#Now we get to see how they better themselves

[lovelytayforce]

I agree with this comment here so hard, I remember getting blasted for calling readers who don't comment "leeches" on R/Fanfiction and I'm glad people are seeing that for what it is even if it's four years late

So, I'm gonna share my own little story here because discord has actively ruined communities for fanfic (and art too I'm not gonna leave y'all out cause my bestie @zoetiger-1106 is an artist who deserves way more praise than she gets!!) The reason why authors and myself see the "I'm shy" shit as an excuse is because the same people will type long ass tirades on Discord without a single thought. YOU CAN EDIT AO3 COMMENTS PEOPLE! If you make a mistake, read it back over and edit it. I've watched it happen in real-time with one of my favorite commenters on my one-shot where they left a short gushing comment and then came back and wrote more, you have no excuse much less reason to go "Man fandom keeps telling me to not critique and I might make a mistake so I will say nothing and consume like the average TV and Streaming consumer who thinks there doing something!" YOU have a lot of power with comments and even those bookmark tags hell just copy-paste what you put into those bookmark tags as a comment I DON'T CARE AT THIS POINT USE THAT LIL BOX TO VOICE SOMETHING!!!! God this is all over the place idc but I read back at those bookmarks, and saw people call my works the best and super cool and I APPRECIATE THAT but tell me! Stop taking the easy route, I been blasted for misunderstandings over comments multiple times cause people take my "tone" terribly cause it sucks being black and emotive online yay and for some reason people think !!!! Is bad? yes, I've been hit with that but I keep on trucking cause fuck whatever some weirdo thinks about exclamation points! Anyways back to discord and why I hate it now, I was in a small fandom, KFP got invited to a discord cause ONE person commented on my works and saw they talked about my fic, and at first, I was happy and people TALKED about my chapters at length in the fanfic channel. I basically was the ONLY ONE posting consistently in that channel and it was great but also I wanted that on my fic to show I improved so guess what I did? I went all in trying to one-up myself to be noticed, to have the acclaim my peers did so it would evolve outside of discord channels but it never happened. And Imma tell y'all now; it never will. Readers prefer convenience over your hard work, they are not gonna take time for you no matter how much you improve. People told me over and over while I looked for solutions for this; "We can't make commenting look like an obligation." "Add more prose, space these paragraphs better" all this just for no one to take the initiative and say something SINCERE towards a work they love on it. I've had to tell my own ex-friends now to go leave comments on works they called Masterpieces while ignoring me. Despite the fact they wanted Gen content in which I WROTE. Or met people who have very weird "I don't review" rules for themselves despite getting motivated by reviews themselves!! We're in a shitty time for creatives much less community cause we don't see each other as humans much less want to treat each others as we desire to be treated. Fanfic readers want to treat authors like showrunners and I hate it. But then your peers will tell you 'not to worry about engagement" and no I am because why is my hit count going up every day but ain't no one saying shit? Make it make sense!! I sat in that community commenting as much as I could, especially on long fics; it wasn't all perfect but I TRIED. I didn't expect shit back but hey it would have been nice but it never happened and again I learned; it never would. That's the real issue, no one wants to give no more; just take and take and take til you're sucked dry of passion worse than any corpo out right now. It's why I thankfully switched fandoms. I got ONE consistent commenter and they are better than that ENTIRE SMALL CLOSED COMMUNITY!! So, to any discord reactor for fanfic you better skip on to that message you made and copy and paste it in this box right here and never utter "I'm shy" ever again cause we see you, our friends tell us about you. You are not as anonymous as you think! 🫵🏽

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[writergirlll]

can you write something about F1 driver (doesn't matter who) x reader, when they were best friends since childhood, but then suddenly they become strangers. no one knows how, why, and not even themselves, until they meet at the Las Vegas GP after a long absence..

Yeah suree. (I know this is pretty bad, but I wrote this late at night, so sorry, I'll just get better!!)

CHILD MEMORIES /LH44

Lewis Hamilton x reader

I don't know why I put Lewis, but somehow he fit me there..

words: 2k+

You were everything. You brightened up anyone, you laughed at everything, you were the sun of Mercedes. Everyone loved you, you were inseparable.

You and Lewis have been best friends since birth. Your families were close, so you practically had no choice but to hang out with each other. But the decision was great!

You spent whole days together, the same kindergarten, elementary school and then high school. You weren't even separated when Lewis started driving F1 because you followed him to EVERY race. Everyone knew how close you were. Journalists, fans, co-workers of Lewis, your families and you.

That's why you just didn't know what happened. Four months have passed since Lewis' last race. And you haven't seen each other in four months. You didn't know why, you didn't know how.

Lewis stopped texting you, stopped answering your calls, and blocked you pretty much everywhere. You couldn't comment on his posts, you couldn't do anything. When you were waiting for him three days ago after the race, you didn't even get to see him because Russell kicked you out saying that Lewis definitely didn't want to see you.

You didn't understand it at all because you were inseparable and the worst part was that everyone asked you about it. Your whole family asked you, your friends, fans of you and Lewis, or even the press. But you just couldn't answer. You couldn't tell them that you had absolutely no idea what was going on and you wanted to know. You couldn't tell them it was Lewis who cut you off because he would be blamed. And okay, maybe he's ignoring you right now and you don't know why, but you're definitely not a bitch who would betray him and take the blame on him. Yes, he was at fault, but not everyone needs to know that..

And that's why you decided to go to the race in Las Vegas, to find out the answers. You knew it might not be a good idea because you might get fired again and it would be even worse for your psyche, but you had to know the answers. Just had to.

“Y/n no! You're not going to the movies with him” Lewis started yelling at you when you were nine.

,,Why? You are not my mom to order me around. He's nice to me and he doesn't yell at me unlike you" you stuck your tongue out at him and started putting on your mom's lipstick.

"He's not nice. He's just using you" he shook his head and stepped closer to you.

"But he's handsome. You don't know him at all” you mumbled as you concentrated on putting red on your lips.

"I know him. He doesn't do homework at all and his dad is said to have been in prison. He's not nice to me at all" he explained and you turned to him.

“Is it true?” you asked and he nodded quickly, his head almost falling off. "But I already have the tickets and I've made an appointment with him" you whined.

"Then you will come with me and we will write him a letter on the way. He only lives a few minutes away anyway" Lew thought up and you finally went along with his solution.

You took off your lipstick and pulled out a piece of paper and started writing - which looked like a scratch that you weren't going anywhere with. Then you put it in the envelope Lew had made in the meantime, sealed it with saliva, and dropped it in his mailbox when you went to the cinema.

At home, you packed some things, bought tickets and booked a hotel. You told your parents and everyone close to you about your plan and got on the plane.

After a few hours of flight, you finally flew to Las Vegas, called a taxi and went to check into the hotel.

When you did this, you decided it was time to go get answers. You didn't know what you would say to him when you saw him in four months, or if you would see him at all, but you wanted to at least try.

You've been pretty sick these past few months and weeks. You were constantly wondering if it was your fault and what you did wrong. The family told you that it might not be your fault but his, but you just didn't want to believe that Lewis would do something like that. Certainly not the Lewis you knew.

You cried for days and nights and it took you a long time to sort of recover from it. You knew that if Lewis ignored you even today, or didn't let you see him, it would be even worse. But why not give it a try?

You left the hotel straight to the track, where the qualification was supposed to start in an hour so you were hoping to catch Lewis before quali started.

You showed your VIP ticket at the entrance to the track, even though the people at the gate already knew you very well and would have taken you without a ticket, and you headed to the Mercedes garage, more nervous than ever.

You slowly shuffled there, already having several journalists on your neck, which you successfully ignored. And you also successfully ignored the feeling that told you to turn around and not go there at all.

It wasn't long before you saw a boy in a blue jumpsuit who revealed himself to be George Russell. As soon as you approached him, he noticed you and frowned at first before smiling slightly when he saw your expression.

“Y/n hi. You haven't been here long" he said as he walked up to you and gave you a quick hug.

"Yeah well, I didn't have much reason to walk there" you smiled firmly and looked around for Lewis. "Don't you know where Lewis is?" you asked and George's smile immediately disappeared from his face.

"I think he doesn't want to talk to you much. Besides we are going quali in a bit” he said quickly and you frowned.

"I absolutely do not see why you are bodyguarding him, but I want to know the reason why he did this to me. I have a right to know” you got angry.

"I know, I know but..-"

"No, no but. Just let me go to him. I need to know” you whispered the last part of your sentence and with that George pulled away from you leaving you to search the area.

You searched for quite a long time before you finally caught sight of his head. He was already dressed in his racing suit and was looking for something on the table, among all the things. You stopped for a moment before taking a deep breath and stepping forward..

Either it will ruin your life or you will find out the reason..

“Lewis?” your little six year old self whispered and patted little Lewis.

“Yeah” he turned sleepily in his bed and looked at you.

"Could I sleep with you? I'm scared on the floor" you whispered and desperately hoped he would say yes. You were supposed to sleep with him, but since his bed was small, you had to sleep on the floor, which you didn't like.

Little Lewis didn't answer, he just shifted on the bed towards the wall and lifted the covers. You quickly took advantage of this and crawled under the covers, where you snuggled up.

"Thank you so much" you smiled a little and felt tiredness wash over you. Lewis barely nodded, himself already in dreamland and put his arm around your small body and hugged you.

"I love you" you kissed his cheek and rested your head on his shoulder.

"Me too" Lewis smiled, pulling you closer and together you slowly returned to the realm of dreams..

“Lewis?” You asked cautiously, stepping a fair distance away from him to give you some space. You could see a light bulb go off in his head that it was you and he tensed slightly before turning to you.

"What are you doing here?" he asked without a greeting and glared at you. Okay, maybe you really should have stayed home..

"I came to watch the race" you replied because you didn't want to argue right now even though you knew it would most likely end up like that.

"And did you buy VIP tickets?" he rolled his eyes at your stupidity and you couldn't take it anymore.

"Why are you ignoring me? Why did you just do all this overnight" you asked him and even though it was only the first question, tears formed in your eyes.

