#Norton McCoy | Explore Tumblr posts and blogs

positivelybeastly · 5 months ago

Note

Hey there! The post you made about the core of a well written Hank McCoy inspired me to ask if you'd be willing to do a similar deep dive into Hanks various relationships over the years. Not in a shippy way in so much as a pros and cons of the relationships ( all relationships have them , even good ones) and how they reflect on and influence Hanks character over time.

Hello hello! I would indeed be willing to do a deep dive, and, at the same time, find out if Tumblr text posts have a word limit! I also realised maybe 20 characters in that you meant actual. Relationships, as in romantic, and I've done just. Basically. All of his relationships. Including platonic ones. Oops. Oh well, hope you enjoy!

These won't be quite as exhaustive as if you asked me about a particular relationship, since I always work best with plenty of image resources and I already know I'm going to hit my image limit early, but I hope I can give at least my general thoughts on how Hank has influenced and changed, and been and influenced by, the following characters.

Edna and Norton McCoy

X-Men Unlimited vol. 1 #10, 1996.

You have to start all the way back at the beginning, and Hank's relationship with his parents is crucial to understanding why he is the way he is. Hank is the by product of a radiation accident that nearly killed his father, which led to the odd nature of his mutation - namely, that it manifested at birth in the form of abnormally large hands and feet.

This was, in many ways, the best case scenario that Edna and Norton could have hoped for, that their child not miscarry, be stillborn, or be born with a disability that would massively impact his quality of living - this was a very real possibility for them. So Hank being the way he was, actually stronger, more agile, and more dextrous than a normal child, and not to mention a genius intellect even at a young age (not related to his mutation, but it certainly didn't hurt) created a bit of a miracle baby effect.

They were unremittingly supportive and loving - they supported his choice in academics, they supported his football career, they supported his choice of girlfriends, they pushed him to be the best that he could be but never put undue pressure on him. He grew up feeling like he could do anything he wanted to, if he simply chose to.

The worst I can say about this relationship is that you could view it as fostering his ego - perhaps if they had tamped down on his ambitions a bit, maybe he never would have turned himself blue and furry in a fit of 'I know better than everyone else,' but I think that's a lot to put on his parents, honestly. He made that decision, and he has no-one to blame but himself for making it. Blaming his parents for that is like blaming your parents for daring to make you believe you can grow up to be somebody - like, what's the alternative, making you believe that you'll never be anybody? Horrible way to parent.

There's a bump in Marvel Team-Up #124 (1982) where Edna freaks out about her child growing up to be a superhero and more physically obvious mutant, but it's resolved when Hank proves himself to be a man of caliber and altruism, putting himself in harm's way to save a child - proving himself to be the boy that Edna raised, and she returns the favour, putting her life at risk to save him from Professor Power.

He may not be the CPA or 'normal' genius she may have wanted, but he's still brilliant, and she realises that quickly. I also think it's notable that Norton, his father, doesn't go through a similar patch, which is attributable to the fact that he sees Hank's mutation as his 'fault', as you can see in the panels above - he can't exactly blame Hank for being who he is, he's explicitly responsible for it. It would be the height of ridiculous for him to come down on Hank for who he is, when who he is is a direct result of Norton's act of heroism.

In many ways, Hank can do no wrong in his parents' eyes - but in many ways, Hank never does do wrong by his parents. He makes their lives comfortable and improves on it in a lot of ways with his intellect, and he keeps them safe as best he can. They're a little disappointed they aren't grandparents when we last hear from them in 2018, in the X-Men Christmas Special, but they're still defensive of him and love him, even though he's changed for a third time.

Charles Xavier

X-Force vol. 6 #20, 2021.

You knew this one was coming. You'll note that this is one of the few times that I'm going to use something from Benjamin Percy's X-Force in this deep dive, mostly because it's one of the few times that Percy comes close to examining who Hank is and why he is the way that he is. It's one of the few times in X-Force that anyone asks, why is Hank doing what he's doing? Why is he committing these actions?

Because, in many ways, he's still chasing Charles Xavier's approval.

Charles does Hank maybe the biggest disservice of any of his original X-Men, save maybe Scott - while he plucks Scott out of an abusive home and then moulds him into a soldier for his dream, pretty much completely failing to give him any coping mechanisms for what that's going to do to Scott's relationships with other people and his ability to maintain a normal life, Charles plucks Hank out of a loving home, and cuts him off from it. He telepathically wipes Hank's parents' mind of his existence for a while, to 'protect' him, but really, he's isolating Hank, and installing himself as a father figure.

Whether he realises he's doing this or not is immaterial, because it's canon, as established in Marvel Presents #85-92 (1991) and reaffirmed in X-Men Origins: Beast (2008). And though Hank doesn't appreciate it, on some level hates Charles for it forever, he falls for it, because he is a fundamentally altruistic person who knows he has a responsibility to use his intellect and his mutation to make life better for other people - this is the canon reason he joins the X-Men, and it's important to remember that, because he has no need of training to foster his gifts like Jean or Bobby, and he has a home, unlike Scott. In many ways, he's actually most like Warren, but we'll get to that.

There are moments where Hank separates from Xavier, most notably in Uncanny X-Men #8 (1964) and Amazing Adventures #11 (1971), and it's significant that the latter split leads to, arguably, the best years of his life, where he's freest to be who he wants to be and enjoy his life. He joins the Avengers and the Defenders, he becomes a sex symbol, he feels comfortable in his own skin, he explicitly feels no pressure to use his intellectual gifts, and instead is, arguably, most himself.

It's especially interesting when you consider that even with all that in mind, he still matures and grows up and realises, independently of Xavier, that he still has a responsibility to help - but rather than being inorganically forced to take on that role by a man he doesn't know, he realises it in New Defenders #142 (1985) when a mutant activist calls him out on his immaturity and his lack of forward momentum.

Hank self-reflects, and self-actualises, and forms a grassroots mutant political activist group called M.O.N.S.T.E.R (Mutants Only Need Sensitivity, Tolerance, and Equal Rights), which is something that Charles would NEVER do. Its emphasis on elevating mutants everywhere, rather than focusing on providing examples of mutant heroism like the X-Men, is unique, and I really do wish we'd gotten to see more of a grass roots approach to mutant politics. But.

Then, Hank gets pulled into X-Factor, and all of that goes away. Then, he gets pulled into the X-Men, and his life becomes smaller. And smaller, and smaller, and smaller. And his life becomes worse, and worse, and worse. Eventually, he hits the point where Charles is handing him an Infinity Stone, and consigning him to joining the Illuminati in his stead, and Hank doesn't want to be there, but he feels obligated to, because this was Charles' last wish, his literal will and testament, and he can't say no to that. But he should've. Because it tortures him, and it all ends up being for nothing anyway. Thanks, Chuck.

That being said, I think one of the most telling depictions of Hank and the Professor's relationship actually comes from Astonishing X-Men vol. 3 #12, where Scott is dressing down the Professor for enslaving Danger. Something I really appreciate about that scene is that it highlights how different Hank and Scott are in their relationship with Xavier.

Perhaps because Scott grew up with an abusive parental figure in Jack Winters and Hank grew up with very loving parents, Scott was able to recognise Charles' toxic behaviour and break away from Xavier - it might also have had something to do with the fact that at least one of Charles' biggest fuck ups had to do with Scott's brother Gabriel? Hard to say. But Hank, who Charles very carefully isolated from his parents by mindwiping them for years of Hank's whole existence, never really managed to break free of him, and it shows here really acutely.

Hell, it arguably never went away, even into the Krakoan era - a more interesting version of X-Force would have really dived into the kind of fucked up dynamic they have, where Chuck keeps covering for Beast's moral transgressions for seemingly no reason, because in some respects, he's responsible for them. He gave him the power, he gave him no oversight, but even more pressingly, he wasn't there for him emotionally. He pulled him into this life and didn't prepare him for the toll it would take, how much it would ruin Beast by the time he gets to Krakoa. Beast needed someone to help him there, and no-one did, which is part of why he went on the skids, I think.

But anyway, Whedon does a lot of moments where Hank is present for scenes but doesn't speak, which is important for a character who's well known for not shutting the fuck up. This, the initial cure conversation, the whole conversation about Piotr - Hank clams up. He doesn't feel like he can talk about it. He's off in his own head, his thoughts are his own, he doesn't feel the need to share them.

And here, it's especially important, because this is a big moral violation that Charles has committed in their name. I know it may be hard to remember, but back in the day, Hank had a moral opinion that was worth something, so the fact that he doesn't say anything here speaks volumes about just how much he feels capable of calling out the Professor, i.e. not at all. He craves Xavier's validation, his approval, he feels a kinship with Chuck. So he doesn't criticise him like he should.

