#Non-passerines

[inatungulates]

Acapulco white-tailed deer Odocoileus virginianus acapulcensis

With white-throated magpie-jay Calocitta formosa

Observed by rodrigoarrazola, CC BY-NC

[starry-bi-sky]

ty for contributing to the wasteland that is appreciating bruce as a parent and first child danny🙏🙏🙏

It’s a battle out here soldier but I am strong, like winter bear. Also I relate so hard to Bruce in a lot of ways and I think his initial concept is really neat. He tries his damn hardest, and he has so much hope for his city that it’s really admirable.

And as much fun as it is to poke fun at him for his questionable parenting and hypocrisy, there’s always the line of too much that the fandom tends to cross quite often, just as much as they do with the clone and ghost king stuff. Bruce is just as much of a good parent (or at least a trying one) as he is a bad one, and people tend to ignore his good qualities for the sake of a joke. His character is centered around the fact that he cares, he’s just truly shit at communicating it — which, cheers bro, I’ll drink to that.

And there’s already a ton of batfam prompts and aus out there where Danny shows up when the whole colony is already adopted, which means most of the attention goes to Danny bonding with the other siblings and having very little to do with Bruce. He’s kinda just. There. Whether that be as a prop or an antagonist or someone to point and laugh at. Which, I can’t blame people too much for — the cast is so big it’s hard to keep track of relationships and stuff.

However, I think it’s important for Danny to have some form of relationship with Bruce too and not them just be strangers, especially in a familial/platonic setting where Danny is joining the family.

They share a handful of qualities that I think would mesh well together — Danny’s canonically a pessimist while Bruce is a diehard optimist (you kinda have to be to be a hero in a place like Gotham, and he wouldn’t be Batman if he wasn’t) and they both believe in giving people second chances and have wells of compassion to tap into. Danny’s clever and resourceful, and one of his main character traits is that he’s got an iron will.

All in all, good dad bruce go brrrrr and oldest son danny is the perfect, underutilized concept to explore exactly that without distractions. I think they could get along like a house on fire, if given the opportunity.

[jaythes1mp]

Are you considering any other alternative animals? Because I think that Gotham would be more suitable, for example, an opossum hybrid Reader, if it means a pure law-abiding civilian or a raccoon/fox, for a more morally gray, but peaceful one (just ife is hard), or a badger and it would be a villain or antihero. Can you imagine the degree of comicality if someone catches Bats or Wayne with a real live badger, which they squeeze like a puppy, and meanwhile he behaves completely wildly and tries to bite off their hand? (except for Damien/Robin, he obviously and notoriously loves all non-human animals with unconditional love). Or a situation where the raccoon Reader helps Alfred wash the dishes? Or how the possum in a human body leaves some of its instincts and pretends to be dead when attacked by some villain (ideally, probably the Joker), that is, it really convincingly pretends like a real animal and deceives others, at least until it considers the situation safe, and the rest of the hostages are not so lucky (because it's a Joker)? (I think this would be the first meeting) If you need birds/flying/non-mammalian animals, I think of a pigeon, a crow and… I do not know what large birds of prey should be found in the geography of Gotham (and I did not name hybrid bats, because it is too obvious and it has already been mentioned in a couple of posts on this topic). And I would be a rat, whoever kept them as pets knows that they are just mini dogs. Of course, wild rats or passerines can be more aggressive than decorative ones, but this is rather due to their forced female survival. I use a translator because I don't know English so well and I don't have much free time for thoughtful translation. And I also had an anonymous smiley face, but I forgot it —.^,—

Thank you for the ask, anon!

I definitely have thought through some other animals, and will for sure write some one-shots and hc in the future if anyone asks for them. 

I’m open to making any and all kinds of hybrid readers.

So far I have a robin reader, a cat reader, and a puppy reader. 

I've been staying on the more common pet side of things, but the thought of a possum, opossum, badger, or raccoon reader is definitely an interesting concept. This is due to their wild and untamable nature in contrast to domesticated pets.

However I know jack shit about those animals so it wouldn’t be as detailed. Though I’d for sure attempt it. 

Because the idea of The Bruce Wayne, the wealthy philanthropist and Gotham City's golden boy, standing up at some random podium, trying to give a speech, with a rabid, hissing and scratching badger in his hands would definitely cause a large, hilarious commotion. 

Or even if the family attended one of those many fancy galas that they fund with this enormous, ferocious looking, sharp-taloned eagle perched on one of their shoulders. 

Or perhaps the family are attending a high-brow dinner, with a rat seated in the centre, one of those miniature harnesses wrapped around its form. The entire restaurant's attention drawn to the billionaire family and the rodent they’ve brought with them in a way that borders on being alienated. Because rats are usually chased out of a restaurant, not brought in and treated like royalty. But who's to go against the Wayne family?

Maybe the reader is a villain or anti-hero that the Gotham vigilantes are tasked to capture, in which they end up becoming unhealthily attached to, to the point where they can't have the reader in their human form without the chance of being recognised. So instead the Waynes/vigilantes are always seen with a snake wrapped snugly around their necks, torsos, thighs, or arms. Or a ferret tied safely to their utility belts, folded comfortably in their pockets, or peeking out from inside their shirts. Perhaps the reader can shift into a some form of sea water creature, like a seahorse, jellyfish, or octopus. Where in that case they never even get the chance to ever leave the estate, unlike how they would as a reptile or mammal. Trapped in a large enclosure, in the middle of the manor, designed to accommodate your species perfectly, for life.

[twola]

Passerine : Chapter 4

PAIRING: High Honor Arthur Morgan x Fem!reader

Green-scarved attackers leave you and Arthur in a precarious place - forced to address the impasse between you.

Warnings: This fic has graphic descriptions of non-consensual sex, violence against women, the trauma thereafter, and somewhat unhealthy coping mechanisms. If any of that content makes you feel uncomfortable or triggers you, this may not be the fic for you.

Told you it wouldn't be a year between updates :)

But seriously - I love hearing from you guys - that really helped push me to get this out more timely.

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You wipe your brow against the heat. If you thought Clemens was hot, Shady Belle was goddamn sweltering. The nape of your neck was never dry, and the ends of your hair curled around your face from the humidity.

“Hey there.” 

You look up from the tub of dishes you were scrubbing behind Pearson’s wagon. Susan has finally given you some leeway, and the tub was dragged to a shady spot to give you at least a little bit of a reprieve from the heat.

But not much.

“Hey.”

Arthur stands in front of you, heaving a heavy sack of corn off his shoulder to the dirt below. He grunts slightly, circling his shoulder, before righting his hat and moving closer into your personal space.

“How’re you feelin’ this morning?” He asks, dipping his hands into the water quickly and shaking the wetness from his fingers. He stuffs his hand into his satchel and grabs his worn leather riding gloves, pulling them on.

“Same as yesterday. Hot and fat.” You respond, sighing as you roll your shoulders with a near-imperceptible wince. Your gaze settles on the tub of dirty dishes in front of you.

That gets a small smile out of him. A silence settles between the two of you as he wriggles his fingers on one hand, the leather sticking and whining with each stretch of his digits.

“How’s your shoulder?” You nod up to him, still not making eye contact.

“Feelin’ fine, you ain’t gotta worry about me.” He nods, intently staring at the soapy water in front of you.

You frown before looking back in the tub as well.

It’s a strange space you’re in right now. Your stomach is swollen up and your back starting to sway. You still had a couple of months before the child’s arrival. You’ve had to shed your layers even further from Clemens, where an old cotton shift is nearly all you can fit in at this point. Tilly and Mary Beth were working on a few dresses for you, but they weren’t done yet.

“You was up early.” He says, searching for words to continue the conversation - unfortunately, it wasn’t going well.

“Ain’t sleeping much these days.”

Arthur simply murmurs in response.

Up in the room of that old plantation house, Arthur’s bedroll remains on the floor, to which you complained, but he would hear none of you sleeping on the ground in your condition.

Sharing a bed was never brought up. It was a canyon between the two of you - the more your belly grew, the more you withdrew from him. You didn’t talk about it. About the baby. About the future. Arthur was unfortunately relegated to watch you grow and not address any of it. He didn’t know what to do - were you going to stay this way until the day you gave birth?

“I’m sure Abigail is grateful to John and you and Dutch for bringing Jack back.” You whisper quietly, looking at the boy running around the old abandoned fountain, an unfortunate breeding pit for mosquitos.

“Maybe John will step up after this.” Arthur eyes the shadow behind Jack.

John sits in the decrepit gazebo, carving what looks like a child’s toy in his hand. It was comical in some ways, fearsome looking, scarred John, working on a toy for his son. Finally, after so long, it seems that he is starting to acknowledge the poor boy - having gone through some kind of terror when he was taken.

He and Abigail hadn’t yelled at each other in a day - there’s a secret wager among the girls about how long it is that is going to last.

Karen bet the high end, having kept the knowledge that Abigail was in John’s room this morning to herself.

You breathe out heavily through your knows and let a low groan out, one hand on your lower back swayed under the weight of the child growing within.

He wants to reach out and touch you. He almost does, for a moment, spread his hand out over your belly, to try and feel for movement. He wants to pull your chemise up and press against your bare skin. He wants to worship your changing body.

But every time he tries to bring up the baby, you shut down. That darkness under your eyes returns. This chasm widens.

He steps one step closer, his hand moving to his gun belt, as was apt to happen in times of discomfort.

“Y’ want to go into town? I’ll take you.”

Your eyes move back to the dishes, and you fish the next dirty one from the tub.

