#No Space For That Nonsense Here

[wardog-of-the-endless]

Getting that ‘stalked by an anti’ feeling...

Uno Reverso Block-o, here we go.

[sensiblereblogifposts]

A while ago, I posted a petition, to stop the closing of a much loved museum, Syndeys Powerhouse museum, a place that's been under threat for years.

I need your help with this once again, (especially if you are an Aussie)

After years of threatening to close down and demolish our only science, tech and applied arts museum, and one attempt to turn it into an events center, they've come back with another plan, which basically amounts to "we're going to clear out the museum and demolish most of the structures inside. We definitely have a plan to put some cool stuff back, but we can't tell you it, but it's definitely gonna be great. Don't mind that a bunch of purpose built structures to display delicate objects are set to be demolished."

(That's an F1 Apollo rocket engine, very rare outside the USA. Almost 60 years old, now delicate, but it's going.)

"We've garunteed 3 of the most iconic items (not their accompanying collections) will come back. Pay no mind that we haven't allowed for where they're gonna go, or that the one object we can't move (rare, 250 year old working Boulton and Watts steam engine) is set to end up inside a corridor)

(There used to be room, elevated planforms even)

"Oh, also, you know that museum storage hall, so close by and practical, with a loading dock and workshops, that's also sitting on prime real estate? We're building a second loading dock and workshops in the main museum! Right where the all classrooms where!"

It's supposedly a heritage restoration, but in truth, it's based of a skewed heritage report which has been heavily criticised as I'll informed, and rigged to allow the place's removal.

Almost every detail goes against the spirit of the original musuem. The orginal museum was a fun, post modern place with a sciencey vibe,

Which transitioned fluidly into historic halls, with historic products and technology to match

The Musuem has an upper entrance designed to be welcoming, full of natural light, and evoke the feel of an old grand train station. This is to be bricked up.

Rather than restore the older galleries, theyre taking several of them out reducing display space from about 15,000m²ish to about 6000m² ish.

The historic halls included restored generator room filler with steam engines. This really put the museum on the map.

But that's going.

All that is going, in favour of

This kind of thing.

The plan to do this is on display untill end of may May 30th, Aussie time. It would help a lot if you (might be only Australians) log on and make a short comment opposing the project:

A lot more commentary on the project can be found at:

@protecpowerhous on Twitter

Or if you cant make a submission, and still haven't, please sign that petition:

The people reporting to government planning will be see it, and attention helps.

[spookberry]

Tucker: "W-what?! No! I don't have a crush on Danny!"

Cleo: "Honey, denial isn't just a river named after my family."

This ask: Silly and Goofy

What I decided to make of it:

Relationship Angst

[novelconcepts]

There are a lot of Worst Things about depression. Everybody's got a different Worst Thing. Hell, I can't always decide on what my personal Worst Thing is. Sometimes it's the numb despair. Sometimes, it's the dumb animal panic. Most of the time, though, it's that there isn't enough room inside of me.

What I mean is: I care about too many things. I think that's pretty standard these days for a lot of people. Empathy stretched fine as gossamer. We see so much suffering each day. We see so much more than any one person was meant to. So you wind up caring, because caring is what a person is wired to do, what makes life worth living. You care about people you know. You care about people you've never met. You care about situations in countries you haven't set foot in. You care about the political climate of your own hometown. You care about your own dreams. You care about your best friend's bad luck. You care about your pets' health. You care about when the next book in your favorite series will come out. You care, and you care, and you care, because you're wired to care about it all. It's exhausting sometimes, but it's life. Sometimes the best part of life.

With depression, the caring space gets to feeling too full. Has packed tight, all those elements butting into one another until they lose meaning, the darkness threading into the gaps. There just isn't enough room inside of me for all the fear and the despair and the weird empty anger, much less the stuff that actually matters. So I start shorting out. Because, see, depression makes it so I can't care; don't see a point in even trying. And the real me, the part of me that isn't being cannibalized by the demons, doesn't know how to do anything else. So the middle ground becomes: shrink the caring space. Shrink it down bit by bit. All systems are running at once, and we're getting low on juice, so the natural thing is to start shutting off lights. Start jettisoning the extraneous to make room.

Except it's depression at the wheel, not common sense, so it's not just the extra flair getting turned off. Not the despair and the mind-numbing terror and the reckless urge to pick fights. The stuff that winds up getting tossed is stuff I need. Stuff that keeps me going. It's all being shut down at once, no rhyme or reason, until I suddenly can't care about the things that are me. Intrinsic, fabric-level stuff. I can't care about creating. About making art. About telling stories. I can't care about other people telling stories. I can't care about my friends the way I'm supposed to. I can't care about their travel or their kids or their wins. I can't care about making food for myself. I can't care about brushing my teeth. I'm shutting down to component parts, but I didn't get to pick which components are still running full-power, so I wind up with just a handful of randomly blinking lights. Suddenly, I care very much about my fear of the future, my financial insecurity, how fast I can run a 5K, a single television show--and just about nothing else.

It isn't healthy. It's sure as fuck not sustainable. And I know from experience that the rest of the system will come back online eventually. I'll find myself telling another story in a week or a month. I'll find myself sketching something out of nowhere. I'll find myself able to grieve a lost loved one and treasure my new nephew. It'll all come back, in time. But it's the in-between bit that grates. The bit where I'm in the shuttle with my knees tucked against my chest, sucking oxygen through a straw, trying to conserve whatever is still running. The bit where I resent the people in my life who aren't running on fumes like I am. Where I'm furious that they can care, that they can move freely, that they aren't pacing a minuscule cage like I am. It's a loss, all the months and years I've spent on life support. It's a fucking waste.

That's where I am right now. Life support. Little things get in, from time to time. I can suddenly inhale a book series start to finish. I can suddenly coax myself into eating the same thing for lunch for three weeks straight. Those are extra lights on the dash, and I have to treasure them. Because there isn't really room, so any little thing that I find space for is a gift. And everything else--talking. planning. trusting. creating. intake.--has to stay dark for a little while longer.

It'll come back on. I have to believe it'll come back on.

In the meantime, I hunker in my shuttle, and I wait.

[chutkiandchotte]

girls aren't dumb and i absolutely take it seriously & hate it when anyone tries to imply this. its an absolute and instant ick for me when a real and/or fictional person expresses such a sentiment.

long story short i really hate the IPKKND fanfic cliche of Arnav/the narrator commenting on Khushi's "peanut brain" "tiny brain" "don't use your peanut brain" "don't use this tiny brain of yours" (🤢🤢🤢 its a trope...its actually a trope...)

like first of all that is demeaning AF its not funny at all (sorry i have no sense of humour about this...i just don't) and second of all, KHUSHI IS CANONICALLY SMART. I KNOW THE WRITING GOT BAD AT TIMES BUT SHE IS A SMART AND RESOURCEFUL GIRL WHO HAD THE CAPABILITY TO WIN ARNAV'S CHALLENGES AND IMPRESSED HIM AGAINST HIS WILL EVEN WHEN HE WAS AT HIS PEAK OF HATING HER. EVERYONE AROUND HER KNOWS HER AS THE IDEAS PERSON AND GOES TO HER FOR CREATIVE SOLUTIONS TO DIFFICULT PROBLEMS. NANI CALLS HER SMART AND MATURE FOR HER AGE, REPEATEDLY!!!

look, she is not stupid, any more than Arnav is a violent & abusive, which is to say, yes sometimes when the writing was bad, this is how they came across but at their core this is not who they are. i don't want this smart Arnav dumb Khushi dynamic, I like them as two smart people (maybe with different types of intelligence) who match each other's level like no one else can and IDK why you'd want it any other way!

[paintedpeeta]

Sometimes I get so soft because I firmly believe that even without taking into consideration the games Katniss and Peeta ended up in a home better than the ones they grew up in. Peeta helps take the responsibility off of her and makes her smile! Katniss is safer and more caring towards Peeta even when she’s grumpy! I really do love the “I know this would’ve happened anyway” because I do really believe they give each other something nobody else can. This may be the shipper goggles but they seemed more like best friends to me than any other relationship in the books.

it is so lovely to think of them giving each other the life that they deserve.

i’m firmly with you that peeta takes the burden off of katniss in terms of being responsible for her family’s survival. i’ve spoken about this before but it would be so healing for her to not have that constant weight on her shoulders, worrying where the next meal on the table is going to come from. knowing that there’s no pressure to bring in a haul from the woods, or to make good trades in the hob. their fridge is always stocked, and they can buy whatever they need when they need it.

likewise, katniss gets to give peeta all the love that he didn’t have growing up. she shows it in a million different ways, cutting his hair for him and waiting up for him at night when he wants to paint out all of his bad thoughts. even on her bad days, she never makes him feel unwanted or shut out. even if she can’t speak, she’ll find other ways to remind him that she still loves him more than anything. he doesn’t need the constant reassurances, he’s a big boy after all, but it is nice.

also sometimes i just think about the “i know this would have happened anyway” thing and short circuit because… miss katniss girl…. that is so much packed into a teeny tiny little statement. like, she knows she would’ve ended up with peeta. it feels like after everything she is finally admitting to herself, and to the reader what she’s (and we’ve) known for a long time. on the point you made about them giving each other something no one else can, she pretty much says as much when she says only peeta can give her what she needs (which is lovely in itself, too).

