#Ok I Have Found Out the Song is Not Called That. Its Called 'The Art of Getting By'

[mumpsetc]

The Art of Holding On

[bingobongobonko]

just had worst sleep of my life. sad! im going to have to maul somebody in my vicinity

[suzannahnatters]

Let Your Knights Weep

One of the big things I've had to train myself out of when writing medieval historical fiction?

The stiff upper lip.

This used to really bewilder my editor, who for some time attempted to nudge me away from having my grown men weep and wail and blubber, but for me it's an essential part of the setting. Whether in grief or fear, medieval people did not hold things back.

Here are some of my favourite quotes to explain.

First, a couple from two great 20th century medievalists:

CS Lewis in his Letters put it this way:

“By the way, don't 'weep inwardly' and get a sore throat. If you must weep, weep: a good honest howl! I suspect we - and especially, my sex - don't cry enough now-a-days. Aeneas and Hector and Beowulf, Roland and Lancelot blubbered like schoolgirls, so why shouldn't we?”

Dorothy Sayers, in her fabulous Introduction to her translation of THE SONG OF ROLAND, speaking of Charlemagne discovering Roland's body on the battlefield:

Here too, I think we must not reckon it weakness in him that he is overcome by grief for Roland’s death, that he faints upon the body and has to be raised up by the barons and supported by them while he utters his lament. There are fashions in sensibility as in everything else. The idea that a strong man should react to great personal and national calamities by a slight compression of the lips and by silently throwing his cigarette into the fireplace is of very recent origin. By the standards of feudal epic, Charlemagne’s behaviour is perfectly correct. Fainting, weeping, and lamenting is what the situation calls for. The assembled knights and barons all decorously follow his example. They punctuate his lament with appropriate responses:

By hundred thousand the French for sorrow sigh; There’s none of them but utters grievous cries.

At the end of the next laisse:

He tears his beard that is so white of hue, Tears from his head his white hair by the roots; And of the French an hundred thousand swoon.

We may take this response as being ritual and poetic; grief, like everything else in the Epic, is displayed on the heroic scale. Though men of the eleventh century did, in fact, display their emotions much more openly than we do, there is no reason to suppose that they made a practice of fainting away in chorus. But the gesture had their approval; that was how they liked to think of people behaving. In every age, art holds up to us the standard pattern of exemplary conduct, and real life does its best to conform. From Charlemagne’s weeping and fainting we can draw no conclusions about his character except that the poet has represented him as a perfect model of the “man of feeling” in the taste of the period.

OK, now let's dig into some quotes that I found just in Christopher Tyerman's Chronicles of the First Crusade and Joinville's Life of St Louis:

Truly you would have grieved and sobbed in pity when the Turks killed any of our men....

As for the knights, they stood about in a great state of gloom, wringing their hands because they were so frightened and miserable, not knowing what to do with themselves and their armour, and offering to sell their shields, valuable breastplates and helmets for threepence or fivepence or any price they could get....

When Guy, who was a very honourable knight, had heard these lies, he and all the others began to weep and to make loud lamentation....

They stayed in the houses cowering, some some for hunger and some for fear of the Turks....

Now at vigils, the time of trust in God’s compassion, many gave up hope and hurriedly lowered themselves with ropes from the wall-tops; and in the city soldiers, returning from the encounter, circulated widely a rumour that mass decapitation of the defenders was in store. To add weight to the terror, they too fled…

In the course of that day’s battle there had been many people, and of fine appearance too, who had come very shamefully flying over the little bridge you know of and had fled away so panic-stricken that all our attempts to make them stay with us had been in vain. I could tell you some of their names, but shall refrain from doing so, because they are now dead.

I could go on looking for quotes in all the other medieval literature I've read, but that would be beyond the scope of this Tumblr post.

In the meantime, this leads me to make some comments on how trauma was perceived.

In Jonathan Riley-Smith's The First Crusade and the Idea of Crusading, the author discusses the mental breakdowns suffered by the first crusaders during the second siege of Antioch, which caused many of them to flee at the moment of direst need:

In these stressful circumstances it is not surprising that the crusaders were often very frightened. At times, indeed, they seem to have been almost paralysed by a terror that they themselves could hardly comprehend. … When the crusade was bottled up in Antioch by Kerbogha's relief force it was gripped by such blind panic that there was the prospect of a mass break-out and on the night of 10 or 11 Juney 1098 Bohemond and Adhemar had the gates of the city closed. It is worth noting that many of those whom later chroniclers, writing after the events in comparative comfort in Europe, vilified for cowardice and desertion seem to have been treated more charitably by their fellow-crusaders, who must have understood what pressures they had been under.

--

In conclusion: the way we feel about things today in the English-speaking isn't necessarily the way people felt about things in the past (and this goes for other cultures, real or imagined, too). I'm continually catching myself writing people with stiff upper lips and emotional reservations, and having to remind myself that the culture was different back them. If a grown man wanted to weep, he could. That's a good thing. (Oh, and my medieval historical fantasy? Check out the Watchers of Outremer series on Amazon or wherever books are sold!)

[4pfsukuna]

omfg bruhhhhh

yall want me to believe Choso “on sight before his feet even land on the floor” Kamo is some pathetic whiney crybaby? Like why is every fic so… ugh i want him to fight back. Somebody please tag me or drop a link for assertive/ aggresive/ dominant choso! (Prefferably black reader)

like do i gotta write it myself?

Choso who meets you when you both come in late at night its 2am and youre standing in the hall talking about whatever the hell a middle part buss down is. He doesnt care he just wish you werent so loud… in your shared hall.

you glare at him because who was he talking too! You pay the same amount of rent as him and to damn much at that they should be lucky you werent in the lounge making ramen watching their t.v right now.

It doesnt get better when you bang on his door asking him to turn his music down cause why was he playing last resort by papa roach at 3:30am on a wednesday. He opens the door in a hoodie and tight calvin klein boxers and your eyes drift for a second until the next rock song starts up this time in japanese and he has the audacity to have an annoyed expresion with you!

”did you want something or did you just want to stare” he glares annoyed with a steady voice though youre expecting him to snap.

“Who answers the door in their boxers have some decorum” you respond half embarassed that he caught you. “And your music is loud… some of us have jobs in the morning” and you storm off not leaving any room for backtalk.

the next time he sees you is a few days later when youre both rushing out and slam into another his shirt and leather jacket falling to the floor with your purse falling sending your wallet down the hall and lip gloss shattering that dior gloss was not cheap.

”are you fucking kidding me” he hisses and you notice hes shirtless silver bars through his nipples and a few tattoos littered across his chest.

”you got a real stairing problem there princess” which makes you smirk.

“you look like a 1st grade art project… line work isnt half bad its just the asshole its attatched to” you retort collecting your items not realizing a few slipped from your wallet.

it was maintenance day you didnt have time to worry about shit it was hair lashes nails toes and a fresh tattoo and belly piercing your friend finally found an artist that did both and had clean work.

youre all smiles and sunshine walking into C.K. Parlor even enjoying the convo with the pink haired male receptionist whos so sweet mentioning this was his brothers shop but something about this guy looks familiar.

“Hes so hot” your friend gushes making you turn around and groan at the sight of your annoying ass neighbor.

”couldnt get enough bothering me home so you come here” he teases but theres something so stoicly calm about his anger… its more so mild annoyance.

”i actually came to get a tattoo and piercing but i think ill pass” you speak not wanting to admit you actually loss your credit card but youre here for moral support for your friend who now that you look at her looks like she doesnt need it.

”youre already here dont tell me youre chicken… come on ill even do it for free”

”free?” Oh that had your attention.