It's especially interesting given that this would continue through the Utopia era. Every time Scott distanced himself from Xavier, Hank was there to comfort Charles, and I feel like that's just something he feels like he has to do. He feels like the devoted brother to Scott's more radical, more willing to criticise brother, and if Bendis had any interest in Beast as a character, he would've played on that in All-New X-Men - the fact that Scott killed their toxic father figure, and Beast feels both free of an influence he didn't know was choking him, but outraged that Scott would break their 'family' like that.

I find Beast compelling because of his flaws, and this is an interesting moment when you take all of that into account. I don't even know if that was the intention of this scene, or if Whedon just wanted to give Scott the speech, but it's interesting, nonetheless, and it really shines a light on how Hank and Charles see each other. I'm very interested to see Hank's take on where Charles has ended up in From the Ashes, because it has the potential to really change that dynamic.

Scott Summers

Astonishing X-Men vol. 3 #34, 2010.

Hank McCoy is Scott Summers' best friend.

I said it because it's true, and it's true reading all the way back to the Silver Age, honestly. Even as Bobby's screaming his head off about Scott being a stuck up asshole, Hank's quietly reminding Bobby that Scott can't be anyone other than who he is, "he can't help his psychological make-up," and I think that gets at a really important part of their relationship. Just as Scott's mind is attractive to telepaths because it's so neatly ordered and makes perfect sense to them, Scott's personality is appealing to Hank because he makes sense to him. Scott is orderly, anxious, dedicated, intelligent, hides his true feelings, and wants to belong, even as he stands apart. Hank is most, if not all, of these things, and so, they get each other. Bobby fucks around, Warren schmoozes and gets cocky, Jean is a GIRL AND THEREFORE SCARY, but Hank and Scott just get each other.

Which makes it all the more tragic when they fall apart, because Hank sees it all and it makes sense to him, even as it breaks his heart. What a lot of people misunderstand about Hank's arc during Utopia is that they read his moral grandstanding as self-righteousness or hypocrisy or a big ol' stick he wants to use to hit people with, and it's honestly not that. I really don't think it is.

I think he sees Scott sacrificing the parts of himself that make him a good man so that he can make a better general, and it terrifies him. He sees him become callous, manipulative, cold-blooded, willing to risk everything on a course of action because he believes he's right. Hank thinks he's fighting for the soul of the X-Men, for his own soul, for Scott's soul, even as everyone else is fighting for mutantkind.

Hank went through his own journey in Endangered Species, and he knows that there's nothing he can do, so why fight it? Why not just stop, and live out his days being the best man he can be, a member of the first and last generation of mutants, and let it go? Because no-one saw what he saw.

No-one saw the end of mutantkind inscribed on the vellum of reality like he did, saw what he would become if he did what Scott did and did anything and everything to stop the death of the mutant race - no-one else knows how close he came to jumping into the abyss and becoming Dark Beast. And no-one, honestly, cares. Hank doesn't tell anyone, because he never does, but it absolutely informs his views going forward. It can't not.

But no-one is interested enough in Hank McCoy's feelings to really ask why he's so insistent, or what happened when he was gone. He's a private individual, and he never told anyone. He felt profoundly ashamed of what he did while he was gone, which didn't exactly help. So his moral insistence just comes across as hatred, and it's not. He loves Scott Summers like a brother. That's why he fought so hard to keep him the way he was, not the way he became.

I also find it interesting that, in some ways, Hank is responsible for Scott becoming a happier, more well-adjusted individual, if in the most fucked up and irresponsible and manipulative way possible. Even in the midst of their relationship being at its lowest point, Hank was inadvertently responsible for time displaced Scott joining the Champions and getting to spend time with his father, giving him precious memories of a life not lived for Xavier that he didn't have before, and it's arguable that that's part of what mellowed Scott, coming out of the Death of X/revolution era.

It's not a good thing that Hank did that, obviously, he did it because - well, because he was having a brain aneurysm called Brian Michael Bendis, but whatever, it wouldn't have happened without Hank's intervention. I don't know if it's fair to give Hank credit for this, because those are Scott's choices and Scott's relationships, but the sequence of events is such. Idk. I try to see the best in Hank's actions and make them make sense to how I see the character.

A better version of X-Force would have made Scott central to Hank's descent into darkness, because it's frankly too obvious a connection to make, but whatever, we missed that boat. I just know that, just like how Hank didn't want for Scott to hollow himself out like he did, Scott wouldn't have wanted Hank to hollow himself out like he did, either, and I'm glad to see that reflected in MacKay's X-Men #1. I hope that friendship is rebuilt, because it deserves to be.

Jean Grey

New X-Men #124, 2002.

Hank McCoy is Jean Grey's brother.

Okay, so maybe not biologically, but they are basically brother and sister. It's why the stabs at making a relationship between them have never really worked for me, and I just enjoy the friendship moments between them too much to think of them together romantically. They're both intensely empathetic, deep feeling, loving characters, and in some ways, despite Jean being a literal telepath, Hank actually gets people better than Jean does sometimes (see X-Men Annual '95) because where she can be blinded by anger and passion and justice, Hank sees people for who they are and what they want very easily.

Almost any time that Hank is feeling blue (heehee) in 90s X-Men or New X-Men, it's Jean that pulls him out of it, because she's spent the most time learning what his habits are, when he's not really feeling as all right as he promises, and I honestly don't think it's a massive coincidence that the period that adult Jean spends dead (2005-2017) is a period that Hank spends alternately depressed, irrational, or alone. Maybe that's a form of dependency? Possibly. I just think they're best friends and that they make each other better when they're around one another.

Hank believes in Jean. He walks through the snow, thinking the rest of the X-Men are dead, believing that if he can at least get Jean out, then maybe he hasn't failed. He gets yanked onto the Shi'ar flagship, hears about what Dark Phoenix did, and instantly tries to throw the book at Empress Lilandra because he believes in Jean, and he believes in justice and law and due process. He watches her manifest the Phoenix and piece Emma together with her telekinesis, yanking her consciousness into her body once more, and even though he's afraid, he sticks with her. He trusts her with his mind, giving her his anatomy knowledge so she can work informed, even as the flames of her Phoenix form lick at his arm and burn him.

Hank believes in Jean Grey.

Bobby Drake

X-Men: First Class #4, 2007.

Bobby Drake is Hank McCoy's first best friend.

There were definitely great friends beforehand (Jennifer Nyles comes to mind), but in terms of making Hank feel normal, in terms of becoming friends to have fun and just hang out and because you simply like each other's vibes and feel comfortable each other? Yeah, Bobby is absolutely Hank's first best friend.

It's probably best exemplified in New Defenders, especially #122, where Bobby just. Needs Hank. He needs his best friend. Hank always has a knack for chasing away Bobby's blues, and you see it again and again throughout that run, where Hank is just who Bobby goes to first whenever he's feeling bad (as well as in 90s X-Men), because Hank always seems to know what to say.

I also don't think it's an exaggeration to say that there must've been a lot of good feeling going on for notable stick in the mud 60s Hank and retroactively gay Bobby to go out on double dates with Vera and Zelda. Hank bought an entire cabin so that they'd have a place to go to. Can you think of anyone else that Hank's done that for? I rest my case. (Is it all a little gay? Maybe. But it's not gay if the socks stay on.)

Where this relationship falls apart is when Bobby stops growing before Hank does, and what Hank needs outpaces what Bobby can provide, as seen in Uncanny X-Men #518. It's not necessarily Bobby's fault, he's just - not a very emotionally capable person, a lot of the time, his primary character flaw is an inability to grow up, and so Hank throws something heavy at him, and his best, most immediate impulse is to just say, well, deal with it how you've always dealt with it.

And that's just not good enough. And in many ways, I think Hank just stops trusting Bobby at that point, to the extreme where Bobby calls out for every other member of the original X-Men but him at the 2023 Hellfire Gala as he dies, and I wasn't surprised one bit. They stop appearing in comics together, Hank doesn't feature in his modern solo series' at all, and their interactions are fine, but nowhere near what they were.

Warren Worthington

Uncanny X-Men #297, 1992.

Warren is the original X-Man that Hank is most like.

Which, you might think is strange, given that Warren is a rich kid with wings and Hank is a farmboy quarterback with big feet, but it's true, by virtue of three facts - one, they're the two most obvious, physically mutated members of the O5.

Two, they came to heroism on their own. Warren's turn as the Avenging Angel, and Hank's fighting against the Conquistador in his origin, both predate their time as X-Men, and this is massively important in their development because it demonstrates that altruism and self-sacrifice are intrinsic in their characters. They believe in doing good things to help people, or stopping bad people from doing bad things, because it's the right thing to do. Whereas Scott and Jean and Bobby emerged from tragedy and ruin, Hank and Warren came from a place of stability and a desire to do good.

Three, they both undergo a terrifying physical metamorphosis that causes massive changes in their personalities, Warren becoming Archangel and Hank becoming a much more literal Beast. This point of commonality is a rock for them both, and as you can see, it helps them through. They realise that for all their struggles with the other aspects of their new selves, they're still, in the ways that count, the same people - they're still the friends they always were.