[biracy]

I know this can be contentious (and even just mentioning this kind of analysis as a serious one makes a lot of people who don't understand what literary analysis is very angry) but I actually think it's pretty cool that people can draw both transfeminine and transmasculine reads of Jesse from hit TV show Jesse out of the text of the show. Something something shared experiences something something solidarity. You get the idea

[sukasshunn]

old doodle, i really miss femboro  💙 

[thebroccolination]

SERIES VS. COUPLE

Do your favorite BL couples match your favorite BL series?

I feel like this must be a phenomenon, so I want to see what other people's lists look like. \:D/

These are mine. I'm very proud.

Voila:

TOP 3 SERIES: Be My Favorite, SOTUS, Until We Meet Again TOP 3 COUPLES: WinTeam, KongArt, KawiPi

Because, like, we judge series and character based on different criteria, right?

Be My Favorite shot to the top of my list by episode eight last year because the writing was immaculate (Waa took extra time to really hone the script, and it shows!), the directing is phenomenal (the behind-the-scenes footage and interviews show how much influence Waa had in bringing out the best in everyone), the premise is right up my alley (subjective, but y'know, favorites lists are subjective by nature), etc. etc. etc. It's just all-around an incredibly well-crafted show, so it's sitting pretty cozy up there at the top.

But!

When I think about couples, WinTeam and KongArt are firmly first and second.

WinTeam have been my favorite BL couple from Day ONE, and no one's even remotely challenged them since even though Between Us is somewhere around #5 or #6 on my list (depending on how much of the series I choose to selectively forget).

And KongArt? We saw them grow from age 19/20 to, like, 26/27? (I haven't math'd the years in a while, but the Our Skyy episode is definitely set during their late twenties.) Experiencing that much development for a BL couple is rare, and their relationship is portayed so beautifully.

So, y'know, both lists are completely subjective and don't always have anything to do with quality or whatever. WinTeam are my favorite couple because Win's my favorite character archetype and Team is a sassy traumatized gremlin, and Be My Favorite is my favorite series because holy shit I love gay time travel and it's the only series I've seen that's treated leitmotifs seriously.

SO TELL ME YOURS. \:D/

[ken-katayanagi]

I’ve read your google docs of the katayanagi twins’ fashion. Super interesting stuff and I love it as both a fashion enthusiast and fan of the siblings. Your document really emphasizes the distinction between those two even with the very little info we have on them (kyle’s style could be late 80s japanese pop while ken’s style could be more leaning towards visual kei). Also matches their personalities (ramona mentioned kyle is the hothead of the two, so I guess the pretty and proper bad boy kind of look fits him)

Something about your endnote fascinates me, however. You mentioned something about the twins’ relationship being strained but then strengthened after ramona’s betrayal. Would you implore more on the idea? I’m now invested in it very much…. thank you and have a good day

Thank you!!! I mostly based my looks off this piece of concept art by O’Malley, which makes me think the personalities the twins had in their few anime appearances were just parts that weren’t as well communicated in Vol. 5

(I think that little doddle next to the crossed out “they’re not even Japanese” emphasizes that visual kei comparison you made)

But as for the second bit, I think the twins weren’t exactly on great terms, even before Ramona. A decent part of this has to do with my own personal head cannons surrounding Kyle and how I perceived his and Ramona’s relationship with alcohol, but also with just how different the twins seem to be under the surface. They seem like they would run in almost completely opposite social circles and be invested in similarly opposite things.

And it’s honestly really tied to their teens. Basically, their parents kinda unintentionally set up a dynamic where Kyle felt like Ken got away with everything (piercings, weird clothes, going out to band shows and having a more trusting relationship with their parents) and Ken thought Kyle couldn’t get his act together (partying, showing up back home late, getting in fight with their parents). Neither was true as in reality their parents let a lot of stuff with Ken slide that wouldn’t have otherwise because “well at least he’s not drunk” and Kyle was genuinely going through some serious mental shit but not telling anyone so his actions just looked super random and mean spirited. So by the time they get to college, they haven’t really addressed this weird image they have of the other in their heads.