“Not really. I’m fine.”

Arthur frowns but acquiesces. He bids you a good day before heading out to the hitching post, off to head back into town to meet Trelawney to discuss the next job.

-

Your spry gelding has been woefully neglected, you being unable to ride the way you want. He stands bored amongst the other horses, listless while you can’t give him a good run.

“Kieran.”

The poor boy almost drops his coffee, fear alight in his eyes for a moment. “Y-yes ma’am? Does Mr. Morgan need anythin’?”

“What, Arthur? No. I’m asking for a favor.”

“O-oh! Of course! What d’ya need?”

“It’s been a while since my boy’s had a hard ride… obviously I can’t-” you motion to your abdomen.

“Oh, oh! A-absolutely. I can take ‘im out for a ride.”

“Well I was wondering if I could come along… maybe just to get out of camp and watch you run him in the field. I’m so bored here.” You sigh. 

“You sure that Arthur ain’t gonna come after us?” Kieran asks concernedly.

“I’m sure it ain’t any of Arthur’s business. Besides, it won’t be like we’re going far. Maybe on the other side of that old battlefield near the Braithewaite’s land. Plenty of room out there.” You scowl, offended that Kieran insinuated you needed Arthur’s permission to function. God, you were pregnant, not an invalid.

Kieran looks hurriedly to the ground before quickly shuffling over toward your horse, who finally picks up his head and whinnies excitedly as his reins are untied from the hitching post.

You follow, smiling and brushing down your horse’s mane, whispering sweet affections to him as Kieran adjusts the saddle. After a few moments, he steps back to allow you to get yourself up on the horse.

Okay, maybe you were a bit invalid right now.

“Uh, can you… help me a bit?” 

Kieran blazes red for a moment before nodding, awkwardly placing his hands on your waist and helping heave you up on the horse’s rump. He climbs into the saddle and meekly leads the two of you toward the old battlefield and the road toward Braithwaite Manor. 

After a slow, hot walk to the open meadow, the two of you finally reach it. He quietly helps you slide off the horse’s rump and into the long grass of the meadow, where you take a few steps to stand under the shade of a tree.

Kieran then digs his spurs into your gelding’s side and the horse bolts, rearing before galloping off through the meadow. You lean against the tree, idly rubbing your hand over your growing stomach as you watch Kieran ride your horse hard, getting a good run out of him. It’s a good half hour of circling the meadow at various speeds before they slowly plod back to you.

“Ah, there’s my boy!” You pat his mane affectionately as your gelding pants, satisfied. Kieran leans on the pommel with one arm, smiling for once.

“He’s a good boy. I can make sure I take ‘im out every couple days for a run-” The man frowns slightly again, “with your permission, of course, ma’am.”

You nearly roll your eyes at him. 

“First, you’re doin’ me a favor, stop calling me ma’am. Second-”

A gunshot cracks far too close to you and your gelding rears, screeching as Kieran tries to calm him. You’ve stumbled back a few steps, clutching at your belly with one hand.

“Kieran Duffy, you’re a goddamn dead man!” 

Cold steel is pressed between your shoulder blades and your stomach drops to your feet.

One, two, three, four armed men encircle you and Kieran, who hushes your gelding. For a moment, his hand hovers over the gun on his hip, but you groan in pain as the barrel of a repeater digs into your back. A large hand clamps down on your arm roughly.

Two men muscle their way over to your horse and proceed to drag Kieran down from him, his face slamming against the red Lemoyne dirt.  The men start to kick at the adopted Van der Linde, and the unfortunate man tries to curl up in a fetal position but it is of no help. His gasps and moans of pain start to fill the air, overpowering the cicadas in the humid afternoon.

You just stare at the green scarves around their necks and bite your lip hard enough to make yourself bleed.

“C’mon, Colm’s waiting.”

-

The ropes chafe around your wrists as the O’Driscoll pushes you forward. You try your damndest not to stumble, and it is some small mercy that your wrists are bound in front of you as compared to behind you. Your dress, the old short-sleeved shift, is now dirty beyond any salvation and covered in horse hair and mud. Your captors were kind enough to place you on a horse sitting up, as compared to slinging you over the horse’s rump as they did to Kieran.

“This boy you’re associating with here… he’s done some real wrongs against us. Gotta assume that you have too if you’re with him.” The man grabs your chin roughly, forcing you to look at him.

A few hours of riding later, you’re out of the swamps before the men stop, guiding their horses off the northward road and into a small wooded glade as the hills start to rise. You vaguely recognize the area - it's not too far from Clemens, near the state line with New Hanover. The four men that found you had a campsite set up just off the road.

Kieran tries to muscle in between you and the O’Driscoll, his hands bound behind him, bruises blooming bright across his face. 

“She ain’t got nothin to -” 

Kieran’s plea is cut short with the sickening wet sound of blood bursting from his nose as the butt of a revolver whips across his face. He crumbles to the ground as you gasp. You stoop down to try to reach him, and as he rolls into a seated position, the blood from his face drips all over your dress as he coughs. You try to stymie the blood with the hem of your skirt but with your wrists bound, you just end up getting it all over yourself and him.

“Pretty sure I didn’t ask you, y’dumb sack of shit.”

Kieran gets yanked away from you, whimpering, and dragged further from the campfire back toward the woodline by two of the other men, rough and tumble and dirty. You’re pulled up roughly by your arm as your captor sizes you up. He pauses as you recapture your balance.

“You-you're that girl from up in Cumberland that ol’ Donal dragged back in-” The O’Driscoll sneers with recognition, “Said your cunny was one of the tightest one’s he’d plowed-” 

You recoil in revulsion, a physical reaction to the man’s reference to your assault. His coy and callous words about the rape that haunts you each and every day. The man’s eyes dart down to your abdomen, and your hands shoot up to cover it as if to hide your pregnancy from him.

“You got a damn O’Driscoll in your belly!” He howls in laughter, pointing at the child that grows within you.

Something deep and ancient and animalistic within you snaps like a leather whip. Suddenly this child in your belly wasn’t a burden. Suddenly the circumstances of its beginning didn’t matter. Suddenly, this raggedy outlaw in front of you was threatening your child. You scowl, your hands protectively over your stomach, the child agitated within, kicking at you as your blood rises. Righteous anger, for the first time since your ordeal, courses through your veins.

“My baby ain't no O’Driscoll,” You hiss, your bound hands clenching in rage, “This baby is Arthur Morgan’s - ‘nd he’s gonna come and skin you alive.” 

The hot anger sizzling through your blood, you know, would match Arthur’s. You can see, in your mind’s eye, your lover coming in, guns blazing, ready to tear anyone who threatens you and your child limb from limb.

A flash of something crosses the O’Driscoll’s face. Maybe fear, maybe recognition. His haughty smirk falls. Annoyed, he yanks you forward and forces you to your knees as you yell obscenities at him. Your hands are then bound behind you and the ropes threaded through the spokes of the wagon wheel you are forced to sit against.

The soft crackles of the fire ten feet away and the chirp of the crickets are foreboding in your gut - and for good reason. 

Kieran’s screams echo through the night and are a sound you will never forget.

-

“What do you mean you haven’t seen her? How th’ hell do you lose a pregnant woman?” Arthur stomps through the front door of the plantation house with Sadie trailing behind. 

“I ain't babysittin’ her Arthur - I’m just sayin’ I haven't seen her since this mornin’.”

“Arthur-” Dutch calls from the stairs, “Come up here, son - we have to talk. Missus Adler, will you excuse us?”

Arthur lets out a long breath through his nose. “Comin’-” he yells up to Dutch, and turns to Sadie, “Will you go find her? She’s been a goddamn hellcat with how angry gets nowadays.”

Sadie rolls her eyes, “Gosh Arthur, I wonder why.”

Arthur waves his hand at Sadie dismissively as he bounds up the stairs, taking them two at a time. He moves through the room where Dutch has stored his gramophone and the camp funds to find the older man out on the balcony. 

Dutch smokes a cigar, looking out on the decrepit fountain in the front of the manor below. He holds another one in his fingers, offering it to Arthur as he comes closer. Arthur grunts and takes the cigar, pulling a box of matches out of his satchel with the other hand.

Dutch motions toward the skyline of Saint Denis in the distance, barely visible over the cypress trees in the swamp. “Now… the trolley bus station…” The cigar’s end glows red between his fingers, “I went down there… I took a look at it… I think we can hit it.”

Arthur raises an eyebrow as he lights his cigar, puffing it to get it lit before holding it between his fingers, “I ain’t never robbed in a city before,” he replies with uncertainty.

Dutch smirks with that boisterous smile that Arthur has known for years. “Yeah, well you leave the planning to me, You’ll ride with me?”

“Always.”

Dutch grabs Arthur’s shoulder to reassure him. “Gonna get enough to get on a boat. Raise that kid o’yours on a mango farm, with no worries in the world.”

Arthur frowns, at both the mention of the baby and this harebrained idea of going to Tahiti of all places. Dutch senses his trepidation.

Dutch sighs, looking out over the balcony as a plume of smoke drifting upwards. He squints up the road leading toward Scarlett Meadows, placing his hands on the worn railing, “What the–”

Mary Beth’s scream cuts through the quiet.

-

Sadie Adler is quite unperturbed by the blood spattered all over her blouse. Frankly, she seems quite comfortable partly drenched in the lifeblood of O’Dricolls - doling out her divine justice for the wrongs hoisted upon her.

Arthur, however, is mad as a grizzly bear. 