"I don't know what you're talking about" Lewis shook his head and went back to looking for things.

"Lewis, you know it very well. Did I do something wrong? Did I say something wrong? Because I really don't know why you just left me without an explanation after more than 30 years of knowing each other" you frowned and you made him turn around.

"I don't know okay" he started waving his hands and sighed.

“So you don't know?” you whispered, a single tear falling down your cheek. You quickly wiped it away, but Lewis seemed to see it. "After all four months, when I cried constantly because I didn't know the fuck reason why you did it, you're going to tell me that you don't know? You don't even know how much I've been worried about this because how could you when you blocked me everywhere and when I followed you George dumped me” now you started crying.

Looking at your tear covered face, Lewis softened slightly and moved a little closer to you. "I couldn't see you" he only said and looked sympathetic. "I really wanted, I wanted to hug you and explain everything to you, but I couldn't".

"But why"? you sniffed and wiped away the stray tears with the back of your hand - and that there were a lot of them.

"I" he started and ran a hand through his hair without continuing. "Maya, my ex-girlfriend. I started dating her shortly before I cut you off, you didn't even get to know her. She was very angry that I was talking to you and on top of that the whole team said that I was fired by you because I wasn't winning so many races, so I thought this would be the easiest solution. I knew it was definitely wrong, but it was the easiest. But when Maya broke up with me a month ago because she found someone else, I didn't have the strength to go to you. I knew you'd be mad. I knew I messed up terribly. Please forgive me. Please" now he started crying too.

His explanation left you completely shocked. You didn't know what to say to that. You may have understood Maya because you yourself have experienced that a person behaves differently under the pressure of a loved one, but that his team said are you distracting him?

“So this was the easiest solution?” you finally asked.

"Yes. No. I don't know. I really don't know, please forgive me. I understand what you had to go through and I don't want to lose all those years when we were kids and teenagers" he begged walking closer to you before wiping your wet cheeks with his big hands.

"And Mercedes thinks I'm distracting you"?

"Well, George doesn't. The other teams didn't either, but we really had a tough season, everyone thought differently, they certainly didn't mean it" he hugged you tightly and didn't want to let go.

You wrapped your arms around his back and he wrapped his around your waist. "Let's not lose all our friendship, please. I'll do anything" he whispered in your ear and you nodded.

He might have done a bad thing that cost you an extreme amount of tears and everything, but he was still Lewis, who you had loved since birth and who would never knowingly do something so horrible.

"Lew i don't want to lose our friendship either. But I will remember what you did. And I also hope that your Maya, who is probably a nice bitch by the way, doesn't show up in my life" you laughed lightly and Lewis too.

So in the end it turned out to be a good decision to go to Las Vegas...

“What if we never see each other again?” you sighed and looked deeply into the eyes of your best friend of 15 years.

"We'll see. I'm only going there for a few days for now, but you'll be able to go to my races. I'll give you a discount" he smiled at you seeing your concern and you shook your head.

Lew got an offer to F1, when they invited him to an audition and if he succeeded, he would go to junior competitions for a few years in Italy.

"You can't leave me here" you shook your head once more and pulled him into a hug.

"I won't let. Never. Best friends forever"?

"Best Friends Forever".

[azaharinflames]

I still don´t get what they thought they would achieve with Brad but it seems to never have crossed their minds that people would actually NOT care for the character. It is wild how much screentime he got, in a mid-season finale no less, and this public ass kissing of cast and the official account after he left is so weird. Nobody piled hate on the character or the actor they just were not interested, so why the need for this outpouring of support all of the sudden?

When the next character making eyes at either Buck or Eddie comes around and this lot decides to stay silent again we will all have our answer without a shadow of a doubt. That they hang the LI out to dry because they are scared shitless of Buddie backlash, but will jump into action for the next bit part player who just wasn´t as popular as they thought he would be.

I really started to dislike them, not gonna lie. I like Tommy, I like bucktommy but I will cheer on who ever comes next for Buck or Eddie just out of spite now. Because whoever plays them will be treated like shit by the fandom and will get no help from the mean girls clique that is the 911 production

Hi, Nonnie! Thanks for the ask. I see what you're saying, and overall I have to agree.

Here is my take. I try to play devil's advocate and give grace as much as possible. But earlier today I went on Twitter, and I saw a hate tweet (disclaimer: I've blocked hundreds of BD accounts by now, and I have blocked many, many words to not find a new one, but a BT account I follow had quoted it, so I saw it). In it, they were essentially laughing and having a party at the goodbye comments Callum had received, because that 'confirms' for them that the cast hates Lou. That they knew before, but now it's confirmed.

And the thing is... I've said it before, Lou is not a defenseless little boy. He's a grown man that, in my opinion, has a great head on his shoulders and knows very well what he's doing. And he's a busy man. So I honestly don't think he gives two craps about some losers on Twitter claiming his co-workers hate him - he knows better (he knows what happened), and he's the one with a career in acting and loving fans, so. Does he deserve the harassment? Hell, no. But I don't think he cares if some loser claims the cast hates him.

However. This behavior is only enabling hate. Not addressing the hate the LIs go through and the harassment the actors receive isn't just 'ignoring the hate so it goes away'. Ignoring that behavior and then showing support for other guest stars tells the deranged fans that they are good to go. That their bullying and hate is allowed, justified.

Is that the truth? Well, no. But it is what has happened. Because all the people being this hateful and sending harassment or death threats fully believe the show has their backs because nothing has told them otherwise.

Is it the intention of the show? No.

Is it still what they're accomplishing by their lack of response? Yes.

I don't overall dislike the cast as people because I don't know them. But the representation of themselves they're giving right now,? Not exactly a fan of that.

Also, as for Brad... I just have to laugh. They fully thought the Facebook moms would fall deep in love with him, and didn't take into account their hearts were already taken by Tommy, and that they'd be heartbroken enough for Tommy to not care for a character that doesn't have nearly the same charisma or depth.

Anyway. Thanks for letting me rant, lmao.

My inbox is always open for venting, ranting, and to discuss any topics <3

Take care!

[thedaselcor]

Here's my take on this one, I did it as my Chater 13!

Thorsday, the 2nd of Maius, 524.

Arthur woke to Merlin thrashing, convulsing through some sort of night terror. He held Merlin close, and tried to keep him from injuring himself through the spasms, but he was entirely uncertain whether that was even the right thing to do.

He noticed, as the minutes went on, that Merlin had been getting increasingly warmer. With growing terror he realized that Merlin was incredibly hot, burning up as if the dreams themselves were causing some sort of incredible magical fever. Arthur couldn't remember the last time he’d felt so powerless. It was a relief then, if a surprise, when Morgana knocked on their door and entered as soon as Arthur was able to stammer some sort of assent.

Morgana walked in, with a confidence and certainty of action Arthur couldn't remember ever seeing in her before. The room seemed to drop in temperature as she crossed in, and, in moments, she brought a hand to Merlin’s chest and one to his face. Arthur could feel the cold radiating off her. Merlin’s temperature crashed drastically as he woke with a start to the cold shock that rippled through from the point of Morgana's contact, and he breathed in sharp and deep like a man just saved from drowning.

“More like the pyre…” Morgana said, responding to the thought Arthur had never voiced.

Merlin panted as he assessed the situation, assessed the room around him, came back to reality, blue eyes betraying an equal measure of absolute understanding and complete bafflement.

Arthur shifted his gaze to Morgana, searching her face for the answers he didn’t know how to ask for. “How did you know?” he managed to ask finally, though the question was woefully inadequate.

“Sometimes we can hear each other, like when I was in the library, like when you helped us with the druid boy,” Morgana answered, but it wasn’t an answer to the question Arthur had been trying to ask.

“No, I mean…” he shook his head, trying to assemble a better question. Still, he only managed, “ how did you know ?”

“Oh!” Morgana exclaimed, as if understanding the misshapen question better this time. “It’s not as complicated as it seems, it was just illusion magic, I focused on making Merlin feel cold rather than changing anything, normally it wouldn’t affect other people, but you and Merlin are… very close , magically speaking. It’s… unusual.”

“ No,” Arthur let out a long, frustrated sigh as he forced himself to reshape the question, to add words. “How did you know about the dream, about the pyre?”

Morgana let out an uncomfortable laugh, as if that question was too obvious to need an answer.

Merlin, gaining more and more of his senses by the minute, ran his fingers gently along Arthur’s arm before answering, pragmatically, “all my dreams end in the pyre, Arthur. Beheadings are reserved for strangers.”

He was too kind to say the rest. Too kind to say, explicitly, your father would punish me for loving you, and he’d make sure that I burned alive if he ever knew the most beautiful part of me , but Arthur still heard it. 

It had been easier to ignore his father’s monstrosity when it wasn’t aimed at the people he wanted most in the world to protect, when it was abstract obligation to Uther versus abstract duty to the people of Camelot. Now, when someone he loved stood in the balance between, when they faced a worse fate because he loved them--the burgeoning flame of Arthur’s hate, so small before this Beltane trip to the country, was bellowed anew by the vile truth of Uther Pendragon, and it threatened to grow and grow until it could consume the world.

Arthur said nothing. He buried his face in Merlin’s shoulder, and dangled in the silence. Arthur had often felt lost in the world or words and feelings, in the world realisations like this one always seemed to thrust him in, and he’d long since learned to be silent and seem uncaring rather than ever risk seeming incompetent--in front of his father, in front of his kingdom, in front of anyone. 

