sunny bay window, and he used to watch her work on it when he visited every other weekend. For a disorienting second, he can almost smell homemade cinnamon rolls and black tea.
Little did he know that things were about to get a lot more disorienting than a pleasant childhood memory.
As he steps around the work table, the rest of the sewing station comes into view, fronted by a big window, the light streaming through the glass glancing off the black sewing machine on top of a classic treadle cabinet. What looks like a half-finished dress lies on the wooden work surface, which stands on quintessential wrought metal legs, and between them - his throat constricts with a slow swallow when he realises what - or rather, who - he’s looking at.
The words barely come out, as if his tongue is suddenly too big for his mouth, as he makes his presence known. ‘I’m here, sweetheart.’
To be fair, you’re not making things easy by any means. All he can see is your backside hovering in mid-air, the rest of you out of sight under the desk. It has built-in cabinets on each end, the right side of it backed up against the far wall, and a chair is pushed to the side.
Joel stops two measured paces away, staring down at the curve of your ass and the way your top rides up, baring the small of your back. His eyes linger on the soft skin between the shirt’s hem and the waistband of your very tight jeans.
Jesus Christ. Do you always have to be on your fucking knees in this workshop?
Your small voice jolts him from his daze. ‘Well, at least you’re not laughing.’
He has to bite his tongue to stop himself from scoffing. If only you knew how laughing is the furthest thing on his mind right now. ‘What happened?’
‘A spool rolled off and I went down to get it, but I fell on the treadle accidentally - I think my shirt is snagged in the band wheel. I can’t move at all, and this Singer is an antique - I can't risk breaking it.’
Unfamiliar with what you’re talking about, he probes, ‘And where’s the band wheel?’
‘Under the table, on my right.’
You wriggle your hips, perhaps to help him locate where you’re stuck, unaware that you’re not helping. At all. 
He swallows thickly and implores you, ‘Stay still, sweetheart. I’ll take a look.’
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It’s been two whole weeks since Joel Miller came into the shop. You’ve caught glimpses of him in between - Jackson is tiny, after all. He catches your eye as he ambles down the high street with Ellie, his gruff Southern accent carrying even in the mid-afternoon bustle, too preoccupied arguing with the teenager to notice you on the other side of the road. He’s in the cafeteria a couple of times when you arrive for a late dinner, nodding at you from a few tables over, while you work up the nerve to smile back.
Every time, he’s wearing the jeans you handpicked for him, which makes your chest swell and constrict at the same time with something like - pride.
You picked out the pair for him. You assured him that he looks good. And by the way he’s wearing his confidence on his sleeve, he’s certainly taken your words to heart. 
Whenever you see other women eyeing him as he struts about town - which is entirely too often - it awakens an ugly possessiveness in you, one that twists your insides into grotesque balloon animals.
Fourteen damn days. Even in the privacy of your workshop, you can’t escape that man. The simple touch of denim provokes a visceral reaction from you, heat chases beneath your skin every time you pick up the tailor’s scissors. It doesn’t help that most of your daily tasks are not exactly cerebral, which gives this man all the more leeway to lay claim to your subconscious.
If you believed in magic, you would've thought you summoned him with the sheer energy you’ve spent thinking about him. But what kind of witchcraft conjured him up at the precise moment you get trapped like the bumbling idiot that you are?
One minute you’re reaching for the stupid thread, the next thing you know, you’re stuck, unable to move without the mechanisms of the antique Singer groaning ominously at your attempts to free yourself.
But maybe, it’s still better than Lucy finding you. She’d take a hammer to the sewing machine to get you out, no question - patience is not her strong suit - and she’d be laughing at you for days.
You hear the floorboards give behind you as Joel moves into the space, which isn’t much - when you’re sat down at the treadle cabinet, the wall is barely two steps behind.
The wooden table creaks above you as he braces one hand on the surface, and you startle at what sounds like the vicious crack of a vertebra.
‘Um - you okay?’
Joel grunts. ‘I’ll live.’
So you wait, thinking absent-mindedly how your elbows are starting to get numb. There’s a scruff of boots and what sounds like a brief struggle, before Joel sighs. ‘Back’s too stiff ‘mfraid. Gotta get on the floor to see underneath.’
Before you can squeak out a reply, there’s a boney click of what you presume is his knees as he crouches down, and an unexpected brush of denim on your left ankle surprises you. Forgetting where you are, you jump in reflex, hitting the underside of the table so hard that you screech in pain.
‘Shit!’ Joel cusses behind you, one warm hand landing on the side of your hip to steady you. ‘You ok?’
Up until this point, you’ve been too consumed with embarrassment by your predicament to even think about the position Joel found you in. But once the warm imprint of his palm registers through the denim, it hits you like one of those interstate trucks that you used to see out of your window.
You’re leaning on your forearms, ass in the air, and now - he’s behind you, getting onto his knees. You can’t decide if the back of your head or your pussy is throbbing harder as you stutter, ‘I’m fine, just - get me out, please.’
‘Alright, hang on, sweetheart.’
You swallow the childish urge to stamp your foot. He has no right going around dropping sweethearts all over the place.
There’s a throaty exhale as Joel lowers himself onto the floor, his knees bracketing yours to shift closer to you. You know he feels the shudder that chases down your spine when soft flannel grazes your bare back, heat spilling from his solid frame as he looms over you.