“The last time I saw her she was with ‘im.” Sadie nods at poor Kieran’s headless body, where Javier and Bill hoist him up for burial outside of camp. Orville Swanson seems suddenly quite sober as he holds the decapitated head, slowly trailing the other two.

Arthur grinds his teeth so hard that most of the state could probably hear him. Scowling, he surveys the carnage outside the old house before stalking toward the horses, some of them having broken their hitches and darted further into the woods.

“Charles!” Arthur barks, “Missus Adler.”

Sadie nods, shouldering her rifle. Charles joins in, trotting from where he had just thrown a corpse into the bayou to follow the other two over to the horses from the old plantation house.

John Marston leads Old Boy out of the woods and swings up on him, leading the half-bred to where the other three horses have gathered.

“Marston.” 

“You helped me get my son back. I ain’t… Ain’t gonna stand by watchin’ you try to get yours back.`` John adjusts the strap of his repeater across his chest. 

Arthur simply grunts, too aggravated to show any thanks. He digs his spurs into his horse’s side, and with a high whinny, Arthur urges the mare into a gallop as they leave the plantation. Taima, Bob, and Old Boy fall in line.

He grips his revolver hard, standing in his saddle as the mare runs blisteringly fast up the road, through the old battlefields, and north into Scarlett Meadows.

-

The shouts and yells and gunshots have you huddling against the wagon wheel, your arms scream in pain as you try to tug at your bindings, your knees drawn up close to try and shield your belly from whoever is rolling in on your captors. Was it more O’Driscolls? Was it Lemoyne Raiders? 

A pair of boots sidle up in front of you. You look up in fear, your heart racing, and a gasp escapes your mouth as you stare up at the owner of said boots.

Arthur stands in front of the wagon, his whole body heaving with labored breaths. Blood is spattered up the side of his face, his hands tightly around a shotgun, still cocked and smoking from its obvious use.

“Darlin’-” 

Overwhelmed, you moan and start to collapse forward. He moves with a speed that betrays how wound up he still is from the fight, throwing his shotgun to the ground and catching you, whipping out his knife from its sheath and cutting the ropes that bind your arms.

Immediately, he heaves you up in his arms as if you were nothing as he stands up from his knee. With his arms looped behind your back and under your knees, he crushes you to himself for a moment.

“Are you hurt? What’s all this blood?” Arthur frets, looking over your bloodstained shift, eyes darting over your belly, searching for a possible injury where it was coming from.

Instead of answering you throw your arms around his neck, burying your head into his collarbone. 

“Sweetheart, y’gotta tell me-”

“The blood is Kieran’s,” You croak, “Ain’t mine… I’m alrigh’... we’re alrigh’.” You trail off and then begin to weep into Arthur’s shirt.

You can almost hear his jaw clench. A darkness shrouds his face as he carries you back into the campsite, shot up and full of bodies. You turn to see the carnage.

Sadie continues to loot the bodies of the fallen O’Driscolls, kicking each one as she finishes for good measure. Charles walks Arthur’s mare and Taima from the woodline where they had ditched the horses. 

Arthur’s shotgun is picked up from the ground. Clutching once more at Arthur’s shirt, you make eye contact with John Marston, who stares back at you with an unreadable expression.

-

The door latches behind you - at least as much as it can physically latch, and silence finally falls in this old room, the oil lamp throwing yellow-orange light and casting shadows around the room. The floorboards creak under the heavy footfall of Arthur’s boots as he moves toward the center of the room, one by one taking the weapons off of his person.

A repeater was laid against the table. A rifle balanced on his clothing chest. He shrugs off his bloodstained brown leather jacket and tosses it to the floor before looking back up at you. The simmering vein of anger in his blood seems to have been assuaged on the ride back, where he clutched you in his arm tight enough that the devil himself would have to pry you from his grasp.

“Y’sure you're okay? Y’sure all that blood ain't yours?”

You nod, trying to stave off the tears that threaten to fall from your eyes, failing miserably as your chin quivers and your lips purse. Arthur yanks his hat off and lets it drop on the table as he closes the distance between you. 

“Sweetheart-”

His hands reach toward you, but you immediately grab him by the wrists before he has a chance to pull you into his embrace. Pulling his hands downward, you place them broadly across your belly, his eyes widening as he spreads his fingers out over the swell. You place your own hands over his, pressing against them so he can feel the movement beneath your skin.

His cornflower-blue eyes track up to yours, and with a shuddering sob, the wall you’d been building between yourself and him finally crumbles.

“I-it’s yours-,” your voice cracks as tears freely flow down your face, “It’s yours, Arthur. This baby is yours and mine a-and-”

He removes one hand from your belly and pulls you into his warm embrace, kissing the top of your head gently as he traces soft circles on your skin with the remaining hand.

“Always was, darlin’.” The timbres of his low voice are comforting as you weep into his work shirt. “Like I told ya - that child is mine. I'm gonna be its pa.”

You sob harder into his warmth, your fingers tightening in the fabric as you clutch at him. One of his hands finds your lower back and gently rubs circles in soothing motions. 

“No.. no I mean…He… didn’t, he didn’t-” you stutter, hiccuping.

“Y’ain’t gotta say anything bout him-” Arthur cups the back of your head, trying to prevent you from going down that road.

“I- I don’t know why it was stuck in my head. Like I couldn’t think it was possible that it wasn’t his… but - but he ain’t, it’s not…”

“Sweetheart-”

“He didn’t finish in me. It - it was only once and he didn’t finish in me.” You spit out, as if the words were venom in your mouth. You squeeze your eyes shut against your body's physical reaction: a shudder of revulsion as past scenes invade your mind again. But speaking it aloud, getting it out in the open, there was something freeing about it.

Arthur clutches you to him, tucking his chin against the crown of your head.

“N-None of them O’Driscolls touched me.” You whimper into his chest.

You feel his arms tighten around you, as he breathes in to seemingly center himself again, the rage from before threatening to lash out once again.

“I’m still gonna hunt down every one of them and -” He snarls lowly before you bury your face into his chest, 

“Don’t. Don’t - don’t leave me. I need you here.”

He breathes out slowly, calming himself down before he cups the back of your head. “Ain’t goin’ nowhere.”

After a moment to collect yourself, you look up at him, one of your hands tracing up his broad chest, his neck, your fingers weaving through his short beard.

“Arthur,” you sniffle, rubbing at your wet cheek with the back of your other hand.

“You don’t gotta do anythin’.” He interjects, his thumb catching your jaw before wiping the opposite cheek.

Your brow crinkles and you step up on your toes and press your lips to his forcefully, which he meets your fervor almost immediately.

You open your mouth to him and he groans lowly, drawing you even closer in his embrace, awkward with the swell of your child between you. 

He draws away from your lips slowly, and his hands trace up your body to cup your cheeks gently - far too gently for a gunslinging outlaw. 

“What d’ya want, sweetheart?” His low voice rumbles before he presses his lips to your forehead. You let out a breath and lean into him, reaching up on your toes to press your lips against his again, arms wound around his torso. Your belly presses against his, preventing you from melting fully into his arms.

The words tumble from your lips before you can stop them. 

“Will you touch me?”

So long ago, you had timidly asked him that in front of a campfire in West Elizabeth. You had begged him, pleaded, to have him take away the pain and memory of your ordeal. To have the last person who touched you do it out of love, not power and control.

Arthur smiles, like the morning sunrise, and draws you up for another kiss.

“Ain’t nothin’ I'd like more to do.”

There are several more moments of kissing, the wet sounds of mouths meeting the only sound in the room before Arthur bends to pick you up, hooking his arm beneath your knee and carrying you to the rickety old bed, laying you down gently with a kiss to your forehead.

“I ain’t… I’ve never done this with someone in your… condition.” Arthur stutters sheepishly as he slides one of his suspenders down his arms.

You smile and reach up to grab the other suspender and peel it downward. “I’ll be okay. Just be gentle.”

The cotton straps swing by his side as he leans over to take his boots off, they clunk to the floor heavily as he tosses them away. He leans over you and works your boots off, tossing them to the floor in a pile near his own.

Hands move slowly - gently, with purpose. His shirt falls to the floor. Your bloodstained skirt follows. The ruined blouse. They all pile on the floorboards until your lace-trimmed chemise is all that covers your body. You give a lopsided grin as he reaches toward your neckline. 

“What?” He grins, tracing up to one shoulder and pushing the strap down your bicep.

“Reckon I look a little different since the last time we did this.”

The cotton is peeled downward, exposing your swollen breast and darkened nipple. 

“Reckon you’re even more beautiful now.” He drawls before fully leaning over you and pressing his lips against the top of your breast, and you mewl in response, your sensitivity so heightened as he works his way down, letting his tongue lave over your nipple. You arch your back, chasing the feeling, whimpering as his lips close around your nipple and gently suck upon it for a moment.

Your fingers weave into his hair, and you yelp as he sucks harder, yanking on his hair in overstimulation. His mouth pops off your nipple as he rears up immediately, concern alight in his eyes.

“S’okay - just a little sensitive.” You ruffle his hair affectionately as he whispers an apology, sheepish as he leans up to kiss you quickly, his grip on you not nearly as strong. 

“C’mon now,” you pull your chemise over your head, tossing it over the bed and moving one of his hands to your hip to push down your drawers. Arthur’s breath stutters as his hand traces back up your thigh as you kick the bloomers off, some of his earlier fear and reticence leaving him. 

“Christ,” he breathes against your skin as he buries his face in the curve of your neck, “Yer so beautiful like this.”

His large hand dips between your legs and you whimper as you spread them to grant access. His fingers immediately part your folds and it’s only half a moment before he finds that little nub of your pleasure, circling it with his finger as you begin to mewl softly, your eyes fluttering closed as he leans over you.

You stutter in gasping notes, needy whines filling the room as he touches you. He rumbles his assent, pleased, “It’s been killin’ me not to touch you.”

“Really?” You breathe, and he takes the opportunity to slide his thick trigger finger into your cunt, and your back arches in response.

“Course- you, you’re,” he stops and groans in your ear as he pulls his finger out, near dripping with your essence, “You’re the prettiest damn thing I’ve ever seen, carrying’ my child.”

“Yours.” You croon in response.

He agrees with a smirk, knowing he’s finally helped pull you from the abyss of denial, “Mine. Just like you, yer my girl.”

Arthur slides his finger back in. You gasp, high and flighty, blushing and needy. Your hands clutch at the old sheet laid out on the bed. 

His other hand brushes a few strands of your hair from your forehead, tucking them behind your ear. He smiles, dangerously fond, and leans over to press his lips to yours and smothers the noises of your pleasure.

For a moment, the only sound in the room is the wet squelching of his hand, gently, slowly thrusting in and out between your spread legs. When he moves to hold himself above you again, he runs his gaze up and down your body - your bite-swollen lips, your heaving bosom - darkened nipples spit-slicked in the evening light.

The roundness of your belly where his child grows. 

By the time his gaze returns to your face, he finds you waiting. Your eyes open wide and searching for his. 

“Arthur.”

“Mm?” He nods, drawing his finger out from your body. You grab at his wrist to ground yourself.

“I want you.” 

Arthur smiles in response, pressing a kiss to your forehead as you lay on his bed. He stands up to his full height from where he leaned over you and unbuttons his pants, pushing down both them and the short drawers he had taken to wearing in the Lemoyne heat. After the fabric reaches his saddle-hewn thighs, it falls to the ground, pooling at his feet, leaving all six feet of him bare for you to see.

His hefty cock stands at attention, darkened with blood and wet at the tip. A testament to his reciprocated want.

“Here, turn over,” Arthur helps you to roll onto your side, facing the wall, and he slides into the bed next to you, its old wood creaking with the weight and movement. Arthur holds a hand tightly to your hip as you lay on your side away from him, squeezing affectionately as he settles in.

Flushed against your back, even with you large with child, Arthur dominates you, his arm curling up and over your torso. He’s warm and strong and hard against you.

“You tell me if anythin’ doesn’t feed good, alrigh’?” He rumbles into your ear as his hand, having moved down to your thigh, pulls your leg backward and over his own hip.

You nod vigorously, unable to articulate any words as you feel him guide his cock between your legs, tucking it between your folds and giving a few languid, gentle thrusts to coat himself in your slick. You grab at the hand spread out over your thigh and interlace your fingers; he squeezes your hand in response.

Arthur grits his teeth as pulls his hips back, the head of his cock catching on your opening. He presses inward, his hardened flesh pushing through the rim of your cunt. You gasp in return, feeling the first inches of him enter your body. 

He leans up on one elbow and presses his lips to your temple as you whimper.

“Okay?” He whispers, remaining still, only half buried in your warmth.

You whine a little and wiggle your hips, he groans as another inch of him slips in. He presses forward, fully sheathing himself in you, and you whimper again, cunt stuffed full of him.

He allows you time to accommodate him - the dual pressure of him and the child pressing on your hips is nearly painful in a way that you can’t get enough. You tip your head back, breathing out as your whole body presses back against his - even swollen with child, you feel small against him. All muscle and corded arms and his broad chest-

Arthur gives an experimental, shallow thrust of his hips. His cock halfway leaves you before pushing into you again. The whimpering escaping your mouth escalates into a moan, and he curls his body over yours, his stubble against your cheek, and you can feel him smile against you.

“There’s my girl.”

He does it again. And again, and again, until he is throwing his hips against yours, panting wildly in your ear as he fills your cunt over and over.

Arthur’s hand moves from under yours on your thigh to cradle your belly and the life growing within. You feel fit to burst - the fondness overflowing from your heart at his gesture, the rhythmic slapping of his skin against yours, the filling and emptying of your core with all of him - it is only moments before you stutter out a breathy jumble of words.

“M’ gonna-ngh- Arth… Arthur, I’m gonn-”

He holds himself still, a feat in itself, and rubs at your clit with two fingers, leaving you a gasping, shuddering mess as he works an orgasm out of you.

“There we go, there’s my girl.” He whispers again in your ear as you shudder and shake and gasp, his cock still buried to the hilt within you. As you come down from your high, he gently pulls out, laying on his back and grunting as he takes himself in hand, pumping his cock until he breathes out heavily, coming all over his belly as he finds his pleasure.

You lay still for a few moments more, recovering and catching your breath. You feel Arthur unwind himself from you and get up from the rickety bed. With some measure of difficulty, you turn yourself around, facing the room instead of the wall. One of your hands subconsciously begins drawing small circles on your stomach as you watch Arthur wipe his own clean of his spend with an old bandana.

Arthur tosses the soiled bandana to the ground. He goes to reach for a fresh union suit before you make a sound of disapproval.

“Come sleep with me.” You plead, and the smile he gives you in return assuages all fears as he drops the union suit and takes the last few steps between the bed and where he stood.

With a bit of finagling, he slides into bed and pulls the old blanket over the two of you.

He returns to you as you wind your arms around his neck, your naked bodies pressed against each other, the swell of your child between you. One of his hands rests on your belly, and for the first time in months, you fall asleep at peace.

[ossidae-passeridae]

4. What’s the worst part of fanon? 😈

Question from here

That'd be the implicit racism thanks for asking!

A non snappy response, aka to explain what I mean by that:

A lot of fanon tropes implicitly reinforce a very white, America-centric POV, and in a universe like the GFFA which lies somewhere between heavily Asian-inspired and gloriously multicultural, that really rubs me the wrong way. (To clarify upfront: it is not racist or whatever to enjoy these tropes or to write them, but it worries me when people don't even seem to realise it)

An obvious, innocuous-seeming example is the tendency to use 'Ben' instead of Obi-Wan's actual name in AUs — especially when others' names (Anakin, Mace, Cody, etc) aren't changed as well. The biggest difference between those names and Obi-Wan's is that Obi-Wan's is obviously Asian inspired, and theirs aren't. It's not something I expect most people even think about! But it always leaves a sinking feeling in my chest.

(Obviously if, like in canon, Obi-Wan is using Ben as a pseudonym while in hiding that's a very different kettle of fish.)

A larger example is how incredibly common it is to cast the Jedi as space-Christians — some common examples being focus on tenets (the Jedi Code, which is a meditation mantra, not a rulebook), the pervasive Catholic Guilt which is very explicitly Christian in nature, the emphasis on worship as ritual rather than a state to work towards, the generalised "all organised religion must be Bad" sentiments that feel very specifically ex-Christian in nature.

Thinking about one's own religion and expressing thoughts through fiction/art isn't an issue in and of itself.

The thing is, the Jedi are explicitly based on Asian Buddhists. Not just in set dressing, but from the ground up, from their beliefs and the way they act, to their clothing to the structure of their temple — to strip that away is to remove what makes the Jedi the Jedi. It's to remove the Asian-ness and replace it with something predominantly white. It implies that Asian influence shouldn't or can't exist in the GFFA, or that there's something inferior or wrong about Buddhism that needs to be "fixed".

Again this isn't something where I think that fan authors are sitting there going "muhahaha I'm going to be RACIST today", I know that's not what's happening. But when so much Jedi-centric content being produced minimises the Asian influence and pushes a western one, it starts to say "there's something wrong with this group, we're trying to erase it because there shouldn't be representation at all" — an issue of scale, at its core.

(Then ofc there's all the "the Jedi steal babies" and "the Jedi ban emotions" and "the Jedi need to be destroyed" which, entirely separate from the above, if you replace 'Jedi' with 'Buddhists' I'm kind of starting to wonder why you hate Asian people/Asian religions, you know?)

I won't even get into the fanon surrounding the clones, because that'd require me to talk about KT far more than I'd like to on any day, but especially today 🤣

(All opinions expressed above are solely those of pass e. ridae and do not express the views or opinions of any affiliates or associates, passerine or otherwise)

[lunarrosette]

Hey guys I really like bird symbolism

So larks typically symbol daybreak or a new day in traditional mythology and religions in a way summoning the doodler into the world cause a new daybreak and new day it’s also described that larks, as passerine, are the “most evolved of all birds” skylark (which is typically the bird described when ppl just say lark) was a verb used by sailors meaning “play tricks or practical jokes; indulge in horseplay” much like lark oak Garcia as a child

Sparrows are very social birds occurring in flocks even during non breeding season (relying and being dependently close…) they are also one of the few passerine birds that would dust bathe sparrows were associated with love and lust in older religions and mythologies (they were closely related to Aphrodite) pet sparrows also must be raise by hand and are very hard to raise and maintain as pets much like a certain oak-Garcia as a child

I highly doubt this name symbolism was intentional in naming the twins however comma I like looking at it bc I really like bird symbolism and how different birds histories and behaviors can signify things about a piece of work if they’re included

[c0rpseductor]

i dreamed last night i had a little pet bird that loved me a lot. it was some kind of passerine <- uninformative. it was very pigeon shaped but had a totally non-pigeon coloration and i think i kept calling it a swift or swallow or some dream combination of those. it would land on my hand and let me pet it and go anywhere with me. we went to a museum about coal mines with a bunch of pyrotechnics together and then i helped it go to the bathroom by squeezing it gently over the sink because it kept trying to go potty and just shitting out one single downy feather. really baffling dream.