“mhmmm lets call it a truce no more loud… anything just being good neighbors”

and its not long before youre on the table the design being shaded into your spine and he admires how you just take it… his mind does begin to drift to if you can take anything else when he notices how pretty you look today.

he actually loves white on your toes and the crisp french tip on your hands. Its when he notices the snake tattoo wrapped around your wrist that he realizes you might be interesting and not just some stuck up—

“you wanted your belly pierced too right?” He ask and if someone wouldve told you that youd be half dressed infront of your neighbor Today you wouldnt believe it. Hes professional and doesnt even glance at the double d’s you have in your lace bra… ok he did but you didnt notice at all.

you thought you seen his ears burn red but hes quick to turn away disposing of the needle and your completely suprised by how soft and careful his hands are… ahem he is.

”and maybe we can actually be nice to another” he says softly holding out your credit card that you dropped earlier.

your truce last all of 5 days. It wasnt your fault meg the stallion announced she was going on tour and you couldnt help the screams of joy and to blast her music.

you dont expect anyone to bang on your door or barge in when you open it.

”excuse the fuck out of me” you hiss slamming your door facing him when you notice hes looking past your face and down at your body.

you were wearing a dark purple lace bra and underwear the silver belly ring he initially put in switched out for a dangly silver one with a dragon that matched your tattoo and yes it was to early to change.

”my eyes are up here”

”please. Nothing i havent seen before princess actually it kind of looks like the black one” he smirks watching the fury in your eyes as you look for something to cover up.

”get the fuck out”

he saunters (the god damn audacity) out but not without pressing his whole body into you as if the walkway wasnt wide enough making sure to press himself into your ass leaning down to your ear.

”good night princess” and you dont have to look at him to know hes smirking but that raspy voice does something to you.

that night you go to bed with 3 orgasms… what dont make that face you had a voice kink and couldnt help it.

he smirks when he sees you the next day and you try to ignore him as he unlocks his car door.

”sleep well? You know the walls are thin and im sure our bedrooms share a wall”

you make a mental note to get on apartment finder tonight.

”im sure that was your first time ever hearing a womans moans outside of porn” you hiss back you werent no weak bitch.

and he wasnt a cliche man his taunts went further then just an insult back, hed give you more content for tonight. After all he was helping you help him.

”just be a good girl for me and let me hear everything tonight alright princess” he utters in a deep octave that makes your breathing stutter and you cant form a proper sentence and any insult is going to be childish.

you of course try to walk off but he grabs your arm pulling you closely his large hand spreading across your lower back.

”did i say i was done… look up at me” and you bite your lip to keep your jaw off the floor this man was wicked and you were not about to play with a devil.

”youre such a pretty mess” he adds in watching the gloss in your eyes before you come to your senses pushing him off heading fown the street.

”wrong direction princess” and you were headed the other way but you should probably just head back inside to change underwear.

and if he could hear you through the wall you were going to put on a show, you make sure even whine moan groan whimper and cry can be heard through these thin ass walls honestly you were so sensitive from overstimulating yourself… It was his fault.

You do everything in your power to avoid him the next few days that post nut clarity knocking some sense into you.

You actually have no idea how wrecked he’s been. How wrecked you had him! He needs to hear it again.

he might turn slightly yandere for you. its when you get a call at 1am and of course youre up you had actually just got out the shower.

”is this your payback” he hisses into the phone though you arent sure what hes talking about.

”how the fuck did you get my number? Doesnt matter bye”

“stop it just listen” he grunts catching your attention “i just need you to be a good girl for me just once i promise” he nearly begs and you have a wicked idea of what he’s doing on the other side of the phone.

you listen to every command, praise and groan his sultry voice lets out your fingers and sheets soaked

“you did such a good job baby, you deserve a reward how about you cum for me” he grunts sending both of you to your end him losing it to the sound of your orgasm.

“i wanna take you out on a date” and thats when you hang up not in the mood for his antics.

hes serious though, he takes you to the finest seafood restaurant with expensive alcohol you cant pronounce he even gets you a dress to wear, suprising you with a new dior lip gloss…3 actually.

”thats how many times you orgasmed through the wall the first night…” you thank God for your brown skin and him not being able to see you blush. He genuinely takes the time for you to get to know another subtly throwing in praises.

by the time you get back to the car your a wreck hair frizzing from your body overheating already.

your legs are rubbingg together and he spreads them guiding your hand down.

“Be a good girl for me and show me how pretty you look when you cum”

You happily comply watching as his hands fidget while driving

When he gets you back to his place your clothes are off and your back is against his fluffy comforter, not that you had time to notice but his whole room is black.

Hes a certified munch and will eat you until youre lightheaded. He eats you out on your back, makes you ride his face, eats you from the back he has you in 7 different positions from head alone.

He gives the deepest stroke while telling you how pretty you are for him the most filthies things he can mutter in your ear giving you back shots the pillow under your stomach propping you up as he plays with your clit begging for you to cum.

you black out and hes not far behind but makes sure to clean you with a warm rag and throws a tshirt on you.

He loves waking up to you and will actually barge in your home or bring you over to his.

He has his own stubborn ways which you will sometimes talk your best shit which he loves, he needs his woman to be on go not some docile lil weakling.

and sometimes he fights back!

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[ofliterarynature]

MAY 2024 WRAP UP

[loved liked ok nope dnf (reread) bookclub*]

(100 Cupboards) • The Brides of High Hill • Factfulness • Derring-Do for Beginners • Feed Them Silence* • The Murder of Mr. Ma • The Well of Loneliness • A Dreadful Splendor • Drowned Country • Arabella the Traitor of Mars • Silver in the Wood • The Warm Hands of Ghosts • Arabella and the Battle of Venus • Endpapers • Song of Blood & Stone

Arabella and the Battle of Venus/the Traitor of Mars (4.5/4 stars) - a great wrap up to the series! Since learning these are *not* actually YA, I do wish they had a bit more depth and complexity, but they moved quickly and were very fun to read. Traitor was perhaps not my favorite of the lot, but like, it's got space battles, it's got relationship drama, it was still fun. Also featuring a small reoccurring cameo by Dr James Barry!

The Warm Hands of Ghosts (5 stars) - I was very impressed by Arden's ability to write with her Winternight trilogy, even if I wouldn't call it a favorite. I was blown away by this! Is it because it plays to some of my interests? Yes, probably. I've been growing more interested in the turn of the century and WW1, and the way she incorporated the supernatural elements was just what I love, not to mention a well-earned, bittersweet ending. I might have to pick up a copy for myself.

Silver in the Wood (4.5 stars) - I liked it! I might have liked it more if it were longer, but definitely a good read. I think Drowned Country (4.5 stars) was also good in its own right, but not quite satisfying as a sequel. If this turned into a supernatural casebook-type series I'd have been delighted.

A Dreadful Splendor (4 stars) - on one hand, I would call this an excellent gothic novel on the grounds that it didn't irritate me and I enjoyed reading it. On the other, I do keep forgetting that I read it. Make of that what you will, but I'd recommend it if it sounds interesting to you!

The Well of Loneliness (4 stars) - I'll be honest, this only gets 4 stars on the strength of the fact that I did like the first part of it. Young Steven, who's odd and strange and confused about herself; a mother who's upset but oblivious to why; a father who understands exactly what's going on but is too afraid to tell his daughter. It was so compelling (and pushed me to tears, it's true). But the latter half...I just didn't understand adult Steven, I'll be honest, I found her very unlikable and I think I missed the point?

The Murder of Mr. Ma (4 stars) - a Sherlock-and-Watson-esq duo in the Chinese immigrant community of 1920's London, with a good helping of martial arts fighting to go along with it. This felt like a perfectly serviceable mystery that I had no problem reading, but I can't say if I found it particularly compelling. I'm not sure I'd be interested in reading further if this becomes a series.

