#OLGA SVIBLOVA

[francishodgson]

The Quiet Resistance of Max Penson

Collective Gymnastics on Ladders, by Max Penson, 1930s With PhotoLondon opening this week, I found myself remembering that great photography was shown at Somerset House before PhotoLondon was ever a thing.  There used to be housed in the Embankment Galleries at the lower level the great hoard of the Gilbert Collection, since then moved to the Victoria & Albert Museum.  The Gilbert Collection,…

[fashionbooksmilano]

Kollektsia ! Art contemporain en URSS et en Russie 1950-2000

Sous la direction de : Nicolas Liucci-Goutnikov et Olga Sviblova

Editions Xavier Barral / Centre Pompidou, Paris 2017, 347 pages,               ISBN  978-2365111270

euro 60,00

email if you want to buy :booksinprogressmilano@yahoo.it

Cet ensemble offre un panorama inédit des divers courants esthétiques, présentés autour de quatre axes : le non conformisme des années 1960, le Sots-art des années 1970, le Conceptualisme et les mouvements nés consécutivement à la Perestroïka dans les années 1990 à Moscou et à Léningrad. Cette mise en perspective de l'histoire de l'art et des idées en ex-URSS et dans la Russie actuelle dresse le portrait inédit d'une scène artistique encore méconnue en France. Peintures, sculptures, photographies, albums, dessins... d'artistes majeurs, comme Ilya Kabakov ou Oleg Koulik, ou plus confidentiels donnent à voir un art russe souvent étonnant mêlant références politiques, poétiques et artistiques.

Centre Pompidou du 14 septembre 2016 au 2 avril 2017

22/03/20

orders to:     booksinprogressmilano@yahoo.it

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[aspidovaa]

Francisco Infante and Nonna Goryunova

Metaphor, Metaphysics, Metamorphosis

Curators: Anna Zaitseva, Olga Sviblova Asssitant curator: Maria Lavrova

MAMM, moscow

[primitive-sexuality]

Olga Sviblova/  by me 

[aniketmundblogspot]

Curator and documentary filmmaker, Olga Sviblova, is a human advertisement for Russian contemporary art, a well-known champion of both young and historic artists, and a revered personality of the art world at large. from CNN.com - RSS Channel - App International Edition https://ift.tt/2OiPdOI

[estherattarmachanek]

Estherartnewsletter.com Visit Olga Sviblova @krinzingerproject

[cuseum]

Cuseum CEO to Speak at International Cultural Forum

We are pleased to announce that Cuseum’s CEO Brendan Ciecko will be speaking at the International Cultural Forum 2017! Held in St. Petersburg, Russia from November 16-18,  the International Cultural Forum brings together leaders in the cultural sector to discuss various facets of world cultural policy, production, and progress. 

Brendan will speak on “How Digital Technologies are Transforming the Cultural Sector,” which will tie into the larger mission of Forum’s Culture 2.0 track, as it explores how technology can be utilized across industries, “from digital and virtual technologies to social practices, technologies for public spaces' arrangement, development of local communities as well as promotion of inclusive and educational cultural projects.” 

Brendan will also be participating in a panel discussion, moderated by Pekka Viljakainen, and anchored by arts leader Olga Sviblova, on the topic of what the cultural sector adopt from the tech and startup community 

Learn more about the International Cultural Forum.

[grifgont]

Barriers.

Video insatallation, 2011

“Post-Bolotnaya Syndrome”

Mikhail Maksimov’s interactive metaphor Barriers (2011) is a product of its time. When visitors rotate a metal tiller, tipped with small birch logs, the metal barriers on a video screen begin to shake and eventually fall over. The piece was made before the anti-government demonstrations of that year, but reflect the mood of empowerment. “The piece suggests that there is hope,”Maksimov acknowledges, “but actually I have no hope. That is the miracle of art,” he adds wryly.

Exhibition curator and founder of Moscow’s Multimedia Museum, Olga Sviblova told the Kompass: “2011 was an important moment of hope, both in a social and a metaphysical sense … we had this big demonstration in Bolotnaya Square and it was a moment when people thought they could change something. And then, two years later, they no longer trusted in their own powers and are like paralysed people.”

 (http://thekompass.co.uk/event/burning-news-age-informational-overload-707)

In Barriers (2011) Mikhail Maksimov creates an ordinary backdrop, detached from viewers by digitally generated barriers. The artist calls every visitor to participate in the breaking of these constructed obstacles between viewers and the environment, simply using their hands and Russian birches. Symbolising the state control over the media, the virtual metal fences appear to be not as solid under direct action of the audience.

 ( http://www.russianartandculture.com/article-burning-news-hayward-gallery-by-anna-prosvetova/ )

[igorbrooke]

Olga Sviblova for magazine @stolnik Photo: @igorbrooke

[habitantes-oazj]

Curator: Olga Sviblova: 'Soviet art was obliged to reflect Soviet myths about the happiest people in the happiest country on earth, and not real life.' Red Army Men, 1930

[christtoandandrew]

THE FASHION AND STYLE PHOTOGRAPHY 2015!

[outllook-blog1]

OLGA SVIBLOVA (MAMM) & SVETLANA MARICH (PHILLIPS) BIRTHDAY PARTY AT MULTIMEDIA ARTMUSEUM!

[grifgont]

The Pasture.

Computer Game.

Steam link:

http://store.steampowered.com/app/567680

Mikhail Maksimov manages almost impossible: he combines heavy Russian mysticism where theosophy and cosmism are intervened with the spirits of nature, with the contemporary form of glossy pop culture — 3D-graphics. It is this gap that creates wow-effect for the audience when you remain stuck to a video-work or computer game. Glamour-chthonian institutional critics the artist is involved in, in olden times never had mercy either on Tarkovsky, or Platonov, and now have no mercy on Olga Sviblova who, undoubtedly, worthfully continues the range of great men of culture. All works of Maksimov, without exception, are extremely elevate and poetic, in Kantian meaning of the words. Even if they lacked complicated disrupt narratives or, on the contrary, unexpected psychedelic metaphors, they would be worth appreciating for their easiness for the eyes, and this pleasure is not shameful.

Andrey Parshikov, art-critic

Game Trailer: