#Now it's robert pattinson

[heaven-or-vegas]

rest in peace, alain delon...

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 43 (Masterlist)

(Part 44)

Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.

Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—

@bruciemilf guess who’s back

Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)

I��ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.

Yada yada don’t die LOVE Y’ALL

[bittwitchy]

The Batman (2022) dir. matt reeves

[irlplasticlamb]

i know the real you.

prints + merch

[lustwithoutlore]

Batman: That's enough, Riddler! Time to end this!

Riddler: Good luck, Batman! All the cards are in my hand!

Batman: Uh, Eddie, that's not exactly how you win.

Batman, putting down a card: Anyways, Uno....

Riddler, throwing his cards on the table: GODDAMMIT!

[thedailydescent]

Jacob Anderson on Couples Therapy mentioning how he loved his time with Naomi in Season 1 because she was of the few who engaged with the show like he did, like she understood the gravity of it as well as she could enjoy the humour, and Naomi saying AMC told her not to ask Jacob about race and she ignored them, and Jacob saying he loved podcasts and he hated how tedious some interviews could become, just mindless back-and-forth, being asked the same thing over and over again, and having to hold himself back, rather than actually chatting with someone and being himself. Yeah.

[cyanide-sippy-cup]

The Batman (2022) isn't perfect by any means, but it is still a phenomenal film and one of the best pieces of Bat-media in recent memory.

Firstly, the aesthetic. Seemingly small but an incredibly important part. BTAS was broody, '89 was gothic, Forever was campy, TDK was... bad. And TB I think finds a real sweet spot in between vibes. It's dark, serious, it's got a technological noir, and yet still has vibrancy and color and (the key to my heart) neon.

One scene, you'll be sitting in an abandoned tunnel with shadows and muddy colors, the next you'll be surrounded by police under white lights, and the next you'll be in a night club with LEDs of every color you can think.

The fights. This film has some of the best Batman fights I've ever seen period. Really just action in general. The night club, the hallway, the finale. It's not like TDK where every fight is slow, precise, methodical, and honestly boring. Each fight or chase here is energetic and entertaining. The choreography is excellent, the stakes are legitimately high, and the settings are always unique.

The night club is crowded and overwhelming, with people swinging, shouting, and grabbing at Bats who aren't even apart of the fight. His skills and equipment save his life multiple times, whether it's block a bullet with a precise pipe throw or survive a shotgun blast with his armor. When he finally grabs Penguin you feel as overwhelmed and animalistic as he does.

The precinct escape is tight and tense. From the punch to the jump, every second makes you feel the absolute abominable stress of trying to escape a building like this. Officers pouring out of every room, bullets whizzing by and beaming off his suit. Merely seconds to get the flight suit on before they come pouring out to the roof. We experience the fall with him as his nerves spike, all culminating in a quick second decision that ends with him crashing into the side of the road.

Gotham. The beloved city feels full here. Subways are crowded, streets are packed. The crime feels real. Vandals, gang violence, thieves, assassins, crime families. It's not just militants and killers. We see the systemic issues in place that cause these. We see the feelings and social strains that make people do this. It's like you're taking a peak into another world with context and history you don't know but understand. It feels right.

The characterizations. I'm not a huge fan of the whole "Bruce Wayne is the mask, Batman is the real you" thing inflamed by TDK. And I really don't like "the Waynes were corrupt and did bad things, even for good reasons".

I think there's so much more to say about the two very different, very real sides to Bruce's personality. The one that comes out as billionaire playboy philanthropist, and the one that comes out as a violent and vengeful demon. Both who are willing to suffer for their causes. And I think there's so much more when the Waynes die from a mugging. That the crime is so bad it took the highest. That it could take anyone at any time, even the beloved elite.

However it does something right that most other Bat-media fails at. It makes Batman a symbol of hope. It demonstrates a growth in himself. That he can do more good to inspire the people than to instill fear in them.

Pandaredd made a good video on this, but in Crisis On Two Earths, Bats' opposite is represented as the ultimate nihilist. This means that at his core, Batman is really the ultimate optimist. And that makes sense. You don't put on a suit and fight crime, you don't try to create resources to help people, you don't befriend and reform your own Rogues gallery unless you believe you can change something. That all the work you do, all the suffering you experience will be worth it when you get to know the world healed.