Feed Them Silence (5 stars) - what a punch from such a small book! Even before I finished it (in tears I might add), I was so impressed, this was such a smart and clever book. And the main character, despite clearly being a mess and not the greatest person, was nonetheless incredibly sympathetic and compelling. Fully recommend, I might have to get myself a copy (and with definitely be checking out the author's other work).

Derring-Do for Beginners (5 stars) - wonderful! I'm mad at the brain weasels not cooperating so that it took me over a year to finally read this - any Victoria book is a lovely book (now I just need to tackle Bone Harp). I don't want to repeat the entire write-up I already posted, but wonderful, sweet, major Circle of Magic/Sandry's Book vibes. A good place for people new to Victoria's work to start.

Factfulness (4 stars) - this was regularly recommended by a podcast that, admittedly, I no longer listen to. But I'd already picked up a free copy, and not enjoying the podcast doesn't mean it's not an important book. First point, you should read this in print, it's chock-full of graphs and charts that will add to the experience. Second, there will be a poll/quiz near the beginning and you should take it and record your answers. I listened to this on audiobook and did neither of these things lmao, and it could have been a better experience. Overall, this seems like it could be a very important book for some people, but I'm not sure I'm the target audience - maybe I'm being overconfident, but I'm a generalist! I like patterns! I'm clinging on to the good in the world for dear life to stay sane! I don't think I found the info the authors shared quite as shocking as they seemed to think I should.

The Brides of High Hill (5 stars) - delightful as always! I really want to go back and reread the earlier Singing Hills books before the next one comes out. Maybe even buy my own copies :D

100 Cupboards (4 stars) - reread this for the first time since middle school! A little dated, but it hasn't aged too poorly! It was also so very rural mid/western america, it was amusing. I did find it a little bland, but it's probably fine for kids - I'll have to see how the rest of the series goes, because I absolutely don't remember.

DNF

Endpapers - this *sounds* cool (and has a fantastic cover), so I was thrilled when QLL added it on audio! Unfortunately I picked it up right after The Well of Loneliness and wasn't ready or willing to deal with another sad angsty queer book so soon.

Song of Blood and Stone - Honestly it seemed fine, just a bit more YA and focused on the romance than I was really interested in. Looking at the 3 further books in the series filled me with enough dread that I decided to not waste my time picking this one back up.

[kavehpilled]

ALL of them.

OK SO YIU HATE ME

1. how many followers do you have?

somewhere around 1.7k i lost track a long time ago

2. whens the last time you went on a date?

june? its been so long ☹️

3. how many posts have you made?

WELL over 20k this account is 3 years old

4. what type of shoes do you wear?

white avia elevates or my blue converse

5. what color are the walls of your room?

cream at my moms, brown at my dads

6. where are you right now?

in english im about to pull the trigger

7. would you consider yourself good at art?

perchance…. i know im alright enough at it that people like my art and make it their pfp sometimes. i even have a mutual that printed a drawing i did of atsushi and put it on their wall💀

8. who was your first kiss?

you😛

9. do you still sleep with stuffed animals?

YEA LIKE 5 LMFAO

10. whats your favorite piece of clothing you own?

i have a really nice red cardigan that i basically live in at home

11. do you live in an urban, suburban, or rural area?

suburban all around i think i dont remember

12. whats your favorite store to shop at?

goodwill🫶

13. if you had to choose one POSITIVE word to describe yourself, what would it be?

gentle i think

14. do you collect anything?

classic novels! im restarting my collection of tiny bear figurines and friendship bracelets tho

15. whats the last thing you ate?

i had a banana applesauce like an hour ago :)

16. if you go to therapy, do you like your therapist?

i go once a month and shes nice! got me referrals for diagnoses so that was chill

17. whats one thing you want to buy, but dont have the money or resources to get it?

WRIOTHESLEY DOLL.

18. whos the first person you can think of?

you

19. how old were you when you found out santa wasnt real?

i think ~5? my cousin told me :(

20. if you could revive one tv show that has been cancelled, what would it be?

jjk bro pls revive and continue for me. i need satosugu to be happy

21. do you consider yourself a part of any alternative subculture?

i dont think so!

22. who was your childhood favorite music artist?

taylor swift or sir mix a lot

23. cds or record players?

despite my extensive cd collection i would say records

24. do you believe in any conspiracy theories?

i wish but i think too rationally for any of that

25. would you get back together with an ex if given the opportunity?

i think people always deserve a second chance and we are legitimate living proof of that, even if that concept like translates into relationships. im nowhere near ready for anything right now but if i ever got back together with ANYONE they would have to change a lot. i have hope in everyone tho

26. favorite kids show character?

kwazii from octonauts :)

27. is the person you call your best friend actually your best friend?

yeah!

28. when youre sad, do you prefer to listen to music to match your mood, or listen to happy music?

sad music all the way. i rarely cry so when im genuinely upset its nice to get it out to sad songs yk

29. whats the last outfit you wore?

im a chronic outfit repeater so. white turtleneck under a dark green sweater that has pumpkins all over it and dark brown cargo pants. ive worn this like 10 times

30. do you have any online friends?

YES alice ezra and skylia are the ones i talk to the most!! but i have a lot of mutuals i love interacting with ppl

31. least favorite clothing style that is currently popular?

those white fox hoodies make me carnally angry

32. how often do you do your laundry?

once a week at my dads, twice a week at my moms. its a weird system but i have more clothes at my moms currently

33. do you prefer silver or gold jewelry?

gold, silver makes me look sad and grungy

34. whats your book/movie/tv guilty pleasure?

i like reading cherry crush on webtoon when im bored💀🙏

35. if you could change your hair however you want, how would you change it?

id probably dye it to calico colors but im scared ill look like a goof

36. do you paint your nails?

sometimes! i did them blue like for a day and then i got bored. i pick at them too much so its like a little treat

37. whats an uncommon/specific/ obscure topic youre interested in?

vampire burial practices and eastern european rituals

38. whats the name of your first pet?

KITTY💀 he was an orange cat that got eaten by coyotes

39. whats one feature you would change on tumblr?

im not active enough to notice anything…

40. whats the most interesting item you own?

i think a tiny glass giraffe i love him

41. would you rather go on a date at a museum or a concert?

museum all the way i love intimacy with that kinda thing

42. whats one regret you have?

i could go into extensive detail about what i seriously regret in my life but i think my main one is not telling you enough before we split apart

[ru-bwee]

ok because i am nice and have autism here is ur brief history of niigo 1/5 posts @the-moth-from-elsewhere . the other posts come when i have the will to read the stories i dont rember

warning for suicide mentions

also for ur consideration; niigo main story digest animation

niigo backstory:

kanade/K leader and composer. started making music to save people since her father fell into what i think was a coma from overworking. has a savior complex

mafuyu/yuki lyricist + sekai owner. started making music with kanade after hearing her song one day and thinking it could save her. lost her taste has a good girl persona and needs therapy

ena/enanan artist. saw the music one day and drew an artpiece inspired by the music. invited to join the same time as mizuki. has a bitch father and anger issues. i relate to her hard

mizuki/amia MV MAKER!!! saw enas art and made a music video with it, realised "i forgot to ask to use the art" got permission, posted the mv and got invited with ena. trans girl. loves cute things. is a cute thing. has a sister called yuuki :)

MAIN STORY IMPORTANT EVENTS:

c1: kanade opens untitled on her computer and gets sent to the empty sekai. meets miku.

c3: ena mentions a music artist called OWN (important) incredibly popular. like insanely. kanade is suspicious that OWN is actually mafuyu.