[neo-twiny-jam]

Thank You!

And with this post, we mark the end of a very successful Jam event!

Thank you to everyone who submitted an entry to the Neo Twiny Jam! Thank you to everyone who played the games and left comments on those entries! Thank you to everyone who wrote reviews and shared the games with others! Thank you to everyone who shared the posts and the jam to others!

Out of 162 sign-ups, 101 participants submitted at least one entry.

From those 101 participants, 18 submitted at least two entries.

Of those 18, 5 managed to max out their submissions to 3!

We've tried to share as many entries announced on Tumblr, either through tagging us or the post tags. We will be sharing the missing submitted entries in the following weeks!

An extra special thank you to:

@moonless-if [itch] who donated $124.00-

Sarah Wilson (Passerine) who donated $124.00-

onepanda who donated $125.00-

an anonymous user, who donated $25.00-

As announced, I have also matched my donation.

In total, we have raised $523.00- for Equality Florida.

You can find all confirmations under the break). All donors have included the processing fees in their donations.

Autumn and I have greatly enjoyed bringing this jam back to life, and will try to make it happen next year!

Until then, we will be running other non-ranked game jams, with other constraints or themes. If you would be interested in that, consider joining our Discord!

Also my receipt:

[dansnaturepictures]

Fishlake Meadows, Romsey: A special place

This nature reserve is equally as uplifting to visit in the spring and summer months when exotic Hobbies dash through the sky and colossal Stag Beetles roam the canal side path as it is in winter when Gadwall, Pintail, Pochard and Teal immerse me in a world of waterfowl.

A magnificent raptor is a star attraction to this reserve in spring and summer, Ospreys (particularly one) standing like grand statues and offering breathtaking moments of natural wonder when they fish. Many raptors adorn the skies here, Marsh Harrier in its prime habitat, ravishing Red Kite, Buzzard and Kestrel. Sparrowhawk also a key species in this oasis of wild in an urban area and a non-bird of prey evolutionary lookalike is a mesmerising sight and sound here on spring days, the Cuckoo. Its similarly in appearance to the predatory Sparrowhawk able to fool the adults of its host species into leaving their nest so it can insert its imposter egg. Other key waterbirds to see here include bight Egyptian Geese and Greylags, Great Crested Grebe, Common Gull, Snipe and dazzling Water Rail always a species to cherish seeing. Another of the main stars of this reserve is an elegant giant which is gripping the south of the country now, Great White Egret. Purple Heron and Glossy Ibis are two rarities I was lucky to see here. I was ecstatic to see a Kingfisher catch a fish along the canal when reaching the reserve as was I when I was so fortunate to see a splendid Cetti’s Warbler after being surrounded by their bright and cherry calls evocative of a reedbed paradise. Sedge and Garden Warbler other amazing warblers I’ve seen here. Other passerines it’s a treat to see here include Wren, Bullfinch, Blackcap, Treecreeper, captivating Nuthatch, vibrant Stonechat and Reed Bunting. A Roe Deer a delight to see.

It's an insect haven too with Hairy Dragonfly one of the first spring dragonflies to see and the gem of Banded Demoiselle another key species with Migrant Hawker enjoyed here too. Speckled Wood and Green-veined White fly the flag for beautiful butterflies and Brimstone moth and Grey Birch are among sensational moths I’ve seen here. Drinker moth caterpillar and vigorous ruby Cardinal beetle are other key insects I’ve seen here. Nursery web spider was another of nature’s fascinating little stars which has thrilled me here. Onto plants and there is an array of colour here throughout the seasons created by stunning species such as wood avens, comfrey, meadowsweet, cuckooflower, forget-me-not, hemp agrimony, bird vetch, yellow iris, water lily, hogweed, traveller’s joy and marsh marigold. A sight of intricate and alluring turkey tail fungi clinging to a stump beside the canal at one time lit up by the glorious winter sun was wonderful.

This brilliant nature reserve with its distinctive dead trees and thriving reedbed, wetland, canal and woodland habitat is a star of a reserve that has risen over the past few years and an exciting vision of how to use land for nature and let a landscape be transformed. A lesson of hope, a place I always come back from inspired.

[rwby-necromancer-au]

OK BECAUSE AT LEAST ONE PERSON SHOWED INTEREST

I’ve been thinking about songbirds a LOT lately

I have such a vivid image in my mind of how these guys would look and how it’d look to be on one of these stolen ships taking people out of Atlas to save them. How they’d care for these people and try to keep them safe.

I’ve also toyed with the idea of giving them a uniform of some kind. Instead of them looking like ordinary people.

I think them being dressed in all black would be a cool counterpart to Atlas’s Pursuers wearing only white.

In this hypothetical uniform, they’d wear masks. (specifically plague doctor masks bc I’m predictable and they offer a lot of versatility in design considering they’re called songBIRDS)

And also I’ve always imagined them with black captain hats or black chauffeur hats:

LOTS of layers, like a LOT.

They go everywhere, so they need to be prepared for any kind of weather. The hottest of the hot and the coldest of the cold.

I figure these guys may also just use dark colors, not necessarily black

Like brown, dark green, or whatever matches their mask, which will entirely depend on what role they have on the ship. Role = what kind of bird you are.

Here are the roles and their associated birds:

- Captains are Crows or Ravens

- Second in Commands would be Passerines

- Healers/Medics are Hummingbirds or Kinglets

- General songbirds without a specific role are Blackbirds

- Caretaker songbirds (ones that care for orphaned children or the elderly) are Cardinals

- Psychiatric Songbirds are Starlings

- Chef/Cafeteria Songbirds are Swallows (see what I did there? Hehe)

I imagine they wear trench coats, which I think would be a nice callback to where Oz got the idea for his own trench coat and why he likes them so much.

Another fun callback is how Qrow has his own plague doctor/songbird mask.

And how Glynda wears similar boots to the songbirds.

They probably wear cargo pants with lots of pockets, and bodysuits that go all the way up over the head (apart from the face), these can be swapped out for short sleeve version too. Work gloves and steel toed work boots are a must, so are lots of bags and holsters. I imagine they also have a harness that has some bags on it too.

All hidden beneath a heavy trench coat, that also has pockets.

I imagine these holsters and pockets are used to hold guns, flash bangs, other forms of weapon that can temporarily disable an enemy, knives, etc.

And most of these holsters and bags have a cover to go over them, to keep the things inside in place.

Can’t have anything too restricting, they need to be able to jump, run, roll, etc.

I imagine that they whistle, sing, hum, and that every song means something different.

Rarely do they ever actually speak to each other when they’re working, only use non verbal or musical communication. The only time you’ll see them converse is when they’re on the ship itself and not in danger.

They have to give up their entire identities to do this job, only being referred to by “Songbird” or their title of songbird (I.e “Blackbird” or otherwise)

They are covered head to toe. No skin is allowed to show really.

Those with long hair must either tie their hair up in a way that their hat and bodysuit will cover it, or cut it (Most usually cut their hair).

All songbirds must know how to speak in sign language.

All the boats that are used to take people out of Atlas/Mistral must be stolen from Atlas/Mistral or made to look identical to their ships. That way they can avoid detection

But yeah, those are some of my thoughts about them!!!

I really love thinking about these guys!

[inatungulates]

Southern warthog Phacochoerus africanus sundevallii

With red-billed oxpecker Buphagus erythrorhynchus

Observed by morten, CC BY-NC

[starry-bi-sky]

DPxDC Masterpost

Almost all of my DPDC posts have the #Danny Fenton is Not the Ghost King tags, barring perhaps my earliest aus like my Thomas Wayne Au (which will be included in the post). This tag includes art i've made, asks i've answered, and non-fic au posts I've created. This is my main tag!

DPxDC posts under the main tag that don't have their own tag: Danny's Life-Changing Cross-Dimensional Roadtrip with A De-Aged Batman Danny is also Bruce Wayne (Starry goes back to their middle school roots) Danny being the first batkid (if i can get the creative juices flowing I will expand on this. mark my words) There is a Damian clone LOOSE in Amity Park. Oh wait, Danny's got him.

My Biggest DPxDC Aus #Danny Fenton is a Clone: all my posts talking about clone!Danny.

Clone Danny Masterpost: previously my pinned post. A no-powers au where Danny is also a clone of Bruce Wayne, also includes some clone^2

#Clone^2: Clone Damian + Clone Danny au combined, explores themes like identity, found family, and growing into your own as a person. Starting post Here.

#Childhood Friends Au or #Cfau: A childhood friends dead on main au that explores grief, how it may change a person, and how growing up in Crime Alley changed Danny. Contains heavier themes like smoking and mild violence.

#Danyal Al Ghul Au: Mostly contains my au where Danny is not Damian's twin, but his older brother! An excuse for me to delve into the psychological effects that growing up in the League would have on Danny that I don't really see in other DAG aus. Putting the 'assassin' in 'raised by assassins'.

My Minor DPxDC Aus Danny Fenton is Thomas Wayne: an oldie but a goodie! An reveal gone wrong au where Danny decides to go by his middle name 'Thomas' shortly after the events of TUE, and leaves Amity Park two years later. He finds out that Vlad cloned him again and finds an infant in the lab. Danny takes the baby, names him Bruce, and ends up adopted by the Waynes.