It's also very significant to me that Warren is the X-Man that Hank first 'comes out' to as the Beast, in Amazing Adventures #15 (1971), and I don't think it's a real coincidence that even as Charles tries to assert that Hank's protest that he's his own man, not an X-Man, and Jean shies away in shock from the vehemence with which Hank rejects their telepathic call, Warren calls bullshit and just goes.

He asserts himself. He's independent, and he breaks from the X-Men, much like Hank and Bobby did, Hank going to the Avengers and Bobby and Warren to the Champions, then all three of them to the Defenders - even as Scott and Jean stay with the X-Men, a decision that will lead to a whole line of catastrophe that ends with Jean dead, and Scott resigned to a life left unfulfilled because his one true love is dead.

Meanwhile, Hank, Bobby and Warren are clustered in a borrowed quinjet in their best togs, going to a wedding. Warren asks why he and Bobby are going along, given they hardly know the couple. Hank replies Warren that he's family, and he wants them there, and that's that, and there's a quiet, warm little smile on his face, because he is. They are.

I also find it very interesting that Hank and Warren undergo a very similar trajectory, tracking from Utopia to the Dark Angel Saga for Warren, and All-New X-Men to Krakoa for Hank - they cloister themselves off from others, they lose sight of who they originally were, they roll around in the blood of innocents, and in the end, they both end up dying and losing their memories, born anew.

Like I said. Warren is the original X-Man that Hank is most like.

Jennifer Nyles

X-Men Unlimited vol. 2 #10, 2005.

Jen is an underrated figure in Hank's history, and that's mostly because she has very limited appearances, none of which quite make sense with one another. Her first appearance in Marvel Presents #85-92 posits that she was, in many ways, Hank's first love, the person he missed most of all those who were made to forget him, and that the absence of him in her mind compelled her to study the mind so that she might try and unlock what she knew was missing. In the end, he stays away from her, because she nearly dies and he feels he endangers her. He probably does.

Then, we have a retroactive appearance in Origins: Beast, and the above story in Unlimited. Origins: Beast doubles down on her importance, stating that she's the person who encourages Hank to come out of his shell even before he's an X-Man, to use his gifts and be the brilliant person she knows he is, and while Unlimited agrees with that importance, she knows who Hank is at a time when she shouldn't. How to square it away? Ehh. I kinda don't. I like the three stories and how they impact and change and demonstrate Hank's qualities too much to try and change them. Instead, I just enjoy them.

In another life, Hank and Jen absolutely got married and they had a brilliant history together. She's almost as smart as he is, just as fiery (she punches out a bully antagonising Hank), and she has a strong moral, empathetic core. Hank, honestly, has a type. But even more than a romantic figure, I like her as an inspirational figure for Hank, someone that pushes him in the right direction and leads him to the right answers without giving them to him. She accepts him at a time when he needed it most, and helps him rebuild his life.

Tony Stark

Amazing Adventures #14, 1972.

For a pair of geniuses that snark at each other almost non-stop whenever they're around, and who feel almost constantly at loggerheads in classic Avengers, Tony is very important to Hank's development, sometimes by virtue of his faults.

First off, he's the superhero who turns up to investigate Hank's transformation at Brand, and his apparent death there at Hank's hands (a Mastermind illusion) and his mercy and understanding of the torment that Hank is undergoing are massively formative in Hank coming to terms with his new bestial form. He teaches Hank's two lessons - one, that he needs to control himself in a way he didn't need to before, and two, that he can still rely on people to see the human in him if he acts it.

Secondly - it's his inadvertent dismissal of Hank during the Avengers' examination of Wonder Man that sparks off Hank getting annoyed about his genius being ignored, pushes him out of the Mansion in a snit . . . and that's when he discovers that he's not just adjusting to being a beast anymore. No, he's fucking hot now. Even when he's being a dick (without really meaning to), Tony helps Hank grow, helping him realise that he doesn't need to be the high performing intellectual he was on the X-Men, the Avengers have that covered, but also, that he can afford to be someone else as well.

They continue to be friends for years and years, with their friendship built up over the course of plenty of classic Avengers issues, leading to a complete bypassing of a big ol' hero vs. hero fight in X-Factor Annual #1 (1986) because Hank's just like, oh hey, Iron Man, it's me, and Tony's just like, oh hey Beast, what the fuck's all this about? And it just. Fixes the problem.

I also don't think that it's a coincidence that Hank and Tony are the two most visibly affected when the Illuminati mindwipe Steve during the Incursions arc, with Hank unable to even really look at Steve when it happens, and Hank is constantly pulling on that morality chain even as they tie each other into knots, trying to justify the destruction of worlds. For as much as they give each other shit, Hank and Tony can rely on each other to give it to 'em straight, and that's important when their heads can get as big as these guys.

Wanda Maximoff

Uncanny Avengers vol. 3 #30, 2017.

Hank should hate Wanda more than he does.

The event that Wanda caused, the Decimation, was, in a lot of people's opinions, the beginning of the end for Henry McCoy. It stripped him of his morality and his pretensions and his ability to do anything. It was the height of cruelty, and Wanda did it without arguably meaning to. Not casually, but in a moment of instability. Leaving a gaping wound in evolution that Hank tried to fix.

He threw away a lot, trying to fix it. He wrecked a lot of relationships, came away feeling dirty, consorted with demons. Became acutely aware of every one of his limitations. And yet. He never really blamed her. Because how could he?

After all, he knew Wanda before the mess. When she was a brilliant friend and teammate on the Avengers. When she was shining, glimmering proof that people could change and become better, if only they tried and were given the chance. When she was at her best. And he never stopped believing she could be that again. It certainly didn't help that they had a certain wonder man in common, but honestly, they're just great friends.

Hank supported her in Children's Crusade, even in the face of the X-Men going kill crazy, and he never held a grudge. Even when he finds her, at the end of his rope, in Endangered Species, when he's at his most fraught and defeated, he just. Wants to fix things. It would be so easy to be hateful and resentful, but he just doesn't have it in him. After all, he knows what it's like to ruin your life in an instant because of a bad decision, and to want to claw it back however you can.

Carol Danvers

Ms. Marvel vol. 2 #18, 2007.

Honestly, for someone who you often see getting blasted on the X-Men Reddit for the Superhuman Registration Act/where were you when our babies were burning panels, Carol has a lot of really strong relationships within the X-Men, but I think her bond with Hank is especially strong - which is saying something, considering their first meeting was a fight! But, honestly, they just like and respect each other. They don't tolerate injustice, they believe in being heroes for everyone, not just the few, and they support each other.

Even in the midst of Civil War II, arguably the single worst that Carol has ever been written (not counting Avengers #200, take your pick of a character assassination), there's a moment where Tony is begging Carol to rethink her Minority Report bullshit, and she says, fine, I'll consider your evidence - but only if Hank checks it. And he says he has, and it's not wrong. And she knows that that means something.

The best friends will tell you when you're wrong. And you'll listen to them.

Heather Douglas

The New Defenders #139, 1984.

Hank and Heather have an almost constantly combative relationship from the instant Moondragon joins the Defenders, with Hank never afraid to let her know that he doesn't like her and that he doesn't want her on 'his' team. In his estimation she's high, and mighty, and conceited, and possessed of more power than wisdom.

And. Guess what?

Hank's fucking wrong. Heather is trying. Yes, she backslides, she has her moments of true ego and duplicity, but it takes Hank far too long to come to realise that she's trying as hard as she is - and frankly, she's right to smack him down and humiliate him from time to time, because he can be conceited. He acts as though the Defenders are his team, and he harbours pretensions of leadership that no-one takes seriously, because Hank is not a leader, you don't even have to dislike him to know that - and it takes him a while to realise that.

Their combative relationship keeps the other in check. They grow as a result of being around one another, even if they never quite settled things between them. Hank's maturation into a grown adult, into a man able to be more than just a superhero, is in no small part thanks to Moondragon's barbs and pushes and slaps at his ego, and he should be grateful that he got the chance to make good on that chance to mature, because Heather didn't, in the end.

Alison Blaire

Marvel Heartbreakers #1, 2010.

I'm gonna be real, the Beauty and the Beast miniseries by Ann Nocenti is not great. It has moments of fun, some pathos, but for the most part, it's incredibly soapy, incredibly hackneyed, goes nowhere, has a lot of weird anti-set up, and Hank is strangely incredibly violent and cruel in it at times. For someone claiming Hank was his usual charming self, Nocenti sure wrote him as a borderline psycho.

But. The Heartbreakers epilogue for that relationship redeems it, honestly, and it gains added poignancy when a future version of Alison is killed in Battle of the Atom, in one of the few instances of that series actually managing a moment of pathos. There's no magic trick to why Hank and Alison work, they just sort of find each other hot and fun and they're there for each other in a weird, fucked up time in Alison's life, so maybe it was inevitable that it faded to nothing.