ch4: mizuki overhears a conversation with mafuyu and her mom. mizuki asks mafuyu is she is ok. mafuyu is not. this isnt that important i just like mizumafu

ch5: mafuyu is gone. she has been gone for a week. Mizuki opens untitled and blinds everyone

ch6: miku gives the sekai lore oh hey theres mafuyu

ch7: mafuyu has not eaten for a week. oh wow mafuyus actually own and enas gonna go after mafuyu like a rabid dog. oh and shes left niigo. miku kicks mizuenakana out of sekai.

ch8: enas not happy. ena very much snaps. ena confesses to herself that she is suicidal

ch9: (bursts into tears) mizuki getting gossiped about again. eat shit and die. mizuki is also Suicidal

ch12: kanade goes to sekai and hears her song. the song that reached mafuyu. mafuyus true feelings are not to disappear

ch13: just read this one actually

ch14: mizuena conversatio WAIT WHATS THAT. THE MIZUMAFU PARALLELS??? BOTH MADE TO CONFORM TO SOCIETY???

ch16+17: kanamizu are heading to sekai! the start of the end.. ena does not gaf. (< she does) mafuyu slaps kanades phone onto sekais floor. kanade is cursed. mafuyu does not gaf (she will)

ch18: also just read this one. for a better experience, watch the chapter on youtube

ch19: we found your true feelings yuki!! hit it miku! (composing the future starts playing)(< listen to composing the future its good and it was made by mafumafu)

ch20: they meet at the niigo diner! mizuki gets fries. mizuki loves fry. mafuyu thanks kanade for finding her. were done. first focuses cominguhhh whenever probably within the next 2 days

[arecomicsevengood]

Two from Deadcrow

If you have seen the anthologies published by Floyd Tangeman and his crew Deadcrow, you likely had one of two reactions. Either you found the chaotic style, which showed no allegiance to alt-comics history as purveyed by Fantagraphics/D+Q and ran closer to a white graffiti take maybe vaguely alluding to manga, to be invigorating, or you took at as a “what the hell is this” proposition. “There’s no story here!” was absolutely a fair reaction. I tried to arrive at a more moderate position, of “hm, ok, let’s see what these people are doing, maybe one of them will make something closer to a traditional comic in the future.” Now, solo series are starting to emerge from this circle, some under the auspices of Deadcrow, some from Ashton Carless’ Bootleg Books. Your best bet to track them down is from Domino Books.

Jade Mar has begun a series called Welcome To The Butterfly Effect. Her style here comes together into something that's readable and interesting, but it still feels different from most comics work. I would say most comics lay out a consistent visual style, as a way of setting up a set of rules that can then pull you along and enter the story. Here, it feels more like the story provides a framework to move you through the wild drawing. There's a nightclub in a missile silo in the desert, people wait to get in line, the bouncer asks questions, and then each person is sent to a different floor, where they maybe disappear forever. Jade Mar, in an introductory note, says this comic is based on a recurring dream that she is structuring "like a HBO show" to show the same story from the perspective of different characters. The girls are in the club, a detective is going undercover to find the club and investigate the disappearances that have been happening for decades. The story is cool, there’s a sense of humor to the dialogue, a sense of mystery to the proceedings. The drawings are able to depict the scenario of each individual moment, even though it is never going to emphasize a character design or recognizability. If the story is premised on mystery, why should the art explain itself to you, when it can convey the feeling of an individual moment? Still, you can tell by the approach to cover design that zero concession is going to be offered to an idea of acceptability, you gotta meet the comic on its own terms.

Chaia Startz has likewise, I think, begun a series, although it’s also possible that SZNS is a self-contained story. This one is in full color, with each page giving us nine panels in a square, and a decent amount of negative space around that grid. Still, in terms of layout, this is as straightforward as it gets. Startz practices here this sort of soft and squishy approach to cartooning which feels specifically “classic,” reminiscent of an underground comic using a visual style learned from earlier twentieth-century cartooning. In many ways, this is one of my least favorite vibes for a comic to have: It always feels somewhat sickly and nauseating to me, but keeping it on a grid keeps the atmosphere tamped down and moving consistently forward rather than letting the reader sink into the hallucinogenic texture of it all. This offers a main character with a weird character design, that eventually it’s made clear is a snowman. He goes to work, he dates, he writes letters, he tries to maintain his dignity, but you know, it’s a weird old world when you’re made of snow. Inside back cover has a playlist which reminded me of an indie pop song I downloaded from a mp3 blog in my college years and hadn't thought of in over a decade, "Year Of The Waitress" by The Eames Era.

Both of these comics I thought were charming and good, moving beyond the “shows promise” mild recommendation to actually do something I found compelling. Both Chaia and Jade have stories in issue 3 of the anthology Jaywalk, published by Domino, and while I know I read that comic I want to revisit it now that I feel I have a better idea of what each artist is approaching.

[queenlua]

tagged by @vintar for “ten songs you’re vibing to right now”!

ok, i gotta tell you just how EXCITED i was when i got tagged in this, because

i saw it earlier this week, just as me and a friend were talking about our misspent youths, which for both of us involved an awful lot of “stockpiling dope midi file versions of various anime theme songs,” right

and i was like “bro i still have my WHOLE COLLECTION,” and we spent a VERY pleasant evening nostalgia’ing over the tracks i found, and now here i am, days later, sharing ten of my dopest midi files with you as well (& all my fine fine followers ofc)

here’s the dropbox link!  a guide:

abyss.mid: god wasn’t this song so sick when it was in dance dance revolution

galaxia.mid: i have NO IDEA what song is from.  hmu if you recognize it?  lil’ kid me was impressed with its majestic scope, its sick reverb, its really fun ancient-temple-y orchestration, and, ok yeah adult me agrees this one rules

giveareason.mid: i have never watched slayers in my life but i have listened to the midi of its theme song approximately one billion times

lastempl.mid: i think this is the last temple theme of one of the earlier zelda games?  i like how AGGRESSIVE it is, just, RIGHT out of the gate it’s loud and in your face

nightwait.mid: *old man voice* back in my day we didn’t have enough space to download em pee threes.  we had to collect midi files of cool pop songs.  such as jennifer lopez’s classic “waiting for tonight”

SD3_-_Innocent_Sea.mid: it’s a tune from Seiken Densetsu 3, a game soundtrack i find overall tragically underrated.  (the whole series, really; Secret of Mana has some absolute bangers too!)  anyway “Innocent Sea” and its companion “Innocent Water” have fucked me up for years; ask me to play the latter on the piano at a nerd convention sometime

sealcrazy.mid: there was this one wildlife artist who sold his art on his lovingly handcrafted website and he had a different midi file for each page.  like each piece of art for sale had its own page.  anyway this was my introduction to Seal, though i didn't realize it until i heard it on the radio when i was 25 and was like HOLY SHIT IT'S THE LIVE VERSION OF THAT MIDI FILE

song1.mid: i think this one might be from Ultima?  like the original Ultima online?  but i’m really not sure; i found it on a Geocities website for this horse roleplaying game called Black & Blue where this song played in the background during its cool Javascript intro page, where they told the story of The Falling-Out Between The Two Brothers That Has Now Cleaved Our Realm Into Two, and like, text would fade in & out in sync with the music?  such a sick effect.  loved it

song2.mid: this played once you entered the main part of the site.  might be another Ultima song.  who fuckin knows

SongoftheWolf.mid: some of you didn’t listen to an absolutely disgusting number of world music albums + Enya during your formative years and it shows

anyway, i will spin the wheel since i’m honestly looking for some new music (i have to drive a bunch during the next month, UGH): @radicarian @ourlightsinvain @jaggedwolf @soanvalcke @departo @nightpool @cyansighs @tototavros  @cyanoscarlet & anyone else who wants to join!  (did i mention. i have to drive a lot. please share some music with me. save me from listening to Bad Religion’s The Gray Grace so many times it causes an integer overflow in the fabric of the universe and sends us all straight to hell)

[raid3r-r4bbit]

@fuzzydreamin thanks for the lol. ive been a little busy with life so sorry for the late response.