#Danny Fenton is Jason Todd au: An au where Danny is Jason Todd! He was adopted by the Fentons shortly after the events of the carjacking.

#Older Brother Danny: contains all of my aus where Danny is an Older Brother. This currently includes only my DAG posts but it's not limited to Danyal Al Ghul.

#Changeling Danny: a half-ghost? oh, wait, no. that's a changeling. even worse! Danny's got latent fey blood from a Fenton getting freaky with a faerie some dozen generations ago, and it reactivated with a fervor when he had his accident! Instead of a halfa, he became one of the Fair Folk.

#Blood blossom au: currently the name for the time being. A Nightingale/First Batkid au where Vlad poisons Danny with blood blossom extract, and it results in Danny running to Batman! Currently only one post, but it has a lot of branching pathways in the reblogs. Batdad centered! Now comes with its own fanfic!

#tales of the passerine: the official au name for my "Danny being the first batkid" post! This au is what inspired changeling Danny. It's the idea that Danny was the first to be adopted by Bruce, and features me favoring batdad over "lmfao Danny goes fuck you bruce and adopts the other kids" au. Because I want batdad.

(Nightingale is, so far, the official vigilante name for the Eldest Batkid Danny concept on my blog.)

#mother of monsters danny: specifically its mother of monsters dan but i digress. I was messing around with my fem!Danyal au and boom! Her evil timeline self is Layal, the terrifying Mother of Monsters who raises any manner of monstrous beasts. I love her <3

#martha knight au same song, different dance! This is a fem danny version of my aforementioned "Danny is Thomas Wayne" au. Except this time around, Danny is Martha! Arguably my favorite between the two, I feel like I'm able to do more with her than Thomas. Her au's vibe is After All by Christine Ebersole

Bonus Excerpt: a ficlet I made in response to a DPxDC Dead on Main prompt! It's not under the main tag as I didn't make the post, however it can be found if you search #fem danny fenton on my blog. I actually really love this idea so I may make it its own tag in the future.

[proton-wobbler]

Round 2, Poll 26

Fiery-billed Aracari vs Bell Miner

sources under cut

Fiery-billed Aracari

These birds typically travel in groups of six or more, groups that sometimes include other toucans. They roost communally, and may pack several birds into the same cavity for sleeping.

A cooperative breeder, sometimes birds from the previous season will return to aid their parents in raising the next brood. While the diet of adult aracari is mostly fruit based, they’ll feed the nestlings mostly insects.

Bell Miner

“Their call is such a relaxing tinkling from the tall trees. But also, more importantly, they’re like the saddest looking birds I’ve ever seen. Like who hurt you, buddy.”

Bell miners live in large, complex social groups. Within each group there are subgroups containing several breeding pairs, but also a number of birds not currently breeding. Non-breeding birds will aid in the raising of the nest. These birds defend their colony areas communally and aggressively, excluding most other passerine species, which would compete with the miners on their main source of food: colonies of psyllid bugs called “bell lerps”.

"bell miner are a problem because of how well they protect their psyllid bugs. They lead to trees dying- it's called Bell Miner Associated Dieback, or BMAD (which is a great acronym). But eucalyptus forests are already struggling in a lot of places because of the changes in the fire regime. we need more fire, but BMAD also adds to those issues in some areas! I don't hold it against them tho, look how sad they are"

Images: Aracari (Joshua Vandermeulen); Miner (Bernadett Kery)

Birds of the World: Fiery-billed Aracari

[rosebard]

#ROSEBARD: she caught and held everyone's gaze until it hurt. bianka adler / viktoriya passerine, the uncrowned queen of mondstadt. a genpact original character, as loved by scout.

non rp blogs, dni ty.

[twola]

Passerine : Chapter 3

PAIRING: High Honor Arthur Morgan x Fem!reader

One step forward, two steps back.

Warnings: This fic has graphic descriptions of non-consensual sex, violence against women, the trauma thereafter, and somewhat unhealthy coping mechanisms. If any of that content makes you feel uncomfortable or triggers you, this may not be the fic for you.

Hi - I know it’s been over a year since I’ve updated this. Passerine is a love letter to trauma and the thereafter. It’s heavy. It’s hard to write. But thank you all for holding on to this. I promise it won’t be another year before I post chapters 4, 5, and 6 to finish it out.

Note: I play fast and loose with the passage of time as compared to the canon game.

➵ AO3 Link ➵ Fic Masterlist ➵ Previous | ➵ Next

Abigail pulls the canvas around the tent’s opening closed behind her. She sighs as she arranges the fabric to preserve the privacy that you so desperately need.

Wiping the back of her palm across her forehead, she squeezes her eyes shut as she tries to stave off a headache.

“Mama!”

She jolts, steadying herself as her five-year-old son barrels into her legs, whipping his arms around her skirts.

“Jack…-Jack,” Abigail reels slightly as she places her hand on his head as he snuggles into her thigh. She pushes gently and he unwinds his small arms from around her. He steps half a step back and she stoops down on one knee to look him in the eye.

She tucks some of his hair behind his ears, her hands cupping his small cheeks, losing the last bit of baby fat from them as the boy grows in fits.

“Can you be a good boy fer me and go find Uncle Hosea? I think he has a new book fer you.” 

His eyes flash in excitement as he nods, and Abigail gives him a wry grin as he tries to wriggle away, not letting go of him until she places a kiss on his forehead. When she takes her hand from his shoulders, he darts away across the camp, calling after Hosea.

Bless him, he’s like a grandfather to Jack. Between him and Arthur, sometimes, sometimes, she can almost forget how terrible of a father John is.

Speaking of which, she finds him staring at her from across the camp, elbows at his knees as he sits in front of the fireplace. She glares back at him before turning away, huffing in a moment of agitation.

She pulls back the tent's canvas slightly, confirming to herself that yes, you are asleep.

Frowning, she lets the canvas go and walks over toward the lakeshore behind where Arthur had set his tent wagon up, crossing her arms over her chest as the red-painted sunset reflected off of the still waters of Flat Iron.

When she had asked you when was the last time you bled, she expected sputtering, anxious eyes and having to come up with a way to tell Arthur that he’d gotten a child upon you.

Instead, your flushed face turned almost white as you shot to your feet and immediately stumbled away from the wash bin and toward the treeline.

Abigail dropped laundry she had been working on back into the tub and hitched her skirt to run after you, catching up only as you doubled over, leaning against a tree as you choked up bile onto the ground.

You had burst into tears in between wet, gasping breaths, your stomach heaving dry when there was nothing left to expel. Abigail rubbed your upper back soothingly as she pulled your hair back from over your shoulder.

“C’mon now, it’s gonna be okay. Arthur’s- he’s the best of the men, he’ll take care of you.” She cooed softly, her hand working in slow circles between your shoulder blades.

You sob aloud, which unseats her. “It’s…it’s….”

You could barely get the words out.

Abigail’s circles slow, “Is… it not his?”

You collapsed to your knees as sobs racked your body, wet coughs echoing through the woods.

Abigail spent the rest of the afternoon trying to console you, able to pry details between your fits of dry heaving and sobs. She narrows her eyes against the red sun in the distance, her shoulders finally letting down from how tightly they’ve been wound all afternoon.

The truth was much worse than she had been expecting.

She had managed to coax you away from the trees and usher you quietly into Arthur’s tent, where she immediately pulled the canvas shut before turning back to you and pushing you down gently into the cot, taking your boots off one at a time and placing them on the ground next to the cot.

In hushed whimpers, you told her about what had happened those months ago when the gang was still at Horseshoe.  Her brow furrowed in shock as she brushed your hair off of your forehead, taking a handkerchief from the pocket of her skirt and dabbing it across your damp brow.

The truth, as terrible as it was, was not unfamiliar to Abigail. A whore by fifteen, she had seen her share of women forced against their will. A customer gone too far, a rat of a man waiting to catch one of the girls alone, not wanting to pay for services.

She herself had experiences with it. 

But you, as you regaled the terrible details in hiccuping breaths, you had never been part of that world, and when the O’Driscoll forced you down on that bed, the act of sex had never been weaponized against you until that moment.

She had finally calmed you down enough that you drifted off to sleep, not more than an hour ago.

Rubbing the back of her neck, Abigail glances back toward where the horses are hitched, Arthur’s mare still missing amongst them.

She lets out a long, mournful breath. As many times as she had tried to assure you that if you were with child it was likely Arthur’s… all you could dwell on was that man who bound and gagged you and had you on the old bed in that dingy cabin.

You had cried yourself to sleep, and Abigail now has to figure out what to do going forward. Obviously, she thinks as she brushes the loose hair at the nape of her neck that escaped her bun, she needs to figure this out with Arthur. No matter what the decision was. She needed to talk to him before she made a trip to Saint Denis to collect the needed items.

A pang of memory flashes in her mind - the horrified look on John’s face when she told him she was with child. How it was months before he had her in his bed again. Only once, when she was swollen with child, did he lay with her - now years ago. 

The sound of hoofbeats draws her from the fugue of her thoughts. She turns partway around to see Arthur ride into the camp atop his mare, weighed down with a whitetail deer strapped across the horse’s rump. Wiping her hands on her skirt, Abigail sighs and moves towards where Arthur dismounts, following him silently as he shoulders the deer carcass and slings it over Pearson’s table.

He scoots over toward the tub of soapy water to wash the blood from his skin.

“Arthur.” 

Arthur looks up, shaking his hands from the wash bin, “Miss Roberts,” he drawls with a smile on his face.

Abigail does not return his smile.

