#OH ? 👁

[keferon]

It was his fault, his weakness that had made a chink in Vortex's perverbial armor. He was only human, with human needs like sleep, food, and water. So it was his fault that Vortex had revealed his true existence to Shockwave.

Vortex never had any issues killing his other pilots. With killing in general, actually. Firstaid had always assumed that if necessary, Vortex would let him die and go back to his old routine of chewing up pilots.

Sure, he'd (somehow??) befriended the murderous, haunted mech. And sure, they'd gotten… close. Firstaid had felt closer to the mech than he had to any human. Vortex understood him, the real him, the him that he couldn't show other humans. No, they wouldn't have accepted the real Firstaid. But Vortex did.

His heart had raced with excitement at each offered vertebrae, visera still hanging to the alien specimens. Vortex had slowed his dissections of the Quintessens so that every parting strand of muscle had left Firstaid exquisitely breathless, trembling in anticipation of what lay beneath. Vortex had somehow known and understood exactly what Firstaid had desired.

Their relationship, if you could call it that, had always seemed so one-sided. So Firstaid had always just assumed he was the one who needed Vortex, not the other way around.

Firstaid stumbled into the main hanger of the experimental wing. Shockwave's personal playground. He had to be keeping Vortex here, there wasn't anywhere else large enough for the mech. His body ached with bruises and he clutched at his left arm to apply pressure to a cut. The lights in the hanger flickered on, sensing his motion.

Vortex was standing on a platform with cables hooked into his frame. Some attached to the limbs, but most were attached to his and the cockpit where the primary processing power was located.

“Still in one piece.” Firstaid muttered as he ran to the metal stairs that went up to a catwalk. He'd gotten into better shape since he started “piloting” Vortex. He wasn't even panting by the time he'd reached the top. Vortex's cockpit was open, gaping like a screaming mouth. Once it had filled Firstaid with fear and trepidation. Now it gave him relief and anticipation.

Firstaid climbed into the cockpit and began unhooking some of the cables that had been hooked up inside the mech, kicking the discarded cords out past Vortex's visor.

“Come on. Wake up, Vortex. We gotta get out of here.” Firstaid wasn't sure where they would go yet, but they couldn't stay here. Shockwave was going to take Vortex apart. The mech was a “step along the path to the true symbiosis of man and machine” or something like that. Firstaid had been too horrified to pay that much attention, but he knew that Shockwave wanted to become a fully independent mech. The man was crazy, which was saying something coming from Firstaid.

Vortex's frame powered up with a rumble and the blood red visor closed with a hiss. Firstaid threw himself down into the pilot's seat, carefully not touching the controls. He did not want to piss off Vortex anymore than he already would be.

[Get out. Get out get out get out get-]

“Yes, we have to get out of here.” Firstaid's words trailed off as more words appeared on the screen.

[I did not expect you to interrupt us, Firstaid.]

“Us?”

[Get out get out get out get out-]

Vortex's frame shook and sparks rained down from above Firstaid. The controls shook as though fighting themselves. Vortex took a single, jerky step forward. It was nothing like the fluid motion that Firstaid had come to expect.

[Though this is a rather pleasant surprise. It would seem we still need a pilot to activate our systems. You'll do quite nicely, since Vortex is so interested in keeping you alive.]

[Get out get out get out-]

“Sh-Shockwave?!”

[Yes. Now, let's take this for a little test run, shall we?]

[Get out get out get out, Firstaid!]

godDAMN

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[inkz123]

Foming at the mouth barbarkbarkbark awooga-

[shrimparts-blog888]

👩‍🍳👌🏻

[woorenergy]

it's so fucking funny to me that magnus, amidst his song/kidnapping of abigail and toki, still takes the time to put on a whole ass judge costume for one (1) line. with the little wig and all. fucking theater kid behavior

[ruinxl0ve]

Adami and Crawly

[dootznbootz]

Hi. I'm cyberbullying a long dead poet because of his shitty fanfic. Enjoy. I'd love it if you joined me.

(Before you get mad at me, yes, I know Eugammon of Cyrene is an important figure and all that. I'm sick with some sort of flu. Let me cyberbully an ancient dead fanfic writer in peace.)

[marclef]

I bet Unexpectancy 3 was a SPECTACLE after THAT

oh, you mean, after

this?

don't worry-

it went down-

fairly well.

[dailycupofcreativitea]

Glorio deciding to pick [spoiler redacted] of all people to side with be like

[teleport-teapot]

a quick little something to give myself an excuse to stare at his card for a bit longer

[vaggieslefteye]

Alastor's facial expression journey as he says: "Almost makes one sentimental."