I just like to think there's always a lingering softness, a lingering what if, for the both of them. A potential of something, if not an actual something.

Vera Cantor

The New Defenders #149, 1985.

Oh, Vera . . . you deserved better.

Gonna be brutally honest, Hank treated Vera kinda like shit. I don't think he meant to, it was never a relationship he was invested in, and he said as much, he was interested in the stability it represented, but I'm genuinely sorry for Vera that she got caught up in the crossfire of it. She was dismissed and treated like a pick-up, drop-off girlfriend when she was looking for a good man - and Hank is a good man, but at this point? Not what she was looking for. Not what she needed.

I'm glad we see her again in X-Factor and she's doing well for herself. I'm fairly convinced that she's a lesbian because Hank may have ruined men for her (in the not good way), but hey, a pro-mutant activist? That's pretty worthy - and considering how Hank treated her, pretty big minded. I like to think this taught Hank to be more considerate of people's feelings and grow out of his womaniser stage.

Julio Richter

X-Factor vol. 1 #18, 1987.

For a character often defined by his teaching abilities, Hank actually wasn't a particularly great teacher or carer for children when he first started - I always think there's a good deal of significance in the fact that X-Factor #1 has him searching out a position in academia, being rejected out of prejudice, but then finding his way to a teaching position through way of X-Factor, though I doubt that was planned.

Regardless of whether or not it was planned, I do think his relationship with Julio Richter, or Rictor, is massively important to Hank's development, because everything that Hank gets wrong with Tabitha Smith, he gets right with Julio. He encourages him, gives him his clothes, never talks down to him, nurtures his potential, pushes him to learn and think for himself - and it's rewarded.

Julio imprints on Hank strongly, and you can see that he favours Hank amongst all the other X-Factor members for a reason. This relationship largely went away in future, sadly, but I always like to think that it remains in some fashion, even if only in small ways.

Trish Tilby

X-Factor vol. 1 #36, 1988.

Yeah, you knew this was coming.

Honestly . . . I can see what Hank saw in her as a human being. She's a woman of fierce convictions. She believes in truth, and honesty, and justice. She is pro-mutant, after a fashion. And I have to give her credit, she does have her moments of heroism, like in this issue, when she risks her life to help Hank save a bridge of people as Inferno kicks into high gear. There are moments of good between them.

But fuck me she's an awful human being.

Leaking the fact that the Legacy Virus has jumped to humans directly leads to a mutant hate crime that ends in a death. She barges in to a sick, dying man's hospital room in the search of a scoop. And I'm not even gonna get into what happened when Hank turned feline.

She's just a trainwreck of breaches of journalistic ethics, and I hate her to bits. If she taught Hank anything, it was that the people you admire and love can disappoint you, and it says a lot that it's a one-two punch of her, and Cassandra fucking Nova that shatters Hank's self-esteem into a million pieces. What rarified company. The very fact that she tries to get back together with Hank after this, like, what even the fuck, man.

Jubilation Lee

Uncanny X-Men #308, 1993.

These two make me smile.

I think Jubilee awakens something very simple and immature in Hank, but something healthy at the same time - she encourages him, and everyone else at the Mansion, up to and including Professor X, to have fun. At a time when they were losing people left and right, it would have been easy to lose heart, but Jubilee kept Hank and the rest of the team bolstered, kept them focused. That's no small thing, honestly. Maybe she doesn't have quite as strong a relationship with Hank as she does Logan - that's a hard bond to match - but it's hard not to look at these two and see a true blue friendship.

I also adore that it came back in full force in X-Men vol. 4 (2013), where Hank often acted as mission and home support for the all-female team of X-Men that featured in that book. Taking care of baby Shogo, helping Omega Sentinel with her physical rehab - Hank was an invaluable asset in that run, and his scenes with Jubilee were always a treat.

Dark Beast

X-Men: Endangered Species, 2007.

"For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known."

Dark Beast is such a well constructed character because he is not just Henry McCoy if Henry McCoy were evil. Dark Beast is, what if Henry McCoy were raised in an evil world that believes in evil things and the only thing to do is be evil, lest it kill you? There's such a curious drive to betterment, to becoming stronger, smarter, more, to him, that speaks to the same in Hank, but it's all just so twisted up. It's driven by fear where it's driven by hope in Hank.

Because he is afraid. And he is human, much as he might hate the label.

He's a warning. He's a check and balance. He's a cruel joke. He's a monster. He's the other side of Hank's fears. Hank fears devolution, becoming more of an animal, giving in to the Beast, but Dark Beast represents evolution, becoming less animal and more - other. Something that considers itself above human, animal, mutant. Intelligence without conscience, drive without wisdom.

He's not what all Hank McCoys inevitably become. That's stupid, and basic, and anyone who believes that is stupid and basic. That's genetic essentialism, and it's shit media literacy. It's also the basis for X-Force (2019) and I reject that hypothesis entirely.

Henry's much more interesting than evil Hank - not just because he's funnier, and better at his job, and a more efficient villain, but because try as he might, there's still something essentially human inside of him. Something stopped him from killing Hank's - his - parents.

An essential, viral, inescapable fact.

There's something good in him, just as there's something bad in Hank. And it will bedevil them both forever, because they can't get rid of it.

Cecilia Reyes

Astonishing X-Men vol. 3, 2012.

Honestly, maybe the most grown up and equal relationship that Hank ever had, and I don't really feel like he even really had the chance to have it. Cecilia is everything Trish wishes she could be, and much more besides. Uncompromising in her morals, fiercely dedicated to healing, defensive of her boundaries, strong, independent, intelligent, funny - and kind.

She held a torch for him, for a long time. There's a lot of pictures of him in her apartment, both from the 90s and his feline form. She felt for him in a way maybe he didn't realise. Maybe he's the one who got away. Maybe she is. Either way, these two just. Work. There's a world out there where they became something more, and that's a happier world for Hank, honestly. But, hey ho.

Emma Frost

New X-Men #123, 2002.

Sometimes friendships don't make sense. Other times they do.

The friendship between Hank and Emma always made sense to me. The wit, the banter, the emotional intelligence, the willingness to play to roles assigned to them by their image - they were practically destined to be friends. And yet, often forgotten. Every now and then, it crops up, and I cherish it, but for the most part, they're just irrepressibly bitchy all the way through Morrison's run, and that'll always be special to me.

I always try and see good where I can, and I wanted to post an exchange from Secret Empire Omega where Hank tries to bolster Emma in the wake of New Tian's fall, because I like the moment for them, but in the end, it's just too poor of an event and a context for me to share it. All my props to Nadia Shammas in the X-Force Annual, the one issue of X-Force I thought actually had a decent handle on a villainous Beast - by sheer virtue of actually remembering that people would care. Emma would care.

Abigail Brand

Siege vol. 2 #2, 2015.

Abigail Brand did not make Hank McCoy into a war criminal.

To say so is to betray a basic lack of understanding of this entire relationship, but then, what else is new? A lot of people seemingly don't get who Hank is and why he works. Out of universe, but also in, oddly enough.

Kate Pryde and Kurt Wagner both speculate about what made Hank into what he became in X-Force, and they think it's Abigail, because that's an easy explanation, but it's not the truth. Not remotely. It betrays that they didn't know Hank as well as they thought they did, and Hank died not being known by a lot of people.

Which . . . sucks. But it is what it is.

Abigail knew him. She knew him as a kind man. Kinder than her. Kinder than anyone. She wanted that kindness. Craved it. Needed it. Managed to jam it into her work life, by hook and by crook. But I don't think Hank minded. At that point in his life, he needed what she offered, and though I don't think either of them ever thought they'd catch real feelings, they both absolutely did.

He kept her honest, she gave him options. He gave her moral dimension, she gave him self-esteem. They complemented each other perfectly, and I'm sorry that they never got a fair chance, really.

Sure, it was all essentially motivated by a desire to get good dick, but sometimes, that's all it needs to be.

Kurt Wagner

Uncanny X-Men: The Heroic Age, 2010.

Ahhh, Kurt . . . honestly, I don't think Hank and Kurt were ever shown to be quite as close on panel as you'd think they would be, in part because there's a One Blue Limit on X-Men teams for a while (seriously, check the X-Men team line-ups, and you'll realise that Hank and Kurt are pretty much never on the same team until 2015, with Amazing X-Men, a team Hank promptly leaves at issue #5).

But I like to think they're good friends, even if Kurt does fall for Hank's facade of being okay, just like a lot of other people. I like to think that Kurt represents a kind of ideal to Hank - he's what Hank, in many ways, wishes he could be. A better man. A happier man. A more hopeful man. A man who believes in a higher power, still. I certainly don't think it's a coincidence that it cuts Hank deep, when Kurt dies at Bastion's hands.