Now, when what Arthur wanted most in the world was to connect, to be soft and vulnerable and honest, to do anything other than dangle in the silence, he had no idea how to find a ledge back out of the chasm. But Merlin just kept running his fingers along Arthur’s arm, and Mrogana didn’t give him the look she often gave him when she thought he was cold or uncaring. It was like they saw him there, dangling and lost, deep beneath the mask that had always rendered him invisible before. Being seen was new, hopeful but uncomfortable. Being seen protected the spriteling flame, promised to direct it to purpose where once it would have been extinguished along with everything hopeful in Arthur’s spirit. Being seen could change everything.

merlin magic reveal fic where arthur asks “why didn’t you tell me?” and merlin says, mirthless smile and haunted eyes “all my dreams end in fire. fire and burning and dying”

[frmulcahy]

Listening to an episode of the @antiquesfreaks podcast where they cover the costuming in The Terror and here are some amazing moments:

"But Ken, are you the only one of us that put themselves through reading the book?" "I did. Because John Bridgens was trapped inside and I had to get him out and if I read the book good enough, perhaps I could save him"

"If you don't tell these men what to wear, they're gonna look like straight up hoochies."

"As we see in the later episodes of The Terror and discipline does break down and Dundy just starts showing up to command meetings with his suspenders out! Slattern that he is!!!

"Victorian Navy: one to one analog to working at present day Target."

"I heard they flog you at Target."

"I was press ganged into working at Target."

"It's Victorian times. Everyone's wicked fucking repressed and they're about to get wicked un-repressed whether they like it or not, and they're going to show that through their clothing."

"a blur of muttonchops"

"I pre-gamed the show for 5 years with gifsets on tumblr to makes sure I would be able to tell at least the major speaking roles apart, and I still could not tell Little and Jopson apart until I figured out they had different eye colors."

"And now I'm Pilkington SpottingTM as a hobby"

calling JFJ a "fashionable boy" with his "nippies out" because he doesn't button up his coat all the way like Franklin and Crozier

The two regular hosts repeatedly comparing themselves to a delinquent class that their guest is stuck substitute teaching

"I think my character would be hitting a fat doobie right about now"

Discussing Jared Harris being obsessed with his own costuming details like all the mending on Crozier's clothes

Jopson's first appearance - "he's normal and they're normal and everyone's having a normal time here on this completely routine expedition." "It's so normal. Do you ever fall in love with your boss???" "It couldn't have been more erotic if they had just had gay sex."

Stanley and McDonald's button grouping on their uniforms to denote rank

THEY TALK ABOUT THE ICONIC JFJ GANSEEEYYY

Also Irving's Sanquhar scarf :')

"the red sweater of tenderness" sobbing screaming throwing up

"I think The Terror would have been improved if all of the marines had Boston accents for no reason"

Also marines vs normal sailors

comparing sailor's clothes to fast fashion because it's not very tailored lmaooo

The canvas overcoats being period inaccurate but still neat because they're referencing later polar expeditions like what we see on the guys in the Shackleton expedition etc

They talk about irl Goodsir's letter about clothes and the many many shirts!

Nive having to wear a cooling vest under her costume since it was real caribou fur and her coat being patched with sail cloth later.

They go into Yup'ik masks which is super cool! As well as have a conversation about the ethics of visuals/information/knowledge about indigenous artwork being shared with folks outside of those communities.

Repeated! Dan! Simmons! Roasting! As! They! Should!!!!!

Reapted! Nive! Nielsen! Praising! As! They! Should!!!!!!!!

Sophia's "oceanic color theme"

"They let the dresses have colors. The dresses have colors. The dresses have bright beautiful colors, and it's great."

"They had invented aniline dyes and they were about to make it everybody's problem!"

Lady Jane in more solids vs Sophia in more patterns

"'A woman could never possibly understand polar exploration' meanwhil Silna's up there doing it better than all of them."

Clowning on how other period pieces never use bonnets and always fuck up in the hair and makeup department

"I found Harry Goodsir's fursuit btw"

"On a scale of Calypso's Birthday to Fitzjames's Carnivale, how's your impromptu nautical drag ball going?"

"It's actually exactly like The Purge." "It's like a little Victorian maritime Purge."

"As far as metaphor and literary analysis and whatever, scurvy understood the fucking assignment."

"I punched in Scorbutic Nostalgia so that I could remember to read about it later." "I have some literature for you if you want." "Yeah fantastic! I love disease"

"CGI bear expensive"

"This episode comes with a heavy caveat of 'go to Terror Camp'" amazing.

THE DRESSTM

Tozer's Hotspur costume and Dundy's Henry VI costume and their relevance

"This is the last we see of Party!Dundy"

(About Little) "Every day he gets emails :("

Bridgler and Apollo/Hyacinthus stuff fuuuuuccckk

"Hodgepodge, my boy"

"Oompa loompa doompity dacticals, don't indulge your morals over your practicals"

"Rip Hickey you would've loved Joker"

Not a silly quote but just a really fantastic one: "That is what the best historical designers do, is they find these nuggets of information that allow them to tell a story with authenticity, both in a way that is historical but authentic to the characters as well." EXAAAACCCTTTLLLYYYYYY

"Whomst among us has not Joplarped to get through the workday?"

[bird-inacage]

The Heart Killers EP1: Kant & Bison's Desire for Agency

I recently wrote a post around Kant being the vehicle for Bison's freedom, but I'm spotting a bigger theme that these two lovebirds share in common. Both feel stripped of their agency, their ability to dictate their lives freely on their own terms and by their own ideals and desires.

For that reason, they're respectively struggling with where they are versus where they want to be, as factors beyond their control currently inhibit that from being attainable.

"I've cleared my name of car theft. My hands are so damn clean now." Kant is keen to put his past behind him, however Captain Chris has him cornered under the threat of re-opening his previous felonies and possible jail time, dangling custody of his brother as a bargaining chip. "If you get this done for me, not only will your criminal record be swept away, I'll wipe it clean." "If you go to jail, who'd take care of your brother?" Leaving Kant with no choice but to begrudgingly concede.

Bison feels similarly trapped by a life he didn't choose, clearly eager at any opportunity to 'clock off'. "I do what I have to do. Now I want to do what I want to. Can't I just live a little?" "If being hitmen makes it so hard to live, shouldn't we just quit?" "I don't want to kill people for a living my whole life... I just want to live my life." He just wants to enjoy a normal life - to have fun, to be frivolous, to embrace being an ordinary 24 year old.

TOGETHER WE BREAK FREE

Their relationship serves as temporary relief or escape from the situations they both find themselves in. Bison finds Kant's company a break from routine and monotony, a welcome distraction in between killing and working at the burger bar (neither of which he chose for himself). Dating Kant is an insight into the joys of life he fears missing out on. 'When I'm with you, I'm not a killer, I'm just a boy'.

By some poetic irony, Kant's mission to instrument Bison's capture would grant him access to the freedom he is seeking - allowing him and his brother to truly start afresh. There will absolutely be more backstory to come as to why Kant wants this so badly, that he’s willing to throw so much in. Dating Bison may begin as a means to an end, but Kant does find himself falling in love - despite his objective.

Once everything is out in the open, I do think they'll aid one another in acquiring the agency they each so desperately desire. No one can better understand how it feels to be trapped than someone who is also fighting against the bars of their own cage.

OVERCOMING YOUR RESTRAINTS

On their first date, Kant shares the following with Bison: “Would you believe me if I told you that I'm afraid of the ocean? Something happened when I was a kid. I almost drowned. Now I'm still afraid of it." One could argue that we don't know if Kant's admission is true, but I don't see any reason for him to lie about this specifically.

This promptly takes me back to this moment from the trailer, which has prominently stuck in my mind. I still get the impression that they are working together here when Kant jumps in. If Bison was on the offensive, I don't think he'd be as stationary or calm. Maybe he's performing under someone's watchful eye, or his gun is aimed at something out of shot, or they're practicing for a specific stunt.

Whatever the context, this scene now has considerably more weight. The fact that Kant jumps in whilst his hands are bound, when he has a fear of drowning is an indication of putting his complete trust in Bison (who is adept at swimming), to rescue him if needs be. The implication here being that Bison may quite literally, mentally and symbolically free Kant from his restraints, helping him to overcome what he’s most afraid of.

BDSM: THE PLEASURE OF CONTROL

Funnily enough, this duo's exploration of BDSM even aligns with their shared desire for agency. From the few snippets we’ve been shown, Bison likes being the one in control. Your partner consents to be at your mercy, affording you the power to enact pleasure and/or pain. And there’s a heady thrill in being handed such control. (It's also worth noting the inherent power play in taking a life, but whether Bison derives any pleasure from this, I'm not 100% sure. Kant also knows Bison is capable of killing, so letting him dominate actually says a tonne). During their one night stand, Bison even quips, "you're not doing this solo, you know," which teases that he's no passive participant. This seems to be Bison's philosophy on life overall (and the root of his dissatisfaction), that he's not one to sit back and watch his life pass him by.

Kant seems happy to indulge Bison in taking the reins. Having his agency taken away during acts of passion, but on his terms is noticeably different to feeling forcibly pushed - because you've chosen how and who you forfeit that agency to. This is partly why I suspect Kant actually gives Bison permission to tie him up in that boat scene (above), for the greater purposes of a mission or task they have agreed to help each other achieve.

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs.

[melverie]

Last post on the entire date ticket thing and then I will forever shut up about it, but I feel like most people arguing in favor of the price tag are just….missing the point on why people are so angry about the date ticket being $30

I think the one thing we can all agree on right from the get go is that everyone in the staff deserve to and should be compensated fairly for their work. And that obviously includes certain features and items having to cost actual money considering the game itself is free

But the thing is, that $30 price tag doesn't just exist in a vacuum

First off, we can all agree that charging something like $3 would have made the ticket sell far better, right? Several people have already pointed out that they can buy a week's worth of groceries with $30 and depending on how much you earn, the date ticket isn't exactly something anyone can just buy on a whim. Again, $3 would have been far more affordable for most people, and I'm sure many more people (myself included) would have been far more willing to spend $3 just to see what the date ticket is like, and maybe also buy the tickets of multiple other characters. But $30 for a single date ticket is a luxury a lot of people just cannot afford, or would rather put into something else. Even if they lowered the price, they'd surely break even and make profit with how many players there are

And judging by its contents, I think it's fair to say that the date itself is not worth $30. And I feel like Solmare themselves know this because why else would they have bundled it with 300 DP? The only reason is to justify this price tag because "look at how much DP we're getting with it tho!!" when that's not the point. It doesn't matter whether the DP are included, because there is a lack of choice here. We have other options to earn and buy DP, but we don't have a choice when it comes to the date ticket itself. Either you pay $30, or you miss out on a feature that many of us have wanted for a while now. And since it's the DP raising the price tag,what you are essentially paying for is 300 DP with a date ticket as your purchase bonus, even though it should be the other way round

And honestly? Considering the price, the only two times it would make sense to buy this bundle is if you were already considering buying DP anyway, or if you are financially well enough off that the current price doesn't matter to you. You won't convince most casual spenders, and you most definitely will not convince a f2p player to pay for this feature

The other thing is that we had no idea what the date ticket actually entailed because we weren't given any information on it. Thanks to people in the community buying and reviewing this feature for others we now know that the date consists of one phone call, a ~10 minute long, partially voiced date story-line and a Majolish background. Except, those are things that Solmare themselves should have told us right as they announced this feature, ESPECIALLY considering the price point. If you don't, you can't complain if people are accusing your company of trying to rip its player base off and of being greedier than the Avatar of Greed himself. But also, that's the thing!