Favorite Color:

Green. Like Blindingly Neon almost yellow bile/acid toxic hazmat pukey green. Also black. I'm also a fan of earthy tones, warm greys and browns, rusty orangey reds, and i also unironically love that "some smoker lived here for 5+ years but i swear the walls are white" sepia color.

Last song:

Either Childish Flamingo or 1x1. I've been hopping in between really screamy and just goofy shit atm because i cant focus with anything else. 🤷 But (I also jsut got a new BMTH hoodie) BMTH's post human album has been feeding me. It's a really good (visual? no.) example of that like just angry and over it nihilist feeling and I just *MUNCH CRUNCH AAAA* like i feel like it could be just the tiniest bit angrier and louder but i think that's my headphones.

as for childish flamingo, its like that miseryxcpr thing imo. It's goofy and funny and it slaps. and it's so catchy. it's like right on the edge of aha funny and fuck you street and i love it. i hope any of that makes sense im sorry lol.

Last movie:

the Demon Slayer movie. I skipped all the way to the end to see the fight between Akaza and Rengoku because they're two of my favs ( in order from that show: Uzui (my mom calls yuzu (my cat) Uzui and its adorable) Akaza and Rengoku. I Found out the english dub is out (im way behind) and just needed to hear their english voice acting. all of it is amazing and Akaza's lil gigles during the fight make me incredibly happy. Guys who laugh/giggle mid combat? Ugh >\\x//<

Currently Watching:

Demon Slayer, Chainsaw man, Tokyo ghoul (im rewatching a bunch of animes) Steven universe. (i love all of these and full recommend them. I literally just yesterday(or the day before idk time is a blur) got a new funko pop, it's the half-kakuja kaneki and i love it.)

Other stuff i've watched this year:

Spy x Family, the Junji ito Collection, Yamishibai (if you like picture style art and horror this is great, its somewhat junji ito like, but shorter stories and ngl the zanbai ep scared me a bit) psychpass (some reccomended this to me cause im (obviously) a fan of darker more gruesome shows, and it is very dystopian, love the art work, but i just dont get it.) Given (if you havent watched this show please watch it its amazing) Yuri on ice, Banana Fish (also another fave)

(I work from home, and pretty much exist at my computer, and need to keep on music or tv to keep the bad thoughts out, so i have a lot of time and opportunity to watch stuff ok)

Shows I dropped this week:

Psycho pass. again, i just couldnt get into it. I know a lot of people seem to really like and it full seems like a show that would be up my alley. that first ep was kind of a lot though. I'm not ashamed to admit i love shows that are unafraid to show nudity and violence but the two together (ifykyk) make me uncomfortable. If this case had been a little further in the show i think it would have been fine, but it's litterally the first like ten minutes of the show. I also tried watching this a few week ago while at wasteland but we were pretty much just out the door.

Devil May Cry. I still love the games and the characters, and i remember loving the anime as a kid but its just... so different from the games lmao.

Currently Reading:

random internet stuff, fics and shit. I feel bad because i used to go to the library all the time but at the same time, i dont really have the room to store a whole bunch of books and despite being super dyslexic, i read insanely fast, so renting/buying books isnt worth it to me. (i've read entire full length series in the span of a day or two, while doing other stuff. I need longer, more conveniently packaged novels and that typically comes in the form of fanfiction. )

tagging: @snowmutant @ivanpahdrylakeracer @glaochormfitheach(idk if ur cool tagging you in this kinda stuff, if not just lmk i though it'd be fun :D) @the-soup-witch(im dragging you into tumblr culture whether you like it or not, welcome to tagging games)

[keyboardinpain]

news flash: "racism is bad!!!" Doesn't work against a racist. They don't give a single fuck 💀

if you're trying to change a fandom by attaching yourself to every drama and complaining about the racism and putting everyone who doesn't draw a certain character in the same category, I'm sorry to tell you, you ain't doing shit for representation!!! You want to change the fandom? You want to see more poc countries being depicted? Do it yourself!! Post!! Talk about whatever!!

"oh but people don't pay attention to poc countries :(( my account won't grow if I do that.. is because everyone is so racist"

1- that's the same reasoning big companies have for never depicting minorities, so let's immediately start this by saying, bullshit. People who care WILL find your account and isn't that what matters? The people who care? Not 20000 people that look at your posts in annoyance because they don't actually care and were guilt tripped into following you

2- who....who are you posting for?? Yourself to have fun and interact with people who have similar interests or to get famous?? Who cares if somebody posting Twink Italy gets more followers, post about Nigeria with passion and peace and have fun!!!

3- not everyone who doesn't pay attention to your account or poc countries is fucking racist omg. Yes, ofc, racism in geopolitics and history has caused lots of people to not have access to a full picture of the world and this will show in the interests but also .. maybe they haven't found your account? Most poc countries have to be ocs and finding hetalia ocs is hard. Even harder finding them interesting when they're barely posted about or if they are drowned with drama. It's not racism, it's not knowing it could even exist! And still, if they don't care that's ok. It's still not racist. And same thing if they are canon. Not everyone has to care

Shit I have a bunch of mutuals who don't reblog my Venezuela art, does that make them racist?? No! They don't care and that's fine!!! It's ok!!! I don't care about the Nordics they don't care about Venezuela, it's chill! Not everyone has to have your same interests in the same way

And also, constantly posting about drama instead of actually working on your goddam OC's makes people immediately be turned off by your account.

People don't need extra negativity "it's not fair white people get to ignore this while we suffer constantly" MF you were the one that posted that!!!! You can block people!!! Fucking Tumblr makes bubbles specifically to create echo chambers of yes man, you don't have to deal with the negativity either!!! And also the whole point of wanting equality is so nobody has to suffer, not so everyone suffer the same!!! There are multiple ways to keep yourself safe that I myself use because my own country gets treated like shit 💀 this is a fandom, you don't have to interact with everyone you don't like or correct them nobody out there will stop dying if you do.

You are fighting a random person behind the screen not actually dismantling centuries of racism. This just makes it stressful for poc people or non poc people who want to draw poc characters, you know why? Because it feels like we constantly need to interact with drama and we can't look at tags that aren't filled with it. I hope nobody in this fandom has anxiety or OCD cause the way so many posts are formatted is nauseating!

Its the same bullshit as "if you listen to this song you're a bigot" 🍅

You are drowning in a drop of water. Racists exist everywhere but if you constantly go looking for them and interact with them, guess what? More racists will find you. The algorithms will literally bring them to you 💀💀

I am not saying racists don't deserve criticism, obviously they do. It's important to hold people accountable (especially in this fucking fandom) but once you see they won't start changing... block them. Don't base your content around calling racists out cause every racist who has been called out is still posting and being racist. Your time would be much better spent doing the content you like and creating a safe place for others who wish to do the same, even if it's only 5 people.

I know I sound very angry in this post, frankly I am. It's not targeted at anyone specifically tho. There is a lot of imbalance in this fandom but making huge rants (like this one lol) won't make up for the lack of a certain country, only making content with them will, and guilt tripping other people into making it will give you shitty results.