‘You say you’re stuck in the band wheel?’
Somehow, you manage to answer, ‘Yeah, to my right.’
He clears his throat. ‘I - uh - I’ll have to lean down pretty close to you to take a look, is that ok?’
You feel all the air leave your body, which is probably why your reply comes out far breathier than you intend it to. ‘Yes, Joel.’
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And with those two words, Joel has a problem with his jeans. Again.
They’re too tight. Again.
There’s nothing he can do as his mouth goes dry and his cock hardens with a vengeance, his self-control slipping like sand between his fingers.
He was doing so good - well, he was more or less holding it together, as much as he could be expected to while kneeling behind you. And of course, his damn knees hurt, but so does his bottom lip which is caught in his teeth, trying to regulate his breathing when his heart threatens to beat right out of his chest. 
He already has one hand on you, and goddamnit, it’s taking him all he’s got to hold back from gripping you with his other, to grasp the swell of your ass between his palms, to trace your curves up to the dip of your exposed waist, to bow his head and run his tongue along the arc of your spine -
And the jeans you’re wearing - fuck, they’re tight. He wonders idly if you wore them for him. His eyes follow the seam that runs down the cleft of your ass, the way the pockets stretch over your backside has his fingers twitching, thinking about how well you will fill his hands, and how the slow rub of denim will burn his skin.
He wants to hook his thumbs into the belt loops and pull you flush against the zipper of his jeans, where his cock is straining against - rub himself on you, grind on you, his thighs plastered to the back of yours -
‘Joel?’
Fuck.
He sways as he snaps out of his stupor, dangerously close to knocking into you, light-headed from the lack of blood to his brain. He chokes out, ‘Yeah, I got you, sweetheart.’
Get it together, you dirty bastard.
He’s careful to leave a couple of inches between his front and your ass when he bends his elbows and ducks so he can peer beneath the desk. His chest pressed flat against your lower back, he can see the bunched fabric of your shirt where it’s caught.
‘Yup, you’re right, your shirt is snagged tight in there.’
‘Can you untangle it?’
‘Think so, but I’ll need both hands.’ He pauses. ‘I’d better get on my back under you.’
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You swear you’re going to black out.
‘Pin?’ he prompts when you’ve been quiet a beat too long.
‘I - um, what do you mean by going under me?’
‘If I’m on my back, I can use both my hands, like a mechanic under a car,’ he explains. ‘If you’re uncomfortable, I can find another way -’
‘No!’ you blurt out, wincing at the desperation in your tone. ‘I mean - whatever is easiest for you. You’re the one doing me a favour here.’
‘Alright,’ he says, placated by your reassurance. ‘On your hands and knees then, sweetheart.’
Your eyes nearly roll to the back of your head. Oh, come on. Can he hear himself?
Scraping together your last vestiges of control, you push up on your palms to make space underneath you. You have to consciously lock your elbows - your joints suddenly feel like barely set pudding. 
‘Move as far to your right as possible so I can slide in.’
Shuffling on your hands and knees until you’re pressed up against the band wheel, you hear the brush of fabric on wood - must be his back against the floorboards as he slides in. To say it’s a squeeze is an understatement. His broad shoulders brush the front of your thighs as he inches in, and then, his face appears under yours, head between your hands.
His lips quirk. ‘Hi, sweetheart.’
Your breath hitches at his proximity, your wrists brushing the soft red flannel he’s wearing today. ‘Hi.’
‘You ok?’ he asks.
You’re this close to pouting. What does he think? There’s a telltale stickiness between your legs that you’re frantically trying to push to the back of your mind while you mmhmm noncommittally, hoping that he doesn’t smell your want in the tiny, claustrophobic space you’re now both caught in.
You can only assume that he’s none the wiser, since the next thing that comes of his mouth is - 
‘Climb on top of me so I can slide in closer to the band wheel.’
Someone might as well say your last rites. This is the end.
You’re taken aback when your limbs start to move on autopilot, because your faculties have well and truly abandoned ship. One trembling leg attempts to swing itself over the solid breadth of his body, but it wobbles like jelly, and your knee ends up connecting firmly with his stomach instead of landing clear on his other side.
At his grunted oomph, you panic and bang your head on the underside of the table again, which sends your whole weight sprawling onto his front with a yelp.
Joel cradles the back of your scalp with one hand. ‘Shit, you ok, sweetheart?’
The seams of your lashes sting, your head smarting with the impact, and you blink drily as your gaze focuses on Joel under you. He’s so close that you can see flecks of gold in his brown eyes, his breath hitting your face in warm puffs. Your glance at his lips, and with that one little motion, all goes quiet.
He watches you back, neither of you breathing, and in the stillness you realise that you’re fully straddling him, your palms pressing into the hard floor on either side of his ears. Your tits are crushed up against his ribs, his soft tummy warmly cushioned under you. Lower still, where your hips are nestled into the spread of his thick thighs, something stiff and long and insistent presses into you -
Your jaw goes slack when it dawns on you. 
Oh god.
He’s hard.
‘I’m so sorry,’ Joel breaks the silence, a pained frown on his brow as he shakes his head. ‘This is embarrassin’. Couldn’t fuckin’ help it, seein’ you in those jeans -’
Tongue-tied, you can only stare at him, wishing you were brave enough to say something. Tell him that you pulled extra shifts to buy this particular pair of jeans, knowing that they flatter your figure. That you’ve worn them almost every day these two weeks, hoping that he’d swing by again. 