-

“She was raped?”

Arthur stares at Abigail from under the rim of his hat, clenching his jaw, “How-”

“She told me.” Abigail sighs, leaning against the tree a bit away from the camp that she had led him to.

“She alrigh’? What happened for her to tell you?” Arthur mumbles, glancing back at the camp looking for you, but you are nowhere to be found.

“Arthur. I think she’s with child.” Abigail states in a hushed tone, and Arthur’s eyes dart wildly back to her.

“Child?”

“Yes, Arthur,” Abigail retorts, her patience frayed and finally worn out.

Arthur’s jaw clenches before he opens his mouth again, “It’s mine.” He mumbles, almost too soft to hear, eyes shooting down to the ground.

Much like how you refused to listen to Abigail’s pleading and reassurance as she tried to convince you of the same, Abigail brushes aside Arthur’s comment.

“Did he… did he spend in her?” Abigail rubs her eyes with the back of her palm, exhausted as dusk was closing in on the camp.

“I have,” Arthur says quietly, continuing to look at the ground.

“I know you have, idiot. But th’ first thing she thought is that this baby belongs to some dead O’Driscoll that raped her.”

Arthur’s jaw sets, unable to hide the snarl from his tone. “Ain’t no way it's his. We’ve been sleepin’ together for a couple a’ months. And I don’t always-”

“Yes, Arthur, I get that.” Abigail interjects with exasperation, “The question is - does she?”

The outlaw’s gaze flicks upward, landing on Abigail for a moment, before he turns his head to the side, looking over the western horizon at Flat Iron Lake.

“Look - I don’t know what y’all want to do. I don’t know what she wants to do. But…” She trails off, her gaze also looking out to the lake, “I can give her things to make it end.”

Arthur doesn’t respond.

Abigail dusts off her skirt as she begins to step away, “But Arthur…”

He finally can make eye contact as she looks back at him.

“She’s gotta make up her mind - quick.”

-

The dinginess - the sour smell of off-food and dirty men permeated the air. The kind of stink that simple cleaning would never get rid of.

Your head is killing you as you blink away the pain, but you find yourself biting down on a foul piece of fabric tied around your mouth. You try to pull it down, but find that your wrists are bound behind your back.

The door opens and the feeling of dread in your chest explodes into a blazing fire of fear.

“There’s my little girl.”

His greasy, dark hair is slicked back away from his disheveled beard, and he smiles that toothy, nauseating grin at you.

The O’Driscoll pulls up your chemise from your thighs up and over your belly, baring your bottom half to him. You try to clench your thighs together, but as he leans over you, you do not find that he forces your legs apart.

But you cannot fight him as his rough and dirty hand spreads out over your belly.

“Pretty miss - gonna be all big and swollen with my child.”

Your eyes shoot open, your fingers closing tightly around the blanket that you’ve pulled around yourself. You have to bite your lip to stop from screaming aloud. 

Dusk’s shadows permeate through the canvas of Arthur’s tent, and you realize you’ve spent most of the afternoon sleeping. You push yourself up in the cot, breathing out heavily.

You pass your hand over your stomach. As soon as Abigail asked you the last time you bled, the cavern inside you opened up. You hadn’t bled since before the house in Cumberland. The nausea, the vomiting. God, you’ve been so tired too. 

Shit, was it true? Could there be a child there, under the softness of your belly? Would you grow round and hard there beneath your fingertips? 

Not only was there a pit in your stomach, but you felt like your chest had been cracked open - you’re drowning in yourself - why can’t you escape that O’Driscoll and what he did?

You curl up smaller in Arthur’s cot, pulling the blanket over you, trying to hide from the world.

-

Usually, it’s before a job that he reaches for a cigarette. Something to calm his nerves and hone his senses before roaring into a situation with guns blazing.

That’s not the situation he finds himself in now.

Arthur finds himself pacing in the wooded area outside of camp, smoking hurriedly as his palm clenches in agitation. He throws the half-smoked cigarette to the ground and smashes it under the heel of his boot, turning his face upward and exhaling a plume of smoke with a sound that could be described as a sigh.

The lantern lights of the camp start to glow in the distance. He hasn’t worked up the courage to rejoin the group since stalking out to the woods and smoking half a pack of damn cigarettes.

Flat Iron Lake is still in the distance, a few ships passing between Saint Denis and Blackwater illuminate the dark waters.

Arthur grabs his hat off his head with one head and wipes the sweat from his brow with the back of the other. He closes his eyes, letting another long breath out.

Arthur swears he can hear a child’s laughter. It ain’t Jack though. Another young boy - with tawny hair and freckles dusting his cheeks. 

“Papa!”

A young boy who darts toward him as he slides off of his saddle.

The smile of a dark-haired girl leaning in the doorframe.

Fishing rods and toy horses and bedtime stories when he came around. A cup of coffee and pleasant conversation with a girl he shared a night with so long ago…

And two wooden crosses. Silence. Not even the birds sang that day he came upon the little house off the road. 

Arthur continues to pace, cursing under his breath. He goes to reach for yet another cigarette when he stops, swallowing, and grits his teeth.

How goddamn selfish of him to wallow in his own miserable past when you need him. The pit in his stomach reopens as he remembers the sight of you in that cabin. Bound, gagged, and violated.

And now his dumb ass has gone and gotten you pregnant. Foisted this upon you when you were still so vulnerable and hurting and god damnit - he told you he wasn’t a good person. This absolutely proves it.

There’s no lantern light on in his tent, he can see through the woods, and he’s stayed out long enough. Lord only knows Abigail is going to come find him and smack him the way she’s hit John - but he wouldn’t be any less deserving.

With yet another long, burdened breath, he heads back toward his tent.

Arthur Morgan moves as quietly as he can through the canvas, pulling it shut behind him. Darkness has fallen upon the camp, and he’s thankful that he can reach the oil lantern on the table with just enough moonlight for him to light it low. A yellow-orange glow emits from it, illuminating the tent.

You’re sitting in his cot, in the darkness, and in the light, he can see the sheen of tears down your cheeks. Your hair is falling out of the bun it’s half tied into. Fuck, he’s the goddamn scum of the earth.

“Darlin’,” his voice cracks with uncertainty.

You shiver, the threadbare blanket pulled over your shoulders as you sit in the cot. Arthur holds the rim of his hat in his hands, fidgeting with it restlessly as he cannot meet your eyes.

“Abigail seems to think…”

“Abigail’s right.” You mumble, monotone while staring into space.

Arthur chews his lip, “This is my fault.”

“Ain’t your fault an O’Driscoll-”

“I got you pregnant,” Arthur interjects, moving to sit on the small stool across from the cot.

“You don’t know it’s yours.” You snap back with a vicious snarl in your voice and he nearly recoils as if shot. This he did not expect.

Neither it seems, did you. Your eyes widen when you finally meet his, and hold his gaze for but a moment before your brow crinkles and you shove your face into your knees as you draw them up to your chest.

You hiccup a sob, “What if this baby looks l-like ‘im? What if the baby has them cold dark eyes starin’ at me like when when he-”

“Shh,” Arthur hushes you, preventing you from speaking aloud your terrible truth. He wraps his arms around you, drawing you into his embrace, “That ain’t gonna happen.”

You wriggle uncomfortably in his arms, trying to pull away. Arthur lets go of you, but his hands move to cup your cheeks and force you to look at him.

“No matter what, I’m gonna be here for you, sweetheart.”

Your eyes are only able to hold his stare for but so long before you look downward. Arthur lets go of your face and you take the opportunity to scoot further away from him in the cot, unable to look him in the eyes.

You’ve pulled your knees to your chest and hidden your face in them, ashamed of the tears that spill down your cheeks again.

“I had a son.”

Arthur’s voice is not loud, not strong, not solid. You slowly raise your head, sniffling, to find him sitting with his elbows on his thighs and head hung low, staring at the dirt below his feet.

“…had?”

He nods, still not looking at you, “He ‘nd his mother were killed, long time ago. Robbery.”

You remain quiet, your gaze down to the ground also. 

“I wasn’t there.”

You wrap your arms tighter around your legs.

“Wasn’t there for any of it. Wasn’t there when he was born, barely there as he grew up, wasn’t there when he ‘nd his mother needed my protection.”

Arthur rubs tiredly over his eyes, his thigh bouncing slightly with something you recognize as agitation, anxiety. 

Fear.

It is several moments before he looks up at you again, swallowing before the low timbres of his voice fill the tent again.

“If you want this baby - I’ll be here. For all of it.”

-

You curl up on Arthur’s cot and try to sleep. At your obvious discomfort, he maintains a distance between you, pulling a chair in from outside and posting himself in it, pulling his hat over his head to try to get some sleep. 

Just before dawn, the pit in your stomach threatens to open up, and you toss the blanket from your body and pad outside, hurrying toward the treeline for what has become your normal. You’re able to make it a few trees back before you have to stop and hunch over to empty your stomach.

You wetly cough between heaving breaths, and it is not but a few minutes later that you feel his fingers grab into your hair, pulling it up as you vomit into the leaves below. 

You lean into the tree harder as you spit up the last of the bile in your belly. Wiping your mouth with the back of your hand, you stumble slightly when you try to stand up, and Arthur’s hands find your waist quickly to maintain your upright position.

“C’mon there, sweetheart, let’s lay you down again.”

You don’t answer him, instead allowing him to guide you back to his tent as the first vestiges of the dawn overtake the sky. You let him help you lay down, you let him pull the blanket over your body. Exhausted, you finally fall asleep.