This rant was all over the place and if you read it that's great, it's probably nonsense. I am not expecting anyone to change their mind, I do not care, I just needed to get this off my chest. Once again, this is not targetted at anyone and if you feel targetted, talk about it with yourself cause I'm not going against you. Have a great day/night and remember to have fun

[mileshehimwhite]

ok i know this is played out but i wanna touch on how music is generally seen as one of the most socially acceptable art forms. it is impossible to live as a human and escape music, its everywhere. however, that really doesnt mean that music is upheld as an art worth discussing.

id say its pretty fair to point out poetry and music are fairly similar mediums. they cross over all the time, and the distinction of the two is more of a matter of subjective taste than concrete lines. something interesting ive found with poetry is that its not as easily accessible by the masses as music - why not? much of poetry is melodic or could be easily transformed into song. the iambic pentameter is infamous for its specificity when it comes to syllables, very akin to how lyrics in music must conform to certain tempos or become a noisy cacophony.

the kendrick vs drake beef has brought the idea of music being poetic back into the mainstream. i say "back into" but any kendrick fan can tell you that hes always incorporated poetic devices into his lyrics and instrumentals to illustrate the theme of his song/album better. its fun! its a way for him to showcase his skills while also making the music a participatory act for the audience. almost like a scavenger hunt, you know everything is THERE, its up to you to find WHERE. however, the beef has far surpassed kendrick and drake fans, hiphop/rap fans, and has become a discussion point for those who have absolutely no background in these mediums. this is not a diss, its an acknowledgement that for those of us who have and do revere music as an artform, a lot of the talking points can come off as very beginner - because they are, they're made by beginners who are finding their foothold in this new world, just like we all did at one time whether we were 5 or 50 when we first started.

disclaimers aside, my grievances aren't with the people intrigued by accusations. i mean, i dont like 2010 pop very much but if katy perry called pink a pedophile you bet your ass id have tuned the fuck in. im not even sure if thats a comparable accusation, as i think katy perry was more popular than pink? i dont know, you get my point. the accusations are more indicative of the system they're both existing in than kendrick saying this one guy sucks and if we get rid of him and his groupies hollywood will be rainbows sunshine and happiness forever. like, we should still get rid of him, but the systems in place that let drake rise to the level hes at and profit so widely from the communities he claims to represent wont disappear with him, they'll just find the next drake, or taylor swift, or james corden, literally fucking whoever fits the mold they need them to fit into, and if they dont, then adapt to the mold assigned to them. the system continues, the gears keep turning.

i dont even want to talk about the beef necessarily, though i do want to talk about the two songs meet the grahams and Not Like Us. meet the grahams was the heavy-hitter. the one that got everyone talking. Not Like Us was the chaser. a sweeter mixture to dull out the bitterness in the audience's mouth. there's been more controversy about the lyricism in Not Like Us than meet the grahams, and i find that it comes from a lack of understanding of what artforms really are - communicative devices. they're not trying to TELL you something, as something like a report or spreadsheet would with its analysis of sourced data, but it's trying to make you EXPERIENCE something. you can hear the sentence "Treat others the way you want to be treated." all your life, but if you've never experienced a situation where you need others to treat you with the same humanity they hold for themselves, it's a lot less impactful.

Not Like Us showcases exactly what kendrick lamar has already shown us repeatedly: he not only understands people, but he knows how to get through to them. meet the grahams will inevitably go down as one of the most vicious disstracks of all times, yes, but who's bumping that shit? nobody. its not supposed to be bumped. people discuss how it sounds very eerie and frightening, and its SUPPOSED. TO. BE. the instrumentals weren't picked for no reason. the unintelligible yelling in the background? purposeful. the vocals of kendrick going in and out of rage, of him simultaneously saying he wants drake dead and also that he wants him to improve himself by going through ego dissolution? purposeful. this is not just kendrick showing his own emotions regarding the scenario, he's priming the audience to be on his side by proactively aligning himself with their emotions - which leads me to Not Like Us.

okay. like, even the title you see it clearly. Not Like Us. kendrick, even before the song begins, has the audience creating an Us VS Them dichotomy with drake and his crew. kendrick also doesnt define a clear 'us' within the song - he does directly call out drake's culture vulturism in his music, but notice how deliberate he is with it. kendrick points out how drake uses "the people" to get himself a larger paycheque. that is, purposefully, relatable to every working class person regardless of race or location. he uses specific black people in his examples because of drake's anti-blackness, and while he mentions drake being half white in a few of his songs his criticism is always very carefully cushioned by the fact that kendrick DEFENDS drake's white half. he says hes a culture vulture for profiting off of such an important artform made by and for black america, yes, but he also points out that the inauthenticity towards his mother's side of the family and his nationality as canadian is pathetic and disloyal. he SPECIFICALLY MENTIONS how drake lied about his religious views not because kendrick hates the jews secretly but because DRAKE CAN'T PROFIT OFF OF BEING JEWISH THE SAME WAY HE CAN BEING BLACK. that's why he doesn't claim being jewish as hard as he does being black, if the inverse was true i doubt drake would EVER try to 'fit in' to the hip-hop crowd, in the same way he rarely if ever mentions his upbringing in a jewish household.

this is very important and VERY strategic of kendrick. he CANNOT be making enemies in this stage. kendrick has been banking on this reaching far past hip-hop/rap crowds. drake is fluid and, to the core, mainstream. therefore, kendrick NEEDS his lyricism to be just as easily approachable. think about the difference between kendrick's double entendres. "Tryna strike a chord and it's probably A Minor" has been a joke since, probably literally the day we quantified the concept of chords in music theory. some people criticize the line because of that, accusing kendrick of being a hack for using such an easy joke. what they dont understand is, THE JOKE HAD TO BE EASY. it had to simultaneously be easy to access for the general public and also still somewhat biting. kendrick already planted the seeds of drake being a pedophile in meet the grahams, and he's reaping his harvest by dropping that line and "Certified Loverboy, Certified Pedophile". they not only dont have to be clever, THEY CAN'T BE. they can't be more clever than what the layman would gather with one listen, they're his hooks in the song.

some people use Not Like Us as kendrick stepping up to the dick measuring contest on drake's terms. "oh, you think you so good cause you can write something that'll get em jumping? not only can i do that, i can do it BETTER." and i do agree with them! Not Like Us was incredibly well thought-out. it gives us basically no new information, but it doesnt need to, Not Like Us owes its purpose to beating people over the head with a few of the concepts addressed in euphoria. and meet the grahams, yes, and also to prime the audience against drake, yes, and also to show the audience that anything drake does you can get somewhere else and done better, YES! even the beat is produced by DJ Mustard, whose works are both familiar to rap fans, and widely loved. DJ Mustard producing it reinforces the Us VS Them. i mean, even casual listeners of rap have heard the notorious tag "Mustard on the beat, ho!".

im not going to claim this hasnt been pointed out before, i havent seen it, but im sure it has. kendricks discography has primed old fans to indulge in every lyric to make sure no nuance is missed. i dont think kendricks artistry has been in doubt once the entire time this beef has been widely popular. so it seems a little silly then, to start this goddamn dissertation off with a criticism of how music isnt treated with the same consideration by its fans like how a similar artform, poetry, is. and thats because... well, 1: music is way more popular than poetry, like i said. and that leads into 2: people dont recognize music as... important.

some music is. that's true. i mean, remember during the pandemic when celebrities were singing john lennon's Imagine from their mansions while the working class were dying from completely preventable causes? we can say what we will about that era, and oh boy do i have a lot to say, but it does prove that we on some level acknowledge the impact of music. why else choose a song? why not literally just say the words, or words to that impact? because music is better? well, no. people say impactful shit everyday - sans music. Inspirational speeches are a type of communication basically always devoid of music and yet they serve very similar purposes. so, no. music isnt always better. in fact, during the situation i outlined above, i could not think of anything WORSE than breaking into a little tune and jig. there is some tact necessary.