But you can’t. 
So you pray that he can see what you can’t say by the way you’re looking at him, by the way your heart races wildly in your ribcage against his chest.
His voice cracks. ‘I understand if you want me to go -’
You unstick your tongue from the roof of your mouth and cut in, ‘Don’t.’
His warm eyes widen, something like hopefulness in the way he looks up at you. ‘You don’t want me to go?’
You press your body closer into his, filling in the gaps. ‘No. Please don’t, Joel.’
He leans forward, so close that you can feel the phantom burn of his silvered beard, his palms finding the meat of your legs, blunt nails biting into the denim.
He really should be ashamed of himself, at the way his cock pulses unabashedly, nudged right between your thighs as you stare down at him, lips parted. He’s hard enough that he worries if there’s a wet spot of precum on the front of his jeans - he can feel himself leaking through his boxers. 
The wicked tip of your tongue traces a wet trail on your bottom lip, and he almost chokes on a half-buried groan deep in his chest. He knows that you don’t even know you’re doing it - and in turn, what that does to him.
It would be easy to close the two-inch gap between you. To kiss you, taste you, lick into your sweet mouth. All he needs to do is to cup the back of your head and pull you down, or crane his neck and press his lips to yours -
And Joel is someone who always follows the path of least resistance. 
But - he wants to do right by you. He knows you deserve more than a quick fumble under a table.
Sucking in a shaky breath, Joel steels himself and brushes a chaste thumb over your cheekbone. ‘Let’s get you out of here, and then we can talk, ok?’
It’s almost perverse the way his chest warms at the flicker of disappointment in your eyes as you give a reluctant nod, ‘Ok. Please be careful, the Singer’s really delicate.’
It’s hard to focus - his attention keeps drifting to how snugly you fit into his chest, between his arms, and it’s not a stretch to imagine a soft mattress underneath his back. It's funny how quickly his body has adjusted to creature comforts after months of sleeping on the cold winter ground.
Joel’s mindful that an antique sewing machine will be a pain in the ass to repair without the requisite parts, so he moves carefully, gently coaxing the band wheel back and forth to see how he can extract you. It doesn’t take long to loosen the grip of the metal teeth on your shirt, but he has to reach up and untangle the threads snagged into the mechanisms one by one.
He muses idly that this is not his method. These hands of his, with crooked knuckles that never healed right, where many a dagger, knife, gun, rifle have found a home - they break things, people.
When was the last time someone asked gentleness of him? 
He wants to scoff. That’s not what he’s good for.
Despite himself, his throat rumbles with a hum of satisfaction when the band wheel finally lets go of your shirt, the Singer whirring to life as it spins freely. He gives you a lopsided smile. ‘There you go, sweetheart.’
You smile, but don’t seem to be in a hurry to move, which pleases him. He likes looking at you from this angle, relishing in your weight on him. He takes his time running his eyes over your face, his palms coming to rest on your knees.
You duck your head prettily. ‘Thank you, Joel.'
He gives you a playful shrug. ‘Well, I owed you one for these jeans.’
You roll your eyes in good humour. ‘Actually, I told you specifically that you didn’t.’
Joel basks in the lighthearted turn in the conversation, egging you on, ‘Well, in that case, you owe me one for this instead.’
‘That’s hardly fair -’ you chide him, punching him in the shoulder in a half-hearted rebuke.
Taking the opportunity, he grabs you by the wrist, the contact prompting a bodily shudder from you that he doesn’t miss. He smirks, ‘M’fraid I don’t play fair, sweetheart.’
You glare at him in mock sternness, bold enough to demand, ‘Fine - what do you want then, Joel Miller?’
For a split second, he hesitates, woefully out of practice at whatever it is that he’s about to do. Swallowing his self-doubt, he asks, ‘Tommy and Maria are throwing a baby shower on Sunday at their house - do you want to come?’
Your shoulders stiffen. Now, that you were not expecting. Your social anxiety bubbles between your ribs and looms over you like a spector. You sputter, ‘Um, I -’
You start when his fingers draw soothing circles on the top of your knees, as if seeing straight through the source of your apprehension. He reassures you, ‘Lucy is welcome to join too. The more the merrier.’
Your eyes soften. ‘Ok. I’d love to.’
The endearing way the corners of his eyes crinkle as he smiles has you swaying towards him, his nose just brushing the side of yours - when the doorbell rings, cutting through the loaded silence. 
In your haste to sit up, you knock your head against the table for a third time. 
‘Ow!’ you cry. Even Joel flinches at the hard hit.
Lucy calls out, sounding dangerously close. ‘Pin? You ok, hon?’
‘Shit!’ You start scrambling backwards, bent over awkwardly, convinced that you’re one more blow away from a concussion. You’ve barely scrambled onto your feet when Lucy steps into the workshop, the world tilting on its axis for a moment as blood rushes to your brain. 
She watches in amusement as Joel drags himself from under the sewing station, head cocked to one side. ‘Hi again, stranger. You really like our shop, don’t you?’
His shirt is rumpled from where you sat on him, bits of his curls sticking up. He rubs the back of his neck, as if caught with his hand in the cookie jar. ‘I just swung by to, uh, invite you and Pin to the baby shower. Tommy and Maria��s. This Sunday.’