And it explains how Ramona was even able to two time siblings. They’re not going to the same parties, they’re not really talking at length about their lives (since they never mention enough detail to make the other suspicious), they’re probably not really bothering each other much if they share a dorm. Ramona unconsciously sees and plays this divide, knowing they’re not really together enough for her to get caught.

It also emphasizes for me a very emotional aspect for all three of them. Ramona is hot off a messy break up (Roxie), the breakup that ended her first relationship with a women and also seems to be her first attempt at having something…maybe not serious but genuine (it seemed more important than anything with Matt Todd or Lucas). Shes hardly in the headspace to be in a relationship, and maybe after some nights out, she’s terrified and not sure what to do because whoops she’s in two! And the longer it goes on the less Ramona actually wants to fix it because it’s kinda fun in a messed up way, and the twins aren’t bad company…until it all comes crashing down and she’s out the door before they even notice she’s gone. I think Ramona’s relationship with the twins is her at her actual lowest, with her being most at fault for what happened and the least justified in bolting afterwards. This low point is exactly when Gideon finds her, unsure and upset at herself, in exactly the position to manipulate her. (Sorry if this came off a little Ramona bash-y, I love Ramona but this girl makes bad choices)

As for the twins, I think the really strong emotional beat here is the idea of how avoidable it would’ve felt for them. How if they had just been able to set aside their own bullshit, if they had even bothered to connect at all, they could’ve figured it out in a few days, rather than in a few weeks or a few months. Ramona’s betrayal is catalyst for them to sit down and just…talk out a lot of their own personal crap.

But yeah that’s why. Sorry this got super massively long, but I hope you liked it and it wasn’t too ramblely lol.

[navree]

unfortunately i do think this was kind of a weak season finale, there's a lot of stuff from overarching story arcs throughout the season that feel really unresolved (not in a 'this story is gonna keep on going' way, just a straight up 'we're not addressing this any longer' kind of way).

like, have sam and lois talked? she has a lot of abandonment issues and the last time they interacted he abandoned her and it sent her spiraling, have they communicated about this? why did waller go on the run? did checkmate turn against her? why are slade and lex apparently on the same side now? they hated each other and slade should be thrilled lex's metallos failed, why are they suddenly apparently pals? do they even still work for the government? clark and lois's "break up" and the issues involved in it on both clark and lois's side hasn't ever actually been addressed and it needs to be, are we ever gonna see that? where tf are clark's little shorts????? are they gone forever?????

combining that with the fact that this episode feels really padded (given that there was just this constant circular 'they're up they're down they're up they're down' for like 90% of the fight with brainiac), i do really feel like the story would have been better served if they cut the padding, resolved the brainiac invasion at the end of ep 9, and devoted ep 10 to addressing these myriad loose ends in a tight enough way that the season doesn't feel incomplete but still leaving doors open for season 3. because some of the loose ends are fine, 'oh we don't know what happened to hank henshaw', that's just a good teaser for whenever he shows up next season as metallo, that's a good loose end to have for a season finale. but a lot of these just feel like unresolved plots that aren't getting any resolution ever. sam lane went through an entire character arc and we didn't see any of it and it feels jarring, it feels like a writing fail. which is unfortunate because i really love this show and most of the writing has been very good, especially this season.

so i hope that they're able to be a bit tighter and more cohesive for season 3. and also pay chris parnell a hundred million dollars so he can voice anime slade wilson in every single episode.

[cursed-40k-thoughts]

The twitter account bitshammer was shit talking you on twitter because someone shared your ask about the primaris lieutenant on grimdank

So, ok. A Twitter account said something(?) about an ask I got... because of a screenshot... on Reddit... of this Tumblr blog being (I assume) really fucking dry about Space Marines

[bunnihearted]

🃏

[blitz0hno]

Me pondering: kids are capable of going through and understanding complex problems and their feelings should be taken seriously when it counts.

Me practically: who are all these annoying fucking kids in the milgram fandom and why are they posting the worst takes and most irrelevant bullshit I've ever seen ever???

I think these are valid to coexist.

[jinstronaut]

yeah i’m absolutely 🏃🏻‍♀️💨

[transannabeth]

hi. for people who saw gatsby: an american myth. do you remember mckee asking nick for lunch. and then gatsby in like the next scene inviting nick for lunch. because i remember.