And that's something The Batman understands. Batman started as a symbol of fear. So that every criminal hesitates at an alley. Panics at a shadow. But he became something else. A symbol of optimism. So that people can walk the streets at night. That they can get the help they need. That they can look into the sky with hope.

[weregonnabecoolbeans]

Manny Jacinto is a jem

[allwaswell16]

View this post on Instagram

A post shared by MTV Sur 🌈 (@mtvsur)

I manifested this moment. You're welcome.

Interview with the vampire by allwaswell16

Working at an alpha magazine wasn't always easy for an omega like Louis, but he's just landed his biggest interview yet with an A list actor who has asked for Louis especially. Unfortunately, the interview is with Rob Pattinson, the biggest pain in the arse alpha on the planet.

Inspired by Rob’s interview in GQ Magazine and not actually about vampires

Next Door by allwaswell16

When a stray cat starts coming round Louis' garden and bothering his dog, Louis and his best friend set out to capture it.

Or a famous/famous fic where Louis and Oli embarrass themselves in front of Batman.

[wring-wraith]

imagining robert pattinson as young bruce wayne as he accidentally-on purpose adopts dick grayson and then jason todd is objectively hilarious because you've got teenaged "sunshine boy" Dick "yes fear is a tool MUAHAHAHA" Grayson followed up by "scary crime alley kid" Jason "yes fear is a tool, but is it the most effective or true to what the soul of a city plagued with already so much fear and hatred really wants?" Todd - talk about the whiplash mr emo-ambiguous-twenty-something (??) "i don't want any friends, i don't need any friends" gets when he suddenly acquires two very different children

[andreabaideas]

Today I got mentioned at Instagram!!!!

I never thought I would be written as a Source for Sam's fan content... But here i am!! ☺️

So, as weird as It may look on the outside 😅...

Thank you @samclaflinit on Instagram for the mention! 😊.

{IMG source: my own screenshot of the Instagram: @samclaflinit}

Also : We should always put our sources.

[emo-batboy]

the idea of you running out of rpatz photos is so funny. cant wait for the people of gotham to have heated debates over whether or not bruce wayne looks good with a mustache after you’re forced to use images from the lighthouse.

It’s not the lighthouse stache you should be worried about…count your blessings people

[notonlymice]

Emilie de Ravin as Ally Craig in Remember me (2010) [part 4]

[cheryxxpeace]

Men twice my age got me feeling some typa way and i- 💀

[jocia92]

The inside story of how an American animation company laid it all on the line to make the English-language version of Hayao Miyazaki's "last" film a devastatingly beautiful must-see event.

This article is a really fascinating look into the process of dubbing 'The Boy and the Heron'. I really recommend reading the whole thing.

Dan Stevens mentions:

“Earwig and the Witch” alum Dan Stevens is such a devoted Ghibli fan that he agreed to come back and deliver a few lines as one of the many different henchbirds that do the bidding of Dave Bautista’s Parakeet King (“It’s very cool to get a sneak preview of a new Miyazaki movie,” he told me, “and to be in the mix for what might potentially be the last one is just epic”).

...

Fukuhara didn’t have any frame of reference for what the rest of the dub would sound like when she stepped into the booth (when she and Stevens spoke to IndieWire over Zoom for this article, it was the first time the two of them had ever met)

... there’s a fable-like quality to “The Boy and the Heron” that serves the moral dimension of Miyazaki’s latest and possibly final film. It speaks to the timelessness of a story designed — in the most explicit terms — to outlive its author. A story designed to be transformed by the people who tell it, even though its essence is singular in a way that no one would ever be able to erase altogether. It’s the story at the heart of a movie that will stand as a monumental achievement for as long as we can imagine, even as the world continues to turn its back on beautiful things, and the infrastructure that allows for their creation continues to crumble. “The Boy and the Heron” tells us to build our own tower, and GKIDS, with its bold and deeply personal English dub, has done just that.

[trashcanniballecter]

Me: I don't know I don't really have any interest in watching The Boy and The Heron

Someone: Robert Pattinson put his whole pussy into voice acting his character

Me: 👀👀👀 No shit?