We shouldn't have people in the fandom be the ones to go out of their way to give us basic info on new features, or to even explain certain business decisions in the first place. That's the company's job. Yes, certain explanations should be a given (such as microtransactions existing so that the staff can be paid the money they obviously deserve), but there are other things that should have been explained by Solmare themselves

Open communication with the player base is the key phrase here, and imo Solmare has been doing worse and worse on that front as of late, resulting in several unexplained choices that just seem questionable at best and scummy at worst, as well as a player base that grows more and more disgruntled by the day. And that frustration within the player base shows in the amount of people dropping the game, as well as in the amount of money it's making

People are willing to put their time and money into something they deem a good, quality product with a justified price considering the content. If your player base isn't putting in the money you are expecting, then maybe you should listen to their feedback and re-examine your product instead of overcharging a feature because "look at this thing you're getting extra that no one asked to be included in the bundle in the first place"

Literally part of the reason LaDS has grown to be so successful in such a short amount of time is because they keep making adjustments based on player feedback, even on some minor things. I mean they literally pushed out an update to correct the color of one of the character's tongue in the newest card because people were complaining, like hello!! Imagine Solmare listening to complains as minor as this

Anyway, whether intentional or not, this entire thing just feels scummy, and that's the problem. The choice we have is either "pay 30 bucks per character or miss out on this feature entirely", the price is artificially inflated with the inclusion of DP that we have other ways of getting, romance is slowly fazed out of the story only to now be put behind a heft paywall, we weren't told what we are even paying for exactly in the first place, and there has been a severe lack of proper communication from Solmare that have soured the relationship to the game's fanbase and, most importantly in this context, their customers

No, companies aren't our friends. Yes, they need to make money. Yes, they should pay their employees fairly. And no, we as consumers shouldn't expect nor are we entitled to everything about the game being free because again, the people working on this game deserve to get paid fairly for all the work they put into it

However, people are still allowed to be critical of a company and its decisions, especially when they feel like they are getting ripped off. The 300 DP might soften the blow, but that doesn't stop everything that has happened before from being a slap in the face. That's why people are pissed right now, and honestly it's been a long time coming

[amypihcs]

And here you go!

Together

Even if it had been two years since Holmes’ return, Watson still had to get quite used to some of the new traits that had manifested themselves.

Obviously, Holmes was not quite the same man he had been before his travels, but most of the new traits could be easily identified as the natural development of some of his earlier tendencies.

Holmes had always had, and carefully hidden from anyone but Watson, a certain distrust for the Police and for laws that seemed, to his analytical mind, always not clear enough and quite too blunt to be able to properly operate with them.

Holmes was, the doctor reflected, a surgeon. And he always hesitated to use his scalpel if he wasn't quite sure it wasn absolutely necessary to operate.

To Holmes, and Watson had begun to see his point in 1891 already, the police's work looked more similar to a butcher's work than the work of an esteemed colleague, and the detective had been less and less scared to state his point in the matter since the Blackmailer's act had passed.

Observing the moment from the outside, from the narrator's perspective that came easy too him, Watson could see the crescendo: The case in Norwood with Mr MacFarlane, then Mr Milverton's fate and how expertly the detective had avoided to get involved in the following enquiries, and now this.

Dr Watson hadn't expected his partner to be quite so public and open in his show of affection, but there they were, with Holmes' arm weighting on his good shoulder and his his face mere inches from his own.

"Gentle-man – Smiled the detective, and Watson was certain, even not knowing how it was possible, that Holmes had hyphened the word. – of the jury, you have heard the evidence. Do you find the prisoner guilty or not guilty?"

The doctor turned to look at his husband's small, satisfied, calm smile. They were of the same mind on that, of course, and so he decided for a little flirt.

"Not guilty, my lord." He answered, putting his old commanding tone in the sentence.

Holmes almost beamed at him and patted his arm. "Excellent, vox populi, vox Dei. You are acquitted, Crocker." He grinned, eager to have his clients out of the way.

Watson chuckled, glaring at him playfully and then hiding a smirk under his moustache at Holmes' reaction to Lady Brakenstall's embrace.

As soon as the detective had extricated himself from the young woman, they gave their blessing to the couple and sent them away for good, then Holmes let himself fall on the chair by the window, relaxing his shoulders and releasing his tension.

The doctor approached softly, resting his hands on Holmes' thin shoulders and putting a small kiss on his cheek. "Was this case satisfactory, my darling?" He asked.

Holmes threw his head back, his posture languid as he let his husband take one of his hands. "Much more than it seemed at the beginning. Hopkins will get his silver and i doubt he'll make many questions, true pity he's in the Force, he could be a much better detective if he freed himself from those shackles."

The doctor laughed and pulled his Holmes up from the chair and into his arms. "Not everyone can be as relaxed as you are in defying the laws and forms we live by, my dearest."

"You are certainly not afraid of it, are you?" Flirted back Holmes.

"Never, my dear. Never." Assured the doctor.

Holmes sighed deeply and squeezed his partner tight to himself.

"Thank you. – He murmured after a few seconds. – Thank you, John."

Dr Watson froze at first, but relaxed immediately and embraced his parter back, just as tight. "Nothing to thank me for, old man." He replied softly, stroking his thin back, trying to make his love for Holmes pass through the layers of clothing and then of skin so as to bring it right to his heart.

Neither of them spoke again, content to hold the other tight, to keep safe and be kept safe, basking in their change to reassure the other of his love, of his care for him and in the relief to receive such reassurance

I am drawing requests on my vacay - I was asked for Holmes and Watson in love and kissing, and don't we all want some loves and kisses.

[90stvqueen]

Before I read any reviews and let what other, smarter people have to say about Wicked (part 1) cloud my thoughts, I will get some of them down:

It was better than I thought it would be in a lot of ways, and exactly what I expected in others.

The biggest issue is that the movie fundamentally does not trust its audience to be able to think for themselves and put the pieces together. All the jokes are explained. All the important plot beats are drawn out to the point where they lose momentum in their effort to make sure everyone is on the same page. Every emotional beat is its own movie, and it was to the production's detriment in almost every case.

An example of this (and a spoiler) - toward the end of "Defying Gravity," the song fully STOPS so that Elphaba can start to fall, continue to fall, oh no, she's falling, now time slows, and she catches her reflection in a window, and it's the reflection of her child self, and now she's emboldened to act on her own behalf and save herself and in doing so, save the helpless, unloved child she once was, but we didn't NEED any of that, and in my opinion it didn't ADD anything of real substance. I thought it was corny, tbh, and I say this as a lover of corniness, cheesiness, kitsch, and camp.

The sets were beautiful. When the first trailers dropped, I was very afraid that it would all be CGI. But the sets were real and they looked real and I loved them. EXCEPT FOR the random stone Jeff Goldblum Elphaba finds in a cave during "The Wizard and I." Speaking of...

It felt like Elphaba's solo songs, rather than being a driving force, slowed the movie to a halt. During the ensemble numbers, duets, and Galinda's songs, there's movement. Choreo, montage, a sense of direction. Both "The Wizard and I" and "I'm Not That Girl" spent long periods of time just sitting in one place. Maybe that's not a fair assessment; INTG is a contained music-box kind of song, and TWAI had some movement - we see Elphaba hopping over stones with some CGI frogs and eventually breaking out of the Wizard cave and running through a field to look over all of Oz at a cliff's edge. But why make a movie if you're not going to play around a little bit? She has a vision midway through the song, and we don't see it. We see a different vision of hers later, but her "vision almost like a prophecy" in TWAI is just some rippling colorful lights on a giant stone carving of Jeff Goldblum's head. Maybe there was an image in there, actually. I was too distracted by the giant Jeff Goldblum tbh. Someone had to sculpt that. Wild

All of the performances were fantastic. I went in ready to be a hater, but credit where credit is due: Ariana Grande was great as Galinda. Cynthia Erivo knocked it out of the park, too, but I was less worried about her

I have so many more thoughts but it's way past my bedtime and this post is already so long, so I'll say one last critical thing:

In the Broadway production, the costume design progresses through the play as Ozians wear more feathers and furs, as a way to show how attitudes toward Animals are shifting. I felt this was really missing in the movie. The designs were beautiful, but they were missing that additional thoughtful layer.

[mvrkieboo]

Lord, just saw that ask on what if YN is bitter. And ykw? WHAT IF THEN THERES A LOT OF REGRETS LIKE COME ONNNNNN 😫 I really wanna good ending but damnnnnnnnn that scenario on YN being bitter? UGH LURVE THE ANGSTY 🥲🥲🥲❤️❤️❤️

pt. 2 of this ask right here

You've been missing your classes. For 6 days, exactly.

For the first three days, Prof. Suh nagged Xiaojun endlessly for an explanation for your absence, but at one point, all of your lecturers stopped bothering him about it. Xiaojun began to wonder if the lecturers could finally tell that he was simply not your friend anymore—until Prof. Suh suddenly held him back again today. As always, Yangyang and Aeri tagged along.