Interesting details: -The old radio effect on his voice clears up significantly as he says the words "almost makes." -The use of "one" as the subject of his sentence instead of "me." -Closing his eyes. Alastor decidedly does not look at this group of people while saying this line in particular, despite gazing fondly at them at the start. -Shaking his head. Alastor shakes his head a total of three times as he says the word "sentimental." Shaking one's head side-to-side is considered the universal gesture for no. -This entire moment happens in just over 2 seconds. (Not all frames of the animation are shown here) It's very blink-and-you'll-miss-it.

Of course I have my ideas as to what this could mean. However, attempting to truly prove anything via reading body language in fiction and/or real life is always a lost cause, given that it's pseudoscience and you can never know anything for sure with that information alone. So these are guesses based on what his body language may be suggesting given what we know of his personality, his history with the hotel gang, and the given context of this scene.

I can say this with confidence, though: I think something stirred in him here, and we're very lucky as the audience to have witnessed it.

Everyone during this "last night alive" scene is, in some way, acting with the idea that some or all of them will be dead the next morning. So there's a good chance for emotional provocation. It seems like not even Alastor is immune to it. Has he had these thoughts about getting attached to the group for an amount of time before this scene? Did it hit him right then and there? There's no way to tell. But either way, I think physically talking about it out loud can be a way for him to control it. He can acknowledge that the idea and possibility is there and real, but at the same time insist that it won't apply to him, even though it could.

And yet, it seems he can't look directly at them while acknowledging this hypothetical sentiment. Sometimes we as humans avert our eyes or shut them completely from things that cause discomfort. He also can't quite commit to saying "Almost makes me sentimental. / I admit, I could get accustomed..." and instead puts the burden of this scenario on "one," or, a person just in general. That's interesting. And shaking his head could mean a lot of different things: Is it to release tension? Is it him unconsciously emphasizing the "almost" in his statement, like saying almost, but not quite? Or in that same vein, trying to literally shake the idea of becoming sentimental off of his mind? Multiple of these? Who knows.

As for his voice becoming clearer... When asked during a Q and A if Alastor loses the static in his voice when he's being more honest/genuine, Medrano answered: "That's something I can't reveal. Obviously, that's a big tell." I guess the answer will come with time :)

With all that being said, I don't think these feelings he may be having here are that significant to him. At the end of the day, he's still egocentric as ever and, more than anything, wants his freedom from his deal and to be "pulling all the strings." Friendship with this group is simply a low priority or petty distraction to him at best, and something that could actively get in the way of these goals at worst. If anything, this scene served to plant a seed and provide crucial context for both the ambiguity of his feelings toward the hotel gang in general and for his verse in the song Finale - as well as provide setup for the next few seasons. Either way, it looks like he doesn't want to become attached to them and won't let himself, either.

IF there is sentiment present, this moment here is his attempt to nip it in the bud. Only time will tell whether he was successful or not.

[prongsmydeer]

Things I Loved About Fleabag (2016):

The careful balance of spiralling and sincerity that keeps you rooting for resolution and relief, despite the show intentionally framing itself around grief

The way that it is clear based on the way that they talk about her that Fleabag is a great deal like her mother (her off-colour jokes, her charisma, even hints of difficult friendships through the Godmother) but they don't have anyone make that comparison until the last episode of S2, with, "You are the way you are because of [your mother]" and the look of surprise on Fleabag's face when she hears it

"Don't make me an optimist; you will ruin my life," being such a telling line, because as you fall in love with the Priest, and Fleabag, you want to believe that things will work themselves out

The love in Claire's line to Fleabag, "The only person I'd run through an airport for is you," and the delightful contrary optimism of her deciding to go to the airport anyway

The revelation that Boo had offered to take Fleabag's love for her mother, intertwining both losses

The way that the Priest not only breaks through the carefully constructed narrative relationship that Fleabag has with the viewer, but also himself directly looks toward the audience on a separate beat as he tries to understand her more ("You don't like answering questions, do you?")

The entire sequence of the last few scenes, "Being a romantic takes a hell of a lot of hope," to "I love you." "It'll pass," to Fleabag walking around with a statue that is, in some ways now, a physical representation of the love she is carrying around. Because while the show is about grief, and love, it doesn't feel like it is asking you to overcome those things, but to learn to live with them while moving forward

[5m0ld3r]

"I do not have self-control"

-

"I am startin' to wonder"

-

"Is this my free will or yours?"

(hehe tyler, the creator inspo <33)

[krytus]

if we dont get this scene i quit

[keferon]

[atla-suki]

first look at young adult gaang (for the upcoming 2025 animated atla movie) ‼️‼️‼️‼️

they are SO PRETTYYYYY 🤧 closeups:

oh wow *passes away*

[beesnutz]

forget the actual comedy sequences of LOST this scene never fails to make me giggle