Lucy crosses her arms, arching an eyebrow. ‘And it’s a tradition where you’re from to talk about weekend plans under a table?’
You narrow your eyes at her. ‘Luce -’
She winks. ‘You know what? I don’t need to know the gory details - but I’m in. See you Sunday, Miller!’
Joel huffs a chuckle as Lucy disappears into the front of the shop, leaving you two alone. You smile, suddenly shy for no reason, twining your fingers to stop from fidgeting. ‘Thanks again, Joel.’
He shrugs it off, a touch of boldness in the way he stands, hands in pockets, hips cocked. ‘Pleasure was all mine, sweetheart.’
Instead of heading in the direction of the door, he takes two long strides towards you, leaning down to murmur in your ear, ‘Wear those jeans for me again on Sunday?’
Stunned, you gape at him as he turns with a crooked grin and walks off, dispatching a two-fingered salute at Lucy as he goes. Pausing by the threshold, Joel gives you one last wink that has your breath stuttering - but you only allow yourself to sag against the wall when the door closes behind him, your knees giving.
Lucy wastes no time skipping back into the workshop, practically bouncing on the balls of her feet in excitement. ‘Alright, time to raid the party clothes rack, girl!’
You laugh - Sunday can’t come fast enough.
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Notes: I had the best time writing this chapter - it was fun to flip the tables on Pin, not that Joel comes out completely unscathed!
I definitely have ✨ideas✨ for these two, but I'm enjoying keeping things loose, so I have no plans to turn this into a full-blown series just yet. I hope you enjoyed this instalment, comments/reblogs/asks are so so appreciated as always ❤️
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derpinathebrave · 10 months ago
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I sew on a Janome from what i believe is late 80s early 90s? It has never missed a beat. Only problem it ever has is user error lol
My grandma's kenmore sewing machine from 1971 performs better than my new babylock in every way but at least the babylock has... *checks notes* a drop-in bobbin that jams up half of the time and an automatic thread cutter that works properly only when the winds are blowing eastward 🙄
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heartfullofleeches · 5 months ago
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While the psychological mindfuxking Host puts Darling through in order to wear them down into being his co-host is honestly one of the most fun things to write, I live for Darlings who were never appreciated in their own time and suck up all the praise he gives them for their talents.
Crafty Reader who also dabbles in a bit of inter decorating winds up on Host's show and their immediate first thought is "Damn, bitch- You host a game show on this stage?"
It's cute- but a little outdated. Where's the passion? The irritatingly bright neon signs that burn their eyes from a mere glance. Potted plants??? Anything??
Normally Host isn't one to tolerate guests that interrupt his opening speech, but as Darling goes off on their tangent Host is left stumped - stupefied, damn near mesmerized by that fire in their eyes. He can't say they aren't wrong either- Props come and go as Host wishes, but the stage is a bit lacking without them. Not contestants don't stick around long enough to point it out, but with his newest and top pick for co-host right in front of him perhaps it's time for a few changes.
"Congratulations! You won today's show Give our fans a big smile and wave goodbye to our losers."
"I won?...but you didn't even ask me any questions."
"Oh, you- If answering questions was the only way to win here no one would."
Darling is whisked away by stage hands into a bedroom- The room is deprived of any furniture beyond a bed, a large chest propped against the farthest wall, and a table upon which an old sewing machine sits. It looks a bit like the one they had back home, but the label is made up of jumbled letters and symbols. How are they supposed to use the darn thing without any supplies anyway?
Darling inspects the chest and finds.... pretty much everything tucked away in their small bedroom, their real bedroom that they use for their projects. No construction paper, though.....
Oh. There's some.
Darling quickly discovers that whatever they require appears in the chest whenever they're vocal with their requests. On occasion, the chest acts without their say and pulls the thought from their mind before they're able to speak. It isn't long before the empty space is fully stylized to their personality and presences. Darling thinks they did a great job. The teddy bear on their bed believes so too.
.....When did that get there?
Darling may have won his show, but Host is the real winner when he see what Darling has done to his stage. Host are extended by another hour....or year with how long he brags to guests about Darling's craftsmanship. Time is a tricky thing to keep track of when the watches you wear flop between ticking backwards or at a snails pace.
"Thoughts on those name plates? Our brilliant co-host made them for you all- Are you lucky? I of course have my own, but- Oh, come now. I know this is top quality work, but there's no need to scream. Give our co-host a hand for all their hard work....Or lose both."
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thisapplepielife · 2 months ago
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Written for @steddieholidaydrabbles.
Along the Chimney with Care
Prompt Day 24: Stocking | Word Count: 550 | Rating: T | CW: None | Tags: Future Fic, Established Relationship, Learning New Skills, Teamwork Makes the Dream Work
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"What are you doing?" Eddie asks, as he leans over Steve's shoulder as he sits at the dining room table. 
"Practicing," Steve answers, as he looks at the scrap of fabric in front of him at the sewing machine that he's dragged out of the deepest recesses of some closet.
"Practicing what?" Eddie asks, because it just looks like a bundle of tangled up threads.
Steve flips it over. 
It's a kind of badly done embroidered version of Eddie's name, but it makes him smile. It might not be anywhere near perfect, but he likes the effort Steve's clearly tried to make. Steve could have ordered them custom-made from somewhere else, or even gotten iron-on letters, but instead he's chosen to do it this way, for better or worse.