The lecturer pulled out a fruit basket, patting on it as he gave the three college students—for some reason—a sympathetic look, it even came across as apologetic too. Was the fruit basket an apology for something?

"Listen, I wanted to visit Y/N today, but some bullshit last minute meeting got scheduled—so can you guys pass this on to her for me? Tell her I'm sorry for the messages I sent too—I didn't know at the time. Thanks, guys."

The three looked among themselves, weirded out. Why would Prof. Suh buy you a fruit basket? When Aeri opened her mouth to ask for further explanation, that's when the professor's phone rang—and he took the call immediately.

When he saw that three students were still hanging around his desk stupidly, he pointed at the fruit basket then to the lecture hall's doors—telling them to get out.

Yangyang took the fruit basket and walked out the hall, wondering why the fuck would Prof. Suh bring a fruit basket for you?

There was a folded card stuck to the basket, and they were too curious to leave it alone. Flipping the note to read the contents, it was Prof. Suh's writing, but they realised that this fruit basket was on the behalf of all of the lecturers of the faculty.

May we see you again on brighter days, Y/N.

– On behalf of all the staff of NCU's Business & Management Faculty

ooooooooooooooooooooooooooo

Ever since celebrating Jaehyun signing on to SM Entertainment as a singer together, Mark's friend group and your—well, your old friend group hung out a lot at the place where they held the party, which was at Soyeon's café in Sinchon. Geonwoo's mom liked having them come over too, so they often had a fun time together at the café.

"What's with the fancy fruit basket?" Mark got to beat Haechan to it, since everybody was curious about the fruit basket Yangyang was carrying.

"Well, we're actually hoping that you would know, Mark—has Jaehyun mentioned anything about Y/N recently? Did something happen to her?" Xiaojun smiled hesitantly at Mark, and Yangyang places

Mark leaned away from the table, confused as to why Xiaojun would ask that, especially since your name would sometimes be a taboo topic to approach. Yangyang pointed at the card and Mark opened it to read it, now eyebrows all furrowed.

"May we see you again on brighter days? That sounds pretty serious." Haechan read the writing out loud from over Mark's shoulder.

"Listen, this fruit basket is gonna go bad if we don't immediately send it to her, and the staff's money would go to waste that way. How about this—you pass on Y/N's new address to me, I'll drop it off, and then this whole thing can be settled instantly." Yangyang spoke with a jaded tone, leaning back into his seat.

"I don't know her exact address, but I do know what apartment she moved into." Mark offered, and Yangyang nodded gladly.

"Oh, Mark, that would in fact be better. I could just drop it off at the front desk and tell the person to pass it on to her."

ooooooooooooooooooooooooooo

In the end, Mark offered to accompany Yangyang for the drop off, mainly because everyone could see Yangyang was ticked off that he had to do this, and if he ran into you, Mark being there was to mediate the situation.

One look at the apartment complex and they realised how much of a downgrade it is from your old place. Granted, anything else could be considered a downgrade compared to the luxury condo you used to live in, but your current apartment looked almost run down and shady.

Mark couldn't help but still feel a little bit bitter and envious that you were willing to move into this kind of place if it meant you could live with Junyoung. Did you really love him this much to endure living in a place like this? Mark was a broke college student too, but even he wouldn't settle to live in an apartment like this.

But, in your defense, it only looked run down because the apartment was old, dated, and looked like maintenance is done once a year only. It still had a lobby with a front desk at least, manned by a relatively old dude who looked well into his 60's.

"Excuse me, but could you please pass this on to one of your tenants? We don't know her exact unit, but it might be under the name Jeong Y/N or Lee Junyoung." Mark talked amicably, not wanting to piss off anyone in this apartment.

The older man behind the desk moved to take out a thick binded file on the shelves behind him. It was a long 3 minutes until the man finally got to the page he needed. He raised his eyebrows, looked at Mark and Yangyang, then looked at the page again.

"Kid, the unit you mentioned was a crime scene. The cleaners just arrived to wash away the blood and the mess. The tenant—Lee Junyoung—is already dead. A week ago, he stabbed his girlfriend before killing himself—but I heard the girl survived and is currently recuperating at Taeho Memorial Hospital. It's better if you brought this basket there instead."

Mark and Yangyang went blank and dead silent at the information, felt like the whole world froze for a moment, both of their bodies frozen still—then they took off without thanking the old man, bringing along the fruit basket with them into Yangyang's McLaren. On the way to the apartment's parking lot to reach Yangyang's car, Mark was already dialing Jaehyun's number.

Jaehyun was in the studio, nodding along to a beat he was really liking when his phone rang, flashing Mark's picture on his screen. Mark knew he'd be busy, and Mark always liked to text instead of calling anyway. Suddenly feeling dread and a weird sense of urgency take over him, he quickly excused himself out of the studio to take the call.

"Jae, did you know?" Mark sounded like he had the wind knocked out of him, and Jaehyun frowned at the sudden question.

"Know what?"

"Stop fucking around! If you knew, why wouldn't tell me about it? I mean—you know I still care for her and that I'm still not over her yet, so why the fu—"

"Mark! Bro, calm down. What are you talking about? You're speaking in riddles, man—I don't understand what you're trying to say." Jaehyun walked to the windows, looking down on the city as he heard Mark take deep breaths before speaking again.

That was when Mark realised Jaehyun didn't know. He messed with his hair as Yangyang began to drive the car a lot faster than what he was comfortable with. Did the dude even know the directions to Taeho Memorial Hospital?

"It's Y/N, Jae. Junyoung's dead, he killed himself—but before that, he attacked Y/N and—and she got stabbed. She's currently recovering at Taeho Memorial Hospital. Fuck, this is why her lecturer wanted us to give her a goddamn fruit basket."

ooooooooooooooooooooooooooo

You wheeled yourself out of Dr. Kim Sejeong's office. She was a wonderful therapist, and you could tell there was progress in your mental health after you agreed to take up therapy to heal yourself—but it didn't change the fact you had felt pushed to do this the first time you entered her office.

You came to a halt when you saw two men rose from the waiting seats outside Dr. Kim's office. You felt your face going stiff, when you realized Kyungsoo and Taeyong had been waiting for you.

These were the two sneaky assholes who roped Junmyeon into their plan in convincing you to get therapy. You still remembered how hard you cried on Junmyeon's shoulder five days ago.

ooooooooooooooooooooooooooo

"So you found his body." You spoke out, sounding soulless.

Junmyeon nodded beside his old partner, Kyungsoo. Taeyong was busy getting coffee at West Wing's café. A kid ran past in front of your wheelchair, giggling as it chased a butterfly with her mother just right behind her. The hospital's garden was spacious, but there were still some tricky pebbles she should look out for.

"Yep. Yoonsu hadn't been lying—Junyoung was found at the abandoned plant nursery. They were just about to renovate it when we came with a search warrant—ah, the school's director was so annoying, kept bitching about how he didn't want it to leak to the media. People like them are the reason why I decided to become a cop." Junmyeon sighed deeply, loosening his necktie at the memory.

Kyungsoo smirked at the older man, making a snide comment on how the commissioner shouldn't be so crass in front of a civilian. Junmyeon slapped him at the back of the head—it wasn't like he wanted the position, but it was thrusted upon him. Turning it down would anger a lot of people, and that included his own grandfather who had given a lot of gifts to the old commissioner for Junmyeon to be selected as his successor.

You stayed stone faced as the two bickered, and when they realised you were staying quiet, Jumyeon looked at you then shared a look with Kyungsoo. Kyungsoo had told him over the phone you might possibly be suffering from a...kind of depression of some sorts after everything Yoonsu made you go through.

You needed someone to push you into the path of proper recovery.

Both men saw Taeyong walking out of the West Wing with a bag in hand, so Junmyeon nodded at Kyungsoo as he fished the inner pockets of his blazer, and Kyungsoo not so discreetly walked away, signalling Taeyong to turn on his heel too.

Junmyeon reached for your hand, forcing your closed fist to open and placed something on your palm. When you pulled your hand away, you saw it was Junyoung's nametag pin. You felt your heart skip a beat as you looked at it, buried memories unearthing themselves inside your mind.

"...you know, I couldn't stand Junyoung the first time I met him. He was more crass than me, arrogant, prideful—and most of all, he was so goddamn selfish. I hated that guy, if I have to be honest with you, Y/N." Junmyeon hunched over, placing his elbows on his knees.

He stared right ahead, watching an older brother carrying his younger brother on his back, probably boasting about how strong he was to be able to carry his little brother. Junmyeon let out a pained smile at the sight.

"But after he met you, that selfishness started to chip away. He was still arrogant and foul-mouthed—and if he was alive, I've no doubt he would still be that way—but he couldn't afford to be so selfish anymore when it came to you."

You felt your eyes water as you closed your fingers around the nametag, then you felt Junmyeon's hands cover yours, as if he was also trying to keep that nametag safe from the world like you were.

"Kyungsoo told me. About all the things you said Yoonsu said to you before he killed himself, how your own friend dismissed you when you asked to speak with your brother one last time—Y/N, you have to know that all those things he said to you will never be true, you're not selfish. You deserve to live a life beyond Yoonsu, Y/N. You deserve to live a life beyond Junyoung too. He didn't die because of you, he died because of Yoonsu's selfishness—not yours." Junmyeon spoke softly, watching you cry without making a sound.

"I know you resent your friends for leaving you, and I know you also feel like blaming yourself for it because you were the one that pushed them away first, but you can't keep wallowing in your pain all by yourself, Y/N. If they had hurt you so badly, they should apologise to you—but how could they realise what they did wrong and apologize if you're not letting them know?" Junmyeon started to wipe away your tears, even as you started to shake your head.

"But I can't seem to let it go. I don't know if I could forgive them even if they apologize to me. I don't think I'm strong enough to do it." You sobbed out, feeling so ashamed of yourself.

Junmyeon tucked a piece of your hair behind your ear before he placed a hand on the back of your head. This was the same head that his late step cousin loved so much, the same head that Junyoung sacrificed his selfishness for.