Steve Rogers

Secret Avengers vol. 1 #21, 2012.

Hank and Steve have an odd relationship. In a way, he does a lot for Hank, bolstering him during his time in the Avengers, treating him as a valued teammate - even if, as is typical of 70s writing styles, they can both come across as cunts to one another occasionally - and one of my favourite moments for Hank is in Avengers Annual #11, where Steve calls Hank out as a man who won't kill. Doesn't have it in him.

Which makes this moment, a sequel to what Steve pushes Hank to do in Secret Avengers #16, hurt so much. Steve had to know what it would cost Hank, to shortcut his way into an Oppenheimer arc, but he hoped the math would comfort Hank. I don't think it did.

I don't know if it was intentional, but it haunts me that both Scott and Steve use Hank (Scott during Secret Invasion, and Steve in SA #16) to commit acts of mass murder, and try to console him with the numbers of people saved through atrocity. Hank tried to escape all of that, fleeing from Utopia, and maybe he was naive to think a band of Secret Avengers would be a place to hide from doing bad things, but it doesn't change the essential fact. Scott and Steve used Hank to achieve their goals, and he had to just deal with it.

"Are you seriously asking a mutant what he'll do to avoid extinction?" Mindwiping Steve in New Avengers vol. 3 hurt, I'm sure, but it's a fine old thing, trying to morally grandstand to a man you explicitly used to make a nuclear bomb. A lot of mixed up history in that room.

Broo

Wolverine & the X-Men vol. 1 #7, 2012.

If only Hank's adopted sons were given as much attention and care as Wolverine's adopted daughters. Ah well. There was a lot of work being done over this run, to make it clear that Hank, Abigail and Broo were forming a family unit, including Abigail being there as Broo's parental figure during his graduation and a possible future showing Broo as head of S.W.O.R.D, but all of it eventually came to naught, which saddens me. Broo deserved better. So did Hank.

Time Displaced Beast

X-Men: Blue #35, 2018.

There was a kernel of an idea here.

It was inevitable that Hank was going to end up hating himself. He's a character largely defined by self-hatred, in most of his forms. The thread that never got pulled was the fact that, honestly?

Older Hank should hate younger Hank just as much.

Younger Hank is much closer to the man who turns them blue, who's ego tripping at Brand, than older Hank is. That's what leads him down this entire path, of magic and demon summoning and servitude, that's broken only by the intervention of other X-Men.

But, whatever. The era of lost potential, tbh.

. . . . . . . .

Oh, hey. You're still here?

Yeah, I guess there is someone missing, huh?

Simon Williams

Uncanny Avengers vol. 3 #28, 2017.

Avengers Annual #6, 1976.

X-Force vol. 6 #49, 2024.

Avengers vol. 3 #14, 1999.

Wonder Man vol. 2 #5, 1991.

Avengers Annual vol. 2 #1, 2012.

They complete one another.

They simply are their best selves around one another.

Even when sick, and twisted, and cruel, and beyond redemption, Hank couldn't bear for the possibility of harm to an invulnerable, immortal, ionic man. He would rather dash all of his plans, make it all for nothing, kill himself, than risk hurting Simon.

At the start of this whole ass breakdown, you said, all relationships have pros and cons. And I think that's true. Mostly. But when Hank and Simon are together, nothing can tear them apart, nothing can bring them down, nothing can stop them, nothing can keep them from doing the right thing.

I can't think of a negative to them being together.

They love each other.

Thanks for bearing with me. :)

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bouncingbluebeast · 3 months ago

Note

Canadian actor Matty Matheson (who in real life is a chef, but plays the only character who doesn't cook in the FX kitchen work dramedy series The Bear) gives the vibe that he could play a younger, optimistic, more bouncing, carefree and playfull encharnation of Hank McCoy:

Just imagine him, and the now older George Buza playing Hank's dad Norton McCoy!

Bonus

((OOC: Ooh cute! I'd definitely love to see a larger man play Beast and not shy away from size or bulk with girdles or weight loss. I think the biggest issue would be the CGI vs practical make-up, especially with how Jennifer Lawrence described her experience as Mystique with the body paint.

Still! Seeing his videos, I wonder if the voice fits as well as it could, but he does seem delightfully cheery.

Matty Matheson is definitely a Marvel-ass name though.)

#out of the blue #hank mccoy

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voxxgrimly · 7 months ago

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So I am thinking of kid OCs for my ship of Hank McCoy/Beast and Carly... Twins who are furry like their dad

Looks inspired by a mix of Wilykat and Wilykit from classic Thundercats:

The Wonder Twins from Super Friends

And Kiki from the 1986 anime Saint Seiya

The names I choosed:

Leonard DeForest Norton McCoy (Lenny)

Beatrice Constance Edna McCoy (Bea)

Little Lenny would a grayish shade of blue for his fur, similar to the early Amazing Adventures and Evolution depiction's of Hank's fur, along with the hair format of Thundercats WilyKat, points on each side, black with shades of silver:

While little Beatrice would have the more vivid shade of blue that Hank has in later encarnations and the Animated Series/97 and the hair format of Wilykit, one point to the top behind her head, and her hair color would be black with shades of dark blue

And both twins have eyebrows in the form of dots, like Saint Seiya's Kiki:

Those would be literally adorable???? Yes. Totally yes.

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cinenthusiast · 2 years ago

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new-to-me albums jan 2023

1. beat - roy brooks (1962) 2. new hymn to freedom - szun waves (2018) 3. raptus - doris norton (1981) 4. inception - mccoy tyner (1962) 5. my favorite things - john coltrane (1961) 6. night dreamer - wayne shorter trio (1964) 7. little girl blue - nina simone (1959) 8. undercurrent - bill evans and jim hill (1962) 9. crescent - john coltrane (1964) 10. organization - omd (1980) 11. artificial intelligence - john cale (1985) 12. dazzle ships - omd (1983) 13. architecture and modality - omd (1981) 14. the anvil - visage (1982) 15. tsunawatari - hako yamasaki (1976) 16. la morte bussa due volte OST - piero umiliani (1969) 17. la ragazzo dalla pelle di luna - piero umiliani (1972) 18. idle moments - grant green (1965) 19. lavoro e tempo libero - giuliano sorghini (1980) 20. mingus mingus mingus mingus mingus - charles mingus (1964) 21. what, me worry? - yukihiro takahashi (1984) 22. poisson d’avril OST - yukihiro takahashi (1985) 23. chet is back - chet baker (1962) 24. naughty boys - ymo (1983) 25. memphis unlimited - o.v wright (1973) 26. i can’t stand the rain - ann peebles (1974) 27. pastel blues - nina simone (1965) 28. existentialism - the beatniks (1981) 29. tomorrow’s just another day - yukihiro takahashi (1983) 30. yadokari - meiko kaji (1973) 31. the nightfly - donald fagen (1982) 32. mingus ah uhm - charles mingus (1958) 33. pages - pages (1978) 34. let’s dance raw - shintaro sakamoto (2014) 35. night train - oscar peterson trio (1962) 36. dots and loops - stereolab (1997) 37. complete communion - don cherry (1966) 38. fourth - the soft machine (1971) 39. prepare thyself to deal with a miracle - rahsaan roland kirk (1973) 40. bags and trane - john coltrane and milt jackson (1961)

#albums #music #yukihiro takahashi #ymo #jazz

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ennmaximof4 · 2 years ago

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FERA

Hank McCoy

Mutante / X-Men

• Atavismo Genético: É possível que a mutação do Fera seja resultado de atavismo genético (ou traços genéticos que ressurgem em uma espécie após muitas gerações de dormência). Ele também possui características neotênicas (ou traços em um descendente que se assemelham aos de um organismo ancestral), o que explicaria por que ele tem um grande cérebro moderno com um físico de macaco. Devido a Mutação Secundária, Fera se transformou de seu físico original de macaco para um físico mais parecido com um gato. A mutação subsequente o afetou, e ele precisou da ajuda de seu eu passado, que foi capaz de estabilizá-lo em uma nova aparência.

√ Oh, minhas estrelas e ligas! - Fera.

HISTÓRIA:

Henry "Hank" McCoy nasceu e foi criado em Dunfee, Illinois, filho de Norton e Edna McCoy. Seu pai trabalhava em uma usina nuclear, onde foi exposto a grandes quantidades de radiação durante um acidente. Norton ficou completamente ileso, mas a radiação afetou seus genes e, como resultado, seu filho nasceu um mutante. Ao contrário da maioria dos mutantes, Henry mostrou sinais de mutação desde o nascimento: mãos e pés extraordinariamente grandes, juntamente com força e agilidade incomuns. Um prodígio, Hank também era dotado de um intelecto sobre-humano inato e durante a adolescência aumentou ainda mais seus poderes de agilidade, reflexos e força aumentados semelhantes a símios.