"What's this for?" Eddie asks, smiling.
"Stockings for Christmas. I mistakenly thought this looked easy. It is not easy," Steve says, and Eddie sits down.
"Let me help," Eddie offers, even if he has no idea what that will entail. But surely they can figure it out together. They've always been able to figure anything out, as long as they've done it together. Two heads are better than one, and all that shit.
Not to mention, Eddie can sew. In theory. By hand, for sure, and Wayne had an old machine Eddie used a few times while making vests and other shit. He's never made a stocking, but he's willing to try.
"It keeps tangling on the back," Steve laments, and Eddie slides the practice piece of fabric towards himself, so he can look at it more closely.
"Is there a manual?" Eddie asks, and Steve shakes his head. 
"Not that I've ever seen," Steve answers.
"Hmm," Eddie says. He understands the basics, maybe, but he's not sure he can do much by way of troubleshooting.
But he bets he knows who can.
"Joyce says to check the bobbin," Eddie says from the kitchen, holding onto the phone. 
"What's the bobbin?" Steve asks, standing up and looking at the top of the machine.
"What's the bobbin?" Eddie repeats.
Joyce laughs in his ear, "Oh, dear."
But she walks them through it. They take it out, rethread it through the machine, and then test it out.
It's better. It's definitely better.
"That fixed it!" Steve says, pumping his fist in the air, hollering, "Thanks, Joyce!"
"He says thanks," Eddie repeats to her over the line. 
She heard him. The whole block heard him.
Eddie sits on the couch and watches Steve hang the stockings along the chimney with care. They aren't perfect. Far from it. But they do have their names on them, and Steve made them. He also let Eddie sew patches on them, which makes them even more personal to each of them.
A joint effort. Eddie loves them in all their slightly wonky glory, and he hopes they use them for years to come. 
"Okay. They're Santa ready," Steve says, and Eddie grins. 
"I can't wait to see what Santa brings me," Eddie declares, rubbing his hands together in anticipation, and Steve just smiles like he has the biggest secret. 
"Coal, probably," Steve teases, and Eddie laughs, big and bright.
Steve's got something planned, something up his stocking, as it were, and Eddie can't wait to find out what.
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If you want to write your own, or see more entries for this challenge, pop on over to @steddieholidaydrabbles and follow along with the fun! 🧦
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beckpoppinscosplay · 8 months ago
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Oh Astrid "I'm quite fun at parties, actually" Becke, how I missed you.
Truly the minor npc of all time, I'm so glad she snuck into the bell's hells narrative with a detailed outfit description. Any excuse to dip myself in liquid latex. I couldn't stop myself from getting out the old sewing machine and a 1940s clasp I've been meaning to use
If some of my table props look familiar I'm referencing honeyandheatherphoto's picture here
If my scar make has dramatically changed, I was inspired by the painter of the hottest wizards, @zmeess
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ladykailitha · 11 months ago
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The Harrington Pattern Part 13
This is it guys, the chapter of this fic. I have had an absolute blast writing and even more so reading all the comments and tags.
This last chapter is dedicated to all those who wanted the moms to bring Steve into their fold. This was also chance for Steve to rip on the haters without fear of his parents ire.
Thank you so much for all the love and support for this little story.
Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12
****
Claudia was waiting at the Byers’ front door when Eddie pulled up in his van and Steve hopped out.
“Eddie!” she cried happily. “I didn’t know you were coming!”
“Hey, Mrs. H,” Eddie said with a wave. “I’m just dropping Stevie off. We’re hanging out later.”
“That was sweet of you, dear,” Claudia cooed.
Steve in the meantime was pulling things out of the backseat of the van. Eddie looked over at him.
“You need help, darlin’?” he asked over his shoulder.
Steve shook his head. “I’ve got it. Thank you, though.” In lower voice he muttered, “I love you and I’ll see you later.”
Eddie gave Steve’s forearm a squeeze and then waved at Claudia. He backed out of the driveway and was soon gone from sight.
“We’ve got all sorts of surprises for you today, Steve,” she said gleefully clapping her hands together.”
Steve grinned at her. “Mrs. Peterson here yet?”
Claudia shook her head. “She’s always at least fifteen minutes late. Something we were banking on actually.”
Steve cocked his head to the side. “What do you mean?”
But Claudia just ushered him inside. He set his stuff down and then handed her a tray.
“I made blondies,” he said, “I hope you ladies like them.”
She peeled back the foil and gasped. “Steve they look amazing!”
Joyce came out of the kitchen wiping her hands. “What looks amazing?” she asked peering over Claudia’s shoulder. She, too, gasped when she saw them. “Steve, you didn’t!”
Steve grinned. “Your sons always eat the ones I send home with them before they even get home, so I figured you’d appreciate these.”
She kissed his cheek. “You are a dear.”
Claudia laid them out on table next to all the other treats.
On the coffee table were a bunch of things under a large sheet with clowns on it.
“The three of us,” Karen began, “wanted to do something extra special for you after hearing what fun our children had at the Fair because you made sure they did. So we each contributed something toward your love of sewing.”
She lifted the sheet. Underneath was a beautiful sewing kit in navy blue, a light green Singer sewing machine that looked older than he was, and a stack of old patterns.
Steve’s lip wobbled as he raised his hand to his mouth in shock.
“You didn’t have to do this, ladies,” he whispered.