"Then get help. Get therapy, receive some counseling. Me and Kyungsoo are scared that if you continue to be like this, you might..." He trailed off, and he didn't have to finish it for you to understand what he was trying to say.

"Please? For Junyoung, at least? He loved you so much, kid. He deserves to see you live a life beyond all this pain, all this suffering...and you owe it to yourself too. Living in misery would just let Yoonsu win in the end. Don't let that asshole win, Y/N."

He saw how your shoulders slumped. You relented, and you started to nod. His hand on the back of your head stretched around your shoulders, letting you cry on his. Finally, Junmyeon felt like his debt with Junyoung was now paid tenfold. At last he got to find where Junyoung was after all these years, and the girl Junyoung loved so much was finally saved from Yoonsu's hold on her.

At last.

ooooooooooooooooooooooooooo

"Detectives, if my memory serves me well, you belong to Gangnam's Police Force, not Seoul's." You grumbled, not having the strength to fight off Taeyong who was pushing your wheelchair for you.

"And that makes it illegal for us to visit you?" Kyungsoo scoffed from beside you, making you roll his eyes.

You began to tap your foot on the footpad. Kyungsoo caught it, and smirked when he realised he was annoying you. Great, he thought, it's payback for all the times you greatly annoyed him three years ago. It's even more fun when you can't find it in you to whip out snarky comebacks to use against him

"How was therapy? Can me and Taeyong finally go inform your family now? Or are you gonna stall our work for another week?" Kyungsoo side eyed you, and you whipped your head to look at him.

Taeyong cracked a smile, finding it both humorous and heartwarming to see you both bickering. You had been so despondent during the first days, it had him and Kyungsoo relieved to see you having a personality again, even if you were constantly grumpy every time they came and visited you.

"I told you already, Detective Do, I'll tell you when I'm ready. Stop trying to push me to—"

"Y/N?" The familiar voice had you silent in a heartbeat.

Kyungsoo and Taeyong stopped in their tracks, and you included since you were getting wheeled by Taeyong. All three of you stayed frozen at the doorway, seeing so many people in your private room that weren't your doctor and her usual entourage of medical students and nurses (Junmyeon pulled some strings to get you a private room once you were transferred out of the ICU ward. Sometimes you forget Junmyeon also came from a rich family like Yangyang and Chenle).

Inside your room were your remaining family members (Yuno, your father), your foster family (Geonwoo, Woojin, Soyeon), Mark, and your classmates (Xiao, Yangs, Aeri). They felt their breaths stop when they saw you sitting limply on your wheelchair, deep purple bruises all over your face.

You dug your nails into your lap and began to stand up from your wheelchair, alarming Kyungsoo and Taeyong who knew that you were supposed to change your stitches today. Everyone else in the room began to go after you too, seeing how the two men with you were panicking to see you walking by yourself.

You felt like Kyungsoo and Taeyong had betrayed you. You had immediately jumped to the conclusion that it was the detectives that called them over, even when they knew you weren't ready to face them again.

"Kid—" Kyungsoo yelled out, placing a hand on your shoulder when you were already out in the hallway, but you pulled your shoulder away from him so violently it had him going pale, worried that you might tear open your stitches.

And when Taeyong glanced down to the spot where you had been stabbed, he staggered when he saw blood seeping through the shirt the hospital had given you to wear.

"Y/N, stop!" Kyungsoo yelled out again, rushing over to stand in front of you.

The commotion caused everyone in the hallway to stop and witness the scene. Some nurses began to crowd you however, as some of them were already familiar with you and your injury, not wanting you to run and escape when your stitches were obviously ripping. Taeyong held your shoulders from behind while Kyungsoo closed in, forcing you into a bear hug to limit your movements.

You raised your arms and started to pound on his chest, tears streaming down your face at the pain of your stitches ripping open and at the betrayal you felt. The bear hug forced you to your knees, with Kyungsoo whispering something into your ears to calm you down.

"It wasn't us, kid. We didn't inform them. We don't know how they got here, okay? We wouldn't betray you like that. We didn't call them over, Y/N." He spoke softly, and quickly swept you up to carry you in his arms and into your room to lie you down on your bed.

As soon as he lied you down, your doctor came in with her team, immediately pushing everyone out of the room and closing the door in front of them.

ooooooooooooooooooooooooooo

"Who are you people? How do you know my sister?" Yuno asked stiffly, obviously still frazzled from the commotion you caused earlier.

Taeyong and Kyungsoo stared at the people before them. Just right as Kyungsoo was about to tell them who they were, a voice down the hallway rang through, gathering everyone's attention.

"Detectives!" Dr. Kim, your therapist, appeared.

She staggered back a little when she saw national darling and viral sensation Jeong Jaehyun in front of her. Sejeong tilted her head at him then looked at the detectives for a proper explanation. She just heard that you made a commotion earlier and tore open your stitches.

"I'm sorry, but who are these people?" Sejeong asked sincerely, seeing that all of them were waiting in front of your door.

"Dr. Kim, meet Jeong Y/N's friends and family." Taeyong spoke tiredly, pinching at his temple.

Sejeong balked.

"No! Y/N wasn't ready to see them again, detectives, so how could you! Didn't you promise that you'd only reach them out and inform them once they're ready?" She nearly shrieked, now upset on your behalf.

Kyungsoo and Taeyong looked at your friends and family—well, former friends and family. Both detectives understood that they shouldn't let personal bias cloud their judgement on people (it's literally their job to be that way), but they couldn't help it when all they could see at the moment was Y/N's sole source of pain, now that Yoonsu's dead.

"That's the problem—we didn't inform them. We were wheeling Y/N back to her room so we could spend some time with her and see how she's doing, but when we got to her room, they were already there inside it. It's why she freaked out and tore open her stitches." Taeyong explained thoroughly, looking straight into Yuno's eyes.

"You didn't answer our question earlier, asshole—who the fuck are you, and how do you know Y/N?" Yangyang spoke out this time, stepping out of the group and coming face to face with both of the detectives.

"Okay, time out! Detectives, please take these people to the canteen downstairs to give them the rundown of it. You can't keep crowding the hallway like this, and it's also within Y/N's best interest that you don't overwhelm her once the doctor's done with fixing up her stitches." Sejeong did a karate chop in the air between your friends and family and the detectives.

"Why should we follow your orders?" Mark asked genuinely, and Sejeong sighed at him as she showed them her badges.

"I'm a psychologist working for this hospital, and I also happen to be Y/N's therapist. Please, I beg of you for the sake of my patient, go to the canteen with the detectives. I can't breach patient confidentiality, but these detectives are obligated by the law to explain to Y/N's family on what happened to her."

A/N : might post a pt. 3, but i also might not 🫨

[ingravinoveritas]

(CW: Mention of child abuse.)

I don't know why I'm writing about this. But it's gnawing at me, and the words want to be written, so here we are.

When I was a kid, my father used to hit me. I never really thought of it as abuse--it was just "how things were" and "his way of disciplining me." Nor did I have any ability to stand up to him, certainly not at 10, 11, 12 years old. Yet as an adult, it's not the hitting that I remember as prominently as the verbal/emotional abuse.

The thing is, bruises fade. Red marks in the shape of handprints become a distant memory. But it was the words he said to me that slid themselves beneath my skin. Letting me know one way or another that I wasn't good enough. That I was failing or disappointing him somehow, whether because of the way I navigated sensory sensitivities while eating dinner or the executive functioning issues that hindered me from getting my homework done when he thought I should. The comparisons to my other female classmates who were prettier, more popular.

It happened gradually. Little comments made over time. Comments he thought were actually helpful or "teasing," rather than harmful. And it ground me into nothingness. To a powdered, broken form of who I should have been.

After thirty years, I learned how to stand up to him. Thirty years later, adult me has a voice, confidence, and the willingness to speak up. And even though my relationship with my dad is light years better than it was, and we are now incredibly close, there are still moments. Moments where he says something, and suddenly I'm 10 years old again and feeling as small as I did then. All too often, it is the person closest to you--the person who is supposed to love you--who can make you feel that way more than anyone else.

To this day, I can't hear someone yelling angrily at someone else without starting to shut down. Because the feeling of it happening so often as a child is permanently etched into my muscle memory. I've accomplished many things and found my way in the world, but the my father's words are the foundation on which Amy was built, and the effects of that will last a lifetime.

The reverberations are still echoing. And when I hear and see them so clearly in others, I have a visceral response. A pang of uncontrolled empathy so deep in the pit of my soul that it hurts.

That is why I speak up. Because no one should ever have to go through that. And if just one person says something, maybe no one will again.

[thisismenow3]

This is a huge cop out in two very specific and obvious ways.

One, the media kept showing him so that his charisma could work on swing voters even though the way to deal with firehosing propaganda is to turn off the spigot. And it really is the media at large, a few legacy publications would MOSTLY stand against him but there was way too much of how the legacy media treats republicans before and now; “well of course they’re gonna do this, let’s rag on everyone and everything that hasn’t immediately fixed the problem.”

That last part gets into point two; the media from the written legacy news outlets to the even worse televised outfits (from local to msnbc and cnn) all had badly misinformed the public by doing piss poor journalism for decades. It’s no wonder that people can’t stomach thin pieces not in depth investigative reporting when the news feeds a steady stream of skewed reality with “bleeds it reads” and “let’s just make false equivocation our central model cause reporting is apparently just doing poor polling methodology.” Before you even get to the ways editors and producers bent reporting away from informing people on real solutions on how the world really is with police, labor, healthcare, taxes, etc, you have to contend with the fact that the people hired to the top papers and every news desk were hired because they see value in piss port approaches to journalism. They see value in “boff sides!” everything because chasing the impossible “free of bias” as a personal goal eclipses the professional and institutional primary objective of “inform.” If I’m focusing on the wrong things I’m not building an actual approximation of the reality I’m hoping to convey.