You awaken several hours later, when a hand presses to your forehead, checking for a temperature. Your eyes flutter open to see Abigail leaning over you, and you scramble to get up as she moves to the end of the cot to sit opposite of you.

Abigail takes your hand in your lap after a few terse moments. “Y’ wanna get rid of it? I can make that happen, but we gotta do it sooner than later.”

You look up at her, unable to stop the sheen of tears from glazing over your eyes. Tears escape and trail down your cheeks as your gaze moves from Abigail, sitting on the cot with you, across the small tent to Arthur, sitting on an old chair with his elbows on his knees.

Behind those blue eyes of his is a maelstrom, one you know he’s trying to hide from you. Arthur’s whispered voice echoes in your mind as he tells you the sorry tale of his own fatherhood. His loss, the indescribable hole in his heart full of regret and sorrow. Arthur’s gaze moves from you down to the ground.

You close your eyes as another wave of tears slides down your face, sighing loudly as you try to gather what little composure you have left. 

Finally, you look back to the woman gently rubbing your hand.

-

“Seen you hanging all over Arthur,” Grimshaw eyed your waist critically, “It’s his, ain’t it?”

There comes a time that you can’t hide it anymore - the swell of your belly just under your skirts. You’re sure the girls know - you’ve seen their eyes flit on your figure.

You continue to stare at the setting sun over the lake. Part of you wishes you had the wherewithal to respond, but you don’t have the strength to anymore.

Susan had clicked her tongue disapprovingly. “Idiots. The both of you.”

You avoid people. Get your chores done quickly. Don’t complain about not getting jobs. Arthur moved everything of yours into his tent, more permanently letting down the canvas sides.

From that very first day that you cowered in his cot away from his touch, Arthur had given you a wide berth since you pushed him away - hesitant, sleeping on either a chair or laying his bedroll on the ground.

You awaken many days before dawn, silently padding out to the wooded area south of the camp, far enough away that the rest of the folks couldn’t hear your retching. Several times in the beginning, Arthur follows you, and you angrily shoo him away before he stops tagging along behind you.

Over the weeks, your belly hardens, your breasts swell. You have to let out the waist of your skirt, and there is no hiding anything when the height of the summer finds Clemens - it’s so miserably hot that layers to hide your growing body must be shed or you’d sweat to death.

You’ve seen Dutch eye you. You’ve seen him argue with Arthur. You’ve seen Grimshaw join the fray. Hosea has been dropping ginger tea off to you in the morning with a gentle, knowing smile - it tasted terrible, but after the first few bracing sips, it did settle your stomach.

“Mind if I join y’ for a smoke?”

From the grassy spot you sit upon, you look up to find the widow Adler looking down at you. She’s shed her skirts and blouses in favor of work pants. Arthur had dragged her away from Pearson hollering some kind of awful and they returned with her much less agitated. Her blonde hair was pulled back into a braid, the scar above her eyebrow much more noticeable when she wasn’t wearing a hat.

You nod, looking back to the water, and the spurs of Sadie’s boots jingling as she pulls a matchbook from her trouser’s pocket.

“You know me, I ain’t gonna pussy foot about you. I know you ain’t gettin’ fat because of Pearson’s cookin’.” Sadie lights the cigarette between her teeth, continuing to talk through the process.

You remain silent, sitting there on the shoreline, arms looped around your knees, your skirts hiding your frame - your belly, swelling with child.

The match sizzles when she chucks it into the lake and takes a drag.

“Y’got a look about you that you ain't happy bout it.”

You frown, placing your forehead against your knees. “No,” you mumble into the fabric of your skirt.

She lets out a plume of smoke. Silence settles between you before you work up the courage to speak again.

“When they came to your ranch… did they… did-” you swallow, stuttering as your voice cracks.

Sadie drops the cigarette, mashing it into the ground under her boot.

“Yeah.”

You squeeze your eyes tightly shut, sighing before your voice cracks again,  “I… when we just got to Horseshoe - there was a house I was scopin’ a-and then… then an O’D-driscoll-” you start to sniffle as your vision clouds with tears.

Sadie does not meet your gaze, simply closing her eyes and breathing out her nose.

“And you're thinkin’ it's his.”

You nod, the tears slipping down your face. What a miserable excuse for an outlaw you are, weeping like a frail woman in front of someone who endured the same trauma.

She lets out a long, thoughtful breath, heavy with the weight of familiarity, “I know, better than most, that you ain't gonna listen to anyone, but y’know it's probably Arthur’s.”

You swallow, about to retort something back at her when she turns on her heel, her spurs jingling.

“You and he weren’t exactly subtle with what you were up to.” Her hand brushes your shoulder before she walks back toward the camp. You remain still, looking out over the lake with your arms wrapped around yourself.

“Best if you start lookin’ forward instead of lookin’ back. You’re only gonna find pain there.”

You look back toward her.

“Are you lookin’ forward?”

Sadie Adler turns halfway to look at you, her jaw set and eyes hard.

“No.”

-

You dream of blood. Of the overpowering richness and stifling warmth in the stale air of the tent. Of movement, people, murmuring voices, and hushed tones.

You dream of pain. You dream of being torn apart from the inside. You dream of screams, nearly inhumane, echoing in the tent.

You dream of Susan Grimshaw dabbing a damp rag over your head, a soft, pitying look on her face.

You dream of the women of camp surrounding you - of Abigail and Sadie, Tilly and Mary Beth. Karen, even Molly. Sadness, forlornness in their eyes.

Abigail holds a whimpering newborn in her arms, swaddled in a blanket.

The bundle is placed in your arms, and as you draw back the linen, the child’s features are revealed. Instead of Arthur’s dark honeyed hair and blue eyes, the babe has dark, dark hair and near-black eyes that blink up at you. Dark, cruel eyes that are nothing like your own.

Nothing like Arthur’s.

You rocket up in the cot, gasping, holding a hand to your breast to calm your racing heart. Your movement has awakened the other person in the tent, and Arthur shoots up from his bedroll on the ground, his head darting this way and that, looking for potential danger before realizing that you had been plagued by a nightmare.

“Sweetheart-” Arthur reaches toward your face to wipe the tears from your cheeks but you flinch and draw back further so that he cannot touch you.

“I just… I…” your voice stutters in the night, “P-Please don’t touch me.” 

His hand retracts from between you, “Course, darlin’.”

You gather the thin blanket around you closer, refusing to make eye contact with the man who has crawled closer to the cot from where his bedroll lay spread out on the ground. “Why are you doin’ this?”

“Doin’ what?” Arthur says quietly as he pushes himself up, from his knees to sit at the very end of the cot, opposite where you have curled yourself.

“This.” You gesticulate to the distance between you, then to his bedroll on the floor, “You shouldn’t be sleepin’ on the ground. You’re far too high up in this gang to be doin’ that.”

“You’re pregnant. I c’n sleep anywhere, don’t need a bed.” Arthur says, running his thumb over his bruised knuckles, also not making eye contact with you.

“I ain’t pregnant with-” You begin, clenching your fists in the blanket, your voice faltering.

“You are. Don’t start with this - you remember how many times we was stupid.” Arthur looks up, clenching his jaw and narrowing his eyes in a look of irritation before sighing, running his palm down his face against the exhaustion creeping in on him, “Look, sweetheart. I don’t know why you keep thinkin’ the baby’s his. We’ve been sleepin’ together for months.”

You turn your head away from him, setting your jaw. He doesn’t understand, how would he ever understand?

Arthur lets out a breath and moves from the floor up to sit at the opposite end of his old cot.

“But what if he is? What if this baby’s daddy is that O-”

“My daddy wasn't nothin’ but the man that made me.” He interjects, “Hosea and Dutch raised me more than my actual father did.” 

You glance at the mugshot placed on the wagon in the corner of the tent. Lyle Morgan stares at you, with unrepentant eyes, as if he were mocking you from the grave.

“If…if-” You stutter, your eyes watering over again as you draw your knees awkwardly to your chest, your belly getting in the way, The strap of your chemise slips down your shoulder, “If this baby is born and y’ see it’s h-his-”

“It doesn’t matter,” Arthur’s voice raises a bit, and as he realizes it, he slides closer to you on the cot, and grasps one of your hands in his own, his large, calloused hand engulfing yours, “I’m gonna be this child’s pa. Me. I’m gonna be that for the babe, and I’m gonna be that for you.”

You don’t fight his touch. Your eyes water over as you tightly close them, “I don’t know why you’d want another man’s-”

His thumb tenderly swipes your cheek, dashing the tears cascading from your eyes, “Cause I want you, sweetheart. ‘Nd anythin’ you create, it’s gonna be from you, and I want that too.”

You can’t hold back the sob from your throat as you crumble forward in the cot, Arthur winds his arms around you. You breathe in the musk of him - of leather and tobacco and safety.

And in the dim silence of the night, you allow it, burying yourself into his embrace, crying into his collarbone, your swollen belly pressed against his ribcage. 

[transstarfolk]

To Do ✦

(pt: To Do /end pt)

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REQUESTS (pt: requests /end pt)

block wars sisasystem A sisasystem 2 headmates (see req for info) camman18 fictive Masc anger holder Songtive pack Snowdin + Waterfall headspaces/sentispaces

(id: a banner of a golden vine stretched out straight. /end id)

NON REQUESTS (pt: Non requests /end pt)

Alternative Multifictive / Multifactive flags Alternate dynamic/static fictive flags Alternate genderfluid fragment system flags Passerine Sisasystem Intromorph/Morphtive flag