music, however, does excel in one thing inspirational speeches don't: community. this may make little sense, because inspirational speeches are notorious for being purposeful in their bonding of individuals into one united movement. but i want you to consider this: what role does the speaker hold? in inspirational speeches, they're on the same side as the crowd, yes, but they tend to hold some position above or differing from them. a figurehead or trusted authority figure to a movement. they're fighting for the same thing, but they're in a unique position to the crowd.

think about music in that same concept. the singer doesnt tend to hold that same difference. how could it? the audience sings along, the audience dances, the audience taps their foot or bobs their head, whatever participation is included, its necessary. kendrick's Not Like Us, no matter how eloquently reworked, would have NEVER gained the same traction as an inspirational speech. it would make kendrick seem too different from the masses. it would remind us that... he's a celebrity too. he isn't working class. he isn't the one getting affected most by drake's culture vulturism, misogyny, or alleged pedophilia. which would then ask the question: well... why didnt he point this out earlier?

some people are still asking that question, which i think does hold merit. kendrick lamar is not our friend. he has done amazing things for his community and black americans at large and we absolutely cannot discredit that, but kendrick lamar could personally fund my lifestyle forever and that still wouldn't mean i know him or his mindset. he is much more impactful to me because a lot of his songs about growing up in poverty or in crime-ridden environments resonate with my own upbringing, and hearing his experiences heightens that level of relatability because kendrick DID experience what he's writing about, unlike drake, but i also know me. i know people from my block, people who died or got on drugs. im aware that it isnt a black and white scenario, that someone could do amazing things in one area and hurt people in another, and that both are true simultaneously. kendrick himself is obviously aware of this, he addresses it routinely in his music.

i truly believe that kendrick lamar showcases an incredible wisdom of people in his music. i believe that is more necessary to contributing to music than having a good ear for what sounds right. music is a communicative tool, and kendrick knows exactly what to say, how to say it, and when, to elicit the response he wants. THAT is why the people who thought drake would ever win the beef were, at the very best, not paying close enough attention. roasts are not just insults, they're insights to another person's flaws. a metaphorical airing of dirty laundry to the public to initiate change. kendrick can get away with outright admitting he hates shit about drake for no reason and not be seen as petty because he articulates it in a way that has the audience agreeing with him. sometimes you hate somebody for a reason you can't pinpoint - and the funniest part is that kendrick CAN pinpoint exactly why he hates, for example, when drake says the n word. he literally goes on to say why! very explicitly! but now he's made it more comfortable for people to start bashing on drake for any given reason because "the vibes are off".

TLDR; be careful what you listen to, because theyre definitely listening to you.

[writers-ex]

hi you're back!! idk what happened, i don't wanna know as well but i'm sending you a huuug 💗 and hopefully you saw my ask about how to deal with nosy anons and found it helpful for you 💗

in celebration of me getting closer to finishing my backlogs (and claiming that I get all of it done today whew): a request! the one with the song stuff hihihi although i'll let you choose between two because i have lss from a lot of songs these days 🤧

A. Fluff!

song: I Feel Good by BINI

lyrics: *those in bold aren't sung in English*

"I feel good everytime that I'm with you, my eyes won't stray from you oh, oh, don't ever wanna part, even if I'll have to wait for you forever. Oh wait! turns out I can't wait anymore, I'm so eager for your love, and all emotions start to get real oh boy I love how you make me feel. It feels unbelievable, Cupid shot me, whenever you're there everything feels lighter yeah yeah"

idk but this song (and mv phew - it's a feast for my eyes lmao) is so colorful and fun it makes me feel like i'm also in love 😅

B. Angst :(

songs: Maharani (Great Queen)by Alamat and Hanggang Sa Huli (Until the End) by SB19

lyrics:

Maharani - "he doesn't understand what he's wasting, while I'm over here just waiting, like your numerous other suitors by the sides, I promise I'm not going crazy, you're my only Great Queen - will you give me a chance, if ever I might attain your love? Queen, let me be your King, I swear to god I'll never get tired of you, Great Queen"

Hanggang Sa Huli - "if our paths cross, then we're meant to be. Had I said everything then, would things be different now? With every breath, I pray that I could be with you. And if this is our last moment together, I want you to know that I love you, I love you, I love you"

okii I'm leaving it in your hands, hope you feel the vibe of the songs and get those creative juices flowing ang and and have fun with whichever prompt you wanna do!! don't forget to eat well todayyy 💗

- 😚

ok the girls in the MV are so cute and this at home arts and crafts vibe is so cute uwu so i thought of doing domestic things with lia bc yes like its a rainy day and you're both stuck at home so what better thing to do than use the paint set you bought a while ago and paint your jeans together to match each other while lia attempts to bake some cupcakes to watch a movie together however you panic and almost spill paint on the couch when you hear her cry out, running to the kitchen yuo see her sucking her finger that she managed to burn taking out the cupcake pan from the oven without gloves T_T so you kiss and wrap her boo-boo and start scolding her when she cheers and points out the window to show that the rain has stopped and a rainbow graces your window making you look at your shy girlfriend smiling before pulling each other into a soft kiss whispering how much you loved each other

the angst- its a bit dark for even my standards the mv actually made me think of arriving too late to stop yeji from leaving the office after your heated argument about a project you were both working on, she storms out furious and heads home but turns around to hear you calling out to her and…fails to notice the car turning the corner and hitting her, screaming you rush over to her bleeding body her face frozen in shock as the color drains from her face as she stares into your eyes, you plead and beg for her to hang on but its too late she can't hear your apologizes and i love yous as her body goes limp leaving you at the crossroad while the ambulance drives over too late T^T damn now im sad

[hummingbird-hunter]

ok wait maybe I'm not lazy (because I'm a lil bit insane!)

Jose Mauro (Google him tho his whole story is fucking insane ngl!) Makes I think stuff in Portuguese.

Kit Sebastian makes stuff in I think English & French?

Azymuth is a Brazilian funk/jazz trio.

Arthur Verocai is Brazilian as well, he's made some cool stuff.

Lily Allen did a version of Smile in Simlish which is always fun if you have both in your playlist because it's a horrible 50/50!

The Mauskovic dance band is an interesting band, I think they're from the US?

Hypnotic Brass Ensemble is like 8 siblings and a random dude they hired to be a drummer, really good band, Ballicki Bone is very good.

I'm not sure what language it is but Haydar Haydar by Derya Yıldırım & Grup Şimşek is fun.

Out Of Reach by Klaus Johan Grobe is in German?

People, Let's Dance by Public Service Broadcasting & EERA is in German.

I think Men I Trust has stuff in Quebec French.

Utu by Eno X Dirty is a bop.

Sonos Cor De Rosa by Tiawa is Spanish & English.

Sudan Archives is in English but she makes really fun & interesting art pop especially in her current album cycle.

CASIOPEA is Japanese like Jazz, Mint Jams is a really good place to start.

MF DOOM & BadBadNotGood's song for GTA is partially in Spanish.

Also Madvillian by Madvilliany is one of the best albums I've ever gotten to listen to.

SAULT makes amazing music, they've pit out a crazy amount of music since 2019.

Birds Of Paradise by Karnan Saba & Hone Be Good is really good. (I really like the label it came from)

Ethel Cain's debut Preacher's Album is definitely something, I loved it, be warned it's fucked up, and long.

Pip Millet has a series of Amazing EP's, still need to listen to the album though).

MĀ has an amazing album (Breakfast with Hades).

Deltron 3030 by Deltron 3030 is a great album.