Now add to this that most people don’t tune into news in the same way most people don’t floss. So every “but her emails!” every “Donald became presidential today!” every “we could cover all Biden’s progressive policies and their downstream impacts if it’s more fun to wildly speculate about his health!” has repercussions when it’s most likely one of the only news pieces tens of millions of adults in this country tune into. “This is a threat to democracy!” rings hollow to they engaged when everything about how the news media is operating is the exact same as 5 years ago, 10 years ago, 20, etc.

We got here because republicans have overall won the last 40-50 years. From real integration barely ever happening to schools getting worse from conservative policy making every decade to work and organizing getting worse and less, to news outlets phoning it in and patting themselves on the back as if the ten percent of times they actually try at all fixes when they don’t or that it matters when their whole core idea of their job is flawed in such a crucial way… we got here because conservatives understood that you can lose certain battles but you win wars by digging in on certain ones until they go your way. We have had some policy gains but the central premise since Reagan has been to make us less of a democracy and make government more conservative in other ways too. They e always had that. And the press being out to lunch and/or in bed with this agenda is part of how we got here.

Of course this is partially the press’s fault! Y’all couldn’t handle the machinations of the neo con’s decades ago you can’t handle the apotheosis of that which is Trump.

Lastly, the “most Americans” thing ain’t true. Trump got barely more voters than last time, the same is true for most other races republicans won. But way fewer white middle to upper income people from 30-50 voted at all this election compared to 2020. Our country is getting shafted now because a lot of smaller demographics make up the majority that is most voters being non conservatives while conservatives have fewer demographics making up their coalition AND institutional advantages. One of which is a media that has become an easy plaything for conservatives from Rove to Musk and Rogan. Do better journalists at elite institutions

[possessedopossum]

The Veilguard: my full review [positive, long post, less about game mechanics and more about meta, spoilers]

The thing that makes Veilguard special to me is how self aware the game is. In every dialogue, plot twist or quest I can feel the presence of somebody who wanted to share something with me. Be it personal experience, message, pain or joy. As of 2024, many games have lost their creative spark. Video game industry is no longer a nerd only zone, it's a business no different than others. Many studios utilize AI to write their plots, chase after current trends or simply make decisions that would create the biggest audience possible at the expense of something people love the franchise for. Veilguard did well, because it showed me something I haven't seen in a very long time: the human soul.

Perhaps you have noticed it on your own. The world has gone completely nuts after the covid. Or maybe it has always been this way and I only noticed it now. It is not a surprise to me that players want their game to be darker, to have more aggressive dialogue and to have a morally grey or even evil protagonist. For the past few years I've been feeling like someone had turned the lights off. And the game gave me an impression that someone at bioware feels this way too.

Only negativity gives content creators views and money these days. Open any social media, read any post or watch any video. If something is on top, it's almost always a hate post. What was the last movie most reviewers enjoyed? The last game? Perhaps the one that was released 10 years ago? What was the last time, you, my dear reader, have smiled? Not bitterly or sardonically, but out of genuine joy?

It is extremely fitting that Rook's mentor figure is Varric. Varric is somebody who always sees the best in people. He grew up in one hell of a city but he still loves it. He can find something to laugh about no matter how dire the situation is. He is a people person who can build friendship with anybody. Varric is very charismatic and tends to avoid conflict. He is a chronic liar but that doesn't make him bad because he never lies with malicious intentions. And in some ways, Rook is similar to him.

Yes, Rook can't be a complete asshole. Because the game is not about being an asshole. One of our antagonists, Solas, considers the world to be sick. Modern Thedas is a grave mistake that haunts him. He can't forget and move on because even the elves themselves wear his mistakes on their faces. Many things that are normal to the player character aren't normal to Solas. The world is so wrong and disgusting to Solas that he is willing to sacrifice things and people who are dear to him just to make the twisted world better.

Rook is nice because they are supposed to represent what is good in modern Thedas. They are supposed to be somebody who thinks the world is worth fighting for. And to a certain extent, their factions as well. The crows are contract killers and the lords of fortune are thiefs. Grey wardens are very concerned with politics and all the secrets they refuse to share constantly get people killed. Mourn watch has their immoral power hungry politicians as well and veil jumpers are sometimes willing to trade people for ancient secrets. They all aren't without sin but that's not the point. The point is, even with all the ugliness and darkness, there is still a place for light. And the light in the darkness is the exact message bioware tried to convey. The crows not being comically evil is not bad writing. It is a conscious writing choice to give us a human face for something we consider ugly and not worth fighting for. The player is metaphorically Solas, who needs to be persuaded that the world is worth at least something. The writers didn't need to bare the souls of player factions in all their mistakes, imperfections and cruelty. Because they showed us the factions' humanity. Some cruelty is still there, on the background, but it doesn't overshadow what is good. The crows, no matter how terrible, are a family. Viago may call Rook an idiot and while Rook considers their training literal torture, they sure love Viago back.

In fact, familial love is one of the core themes of the Veilguard. We have Emmrich and Manfred, Davrin and Assan and uncle Endrin, Lucanis and Caterina and Illario, Taash and Shathann, Bellara and Cyrian. It's a bit less direct with Neve and Harding. Neve has a lot of love for her city which is almost like a person to her, and Harding...I'll explain with a quote. "You're Lace Harding! You're more than this rage! You believe that the world is beautiful! That people are good! Hold onto it, hold on to who you are!".

Even the evanuris share the theme of family. Rook can compare Elgar'nan and Solas to relatives who can't get along. Elgar'nan calls Ghilan'nain his sister. Both shards of Mythal consider modern elves her children. Different but no less beloved, as Morrigan puts it.

Veilguard shows family without rose-tinted glasses. It shows that sometimes to love your children is to sacrifice something else you love (Lichdom for Emmrich), that parents have their own problems that may harm their children no matter how much parents wish to protect them (Shathann understands she is not the best mother and has complicated relationships with the Qun that harmed Taash), that sometimes parents do not understand their children at all and it's only up to children themselves to close the gap in understanding (Mythal, Solas and Rook), that familial love and desire to protect your family may turn into something ugly (Caterina being cruel to her grandchildren to prepare them for harsh realities of the antivan crows).

There is conflict in Veilguard, of intergenerational nature. Companions and their families, Rook and their faction leader, elves ancient and modern. It's up to the player how to deal with the last one. Humans, dwarves and qunari may not share blood ties with ancient elves but they still live in the world ancient elves created. As Rook, you're allowed to lash out in anger at Mythal and Solas. You can call Mythal guilty of all modern problems and fight her. You can bind Solas to the veil by force, call him asshole and express your frustrations with him multiple times throughout the game. You can also express sympathy and forgive them both. Because forgiving is neither condoning nor condemning, it's understanding and letting go. Being understood and allowed to peacefully let go of his mistakes is the exact thing that Solas needs to change his mind.

I believe that the Veilguard companions are one of the very best I've ever seen in a video game. They may not have as many different fates as for example Alistair has but is goodness measured with the amount of ways a character can be killed? I love the Veilguard crew because they all feel very real. Their personal problems are universal and very close to the player. Taash's story is not about being non-binary. It's about growing up, finding your place in the world, separating from your family and learning to appreciate it despite the mistakes your parents did while parenting you.

It's hard to decide who is my favorite. Taash's story made me cry but so did Harding's and Bellara's. The last scenes of Lucanis romance made me feral. I can't stomach the scene where Davrin and Assan die. The consequences of destruction of Minrathous/Treviso were hard to look at. I felt guilt, and if a game makes me feel something, it's a good game. I laughed, I cried, I was afraid and I felt joy, I was angry, I felt shame, I felt love. The game made me feel alive, I played through Rook's story like it was my own, what not to love about it?

The double blight wreaking havoc in Southern Thedas is sad but beautifully symbolic. Almost like a love letter from a long lost lover, It felt like bioware's meta commentary to me. "Yes, a whole lot of time has passed. We are no longer as young as we used to be, and so are you, not only the player, but our treasured friend as well. We have changed, you have changed and so did the world around us. Gaming and the video game industry are not what they used to be. We will never be able to go back no matter how much we want it because the only path that is left is the path forward. It doesn't mean that we no longer remember our shared past, no. We may not be able to go back but we promise to remember it fondly. We are still capable of creating beauty and the past will serve as a foundation for something new. We still have hope, and so should you".

The Veilguard to me is about nostalgia as well. I don't want to feed my inner Solas who sees the current world as sick. I want to make space for my inner Rook who is hopeful about the world just enought to fight for its future.

[chaoticbiguysblog]

Three days into the hiatus and I still can't believe that after 7 long seasons and so many hurdles, Buddie canon is on the horizon and at the end of ep8, it seems like the arc has finally started. Buck's expressions were something I don't think we've seen before, even when Eddie was leaving the 118, and it's safe to say he has realized that he might be in love with Eddie. Sure, in the fandom we over analyze stuff but even from a regular viewer's perspective, it seems Buck is bothered by it and that'll lead to some deep introspection on his part, that may change his life.

I guess we could've used a more explicit hint bc I see a lot of people dooming but atp I feel like the show is clearly setting the stage for Buddie canon. Obviously they're not gonna do everything at once bc this thing has been cooking for years now, I'm sure they're gonna milk it for all its worth and their getting together and first kiss is going to be nothing short of EPIC.

Tim said a lot of different things in his post episode interviews, all of which seem to point towards Buddie canon. One of his most important quotes from the decider interview is that (I'm paraphrasing) Buck will try to distract himself from Eddie, he'll latch onto something, which won't last long and we'll all find out why none of his relationships don't last long. So all of these things, no matter how you look at it, seem to be leading to Buddie.

As for Eddie, I loved that his reaction is the complete opposite of Buck's, whose heart is breaking at the thought of the love of his life moving away and that he'll be left alone, Eddie on the other hand realises that he's never alone bc Buck has always been his partner. We AND Eddie are not ready for when he realises that Buck is the love of his life too.

Although side note, I will say that we should stop expecting a big sexuality discovery arc for Eddie revolving around catholic guilt and what not, the priest's return and his inclusion in Eddie's storyline was for the sole purpose to get Eddie to stop denying himself joy, and so when he finds out Buck is in love with him, it'll be a mostly angst free storyline that can easily be wrapped up in 2-3 episodes. And I'm sure we are about to get Buddie canon around April/May, right in time for Pride month!!