Enquanto frequentava o Colégio Bard, graças aos seus poderes, Henry se tornou um jogador de futebol estrela quando adolescente e ganhou o apelido de Gorila Magila. Hank escondeu sua mutação e sede de conhecimento à vista de todos - até que a escola pediu para ele sair depois que ele foi exposto como um mutante. As notáveis habilidades atléticas e brilhantismo de Hank atraíram a atenção do Professor Charles Xavier, que estava formando os X-Men originais. Xavier ofereceu a Hank, que se destacou na sala de aula, a chance de oportunidades acadêmicas ilimitadas em sua prestigiosa Escola para Joven Superdotados.

Uma versão do Fera do futuro viajou para o seu tempo para informá-los de que o futuro estava em mau estado, e que apenas os X-Men originais poderiam ajudar a consertá-lo. Hank e os outros X-Men viajaram com este Fera para o futuro, onde Ciclope matou seu mentor Charles Xavier, Jean Grey estava morta (e a escola agora tem o nome dela), e Fera estava morrendo pelas mudanças em seu corpo causadas por sua mutação secundária.

Frustrado por sua incapacidade de encontrar uma maneira de trazer a si mesmo e seus amigos de volta ao seu tempo, Fera decidiu experimentar a magia. Esses experimentos acabaram abrindo caminho para ele para encontrar uma maneira de viajar no tempo usando o Terceiro Olho de Hórus, presenteado ao jovem Fera pelo Doutor Estranho. Ao longo do tempo, Hank começou a experimentar o misticismo para descobrir um novo caminho para casa.

Sob a tutela do Prof. Xavier, os dias de Hank foram ricos em equações diferenciais, experimentos e treinos na Sala de Perigo. Com os X-Men, Hank lutou contra o Magneto, o Vanisher, o Blob, a Irmandade de Mutantes, Namor, Unus, o Intocável, Lúcifer, e muitos outros. A certa altura, Hank ficou desanimado com a humanidade e deixou a equipe para iniciar uma breve carreira como lutador.

Hank imediatamente se tornou amigo de Bobby Drake. Hank namorou uma bibliotecária, Vera Cantor, mas ele manteve sua identidade como a Fera em segredo dela. Hank e Bobby lutaram brevemente contra Maha Yogi em um encontro duplo.

Um estudante brilhante, McCoy completou seus estudos de doutorado e finalmente deixou os X-Men e a escola do Professor Xavier para assumir uma posição como pesquisador genético na Corporação Brand, uma divisão da Petrolífera Roxxon. Lá ele começou a trabalhar com Dr. Carl Maddicks e começou um romance com sua assistente, Linda Donaldson.

Enquanto estava com a Corporação Brand, McCoy isolou o extrato hormonal que criou a mutação. O soro resultante agiu como um catalisador para ativar mutações latentes por curtos períodos de tempo. Dr. Maddicks ficou cada vez mais invejoso de Hank e testemunhou sua nova descoberta. Hank bebeu o soro, tentando disfarçar sua aparência, e sofreu mudanças físicas radicais. Hank teve pelos cinza por todo o corpo, seus músculos se expandiram, orelhas ficaram maiores e pontudas, garras brotaram e seus dentes caninos ficaram maiores, parecendo presas. O soro aumentou ainda mais sua agilidade, resistência, velocidade e força sobre-humanas, bem como melhorou seus sentidos e lhe concedeu um extraordinário fator de cura.

Na tentativa de continuar uma vida normal, McCoy começou a usar uma máscara sintética e luvas e arnês para corrigir sua postura. Ninguém na Brand Corporation foi capaz de conectar que a Fera e Hank eram a mesma pessoa, apesar das muitas tentativas do chefe de segurança, Robert "Buzz" Baxter.

Eventualmente, Dr. McCoy deixou Brand e se candidatou aos Vingadores. Durante sua entrevista, os Vingadores foram atacados pelo Groxo, representando o Estranho, e Hank ajudou a equipe. O Fera e a Serpente da Lua foram então aceitos em regime de experiência. Depois de várias aventuras com os Vingadores, Hank foi finalmente aceito como membro. Ele revelou publicamente sua identidade secreta. A Ferina partiu com a Serpente da Lua para receber treinamento adicional. Depois de se tornar um Vingador, Hank logo percebeu que sua popularidade com as mulheres havia crescido imensamente.

Detectando atividade na Mansão-X, Fera voltou para sua antiga casa para descobrir que os X-Men que ele achava que estavam mortos estavam vivos e bem. Hank informou Scott Summers que Jean ainda estava viva e estava na Ilha Muir. Enquanto verificava um complexo escondido sob a Mansão dos Vingadores, Hank e Gavião Arqueiro foram capturados pelo Arsenal e resgatados pelos Vingadores. Após uma audiência no Senado, os Vingadores foram absolvidos das restrições de Gyrich e Fera sugeriu restabelecer a adesão do Magnum.

Hank correu para ajudar seus antigos companheiros de equipe depois que ele interceptou um pedido de socorro de que os X-Men estavam com problemas no Clube do Inferno. Hank chegou depois que Fênix passou por outra transformação na Fênix Negra e voou pelo universo, onde devorou uma estrela inteira e os cinco bilhões de habitantes de um de seus planetas. Quando ela voltou para a Terra, Fênix ameaçou matar todos. Professor Xavier foi capaz de manter Fênix sob controle e ajudou-a a voltar ao normal. Os X-Men e a Fera foram teletransportados pelo Shi'ar. O Império Shi'ar testemunhou a Fênix Negra consumindo a estrela e Fera e os X-Men foram forçados a lutar com a Guarda Imperial sobre o destino da Fênix. A batalha desencadeou sua transformação na Fênix Negra mais uma vez. Fênix entendeu que ela nunca seria capaz de controlar totalmente a fome escura dentro e se sacrificou na lua.

Hank se reuniu com o Homem de Gelo e o Anjo, depois que eles e um grupo de heróis foram manipulados pela Serpente da Lua para fazer um teste para os Vingadores. Depois que as manipulações da Serpente da Lua foram reveladas, Hank tirou uma licença dos Vingadores.

Após anos de serviço com os Vingadores, Fera assumiu a responsabilidade de reorganizar os Defensores em uma organização de combate mais formal. As coortes dos X-Men do Fera, do Anjo e do Homem de Gelo, serviram nos Defensores junto com ele. Warren Worthington III financiou a equipe e forneceu sua cobertura no Colorado como quartel-general. Eles obtiveram autorização governamental, graças à ajuda de Nick Fury.

Hank foi procurado em um cargo na Faculdade de Medicina de Harvard de Boston. Quando ele soube que Jean Grey ainda estava viva, Hank se juntou a seus ex-companheiros de equipe e membros fundadores dos X-Men na formação do X-Factor, uma organização que pretendia procurar e ajudar mutantes sob o pretexto de caçar mutantes como ameaças à sociedade. O público assumiu que eles eram humanos caçando mutantes quando na verdade eles estavam treinando jovens mutantes no uso de seus poderes no Complexo do X-Factor. Eles também trabalhavam como mutantes em uma equipe que a mídia chamou de Exterminadores.

Fera serviu como o gênio tecnológico e médico residente no Instituto Charlea Xavier, trabalhando em tudo, desde tecnologia alienígena avançada até o Vírus Legado que mata mutantes, enquanto também atuava como membro ativo da Equipe Azul dos X-Men. Ele até se tornou líder de campo ao mesmo tempo. Neste momento, Hank começou a chamar Scott de "Líder Destemido".

Hank passou um curto período de tempo com a equipe X-Treme da Tempestade, em busca dos diários da Sina. Hank sofreu uma Mutação Secundária, que o levou a se transformar ainda mais em uma criatura mais felina, depois de ter seu "potencial genético latente" iniciado por Sage. Após Vargas matar Psylocke, Fera retornou ao Instituto.

A combinação da perda de uma amiga e sua nova mutação fez com que Fera ficasse muito inseguro, sentindo que ele estava se transformando em um animal. Hank se aprofundou em seu trabalho, ajudando o Prof. Xavier a construir um Cérebro mais forte, chamado Cérebra. Prof. Xavier abriu a escola para o mundo e anunciou publicamente que ele era um mutante. Hank finalmente terminou seu relacionamento com Trish, pois ela estava com medo do que aconteceria com sua imagem se ela fosse vista com ele em público.

Com o tempo, a Fera estabeleceu uma forte amizade com Emma, até mesmo coletando sua forma de diamante quebrada e organizando milhares de peças no lugar, depois que ela foi atacada por Esme Cuckoo. Hank começou a alegar falsamente que ele era gay para o público, na esperança de inspirar um apoio mais amplo para a tolerância.