Leak 04-13 (Bait Ones) by Jai Paul is amazing, it's a tragedy that it ruined his creative drive.

Caroline Polachek has done 2 art pop records under her own name, both are amazing.

Ravenna has made some beautiful music.

Ayonha by Hamid Al Shaeri got me into Arabic Jazz.

Balkan - Honey and Blood by Jordi Savall is a really investing album, idek how i found it.

La Sabotesue by Yazz Ahmed is a really good album.

Dub Yalil by Natacha Atlas is just, an amazing song.

Cosmic Funk by Lonnie Liston Smith and the Cosmic Echoes is good, my brother loves it and he has amazing taste.

Todo De Ti is really good pop, it's all in Spanish but I'm surprised it didn't get a Dua Lipa remix.

The Nu Deco Ensemble version of I Am The Antichrist to You by Kishi Bashi is beautiful. but haunting

Rosalia's Motomami is amazing. Hentai is a really beautiful song.

Celeste's album "Not Your Muse" was a really good listen.

All You Get From Love Is A Love Song & Calling Occupants Of Interplanetary Craft (The Recognized Anthem of World Contact Day) made me desperately to find this album from The Carpenters.

If you're feeling Horny the remix of Wizz by Coucou Chloe is fun, same with the Cupcakke remix of Good Puss. Also anything off Alias by Shygirl.

Roisin & Crooked Machine are great albums.

Tinashe's 333 is an amazing album, it's so good.

Orville Peck is gay country music.

Revulva is an 8 piece jazz band, Stop Pulling On My (Hair) is so pop though.

Lava La Rue makes amazing (and very queer music).

If I Sleep by Dystopia hits really hard.

Code by The Comet Is Coming had my friend jamming out because it sounds like the comet is coming.

I Feel Love by Donna Summer is one of the most important songs in moden music history and its so fucking good.

Nia Archives makes jungle, it's Drum & Bass but more fun.

Giving Up Air was a really nice EP by Bloodmoon, amazing production.

Julia Jacklin & Stella Donnely are both kinda sad Australians, thank you land of Muck for these artists. And the story of Engadine Maccas in 1997.

TRYON by Slowthai is really amazing, espech the A/B side differences.

Blood Orange's 4 songs are a nice chilled out 4 songs.

Self Esteem, I too do this all the time, but yet I don't Prioritize Pleasure.

She's So Kind by Harve is the sibling song of Theirs13 by JGrrey, both artists wrote the songs about eachother, truly a queer love story.

Wolf Alice's Blue Weekend has some moments more Blue than others.

The Danger Mouse & Black Thought album is well produced, with amazing features. Do not skip Strangers.

Doomsday by MF DOOM is an essential song, same with Nobody by Nas & Ms. Lauryn Hill, also recommended is One Mic, One Gun by Nas and 21 Savage.

Body Dysmorphia. by RAYE is such a constant mood!

this is the hits from my like 7.3k song spotify playlist

Thank you I am saving this

[attichoney4u]

I posted 1,782 times in 2022

That's 1,669 more posts than 2021!

58 posts created (3%)

1,724 posts reblogged (97%)

Blogs I reblogged the most:

@purple-amaranthe

@hermes-left-nut

@gemsofgreece

@six-feet-underneath

@alatismeni-theitsa

I tagged 1,214 of my posts in 2022

Only 32% of my posts had no tags

#greece - 73 posts

#projectcanada cities - 57 posts

#pc: edmonton - 38 posts

#disney - 33 posts

#!!! - 32 posts

#pc: calgary - 30 posts

#athens and sparta adventures - 27 posts

#art - 26 posts

#tumblr - 24 posts

#edward murphy - 23 posts

Longest Tag: 132 characters

#εξαιρετική ιδέα πιστεύω 100% πως θα οδηγούσε στις πιο γελοίες παρεξηγήσεις λόγω γκουγκλ τ��άνσλεϊτ κ για αυτό ακριβώς την υποστηρίζω.

My Top Posts in 2022:

#5

Recently, I've started thinking about how magic works in the Asterix universe.

Let's start with the Druids. It's obvious the exist and they're well respected among the common people. They participate in an annual festival, where they compete to see who has produced the best potion. Asterix, the village's greatest warrior, always makes sure that Getafix is ok and sometimes he doesn't even act without Getafix' consent. Even Vitalstatistix, the village's chief, asks Getafix for advice. And Getafix' opinion is always respected.

We have seen Getafix producing more kinds of portion, not just the magic portion that gives its consumer great strength. Like that one time where he profuced a magic potion that healed or made Asterix jump like a grasshopper.

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23 notes - Posted September 21, 2022

#4

Ok, but hear me out: Mathios from "Sasmos" is the perfect Tumblr man that every Tumblrerina simps for. Let me explain:

He's tall, dark, mysterious and intimidating

He's a murderer (and we all know Tumblr's tendency to overromanticize killers *cough cough* Jeffrey Dahmer *cough cough*), but not just any murderer

He killed to be closer to the love of his life. And he waited for and stayed loyal to her

Honestly, I don't know why the internet doesn't talk about him that much.

24 notes - Posted January 27, 2022

#3

Sketches of some of my childhood heroes, because I felt nostalgic! Click for better quality.

From left to right: Asterix (Asterix), Lucky Luke (Lucky Luke), Idefix/Dogmatix (Asterix), Iznogood/Iznogoud (Iznogood/Iznogoud) and Bass Reeves (Lucky Luke).

Note: Bass Reeves is actually from a new album of Lucky Luke (A Cowboy In High Cotton), but I added him because I really liked his design! It was nice to see a black cowboy for once (when black characters like him are usually background characters in this series)!

25 notes - Posted March 7, 2022

#2

I know I'm late to the fandom, but I just wanted to share the similarities I found among "Six: The Musical":

"No Way" - "Get Down": Both songs address Henry for the same reason: to prove him wrong! Catherine wants to prove to Henry that he's wrong about divorcing him, as she has never ever has done something to upset him or cause him pain ("If you could just explain/ a single thing I've done to cause you pain/ I'll go/ No?/ You've got nothing to say/ I'm not going away/ There's no way!"), meanwhile Anna states that Henry was wrong about him calling her "ugly" ("You, you say that I tricked ya/ 'cause I, I didn't look like my profile picture/ Too, too bad that I don't agree!")

"Don't Lose Ur Head" - "All You Wanna Do": Both pop songs address the audience and they follow a "storytelling" structure, with both Anne and Katherine explaining how their life was before Henry, how they met him and what they did to deserve their "beheadings", caused by their childlike and immature personalities ("I wouldn't be such a b- if you could get it up!/ Oh oh!/ Here we go!/ Is that what you said?/ And now he's going 'round yelling "OFF WITH HER HEAD!"/ Yeah, I'm pretty sure he means it/ Seems it", "Thomas is there to lend a helping hand/ so sweet, makes sure that I'm ok/ and we hang out loads when the King's away")

"Heart of Stone" - "I Don't Need Your Love": Both songs are ballads, specifically dedicated to their loved ones - Jane to Henry and Catherine to Thomas - and expressing their grief that they can't enjoy their lives with them - Jane because she died from childbirth and Catherine because she's forced to marry a man she doesn't love. However, each one ends on a different note, as Jane's song continues to be sad, even to the end (as, you know, she died), whereas Catherine's ends on a positive note, as she survived and she was finally free to marry the man of her dreams (even though said man turned out to be an asshole).

39 notes - Posted November 17, 2022

My #1 post of 2022

One of my favourite tropes from bande dessinées is when you take a character who has an extremely slim physique like a typical nerd…

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109 notes - Posted July 31, 2022

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