I'm happy with how everything is turning out on the Buddie front, the whole moving away trope is a much better option for Buddie than an NDE, so I can't wait for how it's all gonna happen. Although, addressing the elephant in the room, I'm disappointed by the lack of screentime for Christopher and Eddie, so I need them to get an entire episode all to themselves, away from Buck and the 118, to make up for all the off screen development their fractured relationship went through.

[therabbitthatpostthings]

Live Arcane Reaction; Act 3:

Ep 7: Thank god the killmonger cut only exist in the hell dimension- don’t let them give you a fuck ass cut Ekko.

Powder my princess- IS THAT VANDER’S FINE ASS

OH MY GOD MILO CLAGGOR!!!

Jayce my princess I never doubted you. I knew the Hexcore fucked you up girl🫶🏾

Goddammit every frame in this show is a painting

VI MY POOKIE BEAR WHY

There is something so heartbreaking about the Bridge of Progress being used as an actual progression between the two cities. An olive branch. What could have been.

Jayce istg they do not want you to be happy-

BRO HE JUST WANTED TO PLAY WITH SOME MAGIC-

“Viktor is the mage” theory you might just have merit

Arcane artists I will see you in HELL for that Viktor/Jayce parallel of them literally building themselves up, morphing their damaged bodies to move forward.

Ekko and Jinx girls enjoy your SCRAPS-

WHAT WE COULD OF BEEN GODDAMMIT! FUCK!!!!!

Actual fucking tears in my eyes- FUCK THEY COULD HAVE BEEN SO CUTE- also the hard cut to Jayce and the Hexcore glitching like TV glitches as the universe breaks down.

MY BOY JUST WANYES TO PLAY IN SOME MAGIC!

Thank god he didn’t die in that universe too I would have crashed out Powder deserves to be- SHE KEPT THE CRYSTAL!?

Ep 8: oh thank god my Pookies is alive- IS ANYTHING SACRED- why the fit kinda eat tho….

I need everyone to understand I was SO happy about Mel being alive that I barely understood anything those mages said. I was just happy my babygirl is alive. GOD THAT MAKES THE FLOWER IMAGERY IN THE OPENING MUCH BETTER.

I just remembered Isha is dead... FUCK HIEMERDINGER DIED TOO 😭

Nooo Vander- NO VIKTOR- nice to know I am not immune to indoctrination.

Huck cannot catch a break omfg

LORIS MY BELOVED 🫶🏾🫶🏾🫶🏾🫶🏾

Hi traitor- omg Cait cute hairstyle

The divorce is not going well for these two.

Jayce and Mel have not seen each other for god knows how long- DONT FUCKING YELL AT HER JUST CAUSE YOUR SITUATIONSHIP WENT SOUTH!

The throuple is back together and it’s TOXICCCC

I would just like to point out that when Viktor said this all started with Jayce, the parallels between Jayce and Ekko is still going. Like I could on for pages about these two at this point.

Fuck they made this Yaoi TOXIC-

FUCK THEY MADE THIS MAGIC TOXIC- is it wrong still stand by Viktor. Like I know he’s wrong but he’s so fine. Jayce and Viktor’s parallels, Jayce and Ekko- lord.

FUCKING FINALLY THE SISTERS ARE- well shit

Jayce and Mel, I never doubted this ship. I never doubted this relationship. I thought they were good for each, the rest of the world is just full of haters.

Sevika thank god they dumb bitches get on my nerves, I need someone with a functioning brain cell to lead us to salvation.

I’m gonna be on my fucking deathbed talking about the Zaunites joining Piltover to fight a battle they done have to, to save their homes- to make Progress.

Vi, it’s okay- OH MY GOD

Istg this show cannot- I’m- Ambessa my love I’m still reeling from the gays, give me a moment. VANDER MY LOVE NOOO! SINGED I'LL SEE YOU IN HELL!

Oh fuck- we’re in it now

Ep 9:

EKKO THANK GOD- most stressful 3 mins of my life.

Honestly I don’t trust these dumb bitches at all. Jayce and Vi are like 2 for 2 on losing fights. Ekko save us Ekko. I had hope on Sevika but her leaving is so real. She has been let down by these people so many times- GERT NOOOOO

LORIS NOOOOOO

Thank god fish guy made it

Ambessa rises from the ashes like a demon- I KNEW IT I KNEW THAT BITCH WAS A TRAITOR!

GOD IS A WOMAN AND HER NAME IS MEL MEDARDA!!!

YEA JINX! SEVIKA IM SORRY I DOUBTED YOU QUEEN NEVER AGAIN I SWEAR!

There is something so special to me about piano boy being the one to make the shot. Like the smallest thing can make a difference, anyone can rise to the occasion.

Of course Ambessa is one step ahead

I have issues, I still think Viktor is so hot rn.

I know my girls are getting their asses beat rn but let’s appreciate they let the girls get down and dirty in a fight. No pretty fighting- my bitches scrap-

Bow your heads. We lost THE bad bitch today.

Omfg there’s still like 20 mins left

I should have known this plan was gonna go to shit the minute Jayce and Vi sat next to each other.

Praying for the salvation for my girl, Sevika I promised not to- FUCK

Ekko please save these idiots- SAVE US EKKO.

Jayce understanding that he was the soldier in the ash like yeah dummy- DID IT CLICK YET- Please let Viktor be the mage, I will not let this theory die.

Fuck I wanna side against Viktor but he looks gorgeous in the Arcane.

Oop Jayvik nation rise.

EKKO THANK GOD THATS MY BOY SAVIOR

HE WAS THE MAGE THE WHOLE TIME-

I’m actually in tears this isn’t a bit, like I’m actually crying

Viktor I never doubted you, I never forsaken you, I never hated you, I never turned against you, I never thought less of you. He could have actually succeeded and I would have stood by him.

Oh damn Jayvik nation rise for real, I was just joking the first time-

JINX I NEVER DOUBT- FUCK

This show is so beautiful, every scene a painting. Mel in all noxian gear while still wearing her purple eyeshadow, a mix of her roots but also the promise to move forwards and look ahead.

Yall im so fucking stressed and there’s only 3 minutes left.

No one talk to me for the next few days- I’m going through some shit okay-

[transandrogyne]

i understand the confusion that arises here if you think of transmisogyny as the intersection between transphobia and misogyny -- and i'm not saying that to be an asshole, i'm saying that because i had the same confusion for a while. but using the intersection framing isn't very helpful here since transphobia is ultimately the consequence of patriarchy & misogyny which, as you point out, impacts all trans people.

so, the better way of looking at it is to understand it as a form of misogyny that specifically impacts trans women. i realize this is a subtle difference, but it is still a difference that matters nonetheless. it makes more sense, too, when you consider the mechanisms at play with patriarchy. for example, if cis women are subjugated on the basis of their ability to physically reproduce and are made to provide free reproductive labor, then what happens to the trans woman who cannot fulfill that same role? and the answer, both historically and nowadays, is the relegation of trans women to a sort of social third class. economically, we see throughout history that they are frequently unemployed or involved with sex work, which is a reality that cis women also frequently experienced if they were unable to achieve getting married, having kids, maintaining their reputation and if their husband was unable to prevent the family from falling into poverty.

this is just one example of many, but the point here is that trans women experience very similar outcomes to cis women because of patriarchy, but their outcomes more frequently resemble the worst-case social/economic scenario of cis women because they are trans. there was never an opportunity to have a better life.

trans men, on the other hand, generally have a different experience when they are understood socially to be men. stories of figures you could consider to be trans masculine are often described a women dressing as men to achieve a better life for themselves -- that reality reflects what i'm trying to communicate. that's not to say that trans men never had it bad or that they never experienced misogyny, but what it does communicate as that being perceived by society as a man has historically yielded different opportunities and outcomes than being perceived as a woman. for instance, when i read stories of historical trans men, they're usually able to sort of live under cover and work very blue collar jobs because those jobs were available to men. and if they ever had to resort to sex work, they would have to do it as women -- most johns are straight men, after all.

thus, and i'm sure you've heard this before, "transandrophobia" as a term modeled after transmisogyny doesn't make much sense because it would imply "androphobia that is specific to trans men." now, maybe you want to say, "well, i'm using the term not to talk about the intersection of 'androphobia' and transness, but rather transphobia that is unique to trans men OR the intersection of misogyny and trans masculinity." and that's all fine and good, but we've run into two very large rhetorical problems since this discussion started.

many examples of experiences unique to trans men are not really unique to trans men and there aren't very good arguments explaining why they should be viewed as uniquely anti-transmasc

many arguments i've seen at least rely heavily on a very gender essentialist outlook. i believe there are a lot of well-intentioned people who just don't have the greatest grasp on the mechanisms of patriarchy yet, but unfortunately this tendency has resulted in a not insignificant amount of arguing about trans women being male and therefore incapable of understanding misogyny and ironically misgenders trans men and denies many of our realities

i do believe it's worth talking about the experiences of trans mascs specifically because it helps us develop a better understanding of how we fit into the broader scheme of things and develop ways to fight for a better future. unfortunately, though, a lot of discussion about feminism & misogyny in general (not just w/ this conversation, i mean as a whole) doesn't really have a solid, materialist understanding of patriarchy and leads to questionable conclusions. in the case of transandrophobia, i'm concerned that the culture that has developed has only reified ppl's distrust of trans women (not instilled it, mind you -- once again, we have to return to transmisogyny here as a structural reality) and therefore severely stunted our ability as trans men/mascs to talk about ourselves in a meaningful way.

If transmisogyny is actually the intersection of transphobia and misogyny, that would be something all trans people experience, not just transfemme individuals.

If it's just a word for transphobia faced by transfemmes, then it makes sense for transmascs to have an equivalent word.

If you say transmascs can't use the word transmisogyny to describe their experiences, and essentially just use it to mean transphobia against transfemmes, then it doesn't make any sense to get upset about the word transandrophobia