“The sewing kit is from me,” Karen continued. “It’s a beginner’s kit, but it has fabric scissors, a seam ripper, bobbins for your thread and different kinds of needles.”
Steve sat down and pulled it onto his lap. He opened it and as he lifted the lid, the top tray pulled back revealing the tray beneath. “Thank you.”
“The sewing machine,” Claudia said proudly, “is the first one I ever owned. When I got married I got a new one and I’ve been using that ever since. But this ol’ girl has a lot of love and life left in her, and I want you to have her.”
Steve looked up at her, tears forming in his eyes. “Aren’t you worried that I’ll break it? Or that my parents will find it and destroy it?”
Claudia knelt in front of him. “It’s gonna be kept at my house until you get a place of your own. You’re there all the time to see Dusty anyway, no one is going to notice that you’re there to sew now, too.”
“Plus,” Joyce said with a grin. “It’s a Singer. They’re a little hard to break. They’re one of the best machines and it will probably outlast your children. So don’t worry about it, okay?”
Steve nodded, his lip quivering. Claudia kissed his forehead and stood back up.
“The patterns are from me,” Joyce said. “Whenever I would have a little extra money I would pick up a pattern or two at the drug store and bring it home. I picked a handful that I thought you’d like since you’re primarily making costumes. And if those work for you, next week I’ll bring another handful you might like.”
Tears started flowing down his cheeks. “Thank you. All of you. This is best gift I’ve ever gotten.”
“Oh honey,” Joyce said softly and suddenly Steve was being hugged on all sides by the moms.
They stayed like that until there was a knock on the door.
“That must be Olive,” Claudia said with a sigh. “I bet she brought those brownies that are totally store bought even though she insists it her grandmother’s recipe.”
Steve snickered. “My mom used to do that. I don’t think she fooled anyone either.”
Joyce grinned over her shoulder as she went to go answer the door. “Olive, dear! We were just getting started.”
“Oh?” the bright voice on the other side of the door cooed. “You’re usually in the full swing of things by now.”
Steve bristled. That meant she knew she was late and was doing it intentionally. He hated people like that. Acting like the rest of them were peasants meant to be waiting on her.
“Steve was just showing us the costumes he made for the kids for the Fair over the weekend,” Karen said sweetly as Steve hurried to get the things he brought to show off out.
Olive stepped into the house with a sneer. “I think it’s so sweet you’re indulging the boy, but I doubt he can hold a candle to Claudia’s years of experience.”
Wow, Steve thought. Not only did she insult him, but she insinuated Claudia was old. What was with this old bag?
Claudia smirked. “It’s true that I’ve been doing it for longer, but Steve has a real talent for it. Come see.”
Olive walked into the front room and Steve was struck by how much she reminded him of his mother. She had perfectly curled hair with not a single strand out of place. Her clothes were fitted and showed off her figure. Her makeup was flawless.
In short, Steve hated her on sight.
Joyce handed her the shirt he had made for underneath his tunic. It was flawless but understated.
Olive took the shirt and scoffed. “You couldn’t have done this, Harrington, you shouldn’t lie to your betters.”
Steve was already seeing red. “I guess I’ll just have to prove it to you then.”
Joyce clapped her hands together. “All right, let’s get started. Steve, you can eat as much as you want, but just make sure to keep it away from other people’s projects.”
Steve smiled at her sweetly. “Of course!”
He knew that what she was really saying was that Olive Peterson might try something.
He sat in the armchair away from her and she glared at him.
“Is it all right if I work on my project first before you teach me how to use the sewing machine?” he asked just as she was taking a drink of punch.
Olive was forced to turn away and cough into her hand to avoid spraying everyone with the lemonade that Claudia had made.
Karen’s smile was feral. “I don’t see why that would be a problem, right, Claudia?”
“Of course not, Steve,” she replied warmly. “Just let me know when you want to learn and I’ll come over and help you.”
Steve nodded. He pulled out the materials that Eddie suggested he bring and got to work.
Eddie really liked that Steve’s bags had a lining because it protected the dice better, so Steve had brought along some materials he could use for that as well.
About halfway through his first bag, Joyce called out.
“Steve? What’s that pattern you’re putting on the bag?”
Steve’s eyes lit up. “It’s my signature! I embroider it on everything I do to make sure people can’t pass it off as their own.” He handed the bag over to her.
“Oh!” she cried in excitement. “This is the design you put on Will and El’s costumes when you did their alterations, right?”
Steve nodded. “I hope you don’t mind. I know you made the clothes, but I thought it was a cute way to tie the two together like they were twins.”
“It was perfect,” Joyce said. “El still hasn’t stopped talking about how pretty your design made the dress.”
Steve blushed as he took the pouch back from her.
“I was talking to someone at the Renaissance Fair,” he said shyly, “and she wanted me make them clothes and things that she would sell for me. She even told me to make business cards in case someone wanted to commission me directly.”
“Oh Steve!” Karen cried. “That’s wonderful!” She clapped her hands together and tilted her head. “I have to admit I’m a little jealous. That pattern is beautiful. I would love a handkerchief with that on it.”
Steve straightened up. “Yeah?”
Karen nodded.
“What color would you like?” he asked excitedly.
Karen tried to protest but he wouldn’t let her. In fact he managed to convince all but Olive to let him make them one for them.
It did, unfortunately take him to the end of the two hours, but he was excited to come next week.