Hank finalmente encontrou seu lugar como orientador. Hank começou a questionar suas intenções no que diz respeito aos direitos mutantes, primeiro durante a chamada cura para mutação da dra. Kavita Rao, depois dos eventos da Dinastia M. Emma descobriu que ele estava pensando em tomar o soro, mas depois de uma briga com Wolverine na frente dos alunos, e Ciclope pedindo para ele esperar, Hank decidiu o contrário. Fera começou a namorar a agente da E.S.P.A.D.A., Abigail Brand.

Durante a Guerra Civil, Fera, estava entre os X-Men originais que ajudaram Bishop a resgatar os reféns do grupo 198 e também forneceu ao Homem-Aranha um disfarce holográfico, e então se alistou na Iniciativa. Hank se esforçou para encontrar uma maneira de reverter os efeitos de desenergização do Dia M, e assim evitar a extinção da raça mutante, já que não apenas a maioria dos mutantes atuais perdeu seus poderes, mas nenhum novo mutantes estavam desenvolvendo poderes. Para este fim, Fera recrutou vários cientistas vilões, depois de ter esgotado a ajuda de Reed Richards e Tony Stark, para ajudá-lo a entender a situação.

A fim de salvar os mutantes dos efeitos do Dia M, Fera e Anjo decidiram reunir uma equipe de especialistas, o Clube-X. Eles reuniram Madison Jeffries, Dr. Yuriko Takiguchi, Dr. Nemesis, e a Dra. Kavita Rao. Fera e o Clube-X viajaram de volta para 1906, a fim de encontrar os pais do Dr. Nemesis e descobrir as origens da mutação moderna. Durante a missão, eles também lutaram contra uma versão inicial de uma Sentinela, criado pelo Clube do Inferno, e inadvertidamente causou o terremoto de São Francisco. No entanto, quando eles retornaram ao presente, eles descobriram que sua evidência de DNA havia sido enterrada abaixo de onde o Celestial Sonhador estava parado no parque. Dr. Yuriko Takiguchi morreu de causas naturais, logo depois, e Fera falou em seu funeral.

Depois de ser preso pela M.A.R.T.E.L.O. por protestar em São Francisco, o Fera tornou-se um sujeito de teste para a Máquina Ômega, enquanto estava sendo mantido prisioneiro junto com o Professor X na Ilha de Alcatraz por Norman Osborn. Hank foi torturado diariamente, até que Ciclope enviou Magia e X-Force para resgatar os mutantes cativos. Depois que eles se estabeleceram em Utopia, Fera informou a Ciclope que ele estava deixando os X-Men. Ciclope implorou para que ele ficasse, dizendo que precisava que Hank lhe dissesse quando ele iria longe demais, ao que Fera respondeu: "Scott, você foi longe demais".

O Fera se juntou a sua namorada Abigail Brand como membro da E.S.P.A.D.A. Não muito tempo depois, ele foi feito um fugitivo por Henry Gyrich e retornou aos X-Men para assistir ao funeral do Noturno onde ele confrontou Scott Summers e o culpou pela morte de Kurt. Fera voltou para os Vingadores, ajudando Steve Rogers com sua equipe de Vingadores Secretos. A equipe primeiro lutou contra um Fu Manchu ressuscitado e o Conselho das Sombras.

O Fera ficou do lado dos Vingadores na batalha contra os X-Men e se juntou a um grupo de Vingadores em uma missão ao espaço para enfrentar a Força Fênix. Sua missão falhou no entanto e a Fênix chegou à Lua para reivindicar sua hospedeira. Um ataque do Homem de Ferro, no entanto, quebrou a Fênix em cinco pedaços que reivindicaram Ciclope, Emma Frost, Magia, Namor e Colossus como seus hospedeiros.

Antes de sua morte, Professor X enterrou uma mensagem telepática na mente do Fera. Ele mostrou a ele uma sala escondida na mansão que continha registros de seu envolvimento com os Ilumminati e a Joia da Mente antes de esconder a memória dentro do subconsciente do Fera. Xavier fez com que, após sua morte, Fera receberia um gatilho que restauraria a memória, com a intenção de Fera herdar a administração da Joia da Mente e, assim, ser membro dos Illuminati. Assim que o Fera abriu a sala, ele foi recolhido pelos Illuminati, que estavam montando a Manopla do Infinito.

Algum tempo após a restauração do multiverso, um fenômeno chamado Varíola M foi descoberto. A Varíola M foi causada pela Névoa Terrígena lançado na atmosfera da Terra durante uma batalha entre o Raio Negro e Thanos. Embora inicialmente inofensivas, as névoas acabaram se tornando tóxicas para os mutantes, causando uma doença conhecida como Varíola-M, que serviu para alimentar o medo e o ódio dos humanos pelos mutantes. Com a Terra cada vez mais inabitável, Tempestade evacuou os X-Men e criou um santuário mutante no Limbo.

Apesar de manter um otimismo inabalável de que o problema Varíola-M poderia ser resolvido, Fera acabou descobrindo que os níveis de saturação de Terrígena na atmosfera logo chegariam a um ponto que tornaria a Terra permanentemente inabitável para mutantes. Ainda longe de uma cura, Fera reuniu vários líderes mutantes importantes e os informou de suas descobertas. Fera acreditava que o melhor curso de ação era evacuar os mutantes da Terra e começar de novo em outro lugar, pois acreditava que uma guerra contra os Inumanos significaria o fim dos mutantes.

Após a ressurreição do Banshee como um Cavaleiro da Morte, Fera cuidou dele, tentando ajudar a reverter os efeitos destrutivos de seu tempo como um Cavaleiro. Fera assumiu uma posição de professor na Universidade de Harvard, já que a escola foi capaz de fornecer a ele os laboratórios necessários para aprofundar sua pesquisa e cuidar de Banshee. Com os X-Men se acabando, Kitty Pryde, que se tornou a líder dos X-Men após a guerra com os Inumanos, pediu a Hank para retornar ao grupo e Hank concordou.

Quando Nate Grey se viu morrendo, ele usou uma Semente da Vida Celestial para tentar salvar sua vida. Em vez disso, ampliou seus poderes já imensos. Tentando usar suas habilidades para refazer o mundo, Nate se opôs aos X-Men. Ele finalmente usou seus imensos poderes para criar uma realidade compacta, onde todos eram mutantes e relacionamentos íntimos eram proibidos. Fera e os outros X-Men que estiveram presentes na batalha contra Nate ficaram presos nesta nova realidade.

Não mais se lembrando de sua antiga vida, Hank era agora um prisioneiro no Complexo Prisional da Sala de Perigo, lar de "criminosos" mutantes como Bishop, Miragem, Polaris e Texugo de Mel. Em vez de um homem instruído que evitava a violência sempre que necessário, Fera era agora o chefe agressivo do bando de prisioneiros selvagens. Juntos, ele e os outros prisioneiros descobriram o que Nate havia feito, e que ele havia usado Legião para ajudar a manter a prisão e a realidade juntas. Eles conseguiram escapar e confrontaram Nate, eventualmente sendo restaurados ao seu antigo eu.

Quando o recém-retornado Professor X, Magneto e a secretamente viva Moira MacTaggert lançaram seus planos para criar uma pátria mutante independente em Krakoa, Fera se juntou a seu antigo professor na realização do projeto. Planejando criar uma nação que seria o lar de "todos" os mutantes, os mutantes recém-unidos se viram capazes de realizar grandes coisas, até mesmo a ressurreição de mutantes que morreram prematuramente. Juntamente com o Cifra, que serviu como intermediário para Krakoa, o Fera ajudou a desenvolver três curas milagrosas, que ajudariam a comprar o reconhecimento de Krakoa das nações da humanidade.

Ele acompanhou Xavier e Emma Frost a uma reunião com as Nações Unidas, que viu Krakoa ser reconhecido como um estado independente. Juntamente com o resto dos mutantes de Krakoa, ele celebrou a independência da nação em um grande banquete, visto compartilhando uma bebida com outros X-Men originais, Homem de Gelo e Arcanjo.

Hank foi nomeado chefe da X-Force, o novo serviço de inteligência de Krakoa.

-> MOVIES:

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justdealingwithsomeissues · 2 years ago

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This arc is mostly about Hank and his first girlfriend, Jennifer Nyles, who we saw in an older flashback story back in the late 60s from the before times for the X-Men...

#Marvel #Marvel Comics Presents #Hank McCoy ~ Beast #Jennifer Nyles #Norton McCoy #Edna McCoy

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trappolacore · 3 years ago

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"He is such a jerk, he shouldn't be my comfort character" said percy about all of her comfort characters

#jason grace #percy jackson #hikaru sulu #edgar valden #norton campbell #aesop carl #mary idv #james kirk #spock #bones mccoy #bakugou katsuki #shoto aizawa #aaron minyard #spencer reid

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thebettermccoy · 2 months ago

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What would a rule 63 version of McCoy be like?

I’ve got to be honest, Anon, when I first received this question my response was: “That’s a left-field question... How the fuck am I supposed to answer that? I was so tempted to give you a cheeky reply of: “She is just as evil but with tits.”