“I’ll even host it at my place!” he said with a grin.
Olive sputtered. “Well I won’t be there if it’s at this young man’s house. That’s so inappropriate.”
The three other ladies looked at each other and then shrugged.
“Your loss,” Karen said dryly.
Olive stormed out of the house vowing that as long as Steve was part of the group she would never come back.
“Well that is a relief,” Joyce said, ��I’m not the kind to speak ill of anyone, but we really got quite the upgrade!”
Karen clapped her hands. “Indeed. I can’t wait for next week. I’ve got a new project I’m starting and I found the best recipe for a chocolate mousse that I’ve been dying to try out.”
“Same time next week, ladies?” Steve asked.
“Wouldn’t miss it for the world,” Claudia agreed.
Then there came a loud honk.
Steve looked out the window and smiled. “Looks like my ride is here.”
He gather up his stuff, including the patterns and sewing kit and walked out to Eddie’s van.
He slid into the front seat.
“You have fun today, sweetheart?” Eddie asked, pulling out of the driveway.
“Yeah,” Steve said looking fondly at the house. “This has been the best weekend ever.”
Eddie grinned. “Well, it’s about to get even better, just wait to you see what I have planned for us today.”
Steve smiled as Eddie regaled him with his plans and nodded along.
Life was really looking up. He had a platonic soulmate, good friends, an amazing boyfriend, a hobby he enjoyed and could make real money from, and now a group of people to share that hobby with each week.
And to think it all started with a flier about the Renaissance Fair coming back to Hawkins.
“I can’t wait,” he breathed once Eddie was done.
Eddie smiled that sweet smile at always turned Steve’s insides to mush.
Yeah, Steve could honestly say that he was happy.
****
Tag List: @mira-jadeamethyst @rozzieroos @itsall-taken @redfreckledwolf @emly03
@spectrum-spectre @estrellami-1 @zerokrox-blog @carlyv @gregre369 ​
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@useless-nb-bisexual @thespaceantwhowrites @paintgonewrong @mogami13 @beelze-the-bubkiss
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@dauntlessdiva @vampire-eddie-brain-rot @lololol-1234 @nightmareglitter @cryptid-system
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thewolffairytaler · 3 months ago
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You're just trouble little sheep - part 2 | Thomas Hewitt x female reader
_____________________________
Summary: He dosen’t know how to handle you. You have your own thoughts and feelings, which makes Thomas feel very conflicted. Thoughts tend to make him think a lot about life and fictional scenarios because that's how one escapes reality, but Thomas dosen’t want it to be fictional, yet how can they be reality when he has his own problems and can't even trust you?
Parts: Three, four, five, six, seven, eight, nine, ten, & eleven.
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With a practised ease, Thomas hefted the animal carcass onto the nearby table, the wet, slick form of the beast sloshing on the cold, metal surface. His large, gnarled hands sought out the appropriate points, swiftly severing the carotid and brachial arteries to begin the process of blood removal.
As the red, viscous fluid gushed forth, Thomas moved on to the next step, skillfully guiding the carcass into the scalding bath, where the skin loosened and began to peel away. Satisfied with the result, he hauled the animal back onto the table, grabbing a sharp knife to make a long, clean incision along its abdomen.
With deft strokes, Thomas reached into the now-open cavity, removing the organs, and disposing of them into a nearby bin. Finally, he split the carcass in half, skillfully separating it into two symmetrical portions, which he placed onto a nearby conveyor belt, continuing the monotonous yet crucial task, over and over, until it was time for his shift to end.
Though his world may have been a mundane one, he excelled at his duties, finding some semblance of purpose and order in the routine and brutality of the slaughterhouse. He was the epitome of a butcher, driven by his instincts with a fierce loyalty to his family, ready to protect their way of life since they are growing too old to do much anymore.
But sometimes, Thomas just wanted to follow his emotions. Even if he knew it would get him into a lot of trouble, but he never did. Just stayed in line and did what was asked of him, cause that's all he was good for. Butchering, doing farm work, and sewing. Nothing special in those things in his mind, considering anybody could do that without a degree or a long time skill.
Thomas's eyes narrowed as he paused, reflecting on the thoughts that ran through his mind. Though he had no voice to vocalise his emotions, he seemed to be consumed by an internal turmoil. The idea of following his emotions, of forging his own path, was both alluring and frightening.
As if realising that any deviation from the life he had known could spell doom for his family, Thomas shook off his brief moment of introspection. His gaze hardened as he picked up his butcher's knife once more, plunging it into the next carcass with renewed vigor. He would remain true to his duties, even if it meant suppressing his inner desires.
He had no real aspirations, and his simple existence seemed to suffice for the moment. His skills in butchering, farm work, and sewing served a purpose, even if it was a humble one. Thomas would continue to be the reliable cog in the Hewitt family machine, unassuming but necessary, as he went on about his daily routine, oblivious to the world beyond his isolated existence.
He hated the silence at times, even though he wished for the calmness on some occasions. His brow furrowed as the memories of his youth resurfaced. His early dreams had been pure and innocent, reflecting a naive optimism. But as he grew, those dreams faded in the face of reality.
The disfigurement that marred the lower half of his face was an ever-present reminder of his limited opportunities. He knew that the world would never accept someone like him. His intelligence, while not overly impressive, remained mostly unexplored, stifled by his own insecurities and the confines of his home, along with his mask.