But then I realized that I was asking the question in the context of a world where everyone on Earth-295 was gender-bent, and that was not necessarily the question that was asked.

Then I realized how interesting this question is. So, buckle up, bitches, we’re about to dive into a lot of theoretical points where I will be relying on a lot of assumptions and personal opinions. I hope whoever asked this gets what they were hoping for.

(PS. I originally started writing this reply like a thesis paper like I was back in college working on my English degree, and then Tumblr didn’t save the draft! So, now you’re getting a more casual response because I’m not rewriting a thesis paper. Please enjoy the following while imagining a 30+yo woman sitting on her couch cross-legged with a beer in one hand as she hops down a rabbit hole on this topic. Also, to keep my erratic thoughts in order, I am numbering them.)

(1) Let’s start with the basics: for the sake of my sanity, I will call this world that mirrors AoA in every way except for McCoy’s gender, Earth-295B. I will also call this female Dark Beast, Sadie (named after her grandmother because I am giving Edna and Norton more credit than dooming their poor child with the name ‘Henrietta’).

(2) We don’t know much about McCoy’s past, whatever orphanage/compound they grew up in would be the same. But in a world where it’s survival of the fittest, the male children were usually stronger than the female children, and Sadie was all too aware of their (generally) stronger bodies, as all girls in that twisted world were reminded of at a young age. So, to compete for food and resources without drawing the attention of the older boys, Sadie learned to use trickery and manipulation to get what she needed…and then resort to violence if she didn’t get them. Her mutation gave her just enough extra strength for a surprise tackle or punch.

(3) Sadie is found by Sinister one way or another and is taken under his tutelage because of her exceptionally bright mind. Sinister could not care less about her gender, but that did not mean that the other upper echelons didn’t at least raise an eyebrow as Sadie quickly went from prodigy to lead scientist. Sinister was sure to remind her of this fact as she grew to curb her more…explorative tendencies.

(4) She was also constantly reminded of her inferiority by the male guards and Alex Summers, in particular, the Prelate overseer of the pens, who was the absolute worst to work with because of his temper and need for authoritative power. Sadie was very well aware of her precarious situation in such a high position and she fell back on her most trusted form of survival: laying low and remaining unthreatening for years until she could figure out how to make herself stronger. She followed Sinsiter’s instructions to a T, acting the part of an obedient child/pet to maintain in his good graces.

(5) In Apocolypse’s ranks, Sadie observed the way the Summers Prelates and the guards took advantage of places like Heaven, and those are the privileged ones. Men of lesser standing got their desires fulfilled elsewhere or the pens, and not usually with consent. This only solidified the building hatred for the men who took their lofty positions for granted. Sadie developed a very strong sense of misandry and an overwhelming urge to become something stronger and far more frightening than any man.

(6) To create Apocalypes’s Infinates. Sadie created the Gene Pool to break down subject DNA. Sometimes there were mass cullings for this Gene Pool. Once, a bunch of mutant women were brought out from the pens and the guards witnessed McCoy snapping the necks of her victims before causally tossing their remains in. This incident earned her the title “The Butcher” within the pens. This name made Sadie chuckle in private because she knew she was doing the women kindness by killing them before they were dissolved into genetic soup, the only small mercy they probably ever received in Apocolypse’s world -- besides, the Gene Pool didn’t need them be alive in order to get the job done. The real fun came from the culling of the male pens. They went in alive and feet-first. She imagined their screams were the screams of the Prelates, of the guards, of her competition, of Sinister.

(7) Speaking of competition, in her mind, one of her largest threats was Sugarman. He was a brilliant geneticist who could easily replace her if he wanted to. Sadie loathes Sugarman’s lack of ‘professionalism’ with his experimentations and the disgusting upkeep of his labs. And she loathed the very idea of that. What if he tired of Core? She may try to find ways to either undermine or destroy him. This may or may not affect the Earth-295B timeline to deviate depending on her level of success. For the sake of my sanity, let’s assume her plans were unsuccessful.

(8) Funny thing about working in the pens... Rumor was that the job was cursed. Whether it be strange accidents or suddenly rogue test subjects that were able to surpass the psychic influence of the Brain Trust, many guards died on duty. Sinister had his speculations, but he either couldn’t prove anything or he didn’t care. Eventually, the majority of the guards were replaced with the paltry selection of strong female mutants. Oddly enough, the accidents resulting in death stopped.

(9) Unlike her Earth-295 counterpart, Sadie was primarily focused on the creation of the Infinates, she did not give herself the same luxury as canon Dark Beast and follow any of her own illicit projects. Thus, she made far more progress in creating Apocalypse’s next generation. This included streamlining the process of the breeding pens. Perhaps because she was more sympathetic receptive to the taxing and unpredictable process of childbirth, Sadie began eliminating natural breeding for a synthetic version, using the eggs and sperm of her subjects to create progeny in artificial wombs and implementing the Gene Pool to mutate them into the perfect specimen. While she never was quite able to create a stable age-accelerated mutant as Sinister created Nate, she got very close.

(10) Sadie is eventually successful with her self-experimentation and transforms into the “Beastly Butcher” or just “the Beast”. Her appearance is monstrous—hulking, bestial, and more grotesque than Henry’s. In a world that values strength and brutality, Sadie deliberately distorted herself into something terrifying to command respect and fear, because if you’re not the biggest, baddest bitch on the playground, you better damn well at least look like you are. Physically stronger and terrifying to look at made her someone that many guards and other workers truly feared.

(11) When Sinister went AWOL, Sadie was elated to finally have some breathing room to explore some of her interests, and just as she began to dip her toes into her more sadistic side, Alex Summers brought her Lorna Dane to retrieve her memories about the recent breakout in the pens. As much as she loved the challenge of pushing through Lorna’s magnetic fields, she was less than thrilled at the idea of torturing a woman under Alex’s demand. She sighted the recent Kelly Pact as an excuse to avoid it, but Alex called out her hypocrisy and reminded her “of her place.”

(12) As her resentment for Alex Summers exponentially grew, Sadie found herself at a sort of crossroads when Jean Grey was captured and Scott Summers was revealed as a traitor. As much as she knew she would enjoy torturing a prelate and experimenting with the strongest telepath she had ever witnessed, there was something tantalizing about the idea of Jean Grey's power destroying the current rule and letting them go. Sadie’s hatred for the regime outweighed her scientific obsession, and for the first time, she aided with rebellion—if only to watch Apocalypse and his men burn. She purposely loosened Jean’s entrapment, which led to a similar but slightly less violent scene from Earth-295, ending with Jean and Scott's escape.

(13) Sadie stuck around for appearances, cautiously hedging her bets, and because she desperately wanted to watch Alex spiral into insanity. Of course, when Apocalypse demanded the culling of all the breeding pens, Sadie became incensed. The pens were her magnum opus. Her nearly-perfected Infinants were so close to becoming a sustainable reality. When Alex demanded that the order be carried out, Sadie waited until the Summers brother left the pens and then she ordered her guards to lead all the subjects of the facility.

(14) If Apocalypse was all about the survival of the fittest, then she would put her projects to the test. They could live or die outside of the pens. The mostly female staff who had been selected and well-trained over the years obeyed their order just as the power went out and Jean Grey destroyed the Brain Trust. No longer under the Trust’s control, the subjects attacked their captors as they were let out of their pens. Sadie fled her rebelling experiments.

(16) By capturing Alex Summers, Sadie unknowingly saved Earth-295B. Because of her sadistic desire to enact revenge on Alex, Alex never killed Jean, and therefore, Jean was able to keep the bombs at bay until they could be stopped. Because she captured Alex, she also was never taken hostage by the X-Men, nor was she scattered across the multiverse via teleportation. So, she was never sent to Earth-616(B?).

(15) As with Earth-295, Alex Summers of Earth-295B awoke after he lost the fight with his brother, Scott, and discovered that he was unable to move his body. Sadie’s piercing yellow eyes stared down at him. “Well, Prelate, looks like you failed the test of survival… I cannot wait to play with you.”

(17) Where is Sadie McCoy of Earth-295B now? I have no clue, but she’s probably making someone’s life miserable. I’m over 1500 words into this deep dive that looks more like an outline of a weird fanfic than anything else and I should probably wrap it up or else I might as well write a fanfic because the story would completely deviate from Earth-295 Henry after that point.

(So, to the one person who asked for this…well, I did it. Maybe not well, but I did it. For anyone else who was crazy enough to read through all of this and did not claw their eyes out, you get one cyber gold star and my thanks. My ideas were derived from rereading the 1996 AoA collection and my thoughts as a woman, so yeah. )

#chitteringabout #ask me anything #YES SOMBODAY ASKED FOR THIS #I need a drink #henry mccoy #rule 63 #gender bent #cw: implied atrocities #cw implied rape #In my next essay I'll make bullet points on the step-by-step process of how I lost my sanity

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