Thomas's eyes glazed over as he recalled the few times he'd tried to imagine a different life. A life where he wasn't shackled to the same routine and depressing existence. But those fantasies, as beautiful as they may have been, were quickly replaced by the grim realities of the life he knew.
As he worked, Thomas's hands never faltered, the rhythmic, methodical nature of his actions providing a sense of order to an otherwise chaotic existence. For a brief moment, a faint glimmer of sadness flickered in his eyes, a testament to the life that might have been, but it was quickly smothered by the crushing weight of his present reality.
His thoughts drifted to the alluring enigma of the woman he'd encountered mostly in his nightly wanderings. He found himself longing for something more, a connection with someone outside his dysfunctional family.
Yet, reality once more struck a cruel blow. He knew that she'd never see him as anything but a twisted, disfigured monster. The gap between their worlds was as vast as the chasm separating their very beings. Thomas's heart ached with an inexplicable yearning, yet he pushed the thought away, burying it deep within the dark recesses of his mind.
Instead, he focused on the immediate task at hand. He was needed at home, his family depended on him. One simple mistake could have the boss cut his salary in half or give a dumb excuse as to why he has to work overtime, but dosen’t get paid extra for it.
Thomas didn't know what to do about it, what to do with her but as the days keep on going, and the rumours of the slaughterhouse being potential shut down in the future. It made him nervous. The thought of losing his home, the only life he had ever known, terrified him. He grappled with the growing fear and uncertainty, his primitive instincts urging him to protect what little stability he had.
Those minor night walkings only started because he had a lot in his mind and couldn't sleep because they kept him up at night. But he never expected to see her outside so late sometimes. Apparently, she had two jobs, one as a late night waitress and the other as a secretary. He only found this out because when she did see him, she had asked him if he could accompany her for a while, stating she didn't exactly feel safe walking back home at night. Having sympathy for the shorter woman, he had decided that day to aid the little sheep out.
Nothing special had happened that night, she was mostly talking about work related issues, and about the economy for Newt not looking so great. She mentioned also that if it would get worse, she would have no option but to leave soon. Considering her financial situation wasn't the best, and her words made Thomas feel a bit... gray. The only nice individual who wasn't in his family could move at any point of his life, and he wouldn't even know it until she was already gone.
She had lived here her whole life, yet she had spoken as if she could leave it all behind in a heartbeat. Thomas's sharp butcher knife hit hard against the work bench to the point that it actually got stuck on the table, luckily though he hadn't put too much force in it, and had smoothly pulled it out.
He dosen’t know why she wanted to move away so badly, he dosen’t understand why she says it as if it is a dream of hers, but if she could say that so confidentiality to a man like him. What's to say she even cared about how he felt?
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Author's note: I hope you enjoyed part two of this little series I had unintentionally created and now can not escape from. How long will it be? I honestly have no idea. We'll see if this short story turns out to be good or not.
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megumiluvv · 6 months ago
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Yu Haibara is gone. The first of people Shoko knew to die. Suguru Geto is gone. Satoru killed him. Kento Nanami is gone. Special grade curse in Shibuya got him. Satoru Gojo is gone. He was sealed in Shibuya and then killed by Sukuna. Even her teacher, Yaga, is gone.
Shoko walks the once loud halls of the school. She peeks into an empty classroom and can see herself, Satoru, and Suguru getting reprimanded for forgetting a barrier. It was Satoru’s fault. She moves down the hall and sees Haibara and Nanami, drinking a soda and talking about something she couldn’t care to remember. She sits in the teacher’s lounge, sees Yaga printing grades.
Shoko stands outside. Lights a cigarette. Smokes. The smoke dances in the air. She feels the bitter winter air and sees her classmates, throwing snowballs at the underclassmen. Ijichi on the ground covered by snow, Nanami brushing the ice off his cheek, Haibara laughing happily. Satoru and Suguru snickering behind her.
She heads back inside. To the room she’s always in, the scent of antiseptic and cleaners filling her nostrils as she breathes in. She breathes out smoke. She looks at the autopsy table, blinks, sees Haibara. Cold and lifeless, gash along his left side. She blinks again, he’s gone.
She thinks back to Shinjuku. Satoru was cut in half. She had to heal that body and sew his student’s brain into it. She replays the scene in her head as she looks at the operating table.
Shoko walks over to the dorms, Satoru and Suguru are in front of her room, arguing over a stuffed animal. She used to think they were childish, now she’d give anything to hear their banter again. Nanami pokes his head out of his dorm, shouts at them to shut up. She chuckles and walks to the vending machine.
Her heels echo through the empty space, vending machines still selling the same sodas from when she was in high school, rebranded, but the same old drinks. She buys an old favorite, sees Nanami buy one for him and Haibara, Suguru comes by to get some for him and Satoru. He smiles at Shoko. Disappears.
She’s alone again, in the empty school as the current students are all busy. She puts out her cigarette, leans against the window, watches the snow fall. In the background she can hear footsteps and Haibara cheering. She feels a tap and sees Suguru.
“Come on, it’s the first snow of the season!” Satoru shouts from the door.
“You comin’ Shoko?” Suguru smiles.
Shoko knows he’s not really there. None of them are, but she’ll lay in the snow and make angels for all of them.
“Yeah, gimme a sec.”
Masterlist
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